Vintage true crime

Cue Zero production explores Lizzie Borden case

One century before O.J. Simpson’s televised court proceeding captivated a nation, a murder case in Fall River, Mass., was the country’s first big media trial. In it, Lizzie Borden was acquitted of killing her parents with an ax, but she remained forever guilty in the court of public opinion. Blood Relations, written by Canadian playwright Sharon Pollock and due to be performed by Cue Zero Theatre Co., explores the many questions that still remain.

Brian Dembkoski has long been drawn to the Lizzie Borden legend.

“Being a homegrown New England boy, it’s always been intriguing,” Dembkoski said in a recent phone interview. He decided to direct Blood Relations after seeing two very different performances of the play, in different parts of the country. “When I got to read it myself, I just kind of fell in love with it. Every single scene is a power struggle between characters, and it’s just so well-written.”

Billed as Lizzie’s side of the story, it’s structured as a play within a play. The main character, Miss Lizzie, played by Cass Durand, talks with her friend The Actress, played by Heidi Krantz, who wants to learn what really happened on the night of the murder.

“She basically says, ‘OK, you want to know if I did it? Let’s play a game,’” Dembkoski said. “Her friend then becomes the younger version of herself, and Miss Lizzie takes her through the scenario, puts her in the same situation … for her to make her own decisions.”

What ensues may or may not be a confession, he continued, noting that Borden is “a bit of an unreliable narrator, which is just one of the really neat, fascinating things about it…. We still have that ambiguity at the end; did she or didn’t she? Are we any closer to an answer than we were in the beginning? Hard to say.”

Along with playing the lead, Durand also acts as the play’s intimacy coordinator, a role Dembkoski felt was needed to help actors navigate a stiff-as-starch family dynamic. “It’s not so much because we’re having a lot of steamy scenes or anything; very much the opposite — rather, looking at what happens with people when they don’t have that basic intimacy…. It helps in exploring the idea of touch starvation or skin hunger.”

The cast includes Nate Faro playing “the ill-fated Andrew Borden” and Christie Conticchio as “the even more ill-fated Abby Borden.” Both have appeared in previous Cue Zero efforts. Faro was in Radium Girls and Conticchio directed the Harry Potter send-up Puffs two years ago. Dembkoski also appeared in that production, his initial Cue Zero foray.

Adding to the play’s meta multiplicity, Lizzie’s sister Emma is represented twice; Crystal Welch plays her late in life, and Chrissy Kelly, in a role created specifically for this production, plays a “modern-day Emma Borden, the actual sister much like Miss Lizzie is the actual Lizzie,” Dembkoski explained.

Rounding out the ensemble are Joshua Benham as Harry Wingate, Lizzie’s step-uncle and a pivotal character in her plot — if, of course, she was really guilty. The role of Dr. Patrick, Lizzie’s close ally, is played by Matthew Brides, who played the lead in Cue Zero’s 2023 production of Macbeth.

This is Dembkoski’s first directing job at Cue Zero. In the 1990s he studied theater arts at Plymouth State and then earned a master’s from Humboldt State, now Cal Poly Humboldt. After working in Southern California in the early 2000s, he left the theater world; he moved back to New Hampshire in 2007. When he began teaching at Nashua Community College in 2016, he was recruited to be an adviser with the school’s Theatre Arts Guild.

“That was my first kind of dipping my toes back into it … helping the younger folk and sharing some of my knowledge,” he said. As the pandemic was ending, Hatbox Theatre in Concord asked him to appear in its production of A Christmas Carol; there, he met Conticchio, which led him to Cue Zero.

There, he met Executive Director Dan Pelletier, who would agree to his pitch to do Blood Relations.

“A saying I’ve always clung to when it comes to doing anything in our field is ‘things lead to things,’ because doing Christmas Carol led me into Puffs,” he said. “Step forward a few more times to putting forth the idea to direct Blood Relations. Dan was happy to let me do it…. It was a great example of things leading to things.”

Sharon Pollock’s Blood Relations
When: Friday, March 1, and Saturday, March 2, 7:30 p.m.,
and Sunday, March 3, 2 p.m.
Location: Arts Academy of New Hampshire, 19 Keewaydin Dr., No. 4, Salem
Tickets: $15 at cztheatre.com

Featured photo: Courtesy photo.

