Author: Angie Sykeny

Angie Sykeny is a Hippo staff writer covering local arts, theater, music and pop culture. She can be reached at asykeny@hippopress.com.

The Art Roundup 21/04/15

The latest from NH’s theater, arts and literary communities

Capitol Center for the Arts Executive Director Nicolette Clarke has announced her retirement. Courtesy photo.

• Big news at the Capitol Center: Nicolette Clarke, executive director of the Capitol Center for the Arts in Concord, announced at a board meeting last week her plans to retire, according to a press release from the Center. The second executive director in the CCA’s 25-year history, Clarke significantly expanded the venue’s programs and facilities during her 14-year tenure. Her accomplishments include establishing the Spotlight Cafe, a Salon Series and MET Live in HD broadcasts and spearheading the CCA’s adoption of its second venue, the Bank of NH Stage, which opened in 2019. In response to the pandemic, she instituted numerous organizational development and safety projects, such as new analytic and marketing tools, HVAC filters and hands-free restroom equipment, and maintained the CCA’s programming through outdoor performances and a virtual series of livestreamed and recorded shows. “It has been an honor to lead an organization that provides such rich and diverse arts experiences,” Clarke said in the press release. “I am very proud of the number of lives we have touched and the service to the community we continue to provide despite the limitations of the pandemic.” She will officially step down at the end of July. Call 225-1111 or visit ccanh.com.

“Common Ground: Weaving Nepali & American Musical Traditions,” a concert by Concord Community Music School faculty. Courtesy photo.

• Classical diversity: The Walker Lecture Series will conclude with a virtual screening of “Common Ground: Weaving Nepali & American Musical Traditions,” a concert by Concord Community Music School faculty, airing on Concord TV (Channel 22 and yourconcordtv.org) on Wednesday, April 21, at 7:30 p.m. Recorded in May 2019 as part of the School’s Bach’s Lunch Concert Series, it features jazz, folk and South Asian classical music performed by a group of five faculty members with diverse backgrounds: Harimaya Adhikari, vocals and harmonium; Prem Sagar Khatiwada, tabla; Scott Kiefner, bass; Matt Langley, saxophone; and David Surette, guitar and mandolin. The screening will include a conversation among the performers as they reflect on the concert and the experience of learning about each other’s musical traditions. All previously aired programs from this year’s Walker Lecture Series are still available to watch on YouTube, including a performance and discussion of traditional New England tavern music, hymns, sailor songs and more; travelogues about Denali National Park and Preserve in Alaska and the deserts, coastline and safari parks of Namibia; an art history lecture on Frank Lloyd Wright and Norman Rockwell and more. Call 333-0035 or visit walkerlecture.org.

• Art tour for Spanish-speakers: The self-guided audio tour of public art in downtown Nashua, launched last May by Great American Downtown, is now available in Spanish. Offered through the Distrx app (accessible on Android and iOS), the tour uses Bluetooth iBeacon technology to automatically display photos and text and provide audio descriptions as tourists approach the tour’s 14 murals and sculptures. The original audio was translated into Spanish by Oscar Villacis and read by Jasmine Torres Allen, both of WSMN’s “First Gen American,” a radio talk show aimed at people who are the first in their families to be born U.S. citizens. “This art tour is a great way to explore our vibrant art scene on and around Main Street … [and] has been an especially valuable option [for] social distancing as it is an outdoor activity [users can] experience at their own pace while following health guidelines,” Paul Shea, Great American Downtown executive director, said in a press release. Search “Nashua Public Art Tour” on Facebook.

• Virtual reception: The New Hampshire Art Association hosts a virtual opening reception and awards ceremony for its 35th annual Omer T. Lassonde exhibition on Thursday, April 15, at 6:30 p.m. The exhibit honors Omer T. Lassonde, who helped found NHAA in 1940, and features works in a variety of media by NHAA members and non-members centered around this year’s theme, “Beyond the Boundaries.” It’s viewable online and at the NHAA’s Robert Lincoln Levy Gallery (136 State St., Portsmouth; open Wednesday and Thursday from 11 a.m. to 5 p.m., Friday and Saturday from 11 a.m. to 6 p.m., Sunday from noon to 5 p.m., and Monday and Tuesday by appointment) now through May 30. Visit nhartassociation.org or call 431-4230.

Strong families, safe kids

Children’s Trust defines child abuse prevention

April is National Child Abuse Prevention month. To bring awareness, the New Hampshire Children’s Trust has launched its “Prevention Is” campaign, focused on defining prevention and showing how strengthening families by giving them basic needs and emotional support is a key factor in preventing abuse. NHCT executive director Cliff Simmonds talked about the campaign and what individuals and communities in New Hampshire can do to help.

What is National Child Abuse Prevention Month all about?

Last year it was about reacting to the pandemic, but this year it’s about really defining what prevention is. … Primary prevention is about strengthening families [by] giving them the basic needs, emotional support and sense of community they need to be successful, because we know that drastically reduces the occurrence of child abuse and neglect.

What does child abuse look like?

