Author: Jennifer Graham

Klara and the Sun, by Kazuo Ishiguro (Knopf, 303 pages)

If you tell Alexa to turn on your lights, have named a Roomba or asked Siri to navigate around the Suez Canal, you already have a sense of what it’s like to have an “artificial friend.”

However, while we readily embraced using artificial intelligence to do work for us, we’ve been more hesitant to rush along the path where this ultimately leads, where “social robots”— robots that serve primarily as companions — await. Social robots already exist, of course, but they mostly look like toys, even ones like ElliQ that have been designed to serve as companions to the elderly. But in his eighth novel, Kazuo Ishiguro leaps ahead to a time in which artificial friends (or AFs) are commonplace in our homes, not for seniors, but for children and teens.

The world of Klara and the Sun is not quite a dystopia but feels like one, as children have been divided into groups of “lifted” and “unlifted,” learn from home on devices called “oblongs” and get together sporadically in formal “interaction meetings” so they can learn to get along with their peers.

In this world exists Klara, an AF who narrates the story, first from the store where she waits to be purchased, where she is already a generation behind the newest models. Although as a B2, fourth series, model, Klara is not as technologically advanced as the latest B3s, she is extraordinarily sensitive and observant and the store manager considers her to have the most “sophisticated understanding” of any of the AFs in the store.

She is, in a way, like Good Janet from the TV show The Good Place — human looking, or at least human enough, yet robotically “off,” speaking as if English was a third or fourth language, while constantly processing new information. After brief interactions with a teen who is interested in her, Klara can give the girl’s eye color (gray), the pitch of her voice (a “range between A-flat above Middle C to C octave”) and identify a weakness she notes in the girl’s left hip.

She can not only “think” but also feel and philosophize, as when she says this of a bull she spots in a field: “Its face, its horns, its cold eyes watching me all brought fear into my mind, but I felt something more, something stranger and deeper. At that moment it felt to me some great error had been made that the creature should be allowed to stand in the Sun’s pattern at all, that this bull belonged somewhere deep in the ground far within the mud and darkness.”

The girl with the weak hip is Josie, and she feels a bond to Klara and after several visits convinces her mother to buy Klara. Klara is happy, inasmuch as AFs can be happy — indeed, that is one of the intriguing questions that runs through the novel — how much, if at all, AI can acquire of the human heart and its emotions. But soon, she realizes that there is more wrong with Josie than the physical weakness she detected in the girl’s hip and shoulder.

Josie, it is gradually revealed, is suffering from a worsening illness that appears to have been caused by something her mother did when deciding whether to “lift” her daughter through some sort of genetic editing. She is desperate to help Josie, as she has already lost another daughter to illness and a husband to divorce. Josie’s father is among the “Post-Employed” (presumably displaced by all the robots in a radical reshuffling of society) and now lives in a community enamoured of fascism.

Klara is not Josie’s only friend; she is also close to a teenage boy named Rick, who lives nearby with his mother. When Klara, who runs on solar power, decides to help Josie by asking the sun for his help, Rick helps Klara, as much as she will allow him. But to Klara, the sun is essentially God, a mysterious but occasionally benevolent being whose “nourishment” bestows energy and healing. She makes a short pilgrimage to where she believes the sun goes to rest, to strike a deal with him in order to ask for Josie’s healing.

This simple act of faith sets into motion a series of events that are not overtly religious but still evoke ancient stories of sacrifice and redemption. (Also, it’s hard not to puzzle over Ishiguro’s intentions when the conversation involves “the Father” and “the Sun.”) But that is but one layer of many in this fine-grained examination of what could well be a realistic future for many people who are alive today. It’s much easier to imagine a Klara than it was a time-traveling Delorean. The Klaras are not here, but they are unnervingly near. What will become of them, and of us, is worth contemplation, maybe while taking in the nourishment of the sun. A

Books

Events

• THERESA CAPUTO the star of TLC’s Long Island Medium will present “Theresa Caputo: The Experience Live” at the Capitol Center for the Arts (44 S. Main St. Concord, ccanh.com) on Wed., April 7, 7:30 p.m. Tickets start at $39.75.

• MICHAEL TOUGIAS Author of The Waters Between Us presents. Virtual, via Zoom. Part of Concord’s Walker Lecture Series. Wed., April 7, 7:30 p.m. Free. Call 333-0035 or visit walkerlecture.org.

• SCOTT WEIDENSAUL Author presents A World on the Wing. Tues., April 20, 7 p.m. The Music Hall, Historic Theater, 28 Chestnut St., Portsmouth. Tickets cost $46. Visit themusichall.org or call 436-2400.

