The Art Roundup 24/05/09

The latest from NH’s theater, arts and literary communities

In French: The New Hampshire Philharmonic Orchestra performs French Fantasies, including Berlioz’s “Roman Carnival Overture” and Saint Saëns’ Organ Symphony, at Ste. Marie Roman Catholic Church (378 Notre Dame Ave. in Manchester, 622-4615, enterthenarrowgate.org) Saturday, May 11, at 7:30 p.m. and Sunday, May 12, at 2 p.m. Tickets are $35, $30 for seniors and $10 for students, and can be purchased through the Phil’s website, nhphil.org.

Going outdoors: The Londonderry Arts Council, in collaboration with the New Hampshire Art Association, has announced a plein air painting event to take place in Londonderry on Wednesday, May 15, from 8 a.m. to noon, according to a press release. Plein air painting is a practice of painting landscapes outdoors to capture the natural world’s beauty directly. Artists of all skill levels, from established to aspiring, are invited to participate, according to the release. The painting session will be followed by a communal potluck picnic on the town common. To register for this free event, visit the New Hampshire Art Association Special Interest Groups website at nhartassociation.org/special-interest-groups-copy, scroll down to the Plein Air section and select “Click Here” to access the sign-up form, according to the release. Visit londonderryartscouncil.org.

CATCH THIS
Catch Me If You Can: The Musical will be presented by the Actorsingers on Friday, May 10, and Saturday, May 11, at 8 p.m. and Sunday, May 12, at 2 p.m. at the Keefe Center for the Arts (117 Elm St. in Nashua). Based on the hit film and the incredible true story, Catch Me If You Can is the high-flying musical comedy about chasing your dreams and not getting caught. Tickets cost $20, $18 for seniors and students. See actorsingers.org.

Art & flowers: Mosaic Art Collective (66 Hanover St., Suite 201, Manchester) holds an opening night on May 11, from 4 to 8 p.m. for their upcoming exhibition “Resurgence: Art of the Botanical,” which is on display now and will run through Friday, May 31. At the opening night guests can meet the artists, explore their creative processes, and enjoy the company of fellow art enthusiasts, according to a press release. Additionally, Mosaic’s high school open studio program has prepared a special installation; three local florists will be creating unique arrangements for auction to benefit Planned Parenthood of New Hampshire, and the exhibition offers a perfect setting to engage with the community and experience the connection between art and nature, according to the same release.

Call for art: Twiggs Gallery (254 King St. in Boscawen) invites New Hampshire artists to enter artwork inspired by the impossible, the surreal and the fantastical for its summer juried exhibition “When Pigs Fly,which is inspired by the idiom suggesting that something is utterly improbable. Twiggs encourages participants to explore the limits of imagination and break free from the constraints of reality whether the result is silly, serious, mystical or magical, truth, fiction, political, personal, or even pigs since Twiggs Gallery invites broad interpretations based on the theme, according to a press release. The deadline to enter is Sunday, May 19, and local artist Donna Catanzaro will serve as the exhibit’s juror, according to the same release. Catanzaro, who has exhibited her work nationally, is an interdisciplinary artist with an MFA from Goddard College who through mixed media sculpts from household items and delves into memory and body image, infusing each creation with her distinctive wit, according to the same release. Learn more about Donna at donnacat.com or visit twiggsgallery.org.

New exhibit: The Currier Museum of Art (150 Ash St. in Manchester), as part of a series of exhibitions and commissions looking at the relationship between fine art and crafts conceived for the museum’s Welcome Gallery, has announced a new collaboration with New York-based artist Elisabeth Kley titled “Cymodocea” starting on Thursday, May 16, which will run until Sunday, Aug. 25, according to the press release. Cymodocea is the scientific name of a sea grass that lives in warm water. Kley’s new installation will combine her signature ceramic sculptures with wall paintings, effectively creating an environment rich with references that span from classical times to the history of modernism. The exhibit is supported by Outer Space Arts in Concord. Visit currier.org.

CELEBRATE POETRY
All are invited to the State Poet Laureate Celebration at the State Library (20 Park St. in Concord) on Saturday, May 11, from 2 to 4 p.m. The event will show gratitude to outgoing New Hampshire Poet Laureate Alexandria Peary and welcome Jennifer Militello of Goffstown as the next New Hampshire Poet Laureate, according to a press release. Militello will serve a five-year term that began in April. The state’s Poet Laureate serves as an ambassador for all poets in New Hampshire and works to heighten the visibility and value of poetry in the state, according to the same release.

