The Art Roundup 24/10/10

The latest from NH’s theater, arts and literary communities

Welcome to Cicely, Alaska: Pembroke City Limits (134 Main St. in Suncook; pembrokecitylimits.com, 210-2409) will present “Music of Words: A Dramatic Reading of Northern Exposure” on Thursday, Oct. 10, at 7 p.m. The production will feature eight dramatic actors reading from a third-season episode. The event starts at 7 p.m. and admission is free.

Harvest Fair: The Craftworkers Guild, based in Bedford, is open through Monday, Oct. 14, 10 a.m. to 5 p.m. daily. Get a look at some of the items in the shop — including woodwork, fiber craft and more — on their Facebook page.

Paper pumpkins: Twiggs Gallery (254 King St. in Boscawen; 975-0015, twiggsgallery.org) will offer a Halloween paper pumpkin make-and-take activity on Saturday, Oct. 12. The gallery will provide all materials for the project, which will be ongoing from 1 to 3 p.m.

Meet the artist
The exhibit “Things on Tabletops: Paintings by Bruce McColl” will open Thursday, Oct. 10, at the Sullivan Framing & Fine Art Gallery (15 N. Amherst Road in Bedford; sullivanframing.com) and be on display through Saturday, Nov. 23. Sullivan will hold a reception for the show on Oct. 10 from 5 to 7 p.m. Head to the gallery on Saturday, Nov. 9, from 4 to 5 p.m. for an artist talk, according to a Sullivan email. Sullivan Framing is open Tuesdays through Fridays from 11 a.m. to 5 p.m. and Saturdays from 11 a.m. to 3 p.m., according to its Facebook page.

Wool arts: The New Hampshire Wool Arts Tour takes place Saturday, Oct. 12, from 10 a.m. to 5 p.m. and Sunday, Oct. 13, from 10 a.m. to 4 p.m. with happenings on five farms — Spinner Farm in Deering; Glory Be Farm in Bennington; Windfall Farm in Antrim; Ten Talents at La Bergerie Dumas in Greenfield, and Maple Lane Farm in Lyndeborough. See woolartstournh.com for the demonstrations, artists, food and more slated to be at each farm.

Photography show: “From Here to Everywhere,” an exhibit featuring “some of Ethan Abitz’s most cherished photographs, capturing life from his hometown in the Monadnock Region to faraway destinations like New Zealand,” is on display at the Jaffrey Civic Center (40 Main St. in Jaffrey; jaffreyciviccenter.com, 532-6527) in the Auditorium Gallery and Display Cases through Saturday, Nov. 9.

Zachary Lewis

Witch hysteria

Powerhouse performs The Crucible

For a play that is set in the late 17th century and debuted on Broadway in 1953, The Crucible remains timely.

Bryan Halperin, director of an upcoming production opening Oct. 11 at Laconia’s Colonial Theatre, explained The Crucible‘s enduring quality in a recent phone interview.

“It’s a meaty drama about the seedier elements of human nature, a gripping, exciting, dramatic play about power, greed and lust,” he said. “It’s got elements of all the deadly sins.”

Because it deals with the Salem Witch Trials, Arthur Miller’s Tony-winning work is frequently staged in October, but The Crucible is far from a Halloween show. Rather, it’s about power, and how even a small taste can affect those who do not have it.

Throughout, Miller blends the historical record and dramatic license, beginning with the basic fact of four women accused of witchcraft after they’re caught dancing in the woods. In prisoner’s dilemma fashion, they turn against each other.

Tituba, a slave, claims to be a victim of a curse cast by two members of the group. She’s egged on by the men investigating, and the ringleader, Abigail Williams, goes along with her story, hoping to cover up that the event was born from her lover’s jealousy.

Approval from the town fathers changes the dynamic “They’re afraid of going to hell for sinning, they’re literally almost scared to death,” Halperin said. “Suddenly it gets turned around to, ‘All we’ve got to do is say what they want us to say, and we won’t get in any trouble; we’ll be praised for it.’ That’s a very powerful drug.”

