Leading lady

Concord artist named national president of Women’s Caucus for Art

The Women’s Caucus for Art, a 48-year-old national arts organization with 21 chapters across the U.S., has a new president, and she lives right here in the Granite State. Laura Morrison of Concord is an artist, the gallery director at Twiggs Gallery in Boscawen and a 20-plus-year member of the Women’s Caucus for Art New Hampshire Chapter. She talked about the position, leadership during the time of Covid and her plans moving forward.

What do you do as an artist?

I’m a fiber artist. I do fiber sculpture using free-form crochet, knitting, embroidery, beading, felting, whatever fiber I want to use to create the effect I want to make. I’ve been doing that for about 15 years or so. Before that, I did more assemblage and collage. Sometimes I’ll do some printmaking as well. But my major focus is on fiber.

Why did you decide to get involved with the Women’s Caucus for Art?

I joined WCA when I first moved to New Hampshire over 20 years ago, so I’ve been involved with the organization for a long time. I was looking to focus on my fine art more intently, and I wanted to find a group of people to connect with. I found the WCA New Hampshire Chapter and got very involved with that pretty quickly. I worked on a lot of exhibitions. I served on the board for several years and eventually became president. Then, about four or five years ago, I became involved with the national board. I joined as the VP for Chapter Relations, which connected me with all the chapters across the country. I would help them with whatever they needed, [like] chapter activities and things like that, and I tried to connect them with each other. Then, this year, I became [national] president.

How has WCA helped you as an artist?

It’s been a great way to help me nurture my life as an artist. I don’t think I would have had the courage to actually pursue my fine art if I hadn’t found this organization. The New Hampshire chapter is actually one of the more vibrant WCA chapters in the country — we have close to 100 members — so I got to meet a lot of artists. It’s a very supportive, nurturing organization. We really help each other out and mentor each other and encourage each other to do our work. When I first started out, I didn’t know much about the art world, but [through WCA] I learned a lot, like how to pull together exhibitions, how to write press releases, all sorts of different things.

What does your new position entail right now?

Well, we’re in a very difficult time right now. Normally, we have conferences every year, get together for summer meetings, things like that, but in this time of Covid we’re not able to do that. But, having worked as the VP for Chapter Relations for four years, I saw an opportunity: Everyone has learned how to [use] Zoom. No one had really used Zoom or connected with each other that way before, but once we had lockdown, after a couple of weeks everyone had learned how to do it. I thought it would be a great opportunity to nurture communication between members and chapters across the nation so that they could really start connecting more intimately and getting to know each other better, which would create a more cohesive organization instead of being fractured into chapters. … So that’s what I’m doing right now. I’ve only been doing it for a few months, but it’s really beginning to ramp up and get more people connected. It’s been exciting.

What would you like to accomplish during your tenure?

We normally have about 1,200 members; I’d love to grow the organization even larger, and I’d like to increase networking and interaction and collaboration on projects between our members and chapters. When the different chapters around the nation are putting on exhibits, I’d like to see them open [the exhibits] to all WCA members, not just the members or people in their region, so that there are more exhibition opportunities for all of our members. … We have a lot of members who are not near a chapter, so I’d like for us to take advantage of the technology we have and do virtual meetings and gatherings to pull in people from other states who might feel alone or not connected or not nurtured. … I want to take educational videos of the interesting talks and different presentations that the chapters have done and get those videos up on our website so all of our members can have access to what the other chapters have done as well. … I also really want people to have better communication throughout [the art world] at large and learn how to connect with the other arts organizations within their regions and collaborate with them as well.

Why should artists join WCA?

First, I want to say that WCA is very inclusive instead of exclusive. You do not have to be juried into the organization, so anyone can join. We have all sorts of different artists, from painters to photographers, sculptors to print makers to fiber artists and quilters. … Being an artist is hard to do by yourself. You really need to connect with other artists in order to grow your practice, feel supported, gain confidence, learn new things and get excited about creating art. Sharing your art with other people is also, I think, super important, whether it’s [through] an exhibition or even just an art share meeting. … [In WCA] we’re very supportive of each other and really lift each other up in every aspect of our careers. We don’t compete with each other. We help each other. That’s why I feel like this organization is very special.

Featured Photos: Laura Morrison. Courtesy photo.

