Executive Director Deanna Hoying is sounding the horn on New Hampshire Symphony’s upcoming Holiday Brass shows.
“We have our first on Thursday, Dec. 5, at the Rex Theatre in Manchester, and then we follow that on Friday, Dec. 6, at the Coptic Church in Nashua. Both of them are going to be at 7.30 p.m. This is going to be a really fun show that kind of mixes an opportunity to show off our brass section and our percussionists, and we have a mix of what we would call kind of the sacred and the secular, so those really beautiful pieces by Gabrieli,” Hoying said. Giovanni Gabrieli was an Italian composer born in the 16th century.
Brass holds a special place for Hoying. “I’m a brass player, so I’m a horn player, so these are things I kind of grew up with playing. Our guest conductor, David Upham, has picked some really lovely carols from all over the world and then the second half of the show is going to be probably more on the pop secular side with everything from ‘I’ll Be Home for Christmas’ and ‘Jingle Bell Rock’ and ‘Have Yourself a Merry Little Christmas.’”
The show allows this section of the orchestra to really ring out loud.
“It’s a nice opportunity to play some music we don’t always get to play when we do the full orchestra,” she said. This year they’re working with a guest conductor who is based at UNH. “He is their director of orchestra studies there and … I reached out because I knew my music director was going to be tied up in Indiana for much of December … so we’re really happy to have him join us for this show. We get to spend much of the season with our music director, Roger Collier, which we really love.”
At the Rex, “They love the idea of doing a holiday program there,” she said. “The Palace is running A Christmas Carol pretty much through December, so they love the idea of having the holiday brass at that venue.”
And at the Coptic Church in Nashua, “We did our holiday brass show there three years ago. It’s a different set of pieces, but a similar idea,” Hoying said. “It’s a beautiful venue. I remember the first time we did it there. So many people, even Nashua residents, had no idea that church was there. They’d never been in the church before, and they were just blown away. It’s an absolutely gorgeous interior. The setting worked really well for these pieces too.”
Much of the music was written for brass. “Gabrieli wrote a lot of sacred music, and a lot of his work is written for essentially a brass choir, and so there’s something when you start to play that with your fellow brass players that it’s just so beautiful and so moving and particularly when you’re playing in a church, because that’s where he wrote them to be played, it is just beautiful and it is one of those things that I really enjoy,” Hoying said.
“We’ve got French horns, we’ve got trumpets, we have trombones, we actually have a euphonium for this one. This is something that we don’t get to usually play very much because most orchestral music doesn’t use a euphonium, so we’re really excited about that. Of course we have a tuba player, and then we actually have some percussion that are going to join us too. Our timpanist and two percussionists are going to kind of round out the complement. We have about 17 or so musicians on stage, which is nice, but it gives you that nice big full brass sound.”
Music means a lot to Hoying. “The music is very close to my heart. I already played piano and I started playing it and there was just really something about the quality of the sound coming out of the horn that was just really kind of hooked me. There’s so much great stuff that’s been written for the horn, both as a solo instrument and within the orchestra.”
As a former music teacher, Hoying is always encouraging younger ones to find an instrument that speaks to them. “I would always tell kids when they wanted to play an instrument, don’t just settle for something because someone said, hey, you should play this. Try a bunch of things, because you’re going to find that you have an affinity for certain pitches, certain resonance, certain quality of sound, and if you’re going to be practicing this thing, you want to be in love with it.”
Symphony NH Holiday Brass Thursday, Dec. 5, at 7:30 p.m. at the Rex Theatre, 23 Amherst St., Manchester. Tickets $29 to $39. Info: Rex at 668-5588, symphonynh.org. Friday, Dec. 6, at 7:30 p.m. at St. Mary and Archangel Michael Coptic Orthodox Church, 39 Chandler St., Nashua. Tickets $40. Info: 595-9156, symphonynh.org.
Discover — or rediscover — your love of making music with help from the experts
“So you wanna be a rock ’n’ roll star?” Roger McGuinn asked back in the ’60s. The answer? “Just get an electric guitar, take some time and learn how to play.” If only it were that easy. Back then, The Beatles and Stones fueled the dreams of would-be music heroes. These days, it’s Taylor Swift or Ed Sheeran.
For the kids, anyway. It’s different for the recent empty-nester who’s always wanted to play the opening riff to “Smoke on the Water” and just bought a vintage Stratocaster on eBay. Both young and old need a place to take their rock ’n’ roll fantasies and flesh them out.
