Island funny

Lakes Region comedy show

There’s a limerick from a bygone time that begins, “there was a young man from Nantucket,” but this isn’t that kind of story. Brian Glowacki was born on the island off Cape Cod and found humor via Def Comedy Jam specials on HBO. When he realized there were clubs where comics told jokes, he decided to give standup a shot.

Glowacki soon found his secret weapon: a face that telegraphs mischief. When he pauses with a sly smirk during a joke setup, it’s like watching a Mento dropped into a bottle of Coke; audience laughter builds, anticipating what’s next. This sort of thing also happens regularly in Glowacki’s daily life. While he’s holding a microphone, at least he gets paid for it.

There’s a bit about repurposing his wife’s breast pump when their infant grows out of it, and it feels like he worked it out at the Kitchen, to let’s say mixed results.

“Everybody knows that feeling,” he said in a recent phone interview. “It’s like the next thing coming out of my mouth is either going to get me in trouble or arrested.”

The latter outcome is less likely than the first; his is a mostly “clean” set. That’s one of the reasons comedian Bob Marley picked Glowacki to open shows for him, something he did for a few years. It started when a Rhode Island club hired him to host for the Maine comic. The gig worked out, and he got the call the next time Marley appeared.

“By that time I had different material, and that showed them I could at least try to have a different set each time we came through a place, which was important to those guys,” he said. “It ended up some of their guys dropped out and I moved up the ranks with Marley. I ended up being one of their two main guys.”

These days Glowacki is hitting much bigger targets. He parlayed a successful run at Boston’s Comedy Connection into a pair of sold-out shows at the prestigious Wilbur Theatre. Glowacki attributes the event’s success to his relatability as a comic.

“I don’t scare anybody away, I don’t ever talk about politics or anything like that, I’m talking about things that we’re all living,” he said, adding that a willingness to bet on himself was a big part of it. “I say all the time, I take big swings … I don’t sulk in the failures, and I don’t get too excited over the victories. I just cross things off my list. Things that excited me as a little kid, now I do them as an adult.”

Upcoming on his schedule are headlining shows at Mohegan Sun, and the comedy club in the MGM Casino in Springfield, Mass. The night after he appears at Beans & Greens Farm in Gilford, Glowacki will play his biggest gig yet, headlining at Cape Cod Melody Tent, a legendary 2,500-seat venue.

“I’m the first local that’s ever been crazy enough to even try to sell that place,” he said. “We’re doing it all word of mouth. I don’t have an agent or credits or any of that. We just spread the word from people having a good time at a show, and they tell their friends, which is the best marketing you can hope for.”

The Gilford show offers the chance for him to prepare for the Cape show and “make sure I’m all dialed in.” Fellow comic Gary Marino co-produced the BGlow & Friends event and will serve as its host. It will be Glowacki’s first time at Beans & Greens. “Usually when I do stuff with Gary, it’s been a home run, so I was like, whatever, I’m in.”

Brian Glowacki & Friends
When: Saturday, July 20, 7 p.m.
Where: Beans & Greens Farm, 245 Intervale Road, Gilford
Tickets: $30 at eventbrite.com

Featured photo: Courtesy photo.

The Music Roundup 24/07/18

Local music news & events

Blues time: Ireland gives way to the South Side of Chicago at the weekly Blues Therapy event. This edition features Brave New Blues, the duo of boundary-pushing guitarist Troy Mercy and Hadley Lloyd. An endorsement of suspicious origin (screenwriter Alan Smithee) dubbed their sound “Lightnin’ Hopkins playing with The Small Faces while Terry Gilliam films it all.” Thursday, July 18, 8 p.m., Wild Rover, 21 Kosciuszko St., Manchester; more at troymercy.com.

Al fresco country: New England Music Awards favorite Annie Brobst kicks off weekend music at Tuscan Village’s Lake Park. Her breezy, pop-adjacent brand of country has led her to some big stages, supporting Miranda Lambert, Little Big Town, Hardy and more. Friday, July 19, 7 p.m., Tuscan Village, 9 Via Toscana Salem. Visit anniebrobstmusic.com.

Local lights: Three members of JamAntics comprise Lucas Gallo & The Guise: Gallo, bassist Eric Reingold, and Freeland Hubbard on guitar, with drummer Curtis Marden. Original songs from the three old bandmates share rootsy jam band elements, while others are more lyrically driven. Gallo calls the overall mood “good vibes with good intentions.” Saturday, July 20, 9 p.m., Penuche’s Ale House, 16 Bicentennial Square, Concord $5/door; 21+. Visit lucasgallomusic.com.

