As the saying goes, “spring has sprung.” In my garden, daffodils are blooming and tulips are on the way. My peas are planted. But how do you know when to plant your veggies and tender annual flowers? It’s not just about the last frost of the spring. You need to think about which plants can survive and thrive in cold, wet soil and which would rather wait to get planted until late May or even mid-June.
In the vegetable garden, tomatoes, peppers and eggplants are the prima donnas. I generally wait until June 10 at 9 a.m. to plant them. Or something like that. I shape up my wide raised beds well before I plant, allowing the soil to dry out and get warmed up. I rake off the straw or leaves I used to protect the soil from erosion over the winter. I like to work in aged compost well before planting time.
Peas and spinach are very cold-hardy and can survive frosts. Root crops like carrots, beets, onions and potatoes prefer warm soil for growing but will tolerate cool soils and won’t get killed by a late frost even if their leaves are up. But in my opinion almost any plant would prefer to grow in soil that is at least 50 degrees.
Whether you start your tomato seedlings indoors or buy plants from a garden center, you should “harden them off.” They need to be introduced to sun and wind in small doses at first so they don’t get sunburned or dehydrated after being pampered for weeks in a greenhouse or on a kitchen windowsill. This process will take five days or so, but if you don’t do it you will either kill your baby peppers or stunt their growth for two weeks or more while they recover.
Start by putting your plants outside in a place protected from the wind that only gets morning sun. Give them two hours of morning sun the first day, then bring them back inside or well out of the sun’s rays. Increase the time outside each day and by Day 3 give them some afternoon sun too. On Day 5 they should be OK outside all day, and after that you can plant them.
What about fertilizer? I generally don’t give annual flowers like cosmos or zinnias any at all. Soluble nitrogen found in chemical fertilizers will make them grow tall but delay flowering. Of the vegetables, only peppers need no fertilizer, but in my opinion no vegetables should get chemicals of any kind, including fertilizer and pesticides.
Newly planted seedlings and seeds need to be kept in lightly moist soil. A seedling that cracks open its husk to send up a shoot may not make it to the soil surface if the soil is too dry. So check your garden every day. And if your tomato starts to look limp or drooping, water immediately — even if it means going to work late. Just email me; I’ll send an excuse to your boss to keep you out of trouble.
There are many ways to keep your plants lightly moist in the vegetable or flower garden. One way is to set up a drip irrigation system. I’ve had good luck installing soaker hoses — rubber hoses that leak slowly through pores. I’ve bought the “Snip and Drip” system from Gardener’s Supply.
The basic kit comes with the hose and T-junctions and fittings to install it. Then, if you buy a watering timer the system will come on a schedule you determine. I’ve used many types of timers during my time as a garden designer and installer. My advice? Get the simplest one you can get.
What about rototillers? Should you rent or buy one, or not? I used one for years until someone more knowledgeable than me explained why he didn’t: Rototillers seriously disturb the microbes in the soil. They break up useful fungal networks that support your plants. They make a bed clean and neat, but in fact have only sliced up the weeds and buried them. One invasive root becomes multiple roots and can move them farther from their initial location. I have a friend who rototilled a small patch of horseradish and turned the bed into a large bed full of horseradish he could never eliminate.
I no longer recommend rototillers. Photo by Henry Homeyer.
So how do I prepare my soil? I use a five-tined old-fashioned potato rake that loosens the soil as I pull it through the soil. Or you can use an ordinary garden fork to loosen the soil if it is a heavy clay, and then finish it off at planting time with a good hand tool like a CobraHead weeder. You can use a hoe to pull soil from the walkways up to form mounded beds. And as you improve your soil with compost each year it will get easier to prepare nice, fluffy beds rich in organic matter.
Gardening is fun. It is rewarding, too: Tomatoes and lettuce taste better when eaten the day they were picked. The exercise will make you healthy, too. Just don’t work so hard you get blisters and sunburn. Ease yourself into gardening — just like you harden off your plants.
Henry is an organic gardener who has been fussing around in gardens for about 75 years. He is the author of four gardening books. His email is [email protected].
Featured photo:This kale was started indoors on Feb. 22 and needs to be hardened off before going in the ground in early May. Photo by Henry Homeyer.
• Saturday, June 1, marks Nashua’s Parks and Recreation Department’s official start of summer. Join the fun at Greeley Park (100 Concord St., Nashua) from 10 a.m. to 1 p.m. There will be games, touch-a-truck, various activities, and live performances by children’s musician Judy Pancoast (judypancoast.com) at 10:30 a.m. and magician BJ Hickman (bjhickman.com) at 11:30 a.m. The event is free and open to the public.
Animals
• At Prescott Farm Environmental Education Center (928 White Oaks Road, Laconia, prescottfarm.org) on Wednesday, June 5, from 10 to 11:30 a.m., pre-K visitors accompanied by an adult can see a taxidermied owl, sing and dance to owl sounds and music, and play an owl and mouse game in the “Summer Polliwogs: Whooo’s Who (American Owls)” program. Tickets for a pair are $15.
