Author: Angie Sykeny

Angie Sykeny is a Hippo staff writer covering local arts, theater, music and pop culture. She can be reached at [email protected].

So Much Holiday Fun: Seasonal Favorites

Plenty of chances to see The Nutcracker and A Christmas Carol

The Nutcracker and A Christmas Carol are back, with plenty of opportunities through the end of the year to see the holiday classics performed live and in person.

• The Palace Theatre (80 Hanover St., Manchester) presents A Christmas Carol from Nov. 26 through Dec. 22, with showtimes on Thursday and Friday at 7:30 p.m., Saturday at 2 and 7:30 p.m., and Sunday at noon, with additional shows on Tuesday, Dec. 21, and Wednesday, Dec. 22, at 7:30 p.m. Tickets range from $25 to $46. Visit palacetheatre.org or call 668-5588.

• The Methuen Ballet Ensemble performs The Nutcracker at the Dana Center (Saint Anselm College, 100 Saint Anselm Drive, Manchester) on Saturday, Nov. 27, at noon and 4 p.m. Tickets cost $34. Visit anselm.edu/dana-center-humanities.

• New England Dance Ensemble presents The Nutcracker on Saturday, Nov. 27, and Sunday, Nov. 28, at 2 p.m. at the Windham High School Theater (64 London Bridge Road, Windham). Tickets cost $30 to $45. Visit nede.org.

• Gerald Dickens, the great-great-grandson of Charles Dickens, brings his one-man performance of A Christmas Carol to Sky Meadow Country Club (391 E. Dunstable Road, Nashua) on Thursday, Dec. 2, at 7:30 p.m., and to the Dana Center (Saint Anselm College, 100 Saint Anselm Drive, Manchester) on Friday, Dec. 3, at 7:30 p.m. Tickets cost $35 for the Dec. 2 show and $45 for the Dec. 3 show. Visit anselm.edu/dana-center-humanities and fortingage.com.

• Sole City Dance presents The Nutcracker at Rochester Opera House (31 Wakefield St., Rochester) on Thursday, Dec. 2, and Friday, Dec. 3, at 7 p.m., Saturday, Dec. 4, at 2 and 7 p.m., and Sunday, Dec. 5, at 2 p.m. Tickets cost $28 for adults and $24 for seniors, military and children. Visit rochesteroperahouse.com.

• The Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Concord) presents Dickens’ A Christmas Carol from Dec. 3 through Dec. 19, with showtimes on Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m. Tickets cost $22 for adults, $19 for students, seniors and members and $16 for senior members. Visit hatboxnh.com.

• The Players’ Ring Theatre (105 Marcy St., Portsmouth) presents A Christmas Carol from Dec. 3 through Dec. 23, with showtimes on Friday at 7:30 p.m., Saturday at 2:30 and 7:30 p.m., and Sunday at 2:30 p.m., with additional shows Monday, Dec. 20, through Thursday, Dec. 23, at 7:30 p.m. Tickets cost $25 for adults, $22 for students and seniors age 65 and up and $15 for kids under age 12. Visit playersring.org or call 436-8123.

• Bedford Dance Center presents The Nutcracker Suite on Saturday, Dec. 4, at 6 p.m. at the Dana Center (Saint Anselm College, 100 Saint Anselm Drive, Manchester). Tickets cost $25. Visit anselm.edu/dana-center-humanities.

• Portsmouth School of Ballet presents The Nutcrackeron Saturday, Dec. 4, at 5 p.m., and Sunday, Dec. 5, at 10 a.m. and 3 p.m., at Exeter High School auditorium (1 Blue Hawk Drive, Exeter). Tickets cost $20. Visit psb-nh.com/nutcracker.

• The Rochester Opera House (31 Wakefield St., Rochester) presents A Christmas Carol from Dec. 9 through Dec. 19, with showtimes on Thursday and Friday at 7:30 p.m., Saturday at 2 and 7:30 p.m., and Sunday at 5 p.m. Tickets range from $16 to $26. Visit rochesteroperahouse.com.

• The Manchester Community Music School (2291 Elm St., Manchester) hosts a “My First Nutcracker” holiday children’s show on Saturday, Dec. 11, with start times between 11 a.m. and 2 p.m. The show includes a 45-minute interactive experience with storytelling and classical music centered on The Nutcracker. Tickets cost $15, with a $10 discount for families of four people or more; admission is free for children under age 2. Reservations are required. Call 644-4548 or visit mcmusicschool.org.

• Turning Pointe Center of Dance presents The Nutcracker on Saturday, Dec. 11, at 2 p.m. at the Concord City Auditorium (2 Prince St., Concord). Tickets cost $18. Visit turningpointecenterofdance.com.