Learn watercolors: The Currier is also offering a five-week in-person watercolors class that will run Thursday, May 16, through June 20 from 5:30 to 7:30 p.m. In Watercolors for Beginners and Beyond students can explore the possibilities of watercolor with instructor Peter Clive, according to a press release. Participants will use landscape and still life as subject matter and have fun experimenting with various painting techniques, creating washes and using color layering to create dynamic works each week, according to the same release. All materials are provided for use during class time. There will be no class on Thursday, May 30. Enrollment costs $247.50 for members and $275 for non-members with tuition discounts available while registering. Visit currier.org.

On Frost: The Stockbridge Theatre (44 N. Main St. in Derry) will host a performance of Robert Frost: This Verse Business on Sunday, May 12, at 2 p.m. The poet and former Pinkerton Academy teacher charmed audiences with his celebrated verse and rascally sense of humor, according to a press release. Frost will be played by Emmy-winning actor Gordon Clapp, known for his role on NYPD Blue as Det. Medavoy, among other roles. In Clapp’s performance the poet shares his verse from memory along with his “wild surmises” on art, religion, science, “radicals” and “conservatives,” as the material is gathered from recordings and writings of Robert Frost, according to the same release. A.M. Dolan’s Robert Frost: This Verse Business won Best New Play (the Kaplan Award) at the Eventide Arts Festival in 2010, and Best Production at the United Solo Play Festival in New York City in 2013. Tickets cost $25 to $30 and are available at stockbridgetheatre.showare.com or by calling the box office at 437-5210. Read an interview with Gordon Clapp on page 16 of the April 4 issue of the Hippo; find the e-edition at hippopress.com.

Zachary Lewis

Forever young

Tuck Everlasting latest musical from Powerhouse

An upcoming show at Laconia’s Colonial Theatre explores the idea of eternal life, how desire to live forever can be all-consuming, and what the consequences of achieving immortality might be.

Tuck Everlasting began as a children’s novel by New Hampshire writer Natalie Babbitt that later became a movie in 2002. A Broadway adaptation was nominated for a Tony but only lasted for 39 performances. Fortunately, Bryan Halperin, who runs the Powerhouse Theatre Collaborative with his wife, Johanna, caught one and was enamored.

It was part of “a string of shows we saw for a couple of years where we really enjoyed them and they all flopped,” he said by phone recently. Halperin has learned firsthand how a show can come up short in New York but make it elsewhere. Last year he directed Captains Courageous and won for Best Musical at the New Hampshire Theatre Awards, even though an off-Broadway production of it opened and closed quickly.

“How something does on Broadway is not necessarily reflective of it as a musical property that actually moves people, and people love,” he said.

Tuck Everlasting, he continued, is an uplifting musical, and wonderful songs are just one reason. Particularly moving is a 10-minute dance sequence that traces the arc of the main character’s life. “It’s the climax of the musical, without singing, just music and dance,” he said. “We wanted to do it someday, and this was the day.”

Choreographer Meg King will oversee dancing for Powerhouse’s three-day run.

“That’s the most exciting thing for me in this production,” Halperin said. “Meg is doing some legitimate lyrical ballet dance that we don’t usually get in musicals [and] the last sequence is astounding to watch; people in the cast get tears in their eyes every time they see the dancing.”

In 2004, the Halperin family relocated from Massachusetts to the Lakes Region and opened the Winnipesaukee Playhouse, which they ran for 10 years. After, Halperin said, “we were nomads for a while, doing stuff with Hatbox and Community Players of Concord. Then we got kind of recruited out of our full-time retirement to start up again.”

Powerhouse Theatre Collaborative was formed in 2020 as a way to continue a program of performances at Belknap Mill and got its name from the historic facility. It became an independent nonprofit last year. It has also been the Colonial’s resident theater company since it opened.

“We constantly pinch ourselves that we get to do theater and rehearse in this beautiful space.” Halperin said. “For a 750-seat theater, it has an intimacy to it…. We feel very lucky that it’s our home.”

Powerhouse always looks to spur involvement in its work, for actors and people who love theater.

