Surviving and thriving

Six decades on, Jim Messina still playing great

By Michael Witthaus

mwitthaus@hippopress.com

Don’t do drugs. Jim Messina can provide plenty of reasons why.

Probably the most compelling one is the clarity of Messina’s singing voice, at a time when many classic rockers sound like their throats have been sandpapered. On his latest live album, Here There and Everywhere, Messina is in pristine form, his vocals identical to those that helped launch hits like “Angry Eyes” and “Your Mama Don’t Dance.”

The singer, songwriter and guitarist briefly delayed the start of a recent early morning interview to wait for a pot of coffee to brew. It’s probably the strongest substance he uses. From his days in Buffalo Springfield, country-rock pioneers Poco or top-selling duo Loggins & Messina and beyond, he’s steered clear of the hard stuff.

“The only bumps I got in the ’70s,” he joked, “came from falling off a horse.”

One turning point came when a fan overdosed on acid and was medevac’d in Poco’s limousine as they played the 1970 Atlanta Pop Festival.

“I thought, ‘Oh, my God, that’s a terrible thing to go through,’” he recalled. Then, at age 27, Messina had his tonsils removed. That’s daunting enough for a vocalist, but what came next was worse.

“I developed the most severe case of allergies,” he said. “My nose was all caked up, it was bleeding, I couldn’t breathe, I was wheezing. My tech, David Cieslak, had been a medic in the Vietnam War. I had to have these shots, so we’re carrying shots around to shows.”

Seven months later, cocaine was in the midst of its rise as rock’s drug of choice. At one show, Messina was offered some from another band’s crew and was appalled to learn they snorted it. “Get that stuff away from me,” he told them. “I don’t want to put nothing in my nose after what I’ve gone through in the last year.”

By abstaining, Messina was able to feed other habits. “The truth is that I took all my drug money and I invested it in real estate, precious metals, guitars and amps,” he said. “To this day I still have the very first Telecaster that I played back in Poco, and my Stratocaster. I just was so fortunate not to go there.”

The ultimate payoff has been health-wise, he continued. Ahead of a Loggins & Messina reunion show at the Hollywood Bowl in 2022, he saw an ear, nose and throat specialist who worked exclusively with professional singers — he’d caught Covid twice during the pandemic and wanted to be sure nothing was damaged.

“He almost pulled my tongue out, and he shoved this camera down my throat. He’s going, ‘Oh, wow,’ and I’m going, ‘oh crap.’ When it was over, he goes, ‘I gotta tell you, I handled most of the vocalists in the world, and your vocal cords look like you’re 25 years old … you have really taken care of them.’”

While he doesn’t need to tour to pay the bills, Messina has no plans to retire; he’s even making new music. A new version of Tommy James & the Shondells’ “Draggin’ the Line” is one song he’s finished.

“I love what I do and I’ve been doing it since I was 13,” he said. “I still have that same inspiration … to do better.”

Messina and his band The Road Runners have two upcoming New Hampshire shows, one in Plymouth on Nov. 20, and another Nov. 23 at the Nashua Center for the Performing Arts. He put together the group a couple of years ago, after he’d moved to Nashville, and found his old band was too far-flung.

“I have to rehearse, I have to be able to call people in and say, ‘Let’s do this arrangement,’ and it was getting to the point where that was going to be impossible financially,” he said. “My agent said, ‘Look, there are plenty of musicians here in town,’ and he said, ‘You know, they’re not all country.’”

First to join was keyboard player James Frazier. “He sings the parts now that Kenny would normally sing,” Messina said. Bassist Ben King, who also has a high vocal range, was next, followed by sax player/percussionist Steve Nieves, who was part of a couple of Loggins & Messina reunion tours and played in solo bands for both stars.

Drummer Jack Bruno has played with Elton John, Tina Turner and Joe Cocker, and when Messina found him on YouTube he was in Delbert McClinton’s band. Then McClinton retired. Messina loves working with the group. “They care enough about the music to perform the charts the way they were originally written and honor the musicians who originally did it.”

Jim Messina and the Road Runners
When
: Sunday, Nov. 23, at 8 p.m.
Where: Nashua Center for the Arts, 201 Main St., Nashua
Tickets: $43 and up at etix.com

Featured photo: Courtesy photo.