• Celebrate National Dinosaur Day on Saturday, June 1, at Leach Library (276 Mammoth Road, Londonderry) from 1:30 to 2:30 p.m. with their Explorers Workshop: Dig into Dinos. This program, open to ages 9 to 14, will focus on paleontology and dinosaurs; participants will excavate their own dinosaur and create an identification card for it that will include a name and characteristics, according to the website. Register via the Events calendar at londonderrynh.gov/leach-library.
Vehicles
• Touch a truck at New Boston Central School (15 Central School Road, New Boston) on Saturday, June 1, from noon to 2 p.m., with Quiet Hour noon to 1 p.m. Children will have an opportunity to see and touch many types of trucks, and talk to the people who drive them. This event is organized by the Whipple Free Library (whipplefreelibrary.org, 487-3391). Food will be available from the Tola-Rose Italian Eats Food Truck, according to the website.
• The 80th annual New Hampshire Soap Box Derby race will be held Sunday, June 2, at 120 Broadway in Dover — check-ins begin at 7:45 a.m., with side-by-side competitions starting at 10 a.m. The Derby is an opportunity for kids ages 7 and older to create a gravity-powered car and race it down a track in hopes of making the All-American Soap Box Derby World Championship, hosted in Akron, Ohio. Cheering on the racers is free, and parking is available at 73 Oak St. in Dover. Visit nh.soapboxderby.org.
Hands-on
• The Children’s Museum of New Hampshire’s (6 Washington St., Dover, childrens-museum.org) New Hampshire Maker Fest is on Saturday, June 1, from 10 a.m. to 3 p.m. The event is a large-scale show-and-tell with makers of all kinds, including artists, engineers, scientists and others, showcasing their creativity. Admission is on a pay-what-you-can basis, with a suggested $5 donation.
• Join the Seacoast Science Center (570 Ocean Blvd., Rye) for World Ocean Day on Sunday, June 2, from 10 a.m. to 2 p.m. The day will feature hands-on games, educational activities, naturalist-led tide pooling sessions, food trucks, a beach clean-up and a life-size inflatable whale. Visit seacoastsciencecenter.org to see a detailed schedule and purchase tickets (for non-members the cost is $20 for adults, $15 for children, free for those under age 3; members pay $5 or free under age 3).
Kermit the Frog once remarked that it’s not easy being green, but Kermit had never met Helen Ryba, the owner of the eclectic and otherworldly Green Envy (377 Elm St., No. 1, Manchester), where she makes being green look easy.
Ryba, a renaissance woman, hosts spaces for local artists to sell their wares. She also holds various classes and offers an anytime drop-in candle-making experience through her Queen City Candle company with a plethora of scents so visitors can craft a unique smell spell specific to their soul or season. It doesn’t hurt that there is free parking on the side.
The offerings include antiques, hydroponic plants, art and more.
“People have a lot of fun if they come here,” Ryba said. “People say I’m a hidden gem but I don’t want to be hidden anymore.”
One unique offering is the locally crafted baby blankets made from old chenille bedspread material.
“I just like the idea that it’s local stuff,” Ryba said.
The candle drop-in is a great time, and participants only need to arrive an hour before closing to take part. “I’ll add different scents depending on the season,” Ryba said. “These are high-quality scents.” From Palo Santo to Baked Apple Pie and Froot Loops, $20 for a nice-sized unique candle that someone can make themselves is a treat.
The creation process takes place in a cozy classroom space with a large wooden table and a seafoam green microwave and refrigerator, which were a joint gift from her three sons, as well as local art pieces on the walls.
Age is no barrier, and the artists Ryba sells for run the full spectrum. “I have a lot of older women’s art here,” she said. “Some women will find later in life that they have these talents that they didn’t know that they had. They’ve retired or they’ve tried different things later on, and I think that’s cool.”
There are classes every Thursday night, typically running from 6:30 to 8:30 p.m. A class from a couple weeks ago involved wreath making; others include Tarot card reading with a craft project involving the card that is pulled.
Succulents in vintage vessels pair nicely with the hydroponic plants. (“Hydroponic has no dirt, it’s only water, so it’s almost impossible to kill,” Ryba noted.) A plant resting over what looks like a potted plant is lifted to reveal a secret cenote of plant water.
“Once a week you raise the level to where it was originally and then once a month you just rinse the whole thing out, you rinse these, these are called LECA balls, with warm water and then you refill it and that’s it,” she said. LECA stands for lightweight expanded clay aggregate and is used in a lot of hydroponic plants. Ryba has plant foods and other hydroponic plant supplies for sale as well. “People say this is their spot to come when they’re looking for gifts.”