The Art Roundup 24/02/22

The latest from NH’s theater, arts and literary communities

• “Voice of the city”: Positive Street Art (48 Bridge St., 3rd floor, in Nashua; positivestreetart.org) will host “Vicus Vox” open mic night on Friday, Feb. 23, from 6 to 9 p.m. The cost is $5 for spectators and participants — bring comedy, poetry, singing and more, according to a post on the organization’s Facebook page. All ages are welcome and the content must be all-ages-friendly, the post said. Sign up at tinyurl.com/4ckh3pzp.

Spend your time at the Frank Lloyd Wright houses: The Currier Museum of Art (150 Ash St. in Manchester; currier.org) is looking for volunteers to give tours of its two Frank Lloyd Wright houses, according to a recent newsletter. A training class for volunteers begins in March. Fill out an application at currier.org/volunteer.

19th-century magic: Andrew Pinard, performer and founder of the Hatbox Theatre, will inhabit 19th-century magician Jonathan Harrington at the Players’ Ring Theatre (105 Marcy St. in Portsmouth; playersring.org, 436-8123) for Jonathan Harrington — 19th Century Magician with performances Friday, Feb. 23, at 7:30 p.m.; Saturday, Feb. 24, at 2:30 and 7:30 p.m., and Sunday, Feb. 25, at 2:30 pm. Tickets cost $28, $25 for students and seniors.

Al Jaeger
Potter, ceramist and juried member of the League of NH Craftsmen Al Jaeger will give an art talk titled “A Life With Wood Fire” on Thursday, Feb. 22, at 4 p.m. the Alva de Mars Megan Chapel Art Center (Alumni Hall at Saint Anselm College in Manchester; anselm.edu/chapelart). Jaeger will discuss his life as an artist and his technique, according to a press release.

Why Worry? In March: A screening of the 1923 silent comedy Why Worry? was rescheduled from Feb. 18 to Sunday, March 3, at 2 p.m. at Wilton Town Hall Theatre (40 Main St. in Wilton). The movie stars Harold Lloyd and will feature live musical accompaniment by Jeff Rapsis, according to a press release. Admission is free but a suggested $10 per person donation is accepted, the release said.

Basket craft: The League of NH Craftsmen’s Nashua Gallery is offering a class making a round Cherokee-style storage basket on Saturday, April 13, and Sunday, April 14, from 9 a.m. to 5 p.m. The class will be taught by Ruth Boland at Sanborn Mills Farm in Loudon; register at snbornmills.org. The fee is $250 plus a $60 materials fee, according to a press release.

Save the date for fiddles: The New Hampshire Fiddle Ensemble announced a spring schedule for concerts in New Hampshire and Maine, according to a press release. Granite State concerts include Friday, May 3, at 6:30 p.m. at the Rochester Opera House (31 Wakefield St. in Rochester); Saturday, May 11, at 6:30 p.m. at Interlakes High School Auditorium (1 Laker Lane in Meredith); Saturday, May 18, at 6:30 p.m. at Exeter Town Hall (9 Front St.) and Sunday, May 19, at 2 p.m. at the Derryfield School (2108 River Road in Manchester). The ensemble features fiddles, guitars, banjos, mandolins, basses, harps, cellos and more, according to the release. See nhfiddleensemble.org for tickets.

Maker market: Cottage Place at Squam Lake (1132 Route 3 in Holderness; cottageplaceonsquam.com) will hold a Squam Lake Vintage & Makers Market on Saturday, May 4, and Sunday, May 5, from 9 a.m. to 4 p.m. each day. Admission is $5. The market will feature vendors, live music, food and a mobile bar, according to an email.