• Northeastern Ballet Theatre presents The Nutcracker on Saturday, Dec. 11, at 7 p.m., and Sunday, Dec. 12, at 2 p.m., at Dover High School (25 Alumni Drive, Dover) and Saturday, Dec. 18, at 7 p.m., and Sunday, Dec. 19, at 2 p.m., at the Kingswood Arts Center (396 S. Main St., Wolfeboro). Tickets purchased in advance cost $30 for adults, $25 for seniors age 60 and up and $17.50 for students and children; tickets purchased at the door are an additional $5. Visit northeasternballet.org.

• Dance Visions Network presents The Nutcracker Suite Acts I & II on Sunday, Dec. 12, at 12:30 and 5 p.m. at the Dana Center (Saint Anselm College, 100 Saint Anselm Drive, Manchester). Tickets cost $22 plus a $4 surcharge. Visit dancevisionsnetwork.com.

• The Peacock Players present A Christmas Carol: An Original Live Radio Play at the Court Street Theatre (14 Court St., Nashua) on Thursday, Dec. 16, and Friday, Dec. 17, at 7 p.m., Saturday, Dec. 18, at 2 and 7 p.m., and Sunday, Dec. 19, at 2 p.m. Tickets range from $15 to $19. Visit peacockplayers.org.

• New England School of Dance presents The Nutcracker on Saturday, Dec. 18, at 2 and 5:30 p.m. at the Stockbridge Theatre (Pinkerton Academy, 5 Pinkerton St., Derry). Tickets cost $30. Visit newenglandschoolofdance.com.

• See a broadcast presentation of The Bolshoi Ballet’s performance of The Nutcracker at the Bank of NH Stage (16 S. Main St., Concord) on Sunday, Dec. 19, at 12:55 p.m. Tickets cost $15 for adults and $12 for students. Call 225-1111 or visit banknhstage.com.

• Ballet Misha presents The Nutcrackeron Saturday, Dec. 18, at 1 and 6 p.m., and Sunday, Dec. 19, at 10 a.m. and 3 p.m., at the Dana Center (Saint Anselm College, 100 Saint Anselm Drive, Manchester). Tickets cost $26. Visit dimensionsindance.com.

• The New Hampshire School of Ballet presents The Nutcracker Suite at Concord City Auditorium (2 Prince St., Concord) on Sunday, Dec. 19, at 2 p.m.; and at the Palace Theatre (80 Hanover St., Manchester) on Sunday, Dec. 26, at 6 p.m. Tickets cost $22. Visit nhschoolofballet.com.

• The New Hampshire School of Ballet presents The Nutcracker Suite at the Palace Theatre (80 Hanover St., Manchester) on Sunday, Dec. 26, at 6 p.m. Tickets cost $22. Visit palacetheatre.org or call 668-5588.

Also on stage

Dance, comedy and more holiday-centric shows

Theater

• The Players’ Ring Theatre (105 Marcy St., Portsmouth) presents The Toymaker’s Apprentice from Dec. 4 through Dec. 19, with showtimes on Saturday and Sunday at 10 a.m. and noon. Tickets cost $25 for adults, $22 for students and seniors age 65 and up and $15 for kids under age 12. Visit playersring.org or call 436-8123.

• The Majestic Theatre presents Scrooge in Love at the Derry Opera House (29 W. Broadway, Derry) on Friday, Dec. 10, at 7 p.m., Saturday, Dec. 11, at 2 and 7 p.m., and Sunday, Dec. 12, at 2 p.m. Tickets cost $20 for adults and $15 for seniors age 65 and up and students age 17 and under. Visit majestictheatre.net.

• The Pinkerton Players present Coney Island Christmas at the Stockbridge Theatre (5 Pinkerton St., Derry) on Friday, Dec. 10, and Saturday, Dec. 11, at 7 p.m., and Sunday, Dec. 12, at 2 p.m. Tickets cost $15 for adults and $10 for students and seniors. Visit stockbridgetheatre.com.

•​ The Palace Youth Theatre presents Rudolph the Red Nosed Reindeer at the Palace Theatre (80 Hanover St., Manchester) on Tuesday, Dec. 14, and Wednesday, Dec. 15, at 7 p.m. Tickets cost $12 to $15. Visit palacetheatre.org or call 668-5588.

• The Rochester Opera House (31 Wakefield St., Rochester) drag series presents Li Monahd’s Holiday Hoopla on Thursday, Dec. 23, at 7:30 p.m. Tickets cost $15. Visit rochesteroperahouse.com.

Dance

• Concord Dance Academy performs its Holiday Spectacular at Concord City Auditorium (2 Prince St., Concord) on Saturday, Dec. 4, at 1 and 6 p.m., and Sunday, Dec. 5, at 1 p.m. Tickets cost $20. Visit ccca-audi.org.