In the Tarot card section there are locally crafted goth-type dolls. “This is a little bit different,” Ryba said. “I guess I have some women that are, I guess they’re witches. I’m not a witch but they like that kind of stuff.”
A line of lotions from a local nurse, a “Not Your Mother’s Hallmark Card Section,” a series of drink mixers from Goffstown, hot sauce from Portsmouth, and fine art glassware from Tara Van Meter are in the shop as well.
Birthday parties are even a possibility in the classroom space. “I did a birthday party for a girl who turned 30 and some of her friends,” Ryba said. Class night and private functions are BYOB: “I’ll supply the ice and the cups and all that good stuff.” There are guidelines; open bottles are not allowed to leave.
“People seem to really like the classes,” Ryba said. “Most of the people that come out to the classes are women. I would say 90 percent are women, it’s like girl power. They come as strangers and leave as friends. I’ve seen people get together afterward, so it’s really great.”
Shop and craft Green Envy 377 Elm St. #1, Manchester 722-3885, greenenvywellness.com
Classes: Conch Shell and Glass Necklace Thursday, May 30, 6:30 to 8:30 p.m.; $49 Pressed Flower Lantern Thursday, June 6, 6:30 to 8:30 p.m..; $35 More class listings can be found online.
The latest from NH’s theater, arts and literary communities
Multi-artist show:Positive Street Art and Opportunity Network will be hosting their “United Through Color” exhibition on Thursday, May 30, from 6 to 8 p.m. at Positive Street Art (48 Bridge St., Nashua), showcasing the solo and collaborative work of 14 artists whose breadth of mark-making and material manipulation is sure to astound and inspire, according to a press release. Fifty-five percent of sales will directly go to the artist, 35 percent back into this program and 10 percent to benefit Positive Street Art, according to the same release. The organizations hosting the exhibit thank New Hampshire Council on Developmental Disabilities, and the artists featured in this exhibition will be Liz Morin, Darren Roberts, Sue Long, Teddy Theos, Ed Davis, Duncan MacLennan, Sara Coffill, Amanda Pare, Hannah Gould, Alyssa Sawicki, Meghan Costello, Lisa Beauchamp, Yasamin Safarzadeh, Amara Phelps, Roger Balcom and Randall Neilson, according to the release. Visit positivestreetart.org
• Choral festival: Be the Change is a collaborative choral festival that will be held Saturday, June 1, at 4 p.m. at Concord’s South Congregational Church (27 Pleasant St., Concord) and will feature these Concord Community Music School ensembles: Canterbury Singers, Northern Lights Women’s Vocal Ensemble, Purple Finches Youth Chorus, Songweavers Women’s Chorus, Songweaver Drummers and Sunset Singers, according to their website, which suggests ordering tickets in advance. Prices range from $10 to $30. Visit ccmusicschool.org/events.
NEW HAMPSHIRE ART Two Villages Art Society in the Hopkinton village of Contoocook (846 Main St.) will showcase more than 30 New Hampshire artists and sell their work in the annual summer member show, “Communities Gather,” which runs until Saturday, June 22, according to a press release. Admission to the gallery is free, as well as the opening reception, and the gallery is open Thursday through Sunday from noon to 4 p.m. All exhibitors in the show are members of Two Villages Art Society (TVAS), a nonprofit organization that offers exhibits, workshops and other events. Work in this exhibit will include paintings and drawings, fiber arts, jewelry, pottery, and prints from painter Pamela R. Tarbell, ceramic artist Karen Sobin-Jonash, photographer Jeff Schapira, knitter Martha Johnson, fiber artist Jules Robinson, and other artists from Hopkinton, Concord, Warner, Meredith and nearby towns. The summer members exhibit is juried by a prominent member of the New Hampshire art community with a “Best in Show” and “Artist Merit” award to be presented during the opening reception.
• Spring concert: The Portsmouth Symphony Orchestra will perform its spring concert at The Music Hall (28 Chestnut St., Portsmouth, 436-2400, themusichall.org) Sunday, June 2, at 3 p.m. Tickets start at $23.50.
• Handbells: The Granite State Ringers, New Hampshire’s only elite handbell choir, will perform at the Spotlight Room (96 Hanover St., Manchester, 668-5588, palacetheatre.org) on Sunday, June 2, at 3 p.m. Tickets are $50.
• On stage: Manchester Community Theatre Players (MCTP) will present the musical comedy The 25th Annual Putnam County Spelling Bee at the MCTP Theatre at the North End Montessori School (698 Beech St., Manchester) on Friday, May 31, and Saturday, June 1, at 7:30 p.m. as well as on Sunday, June 2, at 2 p.m. The show focuses on six misfit kids in a spelling bee and the three adults in charge, resulting in hilarious and touching stories from the tweens’ home lives, according to a press release. The 25th Annual Putnam County Spelling Bee is appropriate for ages 14 and older due to adult themes. Tickets are $20 for adults, $18 for those 65 or older, and $10 for students and those 18 and under. Visitmcpt.info.