Miller drew on a 20th-century “witch hunt” when he wrote The Crucible: the Senate hearings held to root out communism led by Sen. Joseph McCarthy in the 1950s. Some versions of the play are explicit about this element and include a narration comparing the Puritan era to post-WWII America.

Halperin sees the parallels. “Watching how society can quickly break down in a fit of hysteria when people learn to use the system for their own gain, at the expense of their friends and neighbors,” he observed, is “gripping for 1692, and it’s equally gripping for 2024 — as it was in 1954.”

The Crucible is Powerhouse Theatre Collaborative’s first stage play after a year and a half of doing musicals. Leading the cast are Kenny Aber as John Proctor, Laura Iwaskiewicz as his wife Elizabeth, and Amanda Wagner as Abigail, an orphan and former servant who was sent away after she had an affair with John.

Wagner is a St. Louis-born actress who moved to New Hampshire after 10 years working in Los Angeles. She said in a recent phone interview that portraying Abigail has been a goal of hers since reading The Crucible in 10th grade.“She’s a very complex person,” she said. “She’s a villain, but also a victim of her circumstances.”

She offered a take on the question answered earlier by Halperin. “This play feels so timely because groupthink and saying the truth in the face of what the majority is saying even if it’s going to get you killed is a terrifying thing,” she said. “It is strange to me that that’s a lesson that some people don’t want their teenagers taught.”

As a relative newcomer to the region, Wagner enjoys the atmosphere at Powerhouse and she is particularly grateful for its founders, Halperin and his wife, Johanna.

“Everyone is so supportive of one another,” she said. “Some of the actors have to go into some dark places, but Bryan does a good job of keeping things light. I always leave rehearsal with a smile on my face and feeling exhilarated, albeit tired. I want to give props to the company for doing some incredibly professional-level work.”

The Crucible
When: Friday, Oct. 11, and Saturday, Oct. 12, 7:30 p.m. and Sunday, Oct. 13, 2 p.m.
Where: Colonial Theatre, 609 Main St., Laconia
Tickets: $18 to $22 at etix.com

Featured image: Abigail Williams (Amanda Wagner) begs John Proctor (Kenny Aber) to give her a kind word. Courtesy photo.

The Art Roundup 24/10/03

The latest from NH’s theater, arts and literary communities

From the Potters Guild: The New Hampshire Potters Guild is displaying its 2024 Biennial Show, “Hands on Earth,” now at Kimball Jenkins Art and Community Center (266 N. Main St. in Concord) through Saturday, Nov. 2. The show features “an array of works from the talented members of the NH Potters Guild, showcasing the diversity of styles, techniques, and approaches that each artist brings to their craft. From wheel-thrown vessels to hand-built sculptures, the exhibition reflects the rich variety of contemporary ceramics in New Hampshire, all rooted in the elemental material of clay,” according to a release from the Guild. The exhibition is on view in the Mansion and Carriage House on Tuesdays and Thursdays, 2 to 6 p.m., and on Saturday, Nov. 20, from 11 a.m. to 2 p.m.; Friday, Nov. 1, from 4 to 8 p.m. and Saturday, Nov. 2, from 10 a.m. to 3 p.m. Fore more on the New Hampshir Potters Guild, see nhpottersguild.org.

The Legend of Sleepy Hollow
The Milford Area Players take you to Sleepy Hollow for the tale of Ichabod Crane, Katrina Van Tassel and the Headless Horseman in The Legend of Sleepy Hollow, adapted by John Heimbuch and Jon Ferguson, according to a press release. The play finishes its run this weekend at the Amato Center for the Performing Arts (56 Mont Vernon St., Milford, amatocenter.org/riverbend-youth-company) with shows through Sunday, Oct. 6. Showtimes are at 7:30 p.m. on Fridays and Saturdays and 2 p.m. on Sundays. Tickets cost $21.65 for adults, $16.46 for students and seniors. See milfordareaplayers.org.