• The New Hampshire School of Ballet presents its Holiday Performance at the Dana Center (Saint Anselm College, 100 Saint Anselm Drive, Manchester) on Sunday, Dec. 5, at 11 a.m. and 2 p.m. Tickets cost $15. Call 641-7700 or visit anselm.edu/dana-center-humanities.

Comedy

• Jimmy Dunn’s Comedy Christmas comes to the Rex Theatre (23 Amherst St., Manchester) on Friday, Dec. 10, at 7:30 p.m. Tickets cost $25. Call 668-5588 or visit palacetheatre.org/rex-theatre.

• ImprovBoston presents “The Improvised Holiday Extravaganza” on Friday, Dec. 17, at 7:30 p.m. at the Rex Theatre (23 Amherst St., Manchester). Tickets cost $25. Call 668-5588 or visit palacetheatre.org/rex-theatre.

• Local comedian Juston McKinney performs his annual “A Year in Review” show at The Music Hall Historic Theater (28 Chestnut St., Portsmouth) on Sunday, Dec. 26, and Monday, Dec. 27, at 6 p.m., and Tuesday, Dec. 28, at 7 p.m. Tickets cost $28 to $34. Visit themusichall.org or call 436-2400.

Featured photo: Turning Pointe Center of Dance presents The Nutcracker. Courtesy photo.

Knowledge is power

Podcast highlights substance abuse prevention

Christin D’Ovidio is the host of The Power of Prevention, a new podcast series produced by The Partnership@drugFreeNH that explores various facets of substance abuse prevention in New Hampshire and ways in which schools, families and health professionals can bolster prevention efforts. The series is available on Stitcher, Apple Podcasts, Spotify and Google Podcasts.

What is The Power of Prevention about?

The Partnership is an organizing force behind and [in cooperation] with organizations and individuals throughout the state working to prevent substance misuse and other [harmful] mental and behavioral health issues that can be prevented if prevention actions are put into place early on in people’s lives. The podcast talks with these organizations and individuals so that we can learn about how they work with families and within their communities to stop unwanted things from happening. Each episode goes deep into the topic or area that [the featured guest] is working in.

Why was it created?

During the pandemic, people and children [experienced] a lot of additional stressors; the safety nets they had and the ways they were functioning before were put under a huge strain. We know that substance misuse increased during that time. We saw a need to fill, to share what is happening out there with prevention so that [those efforts] can spread; prevention organizations can grow; more prevention organizations [can be established]; and more people can know about how to access prevention resources, because it’s not always evident what resources are available, and sometimes, just knowing that the resources are there is all it takes for people to get help.

How did you end up hosting the podcast?

I have a Master of Fine Arts in Acting and Production, and I was one of the people [The Partnership] asked to do it. That was super exciting for me, because I really enjoy learning about these prevention programs and getting to talk in depth with people about what they’re doing and help them share what they’re doing.

How do you define prevention in the podcast?

Prevention is an evidence-based set of messages, programs and services that lay a foundation for people so that when they encounter adversity they have the skills, support and knowledge to move past it in a positive way rather than turning to coping mechanisms that could harm their health.

Who is your target audience?

Our audience is primarily people working in prevention, so that they can [connect with] others … and families, caregivers, schools and other people who work with children, youth and young adults, because they play a very important role in prevention.

How many episodes have you done so far, and what are they about?

We’ve produced and released two episodes so far. The first one is with Kim Haley, who is a coordinator for one of the School Assistance Programs in the state, and she talks about what SAP programs are and how they provide support for families and schools. The second one is with Traci Fowler, who is a senior programs officer at the New Hampshire Charitable Foundation and has been working in the prevention field and [serving as] a prevention advocate for a very long time. She talks about how nonprofits in the state and the prevention community came together during the pandemic. … We’ve done a few other interviews that are still in the editing [process]. There’s one about self-managing chronic pain, because chronic pain, if unmanaged, can lead to misuse of prescribed medication … and depression. I also talked with two women working in prevention for young adults. There are a lot of changes in life on that bridge between high school, college and the workforce, and sometimes those young adults don’t know where [to access] the support that they need.

How many episodes do you have planned?

We have 27 episodes planned … and our intention is to release them monthly, though we’d like to release two a month, if we can. … Topics [will include] supporting families with skills and resources [in order to] prevent child abuse; the juvenile court diversion program … which [works to] keep [juveniles] who have committed a non-violent offense out of the system … so that they don’t end up with a mark on their record that they can’t get rid of that could take away from their future; vaping prevention; youth mental health efforts and social-emotional learning in schools; and how issues of equity, diversity and inclusion overlap with substance abuse and prevention.

Featured photo: Christin D’Ovidio. Courtesy photo.

On The Job – Brooke Danforth

Brooke Danforth

Dog groomer

Brooke Danforth is a dog groomer and owner of The Dirty Dog in Amherst.

Explain your job.