“To really emphasize the community building nature of community theater,” Halperin said. “It’s about collecting people into the family, finding ways for them to shine on stage no matter what role they’re in, and surrounding them with high-quality production values.”

One example is the annual performance of A Christmas Carol. Over the years, they’ve added a choir that performs prior to the show and later adds vocal color from the boxes. “That allowed more people to get involved than we could fit on the stage in character roles,” Halperin said. “We try to find ways to engage as many people as possible for each production.”

Looking back, Bryan and Johanna are still happy with their decision to move north.

“We do think about how our life changed by making that choice to leave our careers and start a theater company,” he said. “But the rewards of community and artistic expression, being in a job that our children could be involved with and grow to love as well, far exceeded our expectations. It hasn’t always been easy, but it has definitely been emotionally rewarding.”

Halperin encouraged people to come out for Tuck Everlasting.

“Everyone involved gets such joy out of singing the music and telling the story,” he said. “It’s a great Mother’s Day weekend, take the family show, kids of all ages are appropriate. I’m pretty sure you will love it if you come to see it.”

Tuck Everlasting
When: Friday, May 10, and Saturday, May 11, at 7:30 p.m.; Sunday, May 12, at 2 p.m.
Where: Colonial Theatre, 609 Main St., Laconia
Tickets: $18 to $22 at etix.com

Featured Photo: Nikolai Fernandez and Maci Johnson as Jesse Tuck and Winnie Foster in Tuck Everlasting. Courtesy photo.

The Art Roundup 24/05/02

The latest from NH’s theater, arts and literary communities

Spring fair: The Craftworkers’ Guild in Bedford will open their spring fair on Thursday, May 2, at the Oliver Kendall House (3 Meetinghouse Road in Bedford, at the bottom of the library parking lot). The guild’s fair is open from 10 a.m. to 5 p.m. daily through Saturday, May 11. See thecraftworkersguild.org.

Tribute, with laughs, to Broadway: Forbidden Broadway, a musical spoof of Broadway shows and stars, will come to Stockbridge Theatre (5 Pinkerton St., Derry; stockbridgetheatre.showare.com) on Thursday, May 2, at 7 p.m. A theatrical institution since 1982 when Gerard Alessandrini created the first edition, lampooning the Broadway shows and stars of the day, Forbidden Broadway in its newest edition includes good-natured shots at Moulin Rouge, the all-Yiddish Fiddler on the Roof, Hadestown, and this season’s dark Oklahoma! revival, along with Dear Evan Hansen, Tootsie, Beetlejuice, Frozen and a whole new generation of Broadway stars, plus some classic laughs from The Lion King, Phantom of the Opera, Les Miz and others, according to a press release. Tickets cost between $35 and $45. Call 437-5210 for tickets.

Tale as old as time: Windham Actors Guild brings Disney’s Beauty and the Beast to the stage for audiences at Windham High School Auditorium (64 London Bridge Road in Windham) on Friday, May 3, at 7 p.m.; Saturday, May 4, at 7 p.m., and Sunday, May 5, at 2 p.m. This classic musical is brought to life by a talented cast of adults and youth, a live orchestra, beautiful settings, and costumes, according to a press release. Ticket prices are $22 for those 18 and older, $18 for students and seniors, and $15 for children under 12, according to the same release. Visit windhamactorsguild.com or call 247-8634.

Fiddles! The New Hampshire Fiddle Ensemble begins a series of performances this Friday, May 3, in Rochester. This community orchestra made up of approximately 100 musicians of all ages and abilities plays a variety of acoustic instruments, according to their website. Performance dates include Friday, May 3, at 6:30 p.m. at the Rochester Opera House (31 Wakefield St. in Rochester); Saturday, May 11, at 6:30 p.m. at Interlakes High School Auditorium (1 Laker Lane in Meredith); Saturday, May 18, at 6:30 p.m. at Exeter Town Hall (9 Front St.) and Sunday, May 19, at 2 p.m. at the Derryfield School (2108 River Road in Manchester). The ensemble features fiddles, guitars, banjos, mandolins, basses, harps, cellos and more, according to a press release. See nhfiddleensemble.org for tickets.

