Chicken nuggets and naughty elves

A look at new family films

Need to entertain an all-ages crowd? There are several new streaming movies geared at family audiences — though the exact ages of who is in that audience may vary.

Chicken Run: Dawn of the Nugget (PG) is probably good for most elementary schoolers and up (Common Sense Media pegs it at 7+), though it is a movie with chicken heroes and chicken nugget-making villains, so be forewarned if you have picky eaters and you don’t want to knock nuggets off an already small list of acceptable foods.

The original Chicken Run came out forever ago in 2000, but in the time of the movie it hasn’t been quite as long. The original crew of chickens who Great Escaped from Tweedy Farm now live a pleasant life on an island well away from people. Coop leader chicken Ginger (now voiced by Thandiwe Newton) and American rooster Rocky (now voiced by Zachary Levi) have a little chick of their own — Molly (Bella Ramsey), who as the real action of the movie gets going is a teenager chicken. She gazes longingly at the land across the water, especially when she sees a brightly colored truck for Fun Land Farm — a happy chicken has his very own bucket and is giving two thumbs up. Against her parents’ wishes, Molly decides to find out what Fun Land is all about and manages to get on a truck with her new friend Frizzle (voice of Josie Sedgwick-Davies). Ginger and Rocky and a gang of chickens are in hot pursuit and when it becomes clear where she’s gone — and that “Fun Land Farm” is a terrifying, nugget-making megafactory — they organize an attempt to break her out.

This sequel has the same British sweetness and can-do spirit of the previous Chicken Run (even if it doesn’t feel quite as clever) and other Aardman movies, though it isn’t quite as gentle as Shaun the Sheep outings. It’s a plucky adventure with enjoyable visuals. (B+, Netflix)

The Bad Guys: A Very Bad Holiday(TV-Y7) is set earlier in the Bad Guy timeline than the 2022 movie, back when the crew was still bad: Mr. Wolf (voice of Michael Godere), Snake (voice of Chris Diamantopoulos), Mr. Shark (voice of Ezekiel Ajeigbe) and Ms. Tarantula (voice of Mallory Low) — bad and not being voiced by their bigger-name movie actors. The crew is looking forward to their traditional Christmas Day heisting of loot, when the city is too focused on celebrating to notice. But then they accidentally destroy a beloved Christmas parade balloon, essentially crushing the holiday spirit of the city. Thus, in order to be able to rob on Christmas, they must first “save Christmas.” At a brisk 22 minutes, this lightweight bit of naughtiness and fun entertained my elementary-school-age kids even if it doesn’t have quite the cleverness or the finesse of the feature. (B, Netflix)

New Hampshire’s own Adam Sandler is the star voice and one of the writers on Leo (PG), a full-length (an hour and 42 minutes) animated movie about two classroom pets: Leo (voice of Sandler) the lizard and Squirtle (voice of Bill Barr) the turtle. Leo has ticked through the years eating lettuce while watching decades of fifth-graders go by, dreaming about life outside. Then he overhears a dad guess that lizards only live about 75 years; figuring he’s about 74, Leo is suddenly desperate to see the world. When a new teacher forces kids to bring home the school pets over the weekend, Leo sees a chance to escape. But instead he finds himself doing the thing animals aren’t supposed to do — he talks to human child Summer (voice of Sunny Sandler), who has trouble fitting in with the other kids. He helps her improve her conversation skills and make friends. He returns to the classroom determined to make a break for it the next week but soon finds that he likes talking with the kids during his weekends at their houses and enjoys helping them with their problems. The movie is peppered with strange but charming Adam Sandler songs — in one, to tell a girl she should stop crying, he croons “boo-freaking-hoo”; it’s weird but I liked it? Which is my overall feeling about this movie — it’s funny and also weirder and kinder than you’d expect. For my kids, the movie was comedy gold; they cracked up frequently. (Small note of caution: one song does have fifth grader wistfully singing about the joys of being age 9, when he used to leave out cookies and milk.) (B, Netflix)

Merry Little Batman (13+), like all Batman properties, feels older and darker than the vaguely Captain Underpants-ish cartooniness of the animation would suggest. Batman long ago ended crime in Gotham and thus Bruce Wayne (voice of Luke Wilson) hasn’t donned the Batsuit in quite a while; he spends all his time with his 8-year-old son Damian (voice of Yonas Kibreab). When a surprise call for superhero assistance lures Bruce out to Nova Scotia on Christmas Eve, Damian is left with a sleepy Alfred (voice of James Cromwell) at Wayne Manor. A chance burglary becomes something of a Home Alone situation, with Damian donning a paper bag Batman mask and makeshift cape to protect his home and, most importantly, the junior utility belt his dad gave him. Soon Damian is heading in to Gotham with a Batsuit of his own attempting to retrieve his belt from the thieves while the Joker (voice of David Hornsby), who is of course behind the initial theft, gets a more dastardly idea than just city-wide present-purloining after seeing the chaos Damian visits on his henchmen. I enjoyed the animation style here and the relatively sweeter Batman story but I would definitely save this for the tweens and up (B, Prime Video).

Getting into some live-action offerings, Genie(PG) features sad-dad Bernard (Paapa Essiedu) having lost his job due to the jerkiness of his boss (Alan Cumming), and alienated his family, wife Julie (Denee Benton) and young daughter Eve (Jordyn McIntosh), due to overwork. Sitting in his apartment alone, he glumly rubs the dust off an old jewelry and out pops Flora (Melissa McCarthy), a genie. She tells him the “three wishes” of lore are a myth — he gets unlimited wishes! Once she convinces him of her powers, he sets about trying to use his wishes to win back his family, accidentally getting in some light art-theft trouble along the way. The movie is sweet; McCarthy is good as a knowledgeable-but-distractable style of genie. (B-, Peacock or available for purchase).

Family Switch(PG) also trods familiar ground, with a family that feels disconnected from each other and find themselves Freaky Friday-ed after a run-in with a twinkly Rita Moreno. Mom Jess (Jennifer Garner) wakes up in the body of soccer star teen CC (Emma Myers) and vice versa; dad Bill (Ed Helms) swaps with 14-year-old son Wyatt (Brady Noon), and baby Miles (Lincoln and Theodore Sykes) swaps with the dog. That last swap has nice comedy potential — it’s hard at times to know whether we’re supposed to think the baby or the dog is smarter. The kid/parent swaps feature familiar beats about the olds trying to relate to “fellow teens” and the kids trying to pull off adultness. There are some nice moments of comedy: teens in the parent bodies wonder why they’re exhausted at like 7 p.m. and why everything close up is so blurry; the dad suddenly in his son’s body says he feels like Spider-Man in that he can run without cramping up. It’s cute but it also drags and there’s more talking than hijinks. (C+, Netflix)

The magic in Candy Cane Lane(PG)is also of the trickster nature: dad Chris Carver (Eddie Murphy) inadvertently signs a contract with naughty elf Pepper (Jillian Bell) for enchanted Christmas decorations in his attempt to win a big cash prize in a neighborhood holiday decorating contest. The “12 days of Christmas”-themed tree he buys features “lords a leaping” and the like that come alive and he must retrieve the “gold rings” in order to keep from joining Pepper’s collection of tiny Christmas village figurines — previous victims voiced by Nick Offerman, Chris Redd and Robin Thede. Eventually Chris has to bring wife Carol (Tracee Ellis Ross) and kids Joy (Genneya Walton), Nick (Thaddeus J. Mixson) and Holly (Madison Thomas) in on his unfortunate bargain. There are moments of nice holiday zaniness and geese-a’layin-related humor and David Alan Grier is a fun Santa Claus. (B-, Amazon Prime Video)

The Family Plan (PG-13) is decidedly an older teens and up movie but it has a goopier family movie sensibility, making it for — no one? Mark Wahlberg is Dan — suburban car salesman and dad of baby Max (Vienna and Iliana Norris) and teens Nina (Zoe Colletti) and Kyle (Van Crosby) and loving husband to Jessica (Michelle Monaghan). Before he became all that, though, he was a government assassin. When worlds collide he must first fight a dude in the supermarket while Max is Bjorn-ed to him and then trick his family into a “Las Vegas road trip yay!” that is really a meetup to get passports for new identities for them all. Along the way he has to fight off henchmen — discreetly — while trying to get up the nerve to tell his family about his past. Meanwhile, they are each dealing with issues of their own: Kyle is secretly a video game-playing superstar and Nina is a snotty jerk because of a clearly terrible boyfriend. The movie is too violent for younger kids and kinda too boring for anybody else. (C, Apple TV+)

Featured photo: Chicken Run: Dawn of the Nugget.

The Great NH Cookie Swap

Dozens of cookies to share and enjoy­

Cookies are the best.

They are a great dessert, a great snack, a satisfying breakfast or mid-morning munchies solution. They are great at parties and great shared after a party while you relax. You can never have too many cookies in your life or too many cookie recipes — particularly fun new recipes with personal, historical and family stories attached.

In that vein, I reached out to ask for recipes — from food types, yes, but also from museums, hospitals, politicians, churches, cultural organizations, basically anybody I thought might have a good cookie recipe and a tasty story to go with it. Here are about four dozen recipes from our — yours and mine — neighbors, swapping cookies (and a few bars, drops and other cookie-ish items) and frequently the tales of how these sweet treats became a part of their baking routine.

Let’s kick things off by going way back in American cookie history, to when the item appeared as a “cookey” in a 1796 cookbook.

Another Christmas Cookey

From Sarah Sycz Jaworski, program manager at American Independence Museum in Exeter, who writes: “We do not have any recipes directly related to our museum but the below recipe would probably have been made or at least known in the family that lived here. The first Christmas cookie recipe printed in America was in Amelia Simmons’ American Cookery. The cookbook was first printed in Hartford in 1796. Cookies of the time were usually called jumbles or biscuits. The word ‘cookie’ is said to be a Dutch word and came from the Dutch in New York, and the second printing of the book was in Albany.”

Amelia’s Christmas Cookey Recipe

To three pounds of flour, sprinkle a teacup of fine powdered coriander seed, rub in one pound of butter, and one and a half pound of sugar, dissolve one teaspoonful of pearlash in a tea cup of milk, knead all well together, roll three-quarters of an inch thick, and cut or stamp into shape or size you please. Bake slowly 15 or 20 minutes; tho’ hard and dry at first, if put into an earthen pot, and dry cellar, or damp room, they will be finer, softer and better when 6 months old.

Modern adaptation from Amanda Moniz, the Assistant Director of the National History Center of the American Historical Association, as it appeared in the Historical Cooking Project Blog, July 2014 (provided by the American Independence Museum)

  • 1 pound (about 3¾ cups) all-purpose flour
    pinch of salt
  • 1½ Tablespoons ground coriander (or more)
  • 6 ounces (1½ sticks) unsalted butter, cold, cut into small cubes
  • ½ pound (1 cup) sugar
  • 1 teaspoon baking powder
  • ½ cup whole milk (more as needed)

Preheat the oven to 300°F.

Line two baking sheets with parchment paper.

Combine flour, salt and ground coriander in a food processor. Pulse a couple times.
Add the butter and pulse until the mixture resembles coarse cornmeal.

Combine baking powder and milk.Add to the dough mixture and stir, adding more milk if it seems too dry. Press the dough together into two balls.
Put each ball on plastic wrap, flatten into a disk, and chill for a couple hours.

Roll the dough to the thinness you want (about ⅛ inch is good) and cut out in any shape you want.

Bake, rotating the baking sheets about halfway through baking, until lightly browned around the edges, about 10 minutes.

Acıbadem Kurabiyesi, Turkish Almond Cookies

From the Turkish Cultural Center New Hampshire. The cookies are a beloved treat often served during special occasions like weddings, religious holidays, or family gatherings in Turkey. These delicately sweet, almond-flavored cookies symbolize warmth and hospitality in Turkish culture, making them a delightful addition to festive celebrations,” according to a description in the email from the center.

  • 1 cup unsalted butter, at room temperature
  • 1 cup powdered sugar
  • 1 egg yolk
  • 1 teaspoon almond extract
  • 2 cups all-purpose flour
  • 1 cup ground almonds
  • whole almonds for garnish

Preheat your oven to 350°F (175°C) and line a baking sheet with parchment paper.

In a mixing bowl, cream together the butter and powdered sugar until light and fluffy.

Add the egg yolk and almond extract, mixing until well-combined.

Gradually add the flour and ground almonds to the mixture, stirring until a dough forms.

Take small portions of the dough and roll them into balls, then flatten them slightly with your palm. Place them on the prepared baking sheet, spacing them apart.

Press a whole almond into the center of each cookie.

Bake for 12 to 15 minutes or until the edges of the cookies are lightly golden.

Remove from oven and let cookies cool on baking sheet for a few minutes before transferring them to a wire rack to cool completely.

Agnès Boucher’s Date Squares

From Nathalie Boucher Hirte, office manager at the Franco-American Centre, host of Franco Foods on YouTube and a native of Quebec, who wrote: “Funny enough, growing up in Quebec, cookies were not the big thing on the table, it was more sweets (like sucre à la crème and fudge) and cakes. A family and Quebec favorite treat growing up was date squares, but that’s not a cookie.”

  • 2 cups chopped dates
  • ½ cup corn syrup (I used light)
  • ½ cup hot water
  • ⅛ teaspoon vanilla extract
  • 1 cup all-purpose flour
  • ¼ teaspoon baking soda
  • 1 cup brown sugar
  • 1 cup oatmeal
  • ½ cup room temperature unsalted butter
  • lemon juice (to taste)
  • pinch of salt

Preheat oven to 350°F.

Prepare square pan: Cover bottom and sides with butter.

Date filling: Combine chopped dates, corn syrup, hot water, lemon juice and vanilla in a saucepan. Cover and bring to a boil. Lower temperature and cook over low heat for 20 minutes. Remove from heat and let cool.

Base and topping: In a bowl, combine flour, baking soda, salt, and brown sugar. Add the oatmeal, mix well. Cut or rub in the butter until well combined.

Putting it together: Put half of the oatmeal mixture into the prepared pan. Press well to make the base. Spread the date filling. Cover with the remaining oatmeal mixture and press gently. Bake for 25 minutes. Let cool, cut into squares and enjoy!

Candy Cane Cookies

From Jan Warren, who describes herself as the baker in the office at Deerfield Family Dentistry. She says she’s been making these cookies for about 40 years. She wrote that she had just made a batch of the cookies: “It makes more than the 4 1/2 dozen that it says it does. I used the peppermint flavoring instead of almond. When you put the 2 colors together, roll them as you would when rolling them into 4 inch logs, they stick together better when twisting them.”

  • 1 cup powdered sugar
  • ½ cup softened butter
  • ½ cup shortening
  • 1 egg
  • 1½ teaspoons almond extract
  • 1 teaspoon vanilla
  • 2½ cups all-purpose flour
  • 1 teaspoon salt
  • ½ teaspoon red food coloring
  • ½ cup crushed peppermint candy
  • ½ cup granulated sugar

Heat oven to 375°F. Mix powdered sugar, butter, shortening, egg, almond extract and vanilla. Stir in flour and salt. Divide dough into halves. Tint one half with food color. For each candy cane, shape 1 teaspoon dough from each part into 4-inch rope. For smooth, even strips, roll back and forth on lightly floured board. Place one red and one white strip side by side, press together lightly and twist. Complete cookies one at a time. Place on ungreased cookie sheet. Curve top down to form handle of cane. Bake until set and very light brown, about 9 minutes. Mix crushed candy and granulated sugar, immediately sprinkle over cookies. Remove from cookie sheet. Makes 4 dozen.