The Music Roundup 25/11/20

Old friends: Legend is that fiddler Michael Doucet ditched rock and began BeauSoleil after hearing “Cajun Woman” by Fairport Convention in the early 1970s, and began immersing himself in the immigrant music of his native Louisiana. He later met Richard Thompson, who wrote the song. Thompson is currently a special guest on a tour celebrating the band’s 50th anniversary. Thursday, Nov. 20, 7 p.m., Tupelo Music Hall, 10 A St., Derry, $65 and up at tupelohall.com.

Band stand: The Zajac Brothers, Vanna Pacella and other regional artists revisit The Last Waltz, The Band’s farewell concert held at San Francisco’s Winterland on Thanksgiving Day in 1976, immortalized by director Martin Scorsese. Pacella’s turn as Joni Mitchell performing “Coyote” and backing up Neil Young on “Helpless” is a highlight, along with Dylan and Van the Man. Friday, Nov. 21, 8 p.m., Stone Church, 5 Granite St., Newmarket, $30 at stonechurchrocks.com

Retro pop: Looking to give Journey, Rick Springfield and other ’80s Top 40 hitmakers their due, Waltham formed in 1999 when such a notion was very uncool. A raucous party changed all that; guests stopped drinking to gawk and the buzz began — “they’re from Waltham, they’re called Waltham, the guy points to girls and sings to them and rips off his shirt.” Donaher and Colleen Green open. Saturday, Nov. 22, 8:30 p.m., Shaskeen Pub, 909 Elm St., Manchester, $15 at the door, 21+.

Not eggmen: Maine-based Beatles tribute act Spencer & The Walrus are now called We Are The Walrus according to an announcement from the Concord venue they’re returning to. Far from a Fab Four recreation, there are many musicians on stage playing strings and keys for an evening of late-period Beatles songs never performed in concert, like “Fool on the Hill” and “Come Together.” Saturday, Nov. 22, 8 p.m., BNH Stage, 16 S. Main St., Concord, $36 and up at ccanh.com.

Christmas croon: Feel-good New Romantic singer Anthony Nunziata brings his annual holiday show to town to give a boost of spirit. Nunziata’s new album, Christmas & You, consists of all original songs. “My Every Wish” is a soulful tune, while “The Miracle” and “Heavenly Father” are “faith-affirming” anthems and “El Regalo Eres Tú” is a Spanish language classical crossover. Sunday, Nov. 23, 2 p.m., Rex Theatre, 23 Amherst St., Manchester, $40 and up at palacetheatre.org.

Artistic words

Writing Gallery opens in Concord

By Michael Witthaus

mwitthaus@hippopress.com

A new space featuring works of art accompanied by text both inspirational and challenging, The Eleventh Letter Writing Gallery opened in downtown Concord ahead of November’s First Friday Art Walk. Passers-by are drawn in by a modern white nightstand stacked with books and topped by a small pumpkin, with a wooden letter K on the floor underneath it.

Hung on the wall to the left of the arrangement are collages of book covers and pages from works by different authors. In the back of the foyer room are two chairs, one with postcards and artful photos on it, the other with pencils and notebooks. They surround an alcove with a sign reading, “Kismet: Defining Patterns.”

The overall effect is warm and welcoming, as well as an invitation to the creative imagination. There are writing prompts tucked into the free notebooks. “What signs and symbols do you see all the time?” reads one, others asks for a paragraph on “an amazing coincidence” or “a wish for one thing to manifest.”

Its intent is to unify images and phrases — and build a community around them.

“We affirm that all the arts are in dialogue with each other; our mission is to start the conversation,” owner Jocelyn Winn wrote in late October. The gallery, she continued, “champions the written word and elevates the creative vibration within the … arts community through monthly text-art exhibitions, workshops, and literary events.”

It also offers professional writing and editing services, something Winn has done as owner of The Eleventh Letter since it opened in 2014. The Writing Gallery, across from the Statehouse on North Main Street, is the first retail location. In a sit-down interview during Art Walk, Winn talked about how it came to fruition.

“It’s always been my dream to have a brick-and-mortar space where people can actually come in and enjoy writing,” she said. “So this is sort of a play on the idea that writers are artists … everything here, every piece, is art, but it has to have a word or text element to it.”

