Author: Amy Diaz

Amy Diaz is the executive editor and writes about movies and compiles the Kiddie Pool column. Reach her at adiaz@hippopress.com.

At the Sofaplex 21/08/26

The Ice Road (PG-13)

Liam Neeson, Laurence Fishburne.

This movie is so exactly-as-advertised that sometimes it almost feels too simple: Mike (Neeson) is part of a group of people driving three trucks with heavy equipment across an ice road in Manitoba. At least one of the trucks needs to make it to a collapsed mine within some 30 hours to save the lives of 26 miners stuck inside. The roads have technically been closed because it is now early spring, so the first challenge the truckers face is the potential for the ice to crack and send them and their trucks very quickly into the freezing waters. As you’d expect, more challenges develop along the way.

The team includes Mike’s brother Gurty (Marcus Thomas), a veteran who requires Mike’s constant care due to PTSD and aphasia that jumbles his words; Goldenrod (Fishburne), the man who put together the team; Tantoo (Amber Midthunder), a young trucker who has worked with Goldenrod in the past, and Varnay (Benjamin Walker), the insurance guy connected to the mine.

Trucks drive on ice, complications arise — that’s pretty much the movie. And that’s fine! For all that not every performance or line of dialogue feels particularly Oscar-winning, it’s a movie that holds your attention and provides a solid mix of action, suspense and “huh, ice roads, cool.” This isn’t Neeson’s best “late-career action Neeson” performance but he knows this territory well and turns in a perfectly workable performance. B- Available on Netflix.

The Last Letter from Your Lover (TV-MA)

Shailene Woodley, Felicity Jones.

Also Nabhaan Rizwan and Callum Turner (who I couldn’t place until I looked him up on IMDb; you may know him as Frank Churchill from 2020’s Emma.).

Present-day newspaper writer Ellie (Jones) finds letters from the 1960s between J, whom we learn is Jennifer Stirling (Woodley), and Boot, her pet name for Anthony O’Hare (Turner), a then-newspaper reporter. They meeton the Riviera, where Jennifer and her wet-blanket husband Lawrence (Joe Alwyn) are sort of vacationing. Mostly, he runs off to deal with work things and she’s left alone, which is how Anthony finds things when he shows up at their house to interview Lawrence for a profile. J and Boot, as they start to call each other, end up spending time together, forming a friendship that, when they return to London, turns into an affair.

We see this story play out in flashback as Ellie, who thinks maybe there’s a good feature in this story, finds letters in the newspaper’s archives with the help of archivist Rory (Rizwan). Naturally, reading all these love letters together causes these modern people to start to feel some feelings.

If you generally like romances (particularly with this kind of The Guernsey Literary and Potato Peel Pie Society events in the past/events in the present structure) and enjoy period wardrobe (I could fill up an online shopping cart with Woodley’s dresses and accessories) and need something on in the background while you fold a bunch of towels or pay bills, The Last Letter from Your Lover is fine. I feel like some very good naps could be generated by the scenes of well-dressed people drinking cocktails and listening to period music. If you need something more, like heat generated between any of the couples or really compelling characters or interesting dialogue, you probably need to look elsewhere. C+ Available on Netflix.

Reminiscence

Reminiscence (PG-13)

There are millions of stories in the drowned city and Hugh Jackman is privy to many of them via his special memory machine in Reminiscence, a stylish and boring film noir.

Nick Bannister (Jackman) is like a PI of your mind. With the help of his coworker/longtime friend Watts (Thandiwe Newton), he hooks his clients up to a mind-visualization-thingy to help them go back to a memory — the memory of a person who is no longer around, the memory of where they last saw something they lost, the memory of happier times. (While they remember, Nick can also see the memory.) And the past seems like the place where people find more happiness than in the present (which is sometime in the nonspecific future), where rising seas have half-submerged the city of Miami and people seem to be forever sloshing through water. Some sunken buildings have become a kind of Venice-y city of water taxis; some places are behind dams but still constantly damp. There was a war, troubles at the border and now people seem to live in a kind of haunted state.