As many people know, child abuse can be physical, sexual, emotional or neglect, but what’s also important to know is that these [types of abuse] don’t show up exclusively. A lot of times it’s a combination.

What is the impact of child abuse on a family?

It’s disruptive to a family unit, and it lessens the odds of success for that child because they aren’t getting the social and emotional growth that they need to be successful. Ultimately, [abuse] can translate into some lifelong psychological consequences, like feelings of isolation, fear, distrust, lower self-esteem, depression [and] trouble forming and maintaining relationships.

What is the impact of child abuse on a community?

A community is defined [by its] family units. … If you have these cases of abuse or neglect going on within a family, [abuse] can cycle through multiple generations … and through a specific geographic area and disrupt the whole idea of success within that community.

How has the pandemic affected efforts to prevent and end child abuse?

It’s been challenging, to say the least. It created a lot of concern when the schools shut down, because that’s where the eyes on kids are. Teachers are one of the major reporters of abuse. They know these kids; they see these kids every day, so they can see if there are any behavioral changes, physical changes or emotional changes. … Reports [of abuse] started dropping significantly when the schools shut down. We got together with different community organizations and state agencies and put our heads together [to think of] creative ways that we could keep eyes on kids and keep families strong. I think we’ve done a pretty good job of reaching out to families, making sure their needs are being met … and pivoting to being more virtual to get the word out about the resources and services that are available.

What is the “Prevention Is” campaign?

Throughout the month, we’re highlighting the factors … of primary prevention — parenting education, social and emotional development of children, basic supports and building a sense of community — through videos, podcasts and other digital [media]. We’re trying to elevate the conversation around these factors and what people can do as a family member, a neighbor or a community member to help strengthen those factors.

What can people do in their everyday lives to help prevent child abuse?

Reach out and say, ‘How are you doing? How are things going?’ It can be as simple as that. If you have a neighbor with young children who is struggling between getting work done and going to the grocery store, maybe you can go over and say, ‘Hey, why don’t you have your kids come play at my house for a bit so you can do what you need to do.’ … It’s not about catching [a parent] doing something wrong; there’s no such thing as a perfect parent. It’s really about having that ‘It takes a village’ mentality and attitude and contributing to create that sense of community that strengthens families.

Featured photo: Cliff Simmonds. Courtesy photo.

On The Job – Beth Daisy

Beth Daisy

Occupational therapist, Future in Sight NH

Beth Daisy is an occupational therapist and supervisor of occupational therapy at Future In Sight NH, a Concord-based nonprofit providing services for the blind and visually impaired community in New Hampshire.

Explain your job.

We work with people to help them be able to do the activities and things that mean a lot to them, and to increase their independence. For example, if it’s important for somebody to keep cooking despite their disability, we can help with that. … We also help people with reading, paying their bills and participating in leisure activities.

How long have you had this job?

I started with them in January 2020, and I’ve been supervisor since September.

What led you to this career field?

I was in the Marine Corps for 21 years … and I spent 18 years flying helicopters, including medical helicopters, so I saw a lot of harsh realities. … I wanted to find an organization with values that were similar to mine, where I could really capitalize on my experience with technology to help people overcome disability.

What kind of education did you need?

The base-level education nowadays for occupational therapists is a master’s degree. … I also got a graduate certificate in assistive technology, and that’s what really opened my eyes to how much technology is benefiting people with disabilities. … I’ve taken advantage of a lot of continuing education courses offered through the American Occupational Therapy Association to really connect the dots between the theory and the practice. … Future in Sight also does a great job of providing job training. I was able to go out and shadow another occupational therapist, then ease my way into evaluating and treating clients on my own.

What is your typical at-work uniform or attire?

It’s casual attire. Sometimes I have to get down on my hands and knees to plug in or set up [tech devices], so I have to wear something practical.

How has your job changed over the last year?

I think Covid and isolation [have led to] more emphasis on technology and have really pushed more people, especially seniors, to get a little more motivated to start using technology and smart devices. Now, around a third of my older adult clients have some sort of smart device.

What do you wish you’d known at the beginning of your career?

Rarely are you seeing a client with just … vision impairment. Oftentimes, there are also underlying mental health issues, such as anxiety and depression. You need to … include the person’s emotional well-being and mental health needs in your treatment plan.

What do you wish other people knew about your job?

I think there’s a lot of hesitation, especially from older adults, about receiving help for their vision loss. You see them trying to figure out how to rehabilitate on their own, and I think that’s because there’s just a lack of awareness that there are services out there for individuals with vision loss and their family members. Nobody should have to try to deal with that on their own, because there are experts out there who can help.

What was the first job you ever had?

I was a sailing instructor at the Greater Lawrence Community Boating Program on the Merrimack River.

What’s the best piece of work-related advice you’ve ever received?

If you’re ever thinking about sending an angry email, don’t do it!

Five favorites
Favorite book: West with the Night by Beryl Markham
Favorite movie: The English Patient
Favorite type of music or musician: Musicals. I’m currently obsessed with Hamilton.
Favorite food: Indian
Favorite thing about NH: All the outdoor opportunities — hiking, biking, kayaking, you name it.

