Category: Art & Theater

The Art Roundup 24/03/07

The latest from NH’s theater, arts and literary communities

• Spring into love: “To Manchester With Love,” the new exhibition from theMosaic Art Collective ( 66 Hanover St., Suite 201, in Manchester; mosaicartcollective.com, 512-6209) is on display now through Friday, March 29. According to a press release, the show is dedicated to celebrating Youth Art Month and the artistic talents of high school students from Manchester. The opening reception will take place on Saturday, March 9, from 4 to 8 p.m.

• Spring on top of a piano: The city’s oldest music series, the Concord Community Concert Association opens its 93rd spring season Saturday, March 16, at 7:30 p.m. at Concord City Auditorium with Mia Vassilev. The internationally acclaimed piano virtuoso Mia Vassilev and Company’s ensemble adds percussion and dance to her dynamic performance style, according to a press release. The same press release stated that every CCCA concert becomes a party for the local music community with special refreshments served before the show and at the artists’ meet-and-greet. There will be a specially themed silent auction to support the artists’ fees. The CCCA season finale concert on Saturday, April 13, with headliner William Florian. The all-volunteer CCCA offers five concerts for a $60 season ticket, and students are admitted free. Tickets for this performance are $20 (free for youth to 18) and are available at the door 90 minutes before the show time or by calling 344-4747. See ccca-audi.org.

• See Simone: The Bookery (848 Elm St. in Manchester) will host TikTok artist Simone on her Open Book tour on Sunday, March 10, as she performs unreleased songs from her forthcoming EP at independent bookstores. According to the Bookery’s newsletter, a meet & greet will follow the performance. RSVP for the performance at laylo.com/simone/m/Crr66, and you can follow Simone at @simonemusic

• Spring into the color: On Sunday, March 10, from 2 to 4 p.m., the Currier Museum of Art (150 Ash St. in Manchester, 669-6144, currier.org) welcomes Theatre Kapow back to present a staged reading of Red, John Logan’s 2009 play unpacking the artistic approach of artist Mark Rothko, according to a press release. The performance will be followed by a facilitated conversation and a gallery visit to view Rothko’s painting “Untitled (Red over Brown),” which is featured in “Toward the New: A Journey into Abstraction,” an exhibition on view at the museum now through March 31. Tickets are $30 for adults, $25 for ages 13-17 and 65+, $10 for members, and free for children under 13.

• Spring into a Shakespeare audition: The Cue Zero Theatre Co. will hold open auditions at the Arts Academy of New Hampshire (19 Keewaydin Drive in Salem) for William Shakespeare’s Long Lost First Play (abridged), a play by Reed Martin and Austin Tichenor, on Tuesday, April 2, at 6 p.m., with callbacks on Sunday, April 7, at 1 p.m. Performances will take place June 21 through June 23. Interested performers should sign up for a time slot on Cue Zero’s website, where you can find more information about preparing for the audition. See cztheatre.com/index.php/get-involved.

• Spring into the mothership: The Players’ Ring (105 Marcy St. in Portsmouth) is beaming up the play Aliens, written by Annie Baker, March 8 through March 24, produced in collaboration with Bardo Theatre Co. The play is described as a painfully beautiful drama as well as afunny, heartening play with music about art, friendship, and love, according to a press release. Showtimes will be Fridays and Saturdays at 7:30 p.m. as well as matinee performances on Saturdays and Sundays at 2:30 p.m. General admission is $28, or $25 for students and 65+. Get tickets and more information atplayersring.org/shows/aliens.

• Spring acting classes: The Palace Youth Theatre’s Palace Academy has a slate of spring classes including Improv and Acting Games I (for grades 1-5; Thursdays at 5 p.m., starting March 14), Improv and Acting Games II (for grades 6 to 9; Thursdays at 6 p.m., starting March 14); Mini Camp (for grades 2 to 6; Fridays at 5 p.m., starting March 8); Scene to Song (for grades 5 to 9; Mondays at 4 p.m., staring March 11); Stagecraft: Props (grades 4 to 12; Fridays at 4 p.m. starting March 8); Scene Study (grades 6 to 12; Fridays at 5 p.m. starting March 8); Intro to Directing (grades 6 to 12; Fridays 6:30 p.m, starting March 8), and Intro to Sketch Writing (grades 6 to 12; Monday at 5 p.m., starting March 11). The cost is $100 for each class series; see palacetheatre.org/pyt/palace-academy to register.