When Mae (Rebecca Ferguson), styled as sort of a live-action Jessica Rabbit, comes into Nick’s business, she isn’t looking to dwell in some dry and sunny past — she just wants to go back a day or two to figure out where her lost keys are. But something about her captivates Nick and he finds himself hanging out in her memory, watching her sing an American songbook classic “Where or When,” a song that takes him back to happier days. He quickly falls in love (or lust or plot contrivance) with Mae, only to find himself bereft when she suddenly vanishes. Where did she go? Why hasn’t she contacted him? Who was she really? These are the questions that drive Nick back through his own memories even though there is a danger in always lingering in the past.

Reminiscence is very pretty to look at with its watery city, where daytime heat is so hot that people now sleep during the day and live their lives at night. It is the perfect setting for this kind of tale — all grizzled detective-type, mysterious lady, shady and desperate people in a fallen world. Unfortunately, this particular tale just never clicked together for me. I found myself way more interested in all the peripherals — the wars, the soggy state of the world, the public transportation that is suddenly everywhere, the nighttime existence, the state of the justice system, Thandiwe Newton’s character — than I ever was in Jackman’s and Ferguson’s characters, who have very superficial “hot people in a perfume commercial” chemistry but very little person-to-person chemistry. The stylized setting, all 1930s gumshoe grit, is also fun but requires a lot of mental effort to tamp down all the “but why” and “but what about” questions it gins up — a state of things that I feel wouldn’t be so pronounced if the central plot and its core relationship was more interesting.

Reminiscence has potential but it quickly turns into a slow and tedious soggy slog. C

Rated PG-13 for strong violence, drug material throughout, sexual content and some strong language, according to the MPA on filmratings.com. Written and directed by Lisa Joy, Reminiscence is an hour and 56 minutes long and distributed by Warner Bros. in theaters and on HBO Max.

Paw Patrol: The Movie (G)

Human boy Ryder and his team of talking pups head to the metropolis of Adventure City to put an end to Mayor Humdinger’s tomfoolery in Paw Patrol: The Movie, a more fancily animated, feature-length adventure of the Nick Jr. series’ characters.

This movie is roughly three-Paw Patrol-episodes in length — “one Paw Patrol” being a standardized unit of time measurement in my house as it likely is in many houses for whom Paw Patrol is on regular TV-watching rotation. As several special episodes of the show have, this movie introduces a new pup character in a kind of extended universe location. Most episodes of the show take place in Adventure Bay, a vaguely northern California-ish town on the ocean (where there are sometimes pirates) and that is within driving distance of a snowy mountain range and a jungle and sometimes they fly to a London-like city-state called Barkingburg that has a monarchy. Also there’s a dinosaur land, I think? I’m not always watching super closely; I am not the intended audience.

This movie is the first time, as far as I can remember, that the Paw Patrol (as the six core pups and the human, elementary-school-ish aged boy Ryder are known) has ventured to Adventure City. Ryder (voice of Will Brisbin) is the leader of this rescue-team of pups: police dog Chase (voice of Iain Armitage), fire dog Marshall (voice of Kingsley Marshall), bulldozer-driving dog Rubble (voice of Keegan Hedley), recycling/fix-it dog Rocky (voice of Callum Shoniker), water rescue dog Zuma (voice of Shayle Simons) and pilot dog Skye (voice of Lilly Bartlam), who was the only girl pup for a while. Even if you’ve never seen the show, you’ve probably still seen the pups — as the movie itself jokes, pretty much any kid item (lunch boxes, band-aids, T-shirts and, of course, so many toys) has a licensed Paw Patrol version. Each pup has their own special vehicle and their own colors — so that whatever your toddler-through-elementary-schooler’s interest/favorite color, there is a pup (and accompanying merchandise) for them.

Mayor Humdinger (voice of Ron Pardo, who also does the Cap’n Turbot voice) is the series’ most frequent baddie — though like all the “villains” of Paw Patrol he is not so much bad as inept, inconsiderate and vain. Here, he and his band of self-absorbed cats have apparently relocated from Foggy Bottom (the town he’s usually referred to as the mayor of) to Adventure City, where he has become the mayor sort of by accident. Now, this dog-disliking buffoon is poised to cause all sorts of mayhem in the city, from locking up every dog his henchmen (voiced by Randall Park and Dax Shepard) can find to trying to make the subway more adventurous by adding a shoddily constructed roller coaster loop-the-loop. This is why Liberty (voice of Marsai Martin), a friendly neighborhood helper-pup who lives in Adventure City, calls on the Paw Patrol to come and save the day.