Featured photo: Beth Daisy

The Art Roundup 21/04/08

The latest from NH’s theater, arts and literary communities

Art by digital artist William Townsend, featured in the New Hampshire Art Association exhibition, “Transformations: Nature and Beyond.” Courtesy photo.

• Thirty days of poetry: April is National Poetry Month, and New Hampshire Poet Laureate Alexandria Peary, New Hampshire Magazine, Concord-based publisher Hobblebush Books and others have organized all kinds of opportunities for poets and poetry lovers in the state to celebrate. One is a series of poetry writing prompts, created by Peary, with one prompt posted each day in April on New Hampshire Magazine’s Facebook page. The prompts are meant to be “a reflection of the past year,” Peary said, particularly in regard to the pandemic, and cover a wide variety of poetry styles. “They’re just something to get people started,” she told the Hippo earlier this month. “You could look at the prompts and just see what comes to mind and do a free-write every day, or you could pick just one or two [prompts] and try to write a whole poem — whatever works for you.” Now through May 15, original poems by state residents can be submitted for review and possible publication in an anthology of poetry about the pandemic experience in New Hampshire — a follow-up to COVID Spring: Granite State Pandemic Poems, an anthology edited by Peary and published by Hobblebush Books in September 2020. Virtual poetry workshops and readings and conversations with Granite State poets are also being held throughout the month. Visit newhampshirepoetlaureate.blogspot.com and hobblebush.com/national-poetry-month for a complete schedule and list of activities.

• Emerging artist from Nashua: Nashua native Tayla Cormier has been making a name for herself in the regional arts scene, according to an email from Clark University in Worcester, Mass., where she is currently pursuing a graduate degree in biology. “I am a 23-year-old artist specializing in portraiture,” Cormier states on her artist Facebook page. “My art is often inspired by music. I sell art prints, but I am always open to commissions.” Cormier’s art, which she originally started selling on the online marketplace Etsy, is now displayed around Clark’s campus and has been featured in ClarkNow and Worcester Magazine. She recently won top prize at the 17th annual Arts Worcester College Show. Visit facebook.com/taylacormierart to connect with Cormier and see her art.

• Nature reimagined: The New Hampshire Art Association has an exhibition, “Transformations: Nature and Beyond,” featuring the work of digital artist William Townsend, on view at the gallery in the Concord Chamber of Commerce Visitor Center (49 S. Main St.) now through June 17. Townsend uses digital tools and techniques to alter line, form and color in photographs of natural objects, such as trees in a forest or seaweed on a beach. In some pieces, Townsend duplicated and inverted parts of the photograph and merged the parts into a symmetrical form, or converted the scene into an oval shape. “These effects transform the original photographed objects into images beyond nature,” an NHAA press release said about the exhibit. “His goal is to reveal the mystery and wonder that live within the realm of the mystical imagination.” All works are for sale. Gallery hours are Monday through Friday from 8:30 a.m. to 5 p.m. Visit nhartassociation.org or call 431-4230.

• We have a winner: The New Hampshire State Council on the Arts has named Newmarket High School student Lilla Bozek the winner of the 2021 New Hampshire Poetry Out Loud High School Championship. The national poetry recitation program invites students to memorize and recite poems chosen by the National Poetry Foundation. Competition begins at the classroom level, then advances to school championships, a series of semifinals, and finally the state championship. Students are judged on their recitations by their physical presence, voice and articulation, dramatic appropriateness and evidence of understanding and accuracy. Bozek received a $200 prize as well as a $500 stipend for her high school to purchase poetry books. She will represent New Hampshire at the national finals, which will be held as a video submission-based competition this year. Rachel Budd from Bow High School has been selected as the alternate winner and received $100, plus a $200 stipend for Bow High School’s poetry book collection. Visit nh.gov/nharts.

Live to tell the tale

Storytelling Festival features traditional and personal stories, poetry, music

The New Hampshire Theatre Project’s annual Storytelling Festival returns to the stage — and to the screen — on Saturday, April 10, with six storytellers telling traditional and personal tales inspired by the theme “What Are You Waiting For?” The performance will be held for a live audience in person at The Music Hall in Portsmouth and virtually over the live video platform Crowdcast.

“There are several [storytelling series] in the area that honor personal stories in the Moth [Radio Hour] tradition, but in terms of telling different kinds of stories, telling traditional tales and [highlighting] storytelling as an art form, there’s really nothing else like [NHTP’s Storytelling Festival] in the area,” said NHTP executive director Genevieve Aichele, who is hosting and performing at this year’s event.

Featured storytellers will include Boston-based award-winning storyteller Diane Edgecomb, presenting a comedic story from her early acting career; British storyteller and humorist Simon Brooks, performing a traditional tale from northern England; Seacoast jazz musician and entertainer Sharon Jones, sharing a story about a special moment on stage at Portsmouth High School; Seacoast storyteller and emcee Pat Spalding of the storytelling series True Tales Live, aired on Portsmouth Public Media TV, telling tales of her time as a majorette with the Leftist Marching Band; and poet Maya Williams of Portland, Maine, telling stories of suicidality, racial identity, religion and healing through the art of spoken word poetry.