Classical meets folk: The Rex Theatre (23 Amherst St in Manchester; palacetheatre.or) will feature The Kruger Brothers on Saturday, May 4, at 7:30 p.m. Their remarkable discipline, creativity and their ability to infuse classical music into folk music has resulted in a unique sound that has made them a fixture within the world of acoustic music, according to the event’s website. Tickets range from $35 to $49. Gold Circle tickets include a meet-and-greet with the band after the show. Visit palacetheatre.org.

Art Stroll
This year’s May Gallery Stroll in New London includes two new locations, Whipple Hall and Grounds Coffee, making six locations during this First Friday Gallery Stroll’s artist’s reception scheduled for Friday, May 3, from 5 to 7 p.m. at each gallery location, according to a press release. This event is free and allows guests to meet local artists, enjoy art, and connect with the community, according to the release. Starting at Whipple Hall there will be an exhibit of Ruth Wynn’s work as a ‘memoriam’ of her talent; Grounds Coffee will host emerging artists such as Emily Philbrick of Artsy Em Designs, who strives to provoke emotion and transform spaces with her abstract work, landscape scenes and linework; teen artist Grace Scarlet will be featured at the Bar Harbor Bank; Blue Moon Bakery will showcase artists Debbie Campbell and Sherie Dowsett; The Tatewell Gallery will feature works by New York City native Tom Barber; the New London Inn will host artwork from Alison Vernon, who has been painting for over 40 years, and The Fleming Center Connolly Gallery at the New London Barn will host art by Timothy Sievers. Visit centerfortheartsnh.org/microgalleries.

On stage, part 1: The Players’ Ring (105 Marcy St., Portsmouth) presents The Legend of Georgia McBride by Matthew López, directed by Joe Juknievich, from Friday, May 3, to Sunday, May 19, with shows on Fridays and Saturdays at 7:30 p.m. and Saturdays and Sundays at 2:30 p.m., according to their website. The show follows Casey, an Elvis impersonator who has everything until in a flash he loses his gig, his rent is overdue and his wife announces a baby on the way. So when Elvis leaves the building and a drag show moves in, “The King” transforms into an all-out queen with the help of some new friends who become the second family Casey never saw coming. Tickets are $31, $28 for students and seniors. Visit playersring.org or call 436-8123.

On stage, part 2: Spring Awakening opens at the Seacoast Repertory Theatre (125 Bow St. in Portsmouth; seacoastrep.org, 433-4472) on Thursday, May 2, and runs through Sunday, May 26. Shows this weekend are at 7:30 p.m. on Thursday, 8 p.m. on Friday, May 3, and 2 and 8 p.m. on Saturday, May 4. Tickets cost $37 to 68, according to the website. The Rep is also continuing its run of Willy Wonka, which is on stage through Sunday, May 19. This weekend catch it on Sunday, May 5, at 2 and 7:30 p.m.

A truth Universally Acknowledged
The Community Players of Concord will presents Pride and Prejudice at Concord City Auditorium (2 Prince St. in Concord, 228-2793, theaudi.org) Friday, May 3, and Saturday, May 4, at 7:30 p.m., and Sunday, May 5, at 2 p.m. Adapted by Kate Hamill from the novel by Jane Austen, the Players describe the adaption as “fresh and funny, hip and hilarious” on their Facebook page, where you can see photos of the cast in costume. “This is not your usual Pride and Prejudice. There are a couple of balls, lovely costumes, but there’s also disco, modern music and Mr. Darcy’s shirt stays absolutely dry, ” according to the director’s notes as quoted in a Players’ Facebook post. Tickets cost $20 for adults, $18 for age 17 and under and seniors 65+. See communityplayersofconcord.org. At left, Travis Laughlin is Mr. Darcy, Julia Kehr is Elizabeth Bennet. Photo by Michael von Redlich.

Makers market: Shop the Squam Lake Vintage & Makers Market at Cottage Place at Squam Lake (1132 Route 3 in Holderness; cottageplaceonsquam.com) on Saturday, May 4, and Sunday, May 5, from 9 a.m. to 4 p.m. each day. Admission is $5. The market will feature vendors, live music, food and a mobile bar, according to an email.

ARTalk: Registration is open for an ARTalk with London-based artist Hew Locke on Sunday, May 19, at 2 p.m. at the Currier Museum of Art (150 Ash St. in Manchester; currier.org, 669-6144). The cost is $30 for adults, $25 for 65+ or students with ID, $15 for ages 13 to 17, $10 for museum members and free for children (the cost includes museum admission). Locke’s sculptural installation “Gravesend” is on display at the Currier and he has an exhibition, “The Procession” at the Institute of Contemporary Art Watershed in Boston on May 23, the website said.

