A Fourth full of fireworks

Communities plan Independence Day celebrations

Fourth of July fireworks are looking more promising this year. Concord, Manchester and Nashua are all planning fireworks events, and so are several other communities in southern New Hampshire. All events take place on Sunday, July 4, unless otherwise noted. All events are subject to change or cancellation, so check with the town before heading out.

Bristol

Where: Over Newfound Lake

When: July 3 at dusk; rain date July 4

Canterbury

Where: Canterbury Elementary School (15 Baptist Road)

When: Saturday, July 3, at 9 p.m.

Concord

Where: Memorial Field (70 S. Fruit St.)

When: Approximately 9:15 p.m. The Nevers Band will perform starting at 7:45 p.m. Rain date is July 5.

Derry

Where: Suggested viewing along Tsienneto Road, Hood Commons, Folsom Road and Crystal Avenue

When: Dusk (approximately 9 p.m.)

Dover

Where: Set off at Garrison Hill Park, viewable from around the city

When: 9:15 p.m.

Exeter

Where: Swasey Park (316 Water St.)

When: July 10, after 8 p.m.

Hampton

Where: Hampton Beach (Ocean Boulevard)

When: 9:30 p.m.

Hillsboro

Where: Hillsboro fairgrounds (17 Hilldale Lane)

When: July 10, 10 p.m.

Laconia

Where: Weirs Beach and Opechee Park (915 N. Main St.)

When: July 3 at 11:59 p.m. at Weirs and July 4 at 10 p.m. at Opechee

The second annual Independence Day Boat Parade on Lake Winnipesaukee will take place at Weirs Beach from 1 to 4 p.m.

Manchester

Where: Arms Park (10 Arms St.) and Northeast Delta Dental Stadium (1 Line Drive)

When: At 9:30 p.m. on July 3 at Arms Park and after the Fisher Cats game on July 4

Merrimack

Where: Merrimack High School (38 McElwain St.)

When: 9 p.m.

The town is also hosting its annual Fourth of July Parade, which will feature bands, militia units, clowns, community organizations and more. This year the town is celebrating its 275th anniversary, so the theme for the parade is Celebrate Merrimack’s History – Past, Present and Future. The parade begins at the Commons Shopping Plaza (515 Daniel Webster Hwy.), then travels south down Daniel Webster Highway, onto Baboosic Lake Road, then O’Gara Drive, ending in front of Merrimack High School.

Milford

Where: Keyes Memorial Field (45 Elm St.)

When: July 2, dusk

Nashua

Where: Holman Stadium (67 Amherst St.)

When: 9 p.m.

New Boston

Where: Hillsboro fairgrounds (17 Hilldale Lane)

When: 9:15 p.m.

Portsmouth

Where: Leary Field (Parrott Avenue)

When: July 3, 9 p.m.

Raymond

Where: Town Common

When: July 10, 9:30 p.m.

Salem

Where: Tuscan Village (72 Rockingham Park Boulevard)

When: July 3, 9 p.m.

Sunapee

Where: Sunapee Harbor

When: July 3 at dusk

Weare

Where: Town center

When: July 17 at dusk

Windham

Where: Windham High School (64 London Bridge Road)

When: June 30 at 9:30 p.m.; rain date July 1

In lieu of fireworks…
There won’t be any fireworks in Amherst this year, but the town is hosting a “reverse parade” at Souhegan High School (412 Boston Post Road) from 9 to 10 a.m. Clowns, cheerleaders, bands and more will be standing on the sides of a looped route, allowing people in cars to drive through the loop and wave.

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Travel the World!

Travel the World

Stuck at home this summer? Pick up a good book and let it take you away. Local booksellers and librarians share their top picks for books that can transport you, whether it’s to a tropical beach, a foreign land, a courtroom or a zoo.

Also on the cover, find fireworks to celebrate the Fourth, p. 16. Tammaro’s Cucina is coming to Litchfield, p. 23. And there’s a ton of live music happening during this long holiday weekend, p. 33.

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The Music Roundup 21/07/01

Local music news & events

Folk romance: Named after a Cape Cod salt marsh, Crowes Pasture, the banjo/guitar duo of Monique Byrne and Andy Rogovin perform. Their most recent album, Slow It Down, was released in 2019 at Cafe Passim. Recently, they paid tribute to Bob Dylan with a gorgeous cover of his song “Forever Young.” They’ve also done elegant versions of Mary Gauthier’s “Mercy Now” and “Is This Love” by Bob Marley. Thursday, July 1, 8 p.m., Whipple Free Library, 67 Mont Vernon Road, New Boston. More at crowepastureduo.com.