Some of the TV show’s episodes will have a particular pup as the focus; here, that’s Chase, who is given a backstory of being found and adopted by Ryder when he was a young, scared pup wandering Adventure City. Returning to the city brings up all sorts of anxieties and the movie has a subplot about Chase learning to face his fear. This isn’t Sesame Street-level “learning to deal with emotions” stuff. When my kids first started venturing beyond PBS Kids’ programming to watch Paw Patrol I found the show loud and shallow when it came to messaging. But it’s fine, the pups are nice and nice to each other, and consideration for friends and the greater public is a much-lauded quality in the show. And it’s 30 minutes of entertainment/distraction, which is always appreciated.

This movie hits all those similar points to me, which is to say, this movie didn’t wow me (which, I suspect, who cares if it wows anybody over the age of 8 or 9) but is totally fine. The “dealing with fear” stuff is unobjectionable, if very thinly drawn. Humdinger is goofy rather than evil. Liberty is a solid additional Paw Patrol member/licensable character. She is a spunky, can-do pup (they’re all spunky, can-do pups), and she gets a spiffy motorcycle (and, yes, both a toy and a Halloween costume for her character are already available for purchase). My kids watched the movie with interest throughout. While I (a person seeing this movie for work) stayed awake through the whole movie, you (a parent who just needs a break) could definitely sleep while your kids watched it (either in one of those big reclining theater chairs or in the comfort of your own couch, as it has been released simultaneously in theaters and on Paramount+). Or read a magazine, or catch up on dishes — just as you probably do while your kids watch the Paw Patrol TV show.

Paw Patrol: The Movie “basically the show, but three times as long” is probably the best review, heck the only review, it needs. B

Rated G. Directed by Andrew Hickson and Cal Brunker with a screenplay by Billy Frolick and Cal Brunker & Bob Barlen, Paw Patrol: The Movie is an hour and 28 minutes long and is distributed by Paramount Pictures in theaters and on Paramount+.

FILM

Venues

Chunky’s Cinema Pub
707 Huse Road, Manchester;
151 Coliseum Ave., Nashua;
150 Bridge St., Pelham, chunkys.com

The Flying Monkey
39 Main St., Plymouth,
536-2551, flyingmonkeynh.com

O’neil Cinemas
24 Calef Highway, Epping,
679-3529, oneilcinemas.com

Red River Theatres
11 S. Main St., Concord
224-4600, redrivertheatres.org

Rex Theatre
23 Amherst St., Manchester
668-5588, palacetheatre.org

Wilton Town Hall Theatre
40 Main St., Wilton
wiltontownhalltheatre.com, 654-3456

Shows

• Gremlins (PG, 1984) at Rex Theatre on Wednesday, Aug. 25, 7 p.m.with a portion of the proceeds going to Motley Mutts Rescue. Tickets $12.

• Back to the Future (PG, 1985) screening at Chunky’s in Manchester, Nashua and Pelham on Wednesday, Aug. 25, at 7 p.m. Tickets cost $4.99.

• 21+ Screening of Back to the Future (PG, 1985) at Chunky’s in Manchester, Nashua and Pelham on Thursday, Aug. 26, at 7 p.m. Tickets cost $4.99 and a Back to the Future themed cocktail will be for sale.

• Together (R, 2021) screening at Red River Theatres in Concord Friday, Aug. 27, through Sunday, Aug. 29, at 1, 4:15 & 7:30 p.m.

• Stillwater (R, 2021) screening at Red River Theatres in Concord Friday, Aug. 27, through Sunday, Aug. 29, at 12:30, 3:45 & 7 p.m.

• Womanhandled(1925) andGo West (1925) silent film Westerns with live musical accompaniment by Jeff Rapsis, on Sunday, Aug. 29, 2 p.m. at Wilton Town Hall Theatres. Screenings are free but a $10 donation per person is suggested.

• Theater Candy Bingo on Sunday, Aug. 29, at 6:30 p.m. at Chunky’s in Pelham. Admission costs $4.99 plus a box of candy.

• The Shakedown (1929), a silent film with live musical accompaniment by Jeff Rapsis, on Thursday, Sept. 9, at 6:30 p.m. at the Flying Monkey in Plymouth. Tickets start at $10.