—Zachary Lewis

Art in Nature

NH Audubon in Concord showcases artist Jackie Hanson

Starting Tuesday, March 12, the artwork of New Hampshire native Jackie Hanson will be on display at the Susan N. McLane Audubon Center at 84 Silk Road.

“It is a really nice space,” Hanson said, describing the venue. “Great natural light, plenty of wall space — I feel like I need to make a few more pieces before I hang the show.”

Hanson, a 2022 Bachelor of Fine Arts graduate from New England College (after the New Hampshire Art Institute merged with the school) was thrilled to be asked by the New Hampshire Audubon to exhibit her collection titled “Human/Nature.”

“I do a lot of landscapes and other nature-based things,” Hanson said. This will be her third showing since September.

“I had my art hang at two different public libraries last year,” she said. “The first one was Nashua Public Library. That was in September and October. Then my work went to Amherst Town Library in December.”

The NH Audubon describes this collection on their website as “immersive landscapes that feature both well-known and overlooked vantages.”

Hanson likes to pick and choose how to express an image.

“This show will all be in soft pastel,” Hanson said, “which is kind of like a chalk. That’s what that series of work is, but apart from that I also like to use watercolors, acrylic, wash … I like to jump around in different mediums. I find that if I do switch now and then, then I am better at all of them when I switch again.”

The collection for this show is solid. “I believe I have around 15 or 20 pieces. The biggest one that I have is called ‘Annie C Maguire Shipwrecked Here 1886.’” The painting measures 30 by 62 inches installed.“It is a four-panel, I guess quadriptych, of a panoramic view at Portland headlight in Maine. I named it that because there is a rock that you can see that they have to repaint it every few months because of the tide, but it says the name of a shipwreck that happened there.”

Hanson, as the NH Audubon points out, enjoys the vantage points less traveled.

“I have done a few pieces in this way, where I went to an iconic landscape in New England and I kind of turned away from the classic view, which in this case would be the lighthouse,” Hanson said. “I had it behind me and I was taking a view of the little cove next to it instead. And you can actually see the place that most people stand to take their photo of the lighthouse in my painting.”

Hanson grew up in an artistic family; her mother is an artist and has “always been doing artwork,” she said. “My family and my mom have shaped my idea of what’s beautiful in the world. So I like to promote that with other people, to look for beauty in everyday moments. ”

“I have a full-time job and it can be tricky,” she said; Hanson makes the most of her time, though, “painting at night and on the weekends. As we get into the warmer months, I do a lot of art and craft fairs on the weekends. You can find me all around the state and sometimes into Maine or Massachusetts, bringing my art and prints and cards and stickers of my art to different places. I like to do pop-ups, making it accessible to everyday people to have artwork in their homes. That’s a lot of how I get my art income. I do have my work at a store in Contoocook called Maple Street Mercantile as well.” The majority of her pieces will be for sale at the McLane Center.

Be on the lookout for future shows from Hanson.

“I just finished up an unrelated series that’s in mostly acrylic but some mixed media that’s botanicals, mostly house plants. I wanted to make sure that they had a distinctly feminine aesthetic.” As she sees it, “a lot of the high art world and some of the academic art world doesn’t think that things considered feminine are necessarily worthy…. So, a lot of pink, a lot of vibrant colors. I was thinking: art by a woman for women.”

Human/Nature
Where: McLane Audubon Center, 84 Silk Farm Road, Concord
When: March 12 through May 17; the gallery is open Tuesdays through Fridays 11 a.m to 5 p.m.
An artist reception will be held Saturday, March 23, from 2 to 4 p.m.

More info: “Looking Back: Owl’s Head” by Jackie Hansonart. Courtesy Photo.

Flight into flyover country

Palace performs The Prom

A quartet of Broadway actors in need of a reputation reboot and a gay high school student looking to disrupt the status quo in her small town are at the center of The Prom, a musical that’s at turns heartwarming and hilarious. The latest production from the Palace Theatre, it will run Fridays, Saturdays and Sundays through March 24.

Creative Director Carl Rajotte decided to do the show after watching a Netflix adaptation of it with Palace staff during the pandemic.

“We just all loved it,” he said in a recent phone interview. “People cried, we all laughed; we thought this should be something that we put in our season once we reopened.”