Film fest news: The Music Hall in Portsmouth officially takes over the New Hampshire Film Festival for its 22nd annual outing, according to a press release from Jan. 30. The four-day festival will run Oct. 17 through Oct. 20. The call for entries to the festival, for film and screenplay submissions, is open and can be made via nhfilmfestival.com, the release said

‘Stories of the Sea’
Theatre Kapow (tkapow.com) presents On the Exhale, a full-length drama that “offers a complex examination of America’s gun violence crisis,” at the Bank of NH Stage (16 S. Main St. in Concord; ccanh.com) on Friday, Feb. 16, and Saturday, Feb. 17, at 7:30 p.m. and Sunday, Feb. 18, at 2 p.m., according to a press release. Carey Cahoon, Kapow co-founder and managing director, will play the sole character in the show. Tickets to the show cost $33.75 ($26.75 for seniors & students). The Sunday, Feb. 18, show will feature ASL Interpretation as well as a post-show conversation about the impact of gun violence on New Hampshire, according to Theatre Kapow’s website. The play will also run Friday, March 1, through Sunday, March 3, at the Winnipesaukee Playhouse in Meredith. See tkapow.com for tickets to either show.

Life, death, transcendence

NH Philharmonic performs Mahler’s Resurrection Symphony

Among the most well-regarded of Gustav Mahler’s nine symphonies is his second. Commonly called the Resurrection Symphony, it’s a daunting work. For Mark Latham, conductor and musical director of The Phil — the New Hampshire Philharmonic Orchestra — scale is a big reason he’s drawn to it.

“It’s not very often done because it’s just so large and it’s a challenge to get all the forces in place,” Latham said by phone recently. “But I think it’s actually the dream of probably all conductors — the challenge of this incredible masterpiece.”

Latham promised an “immersive” experience when The Phil performs Mahler’s Second Symphony in C Minor at two afternoon shows, on Feb. 24 and Feb. 25.

“There are gigantic forces involved,” he said. “A huge orchestra, gigantic percussion, an off-stage band, a chorus of about 80 or 90, and two soloists. I think the audience can’t help but get immersed.”

The upcoming performance will feature two guest solo vocalists. Alto Hannah Murray is a Plymouth State University faculty member, and soprano Dr. Evangelia Leontis is from Keene State University. As the combined choirs from both schools are also performing, “it seemed appropriate and sensible to use their own faculty,” Latham said. “I have worked with both of them; they both have fabulous voices.”

The Keene State Concert Choir, directed by Dr. Sandra Howard, is non-auditioned and open to all students regardless of major. Plymouth State’s includes both students and community members in its non-auditioned University Chorale. Conversely, the Chamber Singers are an auditioned ensemble that tours nationally and internationally. Both are directed by Harmony Markey.

Despite its name, the Resurrection Symphony isn’t a Christian work; most biographers say the Jewish born composer was agnostic, though it does explore life, death, and death’s transcendence. Mahler, who was born in the mid-19th century and had siblings who died in infancy, was captivated by the topic of death.

“One of the games that he and his brothers and sisters would play would be to reenact funeral marches — a natural thing as kids, right?” Latham said, adding that Mahler wrote a piece called Polka and Funeral March before he was 10. “Even from a very young age, he was concerned with dying … how we can better live through understanding what death means, and what happens after death.”

Finishing the symphony was difficult for Mahler, who got stuck on choosing a text for the choral section in the final movement (stirringly recreated in the Leonard Bernstein biopic Maestro). Before that, he’d shared the first section with renowned conductor Hans von Bülow, who didn’t like it; he covered his ears. “This sent Mahler into a big funk,” Latham said. “He didn’t compose for quite a while after that.”

When Bülow died, though, a reading of Friedrich Gottlieb Klopstock’s poem “Die Auferstehung (The Resurrection)” at his funeral finally gave Mahler clarity. “That was the a-ha moment for him,” Latham said. “He raced back and began finishing the final movement.”

For Latham, the Resurrection Symphony “is an incredible journey … an exploration of the big themes of our lives.” He offered his thoughts on its five stages.

“The first movement is as long as a Beethoven symphony; its original name is Funeral Rites, and in a way, it’s the funeral of the hero that he presented in his first symphony,” he said. “Then it just goes from there, there’s a lovely, gentle, what’s called a Ländler, a German dance, in the second movement, then Saint Anthony and the Fish in the third movement,” which includes a song from a set of Mahler poems.

“Philosophically, it’s expressing in a way what seems to be the senselessness of human existence,” Latham said. “Saint Anthony goes to preach and the church in Padua is empty; then he goes and preaches to the fishes. They’re swimming about, and don’t pay much attention either. The actual song is hilarious.”