Whose Town?
Take in a classic when the Nashua Theatre Guild presents Thornton Wilder’s Our Town on Friday, May 3, and Saturday, May 4, at 8 p.m. and Sunday, May 5, at 2 p.m. at the Court Street Theater (14 Court St. in Nashua). Our Town shares the idea that we live life without really appreciating what it has to offer, according to a press release. The Nashua Theatre Guild asks that if you dine in at the Margaritas in Nashua on Saturday, May 4, between noon and 11 p.m., you mention the Nashua Theatre Guild — if you do, 20 percent of your bill will be donated to NTG, according to the release. Tickets to the show are $20 for adults (18 and older), $18 for students and seniors. Visit nashuatheatreguild.org.

Not your mother’s family portrait

Manchester artist creates dream-like synthesis of photos

By Zachary Lewis
[email protected]

Self-taught photographer Karen Jerzyk invites families of all shapes and sizes to head over to her studio space at Morgan Self Storage (400 Bedford St. in Manchester) to partake in an alternative to the generic family portrait. Jerzyk is a true artist and her work has appeared on the Tonight show with Jimmy Fallon, but this is just icing on the surreal and fantastical cake that is her style.

“People come, they have fun, they get their pictures,” Jerzyk said.

She mentioned that one family in particular told her, “We’ve been looking for something like this to do … family photos are strange, we feel uncomfortable having a picture of us on the wall not portraying our personalities. We feel better putting this kind of stuff on the wall.”

One family consisting of a mother, father, son and daughter are taking part. “The son, he did green, the girl did pink” and the parents are going to do different colors, Jerzyk said.

People can dress up and even bring their pets.

“I have a lot of accordions over there … people can use props…. I have like 10 tons of wardrobe,” she said.

Jerzyk had “wanted to do another monochromatic color series,” so she thought, “I’ll do it again and invite the public to come and get their portrait taken. Which is a kind of win-win because it also helps me pay for the materials to actually do this stuff for my portfolio.”

Jerzyk just did the color green, is now focusing on pink and will move into blue later in May. Those who sign up can expect to spend a half hour of their time and $40 plus a small eventbrite fee to receive a movie-quality portrait that captures their essence.

“I get a lot of inspiration from movies,” Jerzyk said. “I grew up in the ’80s. … I like the sci-fi, like, that vaporwave, neon-y, just the vibe of the ’80s I’ve always loved.” One aspect of that time period was the practical and analog effects needed to create a realistic version of unreality.

“It’s always important to me that when I do this … that it’s real, that I don’t Photoshop anything.” With the growth of artificial intelligence in image creation and the charlatans who wield it for profit, Jerzyk wants to assure clients of her authenticity. “They’re getting what I say is going to happen.”

She does use Lightroom software for some color-correcting and shoots with a Canon R5C, usually with some type of wide-angle lens. “I’ve always loved using Canon.”

Jerzyk buys tons of paint for her monochromatic color series too, as the saturation of color is crucial to the design. “It’s very strange when things are painted all the same color. It’s very surreal,” she said.

“For pink, I kind of wanted to not go the typical what people would think pink would be, so I had two skeletons in here — and it killed me to paint those ’cause they’re kinda expensive, they’re poseable skeletons. I just like building stuff that is just surreal, that people wouldn’t necessarily get a chance to insert themselves into or experience or get their photo taken in.”

Apart from the color series, her studio has a collection of permanent sets that range from a prototypical grandparents’ home from the early ’80s to a retro-futuristic diner complete with a bar and barstools, a jukebox, and a neon breakfast sign.

Before getting into portraiture, Jerzyk did around 10 years of music photography. She enjoyed album covers and art, and started by sneaking disposable cameras into concerts, so when she graduated from the University of New Hampshire in 2003 her parents gifted her a digital camera. But the music scene was not where Jerzyk was destined to stay.

“I started getting bored with it because I think deep down I was just missing a creative outlet … it was definitely awesome getting a photo pass, especially for bands I really like,” Jerzyk said, but she was looking for something more. “If I can’t say or show people what’s in my head, it’s not something I can keep doing.”