Anything that goes into grooming dogs: bath, blow dry, brush them out, do a haircut or trimming if it’s required, clip their nails and clean their ears. Then, I always take a picture of the dog at the end.

How long have you had this job?

I’ve been grooming for seven years, and I just opened my own business at the beginning of October.

What led you to this career field and your current job?

I’ve always wanted to work with animals. … When I was 17 I got a job grooming, and due to unfortunate circumstances, [the business] lost a groomer, so I was kind of thrown right into it. I picked it up really fast. I was grooming completely by myself after about six months of working there. … Going into business on my own has always been something I’ve wanted to do. … I felt like it was finally the right time, so I did it.

What kind of education or training did you need?

There are no [training] requirements, but the company I used to work for would [participate in] grooming education classes, where we learned a lot about the different types of skin and coats that different dogs have and how shampoos affect them and things like that.

What is your typical at-work uniform or attire?

I wear scrub pants and a grooming smock. For shoes, I have tried, like, 15 different types of shoes, and waterproof sneakers are the best.

How has your job changed over the course of the pandemic?

Not much changed as far as the actual grooming [process], but we did stop allowing people who weren’t employees to come inside the building; we’d go out to their cars to get their dogs and take their payment. … The pandemic was actually good for us business-wise, because a lot of people were getting dogs. We were overwhelmed with the amount of clients we had.

What do you wish you’d known at the beginning of your career?

When you’re starting out in grooming, it can get very discouraging. You’re watching another groomer who has been doing it for years, and they make it look super easy, but then you go to do it and you’re like, ‘Ah! I just made a giant line in the dog.’ But you do get better. That’s why I always take pictures [of the dogs]; you can look back and see how much you’ve grown.

What do you wish other people knew about your job?

When you say you’re a groomer, people instantly say, ‘Oh, you get to play with puppies all day long,’ and that’s only somewhat true. Yes, you get some really cute, really friendly dogs, but you also get dogs that hate you and just want to eat you. I’ve had really aggressive dogs that try to attack the clippers, and dogs that have bit me several times, but I actually enjoy grooming the difficult dogs; we just work through each issue and try to figure out what their triggers are.

What was the first job you ever had?

I’ve only ever worked with dogs. When I was 15 and a half, I started a job working as a kennel attendant, cleaning up after the dogs and feeding and watering the dogs.

What’s the best piece of work-related advice you’ve ever received?

Some weeks will be amazing, business-wise, and some weeks will be slow. The first week I opened, I had 20-something dogs, which is insane. Then another week I only had 13. You just have to keep pushing through it, and it will always get busy again.

Five favorites

Favorite book: Marley and Me
Favorite movie: Bridesmaids
Favorite music: Country
Favorite food: Chocolate, brownies, cookies, cakes — all desserts
Favorite thing about NH: I love the constant change of the seasons, and I love that all of my family is here.

Featured photo: Brooke Danforth. Courtesy photo.

The Art Roundup 21/11/18

The latest from NH’s theater, arts and literary communities

“Fake News” by Rosemary Mack, featured in “The Dysfunction of Social Practice.” Courtesy photo.

• New art at the Mansion: The Kimball Jenkins Estate (266 N. Main St., Concord) will have an opening reception for two new exhibitions on Saturday, Nov. 20, from 5:30 to 7:30 p.m. “Salon 2021” is on view now in the Carolyn Jenkins Gallery in the Carriage House and features a curated collection of offbeat and experimental small works in a variety of media by regional artists with diverse studio practices and artistic approaches. “The Dysfunction of Social Practice,” which opens that Saturday, will be housed in the Jill C. Wilson Gallery in the Kimball Jenkins Mansion. A collaboration between Kimball Jenkins and Manchester art gallery Kelley Stelling Contemporary, the exhibition will feature paintings, sculpture and performance works by New Hampshire artists Zach Dewitt, Emmett Donlon, Rosemary Mack, Heather Morgan and Meghan Samson. The reception is free and open to the public, with masks requested. Regular gallery hours are Monday through Friday from 9 a.m. to 3 p.m., with evening and weekend visits available by request. As part of the “The Dysfunction of Social Practice” exhibit, there will be an experiential dance performance presented in partnership with the New Hampshire Dance Collaborative at the mansion on Thursday, Dec. 2, at 5:30 p.m. featuring dancers Kelly Diamond, Alyssa Desruisseaux, Anthony Bounphakhom and Sallie Werst. The event will include catered hors d’oeuvres and drinks. Tickets cost $50 and are available on the Kimball Jenkins website. Attendees must be fully vaccinated. Visit kelleystellingcontemporary.com and kimballjenkins.com, or call 225-3932.