The fourth movement, Primordial Light, “is really pure and angelic,” and includes Murray’s alto solo. An apocalyptic vision commences the first half of the fifth movement, “followed by looking at what resurrection might mean — even if you’re not Christian, in fact. It’s just a gigantic voice, and you get swept up. Before you know it, it’s almost over. It’s fantastic.”

Mahler’s Resurrection Symphony
When: Saturday, Feb. 24, and Sunday, Feb. 25, 2 p.m.
Location: Seifert Performing Arts Center, 44 Geremonty Dr., Salem
Tickets: $5 to $35 at nhpo.booktix.com

Featured photo: Mark Latham. Courtesy photo.

The Art Roundup 24/02/15

The latest from NH’s theater, arts and literary communities

An Agatha Christie mystery: The Community Players of Concord will present Witness for the Prosecution, the 1953 play by Agatha Christie about a man accused of murdering a rich widow, this weekend at the Concord City Auditorium (2 Prince St. in Concord). The play “covers a sensational murder trial both in the courtroom of London’s ‘Old Bailey’ and behind the scenes in the barrister’s chambers as the action unfolds,” according to a press release. Witness for the Prosecution runs Friday, Feb. 16, and Saturday, Feb. 17, at 7:30 p.m. and Sunday, Feb. 18, at 2 p.m. Tickets cost $20 for adults, $18 for 65+ or 17 and under. See communityplayersofconcord.org for tickets and a cast list.

Celtic dance: The Aaron Tolson Dance Institute will hold a Celtic Intensive on Tuesday, Feb. 20, and Wednesday, Feb. 21, with four separate classes each afternoon starting at 4 p.m. at the Dana Center for the Performing Arts on the campus of Saint Anselm College in Manchester (tickets.anselm.edu). On Feb. 20 the classes will be intro to Cape Breton (4 p.m.), intro to Irish soft shoe (5 p.m.), intro to hard shoe (6 p.m.) and intro to Ceili dancing (7 p.m.), according to tickets.anselm.edu. Classes on Feb. 21 will be the intermediate versions of all those classes. A one-class pass costs $30, a four-class pass costs $100; see the website for details.

A Continuation of Love
NSquared Dance Company will present A Continuation of Love, a dance performance and fundraiser featuring food, drinks, raffles, a silent auction and of course dance, on Sunday, Feb. 18, at 4 p.m. at the Rex Theatre (23 Amherst St. in Manchester; palacetheatre.org). The event is presented by the New Hampshire Dance Collaborative, and many of the professional dancers from NSquared Dance Company are originally from New Hampshire, according to a press release. Tickets cost $50. To learn more about NSquared, see nsquareddance.org; see nhdancecollective.org for more on their organization.

Open mic: An open mic for writing of all kinds is held on the third Wednesday of each month at Bookery (844 Elm St. in Manchester; bookerymht.com) from 5 to 7 p.m. On Wednesday, Feb. 21, poet and artist Stephan Anstey will provide the featured reading, according to a press release. The event is free.

Art show: The Prospect Hill Gallery Winter Art Show at Prospect Hill Antiques (31 River Road in Sunapee; prospecthillantiques.net) will open Saturday, Feb. 17, at 3 p.m. The gallery is open Tuesdays through Sundays from 11 a.m. to 4 p.m. The show will feature artists from the Center for the Arts as well as other artists, such as Ron Brown, according to a Center for the Arts press release. See centerfortheartsnh.org.

Youth auditions: The Palace Youth Theatre will hold auditions for its April production of A Midsummer Night’s Dream. The auditions are performers in grades 2 through 12 with rehearsals generally Thursdays through Saturdays, according to an email from the Palace Youth Theatre. The auditions will take place Thursday Feb. 29, with sessions at 5, 6 and 7 p.m. at Forever Emma Studios (516 Pine St. in Manchester). After signing up for the auditions, performers will receive a list of monologues to choose from to perform at the audition, the email said. Contact [email protected] with performer’s name, age and preferred audition time, the email said.