• ERIN BOWMAN Author presents Dustborn. Hosted by Gibson’s Bookstore in Concord. Virtual, via Zoom. Tues., April 20, 7 p.m. Registration required. Visit gibsonsbookstore.com or call 224-0562

Featured photo: Klara and the Sun

Life’s Edge: the Search for What It Means to Be Alive, by Carl Zimmer (Dutton, 336 pages)

In his 14th book, New York Times science columnist Carl Zimmer had me at abortion.

It was something he had to address, of course, in a book called Life’s Edge, which explores the surprisingly difficult question of whether things are alive, dead or something else. In fact, for many people, the only time they will think about the question is when they are considering the legality of abortion, or are asked by a Senate panel “When does life begin?”

Abortion so rules this debate in America that it’s easy to think that it began with Roe v. Wade. But, as Zimmer explains in the elegantly titled chapter “The Way the Spirit Comes to the Bones” — a variation of a line from Ecclesiastes — people of faith have been grappling with the ethics of abortion for millenia, and some deeply religious people have had views you might not expect.

Thomas Aquinas, for example, said that human beings acquired souls in a process that he called “ensoulment,” and that in the first phase the embryo was basically vegetative, “with the same faculties for growth as plants.” In one culture in South Africa, people believed that babies weren’t fully human until their umbilical cord stump detached, which can take up to three weeks after a baby is born. Some early Jewish scholars taught that embryos were “mere water” before the 40th day after conception. And in England in 1765, a judge ruled life does not begin until what is known as “quickening” — the first fetal kick. And so forth. There has never been consensus that life begins at conception, as today’s abortion opponents fervently believe.

Zimmer doesn’t wade into this subject to alienate his readers, but to engage them through the most contemporary (and understandable) example of the ethical morass that increasingly confronts scientists as they work with gene-editing tools and three-dimensional clumps of cells that weren’t in their laboratories two decades ago.

Science has answered many complex questions with certainty, but what distinguishes life, and how it arose from nothing, remains a mystery. There have been times when we appeared to be on the brink of a breakthrough. Zimmer tells the story of the Englishman John Butler Burke, who, for a time in the early 20th century, was hailed as a hero for apparently growing life from a fluid made of beef both, salt, gelatin and radium salt. The microscopic spheres that emerged seemed to divide and to flower, like cells.

Burke announced that his “radiobes” should be classified as living things, and for a while his work was celebrated, his accomplishment comparable to Darwin’s. Other scientists, however, could not replicate Burke’s work, and eventually he fell into disrepute.

Zimmer was intrigued when he came across the little-known story, because, as he puts it, we tend to remember the heroes of science, the Darwins and the Pasteurs, not the also-rans. But the failures, to include the British scientists who once believed the ocean floor was alive, are fascinating in their own right and help to explain the head-banging frustration over why something that seems so simple is so difficult to define. Even chimpanzees know when another of their species is dead; why are human beings, who can now grow brain tissue in dishes, unable to find the precise recipe for life?

About that tissue — Zimmer does a superb job of explaining organoids, the three-dimensional clumps grown from stem cells, that are the new frontier in research on disease. (And in ethics, especially when it comes to brain organoids, and at what point does potential consciousness become a concern.) Just this month researchers reported in a medical journal that they had induced organoids made of tear-gland cells to “cry,” a finding that they hope may result in better treatments for dry eyes. On a cringe scale, weeping cells in petri dishes are just below conscious brains in buckets, so organoids are something we all should better understand.

So what is life? NASA has an 11-word definition, which is “life is a self-sustaining chemical system capable of Darwinian evolution.” Not something you would want to put on a “congratulations on your new baby” card. But another definition, “self-reproduction with variations,” could also describe a computer virus.

So not only can we not create life in a lab, but we can’t even elegantly define it. Zimmer comes as close to poetry as the science-minded get, however, and Life’s Edge is an accessible, engrossing examination of questions that have stumped the smartest people on the planet for thousands of years. A

BOOK NOTES
Fans of the novelist Ann Patchett will be interested in her recent essay in Harper’s magazine. Called “These Precious Days,” the essay is about “Tom Hanks, tornadoes, running bookstores, taking mushrooms, making art in quarantine, stories without endings and an unlikely friendship,” according to the magazine cover.

It’s slated to become a book, set for release the week of Thanksgiving. The 320-page book, also called These Precious Days, will be published by Harper, proving that despite all the talk about how slow the publishing process is, even the legacy publishers can move fast when they sense opportunity.

This was also demonstrated in the speed with which books on the pandemic arrived last year. Writer’s Digest says it can take from nine months to two years for a book to go from contract to shelves, but books about the novel coronavirus were showing up on Amazon within months of the first lockdowns.