• Book art: “Building Books 2” is a traveling exhibition at Twiggs Gallery ( 254 King St., Boscawen) of unique artist books organized by members of the New England Book Artists (NEBA). It starts with a free zine-making workshop from noon to 1 p.m. on Saturday, June 1, followed by an artists’ reception from 1 to 3 p.m. The exhibit at Twiggs runs through July 14, according to a press release. “Building Books 2” presents a range of interpretations on the themes of structure, architecture, public and private spaces, reality and fantasy, libraries, engineering, drafting, bookbinding, the handmade, the maker, connections, conceptualizations, personal narratives, home and much more, according to the same release. Visit twiggsgallery.org.
THE SHOW GOES ON Into the Breeches!by George Brant, produced by Lend Me a Theater (lendmeatheater.org), runs Friday, May 31, through Sunday, June 9, at the Rochester Performing Arts Center (32 N. Main St., Rochester) with shows Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. Tickets cost $25 for adults, $22 for students, seniors and members, $19 for senior members. Into The Breeches! is a 2018 warm-hearted comedy set in 1942: Concord’s Oberon Play House’s director and leading men are off in World War II, so the director’s wife becomes determined to produce an all-female version of Shakespeare’s Henriad (Richard II, Henry IV Part 1 and 2, and Henry V) to deliver a celebration of collaboration and persistence when the show must go on, according to the website.
The Andres Institute of Art (106 Route 13, Brookline) sits on the site of a former ski lodge and granite quarry and consists of 140 acres, 12 miles of trail, and countless opportunities to encounter the sublime on a hike through art and nature. It’s “a beautiful setting, it’s gorgeous,” said Kristi St. Laurent, President of the Institute.
Andres was founded in 1998 by engineer philanthropist Paul Andres and Master Sculptor John Weidman. In 1999 they held the first International Annual Bridges and Connections Sculpture Symposium, which is where typically around three sculptors from all over the world are invited to Brookline for a few weeks to create magnificent sculpture.
Andres Institute of Art also hosts an art gallery and performance space for a myriad styles of music, from bluegrass to jazz to classical, a decision made to reflect the wide array of artistic styles represented here.
“The former ski lodge is now our welcome center,” St. Laurent said.
One hundred sculptures are on permanent display, made by artists hailing from 50 different countries. The trails where the sculptures are placed are open for free to the public any day of the year.
“You can just park your car and walk the trails,” St. Laurent said. “You don’t have to come here planning on doing 12 miles. There really is too much to see in one day, definitely.” On the Institutes’s website is a link to the app and website Trailforks, which contains a detailed map of the trails. Maps can be downloaded, or can be picked up on location.
The studio is set up for metal and stone work.
“It’s just John that’s working in the studio except for during the symposium; then the visiting artists are there,” St. Laurent said. In 2023, Weidman received the New Hampshire Governor’s Arts Award for Distinguished Leadership.
Weidman has lately been building a cupola, a furnace that can melt iron, for the 2024 Spring Iron Melt, set to take place on Saturday, June 1. Another Melt takes place in the fall.
For the Melt, essentially, participants purchase a mold, which is a 12- by 12-inch “brick” that has a 6- by 6-inch square inset that designs can be carved into with a “nail” provided by the Institute or with their own tools. On the day of the pour, each mold is coated in graphite to ease the eventual iron release, “which is like spraying a cooking pan … so that your brownies come out of the pan,” St. Laurent said. Once the iron is poured, what’s left is a half-inch-thick, 6-inch by 6-inch iron tile. “It has their design cast into it…. Some people bought them as Christmas presents.”
Details on how to sign up for future Iron Melts are on the Andres website.
The trails at Andres transform with the arrival of spring and summer.
“The change in the park in just the last week with all the leaves coming out and the flowers, it’s so beautiful,” St. Laurent said. “Even when the parking lot is full you still might not run into anybody. … It’s nice and quiet and peaceful. It’s a great place to take kids.”
More field trips are heading to Andres as well.
“I ask the kids, ‘What are the normal rules at a museum?’ and they’re like, ‘No running, we have to be quiet, don’t touch anything.’ and I said, ‘All those rules are out the window!’ and they love it. You can run, you can be loud, you can touch the art, you can take a selfie with it, you can climb on it, it’s great,” St. Laurent said. This rule applies no matter which direction or trail is taken, and apart from the art, the world around it can be considered an installation piece.
“The money view is up at the summit with the sculpture called the Phoenix, and that was from the very first symposium…. You can look out and see Mt. Monadnock and some of the other mountains in the distance and it’s absolutely gorgeous,” she said. Dogs on-leash are welcome to sniff and zoom with their owners here too.
St. Laurent’s favorite sculpture sits on the quarry trail near the quarry pond: “A human figure made out of rebar and other types of metal. I just love that one. That one’s called ‘Monument [II].’ It’s actually by a woman artist, Alexandra Limpert from New York…. Although there are many, many close runner-ups.”