Chewy Pumpkin Chocolate Chip Cookies

Between votes in Washington and traveling across New Hampshire, I don’t get to bake as often as I’d like. When I do, I usually rely on the recipe on the back of the bag of chocolate chips as a guide. However, one of my staffers brought in the following recipe that is quickly becoming an office favorite. These cookies have a great pumpkin flavor, perfect for the fall and winter months (and it’s also New Hampshire’s state fruit!).” — U.S. Rep. Chris Pappas, in an email from staff. The recipe is from Sally’s Baking Addiction (sallysbakingaddiction.com).

  • ½ cup unsalted butter, melted and slightly cooled
  • ¼ cup packed light or dark brown sugar
  • ½ cup granulated sugar
  • 1 teaspoon pure vanilla extract
  • 6 Tablespoons pumpkin puree (with moisture squeezed out)
  • 1½ cups all-purpose flour
  • ¼ teaspoon salt
  • ¼ teaspoon baking powder
  • ¼ teaspoon baking soda
  • 1½ teaspoons ground cinnamon
  • 1 teaspoon pumpkin pie spice
  • ½ cup semi-sweet chocolate chips, plus extra for the tops

Whisk the melted butter, brown sugar and granulated sugar together in a medium bowl until no brown sugar lumps remain. Whisk in the vanilla and pumpkin until smooth. Set aside.

Whisk the flour, salt, baking powder, baking soda, cinnamon and pumpkin pie spice together in a large bowl. Pour the wet ingredients into the dry ingredients and mix together with a large spoon or rubber spatula. The dough will be very soft. Fold in ½ semi-sweet chocolate chips.

Cover the dough and chill for 30 minutes or up to 3 days.

Remove dough from the refrigerator. Preheat oven to 350°F. Line two large baking sheets with parchment paper.

Scoop about 1½ Tablespoons of dough for each cookie and roll into balls. Arrange on cookie sheet 3 inches apart. Using the back of a spoon, slightly flatten the tops.

Bake for 11 to 12 minutes until the edges appear set. Press a few chocolate chips into the top of the cookies (which will look very soft in the center). Let cool for at least 10 minutes on the pan.

Chocolate Chip Cookies

Brian Csaky, Director of Culinary Operations at Saint Anselm College, wrote this is “our chocolate chip cookie recipe that we use in Davison Hall. During lunch last year, we had a table set up for the students to try [two] kinds of cookie and they got to vote on their favorite. This recipe ended up being the winner between the two.”

  • ⅜ pound brown sugar
  • ⅓ pound sugar
  • ½ pound unsalted butter
  • 2 ounces eggs
  • ¼ ounce vanilla extract
  • ⅔ pound all-purpose flour
  • ¼ ounce iodized salt
  • ⅛ ounce baking soda
  • 10 ounces chocolate chips

Cream sugars and butter. Blend in eggs and vanilla. Add flour, salt and baking soda. Stir in chocolate chips. Drop in scoops onto baking sheets. Bake at 350°F for 10 to 12 minutes.

Chruściki (Angel Wings or Bow Ties)

Karen Sobiechowski at Holy Trinity Cathedral in Manchester said in an email she spoke to her bakers before sending along recipes, the first of which she describes this way: “Chrusciki are often referred to as angel wings (because of the powdered sugar) or bow ties (because of the shape). When the dough is rolled very thin, the cookies are light and crisp. Some recipes call for a small amount of alcohol (such as vodka, whiskey, or rum) in the dough to keep it from absorbing too much oil during the frying.”

  • 6 egg yolks
  • 3 Tablespoons orange zest
  • ½ teaspoon salt
  • 8 ounces sour cream
  • 3 cups flour
  • 1 cup powdered sugar
  • oil for deep frying
  • powdered sugar to dust

Beat egg yolks with a fork. Add orange zest, salt and sour cream. Add 2½ cups of the flour and powdered sugar to egg mixture. Combine. Add the last ½ cup of flour, working by hand to form a soft dough.

On a floured board, roll out the dough a quarter at a time. Roll thin. Cut dough in small rectangles and cut a slit in the center. Put one end through to make a bow. Fry in hot oil, only until lightly browned. Drain on paper towels. Dust with powdered sugar.

Crisp Oatmeal Cookies

The following recipe is a Belisle family favorite. My mother makes it for our annual family Christmas get-together. It is a tradition that is asked for every year. My mom modified it slightly. She has been making these cookies since I was a little kid (almost 60 years). The original recipe was submitted by Jean Engborg and was in a handwritten cookbook from Cape Porpoise, Maine.” — Ann Hamilton, a food safety specialist for UNH Cooperative Extension

  • 1 cup shortening
  • ½ cup white sugar
  • ½ cup brown sugar
  • ½ teaspoon baking soda mixed in ¼ cup boiling water
  • ½ teaspoon vanilla
  • ½ to 1 teaspoon salt
  • 1 cup sifted flour
  • 3 cups rolled oats (either quick or regular)
  • raisins

Oven temperature 375°F. Makes about 5½ dozen 2½-inch cookies.

Cream the shortening with the sugars. Dissolve the baking soda in boiling water and add to the sugar mixture. Add vanilla. Add remaining ingredients and mix well. Drop by teaspoon on a greased cookie sheet. Flatten with fork and bake about 10 minutes or until a golden color. Put on wire rack to cool. Add a raisin, if desired, in the center of the cookies before cooking. These cookies are crisp and crunchy. NOTE: Needs watching — can burn quickly.

Crystalized Ginger Shortbread

From Charlene Nichols, director of sales at Hippo, who writes that she adapted this recipe from themom100.com by Katie Workman, doubling it and adding about a teaspoon of ground ginger to up the overall gingerness.

  • 2 cups (4 sticks) unsalted butter, at room temperature
  • 1½ cups sugar
  • 2 teaspoons pure vanilla extract
  • 1 teaspoon salt
  • 1 teaspoon ground ginger
  • 4½ cups all-purpose flour, plus more for dusting the counter
  • 1½ cup finely chopped crystalized ginger

Preheat the oven to 300°F.

In a large bowl, beat together the butter and sugar. Beat in the salt, then the flour, then the vanilla and ground ginger. Lastly, beat in the crystallized ginger. The dough will appear crumbly but hold together when you pinch it.

Press the dough into a large cookie sheet, scoring into 64 2-inch squares. Place pan in freezer for 20 minutes or in the refrigerator for at least an hour, until it firms up slightly.

Bake for about 40 minutes until very slightly colored, with edges just a bit browned. Put the pan on a wire rack and cool for 20 to 30 minutes. Then flip the shortbread to remove from the pan, turn right side up and cool completely on the rack.

Place the shortbread on a cutting board and using a large sharp knife cut into squares following the lines you’ve scored in the dough.

cover of Girl Scout Cookbook with illustrations of eggs and bacon

Danish Dapples

Danish dapples … comes from the Girl Scout Cookbook [pictured] which was published by the Girl Scouts of the USA in 1971. We have a copy of this book in the Max I. Silber Scouting Library. We chose this Danish recipe to reflect the interest that the Girl Scouts have had in World Scouting over the years.”— Doug Aykroyd, Curator of the Lee Scouting Museum in Manchester

  • ¾ cup shortening
  • 1½ cups brown sugar
  • 1 cup rolled oats
  • 2 eggs
  • 2 cups sifted flour
  • 1 teaspoon powdered cinnamon
  • ½ teaspoon powdered nutmeg
  • ⅛ teaspoon cloves
  • 1 teaspoon salt
  • 1 teaspoon soda
  • 2 cups peeled, chopped apples
  • ½ cup coarsely chopped almonds or hazelnuts
  • 1 Tablespoon melted butter
  • 1 teaspoon milk
  • ¾ cup powdered sugar
  • 1 teaspoon vanilla

Preheat oven to 350°F. Cream shortening and sugar together; add oats, and beat well. Beat in eggs. Sift flour together with salt, soda and spices; add to sugar-shortening-egg mixture and mix well. Stir in apples and nuts.

Drop batter by teaspoonfuls onto greased cookie sheet. Bake 12 to 15 minutes, until cookies are lightly browned. Use last four ingredients for frosting, as follows: Melt butter and heat 1 teaspoon of milk with it. Pour into small mixing bowl with powdered sugar and vanilla; mix until smooth. Spread over tops of cookies. Let cool until frosting sets before serving or storing.

Eldress Bertha Lindsay’s Lemon Verbena Cookies

From Eldress Bertha Lindsay’s Seasoned With Grace: My Generation of Shaker Cooking (1988) and provided by the Canterbury Shaker Village.

  • 2½ cups flour
  • 1 cup sugar
  • 1 teaspoon baking soda
  • ½ teaspoon cream of tartar
  • ½ teaspoon salt
  • ½ cup milk
  • ½ teaspoon lemon juice
  • ⅓ cup vegetable oil
  • 1 egg, beaten
  • 2 Tablespoons crushed lemon verbena leaves, or substitute ½ teaspoon lemon extract

In a large bowl, sift together flour, sugar, baking soda, cream of tartar and salt. In a separate small bow, mix milk, lemon juice, oil and egg. Add lemon verbena or lemon extract to the liquid. Add the liquid to the dry ingredients and stir with a wooden spoon until well-mixed.

Preheat oven to 350°F. Drop by teaspoonfuls on a greased cookie sheet. Bake for 12 to 15 minutes. Makes 4 dozen.

Finikia (Assumption’s Recipe)

From the Assumption of the Virgin Mary Greek Orthodox Church in Manchester Ladies Philoptochos Society, which writes: “Finikia are considered the most popular Greek Christmas cookie. In some regions of Greece, they are also known as melomakarona. These delicious, moist, honey-drenched cookies can be made with a date or walnut center filling, or left plain in the center. All varieties are topped with crushed walnuts, cinnamon and sugar. … The Ladies Philoptochos Society of the Assumption of the Virgin Mary Greek Orthodox Church make and bake hundreds of finikia annually for their food fests, spring and fall bake sales, and Greekfest.”

Dough:

  • 8 ounces (2 sticks) unsalted (sweet) butter – at room temperature
  • 1 cup granulated sugar
  • 1 cup canola oil
  • 1 cup freshly squeezed orange juice – at room temperature
  • 2 egg yolks – at room temperature
  • 1 ounce Metaxa or brandy
  • 2 teaspoons baking powder
  • ⅓ teaspoon baking soda
  • ½ teaspoon salt
  • 7 to 8 cups of flour

Center-filling (optional):

  • 10 ounces date paste or 20 pureed pitted dates
  • ½ cup granulated sugar
  • 1 cup finely chopped walnuts
  • ½ teaspoon cinnamon
  • ½ teaspoon vanilla extract

Syrup:

  • 4 cups granulated sugar
  • 4 cups water
  • 1 cup honey

Cookie coating:

  • 1½ cups finely chopped walnuts
  • 1 teaspoon cinnamon
  • 2 teaspoons granulated sugar

Dough

In mixer, beat butter, oil and sugar together very well. Add the egg yolks, one at a time, into the mixture while the mixer is working. Gradually add orange juice and Metaxa (or brandy) and mix well.

In a separate bowl, sift together flour with the baking powder, baking soda and salt.

Add the flour mixture to the butter mixture and stir. Start by adding half the flour mixture and keep incorporating the remainder of the flour, a little at a time, until you have a smooth dough that is neither too soft nor too hard. Take dough out of bowl and knead until dough forms a ball.

Center-filling (optional)

In small saucepan, mix together dates, granulated sugar, walnuts, cinnamon and vanilla extract. On lowest setting, cook until warm. Set aside.

Syrup

In a large pot, combine granulated sugar and water and bring to a boil; boil for 10 minutes. Add honey and cook for an additional 5 minutes.

Cookie Coating

In a separate bowl, mix together walnuts, cinnamon and granulated sugar.

Shaping and baking:

Preheat oven to 350°F.

Roll and shape dough into small oval balls about 1½ to 2 inches long and 1 inch wide.

Using your fingers, press one side of the ball flat like a small pancake. If making center-filled finikia, add 1 rounded teaspoon of filling in the center of cookies.

Fold dough over and pinch ends of oval cookies together. Place fold-side down on parchment paper-lined cookie sheets. Bake in preheated oven 20 to 25 minutes until golden in color. Do not overbake; otherwise syrup won’t be absorbed into each cookie. Set cookies aside to cool. Once cooled, transfer cookies to a large casserole dish.

Prepare syrup. Once the syrup is boiled and hot, pour over the cooled cookies making sure all cookies are completely covered in syrup. With a wooden spoon, turn the cookies over a few times ensuring the tops and bottoms are fully covered in syrup. Turn cookies in syrup a full 5 to 7 minutes.

Remove honey-drenched cookies and place in individual paper baking cups. Sprinkle the walnut mixture over the finikia.

Should yield roughly 60 pieces.

Finikia (St. Philip’s recipe)

Vivian Karafotias of St. Philip Greek Orthodox Church in Nashua also sent along a recipe for finikia, one of three recipes she sent that come from the cookbook the church sells at its annual festival in May. She writes: “The cookie is oval-shaped with walnuts on top and dipped in syrup. This cookie originated from Smyrni, Asia Minor.”

  • 1 cup margarine
  • 2 cup vegetable oil
  • ½ cup sugar
  • 8 ounces orange juice
  • 1 teaspoon grated orange rind
  • 1½ ounces whiskey
  • ⅓ teaspoon ground clove
  • 3 teaspoons baking powder
  • 6 to 8 cups of flour

Beat margarine, add oil and beat well. Add sugar, juice, rind, whiskey, ground clove and baking powder. Add flour slowly, using only as much as needed to form soft cookie dough. Form into slightly flattened egg-shaped cookies. Bake on ungreased baking sheet at 350°F for 30 to 35 minutes. Cool. Dip cookies in hot syrup for a few minutes. Remove and sprinkle with nut mixture.

Syrup

  • 2 cups sugar
  • 2 cup water
  • 1 cinnamon stick
  • 1 cup honey
  • 1 lemon, quartered

Place all syrup ingredients in a small saucepan and bring to a boil. Reduce heat and simmer for approximately 10 minutes.

Nut mixture

  • 2 cups finely chopped walnuts mixed with 3 to 4 teaspoons cinnamon

Flourless Ooey-Gooey Double Chocolate Cookies

Makes 16 cookies. I seldom use Dutch process cocoa; natural cacao works great.” — from Roxanne Macaig, Hippo account executive.

  • 5 ounces excellent-quality dark chocolate, chopped
  • ½ stick + 1 Tablespoon unsalted butter
  • ¾ cup superfine or granulated sugar
  • 2 eggs
  • ⅓ cup cocoa or cacao powder
  • ¼ teaspoon salt
  • ¼ teaspoon vanilla
  • ½ cup chocolate chips or chopped dark chocolate (or preference milk or white chocolate)
  • ¼ to ½ cup chopped walnuts (optional)

Preheat to 350°F.

In a heat-proof bowl (either in the microwave or on the stove over a pot of simmering water), melt the chocolate and butter together until smooth and glossy. Set aside to cool down to lukewarm.

Using either a stand mixer fitted with the whisk attachment or a hand mixer fitted with the double beaters, whisk sugar and eggs together until pale, very fluffy and about tripled in volume. About 5 minutes on a high speed until the “ribbon stage.”

Pour the lukewarm chocolate mixture into the whisked egg mixture, and whisk until just combined. Stir in vanilla and salt. SIFT in the cocoa powder and salt, and whisk until you get a smooth, glossy batter — it will be pretty runny. Add the chocolate chips (or chopped chocolate) and small diced walnuts if desired, mixing throughout the batter.

Chill the batter in the fridge for 8 minutes, until slightly thickened. It will still be fairly loose, but it will mostly hold its shape when you scoop onto the cookie sheet.