Celtic power: Enjoy a fun and musically rich evening from Tartan Terrors, a group of youthful kilt-wearers with a talent for making traditional Celtic music accessible to all audiences. They combine the energy of a rock show with fiddle, bagpipes, pennywhistle, step dancing and humor, like the NSFW joke describing the difference between a Rolling Stone and a Scotsman. Sunday, July 21, 7 p.m., Tupelo Music Hall, 10 A St., Derry, $39 and up at tupelohall.com.

Teaming up: In their ’70s heyday, a co-headlining tour with Daryl Hall & Elvis Costello would have seemed odd, given Hall & Oates’s Philly soul and Costello’s angry young man pose at the time. However, in 1984 Hall sang backup on Costello’s song “The Only Flame in Town.” Reviews of their current outing, filled with hits from both artists, have been glowing, Monday, July 22, 7 pm., BankNH Pavilion, 72 Meadowbrook Lane, Gilford, $55 and up at livenation.com.

Among friends

New Hampshire writer reads from new novel

In her new novel Beautiful and Terrible Things, S.M. Stevens follows the friendship of six individuals, from early, nascent stages to close knit, and uses their shared lives to explore a range of hot-button topics in an admirably even-handed manner. The author will read from it and sign copies at Bookery in Manchester on July 19.

The book is set in an unknown city, a bold decision intended to underscore the universality of many social issues in its pages, Stevens said by phone recently. “These conversations and events are taking place in a lot of Western countries today,” she said. “I just think the story means more to people if they can see it happening in what they consider their city.”

Racism, gender, climate change, mental health and immigration are all addressed. When it comes to the latter, Stevens hopes readers will take away one bit of knowledge. “One of my goals in writing this was to remind people that no matter what your view is on an issue, there are always real people behind the statistics,” she said. “We do well to remember that.”

Without being pedantic, Stevens presents social questions as a school teacher might, asking people to fully study and think them through. If readers don’t arrive at a place of compassion for the many struggles the book’s characters face, maybe they’ll come away with some understanding.

“I wanted to show various views on some of the stickier issues,” Stevens said. “Now, there are no two sides to racism — it’s just wrong — but immigration is a really complex issue. On that one, I tried to present varying views.”

The character Jess is a rising professional and the daughter of immigrants who’s sometimes needled about her citizenship status. Jess brushes off such queries, comfortable in knowing she’s U.S.-born to legally naturalized parents. That changes when a woman who works in her childhood home and helped raise her has an immigration problem that’s too complicated to write off as “those folks” coming across the border.

Stevens employs other real-life stories to highlight social questions. Jess dates a Black member of the group; witnessing him encounter systemic racism is an eye-opening experience for her. One character has mental health issues that his friends try to understand and help with; another is nonbinary and helps to explain their experience with delicacy.

The book’s main characters are all millennials; Stevens has two daughters in that age group. “They are more passionate about equality and the planet and social justice than most people I know,” she said. “I think characters on the cusp of age 30 are asking all those really cool questions about their lives. Am I in the right career? Should I be married by now? Do I want to have kids? That’s a really important stage of life for most adults. That was why I chose it.”

More than anything, the novel is a fun read about people from different backgrounds getting to know each other, doing things like enjoying weekend trips or going to a demonstration.

“I hope it entertains people,” Stevens said. “I think reading is a pastime unless you’re doing it for school and education. It should be fun, it should be entertaining, and you should love the characters and not want to leave them behind at the end.”

Much of the novel’s action happens at an independent bookstore one of the characters manages that becomes a flashpoint for looking at gentrification and who it affects. In the book’s acknowledgements, Stevens notes that the store is inspired in part by Gibson’s in Concord, where she once did a reading.

Stevens lives north of Hillsborough, having moved to New Hampshire with her husband in 2020 to live in a house on a pond that he’d built there 35 years earlier. Beautiful and Terrible Things is her second adult novel, following Horseshoes and Hand Grenades and two books written for younger readers.

S.M. Stevens
Author reads from her new novel Beautiful and Terrible Things, followed by Q&A and book signings.
When: Friday, July 19, 5 p.m.
Where: Bookery, 844 Elm St., Manchester
Tickets: free, register at eventbrite.com

Featured image: S.M. Stevens. Courtesy photo.

