Memorial Day and Labor Day are our unofficial bookends of summer and both offer spaces for reflecting and honoring their roles in U.S. history.
I remember, vividly, the Memorial Day school concerts and parades throughout my childhood but I cannot say the same is true for Labor Day.
On June 28, 1894, Grover Cleveland made Labor Day a federal holiday. At their height in 1954, 34.8 percent of all U.S. wage and salary workers, public and private, belonged to a union; today that number is 10.8 percent.
The private sector is where most of the losses have come, which saw membership slide from 16.8 percent in 1985 to 6.7 percent in 2015. Who is protecting our most vulnerable workers, often low-wage earners, if unionization is not allowed? That’s a reality that has been facing our nation for several decades now. The stagnant wages, lack of access to health care and retirement benefits, and disintegration of the middle class over my lifetime cannot simply be coincidences.
Although some may argue that there is no longer a need for these protections, I would beg to differ. I think of Amazon and Walmart employees who have, for years, worked to try and unionize only to have their efforts thwarted through political tactics. Unions have consistently worked to put the power in the hands of the people and that can be threatening to many in executive-level positions.
Right to Work bills are presented each legislative session in New Hampshire and across the country. Although it hasn’t yet passed in the Granite State, I worry that it’s inevitable that it will eventually become law.
Much like most of our systems, labor unions are not perfect. They have their own dark history of racism, sexism, political manipulation and many other tools of oppression. But, at their essence, the organized labor movement is what helped to create safe and healthy places for people to work. They helped to build the United States and we cannot forget that as we enjoy our annual long weekend.
I cannot imagine a world today where a woman with an eighth-grade education and for whom English was a second language would find a job that not only paid a living wage but also helped to save for retirement, reasonable hours and good health insurance benefits. Yet that’s exactly the story of my Nan, who worked for a private manufacturer in Nashua for her entire life. She was able to appreciate class mobility and, in turn, so have I.
I hope we can find the space to move out of the political polarization of unions and appreciate their role in giving our most vulnerable populations a space to survive and thrive.
For Andrew North, the stage and the studio are two distinct places, with the latter a place for adventure. Phosphorescent Snack, the debut album from North and his band the Rangers, is a multi-tracked gem, with elements of funk, soulful pop and progressive jazz. It’s Steely Dan meets Frank Zappa at a 1969 Chicago Transit Authority listening party.
“Electrostatic Chills” expresses a solid groove intention, while the instrumental “Epiphone” showcases the four band members’ prowess: North on keys, drummer Dale Grant, bass player Chip Spangler and horn wizard Rob O’Brien. That the song is missing the instrument it’s named after is not lost on North.
“Yeah, there’s no guitar on the album, which has kind of become a point of pride for us,” he said in a recent interview.
Other standouts include “Down the Pipes,” with its echoes of Dixieland jazz, the can-do anthem “Dig Deep” and “Aditi,” the latter sounding like an unmistakable nod to a certain Vermont jam band.
“It’s hard to admit, because when we say we’re Phish-influenced, the reaction can go either way,” North agreed. “But there’s no question I‘ve soaked up so much of that over the decades, and it comes across in what I do. … I’ve stopped trying to downplay it.”
The connection is understandable; North moved from Burlington, Vermont, to Concord five years ago, bringing the energy of his first home along with him. Andrew North & the Rangers is a multigenerational ensemble; Grant has played drums for close to five decades, including sessions with members of Yes, Survivor and Cheap Trick, while the younger Spangler’s resume includes work in far-away places like Alaska.
Like many bands, the quartet planned to complete its debut disc in 2020, but when the pandemic ended live shows, time was used to polish it a bit more. O’Brien, who plays an electronic Roland Aerophone he affectionately calls Dustbuster that can emit a multitude of sounds, opened his laptop and created walls of horns that would please Earth, Wind & Fire.
“Covid-19 gave us a good chance to sit down and work the tracks up with some overdubbing,” North said, “and obviously, if you let Rob loose with a chance to take more than one pass at a song, he’ll take full advantage.”
North and his mates marked the record’s release with an August show at Area 23, a Concord haven for original bands like theirs. They’ll appear at Newmarket’s venerable Stone Church on Sept. 2.
