Beyond the headlines

A few weeks ago, the Union Leader printed a story with the bold headline “NH scores among the top when it comes to race and health equality.”

The article was based on a recent report by the Health Opportunity and Equity (HOPE) Initiative and it pulled statistics stating that 67 percent of Black adults in New Hampshire have “very good or excellent” health compared to 59 percent of whites and 56 percent of Hispanics in the state.

Only at the end of the Union Leader piece was there a passing mention of the disproportionate impact of the Covid-19 pandemic on BIPOC (Black, Indigenous, People of Color) communities. I am struggling to see how these facts were not taken under consideration prior to going to print.

The Governor’s Covid-19 Equity Response Team (GCERT) provided their Initial Report and Recommendations to Gov. Sununu in July 2020. In their 50-page analysis, the group of public health experts from across the state provided a clear statistical case about these disparities and highlighted the full range of determinants, which often have racial bias woven into their fabric.

The GCERT report examined the cases of Covid-19 based on one’s racial-ethnic identity. Unfortunately, these are not always reliable statistics, primarily because our systems often do not do a good job of capturing demographic information accurately and completely, as we’ve seen with the Covid disparities data — as is also seen across the country according to the Covid Tracking Project. Additionally, given the reality of institutional and systemic racism, some individuals may not want to reveal their true racial-ethnic identity out of concern for potential discrimination.

One important contributing factor that wasn’t covered in the article is how our relatively rural state was impacted by the opioid crisis. In our nation’s health care model, white people are often doing “better” because we are being compared to communities of color; otherwise we, too, would have poor health outcomes. The closing line in the analysis section of the HOPE report summarized this reality: “Although white populations generally fare better on most measures of opportunity than most other populations in the state, white adults in New Hampshire have higher rates of premature mortality.”

Headlines are often not the full story. If we are truly committed to being a state where everyone has equal opportunity for good health then we are going to need to seek truth in the lived experiences of people who are suffering disproportionate impacts — including for both the Covid-19 pandemic and the opioid crisis. The GCERT report provides a solid starting place to truly create a healthy state where all structures support belonging, equity and good health for all.

Hippo’s 20th anniversary

Hippo’s 20th anniversary
We take a look back at the Hippo’s two most challenging years — the first one (because starting a brand new paper is hard), and the most recent one (because global pandemic) — and we talk to some of the biggest proponents of the downtowns of Manchester, Concord and Nashua to see how far they’ve come in the past 20 years.

Also on the cover, Milford has a new spot for Texas-style barbecue, p. 24. Whip up a caramelized onion dip that won’t ruin your New Year’s eat-better resolution, p.27. And, yes, there is still live music, all week long, p. 34.

Twenty years ago Hippo published its first print issue — that’s about 1,040 issues ago. At the time, we had ...
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Jessica Martin joins Intown Concord Jessica Martin is the new executive director of Intown Concord, a nonprofit organization that promotes ...
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It’s Jan. 7 and the Patriots are already on vacation. But that’s a problem to discuss another day. Instead we’ll ...
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More turkeys, or just more people noticing turkeys? The New Hampshire Fish & Game Department recently released the results of ...
A look at Hippo’s beginnings in 2001 and at Hippo in 2020 December 27, 2001 Once we committed to publishing ...
Manchester, New Hampshire ,USA Skyline, city, urban, building, high rise, metropolis, downtown, office building
Two decades of revitalization in Manchester, Concord and Nashua’s downtowns When the Hippo started in 2001 with the intention of ...
Robinson decries white supremacy, pays homage to the ’80s in Exo-Hunter Science fiction, sociopolitical satire and 1980s nostalgia are the ...
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What worked last year and what didn’t This past year was a tough one for many of us: isolation due ...
Family fun for the weekend Math discoveries Have “Phun With Math,” a virtual program from the McAuliffe-Shepard Discovery Center (2 ...
Dear Donna, For years I’ve been meaning to contact you regarding my curiosity about a basket that was found in ...
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News from the local food scene • Salem market moves indoors: The Salem Farmers Market will move indoors for the ...
Texas-style BBQ food truck opens restaurant space in Milford Regina and Jeremy Davison gained a devoted following after the launch ...
Trio’s Cafe & Cantina to open in Salem A new eatery coming to Salem later this month will offer family-sized ...
Meredith Touma of Derry is the owner of Sal Terrae Seasonings (salterraeseasonings.com, and on Facebook and Instagram @salterraeseasonings), a company ...
Laraaji, Moon Piano (self-released) In news from the weird, we present this New York pianist, an 80-year-old cult artist whose ...
Exercised, by Daniel Lieberman(Pantheon, 464 pages) Your resolution is to exercise. Hasn’t it always been? Harvard professor Daniel Lieberman, however, ...
Soul (PG) A middle-aged man hangs between life and “the Great Beyond” just as his dreams of being a working ...
Wolfwalkers (PG) Voices of Sean Bean, Maria Doyle Kennedy. In 1650, young girl Robin Goodfellowe (voice of Honor Kneafsey) and ...
• Twang: Enjoy country music from singer and guitarist Jackie Lee, who borrows nicely from Tammy Wynette, Loretta Lynn and ...
Lakes Region brewery hosts Charlie Chronopoulos Amidst the challenges of 2020, Twin Barns Brewing Co. in Meredith continued to offer ...