Adventure time: Amidst the zip lines, water slides and axe throwing, Sunday Ave will play an afternoon set of rock tunes. The southern New Hampshire trio debuted with the no-nonsense EP White Noise in 2019. They recently released a new single, “Friday Night Massacre,” which begins with a Peter Gabriel “In Your Eyes” vibe, then takes off into prog rock overdrive — Katatonia meets Metallica. Saturday, July 3, 1 p.m., Candia Springs Adventure Park, 446 Raymond Road, Candia, tickets $8 for music only.

Spy music:  Band From U.N.C.L.E. is led by vocalist Gretchen Bostrom with her Silvertone & Ms. G partner Steve Coveney on guitar, with Brian Cutler and Warren Mannell on drums and bass. Expect to hear a healthy helping of ’60s rock, soul and R&B, from Stones and Beatles to Janis and Motown, along with selections from Phil Spector’s Brill Building hymn book. Wednesday, July 7, 7 p.m., Emerson Park, 6 Mont Vernon St., Milford, facebook.com/bandfromuncle.

Winery tunes: Slurp a Seyval Blanc slushie and enjoy music from singer-songwriter Joel Cage to kick off the weekend. A veteran performer, Cage is an accomplished guitar player who won the Kerrville New Folk Competition’s top prize and played for a while in Southside Johnny & the Asbury Jukes. Playing solo, he brings the intensity of Pete Townshend on acoustic guitar, with Chris Smither’s lyrical sensibility. Friday, July 2, 6 p.m., Winnipesaukee Winery, 458 Center St., Wolfeboro, winniwinery.com.

Day on the Green

Regional acts gather for Fourth fest

Necessity breeds solutions, and last summer Justin Uhlig needed one in a big way. The founder of Barnstormers Music and Art, he presented his first show in 2015. It starred the pirate punk Jonee Earthquake Band and a bunch of local acts, including Uhlig’s own Yelloyüth.

He’s been at it ever since, often teaming up with Seacoast arts collective Wrong Brain to throw colorful all-day festivals at venues in New Hampshire and Maine. The semi-constant home is Stone Church in Newmarket, but Barnstormers shows have also happened in Manchester, at the now closed Bungalow Bar, and Penuche’s, when it was located on Hanover Street.

Barnstormers Music and Art was created with a goal of organizing a frequently disparate regional scene into something more distinct, Uhlig explained in a recent phone interview — and giving it a stamp.

“Local bands, a lot of them, come and go, change members and names, and have a hard time establishing a brand,” he said. “I incorporate music and art, and when people see the name Barnstormers, they know it’s going to be a good time.”

When the pandemic threatened to derail an outdoor event on a 70-acre lawn close to his home in Epping, Uhlig devised a clever workaround. He built an FM transmitter, then wired it through the soundboard, and staged a drive-in show. Unlike similar offerings at Tupelo Music Hall and Swanzey’s Drive-In Live, patrons listened to the music in their cars, through the vehicle sound system.

“I wanted to put on a show with a live feel where people felt safe, and if they chose to, they could commingle,” Uhlig said. “It went really well, with about 150 people spread out. Some of them camped, there were a bunch of bands, fireworks and a barbecue. We had a good time celebrating Independence Day.”

Though distancing restrictions are gone this year, the throwback technology remains — along with the name. Live at the Drive-In will feature a number of performers from the Concord/Manchester area, along with some Seacoast bands.

Strange Language is a progressive rock band based in Merrimack.

Saint Mary’s Vandals. Courtesy photo.

“Two guitarists, really fantastic,” Uhlig said, noting that they’re currently recording a new album at Blackheart Sound in Manchester. “Really fun band to watch, this is their first gig since before Covid.”

Odd Fellow’s Way has a new name, Saint Mary’s Vandals, but the same raucous sound.

“They’re a band of street punks,” Uhlig said, “that make you want to drink a beer and dance around, maybe bump into each other a little bit while you’re dancing.”

Sauce on the Side has a throwback punk vibe going.