“I was in a jam band in like 2006, and we were dying to get a gig at Stone Church,” North said, “and they never gave us the time of day… so I may be irrationally excited about that one.”
On Sept. 4 they’ll play a late set at the Keene Music Festival, a massive outdoor showcase of regional bands on multiple stages. Along with North’s group, Plague & Pestilence, a side project featuring Dead Harrison’s Jason Skulls and Lucretia X. Machina from Lucretia’s Daggers, will play its first public show.
Jake McKelvie & the Countertops, Jonee Earthquake Band, Kennedy Drive, Tyler Allgood and the Humans Being are among the New Hampshire bands represented at the event, which runs from 11 a.m. to 9 p.m.
“This is our first one and I’m really excited about it,” North said. “We’ve been kind of incubating in Concord for a while, and the music scene here has really started to gel in the last few years, which has been fun. Places like Area 23 really help to nurture it.”
Andrew North & the Rangers will appear again in their Concord hometown later this year, at Penuche’s Ale House on Friday, Oct. 22, and Area 23 on Friday, Nov. 5.
Andrew North & the Rangers When: Thursday, Sept. 2, 8 p.m. Where: Stone Church, 5 Granite St., Newmarket Tickets: $5 – more at facebook.com/andrewnorthandtherangers Also appearing Saturday, Sept. 4, at Keene Music Festival in Downtown Keene – City Tire Stage, 7:15 p.m.
Featured photo: Andrew North and the Rangers. Courtesy photo.
High school senior Ruby discovers her talent for singing but she is conflicted about leaving her family to go to music school in CODA, a sweet and extremely charming coming of age story.
Unlike her mom Jackie (Marlee Matlin), dad Frank (Troy Kotsur) and older brother Leo (Daniel Durant), Ruby (Emilia Jones) is hearing (the “child of deaf adults” of the movie’s title). Ruby works with her dad and brother on their fishing boat, often serving as the one to negotiate the price for the day’s catch, before heading to school.
On a whim — and as an excuse to hang out around Miles (Ferdia Walsh-Peelo), a fellow senior she’s crushing on — Ruby joins the school’s choir. Though able to belt out Motown classics on the fishing boat, Ruby is shy singing in front of other students, particularly since she was bullied for the way she talked as a child and is still picked on for her family generally. But choir teacher Bernardo Villalobos (Eugenio Derbez) pulls her past this and helps her let loose her love of singing and her natural talent. He also picks Ruby and Miles to sing a duet at an upcoming recital — leading her to break out of her shell with him as well.
As she finds her footing in choir, the family’s fishing business grows more precarious. Their earnings for each catch are decreasing and government oversight is increasing. Leo wants to start a co-op with the other fishermen that will get them better prices but Frank is uncertain about getting involved with the hearing fishermen. Leo also struggles with the family’s reliance on Ruby to interpret, as does Ruby. She wants to pursue singing and the possibility of getting in to Berklee School of Music, which Bernardo says he will help her apply for. But she also feels obligated to help her parents.
Delightfully, the movie builds a relationship between Ruby and her family that features her fierce love of them as well as her thorough (and realistic) teenage “mom!” annoyance — when they play music too loud as they pick her up from school (her dad loves the loud bass of rap), when they have a wonderfully (purposefully) awkward conversation with Miles, when her mother gets on her about how she’s dressed. It’s so perfectly teenage-parent, so much meaning-well and love and delighting at her embarrassment and “gah, back off” all rolled up into the moment. Likewise, Ruby’s loving sibling relationship with Leo is highlighted by a series of excellent insults (not one of which I can repeat in print). Because of the movie’s well-drawn relationships and fully realized characters, CODA feels as much like a family coming of age as much as it is the story of Ruby’s coming of age. Not only is Ruby making decisions about her life and what she wants to do; each member of the family is taking steps in new directions in a way that also feels very real.
There are excellent performances all the way around in this movie — Jones but also Kostur, Durant and Matlin. And it was really a joy to watch Derbez in this kind of role. I mostly know him from big, broad comedies but here he hits the right note as a caring and talented teacher.