• Clifford the Big Red Dog (PG, 2021) sensory-friendly screening, with sound lowered and lights up, on Saturday, Sept. 18, 10 a.m. at O’neil Cinema in Epping.

• Hedwig and the Angry Inch (R, 2001) at Rex Theatre on Tuesday, Sept. 21, at 7 p.m. with a portion of the proceeds going to Motley Mutts Rescue. Tickets cost $12.

• National Theatre Live Follies,a broadcast of a play from London’s National Theatre, screening at the Bank of NH Stage in Concord on Sunday, Oct. 3, at 12:30 p.m. Tickets cost $15 ($12 for students).

• National Theatre Live Cyrano de Bergerac, a broadcast of a play from London’s National Theatre, screening at the Bank of NH Stage in Concord on Sunday, Oct. 17, at 12:30 p.m. Tickets cost $15 ($12 for students).

• Frankenweenie (PG, 2012) at the Rex Theatre on Sunday, Oct. 17, 7 p.m. with a portion of the proceeds going to Motley Mutts Rescue. Tickets cost $12.

• The Nightmare Before Christmas (PG, 1993) at the Rex Theatre on Monday, Oct. 18, 7 p.m. with a portion of the proceeds going to Motley Mutts Rescue. Tickets cost $12.

Featured photo: Reminiscence. Courtesy photo.

Kiddie Pool 21/08/26

Family fun for the weekend

Family fun day

Field of Dreams Community Park (48 Geremonty Drive in Salem; fieldofdreamsnh.org) will host Family Fun Day 2021 on Saturday, Aug. 28, from noon to 6 p.m. The day will feature a bounce house, a toddler bounce house, a petting zoo, photos with superheroes and princesses, food trucks and ice cream trucks, touch-a-truck, music, prizes and more. A wrist band so kids can have unlimited access to the bounce house, pictures with the characters, the petting zoo and an obstacle course costs $5, according to the website.

Ice cream and first responders

The Derry Fire and Police departments will hold a First Responder Freeze on Saturday, Aug. 28, from noon to 2 p.m., featuring a free kiddie cone ice cream for the first 100 kids under 12, according to a Facebook post about the event. The event will take place at Pete’s Scoop on Route 28 in Derry and will include games, giveaways and more, the post said.

Movie night

This Friday’s “Pics in the Park” film at Greeley Park in Nashua is Aladdin (PG, 2019), which will start screening at dusk on Friday, Aug. 27, at the park’s Bandshell, 100 Concord St. The screening is part of the city’s SummerFun lineup; see nashuanh.gov.

Live on stage

The Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588) completes its 2021 Bank of New Hampshire Children’s Summer Series with Sleeping Beauty on Thursday, Aug. 26, at 10 a.m. and 6:30 p.m. Tickets cost $10 per person.

Student performers from the Palace’s summer camp program will also present their final production this weekend: Willy Wonka Kids will be performed Friday, Aug. 27, at 7 p.m. and Saturday, Aug. 28, at 11 a.m. Tickets cost $12 to $15.

Picnic with music

Pack a picnic and enjoy some live music this Sunday, Aug. 29, from 4 to 5 p.m. at the Canterbury Shaker Village (288 Shaker Road in Canterbury; shakers.org, 783-9511) on the lawn near the Meeting House. The suggested donation is $10 per person. This week’s entertainers are the Mink Hills Band, a five-member New Hampshire-based acoustic band playing bluegrass, swing and folk as well as originals, according to the website. The Music on the Meeting House Green series runs Sundays through September.

Day at the museum

You still have time to make a mid-week visit to the McAuliffe-Shepard Discovery Center (2 Institute Dr. in Concord; starhop.com, 271-7827). The center is open daily through Sunday, Sept. 5, from 10:30 a.m. to 1 p.m. and from 1:30 to 4 p.m. (Starting Sept. 6 and running through holiday vacation, the center is open Fridays through Sundays.) Buy timed tickets prior to your visit online, where you can also buy tickets for planetarium shows. Masks are required for all visitors age 3 and up, the website said. Admission costs $11.50 for adults, $10.50 for students and seniors and $85 for children ages 3 to 12, the website said.