The story begins as diva actors Dee Dee Allen and Barry Glickman are finishing opening night of Eleanor: The Eleanor Roosevelt Story. The musical is immediately panned by the critics for missing the point. Both actors are slammed for being narcissistic and out of touch. Dee Dee is played by Michelle Rajotte, seen most recently in Dancing Queens. Jay Falzone plays Barry; it’s the ninth production for the Palace veteran.

Crestfallen, the two decide to combine altruism and public relations and look for a cause. With help from Trent Oliver, an underemployed Juilliard graduate (Richard Gomez), and Angie Dickinson, an actress who wants to move beyond 20 years in the Chicago chorus line (Katie Harvey), they learn about Emma (played by Palace newcomer Juliana Chimenti), whose attempt to take her girlfriend to the prom caused the whole thing to be canceled.

To the soundtrack of the un-self-aware anthem “Changing Lives,” the four hatch a plan to love-bomb the prom back into existence. Hopping on the bus with Trent, who’s in a non-union touring company of Godspell, they head to Indiana and an incredulous reception. The object of their crusade (mixing in Godspell is a lovely touch) is among the most bewildered.

Of course, the well-meaning bunch is undeterred. Like four bedazzled bulls in a China shop, they push their Big Apple agenda, as it were (“I’m a liberal from New York who’s come to save you!” Trent shouts at one point), on a cornfield community. Gratefully, life lessons outnumber caricatures, and The Prom’s heart shines through in the end.

The Prom’s greatest strength is taking a serious topic and leavening it with outsized humor, while weaving in compelling subplots to move the action along. The Broadway-loving (and Emma ally) high school principal who has a lifelong crush on Dee Dee, and Barry vicariously living his dashed high school prom hopes through Emma, are among the entanglements that carry things forward — along with great songs.

Ultimately, it succeeds because of what’s stumbled upon in an errant pursuit of redemption.

“It’s a comedy but it has so much heart too, it’s so charming,” Rajotte said. “Elites from the big city come thinking that they’ll bowl over the small town and they begin to learn where the soul of this place is, and they learn about themselves as well in the process.”

In preparing for the show, Rajotte was surprised to learn that playwright Jack Viertel got the idea for The Prom from a real event. “In Mississippi in 2010, a girl went to her school and asked to bring her girlfriend, and she wanted to wear a tux and they ended up canceling the whole prom,” he said. “That kind of hit me hard; that’s why this show is just so important.”

A few years back, Rajotte helped with a prom for teenagers in the Palace’s Youth Theatre program; it opened his eyes. “I thought … we’ll put some music up, dance a little bit,” he said. “But then I talked to the kids; one came to me, and this hit me like a brick wall. He said, ‘thank you so much for doing this…. I love it here more than school because I’m able to dance and be myself, and no one will make fun of me.’”

The moment reminded him why the show’s message matters. “Being inclusive and taking a moment to step in someone else’s shoes for a second before you judge … see it from another point of view and see how much someone can be hurt because of that,” he said. With The Prom, “we’re trying to get that message across, of course, with a ton of humor.”

The Prom
When: Fridays, March 8, March 15 and March 22, at 7:30 p.m.; Saturdays, March 9, March 16 and March 23, at 2 and 7:30 p.m., and Sundays, March 10, March 17 and March 24, at 2 p.m.
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $28 and up at palactheatre.org

Featured photo: Courtesy photo.

The Art Roundup 24/02/29

The latest from NH’s theater, arts and literary communities

• Also coming to the Currier: In addition to the new exhibit on Feb. 29, the Currier Museum of Art (150 Ash St. in Manchester; currier.org) will open “I live a journey of a thousand years: Raphaël Barontini” on Thursday, March 7. The exhibition features “La Bataille de Vertières” as its centerpiece, “a monumental 65-foot-wide painting that first premiered inside the Panthéon and will be on view in the U.S. for the first time,” according to a press release.

The exhibit will be on display through Sunday, June 23.

• First Friday at Center for the Arts: The Kearsarge Conservatory of the Performing Arts will present “Dance Through Time” at the Center for the Arts’ First Friday event on Friday, March 1,at 6:30 p.m. at Whipple Hall in New London, according to a press release. The event is described as an “interactive journey through the captivating history of dance styles,” the release said. The event is free; see centerfortheartsnh.org.

• Shakespeare workshop: Truepenny Arts (truepennyarts.com) will hold a workshop on Shakespeare with former National Theatre Conservatory faculty and professional coach Michael Cobb on Saturday, March 16, from 10 a.m. to 12:30 p.m. at the Unitarian Universalism Church of Concord (274 Pleasant St. in Concord). The cost is $25 ($20 if registered and paid by March 1). The workshop is designed for both beginners and experienced actors/directors of Shakespeare and will introduce conservatory-level acting exercises and coaching techniques, according to a press release.