CODA is a joy throughout. A
Rated PG-13 for strong sexual content and language and drug use, according to the MPA on filmratings.com. Written and directed by Sian Heder (and based on a French film from 2014 called La Famille Bélier), CODA is an hour and 51 minutes long and is distributed by Apple on Apple TV+. CODA is screening in theaters (in Massachusetts as of Aug. 31) and on Apple TV+.
Candyman (R)
An artist living in a recently gentrified Chicago neighborhood finds himself and his work tied up in local lore in Candyman, a sequel to the 1992 horror movie.
Anthony McCoy (Yahya Abdul-Mateen II), whose name comes with backstory for people who have seen the original movie (I haven’t), has recently moved with his girlfriend, Brianna (Teyonah Parris), to an airy apartment in the gentrifying neighborhood of Cabrini-Green, the onetime home of housing projects (that were the setting of the first movie). He is blocked, artistically, presenting pieces to an art gallery operator that are just riffs on earlier work. After Brianna’s brother, Troy (Nathan Stewart-Jarrett), tells a story about a series of murders involving a woman named Helen Lyle, Anthony decides to dig into the history of the area, hoping he’ll find some inspiration.
He meets William (Colman Domingo), a longtime resident, who tells Anthony about the legend of Candyman, a presence who appears after saying his name in a mirror five times and who then kills those who summoned him. But the legend isn’t just a local boogeyman tale; the more Anthony digs in to the story the more he learns about the various men who are considered to be the figure’s origin, all the way back to Daniel Robitaille (Tony Todd) in the 19th century — all killed by police or lynch mobs. This investigation of Candyman takes Anthony’s work in strange directions and seems to be messing with his head. He is also having an extremely bad reaction to a bee sting. Anthony’s deteriorating mental and physical states have Brianna concerned. And then acquaintances of the couple start dying.
I think I generally like where this movie starts out, the various issues it sets up: Anthony’s artistic block, Brianna’s career ambitions, Brianna’s current status as the breadwinner of the couple and how that clearly bugs Anthony, the gentrification of the neighborhood they now live in. And I like where the movie seems to be wanting to go with its overall message. But in the middle, the movie seems to wander a bit and lose the threads at times.
The movie is tightly focused on Anthony at first but somewhere around the two-thirds point it just sort of drops him as a person we’re in the mystery with, which makes his story feel unfinished. Not that a movie like this needs to make perfect sense but there are elements that felt like they needed more explanation — or maybe just a more organic explanation. Frequently it feels like plot points connect in that “puzzle pieces smashed together” sense, resulting in information having to be told to us rather than more naturally revealing itself.
I’m a sucker for this particular kind of horror, though, one that puts dread and spookiness ahead of gore (though this movie has gore). And this movie has a great visual style, particularly in the way it uses shadow puppets to illustrate exposition — they are both eerie and very pretty. Candyman may not perfectly click together for me with its plot but it delivers on atmospherics. B-
Rated R for bloody horror violence, and language including some sexual references, according to the MPA on filmratings.com. Directed by Nia DaCosta with a screenplay by Jordan Peele & Win Rosenfeld and Nia DaCosta, Candyman (that’s six; do computer screens count as mirrors?) is an hour and 31 minutes long and is distributed by Universal Pictures in theaters.
FILM
Venues
Cinemark Rockingham Park 15 Mall Road, Salem cinemark.com/theatres/nh-salem
Red River Theatres 11 S. Main St., Concord 224-4600, redrivertheatres.org
Regal Fox Run Stadium 15 45 Gosling Road, Newington regmovies.com
Shows
• Stripes (R, 1981) 40th anniversary screening at Cinemark in Salem and Regal Fox Run in Newington on Thursday, Sept. 2, at 7 p.m.
• The Green Knight (R, 2021) screening at the Red River Theatres in Concord Friday, Sept. 3, through Monday, Sept. 6, at 3:15 p.m. and 6:30 p.m.
• Stillwater (R, 2021) screening at the Red River Theatres in Concord Friday, Sept. 3, through Monday, Sept. 6, 12:30, 3:45 and 7 p.m.
• Together (R, 2021) screening at the Red River Theatres in Concord Friday, Sept. 3, through Monday, Sept. 6, at 1 p.m.
• Backdraft (R, 1991) 30th anniversary screening on Sunday, Sept. 5, at Cinemark in Salem at 3 p.m. and Regal Fox Run in Newington at 3 and 7 p.m., and on Wednesday, Sept. 8, at both locations at 7 p.m.