With the first anniversary of the pandemic observed this month, here’s a look at what’s out there to consider:

Apollo’s Arrow by Nicholas Christakis (Little, Brown, 384 pages) examines “the profound and enduring impact of the coronavirus on the way we live.” It’s hardcover and Kindle only for now, but will be out in paperback in October.

COVID-19: The Pandemic that Never Should Have Happened and How to Stop the Next Oneis by science journalist Debora MacKenzie (Hachette, 304 pages). Interestingly, it’s been rebranded for the paperback release in September and will be released then as Stopping the Next Pandemic: How COVID-19 Can Help Us Save Humanity.

Richard Horton, the British editor of the renowned medical journal The Lancet, weighed in with The COVID-19 Catastrophe (Polity, 140 pages), which is already out in paperback with no title change.

Out this month is Dr. Peter Hotez’s Preventing the Next Pandemic: Vaccine Diplomacy in a Time of Anti-Science (Johns Hopkins University Press, 208 pages).

And for a totally different vibe, check out Kitty O’Meara’s children’s book And the People Stayed Home (Tra Publishing, 32 pages), a beautifully illustrated rendition of O’Meara’s prose poem that went viral on social media last year

Books

Author events

PAULA MUNIER Author presents The Hiding Place. Hosted by Gibson’s Bookstore in Concord. Virtual, via Zoom. Tues., March 30, 7 p.m. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• THERESA CAPUTO the star of TLC’s Long Island Medium will present “Theresa Caputo: The Experience Live” at the Capitol Center for the Arts (44 S. Main St. Concord, ccanh.com) on Wed., April 7, 7:30 p.m. Tickets start at $39.75 (with option for a VIP Photo Op for an additional $49.95).

• MICHAEL TOUGIAS Author of The Waters Between Us presents. Virtual, via Zoom. Part of Concord’s Walker Lecture Series. Wed., April 7, 7:30 p.m. Free. Call 333-0035 or visit walkerlecture.org.

• SCOTT WEIDENSAUL Author presents A World on the Wing. Tues., April 20, 7 p.m. The Music Hall, Historic Theater, 28 Chestnut St., Portsmouth. Tickets cost $46. Visit themusichall.org or call 436-2400.

• ERIN BOWMAN Author presents Dustborn. Hosted by Gibson’s Bookstore in Concord. Virtual, via Zoom. Tues., April 20, 7 p.m. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• SUZANNE KOVEN Author presents Letter to a Young Female Physician, in conversation with author Andrew Solomon. Tues., May 18, 7 p.m. Virtual. Tickets cost $5. Visit themusichall.org or call 436-2400.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email elizabethw@goffstownlibrary.com or visit goffstownlibrary.com

Featured photo: Life’s Edge: the Search for What It Means to Be Alive

No One Is Talking About This, by Patricia Lockwood (208 pages, Riverhead)

Two-thirds through her first novel, Patricia Lockwood slyly skewers the Granite State, saying that the author of a certain book “made New Hampshire sound like a place you wanted to go.”

Worse, the book in question was a sex diary.

Don’t hold it against her. Lockwood skewers everybody and everything in No One Is Talking About This, which is a scathing indictment of online life — or as she calls it, life in “the portal” — combined with a tender story of love and loss.

Lockwood has published two books of poetry as well as a widely acclaimed memoir, 2017’s Priestdaddy. She has a poet’s voice and a hawk’s eye, able to pinpoint contemporary absurdities from fish pedicures to paleo diets, from fatbergs to men who expose themselves online to (yes, this is a thing) snail face cream.

“Modern womanhood was more about rubbing snail mucus on your face than she had thought it would be,” Lockwood writes of her protagonist, a social-media star who inexplicably vaulted to stardom by posting a random question, “Can a dog be twins?”

“This,” Lockwood writes, “had raised her to a certain airy prominence.” Like so many vapid celebrities, the woman becomes famous for being famous and is invited to speak at events with people known more by their user names than their actual names, people whose lives revolve around interacting with strangers and commenting on everything that happens in the world. (Because then they have some say in what happens. “She had to have some say in what happened, even if it was only WHAT? Even if it was only HEY!”)

Written in a third-person stream of consciousness, with characters who are not identified by name, the style is a bit jarring at first but grows on you, and is fitting for the attention-challenged citizens of the portal, which would be us. While there are traditional chapter breaks, many of the paragraphs act as chapters, as Lockwood blazes from one topic to another: baby Hitlers on the internet, gods of foreigners, jetlag, a dictator who might as well have been identified as Donald Trump.

Her commentary is rich in politics, as when Lockwood writes, “White people, who had the political education of potatoes — lumpy, unseasoned and biased toward the Irish — were suddenly feeling compelled to speak out about injustice. This happened once every forty years on average, usually after a period when folk music became popular again.”