Additionally, world fusion musician Randy Armstrong will perform musical interludes throughout the festival with an eclectic mix of instruments.

“If you like Moth Radio Hour and you want to hear those types of personal stories, there will be some of that, and if you enjoy traditional tales, there will be some of that, too,” Aichele said. “Poetry, music — there’s something in it for everyone.”

Aichele will perform her original adaptation of “The Elephant and the Ant,” a traditional tale from India, with musical accompaniment by Armstrong.

“The music is really part of the storytelling,” she said. “It helps to set the mood and gives it that cultural atmosphere and flavor of the culture where the story begins.”

The theme “What Are You Waiting For?” was inspired, Aichele said, by the innovation of the arts community throughout the pandemic.

“It’s a new world; we can’t do art the way we used to,” she said, “so why not use Covid as an opportunity to reinvent ourselves? What are we waiting for? That’s really what these stories are about — not waiting to act or make a change.”

While experiencing a performance virtually is “not quite the same” as experiencing it in person, Aichele said, there’s still a “feeling of excitement and energy” that comes with watching any kind of live event.

“No matter where you are, you’re there; you’re in the audience,” she said. “You’re a part of that community of people who are seeing this thing happening live, and that can be really exciting.”

New Hampshire Theatre Project’s 5th annual Storytelling Festival
Where: Live in person at The Music Hall Historic Theater, 28 Chestnut St., Portsmouth, and virtual livestream via Crowdcast
When: Saturday, April 10, 8 p.m.
Cost: Tickets cost $36 for the performance at The Music Hall and $15 for the livestream performance
More info: Visit nhtheatreproject.org and themusichall.org

Art

Call for Art

• FIBER ART EXHIBIT The Surface Design Association’s (SDA) New Hampshire Group invites New Hampshire fiber artists to submit work for its upcoming exhibit of fiber art and textiles, “Tension: Process in the Making.” Exhibit will run July 24 through Sept. 4 at Twiggs Gallery (254 King St., Boscawen). Submission deadline is Fri., May 1. Visit twiggsgallery.wordpress.com or call 975-0015.

Classes & lectures

• GENERAL ART CLASSES In-person art classes for all levels and two-dimensional media. held with small groups of two to five students. Private classes are also available. Diane Crespo Fine Art Gallery (32 Hanover St., Manchester). Students are asked to wear masks in the gallery. Tuition costs $20 per group class and $28 per private class, with payment due at the beginning of the class. Call 493-1677 or visit dianecrespofineart.com for availability.

• DRAWING & PAINTING CLASSES Art House Studios, 66 Hanover St., Suite 202, Manchester. Classes include Drawing Fundamentals, Painting in Acrylic, Drawing: Observation to Abstraction, Exploring Mixed Media, and Figure Drawing. Class sizes are limited to six students. Visit arthousestudios.org.

Exhibits

• “BODY OF WORK: SERIES I” New Hampshire Art Association presents an exhibition featuring artwork in a variety of media by eight local artists. On view now through May 2. Online and in person at the NHAA’s Robert Lincoln Levy Gallery, 136 State St., Portsmouth. All works are for sale. Gallery hours are Monday and Tuesday by appointment, Wednesday and Thursday from 11 a.m. to 5 p.m., Friday and Saturday from 11 a.m. to 6 p.m., and Sunday from noon to 5 p.m. Visit nhartassociation.org or call 431-4230.

• 35TH ANNUAL OMER T. LASSONDE JURIED EXHIBITION The New Hampshire Art Association presents a group art show featuring works in a variety of media by NHAA members and non-members. NHAA’s Robert Lincoln Levy Gallery (136 State St., Portsmouth). On view now through May 30. A virtual opening reception and awards ceremony is planned for Thurs., April 15, at 6:30 p.m. Call 431-4230 and visit nhartassociation.org.

• “THE BODY IN ART: FROM THE SPIRITUAL TO THE SENSUAL” Exhibit provides a look at how artists through the ages have used the human body as a means of creative expression. On view now through Sept. 1. Currier Museum of Art, 150 Ash St., Manchester. Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

• GALLERY ART A new collection of art by more than 20 area artists on display now in-person and online. Creative Ventures Gallery (411 Nashua St., Milford). Call 672-2500 or visit creativeventuresfineart.com.

• “TOMIE DEPAOLA AT THE CURRIER” Exhibition celebrates the illustrator’s life and legacy through a collection of his original drawings. On view now. Currier Museum of Art, 150 Ash St., Manchester. Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

Special events

• MAGNIFY VOICES EXPRESSIVE ARTS CELEBRATION Youth artwork showcased to help raise awareness and decrease stigma of mental illness and effect change to ensure social and emotional health for all children in New Hampshire. May, date TBA. Visit tinyurl.com/magnifyvoices2021 or email magnifyvoices@gmail.com.