Scoop onto a cookie sheet using a 2-Tablespoon ice cream or cookie scoop; leave about 1½ inches between for them to spread.

Bake, one baking sheet at a time, at 350ºF (180ºC) for 8 to 9 minutes or until slightly puffed up. The center should be a little underbaked so they’ll be gooey and delicious when cooled. They will have a glossy, cracked crust and be puffed up mounds, but they will settle when cooled.

Directly out of the oven, while they’re still hot, you can use a glass (larger than the cookie diameter) to bump the overflow edges to a perfectly round shape.

Ginger Cookies

From Mrs. Thomas Chalmers in The Bazaar Cook Book compiled by The Ladies in the First Congregational Church in Manchester, published in 1901, according to Kristy Ellsworth, Director of Education at the Manchester Historic Association’s Millyard Museum.

  • 1 cup butter
  • 1 cup brown sugar
  • 1 egg
  • 1 cup molasses
  • 1 dessertspoonful each of ginger, vinegar and soda

Mix with 6 cups of flour and enough more to roll out. Bake ¼ inch thick.

Gingerbread Cookies

This holiday cookie recipe is pure comfort. The aroma of ginger meeting cinnamon on the baking sheet is irresistible. Sometimes the icing and decoration toppings don’t make it to each cookie as I have sampled a bare cookie or two beforehand.” — Marilyn Mills, dietitian at Elliot Health System.

  • 3 cups all-purpose, unbleached or try white wheat flour
  • 2 teaspoons ground ginger (for more ginger flavor squeeze another teaspoon of refrigerated ginger paste)
  • 1 teaspoon ground cinnamon
  • 1 teaspoon baking soda
  • ¼ teaspoon ground nutmeg
  • ⅛ teaspoon salt
  • ¾ cup (1½ sticks) unsalted butter, softened
  • ¾ cup firmly packed brown sugar
  • ½ cup molasses
  • 1 egg
  • 1 teaspoon pure vanilla extract

Mix flour, ginger, cinnamon, baking soda, nutmeg and salt in large bowl. Set aside. In another large bowl, beat butter and brown sugar with electric mixer on medium speed until light and fluffy. Add molasses, egg, and vanilla; mix well. Gradually beat in flour mixture on low speed until well mixed. Press dough into a thick flat disk. Wrap in plastic wrap. Refrigerate for 4 hours or overnight.

Preheat oven to 350°F. Roll out dough to ¼-inch thickness on lightly floured work surface. Cut into gingerbread cookie shapes with 5-inch cookie cutter. Place 1 inch apart on ungreased baking sheets. Bake 8 to 10 minutes or until the edges of cookies are set and just begin to brown.

Cool on baking sheets for 1 to 2 minutes. Remove to wire racks; cool completely. Decorate cooled cookies as desired. Store cookies in airtight container for up to five days.

chocolate chip cookies on wooden table
Hearty Energy Cookies. Photo courtesy of Katie Welch.

Hearty Energy Cookies

Katie Welch, Senior Director of Member Experience for the YMCA Allard Center of Goffstown, shares her Hearty Energy Cookie recipe — one that her mom started cooking for her when she was in high school and both were active runners craving a more nutritious cookie yet still gooey and chocolatey! Katie now makes these hearty energy cookies to share at the Y with coworkers, members, and friends.” — Jamie Demetry, VP of marketing and communications at the Granite YMCA.

  • ½ cup (1 stick) softened butter
  • 1⅓ cups dark brown sugar
  • ¾ cup peanut butter
  • 2 eggs
  • 1 teaspoon vanilla extract
  • 1 cup all-purpose flour
  • 1 cup whole-wheat flour
  • 1½ cups old-fashioned rolled oats
  • ½ wheat germ
  • 1 teaspoon salt
  • 1 teaspoon baking soda
  • 1 teaspoon cinnamon
  • ¼ cup buttermilk
  • 1 cup chocolate chips
  • 1 cup chopped dates

Preheat oven to 375°F.

Mix butter, sugar and peanut butter until creamed. Add eggs, one at a time, and then stir in the vanilla. Combine all dry ingredients in a bowl. Mix well. Add dry ingredients to the butter and sugar mixture. Finally, add the buttermilk. The batter will be sticky, but handle-able. Roll out golf-ball sized balls, and slightly flatten onto your cookie sheet. Bake for about 10 minutes, until the edges just turn golden. Cool on the sheet for 5 minutes. Enjoy!

Hermits

From Mary Whitcher’s Shaker House-Keeper (1882) and provided by the Canterbury Shaker Village.

Mix one cup of raisins, stoned and chopped; a cup of butter, two cups of sugar, a teaspoon each of cinnamon and clove, half a teaspoon of soda dissolved in a little milk; one teaspoon nutmeg, three eggs, and enough flour to roll out. Roll the dough to the thickness of a quarter of an inch, and cut it with a round tin. Bake the cakes about 12 minutes, in a rather quick oven (375°F).

Homemade Nutter Butters

From a dietitian at the Elliot, sent by Dawn Fernald, System Vice President of Marketing and Communications at SolutionHealth.

  • ½ cup peanut butter
  • ¼ cup maple syrup
  • 1 teaspoon vanilla extract
  • ⅔ cup almond flour
  • ½ teaspoon baking powder

Preheat oven to 350°F.

Mix together peanut butter, maple syrup and vanilla, then fold in the almond flour and baking powder. Roll dough into ½-teaspoon-size balls and place them side by side on parchment paper-covered baking sheet. Once dough is all divided out, use fork and press down gently on each ball, then rotate 90 degrees and repeat.

Bake cookies for 12 to 14 minutes. Once fully cooled (10 to 15 minutes), stir together ¼ cup peanut butter with 1 Tablespoon maple syrup, then stuff two cookies and press together.

cover of ring bound book with illustration of boy scouts in woods

Inside-Out Chocolate Chip Cookies

The recipe for the Boy Scout cookie comes from a recipe book produced by Troop 177 in Hampton, New Hampshire. This book was produced in 2006 as a fundraising project. Members of the troop sought out recipes from family and friends… The recipe for Inside-Out Chocolate Chip Cookies came from the dessert section. It was submitted by a Star Scout in the troop, Joey Silveria.” — Doug Aykroyd, Curator of the Lee Scouting Museum in Manchester

  • 1 cup sugar
  • ¾ cup brown sugar
  • ¾ cup butter (softened)
  • ½ cup shortening
  • 1 teaspoon vanilla
  • 2 eggs
  • 2½ cups flour
  • ½ cup baking cocoa
  • 1 teaspoon baking soda
  • ¼ teaspoon salt
  • 1½ vanilla milk chips
  • 1 cup nuts (chopped)

Heat oven to 350°F.

Mix sugars, butter, shortening, vanilla and eggs in a large bowl with mixer on medium speed. Stir in flour, cocoa, baking soda and salt. Stir in vanilla milk chips and chopped nuts. Drop dough by rounded tablespoonfuls about 2 inches apart onto ungreased cookie sheet. Bake 10 to 12 minutes or until set. Cool one minute before moving to wire rack.

Kate Smith’s Grape-Nut Chocolate Drops

My grandmother Pauline, on my Mum’s side, was first-generation French Canadian. Her mother, Imelda Lemoine, passed away when Pauline was 19. Pauline married my grandfather when she was 23 and was mother to seven children and a prodigious cook. These chocolates were made every year at Christmas and were originally found by Imelda from Kate Smith’s radio show. She sent away and received a promotional recipe card. My mother made them at Christmas and some of my earliest memories are stirring the bowl and licking the chocolate off the spoon when we were done scooping them out. Don’t fear the strange ingredients. They are delicious and best eaten within a week if they even last that long. (Also known in our family as Grape-Nut Clusters)” — Jessica Traynor, Auburn, New Hampshire

  • 1 12-ounce package semi-sweet chocolate chips
  • 1 can sweetened condensed milk
  • 1 teaspoon vanilla extract
  • 1 cup Grape-Nuts

Melt chocolate chips in a double boiler. Remove from heat and stir in the condensed milk and vanilla. Stir until smooth. Stir in Grape-Nuts. Drop by teaspoons onto wax or parchment paper. Cool on counter. Makes about 5 dozen.

Kolaczki

Karen Sobiechowski at Holy Trinity Cathedral in Manchester describes kolaczki this way: “Kolaczki consist of a rich pastry filled with fruit preserves or jam. I like to use Solo filling. Using a variety of fillings (apricot, prune, cherry, etc.) makes for a nice presentation. The same cookie is enjoyed with a slightly different name in the various Eastern European countries.”

  • 1 envelope yeast
  • 4 Tablespoons sour cream, room temperature
  • 2¾ cups sifted flour
  • 1 egg yolk
  • ½ pound butter, softened
  • Solo fruit filling (apricot, cherry, prune, etc.)
  • powdered sugar

Dissolve yeast in sour cream; add a pinch of sugar. Add flour, egg yolk and butter; mix well. Divide dough into three parts. Roll out ⅛ inch thick. Cut into circles or squares. Fill center with ½ teaspoon fruit filling. On squares, bring corners to center of filling. Bake at 350˚F for 10 minutes. Cool and sprinkle with powdered sugar.

Koulourakia Epirus (Assumption’s recipe)

From the Assumption of the Virgin Mary Greek Orthodox Church in Manchester Ladies Philoptochos Society, which writes: “This buttery-based, shiny egg glazed versatile cookie (crunchy on the outside, soft on the inside) is a staple in most Greek households. Koulourakia are made and enjoyed in times of happiness (holidays and celebrations), simply over a cup of coffee or tea, or offered in times of sorrow. The ingredients are delicious and native to the region of Northern Epirus.”

  • 16 ounces (4 sticks) unsalted (sweet) butter – at room temperature
  • 1 Tablespoon Crisco
  • 3 cups granulated sugar
  • 3 egg yolks – at room temperature
  • 1 egg beaten for glaze
  • 6 extra-large eggs – at room temperature
  • 1 cup freshly squeezed orange juice – at room temperature
  • 1 orange rind grated
  • ¼ cup vanilla
  • ¼ cup baking powder
  • ½ teaspoon baking soda
  • 8 to 10 cups of flour

In mixer, cream butter and 1 Tablespoon Crisco very well. Add sugar and mix until light and fluffy. One at a time, and slowly, add the egg yolks and eggs into the mixture while the mixer is working. Beat well.

Add ½ teaspoon baking soda to orange juice and then blend together with the mixture. Add ¼ cup vanilla and orange rind to mixture and continue beating with the mixer.

Mix 2 cups of flour with ¼ cup baking powder. Add to mixture and slowly blend together. Keep incorporating the remainder of the flour, a little at a time, to the mixture to make a soft dough. If the mixture is sticky, slowly keep incorporating more flour until the dough is pliable but not sticky.

Take dough out of mixer, place in bowl, cover with parchment paper or a clean towel and let it rest for 30 minutes.

Preheat oven to 350°F. Roll and shape koulourakia into desired shape and size and place on parchment paper-lined cookie sheets. Brush with egg glaze. Bake in preheated oven 20 to 25 minutes until golden in color. Should yield roughly 120 pieces (depending on shape and size).

Koulourakia — Butter Cookies (St. Philip’s recipe)

From Vivian Karafotias of St. Philip Greek Orthodox Church in Nashua: “Here is a traditional Greek butter cookie that is made during Christmas and Easter. They are traced back to Crete during the Minoan period. They are delicious. We sell them at our festival.”

  • 1 pound butter, softened
  • 1 cup oil
  • 2½ cups sugar
  • 1 Tablespoon whiskey
  • 2 teaspoons vanilla
  • juice of ½ orange (approx. ⅓ cup)
  • 2 teaspoons orange rind
  • 8 large eggs
  • 7 teaspoons baking powder
  • approximately 4 pounds sifted flour

Glaze:

  • beaten eggs
  • sesame seeds

Cream butter. Add oil, sugar, whiskey, vanilla, orange juice and rind and mix well. Add eggs, one at a time, beating until creamy. Sift the baking powder with 2 cups of flour and stir into dough. Transfer to large bowl and add flour, a little at a time, to form a soft dough. Using the hands to mix in the flour is the best method of forming the dough. Approximately 15 cups of sifted flour is needed, being careful to add just enough to form a soft workable dough that can be shaped. Using a small amount of dough, roll with hands into a rope about ½ inch in diameter. Form into circles or twists. The amount of dough to be used for each cookie can be measured by filling an ice cream scoop with dough and then dividing into quarters. Each quarter is the amount of dough needed to make the koulourakia the proper size.

Place cookies on greased cookie sheet or parchment-lined cookie pan. Mix sesame seeds with several beaten eggs and brush mixture on top of cookies to form a glaze. Bake in a 375°F oven for 15 to 20 minutes until golden brown.

Kourabiedes (St. Philip’s recipe)

From Vivian Karafotias of St. Philip Greek Orthodox Church in Nashua, who says “This is a traditional butter … with powdered sugar on top. It originated in 7th century Persia. This cookie has European origins as well.”

  • 1 pound sweet butter
  • ½ cup confectioner’s sugar
  • 1 egg yolk
  • 1½ ounces whiskey
  • 1 teaspoon vanilla
  • 1 teaspoon almond extract
  • ¼ cup toasted chopped almonds
  • 5 cups sifted flour
  • 3 cups confectioner’s sugar

Beat butter and the ½ cup sugar until creamy. Add egg yolk, whiskey and flavorings. Continuing to mix with electric beaters, slowly add half of the flour. Stir in the almonds and continue to beat another minute. Using hands, mix in remaining four. Knead dough a few minutes until soft and smooth. Pinch off small pieces and shape into crescents. Place on ungreased cookie sheet and bake in 350-degree oven for 20 minutes or until lightly browned. Allow to cool slightly. Sift confectioner’s sugar over cookies. Place individual cookies in paper baking cups that have also been sprinkled with confectioner’s sugar. Dough can be refrigerated overnight before shaping and baking cookies.

Kourambiethes (St. Nicholas’ recipe)

From St. Nicholas Greek Orthodox Church in Manchester. Barbara George, parish president writes:” We bake these throughout the year however they are especially popular at Christmas time. This recipe is one that has been passed on by one of our members, Tina. It was her mother’s recipe so it’s been used for generations!”

  • 1 pound unsalted butter
  • ½ cup confectioner’s sugar
  • 1 shot glass of whiskey or brandy
  • 1 egg yolk
  • 1½ teaspoons vanilla
  • 4¼ cups flour
  • 1 small can chopped walnuts finely ground into small bits

Combine butter and confectioner’s sugar. Beat until creamy. Add whiskey or brandy, add egg yolk, vanilla, flour and walnuts. Mix all ingredients well, then take a small amount, press to form a circle. Place on a cookie sheet and bake at 350°F for 30 minutes. Rotate pans halfway through.

When done, remove cookies and place on wax paper that has been dusted with confectioner’s sugar if using a sifter. More confectioner’s sugar may be added if desired when ready to serve.

LaBelle Winery Thumbprint Cookies

This recipe is one Amy [winery owner Amy LaBelle] would make with her kids when they were young and still makes yearly as it’s a family tradition. Her kids loved to add the dollop of The Winemaker’s Kitchen Three Kings raspberry jam to each cookie!” — according to Michelle Thornton, marketing and business development director at LaBelle’s Winery. The Winemaker’s Kitchen are Amy’s culinary brand of products.