Even if the reader would normally be inclined to rage at whatever opinion Lockwood expresses, her shocking arrangements of words knocks all the fight out of you. The New York Times has called her a “word witch” with good reason.

I would have been happy to read 300 pages of Lockwood’s poke-the-world zingers, but she inserts a baby into the story, the protagonist’s niece, diagnosed in utero with a terrible disease. The woman leaves her life in the portal to be with family, becoming the sort of person that she had previously avoided on the internet, “the ones in mad grief, whose mouths were open like caves with ancient paintings inside.”

Ultimately, some of the questions the protagonist screams are the existential problems of life, the same ones that would have been posed by Plato and Aquinas, had they had computers.

“What did we have a right to expect from this life? What were the terms of the contract? What had the politician promised us? The Realtor, walking us through being’s beautiful house? Could we sue? We would sue! Could we blow it all open? We would blow it all open! Could we … could we post about it?”

For all its quirkiness, No One Is Talking About This is a deeply moving novel, one that seems to accomplish something the protagonist says isn’t being done: writing about what’s happening out there, what’s happening in there, what’s happening to us. We gather the things in the portal, Lockwood writes, “as God’s own flowers,” not questioning whether they are poisonous.

Not that real life isn’t enough to slay us. But novels like this alleviate the sting, make dull the poison. A — Jennifer Graham

BOOK NOTES
This may be inspiring or soul-slaying for aspiring writers, but Steven Pressfield wrote for 17 years before he got paid for his craft.

His first hit, however, was out of the park.

It was a novel, The Legend of Bagger Vance (Avon, 272 pages), which eventually became a movie. Since then, Pressfield has worked steadily as an author and screenwriter, along the way becoming a respected coach for other artists in his inspirational books The War of Art (Black Irish Entertainment, 190 pages) and Do the Work (Black Irish Entertainment, 112 pages), among others.

Though not as well-known as these titles, other Pressfield books explore the ancient world, usually its military. Gates of Fire (Bantam, 400 pages), for example, is about Spartan soldiers and the battle of Thermopylae in 480 BC, and it’s required reading for all officers in the U.S. Marine Corps, Pressfield says.

His new novel is A Man at Arms (W.W. Norton, 336 pages), and it’s set in the Roman Empire in the aftermath of the crucifixion of Jesus. The protagonist is a character from previous books, Telamon of Arcadia, who has been hired by the Romans to apprehend a courier delivering a letter to insurrectionists in Corinth. It is, according to the publisher, “a gripping saga of conquest and rebellion, bloodshed and faith.” It also sounds like it might be good reading around Easter.

There is, of course, plenty to choose from when it comes to historical novels about the Roman Empire. It’s a subgenre in itself, fueled by readers that Reddit has dubbed “Legionerds.” (A legion was the largest unit in the Roman army.) My favorite of the genre is, appropriately enough, called Legion, by William Altimari (Imperium, 296 pages).

For a deeper dive, check out the three-part series by British author Robert Harris, who specializes in historical fiction. Harris’s most recent book, V2 (Knopf, 320 pages), is set in World War II, but his three-part series on Cicero and Rome was well-regarded. They are Imperium, Lustrum and Dictator, and while published separately in hardcover, they are available in a paperback set from Arrow.

Or, you can skip the fiction and go straight to the history in Mike Duncan’s The Storm Before The Storm, The Beginning of the End of the Roman Republic (PublicAffairs, 352 pages). — Jennifer Graham

Books

Author events

AMY MACDONALD Monadnock Writers’ Group welcomes children’s book author. Virtual, via Zoom. Sat., March 20, 9:45 a.m. Email monadnockwriters@gmail.com.

• PAULA MUNIER Author presents The Hiding Place. Hosted by Gibson’s Bookstore in Concord. Virtual, via Zoom. Tues., March 30, 7 p.m. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• THERESA CAPUTO the star of TLC’s Long Island Medium will present “Theresa Caputo: The Experience Live” at the Capitol Center for the Arts (44 S. Main St. Concord, ccanh.com) on Wed., April 7, 7:30 p.m. Tickets start at $39.75 (with option for a VIP Photo Op for an additional $49.95).

• MICHAEL TOUGIAS Author of The Waters Between Us presents. Virtual, via Zoom. Part of Concord’s Walker Lecture Series. Wed., April 7, 7:30 p.m. Free. Call 333-0035 or visit walkerlecture.org.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email elizabethw@goffstownlibrary.com or visit goffstownlibrary.com

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611 or visit nashualibrary.org.

Poetry

• TEEN POETS LAUREATE OF NEW HAMPSHIRE READING Teen Poets Laureate will be reading, screen sharing and discussing their work. An open mic will be open to any teens who are interested in applying for next year’s Teen Poet Laureate New Hampshire program. Part of the Poetry Society of New Hampshire’s Reading Series. Virtual, via Zoom. Tues., March 30, 7 p.m. Visit poetrysocietynh.wordpress.com.