• Animals of the world: The Greater Concord Chamber of Commerce (49 S. Main St., Suite 104, Concord) will present “Wildlife from 7 Continents” by artist Kae Mason Tuesday, May 5, through Monday, May 6. The works in the exhibit feature paintings of “animals in their natural habitat” and are “influenced predominantly by global safaris that she embarks on with her wife,” according to a press release. The gallery is open Monday through Friday from 8:30 a.m. to 5 p.m. The pieces are for sale by contacting the New Hampshire Art Association at 431-4230, the release said.

The Last Days of Judas Iscariot
The Milford Area Players present The Last Days of Judas Iscariot, a play by Stephen Adly Guirgis, this weekend and next at the Amato Center for the Performing Arts (56 Mont Vernon St. in Milford). Tickets cost $20 for general admission, $15 for students and seniors, and are available at rb.gy/t4jcd. The production, directed by Angèlica Forcier Rosenthal, is set in a courtroom in purgatory where Judas Iscariot is on trial to decide whether he deserves hell or redemption, according to a press release. The show contains adult language, drug and alcohol use, discussions of suicide and other dark situations; viewer discretion is advised, according to the content warning on the press release (see milfordareaplayers.org for the full content warning). The play runs Friday, March 1, and Saturday, March 2, at 7:30 p.m.; Sunday, March 3, at 2:30 p.m.; Friday, March 8, and Saturday, March 9, at 7:30 p.m., and Sunday, March 10, at 2:30 p.m.

• Silent film screenings: Jeff Rapsis, accompanist who “specializes in creating live musical scores for films,” will play with several silent film showings in early March:

On Sunday, March 3, at 2 p.m. Why Worry? (1923), a comedy starring Harold Lloyd, at Wilton Town Hall Theatre (40 Main St. in Wilton). Admission is free; a $10 per person donation is suggested.

On Wednesday, March 6, at 6:30 p.m. Way Down East (1920) at the Flying Monkey Moviehouse and Performance Center (39 Main St. in Plymouth; flyingmonkeynh.com). The film stars Lillian Gish and was directed by D.W. Griffith. The cost is $10 per person.

On Sunday, March 10, Peter Pan, a 1924 release that is the original silent film adaption of the film, at 1:30 p.m. at the Bedford Public Library (3 Meetinghouse Road in Bedford). Admission is free but registration is required. Register at bedfordnhlibrary.org.

• Piano lessons: Palace Youth Theatre is offering piano lessons with instructor Marc Willis starting in March, according to a press release. Half-hour lessons are one-on-one and for students grades 1 to 12, with a cost of $30 per half hour, the email said. Sign up by contacting [email protected].

Kara Walker at the Currier
The exhibition “Kara Walker: Harper’s Pictorial History of the Civil War (Annotated)” opens Thursday, Feb. 29, at the Currier Museum of Art (150 Ash St. in Manchester; currier.org) and will be on display through Monday, May 27. According to a press release, “15 works on paper by Walker will be presented alongside a selection of prints by Winslow Homer … that inspired them. The direct comparison between the original images by Homer and Walker’s reinterpretation of the same material was first undertaken by the Smithsonian American Art Museum in 2017.” Homer worked as a war correspondent for Harper’s magazine and his drawings “of soldiers on the front lines of battle and civilians caught up in the war’s horrors became a visual history of the Civil War,” the release said. “These historic prints represent a starting point for Walker, who revisits them utilizing her signature silhouettes to introduce new elements that complicate their initial, seemingly objective narrative,” the release said.

A members-only tour will be held at 2 p.m. on Feb. 29; register online.

Kara Walker, Alabama Loyalists Greeting the Federal Gun-Boats, From Harper’s Pictorial History of the Civil War (Annotated), 2005. © Kara Walker, Courtesy of Sikkema Jenkins & Co. and Sprüth Magers.

Vintage true crime

Cue Zero production explores Lizzie Borden case

One century before O.J. Simpson’s televised court proceeding captivated a nation, a murder case in Fall River, Mass., was the country’s first big media trial. In it, Lizzie Borden was acquitted of killing her parents with an ax, but she remained forever guilty in the court of public opinion. Blood Relations, written by Canadian playwright Sharon Pollock and due to be performed by Cue Zero Theatre Co., explores the many questions that still remain.