There are two exhibits currently running at the gallery. One features erasure and collage works by artist in residence Laci Mosier. Many are provocative, like “Froot Loops: The Fungus Among Us,” which combines the cut-up profile of a naked woman and a boy on a tricycle with phrases like, “How much Windex do men go through to create history?”

“Kismet” is Winn’s artwork. On one piece, “Manifest,” a framed photo of cut-up lemons sits next to a few paragraphs delving into the title’s etymology — manus combined with festus, two words that respectively mean “hand” and “joy” — and how its meaning has shifted since it was first coined in the 14th century. It ends with a meditation on ellipses.

Winn is big on vision boards. She calls them “manifestation posters,” and the path to opening a writing gallery was lit by hers.

“I got very specific,” she explained. “I said I want a Main Street space. My name is Jocelyn Winn. It’s in Concord, New Hampshire, 03301. A couple months later, I could see these spaces opening up, and so I took my chances.”

An array of activities is ahead in the coming weeks, like a workshop on making holiday cards, a class on the art of letter writing, and a session on appreciating winter, perfect for folks prone to seasonal affect disorder. “It’s based on the book Wintering, about how to love winter,” Winn said. “Which is my favorite season, true.”

There are also two free events: a writing circle led by local arts writer Rachel Wachman, and Solstice Open Mic, which invites writers to read their work. “Five minutes each, and everyone is welcome, even if they’re not reading,” Winn said.

In January there will be two six-week sessions, on fiction and nonfiction writing.

“The gist is every month there’s an array of workshops for advanced writers as well as those looking to start or curiously dip their feet,” Winn said. Along with classes, the gallery will have a monthly main exhibition with a local writer-artist, with works from an artist or writer in residence showing for three months.

“I do have a lot of opportunities and plans for the future, bringing writing to the community,” Winn said. “I think a lot of people are maybe scared of writing, or they shy away from it.” She hopes her workshops, along with the writer’s utensils she’ll be selling soon, will inspire many to the impulse of turning words into art — and vice versa.

The Eleventh Letter Writing Gallery
Open
: Monday through Friday, noon to 5 p.m., and Saturday, 11 a.m. to 4 p.m.
Where: 146 N. Main St., Concord
More: theeleventhletter.com

Upcoming Events:
The Art of Letter Writing – Wednesday, Dec. 3, 6-7:30 p.m., $22
Winter Is My Favorite Season – Monday, Dec. 8, 6-7:30 p.m., $33 (includes free copy of Wintering by Katherine May)
Holiday Card-Making – Tuesday, Dec. 9, 6-8 p.m., $40 (led by Art Plus NH owner Karen Hicks)
Writing Circle – Wednesday, Dec, 9, free (led by local arts writer Rachel Wachman)
Solstice Open Mic – Wednesday, Dec. 17, free (five minutes each, all welcome even if not reading)

Featured photo: Courtesy photo.

Moving on

With new special out, Jay Chanoine readies the next

Six years ago comedian Jay Chanoine released a special and immediately got to work on his next one. It’s a comic’s creed that committing an act to tape is both the way to bury old jokes and incentive to craft new ones. Then the pandemic came, and Chanoine had to start again from scratch when things reopened in late 2021 — in more ways than one.

“Not only was some of that material no longer usable; I had to remember how to do stand-up again,” he said in a recent phone interview. “I ended up building up this body of work.” Chanoinigans, released as an audio album in mid-October and on YouTube on Halloween, is the result.

When Chanoine walked on stage at the Empire Theatre in Portland, Maine, in August 2024, the curveballs were still coming. First, his grandmother died a day before the show, which spurred “a whole new batch of emotions I was not prepared to have.” Beyond that, he’d written a new opening focused on a recent series of hospital visits.

“You’re seeing me at an interesting time in my life,” he told the crowd. “A little over a month ago, I went to see an autism doctor to begin the testing process. And that sentence can only go one of two ways. It’s either I feel like I’ve wasted a ton of money, or that my entire life has been a sham. Good news, guys. I don’t feel like I’ve wasted any money.”

Chanoine began reading DSM-V, the Diagnostic and Statistical Manual of Mental Disorders, and had a series of eureka moments that made him feel he was cracking a code to his own mystery.