Featured photo: No One Is Talking About This,

BOOK NOTES
It seems strange for a book to come out first in paperback, but that’s the format for the new Stephen King thriller Later (Hard Case Crime, 272 pages), released last week.

A limited-edition, collectible hardcover is promised for the future, but for now paperback is your only option because like two previous King novels (The Colorado Kid and Joyland) Later was written for Hard Case Crime, a throwback to pocket-sized novels published in the middle of the 20th century.

The venture, the publishers say, “is dedicated to reviving the vigor and excitement, the suspense and thrills — the sheer entertainment — of the golden age of paperback crime novels.” King’s new book, like the others, is also distinguished by an original painting made for the cover.

The novel may have a 1950ish look, but the narrative is more late ’90s. That’s because the story involves an 8-year-old boy who can see and converse with the dead, a la the 1999 film The Sixth Sense, which King acknowledges in the book, saying the ability is “not like in that movie with Bruce Willis.”

Other authors in the series — which, we must presume, are primarily targeted at men because of the scantily clothed women on most of the cover art — include Joyce Carol Oates, film director Brian DePalma (writing with Susan Lehman), the late Ray Bradbury and the late Donald Westlake. See more at hardcasecrime.com.

For those who prefer their thrillers to be nonfiction, check out The Code Breaker by Walter Isaacson, out this week (Simon & Schuster, 560 pages). It’s about how Nobel Prize winner Jennifer Doudna came to crack the code of genetics with what is known as CRISPR technology.

Like his subject, Isaacson, now a history professor at Tulane University, is the sort of person who exists to make the rest of us slackers feel badly about our life choices. Previously chairman of CNN and editor of Time magazine, he’s written seven other acclaimed books, including biographies of Leonardo da Vinci, Steve Jobs, Albert Einstein, Henry Kissinger and Benjamin Franklin.

Books

Author events

• ELLIOT ACKERMAN & ADMIRAL JAMES STAVRIDIS Authors present 2034. Virtual livestream hosted by The Music Hall in Portsmouth. Tues., March 16, 7 p.m. Tickets cost $5. Call 436-2400 or visit themusichall.org.

• THERESA CAPUTO the star of TLC’s Long Island Medium will present “Theresa Caputo: The Experience Live” at the Capitol Center for the Arts (44 S. Main St. Concord, ccanh.com) on Wed., April 7, 7:30 p.m. Tickets start at $39.75 (with option for a VIP Photo Op for an additional $49.95).

• MICHAEL TOUGIAS Author of The Waters Between Us presents. Virtual, via Zoom. Part of Concord’s Walker Lecture Series. Wed., April 7, 7:30 p.m. Free. Call 333-0035 or visit walkerlecture.org.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email elizabethw@goffstownlibrary.com or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email bookclub@belknapmill.org.

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email information@nashualibrary.org or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

Poetry

• TEENS POETS LAUREATE OF NEW HAMPSHIRE READING The Teen Poets Laureate of New Hampshire will be reading, screen sharing and discussing some of their work. An open mic will be open to any teen poets and teens who are interested in applying for next year’s Teen Poet Laureate New Hampshire program. Part of the Poetry Society of New Hampshire’s Reading Series. Virtual, via Zoom. Tues., March 30, 7 p.m. Visit poetrysocietynh.wordpress.com.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Featured photo: Stephen King thriller Later

People Like Her by Ellery Lloyd (Harper, 275 pages)

I don’t resent Mark Twain for using a pen name, so I’m not sure why I’m so bothered by Ellery Lloyd.

Lloyd is the pseudonym for the two authors of People Like Her, Collette Lyons and Paul Vlitos, who are married to each other. Can they not just say the novel is written by Vlitos and Lyons, as they do on the jacket and publicity materials? What is the point of the Ellery nonsense?

These are the first of the many questions posed by this novel, which I grudgingly grew to like despite the authorship charade and a disturbingly frothy premise.

It’s about an Instagram mom, Emmy Jackson, who has deliberately built a career as a social-media influencer. Emmy has two young children and a husband, Dan, a novelist whose fame and promise have diminished in the shadow of his wife. The two take turns narrating the story along with a third anonymous and sinister voice.

The story takes place over the course of six weeks, beginning with banal Twilight-like foreshadowing in a prologue. (Ellery Lloyd: “I think it is possible that I am dying.” Stephenie Myer: “I’d never given much thought to how I would die.”)

Then present-day Emmy jumps in, explaining how she transformed from a fashion editor at a magazine to an Instagram mom who goes by “Mamabare” — “because I’m a mama who is willing to bare it all, warts and all.”