Theater

Shows

• THE SORCERER’S APPRENTICE Filmed live in London 2021. Virtual screening presented by Capitol Center for the Arts in Concord. Now through April 11. $25 per ticket. Call 225-1111 or visit ccanh.com.

• DON QUIXOTE Performed by Safe Haven Ballet. Thurs., April 8, and Fri., April 9, 7 p.m. The Music Hall, Historic Theater, 28 Chestnut St., Portsmouth. Tickets cost $50 for adults and $45 for children, seniors and groups. Visit themusichall.org or call 436-2400.

• THE ART OF CIRCUS Virtual screening presented by Capitol Center for the Arts in Concord. Thurs., April 8, 7 p.m., Sat., April 10, 8 p.m., and Sun., April 11, 2 p.m. $25 per ticket. Call 225-1111 or visit ccanh.com.

• FIFTH ANNUAL STORYTELLING FESTIVAL New Hampshire Theatre Project presents. Five storytellers tell traditional and personal tales inspired by NHTP’s 2020 – 2021 MainStage theme “What Are You Waiting For?” Featuring Diane Edgecomb, Pat Spalding, Simon Brooks, Sharon Jones and Maya Williams; with special guest host Genevieve Aichele and musical accompaniment by Randy Armstrong. Sat., April 10, 7 p.m. The Music Hall Historic Theater, 28 Chestnut St., Portsmouth. Tickets cost $36. Call 431-6644 or visit nhtheatreproject.org.

• KINKY BOOTS Recorded live in London. Virtual screening presented by Capitol Center for the Arts in Concord. April 14 through April 21. $15 per ticket. Call 225-1111 or visit ccanh.com.

• COX AND BOX Performed by New York Gilbert & Sullivan Players. Virtual screening presented by Capitol Center for the Arts in Concord. Thurs., April 15, and Fri., April 16, 8 p.m., and Sun., April 18, 2 p.m. $20 per ticket. Call 225-1111 or visit ccanh.com.

• ZOOM PLAY FESTIVAL Presented by Powerhouse Theatre Collaborative and Community Players of Concord. Features short original plays by New Hampshire playwrights. Fri., April 16. Virtual. See Powerhouse Theatre Collaborative on Facebook.

• THAT GOLDEN GIRLS SHOW: A PUPPET PARODY at the Capitol Center for the Arts (44 S. Main St. in Concord; ccanh.com) on Sat., April 24, at 8 p.m. Tickets cost $35.

Classical

• CONCORD COMMUNITY MUSIC SCHOOL FACULTY CONCERT Part of Concord’s Walker Lecture Series. Virtual, via Concord TV (Channel 22, or stream at yourconcordtv.org). Wed., April 21. 7:30 p.m. Free and open to the public. Call 333-0035 or visit walkerlecture.org.

Featured photo: Featured storyteller Diane Edgecomb. Courtesy photo.

Protecting and serving

Det. Justin Breton is Manchester PD’s Officer of the Year

The Manchester Police Department has named Detective Justin Breton its 2020 Officer of the Year. Breton talked about his career and initiatives to provide mental health and wellness support for police officers.

What have you done during your career in law enforcement?

I’ve been a police officer for just about 12 years. I started … in Hopkinton, then came to Manchester in 2010. I’ve been a patrol officer, and I was a detective in a juvenile division investigating child abuse and sexual exploitation cases. Then I transitioned into the detective division, where I’m a general investigator, handling any types of cases ranging from homicides to thefts and burglaries. I’m a member of our crisis negotiator team, a component of our SWAT team. I’m a member of our mobile crisis team, [in which] we work closely with the Mental Health [Center of Greater Manchester] and go out with them [to respond to] mental health crisis calls. … I recently trained to work with our ACERT team [Adverse Childhood Experience Response Team], which [helps] children or young adults who have been exposed to domestic violence or have been victims of a crime themselves. … Another one of my big jobs is [being] a coordinator for our Critical Incident Stress Management peer-to-peer team, which … connects our [department] employees with mental health services. … I also [am the primary handler of] Patch, our first comfort dog at the PD.

You helped create the Critical Incident Stress Management Team. Why was it needed?

The team started in 2012 after Officer Dan Doherty was shot in Manchester [and] was comprised of several officers who had gone through the [Officer] Michael Briggs homicide case. … We realized we wanted to do a better job as a police department of taking care of each other after those critical incidents. We all know this is a very stressful job, but what we don’t always recognize is that there are long-term lasting effects from some of the traumatic incidents we’re exposed to. We wanted to train and educate ourselves on how to recognize [the effects of trauma] amongst our peers and get them the professional help they may need to work through that situation. … We were able to work with [New Hampshire State] Sen. Lou D’Allesandro from Manchester to create a statute which enabled us to have confidentiality with our peers, so … we’re able to speak with our peers confidentially and get them to the appropriate mental health services.

You helped bring Patch the Comfort Dog to MPD. What does the comfort dog program do?