“I expressed [this] to a friend around 2008 and he was like, ‘How come you never shoot portraits of people?’ I was like, I don’t know, I’m kind of awkward and introverted … meeting up with a stranger and directing them, back then it seemed like a nightmare to me.”

It was a long but necessary road to take to get where she is today. “I think it’s important for people to know that when I started doing this stuff it was not good. I think that self-realization is good, though, because then you know you can be better…. It took a while to get, I guess I’d call it an aesthetic voice or just an aesthetic in general,” Jerzyk said.

Jerzyk’s vision is solid and at the same time fluid, abstract yet concrete, and a pleasure to experience. “Now when people see my work they know it’s mine,” she said, “but it took a couple years to get that.”

Karen Jerzyk photography
karenjerzykphoto.zenfolio.com
$40 for a 30-minute portrait session.
Tickets are available at Eventbrite:
eventbrite.com/e/karen-jerzyk-presents-tickets-870680748557.

Featured Photo: Photo by Karen Jerzyk

Making the show

New twist to NH Gay Men’s Chorus concerts

Every year since 1998 the New Hampshire Gay Men’s Chorus has performed a series of concerts. This year they invite the audience to go behind the scenes and see how the program is chosen, in an evening of music laced with theater called Putting It All Together. Luc Andre Roberge, NHGMC’s Artistic Director, said in a recent Zoom interview that the chorus will portray the path from brainstorming songs to turning them into a show.

“Let’s get the audience to experience what it’s like to put this whole thing together,” he said. This year they will again perform four shows, one each in Concord, Manchester, Nashua and Stratham, along with several outreach shows across the state at assisted living facilities and other places.

Selections in the upcoming concerts include Ike & Tina Turner’s version of “Proud Mary,” with the slow-groove first part performed in the program’s early set and the rocked-up “nice and rough” section in the second half. The program also has “A Million Dreams” from The Greatest Showman, a medley from Hamilton and Dear Evan Hansen, and a song most will recognize from The Big Bang Theory, Barenaked Ladies’ “The History of Everything.”

The show closes with “Why We Sing,” a song that NHGMC President John McGeehan called “very meaningful” during the same interview. “Even when you don’t understand someone’s language, you can still get the emotion and the feeling and the expression through their music,” he said. “There are few things out there that are like that. I think that’s a really powerful statement to leave our audience with.”

Though it’s a musical entity, NHGMC has higher aims.

“Part of our mission statement is to share the joy of music with the residents of New Hampshire, but also to be representatives of the LGBT community, give it a positive image,” McGeehan said. “I think that’s really important, especially now.”

Roberge noted that at the chorus’s first performance, some members asked that their names not be listed in the program, while others wore dark glasses or hats to obscure their identities.

“It was a very different world in 1998 than the one we live in now,” he said. “People didn’t go about telling people that they were gay. One didn’t really even come out, certainly not in the state of New Hampshire.”

Thankfully, that’s changed. The Granite State legalized same-sex marriage in 2010. In 2018 Gov. Sununu and Rep. Chris Pappas joined to celebrate NHGMC’s 20th anniversary. Last year Manchester Mayor Joyce Craig signed a proclamation declaring New Hampshire Gay Men’s Chorus Day in the city. And one recent fact in particular stands out for Roberge. “Less than half of all our concert attendees identify as gay,” he said. “That says there’s a lot of acceptance in the state.”

Roberge was a charter member of NHGMC and became Artistic Director in 2000. He co-leads the chorus with Principal Accompanist Gary Finger. Among Roberge’s memories of his tenure, the one that stands out as his favorite isn’t musical. While in his 30s, he came out to his parents, urged by fellow chorus members who thought they should see him sing a solo rendition of “Old Man River” at an upcoming concert.

Though he had a good relationship with them that included strong support for his music, Roberge worried that telling them his truth would damage it. His mother cried upon hearing the news, but not for reasons he’d feared.

“‘How many concerts did I miss?’ was her question to me,” he said. “She was so upset that she’d missed all that time — five years with the chorus at that point.”

Immediately, she and her father left the house for a series of face-to-face visits, ultimately inviting 30 friends to the concert. “And all of them came,” Roberge said. “It truly meant it was a non-issue. It was a very moving and touching experience. Not just for myself, but for the chorus, and anyone that attended that concert.”