In an artist statement about that piece, Limbert said she aimed to “translate the human form into metal lines, grids and compartments. This random vocabulary defines the entity beneath the façade. The exposed construction of each piece also reveals my process. Much like architecture under construction, my sculptures are anonymous monuments in states of transition.”
Encountering all the beauty, man-made and from nature, is what the Andres Institute of Art wants for their visitors.
“Part of the mission of the Andres is to get people in contact with art,” St. Laurent said. “That’s what we’re trying to do on a daily basis: art and nature.”
Spring Iron Melt 2024 Where: 106 Route 13, Brookline When: Saturday, June 1, approximately from noon to 1 p.m. More: andresinstitute.org, 673-7441
Gen X didn’t see it coming, despite the harbingers: internet reminders that the first Lollapalooza Festival was closer in years to the Kennedy assassination than to today, or Pearl Jam getting into the Rock & Roll Hall of Fame. As they were reeling from reeling in the years, the arrival of ’90s tribute bands was to many of them a hard (blue) pill to swallow.
Some of the acts that formed weren’t surprising. With Kurt Cobain, Layne Staley and Scott Weiland all dead and gone, Priceless Advice and Sick Season, devoted to Nirvana and Alice In Chains respectively, and Stone Temple Posers hella made sense. And Oasis likely won’t reunite anytime soon, so it’s not trippin’ to cover “Wonderwall” in the interim.
But what of those still performing, like Dave Matthews Band, Foo Fighters, Radiohead and the aforementioned Pearl Jam, each of which boasts one or more doppelgangers? Even Smashing Pumpkins; a band called Recent History does them. Apparently, all these objects of affection take it in stride and are unbothered about losing any business.
Collective Soul is on the road with Hootie & the Blowfish, with a tour stopping at Fenway Park and Bank of NH Pavilion before the summer ends. In an interview to advance the upcoming shows, their front man Ed Roland was surprised to hear about the existence of Reflective Soul, based in Dallas, Texas — but grateful.
“You can’t help but love it. I’m so honored,” Roland said. “Just being here 30 years and on top of that somebody thinks enough of you to go, all right, we’ll play some of their catalog. It boosts the ego up when you walk in a bar, and somebody is playing one of your songs. You’re like, ‘Wow, I really did have a hit.’”
It’s a hot topic in New England that’s spawned organizations like Covering New England, a tribute-centric company with a growing roster of acts like Crush, a Dave Matthews Band tribute, and White Belts, who play emo songs by Taking Back Sunday, Blink-182 and Jimmy Eat World, among others.
Covering New England’s Tristan Law thinks the decade is having a moment for a couple of reasons.
“First, a lot of those really seminal albums are having their 25th and 30th anniversaries, so they’re in the news, and you have a lot of people like me — late 30s, early 40s — who came up in that decade and have a special nostalgia for that time,” he said. “How many people’s first CD was Dookie?’”
Law added that while a lot of ’90s stars are still touring, with tickets now costing hundreds of dollars fans are more selective about going to giant concerts.
“Now, you can go see a really good Dave Matthews Band tribute for twenty bucks and still have a great time. That, and the ’90s f-in ruled; why wouldn’t you want to go back then for a few hours?”
At TributePalooza, an all-day show in Warren on July 6, many ’90s acts will perform, including Jagged Little Thrill doing Alanis Morissette, Social Destruction playing the music of Social Distortion, and Stone Temple Posers, along with two other tribute acts that Gen X is a bit more chillax with doing Lynyrd Skynyrd and AC/DC covers.
Here are thoughts from six bands bringing back the decade that witnessed the internet’s rise and the decline of the music business, along with a lot of great and varied music.
Tributepalooza happens Saturday, July 6, at Melody Mountain Farm, 161 Lake Tarleton Road, Warren, $35 at melodymountainfarm.com
Giving 110 percent – Neon 90s
Neon 90s
When it formed, the North Shore-based band Neon 90s wore flannel shirts and leaned into grunge. Later they switched to jean jackets and shades upon realizing there was more to mining the ’90s than Nirvana’s “Lithium.” They became an all-purpose tribute act, determined to hit every high point, from Soundgarden to Garth Brooks.
“We figured let’s take on the entire decade, and smash as many songs as we can into a set,” said John Goodhue, who sings and plays lead guitar with the band, which includes Michael Parsons on bass, drummer Steve Russo and Guy Cloutman on lead guitar.
On any given night the quartet moves from Foo Fighters’ “Learn To Fly” to Lou Bega’s “Mambo No. 5” and tosses in “Semi-Charmed Life” from Third Eye Blind for spice. Their showstopper is a gender-bending version of Shania Twain’s “Man, I Feel Like A Woman.” They even do Meredith Brooks’ “Bitch” and “Wannabe” from the Spice Girls.