  • 3 sticks unsalted butter
  • 1 cup brown sugar
  • 1 teaspoon Winemaker’s Kitchen vanilla
  • 2 eggs
  • ¼ teaspoon salt
  • 3½ cups unbleached flour
  • 1 egg, beaten
  • 1 cup flaked coconut
  • 1 jar Winemaker’s Kitchen Three Kings Red Raspberry jam
  • 1 jar Winemaker’s Kitchen Apricot Riesling jam

In an electric mixer fitted with the paddle attachment, cream together the butter and sugar until they are just combined and then add the vanilla and blend in two eggs. In a separate bowl, mix together the flour and salt, then, with the mixer on slowest speed, begin to add dry mixture to the creamed butter and sugar. Mix until the dough comes together in a loose ball. Dump onto a floured board and roll together into a flat disk. Wrap in plastic and chill disk for at least 30 minutes.

Roll the dough into 1½-inch balls (if possible, weigh them to 1 ounce). Dip each ball in beaten egg and then roll it in coconut. Place the balls on an ungreased cookie sheet with a silpat or parchment paper lining if possible. Press a light indentation into the top of each cookie with your finger or thumb and drip ¼ teaspoon of jam into each indentation. Bake for 20 to 25 minutes until the coconut is a golden brown. Cool and serve.

Lumberjack Cookies

A family recipe from Det. Adrienne Davenport of the Manchester Police Department.

  • 1 cup granulated sugar
  • ¼ cup granulated sugar (separately)
  • 1 cup shortening
  • 1 cup dark molasses
  • 2 eggs
  • 4 cups sifted all-purpose flour
  • 1 teaspoon baking soda
  • 1 teaspoon salt
  • 2 teaspoons cinnamon
  • 1 teaspoon ginger

Preheat oven to 350°F and grease cookie sheet.

Cream together sugar and shortening. Add molasses and eggs. Mix well.

Sift together the dry ingredients and stir into mixture a little at a time.

Pinch off a piece of dough and roll into a 1- to 1½-inch ball. Place dough balls on greased cookie sheet 3 inches apart. Using the ¼ cup of sugar, sprinkle a pinch of sugar onto the top of dough balls. Bake for 12 to 15 minutes.

Macaroons

From Alyse Savage, account executive at The Hippo.

  • 4 large egg whites
  • ½ cup granulated sugar
  • 1 teaspoon vanilla extract
  • ½ teaspoon almond extract (optional but delish)
  • 4¾ cups sweetened shredded coconut

Preheat the oven to 325°F. Line two baking sheets with parchment paper or silicone baking mats.

In a large bowl, using a hand mixer with paddle, combine the egg whites, sugar and vanilla on medium high speed until foamy and most of the sugar is dissolved — at least 2 minutes.

Fold in the shredded coconut, making sure the coconut is evenly moistened.

Using a large cookie scoop, scoop 2 to 3 Tablespoons of the batter and drop onto the baking sheet at least 2 inches apart. Will look like little mounds. Bake until golden brown, about 20 minutes. You can rotate the pan halfway through to ensure even baking.

They will stay in the refrigerator up to five days, or three days at room temperature. They freeze well too.

Have fun with this recipe! You can be creative, adding dark chocolate chips or melting them on top once cooled; you can press whole almonds into the top prior to cooking, and white chocolate and cranberry is delish too.

Mandelbrot (Jewish Biscotti)

Laurie Medrek, past president and former treasurer of Etz Hayim Synagogue in Derry, said: “Here’s one that I put in our interfaith cookbook that Etz Hayim Synagogue created with the Church of the Transfiguration next door a number of years ago. I actually stole this recipe from an old cookbook from another synagogue sisterhood. There’s another version I love by Tori Avey and used her recipe for doing a baking video for the Jewish Federation of New Hampshire. I can’t tell you how many times I’ve made either of these. Mandelbrot (or Mandel Bread) translated from Yiddish means almond bread, which was popular with Ashkenazi (Eastern European Jews). Sometimes I sub almond extract and mix in slivered almonds; then it’s more authentically ‘almond’ bread. It’s very similar to Italian biscotti and can be made with various mix-ins.”

  • 1 stick butter
  • 1 cup sugar
  • 3 eggs
  • 1 teaspoon vanilla
  • 2 teaspoons baking powder
  • 2 cups (heaping) flour
  • 1½ cup total: chocolate chips, raisins, maraschino cherries, coconut

Preheat oven to 350°F. Blend butter and sugar until smooth. Add eggs, vanilla, baking powder and flour and mix by hand. Add fruit, nuts, etc. Line cookie sheet with tin foil or parchment paper. Divide dough into three portions and pat into oval shape. Bake 50 minutes. Allow to cool, then slice into 1-inch strips. Return to oven and toast on each side until lightly browned.

Oat Cranberry Pistachio Cookies

These are from my sister Loony, who has been a great inspiration to me for many years … She is also, hands down, my favorite baker of muffins, Peanut Butter Pie (we sell), Chocolate Fudge Sauce (sold here), Chocolate Caramel Walnut Tortes and so many other delicious things.” — Steven Freeman, owner of Angela’s Pasta & Cheese

Use the Quaker oat cookie recipe (“Quaker’s Best Oatmeal Cookies” from quakeroats.com):

  • 1¼ cups (2½ sticks) margarine or butter, softened
  • ¾ cup firmly packed brown sugar
  • ½ cup granulated sugar
  • 1 egg
  • 1 teaspoon vanilla
  • 1½ cups all-purpose flour
  • 1 teaspoon baking soda
  • 1 teaspoon ground cinnamon
  • ½ teaspoon salt (optional)
  • ¼ teaspoon ground nutmeg
  • 3 cups Quaker Oats (quick or old-fashioned, uncooked)

Add:

  • 1 cup shelled pistachios
  • 1 small bag Ocean Spray dried cranberries.

Heat oven to 375°F.

In large bowl, beat margarine and sugars until creamy. Add egg and vanilla; beat well.

Add combined flour, baking soda, cinnamon, salt and nutmeg; mix well.

Add oats; mix well.

Drop dough by rounded tablespoonfuls onto ungreased cookie sheets. Bake 8 to 9 minutes for a chewy cookie or 10 to 11 minutes for a crisp cookie. Cool 1 minute on cookie sheets; remove to wire rack. Cool completely. When cookies have completely cooled, drizzle with glaze. Store tightly covered.

Glaze: Place 1 cup sifted confectioner’s sugar into a bowl, add 1 Tablespoon half-and-half and whisk until smooth. Keep adding half-and-half until you reach your desired consistency. Add 1 to 2 teaspoons vanilla and stir well. Using a fork or a spoon, drizzle glaze over cookies. Let cookies sit until glaze is set.

Oatmeal Chocolate Chip Bites

From Beth Violette, a nutritionist at Catholic Medical Center in Manchester, who wrote: “This sweet and simple recipe combines fiber-rich whole rolled oats, creamy nut butter and heart-healthy flaxseed rich in omega-3 fatty acids. A delicious hybrid between a cookie and a bar, these bites will satisfy your sweet tooth and any mid-afternoon hunger. (Recipe is taken from AICR American Institute for Cancer Research).”

  • 2 cups old-fashioned oats
  • 1 cup almond flour
  • ¾ cup ground flaxseed
  • ½ teaspoon salt
  • 2 teaspoons baking powder
  • ½ cup mini unsweetened chocolate chips
  • 2 teaspoons vanilla extract
  • 1 cup pure maple syrup
  • ½ cup natural almond butter

Preheat oven to 350°F.

Combine dry ingredients including chocolate chips in large bowl. In another bowl, mix wet ingredients. Add wet ingredients to dry ingredients and stir to combine.

Drop dough into 24 even mounds on greased baking sheet. Lightly press down to flatten (cookies will not flatten much during cooking). Or pour batter into greased 9×13-inch baking pan.

Bake 12 to 15 minutes, until cookies are set in the center.

Old-Fashioned Sugar Cookies

From Nathalie Boucher Hirte, office manager at the Franco-American Centre, host of Franco Foods on YouTube and a native of Quebec, who said: “This might not be a Franco recipe, but one that my family enjoys. We make them every year. Cut them out in a bunch of fun shapes and decorate them on Christmas Eve. When my kids were younger, they would each decorate a special one for Santa that would be left on a special plate with a glass of milk in front of the fireplace.”

  • 1 cup butter
  • 2 cups granulated sugar
  • ¼ cup packed brown sugar
  • 1½ teaspoons baking powder
  • ½ teaspoon salt
  • 2 eggs
  • 2 to 3 Tablespoons milk
  • 2 teaspoons vanilla
  • 4 cups all-purpose flour

Beat butter in a large mixing bowl with an electric mixer on low to medium speed for 30 seconds. Add granulated sugar, brown sugar, baking powder, salt; beat until combined. Add eggs, milk and vanilla; beat until well-combined.

Beat in as much of the flour as you can with the mixer (if you have a large stand mixer, you’re set!). Stir in any remaining flour with a wooden spoon. Divide dough in half; cover and chill for several hours or overnight if necessary for easier handling (dough soft).

Roll dough on lightly floured surface to ⅛-inch thickness. Cut with desired cutters. Place cutouts 1 inch apart on an ungreased cookie sheet (or with a silicone mat or parchment paper). Bake in a 375°F oven for 6 to 7 minutes or until the edges or firm and the bottoms are lightly browned. Cool completely before decorating. Makes about 96 cookies (depending on size of cutter).

Original Girl Scout Cookie Recipe from 1922

As it appears on the blog Old School Pastry at oldschoolpastry.pastrysampler.com, as pointed out by Ginger Kozlowski, communications and public relations manager at the Girl Scouts of the Green and White Mountains. As Kozlowski explains, “back in the day, Girl Scouts had to bake their own cookies to sell, and the recipe is a basic sugar cookie, which looks easy and tasty!” (She also added a reminder that 2024 cookie season starts soon — Jan. 1 for sales Girls collecting orders.)

  • 1 cup butter or butter substitute
  • 1 cup sugar
  • 2 Tablespoons milk
  • 1 teaspoon vanilla
  • 2 cups flour
  • 2 teaspoons baking powder
  • additional sugar for sprinkling

Cream the butter and sugar. Add in the eggs, then milk and flavoring, scraping the bottom well. Mix in the flour and baking powder. Roll out, cut, then bake in a preheated 375°F oven. Sprinkle with sugar as soon as they come out of the oven.

Original Toll House Cookies

typed recipe on worn-out and tattered rectangular card

Manchester Mayor Joyce Craig sent the “well-used cookie recipe [pictured above] passed down from Mayor Craig’s grandmother, Beatrice Hopkins,” according to an email from staff.

Sift together 2¼ cups sifted flour, 1 teaspoon baking soda, 1 teaspoon salt, set aside.

Blend 1 cup soft butter or shortening; ¾ cup granulated sugar; ¾ cup brown sugar, packed; 1 teaspoon vanilla; ½ teaspoon water. Beat in 2 eggs.

Add flour mixture, mix well. Stir in 1 package of chocolate chips, 1 cup coarsely chopped nuts. Drop by the spoonful onto greased cookie sheet.

350-degree oven. Time: 10 minutes.

Pecan Crescent Cookies

These cookies are easy and so tasty, I add them to Yankee swap gifts every year, It doesn’t matter what the actual gift is. One year I offered up a 10-inch frying pan filled with these cookies it went around and around until the person that got it took the cookies out of the pan and said that is all I want, and gave the pan to the person that really needed a pan.” — Tammie Boucher, Hippo ads coordinator

  • 1 cup butter, softened
  • 1/2 cup sugar
  • 1 tsp vanilla extract
  • 2 cups all-purpose flour
  • 1 cup finely chopped pecans
  • Confectioners sugar

In a large bowl, cream butter, sugar and vanilla until light and fluffy. Gradually add flour. stir in the pecans.

Shape rounded spoonfuls of dough into 2 1/2 inch logs and shape into crescents. Place 1 inch apart on ungreased baking sheets.

Bake at 325 for 20-22 minutes or until set and the bottoms are lightly browned. Let stand for 2-3 minutes before removing to a wire rack to cool. Dust with confectioners before serving.

Potato Chip Cookies

From Eldress Bertha Lindsay’s Seasoned With Grace: My Generation of Shaker Cooking (1988) and provided by the Canterbury Shaker Village.

  • 1 cup white sugar
  • 1 cup brown sugar
  • 1 cup butter
  • 2 eggs, well-beaten
  • 2 cups flour
  • 2 cups oatmeal
  • 2 cups crushed potato chips
  • 1 cup chopped nuts
  • 1 cup dates or raisins
  • ½ teaspoon salt
  • 1 teaspoon baking soda


Cream sugar and butter, add beaten eggs. Mix together all other ingredients and drop by teaspoonfuls on greased baking sheet. Bake at 375°F for 10 to 15 minutes.

Pumpkin Cheesecake Snickerdoodles

My son found the recipe some time ago and asked me to make them for Christmas one year. Christmas equals cookies at our house. My husband will mutter and swear under his breath when he knows I’m making them. His willpower doesn’t extend to these cookies and he’ll eat every one he can get his hands on that my son hasn’t eaten first. It is a little intimidating for the rest of us. We like them, too.” — Cindy Berling, Auburn, New Hampshire

  • 3¾ cups all-purpose flour
  • 1½ teaspoons baking powder
  • ½ teaspoon salt
  • ½ teaspoon ground cinnamon
  • ¼ teaspoon freshly ground nutmeg
  • 1 cup unsalted butter at room temperature
  • 1 cup granulated sugar
  • ½ cup light brown sugar
  • ¾ cup pumpkin puree
  • 1 large egg
  • 2 teaspoons vanilla extract

Filling:

  • 8 ounces cream cheese, softened
  • ¼ cup sugar
  • 2 teaspoons vanilla extract
  • Cinnamon-sugar coating:
  • ½ cup granulated sugar
  • 1 teaspoon ground cinnamon
  • ½ teaspoon ground ginger
  • dash allspice

Whisk the flour, baking powder, salt, cinnamon and nutmeg in a medium bowl. Set aside.

In a mixer with a paddle attachment, beat together the butter and sugars on medium-high speed until fluffy, about 2 to 3 minutes. Blend in pumpkin puree, beat in egg, and then add vanilla. Slowly add dry ingredients on low speed just until combined. Cover and chill the dough for an hour.

Blend cream cheese, sugar, and vanilla together to make the cream cheese filling. Chill for one hour.

Preheat oven to 350°F and line baking sheets with parchment paper. In a small bowl, combine the sugar and spices for the coating and set aside.

To make the cookies, take a tablespoon of the cookie dough, flatten it like a pancake and place a teaspoon of the cream cheese in the center. Form another tablespoon of the cookie batter into a flat pancake shape and place it on top of the cream cheese. Pinch the edges together, sealing in the cream cheese, and roll into a ball. Roll in the cinnamon sugar coating and place on the prepared baking sheet 2 inches apart.

Repeat until the dough is gone and flatten the cookie dough balls with a heavy-bottomed glass or measuring cup. Bake the cookies for 10 to 15 minutes or until the tops start to crack. Let cool on the baking sheet for 5 minutes and transfer to a wire rack. Enjoy!

Raspberry and Almond Shortbread Thumbprints

woman standing behind table filled with cookies and baked goods.
Neva Cole, Communications Director of the Children’s Museum of New Hampshire. Courtesy photo.

A staff favorite from the Children’s Museum of New Hampshire in Dover, courtesy Communications Director Neva Cole.

  • 1 cup butter, softened
  • ⅔ cup white sugar
  • ½ teaspoon almond extract
  • 2 cups all-purpose flour
  • ½ cup seedless raspberry jam
  • ½ cup confectioner’s sugar
  • ¾ teaspoon almond extract
  • 1 teaspoon milk

Preheat oven to 350°F.

In a medium bowl, cream together butter and white sugar until smooth. Mix in ½ teaspoon almond extract. Mix in flour until dough comes together. Roll dough into 1½-inch balls and place on ungreased cookie sheets. Make a small hole in the center of each ball, using your thumb and finger, and fill the hole with preserves.