Problem is, this cloying sentiment isn’t even true. With the help of an agent who specializes in building influencers into brands, Emmy has constructed a life that doesn’t resemble her own, but not how you’d think. Most people use social media to make their lives look better than they are. Emmy built a brand by making hers look worse. She figured out that no one wanted to hear how her baby slept through the night, about her perfectly neat and organized house (that gets a professional cleaning twice a week), about her normal, happy childhood. So she stretches the truth just a little, as if it were pizza dough.

“Which,” Emmy says, “means the hours before a camera crew arrives for a shoot are always spent untidying. … It takes effort to calibrate just the right level of chaos, but dirty isn’t aspirational and perfect isn’t relatable. And Mamabare is nothing if not relatable.” Followers relate to her so much, and her confessions of #graydays, that she now requires an assistant to keep up with the curation of Instagram posts, with responding to comments, with opening the boxes of free products that arrive daily from companies hoping to get Emmy’s endorsement.

Dan is deeply conflicted over his wife’s duplicity. On one hand, he is uncomfortable with the deceit and the artificial environment in which his children are growing up. On the other, “if we pull the plug now there’s no way we can pay the bills.”

Enter the villain.

Busy with their lives and the ever-tightening tension in their marriage, Emmy and Dan are oblivious to a threat growing close to their family. One of Emmy’s followers has a grudge, a grudge born of tragedy that is revealed over the course of the book. She is out for revenge.

She shows up at Emmy’s events and watches all her video appearances, looking for clues to where the family lives. She becomes something like Glenn Close’s character in Fatal Attraction, but instead of a bunny there is a soiled teddy bear that provides a memorable and chilling visual.

The authors (or author, if I must play along) are both professional writers; he has written two other novels, she is a journalist and editor. They bring polish to a simple story that is slickly plotted, giving it a feel of complexity that, like Emmy’s InstaLife, isn’t entirely authentic. That said, only a few times does the novel try to be more than it is (as when Dan goes off into soliloquies about philosophy and Russian history); most of the time it is comfortable in its own skin, which is that of a Hollywood-bound thriller. It has the feel of an idea born of a couple of beers that ends with the breathless conclusion, “That would be a great movie.” But first, of course, it must be a book.

People Like Her is a double entendre; people do like Emmy. And people also have deep and complicated feelings about people like her. As Emmy’s agent, Irene, describes Emmy’s field: “I’ve seen the future, and it’s social media. … Influencers are where the money’s at. And they’re so malleable. They’re like people, only in two dimensions.”

It’s worth mentioning that the authors are British and there is a distinct British flavor to the novel with its “InstaMums” and other peculiarities of cross-Atlantic speech. It still has a Hollywood feel and could be said to be an InstaBook — a glossy presentation designed to evoke certain thoughts and emotions (social media, bad; real, messy family life, good) while making multiple people a boatload of money.

That said, it’s escapist fiction, done well, and an enjoyable, if occasionally disturbing, weekend read. B

BOOK NOTES
You may not have heard of John Kilcullen, but chances are you’ve heard of his most memorable series of books.

The Hartford Courant told the story in 1997, how Kilcullen was in a computer store when he overheard another customer saying that he needed a book to teach him computer basics. “Something like DOS for Dummies,” he quipped, not knowing that someone who worked in publishing was listening.

When Kilcullen later helped to found IDG Books Worldwide, he hired Dan Gookin to write exactly that book, and a brand was born in 1991. The “For Dummies” line was an improbable success (let’s insult the reader and then have them buy our book!) but now you can get basic training for “dummies” or “idiots” on almost any subject.

Even more improbably, Bill Gates is now recommending one. Promoting his own book, How to Avoid a Climate Disaster (Knopf, 272 pages), in The New York Times this month, the Microsoft founder recommends Weather for Dummies, which he called “probably the best book written for a general audience about the subject.”

Someone wasted no time putting that line on the top of the Amazon listing.

Written by John Cox, it’s 384 paperback pages and came out in December. The publisher is John Wiley & Sons, which now shepherds the Dummies brand at dummies.com.

DOS for Dummies is still in print, by the way, and now has a companion, More DOS for Dummies, for those who can’t get enough. As for the rest of the titles, there are too many to list here, but they include auto repair, astronomy, sports betting, running a bar, song writing, co-dependency and air frying. Can’t help but wonder what Gates thinks about Microsoft Office 365 for Dummies

Books

Author events

• DR. DANIEL O’NEILL Author presents Survival of the Fit. Hosted by The Toadstool Bookshops of Nashua, Peterborough and Keene. Virtual, via Zoom. Thurs., March 4, 7 p.m. Visit toadbooks.com or call 352-8815.