Setlists reflect Goodhue’s own tastes.
“All my favorite songs, mostly, are from the ’90s,” he said. “The Top 40 was spread so far off the different genres, you had major pop songs, country songs, grunge came into the mix, even hip-hop. It was a decade where you saw so many different kinds of music really hit the spot.”
Like a lot of similar bands, members of Neon 90s have additional musical projects. Russo plays in Mile 21, a North Shore reggae and ska group, as well as a Top 40 band called Mystery Meat. “Our guitar player Gary has been in several cover bands and original bands, as well as Mike and me,” Goodhue, who also spent a few years on the West Coast playing in different bands, said.
When Neon 90s hits the stage, one of their favorites is “Possum Kingdom” by the Toadies. “It’s a really fun song to play, and it’s kind of challenging, too,” Goodhue said. They’ll also take a shot at audience suggestions, or at least try.
“Sometimes we get requests that aren’t ’90s, like people missed the memo,” he said. “My favorite song was actually requested for us to learn for a wedding, ‘What’s Up’ by 4 Non Blondes. We’ve kept it in our set because it always goes over well, and everyone sings along.”
Neon 90s appear in Hampton Beach on Saturday, July 6 at Wally’s Pub and on Sunday, July 14 at Bernie’s Beach Bar
Worldwide Californication – Red NOT Chili Peppers
Red NOT Chili Peppers
One of the longest-running ’90s tribute acts is also among the most successful. Red NOT Chili Peppers formed in 2009 in Southern California, where the Red Hot Chili Peppers rose to fame. The lineup has changed several times over the years, but the present band — Paul Moffat on bass, guitarist Greg Loman, Pete Koopmans on drums and singer David Vives — has been steady for a while. Vives is the newest member; he joined in 2021.
Red NOT Chili Peppers are unique for being a nationally touring act. Actually, they’ve performed in such far-flung places as Dubai. Much of this success is due to the quality of their act.
“The biggest undertaking with the Chili Peppers is having players who not only can learn the songs,” Loman said in a sit-down band interview prior to a show in Portsmouth. “They have to recreate the tones, the energy, the look, and the vibe.”
Beyond that, the group found its way to Providence Music Group, a Rhode Island-based agency focused on tribute bands, everything from Sublime to Johnny Cash, along with Elton John, Guns N’ Roses, and Linkin Park. When Moffat joined in the mid-2010s, he’d also taken over as manager. Koopmans, who was in the band before Moffat, became their booking agent.
Together, they realized their group didn’t fit a conventional niche, and it was impacting their ability to get gigs.
“Paul and I took a really hard look at the business, and I basically took the band to several different agencies, as our agent then had retired and we were unhappy with him anyway,” Koopmans said. Their agency at the time was “probably 90 percent original bands and 10 percent tributes, and I never felt like they quite understood what to do with us. They would just wait for offers to come in.”
Since making the change, bookings have doubled, “and we’ve watched attendance grow at shows too,” Koopmans said. “I don’t think that’s all attributed to the booking agent in general. I think a lot of that is just us finding the right places to play. But the product is getting a lot better.”
“And the name getting out there, man,” Moffat added. “It’s a good name, and people remember it.”
It’s almost too good — that’s why Moffat and Loman, who helps with the band’s graphic design, modified the logo so the word “NOT” is uppercase. “We were getting ourselves into some trouble,” Koopmans said. “Not by the real band, but by people buying tickets and being pissed all the time that they’d been duped.”
Once, when the band played New York City’s Highline Ballroom, ticket presales exploded, recalled Moffat, probably due to a hopeful case of mistaken identity. “We played the show, and the room was half full,” he said. “In all likelihood, some scalpers scooped up all the tickets when they saw it, because they didn’t look carefully enough. We thought it was a great way to get back at scalpers.”
Fans that come to see them run the gamut.
“Some want to hear Freaky Stylie, others want stuff from Stadium Arcadium,” Loman said. “You watch them all kind of light up, with whatever era or song that you’re playing. It’s just so interesting to then talk to them after and they’ll be like, ‘Oh man, when I was growing up, the most important album of my life, that blew my mind, was Blood Sugar Sex Magic.’ Then another one’s like, ‘Dude, Californication was my favorite’ and another one’s Stadium Arcadium. It goes through the generations in such a wonderful way.”
Singer Vives echoed Loman. “My favorite thing is how passionate fans of Red Hot Chili Peppers are,” he said. “It’s so easy to connect with them about the shared joy of living this music together. They’re showing up, and we all have the same goal. There’s no need convincing them to have a good time.”
Moffat is happiest when a wary fan takes a chance. “It’s like, ‘I had no expectations. It was 20 bucks, it’s a band that I love, I thought you guys were going to suck, and I came in and I was blown away,’” he said. “That’s all I really want, you know. That’s what we’re trying to do.”