Bake for 14 to 18 minutes in preheated oven, or until lightly browned. Let cool 1 minute on the cookie sheet.

In a medium bowl, mix together the confectioner’s sugar, ¾ teaspoon almond extract, and milk until smooth. Drizzle lightly over cooled cookies.

Rogaliki (Sour Cream Horns)

Karen Sobiechowski at Holy Trinity Cathedral in Manchester on rogaliki: “Rogaliki, cinnamon sugar and nut-filled crescents, are my go-to cookie for holidays and special occasions. They are tasty and simple to make.”

  • ½ pound margarine
  • 1 cup chopped walnuts
  • 2 cups sifted flour
  • ¾ cup sugar
  • ¾ cup sour cream
  • 1 teaspoon cinnamon
  • 1 egg yolk

Cream margarine with a fork or pastry blender. Add sifted flour, one cup at a time. Add sour cream and egg yolk; mix well. Divide dough into three balls, place on floured wax paper and refrigerate 2 to 3 hours or overnight. Remove one piece at a time and roll as for pie crust.

Mix walnuts, sugar and cinnamon together. Sprinkle ⅓ of mixture over dough. Cut dough into triangles. Roll to form crescents. Bake on greased cookie sheet at 375°F for 20 minutes or till golden brown. Cool on a wire rack.

Repeat with remaining two sections of dough. Yield: approximately five dozen small cookies.

Shaker Giant Rosemary-Ginger Cookies

From the Canterbury Shaker Village.

  • 2 cups flour
  • ¾ cup butter, cut into several pieces
  • 1 teaspoon baking soda
  • 2 Tablespoons crumbled dried rosemary
  • 1 teaspoon salt
  • 1¼ cup sugar, divided
  • 1 teaspoon ground ginger
  • 1 egg
  • ½ teaspoon cinnamon
  • ¼ cup molasses
  • ¼ teaspoon clove
  • 1 teaspoon vanilla extract

Whisk flour, baking soda, salt, ginger, cinnamon and clove together in a bowl.

Combine butter and rosemary in the bowl of a food processor and process until smooth. Add 1 cup of sugar, the egg, molasses and vanilla. Process until blended. Sprinkle the flour mixture over the butter mixture and pulse until the flour is blended and a stiff dough forms on the top of the blade.

Transfer the dough to a sheet of plastic wrap and flatten into a disk. Wrap and refrigerate for at least 30 minutes and up to 2 days.

Preheat oven to 350°F. Grease two cookie sheets or line with parchment paper. Place remaining ¼ cup sugar in a small bowl. Using lightly floured hands, form dough into 1½-inch-diameter balls. Roll balls in sugar and place on cookie sheets about 3 inches apart. Bake for 11 to 14 minutes at 350°F.

Ski Bars

Though not technically cookies, these chocolate peanut butter Rice Krispie bars have been a favorite in my family for decades. They are named after my mom’s family tradition of always whipping up a big batch of these to bring along on weekend ski trips. If you can resist the temptation to dig into them before reaching the ski lodge, Ski Bars pair excellently with a mug of hot cocoa and warming up between ski runs (or avoiding the slopes altogether). I’ve pulled the recipe from a family cookbook that my mom made for my sister on her first Christmas (so it’s written from her point of view).” — Berit Brown, events and marketing director at Intown Concord.

  • 1 cup peanut butter
  • 5 cups Rice Krispies
  • 1 cup butterscotch chips
  • 1 cup corn syrup
  • 1 cup chocolate chips

Heat corn syrup and peanut butter together until smooth. Stir in Rice Krispies. Press into a buttered pan. Melt chocolate chips and butterscotch chips together. Spread on top of bars. Cool.

Swedish Brownies

Here is a holiday recipe from the New Hampshire Historical Society. This is from one of our staff: ‘It was my grandmother’s recipe — it’s probably not the real name, but this is what we always called it in the family, because my grandmother was, well, Swedish.’” — William Dunlop, President of the New Hampshire Historical Society

  • 4 eggs
  • 2 cups sugar
  • 1 cup vegetable oil (olive oil works just fine)
  • 4 teaspoons of almond extract
  • 1½ cups flour
  • dash of salt
  • sliced almonds

Preheat oven to 350°F, and grease a 9×13” pan.

With a mixer, combine eggs, oil and sugar; then add extract and beat well. Add flour and salt. Pour into the pan and sprinkle the top with sugar and sliced almonds. Bake for 35 minutes. That’s it — easy-peasy!

Umbrian Tozzetti

From Barbara George at St. Nicholas Greek Orthodox Church — but this recipe is from her personal stash. She recently visited Italy and took a cooking class at a winery. “We made these cookies and when I saw how much chocolate was going in it was an amazing amount but they are delicious!”

  • 2 cups flour
  • 1 cup sugar
  • ½ cup olive oil
  • a pinch of salt
  • grated lemon zest as needed
  • 2 eggs
  • 2 teaspoons active dry yeast
  • 1 teaspoon vanilla extract
  • 80 grams chopped dark chocolate
  • 80 grams chopped almonds (optional)
  • flour as needed for the work surface

Mix all the dry ingredients in one bowl.

Whisk together the vanilla extract, eggs and oil. Pour the wet ingredients into the dry along with the chopped chocolate and the almonds (if you’re using them), and use a wooden spoon or your hands to mix.

Divide the dough into two equal pieces and shape into logs 2 inches wide. Place the logs of dough onto a parchment paper-lined baking sheet.

Bake for about 25 minutes at 350°F or until the logs are golden brown and barely firm to the touch. Remove the logs from the oven. Cool for 10 minutes, then use a sharp knife to cut them into ¾-inch slices. Lay the slices flat and bake an additional 7 minutes.

Thumbprint Cookies

The recipe is from Chef Paul. “His grandmother used to make these cookies for his family gatherings. While serving overseas in the Army, they were always a care package favorite.” — Tiffany Sweatt, Culinary & Nutrition Programs Director at the New Hampshire Food Bank in Manchester.

  • 1 large egg, separated
  • ½ cup butter, softened
  • ¼ cup packed brown sugar
  • 1 cup all-purpose flour
  • ½ teaspoon vanilla extract
  • ¼ teaspoon salt
  • ¼ cup finely chopped walnuts
  • ⅔ cup any flavor fruit jam

Preheat oven to 300°F. Grease two cookie sheets and set aside.

Whisk egg white in a small bowl. Place chopped walnuts in another small bowl.

Cream butter, brown sugar, and egg yolk in a mixing bowl until light and fluffy, about 2 minutes. Add flour, vanilla, and salt; mix until well combined.

Scoop dough into 1½-inch balls. Dip in egg white, then roll in walnuts until coated. Place 2 inches apart on the prepared cookie sheets. Bake in the preheated oven until slightly puffed, about 5 minutes. Remove cookies from the oven. Use your thumb to gently press an indent in the center of each cookie. Spoon jam into each thumbprint, filling it to the brim.

Return cookies to oven and bake until set, about 8 minutes. Remove from oven and transfer to wire racks to cool completely.

Vanilla Pudding Snickerdoodles

From Emily Vassar at the Office of the Mayor in Nashua, who had this to say about this recipe: “I took a poll here in the office, and Snickerdoodles were the winner! This particular recipe is my favorite: it results in the softest cookies every time!”

  • ½ cup butter softened
  • ½ cup vegetable shortening
  • ¾ cup sugar divided
  • ½ cup powdered sugar
  • 1 egg
  • 2 teaspoons vanilla extract
  • 1 package instant vanilla pudding & pie filling (3.5 ounces)
  • 2 cups flour
  • ½ teaspoon cream of tartar
  • ½ teaspoon baking soda
  • 1½ teaspoons ground cinnamon

Preheat your oven to 350°F. Line your cookie sheet with parchment paper and set aside.

In a large bowl of your stand mixer, cream the butter, shortening, ½ cup sugar, and powdered sugar until light and fluffy. Beat in the egg, vanilla and dry pudding mix.

In a separate bowl, combine the flour, cream of tartar and baking soda; gradually add the dry ingredients to the creamed mixture and beat until just combined.

In a small bowl, combine the remaining ¼ cup sugar and the cinnamon.

Roll the dough into ½-Tablespoon-sized balls. Toss the balls into the cinnamon sugar mixture until well-coated and then place the dough on the prepared baking sheets, a few inches apart.

Bake for 10 minutes. Remove from the oven and let cool completely on a wire rack.

White Chocolate Dipped Molasses Cookies

round cookies on tray with one side dipped in white chocolate
White Chocolate Dipped Molasses Cookies. Photo courtesy of Michael Witthaus.

Witthaus family recipe from Michael Witthaus, Hippo’s music writer.

  • ¾ cup shortening
  • 1 cup granulated sugar
  • ¼ cup molasses
  • 1 egg
  • 2 teaspoons baking soda
  • 2 cups all-purpose flour
  • ½ teaspoon ground cloves
  • ½ teaspoon ground ginger
  • 1 teaspoon cinnamon
  • ½ teaspoon salt
  • 12 ounces white chocolate chips
  • extra granulated sugar for rolling

Melt shortening in pan; let cool. Add sugar, molasses and egg, and beat well.

In separate bowl, sift remaining dry ingredients.

Combine wet and dry ingredients. Refrigerate for one hour.

Roll dough into walnut-size balls, then roll in granulated sugar. Bake at 375°F for 7 to 10 minutes.

In double boiler, melt white chocolate chips, and let cool slightly. Dip half of each cookie in white chocolate, then set on parchment paper

Wine Cookies

Recipe is by infobabe on allrecipes.com, as recommended by Charlene Nichols, director of sales at Hippo, who writes:“I’ve been making [Italian wine cookies] for years, trying different recipes from Pinterest, trying desperately to match cookies that I’ve only ever had from a shop in Providence, Rhode Island, to no avail. However, these are good, not sweet, dry and subtle, kind of like a good dunking biscuit. Easy to make.”

  • 3 cups all-purpose flour
  • 1 teaspoon baking powder
  • 3 Tablespoons white sugar
  • 1 cup dry red wine
  • ½ cup vegetable oil
  • ⅓ cup granulated sugar for decoration

Preheat oven to 350°F (175°C).

In a large bowl combine the flour, baking powder and sugar. Add the wine and oil. Mix with a large fork and then with your hands.

Roll small pieces of dough between hands to make “logs,” then shape into circles. The circles should be no bigger than 2 inches in diameter. Roll cookies in extra sugar and place on cookie sheet. Bake at 350°F (175°C) for 25 minutes or until slightly brown. After cookies cool they should be hard and crisp.

At the Sofaplex 23/12/14

A Disturbance in the Force

If the words “Star Wars Holiday Special” conjure up an image of Bea Arthur or Carrie Fisher soulfully singing and give you a little devilish jolt of glee, then give yourself the $5 treat of renting this documentary about the 1978 post-Star Wars, pre-The Empire Strikes Back television special that was a little bit Star Wars — I mean, there were Wookiees — and a lot bit 1970s variety show. I have listened to a whole multi-episode podcast about the special but never seen it for myself. But this movie’s clips from not only the special but other late 1970s Star Wars detritus, including a Donny & Marie episode that features dancing Stormtroopers and Paul Lynde, really put you in the moment. Aging geeks like Weird Al Yankovic, Kevin Smith, Seth Green (who worked on a Lucas property and watched the special with fellow writers in Lucas’ screening room) and Paul Scheer explain the fan perspective while the likes of Bruce Vilanch talk about what it was like to work on this cultural artifact that had a one-and-done airing. George Lucas so disliked the thing that it was never aired again or reissued — but it also earned such a place in the canon of nerd culture that it is now readily available on the internet. The documentary acknowledges the weirdness of what it is — a story about the Wookiee holiday of Life Day mixed with standard variety comedy and musical segments — and places it in the universe of weird 1970s specials and programming. It also explains the special’s role in the larger Star Wars marketing effort that included books, comic books and, belatedly, toys — all of which was in part an effort to first sell the original movie in 1977 and then keep up interest in the Star Wars franchise until the next movie came out.

Whenever you plugged into Star Wars fandom, the documentary holds nostalgic charm for what the thing was before prequels and Disney+ shows. A

Available for rent or purchase on VOD.

Please Don’t Destroy: The Treasure of Foggy Mountain (R)

The comedy team of Martin Herlihy, John Higgins and Ben Marshall, who have cultivated a persona of pale, fragile indoor boys in their Saturday Night Live videos, bring that same sensibility to this 92-minute movie. They play roommates who work at Ben’s dad’s (Conan O’Brien) outdoor equipment store. They’ve been friends since childhood but John fears they’re coming apart, with Ben focused on trying to take over the store and Martin focused on buying a house with his girlfriend Amy (Nichole Sakura). When John realizes a compass they found years ago may hold a clue to the long-rumored $100 million gold bust hidden on Foggy Mountain, he thinks a quest might be just the thing to bring them back together. Along the way the boys meet Taylor (X Mayo) and Lisa (Megan Stalter), two park rangers who decide to try to get the treasure for themselves. Well, actually, Taylor decides that, and Lisa is just wondering if maybe she and John will need to make out for the caper to be successful — like, maybe they should anyway?

The Treasure of Foggy Mountain is extremely stupid and I mean that as the highest of compliments. The boys are intimidated by a hawk, they run in to a cult featuring Bowen Yang, and John Goodman serves as a not-impartial narrator. This is not great comedy but it is dumb comedy and sometimes that’s exactly what you need. B Streaming on Peacock.

Leave the World Behind (R)

An uptight middle-aged lady takes her Brooklyn family on a weekend trip to a beautiful country house on Long Island in Leave the World Behind, a dark, laugh-out-loud psychological horror.

The movie very self-consciously introduces us to marketing executive Amanda Sanford (Julia Roberts) and her roiling uptightness and anger by having her happily pack for a spur-of-the-moment family road trip as she explains to her college professor husband Clay (Ethan Hawke) that she spent the morning thinking about how much she hates people — and there was another, emphasis-adding word in there before “hates.” She’s rented a house for the family — which also includes teen son Archie (Charlie Evans) and just-turned-13 daughter Rose (Farrah Mackenzie) — in a hamlet called Pointe Comfort. The drive turns rural enough that Rose loses internet on the iPad where she’s binging Friends but the house is a design dream, with a large kitchen and a lovely pool. Amanda smiles sunnily as she meanders through the tasteful, dreamy master bedroom and has the same look of contentment as she loads purchases from the cute grocery market into her car, her mood only slightly darkening as she sees a local (Kevin Bacon) load up his truck with canned foods and water bottles. But all is well as the family lies out on the beach, enjoying the post-season sparse crowd and the sun and the view of the water where a large tanker ship seems strangely close. Doesn’t that seem close, Rose tries to say to her family several times but is ignored until Amanda, looking up from a snooze, is all, hey that’s really close and it’s not stopping. The family grabs their bags and rushes away just as the large ship runs aground up onto the beach.

Once they’re home, they find the internet is out and their phones don’t have service but everything basically seems normal and the kids jump into the pool while the parents make dinner. Later, Amanda and Clay are playing Jenga and enjoying wine when there is a knock at the door. G.H. Scott (Mahershala Ali), decked in a tuxedo, and his 20-something daughter Ruth (Myha’la), dressed in an evening gown, are at the door. G.H. graciously apologizes and calls Amanda by name when he introduces himself as the man she emailed with when she rented the house. This house is his house and they, G.H. and Ruth, have driven out to stay the night. The night or maybe longer — there’s a blackout in the city and he can’t walk the 14 floors up to his city apartment. With all the traffic and chaos, he doesn’t want to go back to the city and even offers to refund Amanda her money, unlocking a drawer and handing her cash, so that he and Ruth can stay in the in-law apartment in the home’s basement. Amanda is, er, the most printable description is probably “a brittle jerk” about this request and doesn’t entirely believe G.H.’s claims to own the house. Ruth finds her father’s extreme politeness to this snotty lady and her family excessive, especially since they are asking to stay in the basement of their own home. Eventually, though, everybody goes to bed with a general idea that they’ll make sense of things in the morning.