• The Alpinist (PG-13, 2020) screens on Tuesday, Sept. 7, at 7 p.m. at AMC Londonderry and Cinemark in Salem.
Chef Steve Shoemaker had already worked for some of the biggest names in South Florida’s dining scene upon arriving in New Hampshire to open Mint Bistro in the summer of 2011. Now, after other culinary stints at the 1750 Taphouse in Bedford and the Colby Hill Inn in Henniker, Shoemaker has returned to the Queen City to introduce an all new restaurant concept.
SOHO Bistro & Lounge features an eclectic menu of scratch-made items, with special attention to detail right down to every individual ingredient and an intimate dining experience to match. The eatery opened Aug. 20 in the former Whiskey’s 20 space on Old Granite Street, its name an homage to the elegance of the famous neighborhood of Lower Manhattan in New York City.
“We’ve implemented a menu where there’s something for everyone, [with] killer handcrafted food and an amazing cocktail list,” said Shoemaker, who is also a partner in the restaurant. “I was really happy to get back into the Manchester landscape because the age demographic is perfect for the hospitality industry here. … You have a great clientele of people from their late 20s to their 40s who love going out to eat and just enjoy themselves.”
Each of SOHO’s menu items is a new or elevated version of a dish unique to the space. The hard shell lobster rangoons, for instance, have been among the top-selling appetizers out of the gate, in addition to truffle fries with homemade oil from real truffles.
Entrees run the gamut, from elevated classics like steak frites with prime hanger steak, to options like a bourbon-brined half chicken, an heirloom vegetable risotto with roasted garlic pesto and a vegan pad Thai with rice noodles, crispy tofu and a coconut peanut glaze. There are also burgers and sandwiches with creative ingredients in their own right, like a crispy pork belly-wrapped tenderloin on focaccia, with lemon-dressed arugula and Grana Padano cheese.
“We have short ribs going throughout the night, and that produces our short rib entree and also the beef for our nachos,” Shoemaker said. “We also offer pork for the nachos, which is a classic old Mexican dish called cochinita pibil. It’s little known in the United States … We take seasoned pork shoulder and we wrap it in banana leaves and cook it throughout the night.”
Dessert options feature the opportunity to try something simple, like sorbet or creme brulee, or a bit more fancy, like the banana cheesecake spring rolls.
“We take fresh bananas and make sheet pans of cheesecake, then cut it up, wrap it in spring roll paper and deep fry it,” Shoemaker said. “We serve it with homemade caramel sauce and an eclair ice cream. … That’s probably our top dessert seller.”
The kitchen closes at 10 p.m. each evening, but Shoemaker said a late night menu of smaller, shareable options is in the works, featuring a combination of regular selections and other items. The cocktail menu is regionally sourced, too — one drink, known as the Bee’s Knees, features gin from Barr Hill of Montpelier, Vermont, which produces it from fermented honey.
Brunch offerings will likely be added to SOHO’s menu. Shoemaker said he also hopes to soon hold specialty wine events, or a Japanese-themed night with sushi options and saké pairings.
SOHO Bistro & Lounge
Where: 20 Old Granite St., Manchester Hours: Tuesday and Wednesday, 4 to 10 p.m., and Thursday through Saturday, 4 p.m. to 1 a.m. More info: Visit sohonh.com, find them on Facebook and Instagram @sohobistrolounge or call 232-4085
Currier exhibition features street-inspired ceramics
An artist who calls himself the “ghetto potter,” Roberto Lugo has brought a new vibe to the Currier Museum of Art with his street-inspired ceramics, which look like traditional pieces from afar but actually explore Lugo’s Afro-Latino heritage and hip-hop culture.
“I don’t just think about ceramic objects for their specific function but I also think about what connotations they have within culture and society,” Lugo said in an audio response to emailed questions. “I try to add to that conversation by complicating it and including figures, ideas and textiles that haven’t historically been included in that conversation.”
His exhibition, called “Te traigo mi le lo lai – I bring you my joy,” has been up since spring and runs through Sept. 26.