Concord Police Department was the first [PD] in the state to have a comfort dog. They worked with an agency called Hero Pups, a nonprofit in New Hampshire that trains dogs to work with veterans and first responders [experiencing] PTSD, depression, anxiety or some other type of significant mental health issue … to create this comfort dog program [for police departments]. … It really helps us break down barriers and make connections not only with the community but also with officers, to help them engage in the support services we have set in place.

MPD recently instituted a new training curriculum for its officers. Do you have a role in that?

It’s a 40-hour training curriculum, so there are many different components, and one of the components I’m happy about is a four-hour block of mental health and wellness training. I’m helping to run that class.

What has driven your interest in law enforcement mental health?

I didn’t grow up wanting to be a police officer; I just always knew I wanted to help people. In college, I ended up enrolling in a social work program. I got an internship with the Division for Children, Youth and Families, investigating child abuse and trauma in children. [Through] that job, I started working with a lot of local police departments … and saw the ability police have to not only intervene in dangerous and traumatic situations, but also to be good resources and network-creators to get families connected to services. The Hopkinton police chief at the time convinced me that if I were to become a police officer I’d have a much better ability to help people, so I jumped all in.

What’s something you’ve seen over the last year that has been inspiring or encouraging to you as a police officer?

The national recognition of law enforcement mental health and well-being. In 2020, we applied for [a] grant … to get more personnel trained in this peer-to-peer model. … There are now 20 different agencies across the state that have officers, dispatchers or other department employees trained through [the International Critical Incident Stress Foundation] who can help their fellow colleagues get through some of these stressful times and through their career.

What’s something that you’d like the public to know about the police during these times?

We do recognize [the reasons for the] scrutiny and concern nationwide in regards to the police profession, and we completely understand why they’re so leery right now. … [But the police] can really help our community get through tough times if they trust us … and we’re working very hard to build that trust the community is looking for.

Featured photo: Detective Justin Breton

The Art Roundup 21/04/01

The latest from NH’s theater, arts and literary communities

• Currier reopens: The Currier Museum of Art (150 Ash St., Manchester) is reopening to the public on Thursday, April 1, with several new exhibitions on display. “The Body in Art: From the Spiritual to the Sensual” provides a look at how artists through the ages have used the human body as a means of creative expression; The Tomie dePaola exhibition celebrates the illustrator’s life and legacy through a collection of his original drawings; and “Critical Cartography: Larissa Fassler in Manchester,” features immersive large-scale drawings that reflect the Berlin-based artist’s observations of downtown Manchester while she was an artist-in-residence at the Currier Museum in 2019. Tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Museum hours are Thursday, 10 a.m. to 8 p.m. (free after 5 p.m.); and Friday, Saturday and Sunday from 10 a.m. to 5 p.m., with the hour of 10 to 11 a.m. currently reserved for seniors and museum members. Call 669-6144 or visit currier.org.

• Growing up wild: The Walker Lecture Series continues with a virtual author event featuring Michael Tougias (michaeltougias.com) on Wednesday, April 7, at 7:30 p.m. Tougias will discuss his new bestselling memoir The Waters Between Us: A Boy, A Father, Outdoor Misadventures and the Healing Power of Nature, which chronicles his experience growing up and exploring nature in the 1960s and ’70s. “I was a wild kid by nature and choice who sought out wild places,” Tougias said in a press release. “I feel lucky to have grown up in a time when a kid could spend the entire day on their own in the great outdoors with no parental interference.” The memoir also looks at his complex relationship with his father, Tougias said. A recording of the event will be available to watch starting the following day. The Walker Lecture Series will continue every Wednesday through April 21, with a travelogue about the deserts, coastline and safari parks of Namibia presented by Rick Ray on April 14 and a faculty concert by Concord Community Music School on April 21. Events are free and open to the public. Call 333-0035 or visit walkerlecture.org.

• Virtual screenings: The Capitol Center for the Arts in Concord presents a series of virtual screenings for a variety of performances. “Double Take,” a dance concert by Repertory Dance Theatre and Ririe-Woodbury Dance Co., will screen on Thursday, April 1, and Friday, April 2, at 8 p.m., and Saturday, April 3, at 4 p.m., for $25 per ticket. War Horse, a National Theatre Live Encore Presentation, is available on demand through Tuesday, April 6, for $15. The Sorcerer’s Apprentice, filmed live in London, is available on demand now through Sunday, April 11, for $25. Finally, “The Art of Circus” will be screened on Thursday, April 8, at 7 p.m., Saturday, April 10, at 8 p.m., and Sunday, April 11, at 2 p.m., for $25 per ticket. Call 225-1111 or visit ccanh.com.

Fine lines

New Hampshire celebrates National Poetry Month

From writing prompts to readings and workshops, New Hampshire poets and poetry lovers will have all kinds of opportunities throughout April to celebrate National Poetry Month from home.

Now in its 25th year, National Poetry Month is an annual observance created by the Academy of American Poets to increase awareness and appreciation of poetry in the U.S. Schools, publishers, libraries, booksellers and poets all over the country are encouraged to host special events and activities to promote the literary art form.