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Original music on tap

Lakes Region brewery hosts Charlie Chronopoulos

Amidst the challenges of 2020, Twin Barns Brewing Co. in Meredith continued to offer live music along with craft beer. That is scheduled to continue on Jan. 8 when singer-songwriter Charlie Chronopoulos appears, on the heels of a new album he released at year’s end.

Chronopoulos said in a recent phone interview that the seven starkly rendered songs on Chesty Rollins’ Dead End reflect daily life struggles he sees in his home state of New Hampshire.

“There’s this backward narrative of poverty around this area,” he said. “A lot of these are real stories that I wove into a record. … I would call it northern rock and soul.”

He carefully alludes to the shame and desperation of addiction on “Solomons” and “God In The Details,” then confronts it head on in “Middlesex,” a loping shuffle that recalls a former band member lost to heroin. “He went to Hollywood and found a rubber band,” Chronopoulos sings. “Coming of age, it came and went.”

Punctuated by deft fingerpicked guitar riffs, “Glass Factory” lays out the themes haunting the record. “I can tell you all about the fragile things we make,” Chronopoulos sings in a near-wail. “They spend their lives about to break, should stay up on the shelf.”

Much of the storytelling comes from his theater experience. Among other projects, Chronopoulos worked with American Repertory Theatre on Witness Uganda, which later went to Broadway as Invisible Thread.

“A lot of the cast overlapped with the team that worked on Hamilton,” he said. “So I got to see that take off.”

The raw honesty in his lyrics also reflects a decision to pursue an artist’s life close to home — “a lounge singer, that’s what I am, I’m not some touring national act” — and what he’s been exposed to as a result.

“I play a lot of rural bars, and I see the other side of things,” he said. “I’m not trying to take a political stance on it, but I see the humanity in a lot of the struggle. My mother’s side of the family had a lot of death to heroin in the last few years and displaced family members hopping around. My little sister, she’s on the spectrum, finding housing for her has been tough. All these things ended up coming out in the songs one way or another.”

Its title is an amalgamation of a famous stripper — “she had 77-inch guns ‘like deadly weapons’ was the way they sold her” — his mother’s maiden name, and Chronopoulos’s early life experience.

“I realized that … certain pursuits, things that I thought were the goal, were actually a dead end,” he said. “I needed to tie them off. They weren’t my path.”

He played sparingly over the pandemic-scarred year.

“I called a few of the places that were still able to be open during the summer and told friends of mine that ran the bar that I’d play for free,” he said. “They were working at half capacity with people still showing up expecting the same service and show; I knew they couldn’t swing it.”

With an open guitar case for tips, Chronopoulos played and sang.

“People wanted to help,” he said, adding that the overall response to original music like his was heartening. “In the food industry, we want to eat a salad that’s from the local farm, but for some reason music is supposed to just come out strictly for scale…. I’m supposed to be counting streams, all that nonsense. That’s what I’ve been railing against artistically for the last 10 years anyway; it’s just self-sabotaging.”

Chronopoulos looks forward to sharing his new material at Twin Barns.

“The place is great, they’re such cool people,” he said. “The beer’s amazing [and] their protocol isn’t insane — there’s a lot of space and good ventilation. It’s a cool old barn and it sounds amazing in there. When they invited me I said that regardless of Covid, we could probably do this safely and make it a good show.”