“I remember the first time I saw [Lugo’s work] I was surprised by it. … Instead of having cherubs and aristocrats on it, it had [things like] a hip-hop boombox,” said Samantha Cataldo, the museum’s curator of contemporary art. “You get drawn in by something you think you know and get brought to a place you weren’t expecting.”
Lugo, who lives in Philadelphia, worked closely with Cataldo to create the exhibition, which includes some of his older pieces plus work that he created specifically for the Currier show, like one of musician Bob Marley.
“Marley really embodies … creativity and peace and harmony and he has been used by people of all races to sort of symbolize peace,” Lugo said. “His music is just something that makes you feel good and it’s a celebration, which I really feel is at the forefront of this exhibition.”
That celebration is what’s behind the exhibition’s name — “I bring you my joy” represents all of the pieces of Lugo’s history, including his Puerto Rican agricultural heritage and his upbringing in urban Philly. According to Cataldo, Lugo saw a similar juxtaposition in Manchester, with the city being the biggest, most post-industrial city in a pretty rural state.
The Currier’s hope is that Lugo’s work has been able to reach a part of the population that isn’t often represented in local art.
“We do have a growing Hispanic and Latinx population so we’re really hoping people who don’t see their culture in art as much can see that in Roberto’s exhibition,” Cataldo said. “Taking the culture of ’90s hip-hop and graffiti and putting it in this completely unexpected form … it brings in a whole group of people who don’t usually see themselves in art.”
Much of Lugo’s work pays homage to people of color who have made significant impacts on culture and society.
“These are abolitionists, civil rights leaders, and yes even contemporary musicians like Tupac and Missy [Elliot],” Lugo said. “I think Tupac in particular complicated the narrative of what a hip-hop artist is supposed to be; he’s more poetic but also had a really sensitive side to what he was talking about and really focused primarily on painting a picture of life in the ghetto.”
These unexpected messages are even more pronounced because of how Lugo’s pieces are displayed.
“From the beginning we really wanted to figure out how to make my work interact with pieces from the museum’s collection,” Lugo said.
“It’s literally sitting on our works,” Cataldo said. “Historic furniture from our collection is being used to show his ceramics, like a dinner table display, [which] I think poses a lot of interesting juxtapositions for people … like a plate with Missy Elliot sitting on a 19th-century carved piece.”
Cataldo said that one of the things Lugo really wanted to do was make the work accessible to people and create the feeling that you’re in someone’s home.
“The idea is domestic,” Cataldo said. “Ceramic work rides that line — you can have a beautiful set of bowls that someone hand made but you can use them every day, but that same beautiful bowl could be in a museum.”
The exhibition also includes a “cup wall” that has transformed since the start of the show; then, it only had cups that Lugo made, and now it includes about a dozen other cups created by local ceramics artists who were invited to participate.
“Artists often trade work,” Cataldo said, “like a mug or cup — it’s small and portable but you can get a lot of expression on it.”
Cataldo said she’s heard positive feedback about the exhibition from visitors, and she herself has been enjoying its presence in the museum.
“Roberto is just so open — every time I walk through it always just feels happy and it really is just a true expression of him,” she said.
“Te traigo mi le lo lai – I bring you my joy”
Where: Currier Museum of Art, 150 Ash St., Manchester When: On view through Sept. 26 Cost: Museum admission tickets cost $15, $13 for seniors age 65 and up, and must be booked online. More info: 669-6144, currier.org
Featured photo: Roberto Lugo at work on a ceramics piece. Photos courtesy of the Currier Museum of Art.
Heading into fall is the perfect time to go for a hike, with less heat and humidity, fewer bugs, and views that turn even more picturesque as the leaves start to change. All of this, along with the physical and mental health benefits, is a recipe for hiking happy. Find out how to do it safely, plus check out four southern New Hampshire hikes that prove you don’t have to hit the White Mountains to get in a challenging — but doable — climb.
From building muscle strength to lowering stress levels, hiking can have all kinds of benefits for your physical and mental wellness.
“Whether it’s daily, every other day or even just once a week, it’s really worth it for your health to go hiking regularly and spend some time out in nature,” said Lucie Villeneuve, outdoor guide and owner of outdoor guide service Outdoor ESCAPES New Hampshire.