Harvest Fair: The Craftworkers Guild, based in Bedford, will open the doors of its shop at Oliver Kendall House at 3 Meetinghouse Road Thursday, Oct. 3, through Monday, Oct. 14, 10 a.m. to 5 p.m. daily. Get a look at some of the items in the shop — including jewelry, decor, honey soap — on their Facebook page.

Use your voice: Truepenny Arts (truepennyarts.com) will hold a workshop on “Opening Up Your Voice: Conservatory Tricks!” on Saturday, Oct. 5, from 10 a.m. to noon for ages 16 and up at Diamond Rolfing & Movement Studio, 210 N. State St. in Concord. The cost is a suggested $20, according to a Truepenny newsletter. “Interested in easily accessible and repeatable ways to ‘open up’ your voice, to find more fullness, resonance, and clarity? Graduate/conservatory-level instruction and take-home materials provided,” the newsletter said. The workshop is facilitated by Truepenny’s Michael Cobb, the newsletter said. For more information, contact Michael at [email protected] or call 545-8351.

Zachary Lewis

Spellbinding

Mosaic Art Collective celebrates October

An upcoming exhibit at a downtown Manchester art gallery will be equal parts harvest moon and hocus pocus, if the early submissions are an indication. Mosaic Art Collective holds monthly themed shows. In September, “Full Circle: The Speed of Light” offered works like the eclipse-inspired “Four Minutes of Totality, Twelve Hours of Light” and “Evil Eyes,” a kinetic piece made of metal and stained glass.

Mosaic founder Liz Pieroni hopes this month’s “Spellbound” will evoke the magical and mystical.

“There are a lot of artists that specifically only make creepy, Halloween-y kind of work,” she said. “There’s definitely some very witchy portraiture, a lot of skulls … and a creepy moon landscape pastel by Susan Markham.”

Also contributing is Jackie Hansen, known for absurdist takes on the natural world like “McChicken,” an acrylic on canvas painting of a barnyard bird peeking out from a McDonald’s fries container. “She does almost traditional New Hampshire art, but it always has a little bit of a twist,” Pieroni said. “This one is a chicken riding a broom with a witch hat on.”

Artist submissions will be available for viewing beginning Oct. 7, with a reception set for the afternoon of Oct. 12. In the spirit of the season, a tarot card reader will be on hand to tell fortunes at the event. These Second Saturday gatherings happen every month and in the recent past have included live music and comedy.

As always, the different works on display at “Spellbound” can be purchased and picked up at the end of the month. Mosaic encourages ownership, with prices befitting an aspiring art collector. Helpfully, each piece has its own QR code that links to a web page for interested buyers.

“In some ways it makes it more accessible,” Pieroni said. “People don’t necessarily want to figure out who to approach and how to purchase something, but everyone has a phone on them…. If you’re introverted in any way, this makes it a little bit easier to stomach.”

On any given day, Mosaic is abuzz with activity. Seesaw Art Gallery has its own space in the back corner of the second floor space, and artists work in individual studios. One, Hannah Cole Dahar, makes whimsical works like custom portraits of local women in saintly poses. It’s truly a collective, exactly what Pieroni had in mind when she started it.

Since graduating in 2005, she missed the art school vibe. Opening Mosaic “was about finding my own art community,” she said. “We all have our own separate spaces, but when we come into the gallery, it kind of automatically creates this swirl of conversation, which is comforting … it’s not just a big white room with art on the wall, it has a nucleus feel.”

So far, it’s been a good year.

“We saw a little bit of a slowdown in June, but I think it was just that people were kind of busy and out enjoying the weather,” Pieroni said. “We ended up taking the summer off and just recharging our batteries. September so far has been really great. We’ve seen a good amount of sales and a lot of new artists that haven’t shown with us before, which is really exciting. In general, I’d say things are on the up and up.”