“Making sense” is not a task easily accomplished. After a vague emergency alert, the TV offers nothing but fuzz. No phones, no internet. Clay’s attempt to drive into town is disastrous without GPS. Rose keeps seeing weird animal-related things. But at least Archie seems pretty happy when Ruth comes down to the pool in her bikini.

Ruth and Amanda’s instant dislike of each other, Clay’s clumsy attempts at being useful and friendly, the kids’ them-focused problems (Archie wonders if he can visit his girlfriend vacationing an hour away, Rose just really wants to see the last episode of Friends), G.H.’s fears about what’s happening, Amanda’s whole personality — it’s all really well-executed in this movie that shoots even scenes of banal upper-middle-class-ness with theatrical dread. The characters are spikey but also get some humanity to them. They are helpful to each other but they also make things a little worse at all times with the information they don’t share. Amanda and G.H. seem to take turns condescendingly telling each other that things are going to be fine or that something is totally normal when neither particularly believes it themselves. And throughout there is a sense that one of the most fraught elements of whatever is happening may be the miscalculations and conclusions jumped to by these reluctant housemates about each other, with both Amanda and Ruth just wanting the other’s family to leave already.

Also, Leave the World Behind is funny — bleakly, sorta meanly funny, but funny. I found myself laughing out loud frequently (and in that vein, it has a pretty great final note) and just sort of enjoying the way the movie frequently seems to be tickled with itself. A

Rated R for language, some sexual content, drug use and brief bloody images, according to the MPA at filmratings.com. Directed by Sam Esmail (who also wrote the screenplay, based on the book of the same name by Rumaan Alam), Leave the World Behind is two hours and 18 minutes long and is streaming on Netflix.

May December (R)

An actress attempts to get into the head of a woman she’ll be portraying in a movie in May December, a well-acted disturbing drama from director Todd Haynes.

Elizabeth Berry (Natalie Portman) is a famous enough actress that people get wide-eyed when she passes by and will fan-out about her previous work. Her upcoming movie is a sort of indie production looking at a scandal from the 1990s involving Gracie Atherton-Yoo (Julianne Moore), who was then in her mid 30s. As Gracie tells it, she was married and working at a pet shop when she had a passionate affair with a coworker that led to the end of her marriage to her husband at the time with whom she had three children. Another way to describe that “affair” would be felony child sexual assault, as Joe Yoo (Charles Melton), the boy she was caught with, was 13 years old.

Gracie went to jail, where she gave birth to their first child, Honor (Piper Curda), now a college student. Gracie and Joe eventually married and also had twins, Mary (Elizabeth Yu) and Charlie (Gabriel Chung), who are, as the movie starts, days away from their high school graduation. Gracie and Joe, who is now in his mid 30s, live in Savannah, the town they’ve always lived in. So they have a support system of family and a small group of friends who buy Gracie’s home-produced baked goods but also Gracie occasionally receives boxes of poo in the mail.

Elizabeth shows up to kind of shadow Gracie — to convey the truth of Gracie and Gracie and Joe’s relationship, as she tells everyone. Gracie might have her reservations but also seems to like the idea that she’ll have some control over the revisiting of her infamy. Elizabeth learns to mimic Gracie’s mannerisms and sometimes intentionally lispy speech and also inserts herself into the family’s life in a way that is mildly to moderately destructive to this already deeply damaged group of people. Included in this emotional quicksand is Georgie (Cory Michael Smith), Gracie’s youngest child by her first marriage, who was a tween when the scandal came to light and seems to have been destroyed by it.

Actually, even Elizabeth, who shows up with an almost journalistic pose of wanting to “understand,” seems pretty messed up in how she basically just wallows in the griminess of Gracie and her choices. She might claim to want “the truth” but that seems to always translate to the most tabloid-y approach. Portman is commendably game at letting us see the actory nonsense of her character without trying to convince us that Elizabeth is, like, doing art. Likewise, Moore is very good about leaving it vague how much of Gracie’s awfulness is the result of unhealed damage from her own youth and how much is self-conscious predatory behavior masquerading in false innocence. It’s an impressively unflattering portrayal.

The standout performance, though, is from Melton, who gives us a Joe so firmly stuck in the trauma of what happened to him that he can’t see his way out or even be particularly useful in shielding his kids from their mother’s emotional abuse. Melton does a good job of giving us a person who seems thoroughly flattened — someone who is never not screaming on the inside but is almost immobilized on the outside. It is all deeply unpleasant to watch.

And there’s your May December poster quote: “very well acted, deeply unpleasant to watch!” The movie has moments of (very dark) dry humor but those don’t exactly lighten the “aftermath of a horrible car crash” vibes that follow you throughout. I don’t think you’ll be sorry having seen it, particularly if you are a follower of Oscar-y, year-end movie conversation, but I won’t pretend you’ll have a whole lot of fun sitting through it. What’s that, like a B+? For all the quality?

Rated R for some sexual content, graphic nudity, drug use and language, according to the MPA on filmratings.com. Directed by Todd Haynes with a screenplay by Samy Burch, May December is an hour and 57 minutes long and streaming on Netflix.

Featured photo: Leave the World Behind.

Wish (PG)

A girl wishes upon a star and the star comes down to hang out in Wish, an underbaked mush of a fairy tale about the eternal struggle between security and liberty that also has the feel of a half-hearted Disney IP origin story.

Asha (voice of Ariana DeBose) is a 17-year-old living back in the once upon a time on the Mediterranean-y island of Rosas, which is ruled by King Magnifico (voice of Chris Pine), who founded the city-state years earlier with his wife Queen Amaya (Angelique Cabral). King Magnifico is a good sorcerer and he designed Rosas as a land where people of all backgrounds could come and live together in peace and safety under his rule — so right away you know he’s a villain. But this would be a real short movie if everyone else realized it, so the people of Rosas just think of him as a benevolent ruler who grants wishes. Every citizen gives Magnifico their wishes when they turn 18 — wishes being represented by a sort of glowy bubble — and he keeps them safe. Regularly, he picks one citizen to have their wish come true, which he accomplishes with his magic. In the meantime, the adult populace is not burdened by these wishes, the content of which they forget.

Asha is interviewing to be his apprentice and help him with his magic-ing. Perhaps she’s a little hopeful that doing this will help her 100-year-old grandfather Sabino (voice of Victor Garber) and her mother Sakina (voice of Natasha Rothwell) get their wishes granted. But when she sees her grandfather’s wish bubble floating around Magnifico’s wish bubble arboretum and asks Magnifico to grant it, he basically says “no job for you” explaining that her grandfather’s vague desire to create something that inspires future generations could lead to revolution or violence.

A dejected Asha later sings a song about wanting more for her people than All Of This and poof, a star appears. The star is a cute little blob of a thing that squeaks around and sprinkles glitter dust, giving animals, like Asha’s pet goat Valentino (voice of Alan Tudyk), the ability to talk and sing another song about how we are all made of star dust. Asha becomes determined to retrieve her family’s wishes — and eventually everybody’s wishes — so people can have the chance to make them come true on their own. As Asha’s friends observe of their 18-year-old buddy Simon (voice of Evan Peters), giving up their wish makes people a little less themselves, less whole.

Meanwhile, the magical light show caused when the star came to Earth has Magnifico worried that someone else is using magic and challenging his rule. He can’t figure out what’s going on with his own good-guy magic so he turns to a book of dark magic and also asking people to fink on each other to try to find this Threat to Rosas. He goes from being a basically benign dictator who is maybe a little too impressed with his own handsomeness to being a megalomaniac who won’t tolerate any dissent because one teen girl asked him a question.

Also, Asha maybe invents animation using the tiny-drawing-on-a-page-corner flipbook method?

We get a lot of information about the Wish — how it makes people feel to give it to Magnifico, how he cares for them, what he does with them when he gets his dark magic, why he is such a helicopter mom about people’s hopes and dreams. There is a general “Magnifico lost his birth family in a land riven with strife,” which is what pushed him to make a cheery dystopia. But there is a sense of “oh and also this” when it comes to story elements rather than a clear, streamlined story with clear motivations for Magnifico. Similarly, the movie is filled with general Disney Easter Eggs that often play as in-jokes and almost appear to maybe sort of build up to something — “and that’s how A became B” — but also don’t really. All the nods to Peter Pan and Bambi etc. (and all the visuals that feel like “remember that cottage from Sleeping Beauty? This isn’t that but hey made you think of it didn’t we?”) feel more like a fast food “100 years of Disney” promotional meal package than a real story. There’s a world in which Disney just creates a montage of discussion of wishes and dreams with clips from its movie library and achieves the same thing (that thing I think being the centrality of wishes and dreams to Disney stories) with more genuine emotion and brevity.

Wish feels like a movie that had some general ideas of what it wanted to do and where it wanted to go but had no clear idea how to get there and so it just filled in the gaps with “default Disney story” stuff. Likewise, the music feels very much like someone shoved Frozen and Moana into a food processor and this is the texture-less paste that came out. The songs here read as extremely first-drafty and forgettable.

All that said, my kids and other kids in a very full theater seemed to be mostly hanging in with this movie — perking up the most when Valentino the goat was in on the action (the line, which also appears in the trailers, that involves him saying he found a secret door with his butt got a big laugh). The talking animals do provide some nice moments of weirdness and I wish (ha) the movie had gone more in on that kind of goofiness than on creating something that feels more like a commemorative coin than a lively new story. C+

Rated PG for thematic elements and mild action, according to the MPA on filmratings.com. Directed by Chris Buck and Fawn Veerasunthorn with a screenplay by Jennifer Lee & Allison Moore, Wish is an hour and 35 minutes long and distributed in theaters by Walt Disney Studios.

Trolls Band Together

Poppy, Branch and the crew reunite for a caper winding them through the music of pop boy bands of the last 30+ years in Trolls Band Together, a perfectly cromulent hour and a half of kid entertainment.

Poppy (voice of Anna Kendrick), queen of the Trolls, and Branch (voice of Justin Timberlake), her frequently grumpy boyfriend, prepare for the marriage of Poppy’s good friend Bridget (voice of Zooey Deschanel) and Gristle (voice of Christopher Mintz-Plasse). Bridget and Gristle are both Bergens, who are larger and more monstery than Trolls and used to eat Trolls but now everybody parties together. As Bridget and Gristle say their I-dos, the ceremony is interrupted by John Dory (voice of Eric Andre), Branch’s long-estranged brother. Branch and his four brothers were once members of the boy band BroZone together but broke up after a concert went wrong when they tried to achieve the perfect family harmony. John Dory wants the group back together to give perfection another try as he thinks it will be the only thing that can break the diamond bottle their brother Floyd (voice of Troye Sivan) is being held in. Floyd was trollnapped by Velvet (voice of Amy Schumer) and Veneer (voice of Andrew Rannells), a brother-sister pop duo of plasticy-looking creatures. They are personally talentless but have devised a way of draining Floyd of his talent to make them seem like the superstar vocalists they pretended to be.

As Floyd was Branch’s kindest brother, he decides to join John Dory on his quest, eventually scooping up other brothers Spruce (Daveed Diggs), who now calls himself Bruce and runs a resort with his wife and many children, and Clay (voice of Kid Cudi) to rescue Floyd. Along the way, the gang comes across an old Bergen putt-putt course that is now home to a band of Trolls left behind in Bergen Town all those years ago when Poppy and her father, then-King Peppy (voice of Walt Dohrn), escaped. As has already been spoiled in some of the trailers, one of those Trolls is a fast-talking, quick-hair-braiding, high-energy Troll named Viva (voice of Camila Cabello), Poppy’s long-lost sister. Viva is excited to see Poppy again but does not know about or believe the news that Trolls and Bergens are now friends.

As with other entries in this jukebox sugarfest series, Trolls Band Together pastes together bits of boy band song elements — reaching back to Boyz II Men and New Kids on the Block as well as Timberlake’s own NSYNC, which delivers a new original song for this movie and all the moms seeing it who remember a boy band fandom of their youth. It’s cute, as the music always is in these movies, though this one doesn’t feel quite as tune-packed as previous entries. This movie also feels less about Poppy than previous entries, which focused on Poppy’s leadership or Poppy’s friendship with Branch. Here, she feels more along for the ride.

And that’s all fine. These movies aren’t Pixar-in-its-prime levels of story-telling and visual delight. But they are fast-moving, upbeat, silly and occasionally weird in a way that provides a nice little tart element to all this cotton candy. They are kid-friendly without being actively adult off-putting. B-

Rated PG for some mild rude and suggestive humor, according to the MPA on filmratings.com. Directed by Walt Dohrn and Tim Heitz with a screenplay by Elizabeth Tippet, Trolls Band Together is an hour and 31 minutes long and distributed in theaters by Universal Studios.

Featured photo: Wish.

The Hunger Games: The Ballad of Songbirds and Snakes (PG-13)

Coriolanis Snow grows from an ambitious teenager into the guy who will one day be Donald Sutherland in The Hunger Games: The Ballad of Songbirds and Snakes, a prequel to the Katniss-era Hunger Gameses based on the book by the same name.

In the movie’s main timeline, Coriolanis (Tom Blyth) is a high school senior or something who is trying to win a big scholarship that will not only cover his university tuition but also get money to his family. The Snows were once a big noise in the Capitol, the ruling city of Panem, the dystopia where all this business is set. But then there was a rebellion and both of Coriolanis’ parents died and now they are sort of shabby gentry with Coriolanis and his big-sister-like cousin Tigris (Hunter Schafter) living with their grandmother (Fionnula Flanagan) in an apartment they can’t quite afford. On the day when Coriolanis expects his winning of the Plinth Prize to be announced, the school’s head Casca Highbottom (Peter Dinklage, who seems like he’s really trying) tells the top students that they have one more task before anyone’s getting any scratch. They will all become mentors for competitors in the upcoming Hunger Games, a death match ritual featuring children from the 12 Districts the Capitol rules.

The Hunger Games, now in their 10th year, are not the hot-ticket reality show Super Bowl-like blowout they are in the later movies. Their ratings have declined so much the ruling government seems on the fence about whether they should still have them. Dr. Volumnia Gaul (Viola Davis), a games designer and bio-weapons designer and general nutcase, is really insistent that they continue and I think hopes the mentors will jazz them up a little. Though why exactly is unclear. As viewed in this movie (and actually, in the whole series), the Hunger Games seem like a waste of time (and an easy target for dissenters) for this authoritarian regime that seems to be having enough trouble just keeping itself out of civil war.

Anyway, victory by the competitors in the games will mean victory for the students competing for the Plinth Prize. And “victory” doesn’t necessarily mean being the last gamer standing. It can also mean having a competitor with a compelling story who gets people to tune in. Lucky for Coriolanis, his mentee is Lucy Gray Baird (Rachel Zegler, having fun with what she’s given). When Lucy Gray’s name is called during the reaping, she responds with a knowing smile. As she walks to the podium, surrounded by whispers, in a fancy Belle Epoque-y dancing girl dress, she stops to put a snake down a girl’s back and then she sings a defiant little song into the mic. A member of a tribe of traveling musicians, she’s known for twangy folk tunes and boyfriend seducin’. So much more personable than the girl with tuberculosis!