Fortunately, there are many places to go for acquiring the skills, for all ages, whether it’s someone picking up an instrument for the first time or looking to brush up on long-neglected talents, or a talented enough player with a desire to take things higher.
Further, options are available for a wide range of lifestyles, from free online lessons to one-stop shops that sell instruments with a book of lesson coupons, to one-on-one sessions that prep the ambitious for an open mic night. Here are a few that exist in the area.
Beginnings
There are a few things that every instructor agrees are essential. The first is to keep the instrument where it can be seen and played. “It’s better to just have it out,” says Danielle Miraglia, who teaches guitar on Zoom. “When you’re bored, instead of picking up your phone you can grab your guitar and noodle around on it.”
This means it’s smart to buy a stand to go with a new guitar, and save the case for a birthday present. Ditto for keyboards; get something to set it on. For the budding drummer, start with an electronic kit and headphones, so it won’t rock the house.
No. 2, though practice is essential, too much may have a negative effect.
“Fifteen to 20 minutes three or four times a week is better than an hour one day a week,” believes Eric Bilodeau of Strings & Things. “Just getting your hands used to it will help build finger strength, the neural pathways to tell a finger to move a certain way, and get your hand memory going.”
The third item is a rule that applies to a good instructor, and it’s typically the first topic of conversation when sitting down for the initial lesson. Begin with an understanding of why a student wants to learn how to play. Is there a specific song they want to master, or a musical style that attracts them?
Try to figure this out before buying an instrument. For example, it’s a bit easier learning to play on an electric guitar, but someone drawn to a coffeehouse vibe is better off with an acoustic.
“The important thing is finding one that’s going to make you want to play,” Bilodeau said. “Play a bunch and see which one speaks to you.”
School days
When that decision is made, the next question is, what’s the best way to learn? For a youngster, structure is important, so a schedule of lessons is a good idea. Bedford Youth Performing Company (BYPC) offers instruction for a wide variety of instruments and even has classes for full bands.
That idea may seem counterintuitive — shouldn’t mastery of the instrument come before playing with others? But Dave Couture, who’s taught guitar and drums at BYPC for over 35 years, spotted an opportunity to turn making music into a family affair, and further solidify a student’s engagement.
When parents came to the studio, Couture would inquire about their music background. “I’d go, ‘do you play an instrument?’ They’d say they do, or they used to, and I’d tell them to hop on the bass or whatever,” he said by phone in mid-November. “Then they’re playing along with their kids. It got me interested in creating these adult bands. It’s a lot of fun, and it keeps them interested.”
Eric Biloudeau of Strings & Things. Photo by Michael Witthaus
Couture leads a couple of all-adult band classes as well. Yes, though “youth” is in their name, BYPC is all-ages. “I have up to retirees,” Couture said. The disparity between groups means a different set of challenges in motivating students, he continued.
A youngster’s mood can change daily, depending on how school went. “I’ll say, ‘did you practice?’ and if they didn’t, we’ll work on what we did last week,” he said. “Sometimes the adults are worse. They’ll say, ‘I really wanted to do this, but I’m not practicing.’ I’ll tell them, ‘don’t worry, you’re learning every week … let’s learn a fun song.’”
On the other hand, working with retired people is often much more satisfying, Couture continued. “I’ve had a few of them that have said they wanted to do this forever. They’ve been thinking about it, and they’re usually pretty focused.”
Couture will remind those stressed about time or stuck in a rut that music is an art form. It’s something one of his Berklee professors told him once, and it calmed him down. “When I thought of it as an art form, I just relaxed and let it flow.”
Time management
Bob Desmarais, who runs NHTunes in Manchester’s Waumbec Mill, offers his own retiree story as proof that no one’s too old to play. “Janet is 94 — she started when she was 89,” he said during a tour of his studio and music academy. “We just had a show at RiverWoods; me, her, and two other residents. She was exhausted, it was an hour show, but she’s 94 freaking years old!”
Desmarais opened NHTunes in 2010, the same week he paid off his son’s college tuition. He continued to work as an IT manager at the outset while he recruited students. He quit his day job a year later, with three teachers on staff and almost 40 students. That’s grown over the years to 14 instructors who teach close to 140 students. In 2013 it moved down the hall into a space twice the size of the original.
A Berklee grad who plays Jimmy Buffett songs and bar tunes in a duo called the Sonic Boomers, he always had a passion for music, but Desmarais continues to parlay his computer skills in his business. A Google search of “music lessons in Manchester” will result in NHTunes near the top, proof of his SEO skills.