Traversing a mixed terrain of rocks and boulders, tree roots, hills, streams and other natural landscape elements requires a variety of movements, Villeneuve said, giving you a unique full-body workout that you can’t get on an exercise machine or uniform walking surface.
“You’re using pretty much all of your muscles,” she said. “With every step, you’re twisting your ankles in different directions, and you’re putting the brakes on and off with your legs when you’re going uphill and downhill.”
For the same reason, hiking can lead to better balance, stability and coordination, particularly if you’re hiking a mountain where you may need to do some climbing.
“When you’re going up from one piece of rock to the next on your hands and feet, you’re essentially using your whole body, which really improves your balance,” said Conor Benoit, New Hampshire outdoor guide and owner of CMB Guide Service.
Hiking can also be a great workout for cardio and weight loss, depending on your pace and how rigorous the trail is. You could burn as much as 3,000 calories in a day of hiking, Villeneuve said, not only from the physical exertion but also from your body’s work to regulate your body temperature.
“If it’s hot or cold out, your body is going to burn more calories,” she said.
If you wear a backpack to carry some extra water, snacks and emergency supplies — which you should — that will also enhance your workout, Benoit said.
“A few pounds on your back may not sound like much, but by the time you [finish the hike] you’re definitely going to feel it,” he said.
Unlike working out on an exercise machine that you can turn off at any point, “you can’t just quit halfway” during a hike, Benoit said, which can help you push yourself to new physical limits. Setting a goal with a tangible reward, like reaching an interesting landmark or a place with beautiful scenery, can also motivate you to keep going.
“I’ve seen people consistently impressed with how far they are able to make it,” Benoit said. “When you make that commitment to yourself and have the mindset of ‘I’m so close; just a little farther,’ you see that you can accomplish more than you originally thought was possible.”
Hiking is good not just for the body but also for the mind, Villeneuve said. To get the most out of your hike, she recommends making a conscious effort to “be in the present moment,” push away thoughts about what you’ve got going on back home, and home in on your natural surroundings.
“You need to practice having awareness,” she said. “Use all of your senses to take it in: smell the fresh air; feel the temperature of the air; see the views that are right in front of you.”
Conversely, you could use hiking as an opportunity to “reflect [on] and process” things that have been on your mind, away from technology and other distractions, Benoit said, so that you can return to your home and work life with renewed energy and focus.
“That physical and mental exhaustion really sets you up to be more clear-headed throughout the week,” he said. “You leave [the hike] with less than what you carried in, feeling mentally lighter.”
Photo courtesy of Jake King of Thrive Outdoors in Manchester.
Crisp weather and colorful foliage are great reasons to hit the hiking trails this fall — as long as you’re prepared for a change in the seasons that will bring shorter days and cooler temperatures.
“Fall is my favorite season to hike in behind winter. You don’t have to worry quite as much about sweating and losing all of your moisture,” said Jake King of Thrive Outdoors, a team-building and leadership assessment organization based in Manchester. “At the same time, fall nights get much cooler. … So if you’re stuck, any perspiration or moisture you have is now going to be used against you, whereas in the summer it really does help you cool off.”
One of the most important things to keep in mind when hiking in the fall is that the later in the season, the quicker it will get dark out. With however many hours of daylight you have, King said a good rule of thumb is to give yourself a third of it to get in and two thirds to get out.
“Always give yourself that extra time on the way out,” he said. “A lot of people will like to split it 50/50, thinking they’re going to get out just as quickly as they went in, but then if something goes south, you have no time to play with. … Remember that it’s going to get darker sooner, and then as soon as it does it’s going to get cooler.”
Rick Silverberg, chairman and leadership training coordinator of the Appalachian Mountain Club’s New Hampshire chapter, said the differences in elevation also play a role, as you’re more likely to encounter exposed areas above the trees.
“As soon as you get into those higher elevations, the temperatures get colder … [and] you have a lot more wind,” he said. “In the fall it’s much more dramatic.”
You don’t always have to start your hike dressed in layers. In fact, King said it’s much easier to control your body temperature level by layering up rather than down.
“You should always have a base layer … that sits up against the skin but isn’t too tight, and then a mid-layer and top layer that is wind- and water-resistant,” he said. “Don’t start with all of them on, though. Even if it’s a bit chilly, don’t start warm, because you may find that you’re overheating and once you start sweating, it’s too late. … You’ve broken that seal, so to speak.”