Red NOT Chili Peppers will appear on Friday, Aug. 9, at Wally’s Pub in Hampton Beach.
Double duty – Yellow LedVedder/Your Honor
Yellow LedVedder
Few bands challenge aspiring tribute acts like Pearl Jam. The Rock & Roll Hall of Famers are not only still performing, but the Seattle grunge heroes also released a new album this year. The record, Dark Matter, caused one critic to exclaim, “the faithful will rejoice, and the PJ fall stadium tour is completely sold out.
The latter fact is a principal reason that a band like Yellow LedVedder is even viable. In fact, one of their biggest gigs happened in a bar across the street from Fenway Park, where Pearl Jam was playing that night.
“It was one of the most amazing experiences,” Ben Kilcollins, the band’s lead vocalist, said in a recent phone interview. “We had a lot of people saying, ‘Oh, we couldn’t get tickets, so we figured we’d just come down and kind of listen outside of Fenway, then we saw that you guys were here.”
Ever the fans, Kilcollins and his bandmates had one eye on the door all night. “The whole time we’re hoping, Pearl Jam’s around here, maybe they’ll come in, but it never happened,” he recalled. “The best dream come true in the world is just to get an affirmation of, ‘Hey, guys, we see what you’re doing, keep up the good work.’ Even if it was a cease and desist, it’d just be good to hear from the band that they know you exist.”
Playing songs by a band that’s still here is a feature, not a bug.
“A lot of the other bands are paying tribute to guys who weren’t around for very long, but I think it helps that Pearl Jam is still on tour,” Kilcollins said. “Instead of guessing, like Nirvana, what would they be doing now, we already have an answer. It’s what they were playing yesterday.”
Kilcollins continued that miming Vedder, who’s near 60 and still “running around on stage, jumping on people’s shoulders and doing the exact same thing he was doing 30 years ago” also motivates his band, which includes bassist Andy Aikens, Joel Amsden and Pete Risano on guitars and drummer Jason Young. “Eddie’s leaving kids in the dust, he’s still running around the entire band,” he said. “I try to bring to our shows that aspect of their high energy.”
Lending weight to that assertion is the band’s latest endeavor.
“The day Taylor Hawkins died, we decided to put on a Foo Fighters tribute,” Kilcollins said. It was planned as a one-off, but they’ve done four or five shows in the past two years. “We try to pick and choose where we do it, because we don’t want to oversaturate…. We’ll play a full set of Pearl Jam stuff, take a break, and then do a full set of Foo Fighters, kind of opening for ourselves.”
Yellow LedVedder’s summer schedule is under construction. See @yellowledvedderband on Instagram for more.
Originalists – Crush, a Dave Matthews Tribute Band
Crush
Though the Dave Matthews Band is still out on tour, with two sold out Meadowbrook shows happening this summer, it’s not the same group that set the world on fire in 1994 with its debut album Under the Table and Dreaming. When violin player Boyd Tinsley departed in 2018, he wasn’t replaced, and DMB took on a different sound.
That’s made Crush, a DMB tribute band based in Boston, a vital link to the past. It includes a Tinsley doppelganger, sans any scandalous baggage, in the form of fiddler Abe Dewing, which keeps songs like “Ants Marching” and “What Would You Say” true to their origins. That’s just the beginning of what makes Crush a solid draw in New England. They also achieve a look and feel that sets it apart from other efforts
“I think some tribute bands will play note for note, and do exactly what the actual bands do, even on the recordings,” Matt Salito, who plays guitar in Crush, said recently. “There’s certainly a skill to that, but I think part of the fun of being in our band is we take some of those songs and we add our own style to it. We change it just enough where you know it’s Crush playing the song.”
They’re careful not to book too close to any DMB appearances, partly because there’s a decent chance they’ll be buying tickets, but also, they’re realistic. “We realize they’re going to be more of a draw than a tribute band,” he said. Besides, they wouldn’t want to miss a tailgate party. “We meet other people at those shows, and we’re like, ‘Hey, we play a lot in the late summer, in the fall, even in the winter when Dave’s not really doing his thing anymore. So come check us out.”
Salito started Crush as an acoustic duo with Brett Huntley after the two were introduced through a mutual friend in 2011.
“We met at his apartment in South Boston at the time and played a few songs, exchanged information and tried to make arrangements to play again,” Salito recalled. “Along the way, we started seeing a couple other tribute bands to Dave. We really liked what they were doing, and we [thought] we can try to give this a shot ourselves too and see how it plays out.”
After playing a high school graduation party for a family friend, the idea of a full band gained momentum. Crush played its first show in October 2011. There’s been a few lineup shuffles, but Crush has stayed the same in recent years. That’s allowed them to become a more cohesive unit, Salito continued.