He has a slick web-based scheduling system. “It links all the instructors, what they teach, their availability,” Desmarais said. “Just book online, and it’ll put it in a Google Calendar. We have gift certificates for people to buy, and they can schedule lessons when they want.”
It’s perfect for busy professionals. “We have a group of people that just book per diem, they don’t sign up for monthly tuition,” he said. “They don’t want to commit to weekly lessons. I was nervous of that at first, worried that people were going to take one or two and stop. But we have this core group that books every week, every other week. It fills in the gaps in our schedule.”
NHTunes offers lessons on a range of instruments, along with studio production classes using Ableton Live and other software packages. That’s an extension of the studio recording services they provide, which is one of the key reasons Desmarais opened the business.
There are also frequent student recitals.
“I think the performance aspect of musicianship is really important,” Desmarais said. “We get kids out in front of people at nursing homes, senior centers, and stuff like that. The last thing you want to hear is, ‘They never play in front of me.’ Because music should be shared.”
Finally, with the youngsters, Desmarais strives to keep mom and dad looped in. “So they know what’s going on,” he said. “It’s really important, because unfortunately some parents have to ride kids sometimes to play and practice in between lessons, so you gotta know what they’re working on.”
Try before you buy
Andrew Grosvenor leads jam fusion band Andrew North & the Rangers and hosts the monthly open mic at BNH Stage in Concord. He also teaches piano at Concord Community Music School and Strings & Things, a store that’s now in Penacook Village after a couple of decades in downtown Concord.
He offers a unique way to check out his instructional skills — for a certain type of student. Grosvenor teaches all levels, but many of his charges have some experience and are looking to grow. For those, he has videos on his YouTube page, songs like Vince Guaraldi’s “Skating” or “Esther” by Phish that aren’t novice fare.
The videos do provide a sense of how he teaches, though.
“I’m the best fit for more intermediate or advanced folks,” Grosvenor said by phone recently, “who know the basics of the instrument but are looking to take the next steps in understanding theory and improvisation. That’s where my strengths are.”
Strings & Things is a one-stop shop, a place to go to purchase a guitar, keyboard or drum kit, schedule some lessons, and pay for everything at once. It’s also one of the more venerable places in the area. Mike Bilodeau opened it in 1982, and these days his son Eric oversees instruction there.
The shop offers classes on several instruments, Eric explained during an interview in Strings & Things’ piano room. “We do guitar, bass, drums, piano, mandolin, banjo and a lot of the brass instruments, like saxophone, flute, clarinet and trumpet,” he said. “I always say, if you like to annoy your neighbors, we can help you out.”
Students can be anywhere from 5 to 16, and beyond, and lessons begin with defining goals. “Do they want to be Jimi Hendrix or Ed Sheeran? There’s a big difference,” Eric said. “Do you want to get up at an open mic [or] go to a blues jam and be able to sit down and play a solo over a song? Maybe you just want to stay at home and make music in your bedroom … there’s all different ways you can take music now.”
The 14-member staff is mostly working musicians, like guitarist Mike Gallant, who performs around the area as Mikey G., drummer Paul Donahue and fiddler Jordan Tirrell-Wysocki. Fittingly, that was the path taken by Mike Bilodeau when he opened the store 42 years ago.
“I did a hitch in the Air Force, and the skills I had from the Air Force didn’t blend into society,” Mike said in the store’s guitar-filled back room. “I figured I’d go with my hobby; I love to play music. At that time, there was a lot around, and I was working five nights a week. My wife decided that I should be busy during the day too. So with her cheering me on, we opened up a very small store with very limited inventory.”
School of Rock. Courtesy photo.
Two years ago, they relocated for a sixth and final time, buying and renovating an old bank. “We had leased buildings for 40 years, and branch banks, as you would probably expect, are kind of going away,” he said. “So this place was a very good deal for us to purchase, and we’ll be here until the end of time.”
Though the store currently doesn’t hold student recitals, Mike thinks that will change in the future.
“We have a wonderful situation,” he said. “Riverside Park is right behind us on the Contoocook River, and our goal is to get some live music going there next spring. There’s also another brand new park being built across the street … we’re excited; this is going to be a real happening area for us.”
The covid effect
Before 2020, lessons were always taught in person, one on one. Then a pandemic changed the rules. Though there’s mostly been a return to the old days, there are a few instructors like Danielle Miraglia who decided to continue teaching after Covid.