Early on in the fall, you won’t typically encounter a lot of frost. But as the season gets deeper into October and November, morning frost on certain surfaces has the potential to be hazardous.
“A frosty rock can be slippery,” King said. “The other thing to remember is if it starts to warm up during the day, then frost is going to turn into moisture, which is what you want to avoid.”
It’s good to remain mindful too of when specific trails or parks close for the season, which can be any time from mid-September to November depending on where you go.
If you’re heading out for views of the foliage, Silverberg said peak times of the year will differ in the state — far northern areas will usually see their peak a few weeks earlier than those in the south. It will also get colder at night much faster after all the leaves fall from the trees.
If you’re not ready to tackle the state’s 4,000-footers but want to take a real hike — as opposed to a walk on a rail trail that you could do wearing flip-flops — here are a few peaks in southern New Hampshire.
Mt. Monadnock. Photo courtesy of Matt Ingersoll.
Mount Monadnock, Jaffrey
There are a few ways to get to the top of Mount Monadnock, which stands at 3,165 feet — and none of them is a walk in the park. According to nhstateparks.com, “all routes to the top are steep and rocky.” There are three main access points. Monadnock HQ (169 Poole Road), which provides access to the main trails and is the most direct route to the top, and Old Toll Road (9 Halfway House Road), which provides access to many side trails and alternative destinations, are both 4-mile hikes that take approximately four hours to complete. Gilson Pond (585 Dublin Road) is a longer, less populated trail for hikers who are looking for solitude; it’s 6 miles and takes about six hours.
What it’s really like: “I was probably 12 or 13 years old the first time I climbed Mt. Monadnock, but I’ve seen kids and adults young and old successfully scale it. It’s a perfect moderately challenging day hike that will take you no more than a few hours each way up and down. What’s great about it is that, unlike having just one route to the top and one back down to the bottom, there are multiple inter-connecting trails of varying difficulty that you can take, all of which are very clearly marked and easy to follow. The shortest and simplest ones are probably either the White Dot Trail or the White Cross Trail. The White Dot has a very gradual level of steepness that starts to get a bit rockier near the top, but once you reach past the treelines, the views on a clear day are breathtaking. Personally, I like to go up via the White Dot and down via the White Cross, because the latter trail is a little bit steeper and will make for a quicker descent.” — Matt Ingersoll
If you go: Reservations are strongly recommended in order to secure a parking spot at any of the three trailheads. Visitors who do not make a reservation will be admitted on a first come, first served basis. Reservations can be made prior to arrival and no later than 3 p.m. that day at nhstateparks.org. The parking pass costs $15 and includes admission for six people in one vehicle.
Mount Kearsarge, Wilmot & Warner
To get to the summit of Mount Kearsarge, which stands at 2,937 feet and features a fire tower and bald face that offers 360-degree views, there are a few options. From Winslow State Park in Wilmot, there are two trails: the 1.1-mile Winslow Trail and the 1.7-mile Barlow Trail. The former is the more challenging option, while the latter is a more gradual climb and offers vistas of the Andover area, Ragged Mountain and Mount Cardigan. The trailhead has a good-sized picnic area and a playground for kids. The Rollins Trail begins at the picnic area in Rollins State Park in Warner and follows the route of the old carriage road for a half mile to the summit. You could also start at the Lincoln Trail at Kearsarge Valley Road, a 5-mile trail that climbs to the Rollins picnic area.
What it’s really like: “I’ve climbed Kearsarge several times with people of varying levels of fitness. I like that you can go up one main trail and down another so you’re getting different views throughout the hike, and saving your knees from the steeper Winslow Trail if you tackle that first and come down the gentler Barlow Trail. My teenagers both enjoyed this hike, though my daughter kept leaving my son and me in the dust, both on the way up and the way down, and we weren’t exactly taking our time. It definitely feels like a workout on the way up, and I’ve stopped for a few quick breathers no matter who I’ve hiked with. The view at the top is nice, though not quite as spectacular as Mount Major’s, in my opinion.” — Meghan Siegler
If you go: Reservations are strongly recommended and can be made online at nhstateparks.org. Parking is limited, but walk-in spaces are available on a first come, first served basis. Admission is $4 for adults, $2 for children 6 to 11, and free for kids 5 and under and New Hampshire residents who are 65 and older.