The Art Roundup 20/09/03

Covid-19 poetry: Hobblebush Books has published a new poetry anthology, COVID Spring: Granite State Pandemic Poems, edited by New Hampshire Poet Laureate Alexandria Peary. After National Poetry Month’s in-person poetry readings and writers’ workshops were canceled in April, Peary invited New Hampshire residents to submit original poems that address how they or the people around them are affected by or responding to the Covid-19 pandemic. “Writing is a good way for people to cope right now,” Peary told the Hippo in April, “and the anthology is an amazing opportunity for us to process, express and document what we are going through.” According to a press release, more than 100 writers submitted work in a range of poetic forms and styles. Fifty-four were chosen to be featured in the anthology. The poems “provide a thirty-day snapshot of what life was like in the Granite State in April of 2020” and explore topics like Covid-related “job loss, loneliness and love, masks, social distancing, surreal visitors, uncertainty, graduations deferred, grief, neighborly and less-than-neighborly acts, observing the beginning of the pandemic and making projections about the future, recalibrating or confirming what it means to be human, to be a resident of this region,” Peary said in the anthology’s introduction. The book is available to purchase at local bookstores, Hobblebush Books (hobblebush.com), Small Press Distribution (spdbooks.org) and Amazon. Hobblebush Books will donate $2 from every copy sold to the New Hampshire Food Bank to support New Hampshire residents impacted by the pandemic. The book will also be featured in an online reading sponsored by the New Hampshire State Library on Monday, Sept. 21, with further readings to be scheduled. Visit newhampshirepoetlaureate.blogspot.com.

Last chance for free comics: Free Comic Book Summer, a reworking of Free Comic Book Day in which local comic book shops put out a handful of different free comics every Wednesday, will conclude with its last batch of free comics on Wednesday, Sept. 9. The comics will include The Legend of Zelda: Twilight Princess/Splatoon (adventure/fantasy, for teen readers) with Squid Kids Comedy Show; The Incal (sci-fi, for mature readers); and Sue & Tai-chan (a “kitty comedy” based on the Chi’s Sweet Home series, for readers of all ages). Visit freecomicbookday.com for the full list of this year’s free comics and to find participating comic book shops in your area.

Plays by the Lakes: The Winnipesaukee Playhouse (33 Footlight Circle, Meredith) announced in a press release that it has reopened, with a small season of three productions to be performed at the Playhouse’s outdoor amphitheatre in September and October. Or, will run Wednesday, Sept. 2, through Sunday, Sept. 6, and Wednesday, Sept. 9, through Saturday, Sept. 12, at 4 p.m. The historical play by Liz Duffy Adams’ is a fictionalized account of the life of England’s first female playwright Aphra Behn. Tickets cost $29 to $39. Or, will be followed by The Mountaintop, opening on Wednesday, Sept. 16, and No Wake, opening on Wednesday, Sept. 30. Visit winnipesaukeeplayhouse.org or call 279-0333.

Walk this way

Deerfield man walks for Ronald McDonald House Charities

On Aug. 17, Dwight Barnes, a Deerfield resident and retired McDonald’s restaurant owner and operator, set out on a 56-day, 1,000-mile walk to visit six Ronald McDonald Houses across New England and raise awareness and funds for Ronald McDonald House Charities, which provides lodging and support for families with critically ill children who are receiving treatment at hospitals away from home. On his ninth day on the road, with nearly 160 miles behind him, Barnes spoke over the phone while walking from Portland to Freeport, Maine.

Why is this cause important to you?

I was in the McDonald’s business for almost 40 years, most of [that time] as a [restaurant] owner-operator. I got involved early on in fundraising. … Owner-operators would have the opportunity to meet some of the families that stayed at the Ronald McDonald Houses, and sometimes we would get video messages from them, thanking us for what we do and for supporting the charity. Their stories were incredibly tough stories to listen to. Hearing all of the things that the families and the kids are going through really tugs at your heartstrings.

What inspired you to do this walk?

It was originally designed to be the kickoff for a capital campaign [to build] new facilities in the Boston hospital area, but with Covid this year, the two major fundraisers for that were canceled, so this project was first and foremost to fill that hole on the revenue side. … I also just love the charity and wanted to shed a light on the Houses and the Care Mobiles and what they do. I thought a walk would be fun, something a little different, and I realized I could do it and do it for long distances; I guess all the time standing behind the counter at the McDonald’s restaurants has built up my lower body.

How’s it going so far?

So far, it’s been great. I’ve visited a couple [McDonald’s] restaurants I’ll be visiting 65 along the way and I had my first House visit today in Portland, and that was a really nice time. They gave me a wonderful tour of the facility. … I got to meet the staff members, some of the board members, some [McDonald’s restaurants] owner-operators from the area, and I even had some friends from my hometown drop by.