“They’re young, but with a real Misfits style,” Uhlig said. “Definitely an up and comer, the next generation in my opinion, along with Take One; the guitarist in Sauce on the Side is their bass player. I had the pleasure of singing a cover of Fugazi’s ‘Waiting Room’ with them last year.”

Others on the bill include Felix Holt, Blind Drive, Dead Time, Andrew Polakow, Hansen Barlow Band, Slow Coyote, Brian Munger and ex-Catastrophic OK singer Madison West performing with a yet to be named group.

“Definitely something that people are going to want to check out,” Uhlig said of West’s band. He described their sound as “progressive rock mixed with some classic influences, but really an Alice in Chains kind of vibe. They definitely are some top-notch performers and instrumentalists.”

The event begins at noon and ends when the last note is played.

“We’re going to go till about midnight,” Uhlig said. “There’s a huge field and we’re going to have a big bonfire going all night and we’ll have some food, nice clean porta potties. It should be a really nice night to check out the stars and have a good time.”

Live at the Drive-In – An Independence Day Soiree
When:
Saturday, July 3, 7:30 p.m.
Where: 25 Hedding Road, Epping
Tickets: $20 per carload at eventbrite.com

Featured photo: Sauce on the Side. Courtesy photo.

At the Sofaplex 21/07/01

Good On Paper (R)

Iliza Shlesinger, Ryan Hansen.

Also Margaret Cho, who is absolute perfection here. Andrea (Shlesinger, who also wrote this movie based on a story from her real life) is a comedian trying to break into acting and, while appearing to kill it on stage every night, seems to be floundering a bit in moving her career where she wants it to go. After what she calls one of the worst auditions of her life, Andrea boards a New York-to-L.A. flight and finds herself sitting next to Dennis (Hansen), a charming, funny and smart man who manages to be all of those things while also mentioning that he went to Yale, works for a hedge fund and has a model girlfriend.

Andrea and Dennis hit it off, in a friend-y kind of way, and she invites him to her comedy show. He comes and they hang out even more, drinking at the bar owned by Margot (Cho), Andrea’s close friend. As Andrea explains in a (remarkably not annoying) voiceover, she never particularly finds Dennis attractive but she enjoys his company and they become friends, though the look on Dennis’ face always suggests he wants more.

This movie doesn’t go where you think it will go but I like how this story comes together and I like how it treats its female characters, Andrea and Margot but also Serrena (Rebecca Rittenhouse), an actress Andrea resents and compares herself to. While there is some movie wackiness, there is the sheen of real human beings in crazy situations here and I like that one of the themes of this movie is “trust yourself and your own abilities and instincts,” which makes the movie work for me even when it’s not uproariously funny. Shlesinger, whom I know mostly from her Netflix standup specials, is solid here giving us a character who is likeable but believable. Hansen, whom I still mostly think of from his Veronica Mars role, is exquisitely well-cast. B Available on Netflix.

Fatherhood (PG-13)

Kevin Hart, Lil Rel Howery.

Also Alfre Woodard, Deborah Ayorinde, Paul Reiser, DaWanda Wise, Anthony Carrigan and Melody Hurd playing Maddie, the young daughter of Hart’s Matt.

Matt and Liz (Ayorinde) are sent to the hospital for an emergency Cesarean, which is how Maddy comes into the world. But just a short time after her birth, Liz has a pulmonary embolism and dies and a grief-stricken Matt suddenly finds himself as a single father. He appreciates the help of his mother, Anna (Thedra Porter), and his mother-in-law, Marion (Woodard), and is even happier when they leave, even if he’s not sure how to fold and unfold the stroller or what to do when his infant daughter won’t ever stop crying.

After watching Matt adjust to those tough first months, the movie jumps forward to when Maddy is 5 and chafing at the rules of her strict Catholic school and Matt is just beginning to consider dating. How does he balance his own needs with hers? How does he know what’s best for her?

Though Hart is still funny here and there are still moments of humor in even some of the saddest scenes, this feels like the most stripped down I’ve seen him. He gives a good performance, perfectly capturing that parental blend of dizzying love, bone-deep exhaustion and the constant sense that you’re probably failing at something. It’s a more nuanced kind of performance than Hart gives in his broader comedies and he is able to make his character a recognizable real person. The same is true for the supporting cast, particularly Woodard, whose Marion turns her grief about her daughter into a ferocity about Maddy that even she seems to realize isn’t always about Maddy’s best interest.