The wonderful affirmation still makes him smile.

“I ended up, living in the state of New Hampshire, having an excellent coming out story, with an organization that believes we need to show that we are just average people,” he said. “That’s a very positive experience that I had with the chorus.”

Beautiful: The Carole King Musical
When: Fridays, 7:30 p.m., Saturdays, 2 & 7:30 p.m., Sundays, 2 p.m. through May 12
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $28 and up at palacetheatre.org

Featured Photo: Austin Mirsoltani and Rachel Gubow in Beautiful: The Carole King Musical.

Weaving a tapestry

Palace brings Carole King story to stage

For anyone who ever wondered where songs come from, the Palace Theatre’s splendid production of Beautiful: The Carole King Musical provides a perfect primer. It’s to director Carl Rajotte’s credit that the music, performed by a talented ensemble cast, is accompanied by photos of original artists like the Drifters, Shirelles and Righteous Brothers, as well as the principal artists played by feature actors.

Rachel Gubow shines in the title role, her first at the Palace, both as a singer and actress. She reveals how King, along with songwriting partner Gerry Goffin, helped shape the soundtrack of a generation. Austin Mirsoltani, also making his Palace debut, does an admirable job as Goffin, as he illustrates the inspiration for songs like “Up on the Roof” and “Will You Love Me Tomorrow?” along with the challenges of working in a highly competitive creative environment.

That milieu is fleshed out by Donnie Kirschner, who ran Aldon Music in 1960s Times Square, played by Ken Quiricone, along with fellow songwriters Barry Mann and Cynthia Weil. In the latter roles, Evan Ross Brody and Lauren Echausse are hilarious, earning more than a few laugh-out-loud moments on opening night.

Brody is reprising a role he recently played in a Florida production of Beautiful. In an interview following the initial performance, Director Rajotte called the pair’s contribution essential. “Evan sent us his reel, and I just thought he was hysterical,” he said. “This show needs that, Cynthia and Barry, to lighten it up.”

He continued that Gubow seemed destined to portray the artist who, as a composer, helped shape the mid-20th-century’s Great American Songbook and later joined contemporaries like James Taylor and Joni Mitchell for a singer-songwriter movement that included her 1971 solo album Tapestry.

When the show opened on Broadway, Gubow was just out of school and auditioned for the lead role, urged by her agent. “That was her first Broadway callback, and even though she knew at the time it was a dream, ever since then she’s been studying Carole King,” Rajotte said. Later, Gubow was an understudy in a Beverly, Mass., production, serving one time as lead. “She came in knowing the show really well, which is great, because Carole’s on stage all the time.”

There’s much more to King’s story than music. Beautiful spans a turbulent decade, and Mirsoltani is convincing as a man who feels constrained by suburbia, even as he’s writing the words to songs like “Pleasant Valley Sunday” for the Monkees sitcom. Goffin and King’s marital breakdown brought a visceral response from the opening night crowd; their acting is that convincing.

As written by Douglas McGrath, the musical’s book is a historical mashup. For example, Act 1 ends in a Vermont ski lodge in 1964, and the second begins with King working on an arrangement of “Chains” — which was actually a hit for the Cookies two years earlier. Also, and perhaps less critical, King’s transition from Goffin’s partner to solo performer omits a messy path that included both a failed trio called The City, and a pre-Tapestry solo record.

Such artistic license is allowable in the service of vividly depicting a moment that likely won’t come again, as a gaggle of creatives barely out of their teens followed their instincts into immortality. Nuanced performances from the core five cast members show the movement from musicians performing other people’s songs to writing their own, the cultural upheaval of the hippie movement, and creating in a place where, to use a Cynthia Weil line, there was “always magic in the air.”

There are many reasons to see this more than excellent production before it closes on May 12. All of them are good ones, but director Rajotte’s rationale is perhaps the best.

“I know everyone is coming to hear Carole King’s music,” he said, “but what I really want is that they hear her life story … where the music came from is just so important.”

Beautiful: The Carole King Musical
When: Fridays, 7:30 p.m., Saturdays, 2 & 7:30 p.m., Sundays, 2 p.m. through May 12
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $28 and up at palacetheatre.org

Featured Photo: Austin Mirsoltani and Rachel Gubow in Beautiful: The Carole King Musical.

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