“We’ve developed a little family within the band, and I think you can see that vibe on stage,” he said. “We’re really feeling like we’re in a good place as to the songs we’re choosing and the parts we’re playing, and how we’re meshing as a unit. And really being a part of the audience in a sense; even as the performers, that’s important. I think that’s part of our draw too.”
Crush, A Dave Matthews Tribute Band appears Friday, July 26, at Cisco Brewers in Portsmouth.
All in the family – Stone Temple Posers
Stone Temple Posers
Olaf Westphalen was a modern country music fan when his 12-year-old stepson John convinced him to listen to a few Soundgarden and Nirvana songs. The stepdad enjoyed it, and really locked into Stone Temple Pilots upon hearing them the first time. By the early 2000s, Olaf and John were playing in cover bands together, including Wretched Von Krank, The Nerve, and Cold Comfort.
Most satisfying, though, is Stone Temple Posers, a tribute to you guessed it, which played its first show in 2015 and has been a solid area draw since, with stepfather and stepson a bass/drums rhythm section, guitarist Paul Ouellette, and lead singer Hal White rounding out the group. Prior to the Posers, Olaf and Ouellette were briefly in STP tribute act Crown of Apathy; Westphalen was in Stone Temple Aviators and SiN after that.
John Westphalen began playing music when his stepdad gave him a Ludwig drum kit that belonged to his uncle, who also played in a band. “I always liked the drums, and Dave Grohl; I was a big Nirvana guy,” he said by phone recently. Though his new kit was a bit beat up, he didn’t mind. “Don’t get much more grunge than a rusty drum set.”
He stuck with it, and after his parents bought him a brand-new Tama kit, “I’ve been playing ever since.”
Before Weiland died, John Westphalen had a couple of chances to see him live with STP. “I saw them at Casino Ballroom, and it was one of the best shows,” he said. “Of course, he was an hour late, but he was engaged with the crowd, and they sounded awesome. He looked like he was enjoying himself. Then I saw him again in Gilford. He wasn’t nearly as engaged and seemed like he didn’t want to be there. I think they broke up for the final time like three months after that show.”
In addition to being a lot of fun, Stone Temple Posers is the young Westphalen’s longest-running band still boasting every member. It’s also the only one he’s in at this point.
“It used to be me, Olaf and Paul, and then we’d have a hard time finding a singer that would just show up, do the shows,” he said. “Hal, he’s been perfect, very easy-going. If we have a show coming up, we’ll practice the Monday before and just make sure we tighten up a little bit, and then we’ll play. Bang. No messing around.”
Their common bond is love for a big sound from a great decade.
“We’re a bunch of guys that really just enjoy that era in music,” he said. “We know other people do too, and we really try to give it justice by sounding like Stone Temple Pilots but also having our own little sound to it, too. So it’s not just a complete knockoff.”
Stone Temple Posers appear Wednesday, June 26, at Plaistow Town Common in Plaistow.
Straddling the Decade – White Belts
White Belts
If Lollapalooza signaled the start of the ’90s, the Vans Warped Tour helped usher it out. White Belts, a band that hosts Emo Night at the Press Room in Portsmouth and plays throughout New England, aims to keep that spirit alive by reliving as much of that moment as it can.
“We consider ourselves an emo tribute band,” drummer Matt Wishnack said during a phone interview that included White Belts bass player Tom Sargent. “Emo encapsulates the rise of Hot Topic, Newbury Comics and alternative music, which kind of molded itself in that time period.”
As to the bands they cover, “you get a lot of Jimmy Eat World, Under Oath, Dashboard Confessional, New Found Glory, and we get some pop punk stuff like Blink-182,” Sargent said. “Taking Back Sunday is a main staple, as is My Chemical Romance. I think we’d all be shocked if we didn’t play one song from them in our shows.”
Wishnack added Fall Out Boy to this list of “tentpole bands.”
Audiences tend to be in their mid-20s to early 30s; a little early to start reliving their youth, but nostalgia has an odd pull that White Belts tries to honor.
“We want people to have a similar reaction to seeing us as they would actually seeing Taking Back Sunday,” Wishnack said. “Which obviously is impossible, but you can see the difference when people are reacting to you that way and when they’re just reacting to a cover band.”
When they play Emo Night at the Press Room, they’ll bring along a like-minded band, like Mall Cops or Summer Cult, who played at last year’s Boston Calling. At the next scheduled event on July 6, the Boston-based band We Demand Parachutes will appear.
White Belts includes, along with Wishnack and Sargent, lead singer Derek Bunker and guitarists Nick Grieco and Kyle Kowalsky. All true believers, which, Wishnack stressed, is what makes them unique.
“What separates us from some other bands is we feel like we really represent the music and the bands that we’re covering well. If you’re going to create a block to make you feel like you’re at Warped Tour for two hours without actually going, this is as close as you can get.”
Added Sargent, “and you won’t need sunscreen.”
White Belts hosts Emo Night with We Demand Parachutes on Saturday, July 6, at The Press Room in Portsmouth.