Mount Major, Alton
The 1.5-mile Mt. Major Trail begins at a parking area on Route 11 in Alton. The trail ascends a steep, severely eroded section and has some steep scrambles near the top. At 1.3 miles there are two alternate routes, one that forks to the right and climbs up steep ledges (potentially dangerous when wet or icy), and a detour that diverges left. The Brook Trail is 1.7 miles and begins at the junction of Mt. Major Trail and Belknap Range Trail. Aptly named, this trail features two brook crossings in higher water where “some very creative rock hopping is required to keep your feet dry,” according to belknaprangetrails.org. From there on the grade alternates between easy and moderate. The Boulder Loop Trail starts at the trailhead parking area on Route 11 and offers a somewhat gentler climb, with portions of it being part of a snowmobile trail. It features large boulders that you pass by and sometimes go through. At the summit, you’ll find the remnants of the George Phippen hut built in 1925.
What it’s really like: “First, the views at the top are amazing, looking out onto Lake Winnipesaukee, so it’s a well-worth-it reward for a hike that’s particularly tough at the end. I’ve done this one a few times, and my kids have been there more than once for summer camp field trips. There are moments during the climb where I wondered how kids managed to make it to the top; it’s certainly not easy. But it’s also a pretty popular hike — during the summer the parking lot is almost always overflowing, with cars parked along the main road, so if you’re not a fan of crowds, try to save this one for a weekday.” — Meghan Siegler
If you go: There’s no fee to climb Mount Major or to park; just be prepared to walk quite a ways from your car to the trailhead on a nice summer day when cars spill out onto the road.
Mount Sunapee, Newbury
The summit of Mount Sunapee, with an elevation of 2,743 feet, can be reached via ski trails or a number of hiking trails, including Summit, Lake Solitude and Newbury. According to mountsunapee.com, you can also hike any of the ski trails during the summer. Summit is a 2-mile trail at the lodge at Mount Sunapee. The Lake Solitude trail starts east of the summit, and it’s about a mile to White Ledges, which overlooks Lake Solitude. From there, Lake Solitude is a 0.6-mile hike from the overlook. The 2-mile Newbury Trail continues from Solitude Trail and does not return to the ski area base. The trailhead is near the southern end of Lake Sunapee off Route 103 in the village of Newbury, approximately 3 miles from Mount Sunapee Resort.
What it’s really like: “I just hiked Mount Sunapee for the first time a few weeks ago, and I’m not sure what took me so long to get there. Summit Trail is beautiful, although after all the rain we’d had earlier this summer, there were quite a few muddy spots. There were also some steep-ish ascents that had my quads burning, but those were nicely balanced with less intense stretches of trail. When we crested the summit, the view was a little underwhelming, and the ski lodge seemed out of place (I don’t ski and apparently had no idea what happens at the top of a ski mountain). However, a little exploration led to a gorgeous view of Lake Sunapee and the quaint little towns around it. I do wish we’d had enough time to check out Lake Solitude, but it gives me a good reason to go back soon.” — Meghan Siegler
If you go: There are no parking or hiking fees here, and parking at the resort is plentiful for an easy in, easy out day hike.
Treks and Trails
Jake King of Thrive Outdoors in Manchester shares some of his favorite hikes to take during peak fall foliage season.
• Manchester Cedar Swamp Preserve (Country Side Blvd., near Waterford Way, Manchester) • Massabesic Audubon Center Trails (26 Audubon Way, Auburn): “For people who haven’t really gotten out into the wilderness a lot, it’s a good starter experience. It’s flat and easy.” • Nottingcook Forest (Woodhill Hooksett Road and South Bow Road, Bow) • Uncanoonuc Mountains (Mountain Road, Goffstown): “On Uncanoonuc North, you can see bits and pieces of Manchester surrounded by trees, and in the fall, it’s a beautiful sight.” • Welch-Dickey Mountain Trail (Orris Road, Thornton)
Featured photo: Mt. Major in May 2017. Photo courtesy of Matt Ingersoll.