What’s life like on the road? How are you taking care of yourself?

I laid out the route late last year based on [the locations of] the Ronald McDonald Houses. … I’m mainly staying in hotels and motels … and the team has been working hard to secure the reservations and attempt to get me complimentary nights for the benefit of charity, and they’ve been extremely successful with that. … I’m walking mostly on the side of the road … and on sidewalks. I’ve had the opportunity to go on a couple of trails one in New Hampshire, from Derry to Epping, and one from Saco to Scarborough, Maine and that’s been very nice. … I carry a backpack that’s probably between 25 and 30 pounds at the moment. I’ve got water, extra clothes I do my laundry in the sink every night toiletries, rain gear … and blister repair items. … I typically have Pandora on while I’m walking. I’m an old guy, so I like the oldies. … Some of the stretches are a little long and lonely, but I was blessed to have some walking buddies with me on four of the days. It sure is nice when I have company. It makes the day go by.

Have you had any crazy or memorable moments during your first nine days?

Yeah, a couple. On Route 28 in Andover, Mass., I had a fella who made a U-turn and came back toward me and yelled out his window, ‘Hey, are you the McDonald’s guy?’ He jumped out, ran around the side of his van, threw the door open, and there were two kids in the back. He said, ‘Would you mind standing next to the door here so I can get a picture of you with my kids?’ He was quite a character. I had another situation where a lady drove by, slowed down right in the middle of the road, took a turn right in front of oncoming traffic, pulled over on the other side of the road, jumped out and said, ‘I want to get your picture!’ People have been pretty nice. However, many people think I’m some sort of a nutcase with the way I dress. I’ve got the Ronald McDonald socks on and a backpack and flashing lights, so they think I’m a little strange.

What do you hope to accomplish by the end of this journey?

To raise as much money as we can for the capital campaign … and to shine a spotlight on the folks out there in the Ronald McDonald charities who are doing this wonderful work to help families and children. … I want to make sure that people recognize what they do. Sometimes life gets busy and you don’t know about some of the good things that are going on out there. … At the same time I want to encourage people to do something for someone else. … Even after you turn 65, if there’s still some gas in the tank, you can get out there and do some good.

Featured Photo: Dwight Barnes. Courtesy photo.

Ready, aim, throw

New axe throwing center opens in Hudson

By Angie Sykeny

[email protected]

The axe throwing trend is growing in New Hampshire, with its newest venue, Axe Play, now open in Hudson.

Axe Play features 16 throwing lanes, housed in a newly built facility. It’s open to both individual players and groups of players aged 18 and up and is BYOB for players of legal age.

Axe Play’s co-owners, husband and wife Matt and Maria Keller, tried axe throwing for the first time with a group of friends at another New Hampshire axe throwing center. After that, they were hooked.

“We all had an absolute blast,” Matt Keller said, “and any time a big group of people can get together and all enjoy the same activity, you know it must be pretty good.”

Keller was retiring and looking for a new venture that would “bring a smile to people’s face.” Knowing of only two axe throwing venues in the state, he and Maria decided to open their own.

If you’re new to axe throwing, here’s the gist: It’s like darts, but with an axe. The player stands in a lane, 12 to 15 feet away from a four-by-four-foot wooden target and tries to hit the bull’s-eye. The short, single-handed axe — more of a hatchet, really — typically has a wooden handle and may vary in weight, from one to two-and-a-half pounds, and in length, with a blade up to four-and-a-half inches and a handle between 16 and 18 inches.

In a standard game each player gets 10 throws and earns points based on where they hit the target. Each ring on the target is worth a different number of points, ranging from one point for the outermost ring to six points for the bull’s-eye. Additionally, there are two small blue dots on the target; if a player announces before their throw that they are aiming for one of the dots and they hit one, they earn eight points.

Axe Play’s trained instructors, or “axeperts,” will help you out if you’re new to the sport or having trouble getting the hang of it.

“We give people as much one-on-one instruction and attention as they need so that they can be able to hit the target and have fun,” Keller said.

Strategy-wise, there is no “right” way to throw an axe. Some people throw with one hand, and some throw with two. Some people take a step forward as they throw, while others keep their feet planted.

“There’s a base to work from, but you can modify it to do what works best for you,” Keller said. “It’s really just about finding your sweet spot.”

Axe throwing is not only a fun pastime, Keller said, but also comes with physical benefits, like building arm and shoulder strength and flexibility, as well as mental benefits.