Fatherhood is an engaging dramady with performances that make it enjoyable despite the movie’s sadder elements. B Available on Netflix


F9 (PG-13)

F9 (PG-13)

Vin Diesel’s Dominic Toretto gets even more reason to talk about family in F9: The Fast Saga, a rather slow entry in this “what if James Bond were a muscle car” franchise.

Dom (Diesel) and his wife Letty (Michelle Rodriguez) are living off the grid. They are raising Dom’s young son, Brian (played by Isaac Holtane and Immanuel Holtane), and they don’t even have a phone (really?), so when old work buddies/Toretto crew “family” people Roman (Tyrese Gibson), Tej (Chris “Ludacris” Bridge) and Ramsey (Nathalie Emmanuel) need to talk to Dom and Letty, they have to drive to the couple’s farm. (What do they farm, you ask? As far as I can tell, fancy guns and old vehicles.)

The trio arrives to tell the couple about a downed plane and an emergency communication, both involving Mr. Nobody (Kurt Russell), the shadowy government guy from previous movies, and Cipher (Charlize Theron), a villain from the previous movie who was being transported in Mr. Nobody’s plane. Also being transported in that airplane, which seems like a super terrible idea, was part of a potentially society-destroying weapon, which means that when the plane is run out of the sky the baddies involved can collect both a piece of the weapon and a possible ally.

After some “I can’t get involved, I’m a parent now” from Dom, he eventually decides to join Letty in joining the crew to help Mr. Nobody. They head to the spot in Mexico where the plane went down but before they can learn too much about what happened, a local military force shows up. In the midst of what turns into a shootout car chase, another set of bad guys arrive, this one featuring a face Dom recognizes: Jakob (John Cena), his long estranged younger brother.

The Dom vs. Jakob battle serves as the center of this movie, and forces us to flash back to 1989 to the brothers as young men (teens? 20somethings?). The movie spends a lot of time on their relationship and how it formed the kind of adults they became and how Jakob suffered when Dom shunned him because “the worst thing you can do to a Toretto is take away his family” — blah blah blah, it’s a lotta chat that really takes the time away from the good stuff, like a scene in the present day where Sean (Lucas Black), of The Fast and the Furious: Tokyo Drift fame, straps a rocket engine to a car or a scene where some of our heroes are driving on a rope bridge after one side is cut.

Other things happen: As has been spoiled all over the place, Han (Sung Kang), who died in Tokyo Drift (the third movie) and then appeared in the next three movies of the franchise (because time, like gravity and physics in general, works differently in the Fast & Furious movies), returns here. Dom’s sister Mia (Jordana Brewster), who has been out of the franchise since the real-life death of Paul Walker and the retirement of his character Brian (to whom Mia is married), returns. This movie’s biggest star is probably the concept of magnetism; the movie has some fun with giant magnets in its various fight and chase scenes. An element of the final showdown involves space, which was great.

Yeah, I said space.

This may not be a popular opinion in the Fast & Furious community but I think these movies need at least a little action star power in the form of a Dwayne Johnson or a Jason Statham (the latter of whom was apparently in a post-credits scene that I did not stick around for because this movie is two hours and 25 minutes long and just enough with all that post-credits business, man). When Helen Mirren shows up to reprise her role as Queenie Shaw, mother of Statham’s Deckard Shaw character, you can see the difference between a strong screen presence having a good time hamming it up in these movies and the, uhm, not-exactly-master-thespians (at least, as this franchise presents them) in the main roles just sort of earnestly presenting some really silly dialogue. John Cena, who can be fun, isn’t given much room to play here; he frequently comes off as just sort of wooden until the movie’s final act. Theron really feels more like a guest role — it’s like even the movie realizes its bad guys aren’t that exciting and so it tries to dress things up with a little Cipher, all hissing insults and wacky hair.

Without big fun personalities having a big fun silly time and spreading that joy to you through the screen, you’re left with time between big action set pieces (which are the movie’s true big stars) to ponder the oh so many things that don’t make sense or aren’t explained or may have been explained in the last movie but no character details from the last movie are as memorable as the scene with a submarine-related car chase. Things like: Does the 1989 flashback mean that Dom is in his 50s? Actually, how old is anybody supposed to be? Is this really how magnets work? Is that really how space works? How does time work in this movie?