The next few weeks are also a good time to get in a visit to the Children’s Museum of New Hampshire (6 Washington St. in Dover; childrens-museum.org, 742-2002), which will close for a week Sept. 6 through Sept. 13. The museum is open Tuesdays through Saturdays with timed tickets for 9 a.m. to noon or 1 to 4 p.m. and Sunday 9 a.m. to noon. Buy tickets in advance online; masks are required for all visitors over 24 months. Admission costs $11 for everyone over a year of age ($9 for seniors).

The SEE Science Center (200 Bedford St. in Manchester; see-sciencecenter.org, 669-0400) is open daily — 10 a.m. to 4 p.m. on weekdays and 10 a.m. to 5 p.m. on weekends. Though walk-ins are available (when there is space), pre-registration is recommended, according to the website. Masks are required for ages 2 and up. Admission costs $10 per person ages 3 and up for walk-ins, $9 for people who pre-register.

Free Guy

Free Guy (PG-13)

Ryan Reynolds is a video game character who breaks free of his programming in Free Guy, a movie about the nature of existence, the value of creation for creation’s sake and the usefulness of highly recognizable intellectual properties.

There is something unintentionally meta about seeing this movie in a theater due to that last factor (this movie is from Fox, which is now owned by Disney — and that’s as spoilery as I’ll get except to say that if you are inclined to see a movie in the theater this one might be worth it if only for that element).

Is that vague and a little confusing? So are elements of Guy’s (Reynolds) life. Guy wakes up each day, puts on the same blue shirt and khaki pants, orders the same coffee and heads to his job at the bank (where he stamps the day’s date on deposit slips as simply “today”) where he constantly finds himself diving for the floor during one of a countless number of bank robberies every day. The robberies — and the many stick-ups of his friend who works at the corner store and the constant car chase/gun battles and the streets filled with pro-wrestler-ishly attired criminals — are all just a part of life in Free City, which for Guy is the only world he’s ever known but for all the people wandering around causing mayhem is an elaborate multiplayer video game where players earn points for committing crimes and stashing guns and the like. Guy doesn’t know this until he meets Millie (Jodie Comer), a player who doesn’t realize that the suddenly independent-acting Guy is really an NPC — a non-player character.

Millie isn’t just any player, she’s the designer of a game — built to grow and learn but without all the violence and crime of Free City — that she thinks was used without credit (or compensation) to build Free City. She is seeking proof that Free City’s creator, Antoine (Taika Waititi), stole her code and is fairly certain she’ll find it inside the game. When she meets Guy — who has just taken some sunglasses from a player and can suddenly see the various power-ups and game money floating everywhere — she tells him to go level up and then find her if he wants to help her on her quest. To Millie’s surprise, Guy does just that, essentially becoming an in-game superhero by stopping the players from committing quite so much violence on the other NPCs. To Antoine’s surprise, Guy becomes a kind of folk hero to the people playing the game who wonder just what he is and what his actions say about the way they treat the heretofore disposable-seeming NPCs.

As Guy joins Millie on her quest, they both get a little help from Keys (Joe Keery), Millie’s former partner on the possibly stolen video game. He works for Antoine now but he seems ambivalent about the virtual world of Antoine’s that he has helped to create.

I was looking forward to this movie because I thought it looked like goofy Ryan Reynolds fun, kind of a clueless Deadpool with video game-y action. And, sure, there’s some of this; that tone is definitely the way the movie presents itself. But underneath that is something, shockingly, deeper with thoughts about what makes something “living” and what that means — is Guy alive because of the way he acts (unpredictably, with signs of choice and learning and growing) and is Guy human, with all that implies about the worth of his existence (and the wrongness of someone intentionally causing his death), because he seems to be alive? What makes something real — is, as Guy’s NPC friend Buddy (Lil Rel Howery) seems to argue, their existence, video-game-situated though it may be, real because the emotions behind it are real? What does that mean about the players (and what does that mean about their careless violence toward the NPCs in the game)?

This and other questions about the very nature of the story we’re watching are presented with a relatively light touch in the sense that I don’t think the movie necessarily gives us answers. It’s more like it offers up these surprisingly interesting ideas but then plays out this very commercial movie around it, allowing us to both laugh at some Reynolds silliness and leave the theater with some “huh, what is the nature of existence?” type thoughts, without one getting in the way of the other.