• Reimagined kids art: Local artist Curt McGill will be at the Weare Real Food Market (65 N. Stark Highway, Weare) on Friday, Nov. 19, from 10 a.m. to 3 p.m., doing his reimagined children’s drawings. Kids are invited to bring a piece of their original artwork to McGill, who will talk with them about their artistic vision, then create a new work of art inspired by their piece. Space may be limited, so RSVPs are encouraged. McGill is also available to do reimaginings remotely for families who are not able to attend that day. Visit realfoodmarkets.com or send an email to [email protected].

Reimagined children’s art by Curt McGill. Courtesy photo.

• Winter art classes: Art classes for teens and adults are starting up at Studio 550 Art Center (550 Elm St., Manchester). The next five-week session begins on Nov. 29 and offers Pottery, Stained Glass, Intermediate Watercolor and Clay Hand Building. All classes meet for two hours each week. Call 232-5597 or visit 550arts.com for the full schedule and cost details.

• New York City artist exhibit: The Dana Center for the Humanities at Saint Anselm College (100 Saint Anselm Drive, Manchester) has a special exhibition featuring the paintings and sculpture of New York City artist Emily Noelle Lambert on view now through Jan. 9. Lambert has shown her work nationally and internationally in solo exhibitions in New York City, Chicago and South Korea as well as a number of group exhibitions. “I love swimming in a kind of visual mystery of things between abstraction, landscape and figuration,” Lambert said of her work in a press release from Saint Anselm. “I search for interactions between materials, colors and forms and often switch things up to keep my curiosity fresh.” The exhibition was curated by Fine Arts Professor Kimberly Kersey-Asbury, with assistance from fine art students on the layout and installation process. Visitors must wear masks inside the gallery. Visit anselm.edu/dana-center-humanities or call 641-7700.

Van Gogh dance

The DanceWorks Movement Design Performance Company presents its fall performance of “Starry Night” at The Amato Center for The Performing Arts (56 Mont Vernon Road, Milford) on Sunday, Nov. 21, with showtimes at 3 and 6 p.m. Performed under the artistic direction of Tanya Bosse, “Starry Night” is a visual representation of the life and works of Vincent Van Gogh as interpreted through dance. Tickets are for reserved seating and cost $30 for adults and $15 for children, students and seniors. They can be purchased at the door, but purchasing them online in advance is recommended. Visit buy.tututix.com/danceworksmovementdesign.

•​ Modern take on a classic tale: Peter Pan will run at the Seacoast Repertory Theatre (125 Bow St., Portsmouth) from Nov. 18 through Dec. 23, with showtimes on Thursday at 7:30 p.m., Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 and 7:30 p.m. The classic tale will be performed with “a new treatment to modernize this magical piece of the Broadway canon,” according to the Seacoast Rep website. Tickets cost $32 to $50. Masks are required. Visit seacoastrep.org or call 433-4472.

Family first

The Majestic Theatre presents Over the River and Through the Woods at The Majestic Theatre Studios (880 Page St., Manchester), with showtimes on Friday, Nov. 19, and Saturday, Nov. 20, at 7 p.m., and Sunday, Nov. 21, at 2 p.m. The play by Joe DiPietro follows the story of Nick, an Italian-American man from New Jersey who has been offered the job of his dreams in Seattle. Nick’s grandparents — both sets — with whom he shares dinner every Sunday, aren’t too keen on the idea of him moving, however, and the four of them hatch a scheme to keep him in New Jersey. Tickets cost $20 for adults and $15 for seniors age 65 and up and youth age 17 and under. Call 669-7469 or visit majestictheatre.net.

ART

Exhibits

• JOAN L. DUNFEY EXHIBITION Features artwork in a variety of media by regional NHAA members and non-members that follows the theme “Portals.” On display at the New Hampshire Art Association’s Robert Lincoln Levy Gallery, 136 State St., Portsmouth. Now through Nov. 28. Visit nhartassociation.org or call 431-4230.

• “WPA IN NH: PHILIP GUSTON AND MUSA MCKIM” Exhibit features a pair of 14-foot monumental murals painted by artist Philip Guston and poet and painter Musa McKim for the Federal forestry building in Laconia, New Hampshire, in 1941. The Currier Museum of Art (150 Ash St., Manchester). On view now through Dec. 5. Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

• “AROUND NEW HAMPSHIRE” On exhibit at the Greater Concord Chamber of Commerce’s Visitor Center, 49 S. Main St., Concord, on view now through Dec. 16. Featuring the work of New Hampshire Art Association member Elaine Farmer, the exhibit features her oil paintings embodying New Hampshire’s iconic views and ideals, ranging from mountain lakes and birch tree woods to historic landmarks. Visit concordnhchamber.com or nhartassociation.org.