“I never went back to in person,” she said by phone recently. “It was nice not to get a cold every five minutes for one thing, and to be honest, there’s a little bit of a different kind of drain when you do it via Zoom. If I miss the in-person experience, I’ll think, ‘what are you, crazy? You can do this with a cat sitting next to you.’”
A multiple New England Music Awards winner and Boston Music Award nominee, Miraglia started teaching as a way to deal with rising rent costs in Somerville, where she and husband live. Initially, she taught at the Real School of Music in Burlington, Mass. In hindsight, she’s glad she did — even if economics forced her decision.
“I think everybody should teach for some amount of time,” she said. “It forces you to learn things you might not have bothered with for your own stuff, and it reminds you of things you knew before that you might have forgotten. It’s made me a sharper musician in general.”
When working with a student, particularly a younger one, Miraglia encourages them to have patience with themselves. “Some kids will get really frustrated right away. They’ll be like, ‘I can’t do it,’ and I’ll say, it would be insane if you could do it right now. Of course you can’t, that’s why I’m here. I’m here to help you with that.”
Some are slow to pick it up, while others roar out of the gate. Miraglia recalled a 7-year old prodigy. “He immediately could do the Bo Diddley groove with his right hand, it was very easy to teach him,” she said. “He just kept getting better and better … now he’s in jazz band in school.”
Begin at the end
In Nashua, there’s a new spot that could be a major force on the local music scene. Though it won’t officially open until Dec. 14 — hopefully — the School of Rock has a unique approach to learning that begins with focusing on what an aspiring student wants right away.
“We start with the goal of performance and work backward from there,” school owner Andy McKenna said by phone recently. “They do get a full music education, but we start by saying, ‘Hey, you’re going to be playing in three months.’”
To that end, “we focus on helping people learn the stuff that they really like to listen to and want to play and go from there,” he continued. “That’s a big difference from music education that starts with learning all the technique and theory first and eventually getting to songs. Let’s figure out what you’d love to be able to play.”
For example, a budding bass player should leave the first day knowing the opening riff to Queen’s “Another One Bites the Dust” so they can go home and play it for the parents. “They go, ‘Wow, I know that song, that’s great,’ and feel like they’re getting their money’s worth too.”
School of Rock is a national chain inspired by the Jack Black movie, with hundreds of locations. Nashua is the first in New Hampshire. Their core age range is 8 through 18. “That said, we have programs starting at age 3,” McKenna said. “I like to say it’s from age 3 to 103.”
It begins with the early childhood Little Wing and ranges to the Rock 101 performance program. “We’ve got adult programs as well. In fact, a full 25 to 30 percent of people interested in signing up are adults. And I get basically two stories. One, they used to play a little bit, but had to give it up because they got busy. The other story is, ‘Hey, I always wanted to play, and never did. Am I too old?’ Our answer is, ‘absolutely not.’”
The full Rock 101 program lasts for three months and includes a 45-minute weekly lesson and 90 minutes of group rehearsal. “That runs about roughly $400 a month,” McKenna said. “If you break down the number of hours that are being spent with instruction, it comes out to $40 an hour.”
For the ambitious, Rock 101 can be followed by a performance program that includes longer rehearsals and more challenging material. “There are 15-, 16- and 17-year-olds playing Steely Dan, Rush and Pink Floyd,” he said. “It’s fairly complex musical stuff, so they get quite good as they move through the program.”
McKenna’s interest in opening School of Rock came from his empathy for kids struggling to fit in, who don’t for example play a sport, but find concert band too staid. They just want to rock, and he can relate.
“The friendships and connections I’ve made have been mostly focused and centered around my enjoyment of playing music with others,” he said. “I think School of Rock has a formula that helps people do that. It’s a place where a lot of kids have really been able to find their people, their place, and really thrive. When I heard those real stories about the many schools that are in operation, I just felt, yeah, that’s what I want to do.”
Take it to the next level
There are performers who’ve moved past rudimentary musical foundations and want to go further. A guy like Chad LaMarsh can help. A veteran singer, guitarist and songwriter with a long resume, LaMarsh offers Get Gig Ready, an effort geared toward taking all those acquired skills and doing something with them.
“The program is all-encompassing of absolutely everything that goes into playing a gig,” LaMarsh said in a recent phone interview. “We do a lot of what I call vocal maintenance to make sure that everybody can get through singing three to four hours a night for five nights straight. That’s a lot of abuse on your throat.”
It covers gear and more — what to buy, where to put it, and ways to measure results.
“How you use your mixing board, that’s a huge one,” he said. “There’s a technique I’ve designed for practicing so that the musician knows exactly what it’s like to have your speaker a few feet away from you…. We often fall short because we don’t know what we sound in front of the stage.”