Charlie Chronopoulos
When
: Friday, Jan 8, 5 p.m.
Where: Twin Barns Brewing Co., 194 Daniel Webster Hwy., Meredith
More: facebook.com/twinbarnsbrewing

Concerts

Venues

Palace Theatre

80 Hanover St., Manchester

668-5588, palacetheatre.org

Stone Church

5 Granite St., Newmarket

659-7700, stonechurchrocks.com


Shows

A Natural Woman (A Carole King Tribute) Friday, Jan. 8, 7 p.m., virtual concert via Palace Theatre

SOUP (featuring members of Slack Tide and Clandestine) Friday, Jan. 8, 8 p.m., Stone Church

Dave Gerard & Tim Theriault Saturday, Jan. 9, 7 p.m., Stone Church

Jeff Daniels with music from his album Alive and Well Enough Tuesday, Jan. 12, 8 p.m., livestreamed acoustic concert via Palace Theatre

Brooks Play Brooks (Garth Brooks tribute) Friday, Jan. 15, 7 p.m., virtual concert via Palace Theatre

Wood & Bone Friday, Jan. 15, 7 p.m., Stone Church

A Night of JGB & The Dead Saturday, Jan. 16, at 5 and 9 p.m., Stone Church

The All New Piano Men (hits from Stevie Wonder, Billy Joel, Elton John, Barry Manilow, Freddy Mercury & more) Friday, Jan. 22, 7 p.m., virtual via Palace Theatre

Russ Condon & Tim Cackett of Town Meeting Friday, Jan. 22, 7 p.m., Stone Church

Brian O’Connell Fellowship Saturday, Jan. 23, at 8 p.m., Stone Church

Dave Gerard Thursday, Jan. 28, 6 p.m., Stone Church

Featured photo: Charlie Chronopoulos. Courtesy photo.

The Music Roundup 21/01/07

Twang: Enjoy country music from singer and guitarist Jackie Lee, who borrows nicely from Tammy Wynette, Loretta Lynn and others masters of the genre. She’s a regular at this and other Lakes Region venues. Expect a setlist with classics like “Ring of Fire” — her version is a solid recreation of the June Carter Cash original — along with a few modern favorites. Thursday, Jan. 7, 8 p.m., Tower Hill Tavern, 264 Lakeside Ave., Laconia. See facebook.com/jackie.lee.967806.

Song: A series of virtual concerts kicks off with Natural Woman, a tribute to legendary singer and songwriter Carole King. The evening of music, originally scheduled as a live audience show before the winter Covid-19 surge forced a change of plans, will focus on King’s breakthrough album, Tapestry, which became a blueprint for multiple generations of female performers. Friday, Jan. 8, 7 p.m., the show is presented by the Palace Theatre. Stream tickets $15 at palacetheatre.org.

Giggle: Despite the challenges, comedy shows remain popular in the pandemic. Veteran Steve Scarfo performs two nights in the repurposed movie theater that’s now home to the Headliners franchise. Born in Maine, Scarfo came up in the Boston club scene and once took part in a hilarious mashup of Survivor and Last Comic Standing that’s worth checking out on YouTube. Friday, Jan. 8, and Saturday, Jan. 9, at 8 p.m., Chunky’s Cinema Pub, 707 Huse Road, Manchester, tickets $20 at chunkys.com.

Flame: Tradition lives, even in these socially distanced days, as Carl Solo provides musical entertainment for the annual Christmas Tree Burning Party at an Auburn dining and drinking hub. It’s the 25th year for the event, as pines go up in flames and a heartfelt goodbye is offered to the worst year ever (though music fans may argue for 2016), along with food and libations. Saturday, Jan. 9, 7 p.m. Auburn Pitts, 167 Rockingham Road, Auburn, more at facebook.com/Carl-Solo-105864034170907.

Lighten: Arguably the hardest-working man in local music, Brad Bosse recently announced plans to scale back his performing schedule to weekends only and pursue a career in real estate, pivoting from rocking houses to selling them. Here’s to the best for Brad, whose deep catalog of covers and regular venue selfies will be reduced but thankfully not extinguished for good. Monday, Jan. 11, 8 p.m., The Goat, 142 Congress St., Portsmouth, more at facebook.com/Brad4Bosse.

At the Sofaplex 21/01/07

Wolfwalkers (PG)

Voices of Sean Bean, Maria Doyle Kennedy.