Reynolds is able to keep this balance up perfectly; he can offer the sincere-jokey-sincere sandwich required here without it seeming too slick or contrived. And he’s surrounded by a cast — including Comer — who is equally adept at bringing just the right slightly askew energy. Free Guy isn’t exactly what I expected but it was somehow exactly the kind of “fun but with more” movie I needed. B

Rated PG-13 for strong fantasy violence throughout, language and crude/suggestive references, according to the MPA on filmratings.com. Directed by Shawn Levy with a screenplay by Matt Lieberman and Zak Penn, Free Guy is an hour and 55 minutes long and is distributed by 20th Century Studios.

FILM

Venues

Chunky’s Cinema Pub
707 Huse Road, Manchester;
151 Coliseum Ave., Nashua;
150 Bridge St., Pelham, chunkys.com

Red River Theatres
11 S. Main St., Concord
224-4600, redrivertheatres.org

Rex Theatre
23 Amherst St., Manchester
668-5588, palacetheatre.org

Shows

The Lorax (PG, 2012) a “Little Lunch Date” screening at Chunky’s in Manchester, Nashua & Pelham on Wednesday, Aug. 18, at 11:30 a.m. Reserve tickets in advance with $5 food vouchers. The screening is kid-friendly, with lights dimmed slightly, according to the website.

• Frozen (PG, 2013) at the Rex Theatre, on Wednesday, Aug. 18, 7 p.m. with a portion of the proceeds going to Ballet Misha. Tickets cost $12.

• Walk the Line(PG-13, 2005) a senior showing on Thursday, Aug 19, at 11:30 a.m. at Chunky’s in Manchester, Nashua and Pelham. Admission is free but reserve tickets in advance with $5 food vouchers.

• The Sundance Film Festival Short Film Tour (NR, 2021) at Red River on Friday, Aug. 20, through Sunday, Aug. 22, at 12:30 and 6 p.m.

• Swan Song (NR, 2021) Red River Friday, Aug. 20, through Sunday, Aug. 22, at 1 p.m. and 6:45 p.m.

• CatVideoFest 2021 (NR, 2021) at Red River Friday, Aug. 20, through Sunday, Aug. 22, at 3:15 p.m.

• Pig (R, 2021) at Red River Theatres on Friday, Aug. 20, through Sunday, Aug. 22, at 4 p.m.

• American Graffiti (PG, 1973) screening outdoors in front of the Red River Theatres marquee in downtown Concord as part of Market Days on Friday, Aug. 20, at dusk.

• Theater Candy Bingo on Sunday, Aug. 22, at 6:30 p.m. at Chunky’s in Manchester and Nashua. Admission costs $4.99 plus a box of candy.

• Paw Patrol: The Movie (G, 2021) a sensory-friendly screening, with sound lowered and lights up, on Saturday, Aug. 21, 10 a.m. at O’neil.

• National Theatre Live Skylight a broadcast of a play from London’s National Theatre, at the Bank of NH Stage Sunday, Aug. 22, at 12:30 p.m. Tickets cost $15 ($12 for students).

• Mantrap (1926) silent film directed by Victor Fleming with live musical accompaniment by Jeff Rapsis, on Sunday, Aug. 22, 2 p.m. at Wilton Town Hall Theatre. A $10 donation per person is suggested.

Featured photo: Free Guy. Courtesy photo.

Kiddie Pool 21/08/19

Family fun for the weekend

Summer celebrations

Intown Concord’s annual Market Days Festival in downtown Concord runs from Thursday, Aug. 19, through Saturday, Aug. 21, and has a lot of events on the schedule geared toward kids and families. The KidZone on City Plaza in front of the Statehouse lawn will be open from 10 a.m. to 8 p.m. each day during the event, according to the event’s website. For $5, kids can jump in a bounce house and play mini golf and other games, the site said.

There will also be daily free activities on the Statehouse lawn: on all three days, this includes a storytime (11 a.m. to 2 p.m.), face painting (11 a.m. to 3 p.m.) and a DoggySplash Zone from 11 a.m. to 4 p.m. On Friday, catch the Aim High Canine Performances at 2:30 p.m. and 4 p.m. On Saturday, catch arts and crafts from 10 a.m. to 2 p.m. and a robotics demonstration at 3 p.m.

Also on Saturday, catch Mr. Aaron, a kids music performer, at 11 a.m. at the Binnie Media Performance Stage on Main Street.