• “SLEIGHBELL STUDIO” Annual holiday showcase at Twiggs Gallery featuring a wide selection of fine art, jewelry, cards, books, honeys, soaps and more, all locally made and priced affordably for gift buying. Now through Dec. 18. 254 King St., Boscawen. Gallery hours are Thursday through Saturday, from 11 a.m. to 4 p.m., and Sunday, from noon to 4 p.m. Visit twiggsgallery.wordpress.com or call 975-0015.

• “SMALL WORKS — BIG IMPACT” Creative Ventures Gallery presents its annual holiday exhibit in-person at the gallery (411 Nashua St., Milford) and virtually on the gallery’s website (creativeventuresfineart.com/product-category/small-works-show). The exhibit features non-juried small works of art in a variety of media and styles, created by area professional and nonprofessional artists, priced affordably for holiday gift buying. Now through Dec. 31. Visit creativeventuresfineart.com or call 672-2500.

• “BIG GIFTS IN SMALL PACKAGES” The Seacoast Artist Association’s annual holiday exhibit, featuring a variety of small works of art priced under $100 for gift buying. Now through Jan. 7. 130 Water St., Exeter. Gallery hours are Wednesday through Saturday, from 10 a.m. to 5 p.m., and Sunday, from 1 to 4 p.m. Visit seacoastartist.org or call 778-8856.

• “AS PRECIOUS AS GOLD: CARPETS FROM THE ISLAMIC WORLD” Exhibit features 32 carpets dating from the 15th century to the 19th century. The Currier Museum of Art (150 Ash St., Manchester). On view now through Feb. 27, 2022. Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

• “1,000 CRANES FOR NASHUA” Featuring more than 1,000 origami paper cranes created by hundreds of Nashua-area kids, adults and families since April. On display now at The Atrium at St. Joseph Hospital, 172 Kinsley St., Nashua. Visit nashuasculpturesymposium.org.

• “NEW HAMPSHIRE NOW” A collaborative photography project presented by the New Hampshire Historical Society and the New Hampshire Society of Photographic Artists, on display in eight exhibitions at museums and historical societies across the state. Nearly 50 photographers participated in the project, taking more than 5,000 photos of New Hampshire people, places, culture and events from 2018 to 2020 to create a 21st-century portrait of life in the Granite State. Exhibition locations include Belknap Mill Society in Laconia; Colby-Sawyer College in New London; Portsmouth Historical Society; Historical Society of Cheshire County in Keene; the Manchester Historic Association; Museum of the White Mountains at Plymouth State University; and the Tillotson Center in Colebrook; with the flagship exhibition at the New Hampshire Historical Society in Concord. Visit newhampshirenow.org and nhhistory.org.

• GALLERY ART A new collection of art by more than 20 area artists on display now in-person and online. Creative Ventures Gallery (411 Nashua St., Milford). Call 672-2500 or visit creativeventuresfineart.com.

• “TOMIE DEPAOLA AT THE CURRIER” Exhibition celebrates the illustrator’s life and legacy through a collection of his original drawings. On view now. Currier Museum of Art, 150 Ash St., Manchester. Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

• ART ON MAIN The City of Concord and the Greater Concord Chamber of Commerce present a year-round outdoor public art exhibit in Concord’s downtown featuring works by professional sculptors. All sculptures will be for sale. Visit concordnhchamber.com/creativeconcord, call 224-2508 or email [email protected].

• “9/11” Exhibit features images of the September 11 attacks and the aftermath, taken by war photographer Jim Nachtwey. On view now. The Currier Museum of Art (150 Ash St., Manchester). Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. Call 669-6144 or visit currier.org.

Tours

• NASHUA PUBLIC ART AUDIO TOUR Self-guided audio tours of the sculptures and murals in downtown Nashua, offered via the Distrx app, which uses Bluetooth iBeacon technology to automatically display photos and text and provides audio descriptions at each stop on the tour as tourists approach the works of art. Each tour has 10 to 15 stops. Free and accessible on Android and iOS on demand. Available in English and Spanish. Visit downtownnashua.org/nashua-art-tour.

THEATER

Shows

• THE WEDDING SINGER Presented by The Peacock Players. Court Street Theatre (14 Court St., Nashua). Now through Nov. 21, with showtimes on Friday at 7 p.m., Saturday at 2 and 7 p.m., and Sunday at 2 p.m. Visit peacockplayers.org.

•​ 9/12 New World Theatre presents. The Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Concord). Now through Nov. 21, with showtimes on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Tickets cost $22 for adults, $19 for students, seniors and members and $16 for senior members. Visit hatboxnh.com.

• THAT GOLDEN GIRLS SHOW: A PUPPET PARODY at the Capitol Center for the Arts (44 S. Main St. in Concord; ccanh.com) on Sat., Nov. 20, at 8 p.m. Tickets cost $35.