In 1650, young girl Robin Goodfellowe (voice of Honor Kneafsey) and her father (voice of Sean Bean) travel to Ireland on order of the Lord Protector (voice of Simon McBurney). He’s tasked Papa Goodfellowe with killing all the wolves in the forests of Kilkenny to make it easier for woodsmen to cut down the trees. But these woods are inhabited by not just wolves but wolfwalkers, according to local legend, who are people that can turn into wolves while asleep and, in either form, communicate with other wolves. Robin, a plucky girl who wants to help dad in his work, happens to meet a wolfwalker, Mebh (voice of Eva Whittaker), a plucky girl not unlike herself. Because of a little misunderstanding involving Robin’s pet bird Merlin and a trap Mebh had set to keep humans out of the forest, Mebh also bit but then healed Robin. The girls become friends, with Mebh explaining that the human form of her mother has been sleeping for a while, with her mother’s wolfy spirit somewhere unknown and the ever-shrinking woods full of increasingly hostile humans.

The animation here is truly lovely, an illustrated picture book of rich landscapes and vibrant wild areas, which contrast nicely with the gray and angular people and town under English control. Common Sense Media ranks the film at age 8+ and that’s probably pretty accurate. Though I let my younger kids watch some of the less scary scenes, the movie does portray the bloodlust and general cruelty of the wolf-hunting (and Irish-oppressing) Lord Protector in some stark ways, getting across menace that is plenty frightening for all that it isn’t openly gory. (Also, we might come to root for the wolves but they’re still pretty wolf-y with their teeth and their growls.) The movie also does a good job at conveying the genuine sweetness of Robin and Mebh’s friendship and the girls’ blend of fear and bravery. This movie is co-directed by Tomm Moore, who also co-directed/directed the much lauded animated movies The Secret of Kells and Song of the Sea. The beauty and engaging storytelling of Wolfwalkers has me eager to check out those films as well. A Available on Apple TV+.

Film

Movie screenings, movie-themed happenings & virtual events

Venues

Chunky’s Cinema Pub

707 Huse Road, Manchester; 151 Coliseum Ave., Nashua; 150 Bridge St., Pelham, chunkys.com

Cinemagic

with IMAX at 38 Cinemagic Way in Hooksett; 11 Executive Park Drive in Merrimack; 2454 Lafayette Road in Portsmouth; cinemagicmovies.com

LaBelle Winery

345 Route 101, Amherst

672-9898, labellewinery.com

Red River Theatres

11 S. Main St., Concord

224-4600, redrivertheatres.org

Wilton Town Hall Theatre

40 Main St., Wilton

wiltontownhalltheatre.com, 654-3456

Shows

Red River Virtual Cinema Red River Theatres is currently offering indie, foreign language and documentary films via a virtual cinema experience. Recent additions include City Hall, a documentary about Boston city government. See the ever-changing lineup on the website.

Saved by the Bell Trivia Night Thursday, Jan. 7, at 7:30 p.m. at Chunky’s Manchester, 21+. Reserve a spot by purchasing a $5 food voucher per person.

Our Hospitality (1923) silent Buster Keaton film accompanied by live music performed by Jeff Rapsis screens on Sunday, Jan. 10, at 2 p.m. at Wilton Town Hall Theatre. Admission is free but a $10 donation is suggested.

The Storytellers a week-long series of silent films accompanied by live music performed by Jeff Rapsis at Wilton Town Hall Theatre, Monday, Jan. 11, through Friday, Jan. 15, at 7:30 p.m. each night. Admission is free but a $10 donation per person is suggested. Films: Monday is Destiny (1921) from director Fritz Lang; Tuesday is Intolerance (1916) from director D.W. Griffith; Wednesday is Spiders (1919) from Lang; Thursday is Way Down East (1920) from Griffith; Friday is The Saphead (1920) starring Buster Keaton.

Princess Bride Trivia Night Thursday, Jan. 14, at 7:30 p.m. at Chunky’s Manchester, 21+. Reserve a spot by purchasing a $5 food voucher per person.

Peter Pan (1924) silent film accompanied by live music performed by Jeff Rapsis screens on Sunday, Jan. 24, at 2 p.m. at Wilton Town Hall Theatre. Admission is free but a $10 donation is suggested.

Dawson’s Creek Trivia Night Thursday, Jan. 21, at 7:30 p.m. at Chunky’s Manchester, 21+. Reserve a spot by purchasing a $5 food voucher per person.