On the Exhale
Theatre Kapow (tkapow.com) presents On the Exhale, a full-length drama that “offers a complex examination of America’s gun violence crisis,” at the Bank of NH Stage (16 S. Main St. in Concord; ccanh.com) on Friday, Feb. 16, and Saturday, Feb. 17, at 7:30 p.m. and Sunday, Feb. 18, at 2 p.m., according to a press release. Carey Cahoon, Kapow co-founder and managing director, will play the sole character in the show. Tickets to the show cost $33.75 ($26.75 for seniors & students). The Sunday, Feb. 18, show will feature ASL Interpretation as well as a post-show conversation about the impact of gun violence on New Hampshire, according to Theatre Kapow’s website. The play will also run Friday, March 1, through Sunday, March 3, at the Winnipesaukee Playhouse in Meredith. See tkapow.com for tickets to either show.

Brotherhood, family and one big hammer

Thor & Loki tale turns theatrical

The Marvel Comic Universe meets High School Musical, sans big song and dance numbers, in Hammered: A Thor & Loki Play, to be performed by the Peacock Players youth theater group at the Janice B. Streeter Theatre in Nashua from Friday, Feb. 16, through Sunday, Feb. 18. The original work comes via Marvel Spotlight, a brand extension that aims to put a different spin on the comic book and blockbuster film franchise.

Hammered was written by two-time Tony-winning actor Christian Borle. In a 2019 video to promote Marvel Spotlight, Borle talked about liking the idea of using characters and comic tropes to get deeper into the superhero dynamic — while also shaking up the story a bit.

“In my universe, Loki is not the bad guy,” he said. “They drive each other crazy, but there’s a real fraternal bond between them. It’s brotherhood, family, and one big hammer.”

Directing the Peacock Players production is Samantha Searles, who grew up in southern New Hampshire and returned last November at the behest of Peacock Executive Director Elle Millar. Searle attended UNH’s Manchester campus and earned her undergraduate degree at Suffolk University in Boston.

“I’ve been a big fan of the Marvel Universe since I was in middle school, so to be able to work on it, with middle and high school kids, is really cool,” first-time director Searles said in a recent phone interview. “It’s fun, and we get to play around with accents, costumes and all that to bring it from big movies and TV to the stage.”

The hour-long play is set in a modern high school and revolves around a story, told by an aged Thor to his granddaughters, of life when he was a teenager.

“You travel between Earth through the eyes of some kids in the school, back through the cosmic void … to Asgard,” Searles said. “This would take place after Avengers: Endgame, but before the Loki show.”

The earthbound protagonists are a jock and a comic book nerd, patterned after Thor and Loki, but “they’re written to kind of subvert the traditional roles a little bit,” Searles observed. “The jock is actually interested in reading about Thor, which makes a lot of sense because Thor is the jock character, but he’s got a heart of gold … hopefully, audiences will get a kick out of a different take on these classic characters.”

The teenage cast “is super talented and having a lot of fun together,” Searle continued. “So much fun that last week during rehearsal my asthma got triggered because I was laughing so hard. The show is quirky, really weird, and I’ve told them to lean into that. [For example], Asgardians live for thousands of years, so even though it seems like you’re teenagers you really have thousands of years of backstory and things; play around with that.”

The current show offered a unique opportunity for newcomers reluctant to try out for musicals, like Once Upon a Mattress Youth Edition, which opens March 17, and Xanadu, which runs May 12 to May 21. “It’s just a play, and that widens the number of kids we can have,” Searles said. “Not everyone’s a singer or a dancer.”

Auditions for a teen-centric production of the Broadway hit Six will begin in June. Peacock Players welcomes new talent; the cast of Hammered also includes a first-timer.

“We can always use more kids,” Searles said. “Our tech and stage crew are largely kids too, and they get to learn about all the technology and stuff behind the scenes. There’s definitely lots of room for people to join.”

When: Friday, Feb. 16, 7 p.m.; Saturday, Feb. 17, 2 and 7 p.m., and Sunday, Feb. 18, 2 p.m.
Location: Janice B. Streeter Theatre, 14 Court St., Nashua
Tickets: $12 to $18 at peacockplayers.org

Featured photo: Rehearsal for Hammered: A Thor & Loki play. Courtesy photo.