Snow quickly figures out how to play the publicity game element of the Hunger Games, helping to develop some of the elements — donate to your favorite player! — that will become an important part of the Games in the later years. Also giving hints to what the Games will become is a theatrical weatherman named Lucky Flickerman (Jason Schwartzman) who is trying to make this show all it can be.

Dinklage might be the guy doing more Serious Acting than this movie warrants, but Schwartzman seems to be the guy really finding a tone and leaning all the way in with it. His Lucky doesn’t exactly fit with the vibe of the rest of the movie, but he’s definitely the film’s most entertaining element.

This movie falls somewhere between “the dark education of a could-go-either-way Coriolanis Snow” and “a guy who starts off as an ambitious opportunist remains ambitious, sees opportunities.” As the Games progress, Coriolanis’ desire to have Lucy Gray be successful for his own goals turns into actual desire for Lucy Gray. They are, for a while, in love. Or either one or both of them is playing a long con to use the other for their advancement in this morally bankrupt society. Or life is complicated and both things are true. Intellectually, I like that the movie lets you read the story it’s telling in a few different ways. In fact, the more I thought about the way this movie’s character motivations were constructed, the more interesting I found it.

After the fact.

In the moment, sitting in the theater, this made for some very slow, boring storytelling. I know who Snow is going to become and this movie doesn’t really give me a reason to care how he got that way. And I feel like I’m watching the teen soap operaversion of Hunger Games dystopia — it’s all smaller, snottier and more high school. The big scary Panem Capitol and its rulers don’t even seem quite as all-powerful and authoritarian here as in the original movies — they are basically every familiar aristocracy of rich jerks you’ve ever seen anywhere, from Gossip Girl to, like, real life.

I’ll give the movie this: It’s visually interesting in a “huh, neat” kind of way, with its riff on a past that sort of fits with the future we see in the original films. But “huh neat” is not enough to sustain two hours and 37 minutes of movie. C+

Rated PG-13 for strong violent content and disturbing material, according to the MPA on filmratings.com. Directed by Frances Lawrence with a screenplay by Michael Lesslie and Michael Arndt (from the book by Suzanne Collins), The Hunger Games: The Ballad of Songbirds and Snakes is two hours and 37 minutes long and is distributed in theaters by Lionsgate.

The Holdovers (R)

A grumpy classics teacher is forced to babysit the kids left at a Massachusetts boys school for the Christmas holiday in 1970 in The Holdovers, a movie directed by Alexander Payne.

Paul Hunham (Paul Giamatti) is the most “Paul Giamatti character” of Paul Giamatti characters. A classics professor who eats and sleeps his job, he is a surly tyrant to his students, difficult with the school’s headmaster (Andrew Garman) and just sort of awkward around everyone else.

After handing out a bunch of D and F grades on a test to his students, berating them about their performance and general intelligence and assigning them homework during the break, Paul finds out that he will also be working over vacation. The teacher who had been expected to stay at the school to watch the handful of boys who weren’t going home weaseled out of the assignment and the headmaster, still mad that Paul wouldn’t pass an important donor’s son, makes Paul do it. Not only do the boys have to stay at school but they must all move to barrack-like lodgings in the infirmary because the heat will be off in their normal dorms. And Paul has decided that they need a regular schedule of outdoor exercise (in the Massachusetts winter) and study. And they all have to eat together in the school dining hall, where food is cooked by Mary Lamb (Da’Vine Joy Randolph), who warns Paul not to expect anything too great because there won’t be any new shipments of ingredients until the new year.

Mary, the head of the dining services, is stuck at the school in a different way — her son Curtis was a student but recently died in Vietnam. She feels like she needs to stay in this place, the last place they were together, at least for this, her first Christmas without him.

Eventually, the handful of boys is whittled down to just one — Angus Tully (Dominic Sessa), a boy who was told at the last minute by his mother that he needed to stay at school so she and her new husband could have a honeymoon. Deeply resentful and heartbroken about this, Angus is also generally having a hard time. He’s been kicked out of a few previous schools and doesn’t have close friends at this one. He’s mourning the loss of his father and is angry about how his mother has moved on. And Angus and Paul have the natural irritation for each other that two people with a lot of the same qualities can easily have.

Three people trying, sometimes failing, to deal with the stuff life has thrown at them is the core of this movie and these three people forming an unlikely, temporary family unit makes up the bulk of what moves the story along. This very familiar kind of tale plus the very conscious 1970s vibe of the movie (right down to the “film” hisses and pops that kick off the movie’s audio) and the “everything you expect from a Paul Giamatti character” nature of Paul shouldn’t work, it should feel like the most done of “it’s been done” movies. And yet, for me, it all came together. That was a nice, kind movie — was my reaction, which sounds damning but wasn’t. It all coalesces — the core three performances, the little moments each actor gets to show you into the layers of their character, the most sitcom-like humor. The Holdovers was quietly charming and tartly gentle. B+

Rated R for language, some drug use and brief sexual material, according to the MPA on filmratings.com. Directed by Alexander Payne with a screenplay by David Hemingson, The Holdovers is two hours and 13 minutes and is distributed in theaters by Focus Features.

Featured photo: The Hunger Games: The Ballad of Songbirds and Snakes.

The Marvels (PG-13)

Captain Marvel, Ms. Marvel and Monica Rambeau team up, much to Ms. Marvel’s teenage-fangirl glee, in The Marvels, a mostly fun adventure movie in spite of some Marvel Cinematic Universe “did you do your homework?”-ing.

I came to this movie slightly more prepared than usual with these Marvel movies that have TV series tie-ins, having seen — and absolutely loved — the Ms. Marvel series all about high schooler Kamala Khan (Iman Vellani), a comics-making, Avengers-loving Pakistani-American girl from Jersey City. I did not see the Nick Fury (Samuel L. Jackson)-centric Secret Invasion or WandaVision, where I gather we meet the grown-up Monica Rambeau (Teyonah Parris). But it’s fine; the movie recaps enough about who everybody is and their relationships to each other — like, for example, that Monica still thinks of Captain Marvel (Brie Larson) as Aunt Carol Danvers, best friend of her mother, the late Maria Rambeau (Lashana Lynch), who died during the five years Monica was Blipped away.

Monica has superpowers now and works for Nick Fury at the S.H.I.E.L.D.-in-space-like S.A.B.E.R. Carol/Captain Marvel is still traveling the universe looking to help people, basically alone except for her cat, Goose, who is a tentacle-mouthed Flerken. Kamala is still in Jersey, still in high school, still making comics when she should be doing homework — as her loving and rightfully suspicious mother Muneeba (Zenobia Shroff) reminds her.

Muneeba, Kamala’s dad Yusuf (Mohan Kapur) and Kamala’s older brother Aamir (Saagar Shaikh) are deeply confused when, after a crashing noise upstairs, Captain Marvel comes down from Kamala’s room. At the same time Kamala finds herself floating in space, where Fury, watching from a space station, had expected to see Monica, who is suddenly on the strange planet where we had just seen Carol. It seems that some kind of space-time-portal-thingies have entangled Carol, Kamala and Monica and whenever they use their powers, they change places. This phenomenon has something to do with the bangle (one identical to the one Kamala wears) that Dar-Benn (Zawe Ashton), our antagonist, has dug up and put on. Dar-Benn, a Kree warrior/leader person, is trying to use the power she gains from the bangle to transport, via wormhole, resources from other planets to her people’s dying homeworld, Hala. From a Skrull planet, she steals the atmosphere. From another planet, she attempts to steal the water. From Earth’s solar system, she intends to steal the sun.

(OK, so — Skrull, Kree, Flerken, Blip? Translation: The first two are warring aliens who appeared in Captain Marvel and other MCU properties, a Flerken is a cat that’s really an alien and the Blip was the whole Thanos thing. And, Thanos? Look, I don’t feel like this is anybody’s MCU entry point but if it is maybe just take notes for post-film Wikipedia-ing. It took catching a bit of Captain Marvel for me to remember “oh, yeah, Hala is a thing we know.” Meanwhile, we are introduced to a brand new planet, Aladna, and an alien people who communicate largely through song and I feel like, if we want to pile on the lore, why not go with new, delightfully weird lore like that?)

Monica and Carol haven’t reconnected since Monica was a child and of course everybody seems a little uneasy about bringing teenage Kamala to intergalactic battles. But the three women eventually realize that their tangled powers mean they need to work together.

The movie has some fun with the powers-tangling concept. The scene that sort of introduces the three superheroines to each other features a prolonged fight with the three swapping places throughout, occasionally pulling bad guys with them, which is how the Khan family ends up fighting Kree and how Goose ends up at the family home, at one point eating some Khan family knick-knacks. It’s choreographed for maximum fun, with the three characters figuring out the rules and what their powers are and who they’re fighting. Later we get a training montage of the three learning how to use the position swaps so they can mount a fight against Dar-Benn.

I also appreciate that the movie pulls the Khans into the adventure, as Kamala’s family was so central to her story. Plus Shroff’s Muneeba is great and I found myself wishing that the movie had given her some superhero-ing of her own. Muneeba’s “you’re not allowed to go on a space adventure” protectiveness also helps to root Kamala’s character in her teenagerness.

The chemistry between the three women is nice too. We don’t get some antagonism-for-the-sake-of-antagonism shoved into the relationships. Instead, we get Carol and Monica reckoning with their past and all three of them learning to work together and value each other’s contributions. It’s a small thing but it keeps the movie relatively light and fun.

The Marvels mostly keeps its head above the Kree/Skrull-ness MCU soup but it does feel like a struggle. The whole business of Dar-Benn’s planet and Captain Marvel’s past feels like it gets in the way of really setting this movie free to be the buddy-adventure it wants to be. B

Rated PG-13 for action/violence and brief language, according to the MPA on filmratings.com. Directed by Nia DaCosta with a screenplay by Nia DaCosta and Megan McDonnell and Elissa Karasik, The Marvels is an hour and 45 minutes long and distributed by Walt Disney Studios in theaters.

Featured photo: The Marvels.

Priscilla (R)

The 14-year-old girl who eventually becomes Mrs. Elvis Presley (at 21) and then the ex-Mrs. Elvis (at 28) gets her story told in Priscilla, a movie written and directed by Sofia Coppola and based on Priscilla Presley’s autobiography Elvis and Me.

Priscilla Beaulieu (Cailee Spaeny) is a ninth grader when we first see her in 1959, drinking a soda in a diner in West Germany where her father, who is in the Army, is stationed. She is bummed at having recently moved to West Germany and not yet having any friends. Adult soldier Terry West (Luke Humphrey) approaches her at the diner and delivers the following information: he’s seen her at the diner before; he and his wife are friends with Elvis Presley (Jacob Elordi), and would she like to go to a party and meet Elvis.

Now, look, kids, if a strange man comes up to you and says something like this, run and tell a trusted adult. Which is the opinion of Priscilla’s dad (Ari Cohen) and mom (Dagmara Dominczyk) at first. Who is this Terry and his wife, why are they taking her to meet Elvis, why would Elvis — a 24-year-old mega-star serving in the Army for two years — want to meet this barely teenage child? But eventually they relent, I guess because they think mopey Priscilla needs some excitement.

From the jump, Elvis gives off what I found myself thinking of as “vampire boyfriend” vibes. There’s a sort ofEdward from Twilight way to how he instantly takes a shine to Priscilla for no particular reason (or, maybe I should say, no non-sketchball reason). He says he likes talking to her, though she doesn’t really talk when they’re together (which, perhaps, you know, is a feature not a bug). She is dazzled, as any girl would be, by the attention of this high-wattage star and sucked in, as any young teen girl would be, by his wounded puppy pose — his stories of being lonely, like her, in Germany and being sad about the recent death of his mom. He’s grieving, he needs me, she says to her parents when they object to her seeing Elvis again. From the perch of “I remember the TV movie based on Elvis and Me”-years-old, I laughed at all of Elvis’ emo nonsense and his “you’re the most special girl” and “you’re more mature than your years” (barf) performatively gentle wooing of Priscilla. But, especially in this Sofia Coppola sourball confection, you can see how all of this goes straight to the heart of a lonely young girl. And how the kind of love and devotion she gives to him is exactly what a controlling narcissist who has surrounded himself with yes men would want. Nancy Sinatra and Ann-Margaret — two of the many women he’s linked to throughout his relationship with Priscilla — aren’t going to put him first or change themselves to suit him, the way he demands of Priscilla.

But Priscilla, wowed by Elvis, longing for his world and attention, which is indeed so much more exciting than high school, hangs on — staying in touch via phone and letters after he leaves Germany and eventually going to visit him at Graceland. There and then later on a trip to Las Vegas, they share a bed but don’t have sex. Elvis insists they wait until he decides the time is right — which turns out to be their wedding night when she is 21 years old, after years of living with him in Graceland, where she often gets left behind when he goes to make movies and have affairs. As he explains to her, the woman who is going to be with him needs to be understanding.

Here in 2023, it’s easy to identify what Elvis is doing as grooming: taking young, doesn’t-know-herself Priscilla and molding her into the wife who will ignore his cheating, put up with his absences, allow herself to be controlled down to her eye makeup by his whims, eternally be waiting for him and forgive his angry, sometimes violent outbursts. Sofia Coppola really highlights the heartbreaking nature of their relationship as we see any natural confidence or sass in Priscilla get swallowed up by the Elvis of it all. But the movie doesn’t paint Priscilla as dumb — naive, maybe, and too willing to trade everything for the happy moments. This movie is quite reminiscent of Coppola’s Marie Antoinette, with a girl who is suddenly in a rarefied life trying to figure out what to do with herself in ornate rooms and opulent clothes, surrounded by people who act very much like a royal court.

In the movie’s final third, there is something very Coppola in the way Priscilla (spoiler alert if you’ve never seen a People magazine) finds her way out. And like many a Coppola movie, we’re seeing all of this both from Priscilla’s point of view and also at a remove. We can see how she’s feeling but we never quite get to hear from her why she makes the decisions that she does. It’s frustrating — but in a way that feels intentional and also kind of enjoyable for what it leaves for us to understand based on vibes. The movie doesn’t look down at Priscilla but it does give the sense of a woman who can look back at this relationship and see what it was (real-life Priscilla Presley is an executive producer of the movie). And the whole thing gets pulled together in a well-done final sequence with maybe one of the best needle drops of recvent memory. B+

Rated R for drug use and some language, according to the MPA on filmratings.com. Written and directed by Sofia Coppola (based on Priscilla Presley’s Elvis and Me, written with Sandra Harmon), Priscilla is an hour and 53 minutes long and is distributed by A24 in theaters.

Featured photo: Piscilla.

Pain Hustlers (R)

Pain Hustlers (R)

Our medical system is broken is the big takeaway from Pain Hustlers, a fictional tale of pharmaceutical salespeople framed as a documentary.

Liza Drake (Emily Blunt) is an exotic dancer working the lunch shift to attempt to make enough money to cover her and her teen daughter Phoebe’s (Chloe Coleman) bills. After losing that job because she has to rush to get Phoebe out of some high school trouble, Liza calls Pete Brenner (Chris Evans), a pharmaceutical salesman who offered her a job a day earlier he was unsuccessfully trying to woo a doctor at her club. She shows up with a probably inflated resume and he inflates it further before introducing her to Dr. Jack Neel (Andy Garcia), the head of the drug company that is at the moment circling the drain. Their spray-under-the-tongue fentanyl-based pain medication can’t crack into the market currently dominated by a fentanyl lollipop. Liza gets a one-week tryout — get a doctor to prescribe the spray and she’s got a job with extremely good commissions; fail and she’s out. At the last minute of the work week Liza gets Dr. Nathan Lydell (Brian d’Arcy James) to prescribe the drug to one patient — and she gets him on the hook for more prescriptions by signing him on to the company’s speaker program, a thing she created as she pitched him. Pharmaceutical speaker programs are, as Pete explains to us, a common way to thank high-prescribing doctors wherein doctors get money for giving speeches to other doctors and the whole lavish event, with food and booze and drug reps in tight dresses, is paid for by the pharmaceutical company. Though Liza and Pete begin their program on a shoestring, they are able to get Lydell prescribing and then expand their reach to other doctors, first in Florida and then spreading nationwide. Along the way, Liza gets a series of promotions and is able to improve life dramatically for herself and Phoebe — moving from a motel to a waterfront apartment and getting Phoebe into a private school.