In New Hampshire, the month’s festivities are spearheaded by state Poet Laureate Alexandria Peary, in partnership with New Hampshire Magazine, Concord-based publisher Hobblebush Books and others.

Peary has created 30 poetry writing prompts — one for each day in April — that will be posted on New Hampshire Magazine’s website and social media.

The prompts are meant to be “a reflection of the past year,” Peary said, particularly in regard to the pandemic, and will represent a wide variety of poetry styles. They may, for example, challenge participants to write a sonnet that mourns a loss or celebrates a recovery; a narrative poem about a pandemic moment; a persona poem from the perspective of a front-line worker; or an ode to a pandemic-related object.

“They’re just something to get people started,” Peary said. “You could look at the prompts and just see what comes to mind and do a free-write every day, or you could pick just one or two [prompts] and try to write a whole poem — whatever works for you.”

At the end of the month, there will be two free virtual workshops, led by two graduate students interning with Peary, where participants can receive feedback on their poems.

Now through May 15, original poems can be submitted for review and possible publication in an anthology of poetry about the pandemic experience in New Hampshire, to be edited by Peary and published by Hobblebush Books this summer. The anthology is a follow-up to COVID Spring: Granite State Pandemic Poems, published in September 2020, which features original poems submitted by 54 New Hampshire writers, providing “a thirty-day snapshot of what life was like in the Granite State in April of 2020” through topics such as Covid-related “job loss, loneliness and love, masks, social distancing, surreal visitors, uncertainty, graduations deferred, grief, neighborly and less-than-neighborly acts, observing the beginning of the pandemic and making projections about the future, recalibrating or confirming what it means to be human, to be a resident of this region,” Peary said in the anthology’s introduction.

Gibson’s Bookstore in Concord, in partnership with Hobblebush Books, will host free virtual poetry readings and conversations every Monday in April. The series will feature Granite State poets Maudelle Driskell, Meg Kearney, Martha Carlson-Bradley, Liz Ahl, Rodger Martin, Henry Walters, Margot Douaihy and Peary.

“[Participating in] one of these events might give you ideas for your own writing,” Peary said, “and I think it could also give you a sense that, with so many opportunities for engagement with the creative writing [community] in the state, it could become a really rich part of your life and social life.”

Peary said this month is a great time for people who are interested in poetry to give writing their own poetry a try, even if it’s short or in fragments.

“It doesn’t need to be something with a complete structure,” she said. “Try to maximize the distance between you and the critics in your head and just jot some stuff down, and be accepting of whatever that is.”

National Poetry Month in New Hampshire
Virtual poetry events and activities will be held throughout April. Visit newhampshirepoetlaureate.blogspot.com and hobblebush.com/national-poetry-month.

Writing workshops
Registration required.
• Sunday, April 25, 3 p.m., moderated by Lily Greenberg
• Tuesday, April 27, 7 p.m. moderated by Brooke Delp

​Readings and conversations with Granite State poets
Weekly, Monday at 7 p.m., through April. Registration required.
• April 5: Maudelle Driskell and Meg Kearney
• April 12: Martha Carlson-Bradley and Liz Ahl
• April 19: Rodger Martin and Henry Walters
• April 26: NH Poet Laureate Alexandria Peary and Margot Douaihy

Featured photo: Alexandria Peary. Courtesy photo.

The Art Roundup 21/03/25

The latest from NH’s theater, arts and literary communities

“Peace Conference Assisi,” watercolor by Claudia Michael, NHAA Omer T. Lassonde exhibit 2020 Honorable Mention winner. Courtesy photo.

• Three days of virtual literature: The Exeter LitFest will be held virtually over Zoom from Thursday, April 1, through Saturday, April 3. This year’s featured guest is Victoria Arlen, an Exeter native, television personality for ESPN and author of Locked In: The Will to Survive and the Resolve to Live, which tells her story of recovery after inexplicably falling into a vegetative state at age 11. The festival kicks off Thursday at 7 p.m. with a live conversation between Arlen and local journalist, author and podcaster Lara Bricker. Friday’s events will include a discussion about publishing with Exeter authors Alex Myers (Continental Divide, The Story of Silence and Revolutionary) and Lisa Bunker (Felix Yz and Zenobia July); and “Crime: Fact vs. Fiction,” a discussion with Renay Allen, author of a mystery trilogy set in Exeter, and Bricker, author of the true crime book Lie After Lie. On Saturday there will be a pre-recorded children’s story time presented by the Exeter Public Library and a discussion with Exeter native and author Susan Cole Ross (Sliding Home: Two Teachers Head for the Mountains to Teach Our Kids for a Year). All events are free and open to the public. Visit exeterlitfest.com.