Brian Dembkoski has long been drawn to the Lizzie Borden legend.

“Being a homegrown New England boy, it’s always been intriguing,” Dembkoski said in a recent phone interview. He decided to direct Blood Relations after seeing two very different performances of the play, in different parts of the country. “When I got to read it myself, I just kind of fell in love with it. Every single scene is a power struggle between characters, and it’s just so well-written.”

Billed as Lizzie’s side of the story, it’s structured as a play within a play. The main character, Miss Lizzie, played by Cass Durand, talks with her friend The Actress, played by Heidi Krantz, who wants to learn what really happened on the night of the murder.

“She basically says, ‘OK, you want to know if I did it? Let’s play a game,’” Dembkoski said. “Her friend then becomes the younger version of herself, and Miss Lizzie takes her through the scenario, puts her in the same situation … for her to make her own decisions.”

What ensues may or may not be a confession, he continued, noting that Borden is “a bit of an unreliable narrator, which is just one of the really neat, fascinating things about it…. We still have that ambiguity at the end; did she or didn’t she? Are we any closer to an answer than we were in the beginning? Hard to say.”

Along with playing the lead, Durand also acts as the play’s intimacy coordinator, a role Dembkoski felt was needed to help actors navigate a stiff-as-starch family dynamic. “It’s not so much because we’re having a lot of steamy scenes or anything; very much the opposite — rather, looking at what happens with people when they don’t have that basic intimacy…. It helps in exploring the idea of touch starvation or skin hunger.”

The cast includes Nate Faro playing “the ill-fated Andrew Borden” and Christie Conticchio as “the even more ill-fated Abby Borden.” Both have appeared in previous Cue Zero efforts. Faro was in Radium Girls and Conticchio directed the Harry Potter send-up Puffs two years ago. Dembkoski also appeared in that production, his initial Cue Zero foray.

Adding to the play’s meta multiplicity, Lizzie’s sister Emma is represented twice; Crystal Welch plays her late in life, and Chrissy Kelly, in a role created specifically for this production, plays a “modern-day Emma Borden, the actual sister much like Miss Lizzie is the actual Lizzie,” Dembkoski explained.

Rounding out the ensemble are Joshua Benham as Harry Wingate, Lizzie’s step-uncle and a pivotal character in her plot — if, of course, she was really guilty. The role of Dr. Patrick, Lizzie’s close ally, is played by Matthew Brides, who played the lead in Cue Zero’s 2023 production of Macbeth.

This is Dembkoski’s first directing job at Cue Zero. In the 1990s he studied theater arts at Plymouth State and then earned a master’s from Humboldt State, now Cal Poly Humboldt. After working in Southern California in the early 2000s, he left the theater world; he moved back to New Hampshire in 2007. When he began teaching at Nashua Community College in 2016, he was recruited to be an adviser with the school’s Theatre Arts Guild.

“That was my first kind of dipping my toes back into it … helping the younger folk and sharing some of my knowledge,” he said. As the pandemic was ending, Hatbox Theatre in Concord asked him to appear in its production of A Christmas Carol; there, he met Conticchio, which led him to Cue Zero.

There, he met Executive Director Dan Pelletier, who would agree to his pitch to do Blood Relations.

“A saying I’ve always clung to when it comes to doing anything in our field is ‘things lead to things,’ because doing Christmas Carol led me into Puffs,” he said. “Step forward a few more times to putting forth the idea to direct Blood Relations. Dan was happy to let me do it…. It was a great example of things leading to things.”

Sharon Pollock’s Blood Relations
When: Friday, March 1, and Saturday, March 2, 7:30 p.m.,
and Sunday, March 3, 2 p.m.
Location: Arts Academy of New Hampshire, 19 Keewaydin Dr., No. 4, Salem
Tickets: $15 at cztheatre.com

Featured photo: Courtesy photo.

The Art Roundup 24/02/22

The latest from NH’s theater, arts and literary communities

• “Voice of the city”: Positive Street Art (48 Bridge St., 3rd floor, in Nashua; positivestreetart.org) will host “Vicus Vox” open mic night on Friday, Feb. 23, from 6 to 9 p.m. The cost is $5 for spectators and participants — bring comedy, poetry, singing and more, according to a post on the organization’s Facebook page. All ages are welcome and the content must be all-ages-friendly, the post said. Sign up at tinyurl.com/4ckh3pzp.