There’s hope that growth is on the horizon, she continued. “We’re building out our program still. We’ve had a few little setbacks as businesses do. I think right now we’re just trying to get all our ducks in a row and find some funding … then build out a couple of bigger programs that hopefully we’ll see early next year.”

These efforts include recruiting volunteers. “The program we’re hoping to put together is volunteering that is kind of educational at the same time,” Pieroni said. “You could learn how to hang a show and host events, stuff like that, then walk away with an understanding of how things function so that you can go and do something similar.”

Spellbound
When: Begins Monday, Oct. 7, with opening reception Saturday, Oct. 12, at 4 p.m.
Where: Mosaic Art Collective, 66 Hanover St., Suite 201 (second floor), Manchester
More: mosaicartcollective.com

Featured image: Mosaic Art Collective. Courtesy photo.

The Art Roundup 24/09/26

The latest from NH’s theater, arts and literary communities

Rom com on stage: The Nashua Theatre Guild will present Prelude to a Kiss, described as “a romantic comedy that explores themes of love, identity, and the extraordinary nature of ordinary life,” on Friday, Sept. 27, and Saturday, Sept. 28, at 7:30 p.m. and Sunday, Sept. 29, at 2 p.m. at the Court Street Theatre (14 Court St. in Nashua). Tickets cost $20 general admission, $18 for students, military and 65+. “After a whirlwind romance, Peter and Rita marry and experience a life-changing twist when a mysterious stranger appears at their wedding. This thought-provoking story delves into the complexities of human connection and the essence of true love,” the email said. See nashuatheatreguild.org.

Oliver!
It’s the final weekend for Oliver!, the Oliver Twist musical adaptation, at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org). The show will be on stage Thursday, Sept. 26, through Saturday, Sept. 28, at 7:30 p.m. and Saturday, Sept. 28, and Sunday, Sept. 29, at 2 p.m. Tickets cost $35 through $49. See Michael Witthaus’ look at the production in the Sept. 12 issue of the Hippo. Find the digital edition at hippopress.com; the story is on page 16.

Cabaret Friday: Anselmian Abbey Players will present A Miscast Cabaret on Friday, Sept. 27, at 7 p.m. at the Dana Center for the Humanities at Saint Anselm College in Manchester. Tickets cost $15. See tickets.anselm.edu.

Iron melt: The Andres Institute of Art in Brookline will hold its annual iron melt on Saturday, Oct. 19. Buy a mold for the melt for $45 and return in advance to have it prepped for the melt (no later than 10 a.m. on Oct. 19), according to andresinstitute.org. Purchase a mold online or in person and pick up at the welcome center, 106 Route 13 in Brookline, on Tuesdays or Thursdays between 11 a.m. and 4 p.m. (see the website for additional details). Whether you have a mold or not, the public is invited to watch the molten iron be poured into the molds on Oct. 19 — according to the website, “The pour should happen between noon and 1:30 pm. Molten iron can be a little finicky, please be patient.”

Arts Alive, a “nonprofit organization working to sustain, promote and expand access to arts and cultural resources in the Monadnock Region,” according to a press release, will hold a field trip related to the Iron Melt. The two-part trip will include a session on Saturday, Oct. 5, from 10 a.m. to noon at the Keene studio of artist Craig Stockwell when participants can carve a design for the melt. “Designing is completely beginner-friendly and a fun challenge,” the release said. On Saturday, Oct. 19, participants will head to the Andres Institute to explore the grounds and watch the pour. Registration costs $50; see monadnockartsalive.org/artist-field-trips.