Star Wars Trivia Night Thursday, Jan. 28, at 7:30 p.m. at Chunky’s Manchester, 21+. Reserve a spot by purchasing a $5 food voucher per person.

Soul (PG)

Soul (PG)

A middle-aged man hangs between life and “the Great Beyond” just as his dreams of being a working musician appear to be coming true in Soul, an animated movie from Pixar.

Joe Gardner (voice of Jamie Foxx) teaches band to high school students, who have varying degrees of interest in his instruction, but his real passion is to get a full-time paying gig as a professional jazz musician. He has chased this desire, to much disappointment, for years. His mom, Libba (voice of Phylicia Rashad), urges him to quit chasing this dream and accept the teaching position (and its pension and health care and steady paycheck) permanently. But then Joe has an audition with Dorothea Williams (voice of Angela Bassett) for a position as a piano player in her jazz band. He gets a chance to play a gig with her that night that could put him in as a regular. So delighted is Joe as he walks down the street contemplating this new future that he doesn’t realize there’s an open pothole in his path until he’s fallen into it.

He suddenly finds himself a bloop of glowy, vaguely person-shaped blueness, headed on a pathway through the stars up to what he’s told is the Great Beyond. Joe is definitely not interested in the Beyond; he wants to go back to the city and play jazz. Luckily, the afterlife doesn’t have the strictest security ever and he’s able to stumble away from the path to the Beyond and into the Great Before, a sort of nursery area for new souls. He’s mistaken for a mentor and is given new soul 22 (voice of Tina Fey) to mentor. His task is to help her find her “spark” and get her ready to go to Earth.

But 22 wants none of Earth and its whole “life and eventual death” thing. She’s had lots of mentors — all of whom have given up in frustration at her lack of a “spark.” Joe sees an opportunity; he’ll help 22 find her spark and earn the badge that lets her go to Earth and he’ll take the badge to return to his body and she can stay in the soft new souls land forever. Thus do they set off to find 22’s purpose.

Along the way, Joe and 22 do make it to Earth for a bit, though 22 winds up in Joe’s body and Joe winds up in the body of an emotional therapy cat. That cat, who (as Joe) can talk (at least to 22) and do things like push elevator buttons, is the most actively kid-like element of the movie. Similar to how Inside Out used personifications of emotions and personality traits rendered as physical spaces, Soul gives dimension to spiritual elements — for example, a place called “in the zone” where living people’s souls go when they’re playing a great basketball game or lost in a musical performance, and a variant of that location where souls go when they’ve lost connection to life and greater purpose. Soul is thoughtful and beautiful and I’m not sure I totally understand who this movie is for.

I mean, it really is beautiful — beautiful looking in how it blends the different visual ideas about an afterlife with the “real” world, beautiful sounding in its lovely score that mixes jazz and other musical styles. And it has some really beautiful ideas about life and what gives a person’s life meaning. I recently finished a rewatch of the series The Good Place, so maybe I am particularly susceptible to big-picture “what does it all mean” ideas rendered with a bit of cartooniness. I liked this movie and I think I would have liked it even more on a big screen, where I could have been even more enveloped in all the visuals. But where Inside Out was tethered to the kid-world by the girl the emotions operated in and the kid parts of her life experience, like imaginary friends, I’m not sure how kids connect to Soul. My younger kids saw parts and seemed to enjoy the music and the little soul blobs, but there is a level of zaniness missing here. (And the “lost souls” idea is expressed in a way that feels just disturbing enough that it would stick with younger kids, perhaps popping up in their brains at, like, 2 a.m.) I rewatched the movie with my elementary-aged kid and her interest seemed to wane as the movie went on. The idea that singular focus on your big break, the life milestone that will really “start” your life, will cause you to miss what your actual life is, for all its joy and heartbreak, is interesting to me. Do such concepts have any meaning to kids? I mean, my kid laughed at some of the butt jokes, so it wasn’t a total loss.

This doesn’t make the movie less successful as a, like, piece of film but as a PG movie on Disney+ it did make me wonder if when this movie goes on during family movie night, it will be the kids falling asleep and fiddling with an iPad while the parents are paying rapt attention. B+

Rated PG for thematic elements and some language, according to the MPA on filmratings.com. Directed by Pete Docter and Kemp Powers with a screenplay by Pete Docter & Mike Jones & Kemp Powers, Soul is an hour and 40 minutes long and distributed by Disney. It is available on Disney+.

Featured photo: Soul

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