“There are people who come in who have had a stressful day, and half an hour later they are laughing,” Keller said. “They leave here feeling so much better than when they came in.”

Featured photo: Axe throwing at Axe Play in Hudson. Courtesy photo.

Axe Play
Location:
142 Lowell Road, Unit 19, Hudson
Hours: Monday through Thursday from 4 to 10 p.m.; Friday from 1 to 11 p.m.; Saturday from 11 a.m. to 11 p.m.; and Sunday from noon to 9 p.m. The venue is also available for private parties and corporate events.
Cost: $25 per person. Groups of 10 or more receive a 20-percent discount. Walk-ins are welcome, but reservations are preferred. Reservations can be made on the website.
Rules: Players must be 18+. BYOB permitted for players 21+. Closed-toe shoes are required.
Leagues: League for individuals will run Mondays from 7 to 9 p.m., from Sept. 14 through Oct. 26. League for teams will run Wednesdays from 7 to 9 p.m., from Sept. 16 through Oct. 28. Entry costs $125 to join, then $25 per week. The deadline to sign up is Sept. 10.
More info: Call 809-9081 or visit axe-play.com.

The Art Roundup 20/08/27

Depicting sanctuaries: A new art exhibit, “Searching for Solace: Sacred Spaces/Sacred Places,” opens at Twiggs Gallery (254 King St., Boscawen) on Saturday, Aug. 29, with an opening reception from 1 to 3 p.m. It features paintings, sculpture, textiles and ceramics by 13 artists exploring the concept of personal sanctuary, with a focus on nature. The exhibit runs through Sept. 27. Gallery hours are Thursday and Friday, 11 a.m. to 5 p.m., and Saturday, noon to 4 p.m. Call 975-0015 or visit twiggsgallery.wordpress.com.

Music and a story: New Hampshire native and bestselling author of The Da Vinci Code Dan Brown will release a classical music album and corresponding children’s book called Wild Symphony on Friday, Aug. 28, according to a press release. Wild Symphony pairs short poems and illustrations of animals with classical music tracks through an app, which recognizes the page of the book and automatically plays the matching music. Visit wildsymphony.com.

Theater indoors and outdoors: The Granite Playwrights present Loose Connections, a series of three one-act plays,at the Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Suite 1161, Concord) now through Aug. 30, with showtimes on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Last Call,by Douglas Schwarz, follows a man who is struggling with the concept of fatherhood and sets out to make amends with his own long-deceased father. Doll House,by Jane Hunt, explores the question, “As the economy drags our personal fortunes to the brink, can hope, love, and memory keep us from going over?” Optimystyx, by Alan Lindsay, is about a game that exposes the secrets of an old-fashioned publishing house. Tickets cost $18 to $20 for adults and $15 to $17 for students and seniors. Visit hatboxnh.com or call 715-2315.

Or, enjoy some outdoor theater with Seussical Jr., presented by All That Drama and Nottingham Parks & Recreation, outside at the Nottingham town bandstand (139 Stage Road). Performances are on Saturday, Aug. 29, and Sunday, Aug. 30, at 5 p.m. There is a $5 suggested donation to see the show. Visit allthatdramanh.com.

Market Month concludes: Intown Concord’s annual Market Days Festival, reimagined this year as Market Month, comes to a close with a Sidewalk Sale weekend, Thursday, Aug. 27, through Sunday, Aug. 30. Downtown businesses will expand their storefronts outside on the sidewalks, talk with customers and promote special items. Visit facebook.com/intownconcord or call 226-2150.

Three at the Currier: The Currier Museum of Art (150 Ash St., Manchester) is now open with three new exhibitions. “Richard Haynes: Whispering Quilts” features a series of drawings inspired by traditional quilting patterns that tells the story of an enslaved family’s dangerous journey along the Underground Railroad, from a southern plantation to freedom in Canada; “Photographs from the Civil Rights Movement” features photography from the Civil Rights protests in the 1950s and 1960s; and “Open World: Video Games & Contemporary Art” explores how contemporary artists have been influenced by the culture of video games, through paintings, sculpture, textiles, prints, drawings, animation, video games, video game modifications and game-based performances and interventions. Museum hours are Thursday from 10 a.m. to 8 p.m., Friday through Sunday from 10 a.m. to 5 p.m., and closed Monday through Wednesday. Through August, the hour of 10 to 11 a.m. is reserved for seniors and museum members. Tickets are $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and free for children under age 13 and must be purchased in advance online. Visitors must wear face masks. Call 669-6144 or visit currier.org.