Feminine touch

Roomful of Blues at Rex with new singer

Over almost six decades as a band, Roomful of Blues has seen its share of personnel changes, but the latest is a biggie.

“Basically, half the lineup is new,” guitarist Chris Vachon, who joined in 1990, said recently. Two members of the horn section and a keyboard player have joined and, crucially, the band has its first female lead vocalist since Lou Ann Barton was a member for a very short tenure in the early 1980s.

New singer D.D. Bastos and Vachon have played together in the Rhode Island band Sons of Providence since mid-decade, so “there’s some history there,” Vachon said. However, the departure of singer Phil Pemberton, who left due to declining health, means that typical set lists will be shifting dramatically.

“We don’t change front people too much, that’s rare…. Phil was in the band for 15 years,” Vachon said. “Having a new person come in as a front person, you’re going to replace a lot of the material to things that are more suited for them. That’s exciting for us, with a new show and all that.”

The RoB horns and drums backed Pat Benatar on her jump blues True Love album, and Bastos will offer a few songs from that when the band stops by the Rex Theatre on July 12, along with some tunes from the Barton era. The latter lasted only three months, ending when the Texas blues chanteuse realized she’d never acclimate to New England winters.

It’s a local show for one of the new members. Sax player Craig Thomas lives just a few blocks from the Amherst Street venue. Another new face on stage will be keyboard player Jeff Ceasrine, though he has a history with RoB, having played occasionally with them since 2008.

“Jeff is a natural to take over where [former keyboard player] Rusty Scott left off,” Vachon said.

The new lineup was in fine form during a recent Extended Play Session filmed at the Fallout Shelter in Norwood, Mass. Bastos shined on the Etta James classic “Good Rockin’ Daddy” and the burning ballad “Please Don’t Go,” while whipping up the crowd on the energetic call-and-response boogie “That’s Right!”

Vachon pumped out some hot licks on his Gibson SG during the cool groove number “I’m Tryin’” and the horn section’s latest additions, Chris Pratt on trumpet and Thomas on tenor sax, had a long stretch to show off, all in preparation for a big month ahead.

“We’re going to be full steam and we’re all pretty excited about it,” Vachon said.

The idea has remained steady even as players come and go, with a style that can feel like big band but find a rock groove when called for while staying true to its namesake and playing the blues. Their schedule has changed, however.

“My early years in the band, we were gone all the time,” Vachon said. “It’s mostly weekends now.”

Their last album is 2020’s In A Roomful of Blues, a fun effort with songs like the snarky “Phone Zombies” along with the B.B. King-esque title cut. As with a lot of records made that year, the band didn’t get many chances to perform it early on — it’s hard to be in a roomful of anything while staying six feet apart.

Eventually, they took it on the road, and Vachon said they’re ready to add to their 20-plus collection soon. Meanwhile, they continue to be the band that plays blues to make folks forget their blues.

“We don’t do too much of the weepy stuff,” Vachon agreed. “We do happy, swingy things you can dance to. I mean, we’re going to do stuff that’s uplifting and fun.”

An Evening With Roomful of Blues
When: Friday, July 12, 8 p.m.
Where: Rex Theatre, 23 Amherst St., Manchester
Tickets: $29 at palacetheatre.org

Featured photo: Courtesy photo.

The Music Roundup 24/07/11

Local music news & events

2000s redux: Last year’s successful Summer Gods Tour returns with Third Eye Blind again topping the bill. Yellowcard, with a punk pop sound augmented by electric violin, is the middle band on the show, rounded out by Arizona. Thursday, July 11, 6:30 p.m., BankNH Pavilion, 72 Meadowbrook Lane, Gilford, $33 and up at livenation.com.

Country girl: Summer music on Lake Sunapee continues through August. Coming up is April Cushman, a singer and guitarist with a solid reputation in her home region who will go worldwide when she performs in Denmark this autumn. Upcoming at the bucolic performing space are Madou Sidiki Diabate (July 19), Charlie Chronopoulos (July 26), The Rough and Tumble (Aug. 9) and Ari Hest (Aug. 16). Friday, July 12, 7:30 p.m., The Livery, 58 Main St., Sunapee, $20 at thelivery.org.

Hoppy music: Along with the Keep NH Brewing Festival’s many ales and lagers is music, from Taylor Hughes and Whatsername. The latter is a fun alt-rock trio that touches on a range of artists, from Green Day to the White Stripes and Tokio Hotel. Hughes is an engaging singer-songwriter with a growing catalog of original songs along with many well-chosen cover selections. Saturday, July 13, 1 p.m., Everett Arena, 15 Loudon Road, Concord, $50 at nhbrewers.org.