“I was like, ‘Oh, my God, this is me I’m reading about,’” he said, adding he quickly discerned a connection between the diagnosis and his comedy.

“You could draw lines from almost every one of those bits that I was about to record,” he said. “‘This is why you have a joke about how you did a bad job growing up and how people think you hate them. How you still love Ninja Turtles and Power Rangers and you come off as abrasive….’ I was like, oh, my God, this is a special about finding out I’m autistic!”

He used the experience as fuel for that night up north.

“I think a lot of times, at least for me, when you have that much emotional abrasiveness kind of swimming around inside your head, you can channel it and just turn it into, ‘This is the thing I need to focus on right now,’” Chanoine said. “Divert that anxious energy into this performance.”

Since making the special, he’s spent a lot of time at the weekly Laugh Attic open mic at Strange Brew Tavern, each time doing five fresh minutes, slowly building a follow-up to Chanoinigans. “I try out new material in this safe environment where people already think they like me,” he said.

He’s looking forward to an extended set at Strange Brew on Nov. 21.

“We’re doing a Friday show, and I get to kind of do all the stuff that they saw me do for the very first time when it was fresh and unpolished and a little clumsy,” he said. “And I get to see it again after it’s been through a little bit of a rock tumbler and shined up.”

Fans can check out the new special on YouTube; Chanoinigans is his best yet. He talks about “coming aut” and having a realization about his New England school days; he may have misheard what sounded like praise for being artistic. “I love to draw, and I had no idea what my teachers were actually saying every time they went, ‘I think you are wicked autistic.’”

So the youngster took the kind words in stride; now, he’s reassessing.

“I’d just be standing there like, ‘Yeah, I guess that drawing is pretty good. It only took me 4,266 pencil strokes to complete it.’ That’s what happens when you start looking back on your life through autism-tinted lenses.”

Jay Chanoine w/ Troy Burdett, Arianna Magee & Ramses Rafael
When: Friday, Nov. 21, 8 p.m.
Where: Strange Brew Tavern, 88 Market St., Manchester
Tickets: $20 at eventbrite.com – 18+

Featured photo: Jay Chanoine. Courtesy photo.

The Music Roundup 25/11/13

Shredder clinic: Guitar fans have the chance to enjoy a free performance by Gary Hoey as he demos the Fender Tone Master Pro effects pedal and dazzles with frenetic fretwork, part of an event celebrating the brand. It’s followed by a meet and greet with the Ho Ho Hoey guitar hero, who will be back in town next month for his annual Christmas concert at Tupelo Music Hall in Derry. Thursday, Nov. 13, from 5 to 7 p.m. at Manchester Music Mill, 329 Elm St., Manchester, manchestermusicmill.com.

Parrothead pair: Carrying on Jimmy Buffett’s legacy, Mac MacAnally performs with fellow Coral Reefer Band mate Eric Darken. The last time the 10-time CMA winner and writer of “Old Flame” and “It’s My Job” came to town, the show sold out quickly, but there are some tickets still left for this show. Lately he’s been doing his old bandleader’s poignant song “Bubbles Up.” Friday, Nov. 14, 7:30 p.m., Dana Center, 100 Saint Anselm Drive, Manchester, $65 at anselm.edu.

Floydian dream: Mary Fahl returns to Concord for an evening of music focused on one of her favorite albums, Pink Floyd’s Dark Side of the Moon, along with other selections from her ethereal catalog. She’s so enamored of the ’70s classic that she released a surround sound version of it, which is quite the listening trip with the right equipment. Saturday, Nov. 15, 7 p.m., BNH Stage, 16 S. Main St., Concord, $44 and up at ccanh.com.

Fitful music: When the Vermont-based Conniption Fits squeeze in an original from one of their many albums, expect a power-pop blend of swagger and finesse belying bandleader and guitarist Stevens Blanchard’s metal kid past. For bar shows, the band plays mostly well-chosen “re-makes” — don’t call them covers — from Foo Fighters, Green Day, Weezer and others. Saturday, Nov. 15, at 8 p.m., Stumble Inn Bar & Grill, 20 Rockingham Road, Londonderry, conniptionfits.com.