Fall Festival
The Beaver Brook Association (117 Ridge Road, Hollis, 465-7787, beaverbrook. org) hosts its annual Fall Festival and Art Show on Saturday, Sept. 28, and Sunday, Sept. 29, 10 a.m. to 4 p.m. This year’s featured artist is Carolyn Maul, whose works include landscapes and Ecoprints, which feature leaves and other nature designs and which you can see at carolynmaulstudioart.com. The festival will feature an adult and children’s art show, a raffle and silent action, local exhibitors, a bake sale, children’s nature crafts, an insect safari, an apple cider press, a fire pit with music, a self-guided story walk and a scavenger hunt, according to Beaver Brook’s schedule. Also slated for the weekend are Wingmasters Birds of Prey (Saturday at 10:30 a.m. and 12:30 p.m.); a history walk (Saturday at 11:30 a.m.); storytime at the amphitheater (11:30 a.m. both days); a puppet show (Saturday at 2:30 p.m. and Sunday at 2 p.m.), and Eyes on Owls (Sunday at 10:30 a.m. and 12:30 p.m.).

See saws: Woodworker Ted West will present a demo and a project planning topic at the Concord Makerspace (197 N. Main St., Unit 4, Boscawen; concordmakerspace.org) on Saturday, Sept. 28, at 10 a.m. He will discuss air-dried wood versus kiln-dried wood and he will bring Japanese saws, according to an email from the Makerspace, which said the presentation is part of the “Ask An Expert” series and is free and open to the public.

Shades of black and white: The Manchester Artists Association will present Jim Luckern for “A Demonstration in Charcoal and Graphite Drawing” on Monday, Oct. 7, at 7 p.m. at the Manchester Police Department Community Room (405 Valley St. in Manchester). Luckern, who grew up in Concord, “creates lifelike images in his charcoal and graphite medium. He will share his techniques in a demonstration for the Manchester Artists Association at their monthly meeting,” according to a press release. See luckernfinearts.com for a look at his work. The event is open to the public.

Stories from beyond: The Woodman Museum (182 Central Ave. in Dover; woodmanmuseum.org) will host a reenactment event called “Voices From the Cemetery” at Pine Hill Cemetery in Dover on Saturday, Oct. 12, and Sunday, Oct. 13, with tours starting every half hour from 10 a.m. to 3 p.m.. More than a dozen famous and infamous Dover citizens will come to life at their gravesites to tell their stories, according to a press release. Tickets cost $20 for adults, $10 for ages 17 and under online; find the link to purchase tickets at woodmanmuseum.org.

Dan Dailey
The work of Dan Dailey, described as “a New Hampshire artist whose creative ideas and innovations in glass have expanded the canon of art,” will be on display at the Currier Museum of Art (150 Ash St. in Manchester; currier.org) in “Dan Dailey: Impressions of the Human Spirit,” which opens this week. A member preview will be held Thursday, Sept. 26, from 6 to 8 p.m. (registration required in advance). The show will feature more than 75 of Dailey’s pieces which “span more than five decades and push the expressive boundaries of glass as an artistic medium, drawing on comics, pop art, art deco, and 1960s pinup posters,” according to a Currier press release. Dan Dailey will discuss his craft and career highlights with Kurt Sundstrom, exhibition curator, on Sunday, Oct. 6. The exhibit is on display through Sunday, Feb. 2. The Currier is open Wednesdays through Sundays, 10 a.m. to 5 p.m. Dan Dailey, Aquamotion Circus vase, 2018. Photo by Bill Truslow.

Zachary Lewis

The Lost Weekend on a Tuesday and Wednesday

Photos of John Lennon featured in exhibit

By Zachary Lewis
[email protected]

An exhibition titled “The Lost Weekend – The Photography of May Pang” that showcases photos of John Lennon and friends will be held at Creative Framing Solutions in Manchester on Tuesday, Oct. 1, from 3 to 8 p.m. and Wednesday, Oct. 2, from 3 to 8 p.m.

May Pang was romantically involved and worked with John Lennon during the time period dubbed as the “Lost Weekend” that took place from late 1973 through 1975.