• THE NUTCRACKER The Palace Theatre (80 Hanover St., Manchester) presents. Fri., Nov. 19, 7:30 p.m.; Sat., Nov. 20, 11 a.m., 4 p.m., and 7:30 p.m.; and Sun., Nov. 21, noon and 4:30 p.m. Tickets $39 to $46 for adults and $25 for children. Call 668-5588 or visit palacetheatre.org.

• DICKENS’ A CHRISTMAS CAROL The Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Concord). Dec. 3 through Dec. 19. Showtimes are on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Tickets cost $22 for adults, $19 for students, seniors and members and $16 for senior members. Visit hatboxnh.com.

• TRUE TALES LIVE Monthly showcase of storytellers. Held virtually via Zoom. Last Tuesday of the month, 7 p.m., Now through December. Visit truetaleslivenh.org.

• SCENE CHANGES Produced by New World Theatre. The Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Concord). Jan. 7 through Jan. 23. Showtimes are on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Tickets cost $22 for adults, $19 for students, seniors and members and $16 for senior members. Visit hatboxnh.com.

• MARY & ME Produced by Glass Dove Productions. The Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Concord). Jan. 28 through Feb. 13. Showtimes are on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Tickets cost $22 for adults, $19 for students, seniors and members and $16 for senior members. Visit hatboxnh.com.

• LAST GAS Produced by the Community Players of Concord. Concord City Auditorium, 2 Prince St., Concord. Feb. 11 through Feb. 13. Tickets $18 for adults, $16 for ages 17 and under, $16 for ages 65 and up. Visit communityplayersofconcord.org.

• LIFESPAN OF A FACT Produced by Lend Me a Theater. The Hatbox Theatre (270 Loudon Road, Concord). Feb. 18 through March 6. Showtimes are on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Tickets cost $22 for adults, $19 for students, seniors and members and $16 for senior members. Visit hatboxnh.com.

Classical

• HOLIDAY BRASS Symphony NH performs holiday brass music. Sat., Nov. 27, 7:30 p.m. St. Mary and Archangel Michael Coptic Orthodox Church, 39 Chandler St., Nashua. Tickets range from $20 to $60 for adults, from $18 to $55 for seniors age 65+ and are free for children. Visit symphonynh.org.

• HOLIDAY POPS The New Hampshire Philharmonic performs holiday music. Sat., Dec. 18, 7:30 p.m., and Sun., Dec. 19, 2 p.m. Seifert Performing Arts Center, 44 Geremonty Drive, Salem. Tickets cost $30 for adults, $25 for seniors and $8 for students. Visit nhphil.org.

Welcome to the stage

Meet the Capitol Center’s new executive director

The Capitol Center for the Arts in Concord will welcome its new executive director, Salvatore Prizio, on Monday, Nov. 29. Prizio talked about what he brings to the position and his short- and long-term goals for the performing arts venue.

What is your background in this kind of work?

I went to Northeastern University as a music industry major. I spent the better part of 10 years in New York City, working in the record business and touring and playing with my own bands. Then I moved to upstate New York with my wife and we opened a place called Bread and Jam, a 100- to 150-person coffee house where we had live music four nights a week. I had that for about two years, but it was during the Great Recession and business wasn’t as good as I hoped. … I went to [work at] the College of Saint Rose for about six years, running the Massry Center for the Arts, a 400-seat recital hall and performing arts center venue. I loved it there, and we did fantastic things with that space, but I couldn’t grow anymore. I started … doing programming for Proctor’s Collaborative, which has venues all over the Capital Region [of the U.S.] and a contract with Rivers Casino, booking their talent. … I was also able to expand my skills and do some work on the logistical side of things, like getting venues up and running, doing support work for the board, supporting fundraising teams, that sort of stuff. After five years there, I really wanted to take the next step to become an executive director. When the search firm [informed] me about the opportunity at the Capitol Center, I thought it was the right-sized organization and right time for me to step into that role.

What will your job entail?

At an organization of this size, the executive director does a bit of everything. I’ll be working with our programming person to make sure our programming is meeting our goals and objectives from a mission standpoint, while also making sure we’re being fiscally responsible. I’ll oversee budgets; implement or make changes to the strategic plan that’s in place; work with the board on a daily basis; check in with our ops team and make sure we have proper staffing.

What do you expect to be some of the biggest challenges?

One of the major issues CCA and all performing arts centers are facing now is getting back on their feet [financially]. They have a lot of fiscal issues from being shut down for months. … How do you balance expanding [programming] … while making sure you’re not being irresponsible from a budgetary standpoint? … The other piece of that is, like most businesses, the Capitol Center had to lay off a lot of staff, and now getting qualified staff back is a huge challenge. … Then, there’s people’s reticence to get back [out]. We have to help alleviate that through safety measures, making sure people feel comfortable again. … Once I get to understand the organization more, I’m going to develop strategies for the best practices moving forward.

What are some of your immediate goals?