Soothing songs: Jim Brickman’s upcoming concert promises a collection of hits like “Love of My Life,” “Valentine” and “Angel Eyes,” favorites like “The Gift” and “Merry Christmas Beautiful.” Sunday, Nov. 16, at 7 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $54 and up at etix.com.

Cool Friends

Icehouse is hilarious, with a heart

If Lake Wobegon had a Hallmark stage division it might come up with something like Icehouse, a Bedford Off Broadway production with three more performances through Nov. 16. Making its first New England run, the Peter Bloedel farce is a funny, heartfelt and warm look at friends helping a friend.

The end-of-the-20th-century comedy is about a Minnesota ex-pat, now living in Florida and lonesome for the cold air, and his buddies, as they try to build an epic ice chateau and keep it a secret from their wives.

There’s a great line toward the end of Act I that sums up the haplessness of five buddies trying to lure a sixth pal back for an ice fishing holiday, only to stumble due to kind-hearted incompetence.

“Every village needs an idiot,” one of them tells his suspicious spouse. “Ours just has more.”

What makes the play succeed is a solid cast that plays well off each other even while managing set changes throughout the production. The family-friendly farce centers on Oskar (Rich Hurley), trapped in Florida with Ingrid (Deb Lund) after she has coerced him to move there for her many climate-related maladies.

When Oskar and Ingrid return for the wedding of Erik (Tigran Kotsinyan) and Michelle (Abby Lefebvre), his friends Arn (Glen Grimard) and Conrad (Declan Lynch) share their plan to build a structure fit for an ice-fishing billionaire, with a full kitchen, sleeping quarters and sauna, an idea they got during a fishing conversation.

Oskar’s in and the six are soon working on their respective co-conspirator tasks.

The machinations employed to get Oskar home again are comedy gold in the hands of Wilhelm (John Decareau) and Lars (Matt Bader). Conrad, Arn and reluctant recruit Erik persuade them to concoct a story to fool Ingrid, delivered from a pay phone (back when they were common) in fake voices.

Of course, the effort only makes things worse — albeit funnier.

Let’s just say that Wilhelm takes his method acting task a bit too seriously, Lars starts to share his enthusiasm, and the two have the audience thoroughly entertained. The pair’s across-the-wire shenanigans, with hilarious support from fellow cast members, are aided by the impressive set design of director Judy Hayward and Daro Fuchs.

The hallmark of a great community theater is often its ability to do a lot with a little, and BoB achieves this with Icehouse. The play opens with a spare set; a couple of hardware store bucket stools for Arn and Conrad to sit on while they fish later becomes a series of different furniture. Then the wall behind the stage moves and it’s all transformed.

The wives, first fooled out of Middle Creak, Minnesota, by Oskar, who turns out to be talented at subterfuge, will find their fury when Lars and Wilhelm’s stunt backfires. Camilla (Lisa Colburn), Helen (Deb Curtis), Rita (Natasha DaCunha-Lund) and Sarah (Julie Shea) all have great moments confronting their respective husbands.

Claire Fry, as mother of the bride Lenora, deserves praise for helping to give the play its heartfelt quality. She’s the wild card. To know what that means, one needs to buy a ticket, but rest assured the experience leaves a sweet finish.

Ultimately it’s chemistry that carries Icehouse to the finish line. It’s Judy Hayward’s first time directing a BoB show and during rehearsals in September she praised the cast while rehearsals were underway.

“One thing that’s nice about it is that everybody pretty much has an equal part,” she said. “It’s quite an ensemble show.”

The opening night crowd agreed. The smiles began with an introductory explanation that the play was being performed in a foreign language (Minnesotan) and continued as the show bounced along merrily through laugh after laugh. With a cast working at a very high level, and a script that’s new to these parts, Icehouse is a must-see.

Icehouse – A Comedy by Peter Bloedel
When: Friday, Nov. 14, and Saturday, Nov. 15, at 7:30 p.m., and Sunday, Nov. 16, at 2 p.m.
Where: Bedford Off Broadway at Bedford Town Hall, 70 Bedford Center Road, Bedford
Tickets: $15 ($12 seniors and students) at brownpapertickets.com

Featured photo: Icehouse. Courtesy photo.

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