Call for art: The New Hampshire Art Association is now accepting online submissions of artwork for its 21st annual Joan L. Dunfey Exhibition, which will be on display at NHAA’s Robert Lincoln Levy Gallery (136 State St., Portsmouth) from Nov. 4 through Nov. 29, with a virtual opening and award ceremony on Friday, Nov. 6. The juried show is open to both NHAA members and non-members. Works in all media will be considered and should be related to this year’s theme, “Intrinsic Moments.” Artists can submit up to two pieces. The submission deadline is Sept. 14, and the entry fee is $20 to $25 for NHAA members and $40 to $45 for non-members. Visit nhartassociation.org or call 431-4230.

Sculpture on the beach: The 20th annual Hampton Beach Sand Sculpting Classic is still on for Thursday, Sept. 3, through Saturday, Sept. 5. Head to Ocean Boulevard to watch as 10 of the world’s top sand sculptors compete for cash prizes and awards. Stick around on Saturday for the judging and to vote for your favorite sculpture from 1 to 3 p.m., and for the awards ceremony at 7 p.m. The sculpture site will be illuminated for night viewing through Sept. 13. Visit hamptonbeach.org/events/sand-sculpture-event.

Featured Photos: “Water Lilies” by BJ Eckardt featured in the exhibit “Searching for Solace: Sacred Spaces/Sacred Places” at Twiggs Gallery. Courtesy photo.

The Art Roundup 20/08/20

Film fest finishes season: The New Hampshire Jewish Film Festival, being held virtually, presents its final two films of the season, the Israeli drama Shooting Life on Thursday, Aug. 20, and the Latvian historical drama Paris Song on Thursday, Aug. 27. The Paris Song screening will include a post-movie discussion with the filmmaker on the following Sunday, Aug. 30, at 7 p.m. All screenings are free, with a suggested donation of $18 to support the festival and future programming. Advance registration is required. Visit nhjewishfilmfestival.com/2020-virtual.

Author series comes to a close: The Tory Hill Author Series, presented virtually over Zoom by the Warner Historical Society, will have its final author event with storyteller Rebecca Rule and middle-grade and young adult novelist Adi Rule on Saturday, Aug. 22, at 7 p.m. The authors will read from and discuss their books and personal experiences. Tickets cost $25 and can be purchased online. Visit toryhillauthorsseries.com.

Forest inspiration: Catch “Tree & Twig” at Twiggs Gallery (254 King St., Boscawen) before it’s gone on Saturday, Aug. 22. The art exhibit features paintings, photography, sculptures and works in other media by 10 local artists — Debra Claffey, Richard Gombar, Susan Lirakis, Laura Morrison, Katy O’Gorman, Adele Sanborn, Jean Stimmell, Pam Tarbell, Dave Therrien and Arielle Van De Water — that focus on the artists’ deep and personal connections to New Hampshire forests. Gallery hours are Thursday and Friday from 11 a.m. to 5 p.m., and Saturday from noon to 4 p.m. Call 975-0015 or visit twiggsgallery.wordpress.com.

One night, three plays: The Granite Playwrights present Loose Connections, a series of three one-act plays,at the Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Suite 1161, Concord) from Aug. 21 through Aug. 30, with showtimes on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Last Call,by Douglas Schwarz, follows a man who is struggling with the concept of fatherhood and sets out to make amends with his own long-deceased father. Doll House,by Jane Hunt, explores the question, “As the economy drags our personal fortunes to the brink, can hope, love, and memory keep us from going over?” Optimystyx, by Alan Lindsay, is about a game that exposes the secrets of an old-fashioned publishing house. Tickets cost $18 to $20 for adults and $15 to $17 for students and seniors. Visit hatboxnh.com or call 715-2315.

Learn music online: Manchester Community Music School will offer free online music classes this fall, according to a press release, to “help keep music students of all ages playing, singing and learning.” In “Woodwind Fundamentals,” flute and clarinet students in grades 6 through 12 who have had at least one year of study will learn the fundamentals of playing, new scales and finger patterns and instrumental solos. In “2G Chorus,” students in grades 3 through 8 will participate in song and movement activities to develop their singing skills, improvisation skills and creativity, and will develop a virtual choir project to share with parents and the public at the end of the course. Music theory classes for all ages and levels of ability will teach beginner students about note names, intervals and scales, and intermediate students about composer styles, chord progressions and topics of interest. Space is limited, so register soon. Call 548-8085 or visit mcmusicschool.org.

Art by Katy O’Gorman featured in “Tree & Twig” at Twiggs Gallery. Courtesy photo.

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