• Kids speak out about mental illness: New Hampshire youth in grades 5 through 12 are invited to submit artwork for the Magnify Voices Expressive Arts Contest to raise awareness of and destigmatize mental illness and promote social and emotional health for children in the state. “Art lets children express themselves in a way that they may not be able to do in a conversation,” said Michele Watson, New Hampshire Family Network Coordinator for the National Alliance on Mental Illness and one of the organizers of the contest. “Instead of just talking about it, they can show it and demonstrate it. It’s good not only for them to be able to share their voice, but also because it gives [adults] a better understanding of what they are feeling.” Submit an original short film (two minutes or less), essay or poem (1,000 words or less), song or two- or three-dimensional art piece that expresses your experience with or observations of mental health in New Hampshire. The submission deadline is Wednesday, March 31. A showcase of the finalists’ pieces will be held during Children’s Mental Health Awareness Month in May. Prize money will be awarded for winning pieces. Visit tinyurl.com/magnifyvoices2021 or email magnifyvoices@gmail.com.

• Concord needs sculptors: The City of Concord and the Greater Concord Chamber of Commerce are seeking professional sculptors for the fourth annual Art on Main, a year-round outdoor public art exhibit set up in Concord’s downtown. Sculptors age 18 and older are invited to submit up to two original sculptures for consideration. The deadline for submissions is March 31, and sculptors will be notified of their acceptance by April 30. Installation will begin on May 21, with the exhibit opening in June. The selected sculptors will receive a $500 stipend, and their sculptures will be for sale. To apply, visit concordnhchamber.com/creativeconcord, call 224-2508 or email tsink@concordnhchamber.com.

• Art without boundaries: The New Hampshire Art Association presents its 35th annual Omer T. Lassonde exhibition March 31 through May 30 at the NHAA’s Robert Lincoln Levy Gallery (136 State St., Portsmouth) and online. The juried exhibit honors Omer T. Lassonde, who helped found NHAA in 1940 to exhibit the work of contemporary artists throughout the state. It will feature works in a variety of media by NHAA members and non-members centered around this year’s theme, “Beyond the Boundaries.” Gallery hours are Monday and Tuesday by appointment, Wednesday and Thursday from 11 a.m. to 5 p.m., Friday and Saturday from 11 a.m. to 6 p.m., and Sunday from noon to 5 p.m. A virtual opening reception and awards ceremony is planned for Thursday, April 15, at 6:30 p.m. Visit nhartassociation.org or call 431-4230.

Featured photo: “Peace Conference Assisi,” watercolor by Claudia Michael, NHAA Omer T. Lassonde exhibit 2020 Honorable Mention winner. Courtesy photo.

Old school, new school

Sarah McCraw Crow explores women’s movement of the ’70s in debut novel

Canterbury author Sarah McCraw Crow weaves a story of loss, change and identity amid the second-wave women’s movement in her debut novel The Wrong Kind of Woman.

In 1970 New England, Oliver Desmarais, a professor at the elite all-male Clarendon College, dies suddenly. The Wrong Kind of Woman follows three characters through the year following Oliver’s death — his widow Virginia, his 13-year-old daughter Rebecca and his student Sam Waxman — and is told through their alternating perspectives.

Virginia had previously shared her husband’s disapproval of the four unmarried women on the faculty at the college, known as The Gang of Four, but now finds herself in their circle, joining the women’s movement and making waves at the otherwise apathetic campus.

Rebecca’s world has been turned upside down as she adjusts to life without her father and the shifting identity of her mother, whom she is growing to resent.

Mourning the loss of his favorite professor and hungry for human connection, junior Sam Waxman falls in love with a passionate activist who is willing to do whatever it takes to bring about change.

The Wrong Kind of Woman was born out of the author’s interest in women’s history, particularly in the realm of academia. McCraw Crow has had a “longtime fascination,” she said, with the women of her mother’s generation — women who are in their 80s and 90s today.

“I’ve always wondered how they managed, when they were young, with the choices that were available to them back in those days … and the various constraints and cultural pressures that were strong against them doing jobs that were more traditionally masculine or ambitious,” McCraw Crow said.

The fictional Clarendon College, she revealed, is loosely based on her alma mater, Dartmouth College in Hanover, which she started attending in 1983, a little more than a decade after the Ivy League university started admitting female students in its undergraduate programs.

“When I was there, there were still all sorts of reminders and remnants from the days when it was all male,” McCraw Crow said. “I thought a lot about what it must have been like for the first women faculty working there and the first women exchange students.”

To capture the book’s period setting, McCraw Crow explored archived newspapers from the early 1970s, read memoirs by women’s movement activists and personally interviewed a number of women who were among the first women to attend Dartmouth College when it became coed.

“Dartmouth wasn’t uniformly anti-women, but there was a core group of people who really didn’t want women there and were pretty awful to the first women students,” she said. “It was very helpful for me to talk to these women about how difficult that was and how they got through it — the good things from that time and the things that were the most hurtful.”

While The Wrong Kind of Woman provides an inspiring look at the social change effected since the 1970s, McCraw Crow said, it is also a sobering reminder that the war is not yet won.

“This is a story that still resonates today,” she said, “because as far as gender parity and gender equity, we still have quite a long way to go.”

The Wrong Kind of Woman by Sarah McCraw Crow
The novel is available through Amazon, Barnes & Noble, Walmart and local independent bookstores. Visit sarahmccrawcrow.com.

Featured photo: The Wrong Kind of Woman

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