Of course, growing a market means that these drugs, meant for cancer patients in extreme pain, need to constantly find new customers and at higher doses, so the company starts pushing doctors to prescribe to other kinds of patients and then offering reps higher commissions on more potent versions. Though Liza desperately needs hundreds of thousands of dollars in cash to pay for a brain surgery for Phoebe not covered by their insurance, she starts to worry that they’re not just helping suffering cancer patients but addicting people.

Blunt does a good job at giving us a rounded portrait of a woman who is trying to work her way out of poverty and is neither a saint nor an amoral cutthroat about how she does that. She hungers for respectability and the security but she isn’t willing to live with going beyond the gray area of doing, as Pete says, 67 in a 65. And Blunt and Evans have a nice chemistry as co-conspirators.

Not unlike Hustlers or The Big Short, Pain Hustlers gives you a con, with its entertaining build and its inevitable fall with a bit of bounciness, but it doesn’t completely look away from the idea that it all came at the expense of people who just wanted to not be in pain and live their lives. B-

Rated R for language throughout, some sexual content, nudity and drug use, according to the MPA at filmratings.com. Directed by David Yates with a screenplay by Wells Tower (and based loosely on the New York Times magazine article by Evan Hughes), Pain Hustlers is two hours and two minutes long and distributed by Netflix, where it is streaming.

Five Nights at Freddy’s (PG-13)

The animatronic mascots at an abandoned family restaurant get murderous in Five Nights at Freddy’s, a horror movie based on a video game franchise.
Which I’ve never played — to me this is just a movie with not-bad bones: animatronic mascots forgotten and slowly decaying, abandoned riff on a Charles Entertainment Cheese-like establishment, a night watchman who has just enough trauma and sleep issues that maybe he could be hallucinating.

Mike (Josh Hutcherson) is that security guy, taking an exceptionally terrible job at this obviously haunted/cursed/just sad long-closed restaurant. He will accept basically any employment to remain a viable guardian for his young sister Abby (Piper Rubio), orphaned/abandoned after the dissolution of their family due to the long-ago kidnapping of Mike’s young brother Garrett (Lucas Grant). Having blamed himself for the kidnapping for decades (Garrett went missing on a family camping trip and Mike is certain he must have seen the kidnapper), Mike uses a variety of sleep aids to push him back to the memory of that moment. So he sleeps but never rests and works the night shift while trying to care for his quiet, troubled-seeming sister — a perfect recipe for a guy who isn’t sure what to believe when the animatronics at Freddy Fazbear’s Pizza start to act sentient.
The movie doesn’t really pay off on either the fun or the creepiness of this setup. Instead we get a movie that can’t seem to figure out how dark it wants to be mixed in with a child custody plot and the appearance of Police Officer Vanessa (Elizabeth Lail), whose whole deal makes less sense the more we learn about her. C-

Rated PG-13 for strong violent content, bloody images and language throughout, according to the MPA on filmratings.com. Directed by Emma Tammi with a screenplay by Scott Cawthon and Seth Cuddeback & Emma Tammi, Five Nights at Freddy’s is an hour and 50 minutes long and is released by Universal Studios. It’s in theaters and streaming on Peacock.

Old Dads (R)

Bill Burr plays a version of himself as a Gen X-er raising a young son in a millennial and zoomer world in the Netflix comedy Old Dads.

Jack Kelly (Burr) has a son in preschool and another kid on the way with wife Leah (Katie Aselton). He lives in a nice suburban house in Los Angeles and has recently sold the profitable T-shirt business he owned with fellow Xers and longtime friends Mike (Bokeem Woodbine) and Connor (Bobby Cannavale). He has what appears to be a nice life and yet he is filled with a rage at the annoyances of the modern world, most of which he expresses in a “you know what’s wrong with your generation?” rant. His aggravation seems particularly acute in dealing with zoomer Aspen Bell (Miles Robbins), the new head of the T-shirt company where Jack, Mike and Connor still have to work (and behave) to cash in on their equity.

There is comedy to be mined in generational differences and raising a child as a parent in their 40s or 50s versus 20s or 30s — the difference between, for example, how an older parent would relate to a peer-aged teacher versus a younger teacher, or how older and younger parents might approach managing their kids. But the movie goes more for the low-hanging fruit of just mocking the performatively progressive upperclass Angeleno. We don’t really get a Gen X-versus-Millennials showdown or one guy’s experiences as an older parent.

It’s more just an angry audience surrogate ranting at the very online.
A bigger problem for Old Dads is that all of the life-stuff Burr addresses here — raising kids as a person in middle age, overcoming general knee-jerk anger, generational differences, marriage stuff, the times in which we live — is addressed much more sharply, smartly and funnily in Burr’s own standup, a lot of which is also available on Netflix. If you want Burr’s angry-Northeasterner take on all that, done with humility and nuance and self-awareness, seek those shows out. If you’re just looking for a comedy with adults swearing and an occasional moment of sitcom-y “ha, funny,” sure, Old Dads has that. Just not as much of that second part as I would have liked. C+

Rated R for pervasive language, sexual material, nudity and brief drug use, according to the MPA on filmratings.com. Directed by Bill Burr and co-written by Bill Burr & Ben Tishler, Old Dads is an hour and 44 minutes long and distributed by Netflix, where it is currently streaming.

Expend4bles (R)

Even Jason Statham is not strong enough to carry the lifeless fourth outing of a jokey action series in Expend4bles.

It gives me no pleasure to say that, because I generally like this series and the “action stars of previous decades super-group” philosophy around which it’s built.

Here, Statham’s Lee Christmas is basically the center of the story after Barney (Sylvester Stallone), head of the CIA freelancer group The Expendables, is sidelined during a failed mission to get nuclear whatevers from Libya before bad guy Rahmat (Iko Uwais) can steal them for badder guy Ocelot, a mystery villain Barney battled in the past. Gina (Meghan Fox) takes over running the Expendables show with their CIA handler Marsh (Andy Garcia) taking a more hands-on role as they pursue Rahmat.

Lee, pushed out of the group for a nonsense reason, tries to go it alone to chase Rahmat and Ocelot, turning for some assistance to Decha (Tony Jaa).
In addition to Stallone and Statham, Dolph Lundgren and Randy Couture are among the original expendables still in play. Terry Crews, Jet Li and Arnold Schwarzenegger sit this one out along with the last film’s additions, which included Wesley Snipes, Antonio Banderas and Ronda Rousey. Instead, we get Fox, Curtis Jackson (aka 50 Cent), Jacob Scipio and Levy Tran who do not have the sparkle of those OG members.

Also missing here is an overall sense of fun. We don’t get any cutesy surprise cameos a la Chuck Norris in the second movie or Harrison Ford in the third — and of course no Bruce Willis, who appeared in the first two. This kind of 1980s/1990s action star wattage was a load-bearing element of those earlier entries and its lack here leaves the movie an overall shakier structure (outside of Jaa, a star who rose in the aughts and who is a nice addition).

Strip those things away and issues that have probably always been there are more keenly felt. Such as, this isn’t the snappiest dialogue ever written and the actors speak it as though this is the first time they’ve ever seen these lines. The story doesn’t, at all, make sense and yet it’s nearly not bonkers enough.

Perhaps new to this movie is how slow everything feels. Sure, there’s punching and kicking and explosions, but it feels like we’re getting these elements delivered in more of a low-flow stream than the non-stop punch-splosion you’d want. C

Rated R for strong/bloody violence throughout, language and sexual material, according to the MPA on filmratings.com. Directed by Scott Waugh with a screenplay by Kurt Wimmer & Tad Daggerhart and Max Adams, Expend4bles is an hour and 43 minutes long and distributed by Lionsgate and is available for rent or purchase via VOD.

Strays (R)

Reggie, a good-natured rube of a small fluffy dog voiced by Will Ferrell, has the sudden realization that his owner is garbage in Strays, a live-action, extremely-R-rated dog adventure comedy.

Reggie (voice of Ferrell, doing peak Elf-ish Ferrell) thinks he’s playing a challenging game of fetch when his dirt-bag human Doug (Will Forte) drives him miles away from their home, throws a ball and then drives away. Reggie retrieves the ball and always manages to return, much to the annoyance of Doug, who never wanted a dog and only kept Reggie in the breakup with his girlfriend to be a jerk. Reggie just wants Doug to acknowledge that he, Reggie, is a good-boy dog.

But during a particularly far-afield game of fetch, Reggie realizes in telling French bulldog Bug (voice of Jamie Foxx), Hunter (voice of Randall Park) and Maggie (voice of Isla Fisher) about Doug that Doug is in fact a terrible owner. Reggie decides to hurt Doug by taking away the one thing that Doug truly cares about in life — one R-rated piece of Doug’s anatomy. Bug, a stray dog, and Hunter and Maggie, dogs with laissez faire owners, decide to travel with Reggie to find Doug and see if Reggie really will, uhm, get him where it hurts.

I had few expectations for this movie beyong hoping that it would be not too boring, maybe even mildly entertaining. And it clears that bar of extremely mild entertainment. Most of the humor is based on dog behavior — eating gross stuff, sniffing other dogs’ bums, humping things — and most of it is fine, not particularly smart but not aggressively off-putting. Pre-existing Will Ferrell-ness helps to make Reggie a character we can project personality. Occasionally the movie has a funny bit (there is a runner about an invisible fence) or a cute cameo and I found myself often thinking “ha” without actually laughing. C+

Rated R for pervasive language, like seriously, and crude and sexual content (also, really and a lot) and drug use, like this is rated R don’t let the dogs fool you, according to the MPA on filmratings.com. Directed by Josh Greenbaum with a screenplay by Dan Perrault, Strays is an hour and 33 minutes long and is distributed by Universal Studios. It is available for rent or purchase and it is streaming on Peacock.

Featured photo: Pain Hustlers.

Killers of the Flower Moon (R)

Oil-rich members of the Osage Nation become targets for con men in 1920s Oklahoma in Killers of the Flower Moon, a Martin Scorsese-directed and -cowritten movie based on the non-fiction book by David Grann.

Ernest Burkhart (Leonardo DiCaprio) returns stateside from serving in the Army in World War I to live with his uncle William King Hale (Robert De Niro) at his cattle ranch in Oklahoma. Call me uncle or King, Hale says to Ernest, which gives you a sense of how Hale thought about himself and his importance. Calling himself the “King of the Osage Hills,” Hale has learned the Osage language and has positioned himself as the friend to his Osage neighbors, who have grown rich due to the discovery of oil on their land. More than 2,000 people, and their legal descendants (who can be Osage or white), have headrights to the oil money. Their wealth has attracted all manner of scammers, from the guys overcharging for family photos to the government that hands out money in a conservatorship for fully grown adults under the guise of helping them manage their money. Hale would be one of those scammers, with his “I speak your language” shtick being a very thin veneer over his greed and racism. Also among the scammers are the white men who marry into Osage families to get a piece of the oil rights — particularly if their wives should meet bad ends.

When Ernest meets unmarried Osage woman Mollie Kyle (Lily Gladstone) while working as a driver, Hale encourages him to court and marry her to get their family connected to her family’s headrights to the oil money. When Ernest marries Mollie, she gains a husband but over time loses her sisters and mother, Lizzie Q. (Tantoo Cardinal), to either suspicious illnesses or violence. Mollie also struggles with her health — she has diabetes. Hale is able to help her receive the relatively new medicine that is insulin but strangely (a-hem) it seems to be making her sicker.

Meanwhile, we see Ernest and Hale work to get other people out of their way, from Osage people Hale figures out how to make money from to others who could implicate him in his crimes. It takes a long time and a lot of deaths before the pleas of Mollie and others in the tribe to the federal government to send someone to investigate the murders of Osage people are answered in the form of FBI agents led by Tom White (Jesse Plemmons).

Killers of the Flower Moon has what I think of as the Gangs of New York problem. Here, like with that Scorsese film, the central Leonardo DiCaprio story is significantly less interesting than all the stuff around it. The story of the Osage Nation — its history, the tensions between generations, how the money changed the culture, the relationship with the federal government, the Osage relationship to the white people drawn to the area by the money — is infinitely more compelling than the story of this one shifty dirtbag and his huckster dirtbag uncle, particularly when you’re comparing the can’t-look-away magnetism of Lily Gladstone to DiCaprio or even De Niro. She absolutely commands your attention and gives Mollie a depth and complexity, and everything gets a little dimmer when she’s not on the screen.

Comparatively, Ernest and his uncle just seem like grifters — and not particularly clever ones. The star wattage of DiCaprio (and some gross but fascinating teeth) and De Niro (who looks like he’s cosplaying Harry Truman) don’t make the characters feel any more substantial. They feel like petty criminals who stumbled into a big score. The way their criminality is supported by a whole crooked, racist system of who has legal rights, justice and opportunity in 1920s Oklahoma is probably the most interesting element about them.

You get the sense from the movie that Scorsese knows that the central crime and its criminals aren’t as compelling as these other factors — especially the Osage people. According to all the stories I’ve read about this movie, he started off wanting to make a movie from the FBI point of view (or, really, BOI — Bureau of Investigation, as it was then called) and then shifted perspective to focus more on the Osage and Mollie’s story. That’s a good decision and how earnestly he’s made it becomes particularly clear with the movie’s final scenes — the final shot literally puts Osage people at the center and fills the screen with their story. But there are elements that we either get to see only briefly or don’t really see at all. We never really get an explanation of what the marrying white men arrangement does for Mollie and her sisters, why they agree to marry these men even though they sort of always suspect that the men are after them for their money. The movie gets us close to Mollie but it never quite lets us see through her eyes, to understand from her perspective.

All that said, this movie works more than it doesn’t. Gladstone is, as expected, great. Maybe we never quite break through on understanding Mollie but Gladstone does a lot with what she’s given — her still face just considering a person or situation can say more than a soliloquy. And while she doesn’t have a lot of scenes with Cardinal’s Lizzie, I feel like you get a lot about their mother-daughter dynamics from what we do get.

DiCaprio makes a good villain — sometimes a little too good; the movie doesn’t quite sell me on why Mollie stays with Ernest — and has not a trace of that DiCaprio glamour. De Niro isn’t the star here but he gives some heft and personality to a weaselly character.

There is also a lot of technical craft and beauty to this film, which creates a visually interesting world and then moves through it, like, Scorsesily. I felt his eye on this in a way that wasn’t as self-referential as, say, The Irishman but was like a showcase for his skill — with putting people in vistas, with moving through space. This movie is three hours and 26 minutes long but it doesn’t drag or feel excessively flabby to me. There is an energy to this movie that helps keep your attention throughout.

Killers of the Flower Moon is solid drama movie fare, made exceptional by Gladstone’s performance. B+

Rated R for violence, some grisly images and language, according to the MPA on filmratings.com. Directed by Martin Scorsese with a screenplay by Eric Roth and Martin Scorsese (based on the nonfiction book of the same name by David Gann), Killers of the Flower Moon is three hours and 26 minutes long and is distributed in theaters by Apple Films.

Featured photo: Killers of the Flower Moon.

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