Pang spoke about the photographs and how the exhibit came to life: “I was in the middle of also doing my movie, The Lost Weekend – A Love Story, but no one knew that. And I was using some of my photographs for that, so I just sort of kept it under wraps.”

The documentary can be viewed online now and helps give context to the photographs. Scott Segelbaum, owner of the Rock Art Show, who helps put on the gallery showings, was persistent in getting Pang to display her art.

“I truly didn’t think people would be interested. And he kept saying, you’re wrong,” Pang said.

Ultimately Pang dug out the images, to the delight of Beatles and John Lennon fans everywhere.

“They were sitting under my bed. I have a storage unit and it was always sitting under my bed and I never really thought anything of it. They’re my home photos when I was living with John,” Pang Said.

Some photos will be recognizable to fans. “One of the photos was John’s favorite and when people come to the exhibition I point that out. It is the single sleeve cover for the U.K., because Imagine was being released three years from its initial release of the album, and he wanted to use that particular photo that I took of him for the sleeve,” she said.

Other albums include her artwork too. “And then a couple of years ago, Julian, his son, wrote to me and said, do you have any pictures of me from when I was young? And I never know if I have whatever in my collection, so I sent him a couple of photos, and that became the album cover,” Pang said. The album from Julian Lennon was Jude, which came out in 2022.

Besides the artwork, Pang was involved with recording and producing the songs of John Lennon along with George Harrison, Harry Nilsson, Mick Jagger and more. “And then we did David Bowie with Fame, hung out on that one,” Pang said.

According to Pang, John Lennon would let songs naturally grow in the studio. “It was more organic. John understood what he wanted in the studio. It depends on what part of the process we’re in. He knows what he wants and then at that time he’ll go and figure it out. Like he’ll say, ‘I need a chorus, I need people to sing here,’ or ‘I want this sound.’ He hears it as it goes along. So the first part is him just laying down the basic tracks and then he works it from there,” she said.

Outside of the recording studio Lennon was enthusiastic and encouraging about Pang’s photography. “He was the one that kept pushing me to take more photographs. I think it’s a great thing to see. What you’re seeing is, as I always say, you’re seeing pictures of John and everybody else through my eyes, the way I saw them,” Pang said.

What type of equipment did Pang use to capture what her eye saw in these moments? “Well at the time I was using my Nikon. I mean we had our Polaroids, that was great, but when it came to using the camera I used my Nikkormat, one of the other versions of the Nikon in the Nikon family. And I had a great lens, I used a portrait lens that I was using all the time and that’s what most of my pictures are from. I like using film and I like using black and white, some of my favorite, but then you use color and you get slides and so the film process is really nice. It’s just really dynamic.”

Of all her photographs, Pang could not pick a favorite. “Everybody asks that and it’s very difficult to say, oh yeah, that’s what I want, that’s my favorite, only because they’re like my kids. You know, you can’t show favorites.”

The last photo of John Lennon and Paul McCartney, from March 29, 1974, will be at the exhibit. “The photo was the first time that they had seen each other in a few years. And then, I never took another photo of the two of them and nobody else did either,” she said.

Pang mentioned that Lennon and McCartney’s relationship was not as sour as it is sometimes represented. “A lot of people think that they were always arguing. They weren’t. They’d come over, you know, chat, we’d go, what’s going on, where did you go, what’s your next project, that’s the type of thing that went on,” Pang said.

Pang is happy to have a chance to share her photographs to the world and New Hampshire. “It’s like a gallery, they can come and see it, it’s all free. I’m just very happy about it and I appreciate all the people that come out and check out the artwork,” she said.

The Lost Weekend – The Photography of May Pang
When:
Tuesday, Oct. 1, and Wednesday, Oct. 2, from 3 to 8 p.m.
Where: Creative Framing Solutions, 410 Chestnut St., Manchester, creativeframingsolutions.com, 320-5988
Note: Pang will only autograph items purchased at the gallery.

Featured image: May Pang with artwork 2023. Courtesy photo.

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