F9 isn’t the sort of movie that should leave room for you to ask any hole-poking questions while you’re watching it. But the length — much of which goes to the Dom/Jakob relationship, which I was never all that interested in —really bogs the movie down where it should be light and zippy. A merciless editor needed to get in there and slice a good 45 minutes of story. Depending on how you count it, this movie has like three villains and that is at least one and a half villains too many.

I wanted to enjoy F9; I have been looking forward to it for months. But too much of its runtime featured me impatiently waiting through all the yammering. I wanted more fast, more furious and less of the franchise flotsam. C+

Rated PG-13 for sequences of (totally, delightfully improbable) violence (including so much shooting where nobody hits anything) and action (magnets! space!), and language, according to the MPA on filmratings.com. Directed by Justin Lin with a screenplay by Daniel Casey & Justin Lin, F9: The Fast Saga is two hours and 25 unnecessary minutes long and is distributed by Universal Studios in theaters.

All the Fast

F9 wasn’t my favorite Fast and Furious movie but I am no less a fan of the overall franchise (heck, I’ll probably even watch this one again some day and enjoy it even more, freed of the whole “F9 is bringing back movies” thing).

So where can you find all the previous Fasts and Furiouses?

The eight-film collection — which includes a bunch of extras such as the 2009 short film Los Bandoleros — is for sale on iTunes for $69.99 for the bundle (as with everything mentioned here, this is as of June 28). You can get physical DVDs of that same grouping of movies for between $34.96 and $62.99, depending on the format, from Amazon. Even better, you can also buy a physical copy of the nine-movie set, which includes Fast & Furious: Hobbs & Shaw (a spinoff that is just a chef’s-kiss perfection-level example of this series at its least serious), for $52.99 for the Blu-ray. On its own, Hobbs & Shaw sells for $9.99 on iTunes.

In addition to buying or renting, where can you see the movies individually (preferably for “free” with a subscription service you already have)?

As of earlier this week, The Fast and the Furious, the 2001 first movie in the series, and 2 Fast 2 Furious, the 2003 second movie (and only Fast film not to include Vin Diesel’s Dom) are both currently available on HBO.

2006’s Fast and Furious: Tokyo Drift, which features neither Paul Walker’s Brian O’Connor or (in any significant way) Diesel’s Dom, but does have characters who factor in to F9, currently appears to be just available for rent or purchase.

The key characters from the first movie are all back together for Fast & Furious, the 2009 fourth movie, which is really when the series starts to hit its stride (and where Gal Gadot joins on). I recently caught a few minutes of the super fun early scenes of this movie (Dom and his crew steal gas from a tanker truck while it travels at high speed; Brian crashes through several windows chasing a bad guy) on some basic cable-type channel. It also appears to be only available for rent or purchase but Fast Five, the 2011 movie that introduces Dwayne Johnson’s Hobbs, is currently available on Peacock for free.

Fast & Furious 6 from 2013 brings back a character who died in an earlier movie, as well as introducing the London-based Shaw family (in the form of Owen Shaw, played by Luke Evans). Roku says this entry is available from Peacock with a subscription as well as TNT, TBS and TruTV (all with subscriptions or cable service).

Furious 7 from 2015 brings in Jason Statham as Deckard Shaw and sends off Walker, whose real-life death leads to the retirement of the Brian character from The Life. This is also the movie where a car drives from one skyscraper into another skyscraper way up in the sky in Abu Dhabi. I’m not going to try to argue that it is the best moment in film but, like, it’s on the list. Pretty high. You can see this movie on Hulu with a Live TV subscription or, according to Roku, with a cable provider login to FXNow.

The Fate of the Furious (the eighth film, from 2017) is poetry — you get Helen Mirren as mum to Statham’s character, the beginning of a beautiful frenemyship between Statham and Johnson’s character, a superbly well-choreographed fight scene involving a baby, a car chase involving a submarine.

As with Fate, Fast and Furious: Hobbs & Shaw (a sidequel from 2019 with more Johnson, more Statham, more Mirren, Idris Elba and Ryan Reynolds plus the Oscar-nominated Vanessa Kirby) doesn’t appear to be available on a streaming service, only for rent or purchase. But I greatly enjoyed it and these last three movies — Hobbs & Shaw, The Fate of the Furious and Furious 7 — might be my favorites of the franchise and would make a great dumb and fun triple feature.

All the more reason to shell out for the whole package.

Featured photo: F9

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