Coming from upstate New York to a city like Concord, there are going to be differences — not major differences, but nuances — so my first goal is to really understand those differences. Then there are some nuts-and-bolts things … like updating the website … and getting our staffing back up to where it needs to be.

What are some of your long-term goals?

Most people think of a performing arts center as a place with four walls, seats and a stage, where you go to experience art, whether it’s comedy, music, theater or whatever. What I really want to do is break down those barriers of what a typical performing arts center is … and start thinking about CCA as more of a presenter/promoter. If there are communities that can’t get into our space, whether it’s because of mobility issues or economic challenges or anything like that, we want to be able to present [programming for them] outside of our buildings — things like street fairs, block parties and festivals and [events] at their community centers. … While researching this position, I found out New Hampshire is home to many new Americans, so I’m excited to find out who those communities are and have conversations with them about what types of art would resonate best within their communities. … During the pandemic, many performing arts centers were able to pivot to digital media so they could still reach their patrons, and that’s going to be a long-term component of performing arts centers. I can see the Capitol Center having more multimedia-kind of presentations; that’s going to be critical for us down the road. It’s a way we can reach a wider audience and allow people who might not have the opportunity to get to our physical space, like some of the folks living in senior centers, for example, to experience art from the comfort of their own home.

What unique qualities or perspectives do you bring to this position?

I bring enthusiasm, openness, acceptance and a willingness to stretch the boundaries of what people think about art. Inclusiveness is a huge thing I want to emphasize; I want everyone to know there’s a seat for them here. In this world where everything has become so polarized, I feel art is something that can always bring us together. I take that responsibility very seriously, but with a sense of joy.

Featured photo: Salvatore Prizio. Courtesy photo.

On The Job – Carl Bertolami

Carl Bertolami

Massage therapist and bodyworker

Carl Bertolami, proprietor of Milford Massage and Bodywork, is a massage therapist and bodyworker, specializing in muscular therapy and craniosacral therapy to treat repetitive movement conditions and chronic pain.

Explain your job and what it entails.

I work with people with a variety of conditions or injuries who are suffering with some type of pain or discomfort. With muscular therapy I help people by coming up with ways they can be proactive between sessions. I’m able to tell from … a [massage therapy] session what areas need a little more attention, and then I can give them self-care strategies and exercises and stretches to do. Craniosacral therapy treats people who have a condition they’ve been suffering with that they haven’t been able to find any other solutions for. I listen in to the body and work with the craniosacral system to try to help them get to the root of what their condition might be.

How long have you had this job?

I’ve been doing this for almost 20 years now … and have been under the name Milford Massage and Bodywork since last January.

What led you to this career field and your current job?

I sustained a repetitive-movement injury in my late teens from playing guitar. … Traditional treatments weren’t all that helpful. … That led me to want to learn more about the body, to figure out what I needed to do to recover and heal. … I ended up seeking out alternative therapies … which were very helpful for me. Manual therapy was something I was intrigued by — things like chiropractic and acupuncture, and learning how I could help myself through self-care and changing my body mechanics. That’s what paved the road for me to go into this [profession].

What kind of education or training did you need?

For muscular therapy it was a three-year intensive program, which consisted of 900 hours of training. For craniosacral therapy I did my training through the Upledger Institute … and am also working with the Craniosacral Therapy Alliance, based in Rochester, because [education for] that is an ongoing, continuous thing.

What is your typical at-work uniform or attire?

Professional but comfortable. I do a lot of therapeutic stretching with people, so I need to be able to move freely when I’m working.

How has your job changed over the course of the pandemic?

My work itself hasn’t been affected that much. … I give myself longer intervals between sessions … so I can do a little more cleaning and sanitizing. I still wear a face mask pretty regularly.

What do you wish you’d known at the beginning of your career?

I wish I had known more about the business side of things … and what works and what is a waste of money, as far as marketing goes.

What do you wish other people knew about your job?

I wish more people had a greater understanding of the body’s natural ability to heal itself. … Sometimes I’ll see somebody who has been through the wringer without [success] with other types of treatments, and they’re initially feeling hopeless and have just accepted the idea that they aren’t going to get any better. … If they already believed in their body’s potential … it would help them come into a session with the right attitude, and they’d be able to get more out of it.

What was the first job you ever had?

I worked for a newspaper company … [doing] customer service, subscriptions, things like that.

What’s the best piece of work-related advice you’ve ever received?

How important it is to believe in yourself, and to not be afraid to put yourself out there with confidence.

Five favorites

Favorite book: Body of Water, Ocean of Mind by Don Ash
Favorite movie: Back to the Future
Favorite music: Rock
Favorite food: Anything that tastes really good but is also really healthy
Favorite thing about NH: The contrasts of the changing seasons

Featured photo: Carl Bertolami. Courtesy photo.

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