• NORMAN VANCOR Author presents Swift Silent Deadly. Hosted by The Toadstool Bookshops of Nashua, Peterborough and Keene. Virtual, via Zoom. Sat., March 6, 11 a.m. Visit toadbooks.com or call 352-8815.

• C. J. BOX Author presents Dark Sky. Virtual livestream hosted by The Music Hall in Portsmouth. Tues., March 9, 7 p.m. Tickets cost $5. Call 436-2400 or visit themusichall.org.

• MARK EDWARD Author of Psychic Blues presents. Virtual, via Zoom. Part of Concord’s Walker Lecture Series. Wed., March 10, 7:30 p.m. Free. Call 333-0035 or visit walkerlecture.org.

• ELLIOT ACKERMAN & ADMIRAL JAMES STAVRIDIS Authors present 2034. Virtual livestream hosted by The Music Hall in Portsmouth. Tues., March 16, 7 p.m. Tickets cost $5. Call 436-2400 or visit themusichall.org.

• THERESA CAPUTO the star of TLC’s Long Island Medium will present “Theresa Caputo: The Experience Live” at the Capitol Center for the Arts (44 S. Main St. Concord, ccanh.com) on Wed., April 7, 7:30 p.m. Tickets start at $39.75 (with option for a VIP Photo Op for an additional $49.95).

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email elizabethw@goffstownlibrary.com or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email bookclub@belknapmill.org.

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email information@nashualibrary.org or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

Special events

• EXETER LITFEST Literary festival will feature local authors, keynote speaker Victoria Arlen, book launches, a Saturday morning story hour for kids, and programs on various topics including publishing tips, mystery writing and homeschooling. Hosted virtually via Zoom by Exeter TV. Thurs., April 1, through Sat., April 3. Free and open to the public. Visit exeterlitfest.com.

Featured photo: People Like Her

The Bad Muslim Discount, by Syed M. Masood (Doubleday, 368 pages)

The Bad Muslim Discount is the second book by Syed Masood, a Sacramento attorney who grew up in Pakistan. He brings a first-person perspective to this story of two Muslim families who come to the U.S. — one from Pakistan, and one from Iraq — and how disparate lives eventually collide.

It is a deeply moving and often tragic narrative that is liberally undercut with humor and a wonderfully relatable voice. While The Bad Muslim Discount is about people heavily influenced by other cultures, in both good and horrific ways, it’s still essentially an American story. As such, the novel provides a much needed and easily digestible perspective for the many Americans who still involuntarily shudder at the words “Allahu Akbar.”

The novel opens with the killing of a goat. Yes, many Muslims still sacrifice animals, even in America, and that is yet another cultural hurdle that stands high for animal lovers. But the shock of the sacrifice, carried out by a child, is overcome in a wise and compassionate telling, as the father comforts his distraught son, explaining that most people don’t understand the point of a ritual sacrifice.

“They think their offering is the money they spend on the animal. Or they think it is the life of the animal,” the father says. “But it isn’t. You are the sacrifice. What are you feeling now? That is your sacrifice. The lives of other creatures are not yours to take.”

The weeping boy is Anvar, the Pakistani who grows into the titular “bad Muslim” and takes turns narrating the book in first person with a young woman, Safwa, who eventually moves to the U.S. from Baghdad with her rigidly orthodox father.

Anvar demonstrates the truth that people are people, no matter where they’re from, with family dynamics that are easily recognizable to anyone who has never left the U.S. He struggles to deal with a neurotic mother and the too perfect brother who casts a long shadow over everything Anvar tries to accomplish. Even when he becomes a lawyer, he is the family’s black sheep, watching as his brother seems to get everything he wants, dealing with it by cracking cynical jokes.

Meanwhile, Safwa is growing up in a family that is constantly watered with pain. She loses first her mother, then her brother, to disease, leaving her alone with an increasingly abusive father made brittle by loss and further hardened by his imprisonment and torture at the hands of American soldiers during Desert Storm.

When he is released, the father and daughter make their way to San Francisco via Mexico, and there the lives of the two families begin to intersect. Safwa, who now goes by Azza, is the opposite of Anvar’s “Bad Muslim” (he drinks and is spotted eating a ham sandwich, in addition to other, more significant lapses of piety). She is the proverbial good girl, in no small part because of the controlling, rough hand of her father, and the man to whom she is to be given in an arranged marriage. But America offers opportunity she wouldn’t have in Baghdad.

“For the first time in forever, my world began to get bigger again. How amazing a thing a book is. How wonderful a piece of paper and pen. A lot of things about religion do not make sense to me, it is true, but I understand why, in that desert mountain cave, when the history of man was about to change, God’s first command to His last prophet was one simple word. Read.”