• Spend your time at the Frank Lloyd Wright houses: The Currier Museum of Art (150 Ash St. in Manchester; currier.org) is looking for volunteers to give tours of its two Frank Lloyd Wright houses, according to a recent newsletter. A training class for volunteers begins in March. Fill out an application at currier.org/volunteer.

• 19th-century magic: Andrew Pinard, performer and founder of the Hatbox Theatre, will inhabit 19th-century magician Jonathan Harrington at the Players’ Ring Theatre (105 Marcy St. in Portsmouth; playersring.org, 436-8123) for Jonathan Harrington — 19th Century Magician with performances Friday, Feb. 23, at 7:30 p.m.; Saturday, Feb. 24, at 2:30 and 7:30 p.m., and Sunday, Feb. 25, at 2:30 pm. Tickets cost $28, $25 for students and seniors.

Al Jaeger
Potter, ceramist and juried member of the League of NH Craftsmen Al Jaeger will give an art talk titled “A Life With Wood Fire” on Thursday, Feb. 22, at 4 p.m. the Alva de Mars Megan Chapel Art Center (Alumni Hall at Saint Anselm College in Manchester; anselm.edu/chapelart). Jaeger will discuss his life as an artist and his technique, according to a press release.

• Why Worry? In March: A screening of the 1923 silent comedy Why Worry? was rescheduled from Feb. 18 to Sunday, March 3, at 2 p.m. at Wilton Town Hall Theatre (40 Main St. in Wilton). The movie stars Harold Lloyd and will feature live musical accompaniment by Jeff Rapsis, according to a press release. Admission is free but a suggested $10 per person donation is accepted, the release said.

• Basket craft: The League of NH Craftsmen’s Nashua Gallery is offering a class making a round Cherokee-style storage basket on Saturday, April 13, and Sunday, April 14, from 9 a.m. to 5 p.m. The class will be taught by Ruth Boland at Sanborn Mills Farm in Loudon; register at snbornmills.org. The fee is $250 plus a $60 materials fee, according to a press release.

• Save the date for fiddles: The New Hampshire Fiddle Ensemble announced a spring schedule for concerts in New Hampshire and Maine, according to a press release. Granite State concerts include Friday, May 3, at 6:30 p.m. at the Rochester Opera House (31 Wakefield St. in Rochester); Saturday, May 11, at 6:30 p.m. at Interlakes High School Auditorium (1 Laker Lane in Meredith); Saturday, May 18, at 6:30 p.m. at Exeter Town Hall (9 Front St.) and Sunday, May 19, at 2 p.m. at the Derryfield School (2108 River Road in Manchester). The ensemble features fiddles, guitars, banjos, mandolins, basses, harps, cellos and more, according to the release. See nhfiddleensemble.org for tickets.

• Maker market: Cottage Place at Squam Lake (1132 Route 3 in Holderness; cottageplaceonsquam.com) will hold a Squam Lake Vintage & Makers Market on Saturday, May 4, and Sunday, May 5, from 9 a.m. to 4 p.m. each day. Admission is $5. The market will feature vendors, live music, food and a mobile bar, according to an email.

• Film fest news: The Music Hall in Portsmouth officially takes over the New Hampshire Film Festival for its 22nd annual outing, according to a press release from Jan. 30. The four-day festival will run Oct. 17 through Oct. 20. The call for entries to the festival, for film and screenplay submissions, is open and can be made via nhfilmfestival.com, the release said

‘Stories of the Sea’
Theatre Kapow (tkapow.com) presents On the Exhale, a full-length drama that “offers a complex examination of America’s gun violence crisis,” at the Bank of NH Stage (16 S. Main St. in Concord; ccanh.com) on Friday, Feb. 16, and Saturday, Feb. 17, at 7:30 p.m. and Sunday, Feb. 18, at 2 p.m., according to a press release. Carey Cahoon, Kapow co-founder and managing director, will play the sole character in the show. Tickets to the show cost $33.75 ($26.75 for seniors & students). The Sunday, Feb. 18, show will feature ASL Interpretation as well as a post-show conversation about the impact of gun violence on New Hampshire, according to Theatre Kapow’s website. The play will also run Friday, March 1, through Sunday, March 3, at the Winnipesaukee Playhouse in Meredith. See tkapow.com for tickets to either show.

Stay in the loop!

Get FREE weekly briefs on local food, music,

arts, and more across southern New Hampshire!