My annual cheerleading for the Oscars
By Amy Diaz
Go, Oscars! Yay, the movies! Huzzah for a beloved form of entertainment that feels like it’s, you know, Going Through It right now! I will never give up on the Oscars even in what feel like the oddball years like this one where the movies felt fewer and quieter. And thus, when the Oscar telecast begins — Sunday, March 2, 7 p.m., on ABC and Hulu — I will be planted in front of my TV. And here’s what I’ll be cheering for:
• Conclave for the win! Of the nine out of 10 of the Best Picture nominees I’ve seen, Conclave (available for rent or purchase and streaming on Peacock), the stand-out cast movie about cardinals picking a new pope, is my favorite. And it features Isabella Rosselini in, like, three scenes for which she was also nominated in Supporting Actress (and is maybe my fave in that category). If Conclave can’t win, my next pick would be The Substance(available for rent or purchase and on Mubi), featuring Demi Moore’s excellent comic performance as a performer willing to go to sci-fi lengths to stay in the spotlight (Moore definitely being my pick in the Lead Actress category). The other films in the category in the general order of my wanting them to win: Nickel Boys (available for purchase), the tale of two boys stuck at a segregated reform school in 1960s Florida; Wicked(available for purchase), the gem-colored adaptation of the musical; Anora(rent or purchase), a dramady about an exotic dancer and her relationship with the goofy son of a rich, shady Russian family; A Complete Unknown (in theaters), a biopic of Bob Dylan’s early years as a performer; The Brutalist(purchase), the story of an architect trying to recover from World War II; Dune: Part Two (rent or purchase and streaming on Max), a movie about Timothée Chalamet, Zendaya and sand, and Emilia Pérez (streaming on Netflix), a crazy musical that is problematic in multiple ways but might still get Zoe Saldaña a Supporting Actress win. I haven’t seenI’m Still Here yet — a movie about a Brazilian family living through a military coup in the 1970s.
• Make it Sing Sing’s night! Colman Domingo, the standout in my opinion in the Lead Actor category, would be the big win for this movie, which totally deserved but didn’t get a Best Picture nod. The excellent and hopeful story of an acting troupe in Sing Sing Correctional Facility, Sing Sing (available for rent or purchase) is also nominated in Original Song and Adapted Screenplay, where it would also be my pick to win.
• Yay to animation! The Animated Feature category is solid, even if I might have swapped out something — Inside Out 2 (rent, purchase and on Disney+) maybe — for Transformers One (rent, purchase and Paramount+), a surprisingly pretty and smart origin story. My pick here is the sweet, lovely The Wild Robot (for rent or purchase and streaming on Peacock), though I won’t be mad if Wallace & Gromit: Vengeance Most Fowl (Netflix) or the beautiful, contemplative, wordless Flow (rent, purchase and streaming on Max) takes it. I haven’t seen Memoir of a Snail(rent, purchase and on AMC+).
• Hurray for accessible documentaries and international films! Once upon a time, nominees in what is now the International Feature category would seem to appear from nowhere and then not be available for viewing until deep into the summer. But now, many of those movies and this year’s Documentary Feature nominees — which didn’t include critical faves like the bittersweet Daughters (Netflix), the charming Will & Harper (Netflix), which also deserved a song nomination, and Dahomey(purchase, rent and streaming on Mubi and which is still on my to-watch list) — are available to watch now. In Documentary (confession: these are also on my to-watch list), the readily available nominees are Black Box Diaries (Paramount+), a Japanese journalist’s investigation into her rape accusations; Soundtrack to a Coup d’Etat (rent, purchase and on Kino Film), about the “U.S. government’s jazz ambassador program in Africa,” according to the film description, and Sugarcane (Hulu), a look at the abuse of children at an Indian residential school in Canada. Porcelain War, about three artists in Ukraine, is at the Museum of Fine Arts in Boston on Feb. 27 and is slated to screen elsewhere in the Boston area in March. No Other Land does not yet have U.S. distribution and doesn’t appear to be viewable at home in the U.S.; a New York Times story from Feb. 19 said this documentary directed by Palestinian and Israeli filmmakers will self-distribute in U.S. theaters.
In International Feature Film, nominees include Flow, Emilia Pérez and I’m Still Here as well as (also on the to-watch list) The Girl With the Needle (rent, purchase and on Mubi), loosely based on the true story of a Danish serial killer in the early 20th century, and The Seed of the Sacred Fig (rent or purchase), about a lawyer and his family in Iran.
• Let’s hear it for Kieran Culkin. I hope the road trip dramady A Real Pain (rent, purchase and on Hulu) wins for both of its too-few nominations — Supporting Actor (for Culkin) and Original Screenplay. My runner up Original Screenplay might be The Substance or it might be September 5(rent or purchase), about the terrorist attack at the 1972 Olympics and ABC Sports’ coverage.
• Watch Hard Truths! The Mike Leigh-written and -directed Hard Truths (rent or purchase) received no Oscar nominations but it did get a slew of nominations elsewhere, including the Indie Spirit Awards (for International Feature Film). The movie, whose story admittedly can sound like a real bummer (a woman struggles with fear, anxiety and depression in a way that basically throws a cloud over the lives of everyone around her) is actually a great watch with excellent performances, especially from Marianne Jean-Baptiste. Also nominated in Indie Spirit categories but not Oscar are Amy Adams for the dark, funny, early-childhood-grind movie Nightbitch(Hulu); June Squibb for the thoughtful and funny Thelma (rent, purchase and on Hulu); Justice Smith in I Saw The TV Glow (rent, purchase and streaming on Max), what feels like a cautionary tale about rewatching the likes of Buffy the Vampire Slayer; Janet Planet, nominated for First Feature (rent, purchase and on Max), a great tale mother-daughter tale, and My Old Ass(Amazon Prime), nominated for screenplay, a bittersweet movie about an 18-year-old meeting her decades-older self. None of these movies are Oscar nominated but Oscar nominations are just one list (which you can find via the Oscar landing page at abc.com) among several great lists (Indie Spirit Awards at filmindependent.org and Screen Actors Guild Awards at sagawards.org, to name two) of movies you may have missed and can now catch up on. Yay movies!
Featured Image: Conclave