Thomas Jefferson owned a Quran, Islam’s holy book, but few Americans today have read any of it, unless forced to in high school. Stories from the Quran and teachings of the Prophet Muhammad are scattered lightly throughout the book, helping the reader to understand Muslim culture and proscriptions even as they see the Gulf war and its casualties from another perspective. The book is not sympathetic to Osama bin Laden or the murderous fundamentalists who fueled anti-Muslim sentiment in the U.S. but offers a cogent explanation of why, as Masood puts it, “Islam was weaponized for the Cold War.”

The relative immediacy of the story — Donald Trump is elected at the end — andAmerica’s polarization on the subject of immigration could make The Bad Muslim Discount a polarizing book in less capable hands. It isn’t. With shades of Us Weekly, Masood shows Christian Americans “Muslims! They’re just like us!” — but for the goat sacrifices and staggering costs of old wars. Look for this one in 10 months on lists of the best novels of the year. A

BOOK NOTES
I’m old enough to remember Reader’s Digest Condensed Books (which were exactly as horrible as that sounds), and also the Book of the Month club in all its variations. (You’d sign up and get a box of titles for a low, low fee, and then an exorbitantly priced one that you may or may not have wanted to read, every month going forward.)
Today, for all the dramatic changes in publishing, book-of-the-month clubs still exist. The one getting the most buzz is Literati, which recently raised $40 million in financing, not bad for an industry that’s been said to be dying for more than a decade.
Literati started sending monthly boxes of books to children in 2017; last year, the company expanded to adults, offering a printed book every month, plus access to online discussion groups run by celebrities to include NBA star Stephen Curry and businessman Richard Branson. Founder Jessica Ewing says she’s building a social network around books. It costs $25 a month, or $20 a month if you pay for a year in advance.
And by the way, there’s a more traditional Book of the Month Club online, too. You pay $14.99 a month for one title that you choose — which sounds way more complicated than just ordering from a local bookseller or Amazon. But the website says, “a subscription gets you excited to read, so you might actually do more of it,” which we tell you with no further comment.
Meanwhile, here are two books out this week that might get you excited to read, no club required:
Scratched, A Memoir of Perfectionism by Elizabeth Tallent (Harper, 240 pages) is the author’s confession of how her personal life and career has been shaped by obsessive perfectionism, how she grew up believing she was “the child whose flaws let disaster into an otherwise perfect family.” Looks heartbreaking, and riveting.
No One is Talking About This, by Patricia Lockwood (Riverhead, 224 pages) is by an author once described by The New York Times as a “modern word witch” and is billed as a provocative fictional commentary on social media in a full-immersion world where people are asking each other “Are we in hell? Are we all just going to keep doing this until we die?” Sounds like a takedown of Twitter.

Books

Author events

• PAUL KRUGMAN Author presents Arguing with Zombies. Virtual livestream hosted by The Music Hall in Portsmouth. Tues., March 2, 7 p.m. Tickets cost $5. Call 436-2400 or visit themusichall.org.

• DR. DANIEL O’NEILL Author presents Survival of the Fit. Hosted by The Toadstool Bookshops of Nashua, Peterborough and Keene. Virtual, via Zoom. Thurs., March 4, 7 p.m. Visit toadbooks.com or call 352-8815.

• NORMAN VANCOR Author presents Swift Silent Deadly. Hosted by The Toadstool Bookshops of Nashua, Peterborough and Keene. Virtual, via Zoom. Sat., March 6, 11 a.m. Visit toadbooks.com or call 352-8815.

• C. J. BOX Author presents Dark Sky. Virtual livestream hosted by The Music Hall in Portsmouth. Tues., March 9, 7 p.m. Tickets cost $5. Call 436-2400 or visit themusichall.org.

• ELLIOT ACKERMAN & ADMIRAL JAMES STAVRIDIS Authors present 2034. Virtual livestream hosted by The Music Hall in Portsmouth. Tues., March 16, 7 p.m. Tickets cost $5. Call 436-2400 or visit themusichall.org.

• THERESA CAPUTO the star of TLC’s Long Island Medium will present “Theresa Caputo: The Experience Live” at the Capitol Center for the Arts (44 S. Main St. Concord, ccanh.com) on Wed., April 7, 7:30 p.m. Tickets start at $39.75 (with option for a VIP Photo Op for an additional $49.95).

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email elizabethw@goffstownlibrary.com or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email bookclub@belknapmill.org.

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email information@nashualibrary.org or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

Special events

• EXETER LITFEST Literary festival will feature local authors, keynote speaker Victoria Arlen, book launches, a Saturday morning story hour for kids, and programs on various topics including publishing tips, mystery writing and homeschooling. Hosted virtually via Zoom by Exeter TV. Thurs., April 1, through Sat., April 3. Free and open to the public. Visit exeterlitfest.com.

Featured photo: Doomed Romance