The event also includes food vendors, loads of live music and more. See marketdaysfestival.com. Get more details about Market Days in the Q&A on page 6 as well as on pages 26 (for information about the food offerings) and on page 42 (for a look at music).

Londonderry’s Old Home Days continues this weekend, through Saturday, Aug. 21. According to the event’s schedule, Thursday, Aug. 19, is the battle of the bands at the Londonderry Town Common from 5 to 9 p.m. On Friday, Aug 20, food, popsicle and ice cream trucks will set up at the Londonderry High School in preparation for the fireworks at 9 p.m.

On Saturday, Aug. 21, according to the Old Home Day Facebook page, a parade will start at 10:15 a.m. (rain or shine) and run from Londonderry Middle School to Mack’s Apples. A craft fair will be held from noon to 4 p.m. at the Town Common. The first annual Sunnycrest Farms Apple Pie Eating contest will take place at 3:15 p.m. at the Londonderry Town Common Bandstand (and is open to anyone 14+, if you have some hungry teenagers). The schedule also lists a Wildcat Kidz Zone with wildlife encounters starting at 1 p.m., the Portsmouth Shipyard STEM program, a bowling game from the YMCA of Greater Londonderry and a dunk tank and Kona ice. At Lions Hall & Grounds, the Lions Club will offer a 603 Beer tent from 11 a.m. to 4:30 p.m., 603 Axe Play (with blow up axes for children under 10) and a cornhole tournament, according to the schedule. Find the event on Facebook for more information.

Just plane fun

The Manchester-Boston Regional Airport (1 Airport Road, Manchester, 913-4010, flymanchester.com) will celebrate National Aviation Day on Thursday, Aug. 19, from 10 a.m. to 3 p.m. Activities will include a Touch a Truck display featuring vehicles that help the airport operate, K9 demonstrations and a paper airplane contest, and free swag will be handed out. Tables will be set up by the baggage claim, including one with pieces of a plane that’s currently being built. All employees and guests are required to wear masks at the airport.

On the stage

The Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588) continues its 2021 Bank of New Hampshire Children’s Summer Series. Finishing up this week’s run, catch Cinderella on Thursday, Aug. 19. Next week, the production is Sleeping Beauty, Tuesday, Aug. 24, through Thursday, Aug. 26. Showtimes are at 10 a.m. and 6:30 p.m. and tickets cost $10 per person.

Student performers from the Palace’s summer camp program will have a production of their own this weekend: The Lion King Kidswill be performed Friday, Aug. 20, at 7 p.m. and Saturday, Aug. 21, at 11 a.m. Tickets cost $12 to $15.

Movie time

Plaistow residents can catch a movie screened drive-in style onFriday, Aug. 20, at 8 p.m. The screening will take place at the Plaistow Public Library parking lot and will be presented as a drive-in. Admission is being restricted to 50 cars; register in advance at tinyurl.com/umsrmjz7.

Speaking of drive-in films, catch nightly double features at the Milford Drive-In (531 Elm St. in Milford; milforddrivein.com). The drive-in offers two double-feature options nightly with shows starting at 8 p.m. The drive-in grounds open at 7:15 p.m. Sundays through Thursdays and 6:15 p.m. on Fridays and Saturdays. Admission (which can be purchased in advance through the website) costs $30 and covers one car with up to six people ($5 for each additional person).

At Chunky’s Cinema Pubs in Manchester (707 Huse Road) and Nashua (151 Coliseum Ave.) they’re hosting theater candy bingo on Sunday, Aug. 22, at 6:30 p.m. Admission to this game costs $4.99 plus a theater candy, and tickets can be purchased at chunkys.com.

On Wednesday, Aug. 25, catch Back to the Future (PG-13, 1985) at Chunky’s in Manchester, Nashua and Pelham (150 Bridge St.). The movie starts at 7 p.m. and tickets cost $4.99.

For the younger moviegoers, all three locations will also offer a sensory-friendly screening of Paw Patrol: The Movie (G, 2021; it opens in theaters and on Paramount+ on Friday, Aug. 20). The sensory-friendly screening, which keeps the lights up and turns the sound down, starts at 11:30 a.m.