Street fair: A Summer Block Party presented by the Currier Museum has music from Party of the Sun, a psychedelic folk trio that’s informed by Americana traditions. They’ve released a pair of full-length records, and their songs have been on CW’s Charmed, Fox’s Deputy and other shows. The event includes art activities, free admission to the gallery, food trucks and a beer and wine tent. Sunday, July 14, 3 p.m., Currier Museum of Art, 150 Ash St., Manchester, currier.org.

Blues summit: Free evening gazebo concerts continue in Henniker with Frankie Boy & The Blues Express performing music that ranges from traditional to modern funk, with a bit of hip-hop on occasion. . Tuesday, July 16, 6 pm., Angela Robinson Bandstand, 57 Main St., Henniker, henniker.org.

Not just summer stock

What’s happening at New London Barn

The Broadway musical bonafides of New London Barn Playhouse are solid. Wicked creator Stephen Schwartz wrote his first big hit, Godspell, there. Past “Barnies” include The Book of Mormon director Casey Nicholaw, along with Tony-winning actors Taye Diggs and Judy Kuhn. Laura Linney and Sandy Dennis are also alums.

Upcoming in the current season, which runs through Labor Day weekend, are Jersey Boys (opening July 17) and Rent (opening Aug. 7). These follow successful June productions of Little Shop of Horrors and Joseph and the Amazing Technicolor Dreamcoat.

Little Shop was something of a class reunion, according to New London Barn Executive Artistic Director Keith Coughlin.

“Of the 13 members in the cast, 10 are alumni who have returned to the Barn,” he said by phone recently. “Including some folks who were here not all that long ago and have then continued on and done some really great things in their career. The gentleman playing Seymour was just on Broadway.”

A pair of plays are also scheduled. Driving Miss Daisy opens July 10 for a five-day, seven-show run. The Pulitzer Prize-winning drama follows the relationship between a stubborn Atlanta widow and the chauffeur she’s forced to hire when she crashes her car. It spans from 1948 to 1973, beginning with prejudice and ending in friendship.

“Those that appreciate the movie will like this,” Coughlin said. “It is a wonderful telling of that same story of acceptance. One of the things that really sparked to me is how it shows humans connecting and growing. These characters grow over the decades, their relationships build, and their mindsets grow and change. I think that’s really powerful.”

Clue, running from Aug. 21 through Sept. 1, closes out the summer. Coughlin agreed that the adaptation of a movie based on a board game is a fun way to end the season.

“It’s murder and it’s farce,” he said. “In the recent past couple of years, they’ve actually done a new adaptation of this play that really strikes closer to the tone of the movie. I think it’ll be in the ride of the season, experiencing all of these different performances, with people laughing and just enjoying it, for sure.”

Jersey Boys continues a theme begun last year, shows based on the canon of pop music. It follows 2023’s production of Carole King: Beautiful. Along with the Barn debut of Rent, which Coughlin called “a cornerstone in the genre,” it’s the show he’s most looking forward to this year.

“After trying a number of seasons to get it in our lineup, I’m really excited to share that,” he said. “We have a wonderful director and choreographer who’s coming in to helm it that has been working on Broadway shows and productions in London. I think it’s going to be a lot of fun for our patrons. Tickets are already going quick.”

Finally, on July 22, the Barn’s first-ever concert happens, as Steven Leslie performs a tribute to James Taylor.

“I jokingly say that almost every night of the summer there’s some type of performance happening,” Coughlin said. “But there are a couple of nights that are not, [and] I thought that this might be an interesting idea to do something … different than sort of the normal theater productions that we do.”

It’s part of an expansion effort that includes operating as a year-round entity, he continued.
“The Barn will always be celebrated by the work that we do inside the barn in the summer,” he said, “but we’re growing in impact to the community in a way that’s really exciting. That’s the next chapter… we have a dynamic education team that’s doing some really powerful things for our community all year long, not just within the summer.”

Driving Miss Daisy
When: Wednesday, July 10, 7:30 p.m.; Thursday, July 11, and Friday, July 12, 2 & 7:30 p.m.; Saturday, July 13, 7:30 p.m., and Sunday, July 14, 5 p.m.
Where: New London Barn Playhouse, 84 Main St., New London
Tickets: $34 to $59 at nlbarn.org

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