The Art Roundup 23/02/08

The latest from NH’s theater, arts and literary communities

Own an original Tomie dePaola: The Currier Museum of Art (150 Ash St. in Manchester; Currier.org, 669-6144) is selling 200 tickets at $50 each for a raffle of two original artworks by artist, author and illustrator Tomie dePaola. The sale runs through Feb. 29. See the website for a look at the pieces being raffled and to purchase tickets. The funds raised support the Tomie dePaola Art Education Fund, which was “created by the Currier in Tomie’s memory” and “awards scholarships to lower-income families and disadvantaged youth, allowing them to participate in our classes and camps throughout the year,” according to the website.

Save the date for Chris Bohjalian: Author Chris Bohjalian will discuss his new novel The Princess of Las Vegas and more at the Bank of NH Stage (16 S. Main St. in Concord; ccanh.com) on Wednesday, March 27, at 7 p.m. The event is part of Authors on Main and is a collaboration between Gibson’s Bookstore, New Hampshire Public Radio and the Capitol Center for the Arts and will feature Bohjalian in conversation with NHPR’s Rick Ganley, according to a press release. Tickets cost $39 (one admission and one hardcover copy of The Princess of Las Vegas) and $49 (for two admissions and one book).

More coming up at Gibson’s: Gibson’s Bookstore (45 S. Main St. in Concord; gibsonsbookstore.com, 224-0562) has several author events coming up. On Tuesday, Feb. 20, at 6:30 p.m. Margo Cooper will discuss her book of photographs and interviews Deep Inside the Blues with Holly Harris, host of WUMB’s Spinning the Blues. On Wednesday, Feb. 21, at 6:30 p.m. Leila Philip will discuss her book Beaverland: How One Weird Rodent Made America. On Tuesday, Feb. 27, at 6:30 p.m., Matthew J.C. Clark, a Maine carpenter, will discuss Bjarki, Not Bjarki: On Floorboards, Love, and Irreconcilable Differences. On Wednesday, Feb. 28, at 6:30 p.m., Pembroke-based author Avree Kelly Cark will discuss her book Malice Aforethought: A True Story of the Shocking Double Crime That Horrified Nineteenth-Century New England. On Tuesday, March 12, at 6:30 p.m. author and gardener Jane Hawley Stevens will discuss her new book The Celestial Garden: Growing Herbs, Vegetables and Flowers According to the Moon and Zodiac. On Thursday, March 14, at 6:30 p.m. Casey Sherman will discuss her book A Murder in Hollywood: The Untold Story of Tinseltown’s Most Shocking Crime.

New exhibit: Mariposa Museum & World Culture Center (26 Main St. in Peterborough; 924-455, mariposamuseum.org) features an exhibit from New Hampshire photographer Becky Field called “Crying in the Wilderness” that illustrates “the physical and emotional toll of immigrant detention,” according to a press release. The exhibit features the story of an African man who sought asylum in the U.S. in 2018 and moved in 2020 to the Seacoast, where his movements were tracked via an ankle monitor, according to a press release. Admission to the museum costs $8 for adults, $6 for seniors. The exhibit will be on display through Sunday, April 14. The museum is open Wednesdays through Sundays from 11 a.m. to 5 p.m.

On display in Rochester: The Rochester Museum of Fine Arts (rochestermfa.org) exhibition “Neither Created Nor Destroyed” featuring works by Julie K. Gray is on display in the Bernier Room at the James W. Foley Memorial Community Center (150 Wakefield St. in Rochester) through Friday, March 1. The building is open Monday through Friday from 8:30 a.m. to 6 p.m.

MARDI GRAS CELEBRATION
Celebrate Mardi Gras (Tuesday, Feb. 13) with a performance by the Soggy Po Boys at the Rex Theatre (23 Amherst St. in Manchester; palacetheatre.org) on Saturday, Feb. 10, at 7:30 p.m. The show will feature New Orleans-style jazz, Caribbean music, funk, soul and brass band/street beat music, according to the website. Tickets cost $29.
CIRQUE US
Circus company Cirque Us, featuring “acrobats, aerials and quirky clowns,” will present One Man’s Trash on Thursday, Feb. 22, at 7 p.m. at Stockbridge Theatre (44 N. Main St. in Derry; stockbridgetheatre.showare.com, 437-5210), according to a press release. Tickets cost $22.


Stay in the loop!

Get FREE weekly briefs on local food, music,

arts, and more across southern New Hampshire!