Kids Fest

The annual Hampton Beach Children’s Festival continues through Friday, Aug. 20, with programming on Hampton Beach, according to the Hampton Beach Village District website (hamptonbeach.org) and Facebook pages. On Thursday, Aug. 19, catch Magician Fran Flynn (10 a.m.), Wayne from Maine with a musical singalong (1 p.m.) and a performance by the International Red Star Twirlers (3 p.m.), according to a schedule posted on the district’s Facebook page. The week is capped off with a children’s costume parade on Friday (11 a.m.; participants should line up at 10:15 a.m.), a grand finale with prizes at the Sea Shell Stage (noon) and pictures with Santa and Mrs. Claus (1 p.m.), according to the schedule.

At the Sofaplex 21/08/12

Val (R)

It’s the documentary you didn’t know you needed about Val Kilmer, narrated with Val’s words read by Jack Kilmer, Val’s son and an actor himself. Val tells the story of Kilmer from a childhood of making movies and having fun with three brothers in the suburban greater Los Angeles area through his career that often seems like a long, only occasionally successful attempt at finding acting jobs that really speak to him. He played Iceman in Top Gun and was a Batman but his real passion seems to be for a Mark Twain movie that he was attempting to get off the ground by touring with a one-man theatrical production called Citizen Twain (according to Vulture, since Kilmer suffered extensive loss of his voice due to throat cancer and its treatment, that production has turned into Cinema Twain, a filmed version of the play that he was touring with pre-pandemic). It’s an intriguing project and one that helps you to understand Kilmer the artist as opposed to just Val Kilmer, Hollywood celebrity. This movie is itself the project of Kilmer’s long love of shooting video and the fact that he saved boxes of footage from his life over the years. Thus do we get to see him clowning around with babyfaced Kevin Bacon and Sean Penn backstage at a play they all worked on long ago and footage of his family, including a movie-loving younger brother who died as a teenager. The movie feels like a scrapbook, collecting his own video, clips of movies and interviews and other souvenirs from his life. It’s a fascinating approach to a biography and an interesting glimpse at acting as a life’s work. B+ Available on Amazon Prime.

Jolt (R)

Kate Beckinsale, Stanley Tucci.

Also Laverne Cox, Bobby Cannavale, Jai Courtney and Susan Sarandon on occasional narration.

Lindy (Beckinsale) has extreme impulse control issues. It’s not that she drinks too much or dates too many of the wrong men (though, as she explains to her therapist Dr. Muchin, played by Tucci, she’s done these things too). When provoked by the irritations and annoyances of everyday life and everyday jerks, Lindy responds by beating the tar out of the provocateur. She’s tried drugs, extreme sports and military service as ways to dampen or channel-elsewhere these impulses but nothing works until Dr. Muchin outfits her with a vest that gives her an electrical jolt at the press of a button. With this button she’s able to not grievously injure the jerk giving a hard time to the valet outside a restaurant or the rude waitress inside as she nervously attempts a first date with Justin (Courtney). 

After the first date goes unexpectedly wonderfully, Lindy is excited for their next date, but her joy at a possible new relationship turns into rage when she learns that Justin has been murdered. Detectives Vicars (Cannavale) and Nevin (Cox) won’t tell her much about Justin but Lindy knows just enough to start her own violence-filled investigation of his death. 

I feel like this movie, with its aggressive, self-conscious Bad Girl Attitude and overall low-rent feel, would have annoyed me had I seen it in a theater. But at home, drinking my own beverages and eating my own snacks and ignoring whatever chores need doing so I can give enough of my attention to Beckinsale’s performance, which is mostly made up of the rocker girl wig and a bunch of impressively high-heeled boots, I find I don’t need quite as much from a movie. Which is to say Jolt is kind of silly and junkfoody and totally fine. Beckinsale seems like she’s having fun, Cox and Cannavale seem like they’re having fun. Yes, the movie finds Lindy more spunky and charming than I do, but she’s not actively grating. 

In some better version of this movie, more could have been made about the ideas of free will, impulse control and Lindy’s ability to pick and choose how much to put up with and not. But this movie doesn’t dive that deep. It floats along the surface at a fast enough clip to be a solid choice for the thing that’s on when you don’t want to have to pay too much attention to what you’re watching. C+ Available on Amazon Prime.

Stay in the loop!

Get FREE weekly briefs on local food, music,

arts, and more across southern New Hampshire!