The short-term goal of Get Gig Ready is an appearance at an open mic, like the Tuesday night gathering at KC’s Rib Shack in Manchester. It’s the beginning of a long road that optimistically ends at SNHU Arena, or at least a ticketed club gig. Clearly, this is geared toward performers with serious intentions.
“If it’s somebody just looking to kick the tires and just poof around, I don’t have any time for that,” LaMarsh said. “These are people that are actually already super talented … they’re already at a level that I know I can do something to help them excel even more. Those are the people I work with.”
Sage Advice
Guitarist Brad Myrick also works with and mentors other musicians. Every summer for the past several years he’s conducted master classes in Italy, along with touring. His advice, however, is applicable for those at any level looking to make music.
“Whatever it is that’s exciting to you about your instrument, that made you want to play it, always access that thing … that’s absolutely the first advice,” Myrick said from his home in Hopkinton. “I’m still doing that, after playing the guitar for 30 years.”
It’s a great time to be a musician, he continued, adding that finding an instructor to connect with is critical. “Having a little bit of structure and accountability, the consistency, of ‘hey, I’m going to show up once a week and I’m going to do this thing’ … that sometimes will keep us from slipping back into our old habits.”
Myrick recalled that when he first picked up guitar at age 14, ultimately taking his first lesson at Strings & Things, there were some affordable resources available to help him jump start his interest. There are even more today, and many of them don’t cost a thing.
“When I started, I knew a little bit about music, but I didn’t know anything about guitar,” he said. “I got a basic guitar book and started reading … it was like, ‘this is the E string, place your finger here.’ I got pretty far in the first couple weeks before I had any formal interaction with somebody. And if you’re self-motivated, there are endless online resources. Not all of them are great, but a lot of them are really good.”
Whatever path is chosen, Myrick believes a little bit of self-guidance can add a lot to the learning experience. “When I’m teaching, I try to incorporate both models,” he said. “A little bit of self-curiosity, a little bit of other free resources, and having someone also to check in with — mentorship. It’s a great combination.”
Learn how to play
Here are some area music teachers.
• Bedford Youth Performing Company (BYPC) 155 State Rte. 101, Bedford bypc.org. One-on-one lessons for ages 9 and up – 30 minutes, $148.32/month, 60 minutes, $222.48/month and 60 minutes, $296.64/month. Costs vary, call for a quote.
• Danielle Miraglia daniellem.com. Online only, $37/half hour Zoom or FaceTime, volume discount available ($105/three half-hour lessons).
• Get Gig Ready With Chad LaMarsh getgigready.com $60/half-hour lesson, 13- and 26-week coaching classes available, contact for quote.
• Let’s Play Music & Make Art 2626 Brown Ave., Unit 2, Manchester, plus locations in Derry and Hudson, letsplaymusic.com. Trial private lesson $36.25, trial group class, $27.50, tuition ranges from $149/month for weekly 30-minute lessons.
• Manchester Music Mill 329 Elm St., Manchester, mmmlessons.com. Teachers set their own rates, which range from $20 to $25 per week for a half-hour private lesson.
• Merrimack Music Academy 1 Bryce Drive, Merrimack, merrimackmusicacademy.com. $155/month tuition covers up to five private lessons, instruction materials and access to academy resources.
• North Main Music 23 Charron Ave., Suite 1, Nashua, northmainmusic.com. 30-minute introductory lesson is $25, flexible drop-in program is $140 for four lessons.
• School of Rock 225 DW Highway, Suite C2, Nashua, schoolofrock.com. Rock 101 program is around $400/month, averages out to $40/hour.
• Strings & Things 339 Village St., Concord, stringsandthingsmusic.com. $30/half-hour lesson, usually paid by the month with four or five lessons per month.
• Ted Hebert Music School 880 Page St., Manchester, tedhebert.com. $30/half-hour lesson.
Connected to the recall of organic carrots from Grimmway Farms, 4Earth Farms of California recalled “multiple brands of Organic Vegetable Medley, Conventional Vegetable Medley, and Organic Whole Carrots because it may be contaminated with Shiga toxin-producing Escherichia coli (E. coli),” according to a company announcement from Nov. 27. The products, which have “best by” dates of Sept 7 through Nov. 2, were distributed to seven states, including New Hampshire, according to the announcement, which is available at fda.gov.
Meanwhile, SunFed Produce announced a recall on Nov. 27 of whole cucumbers with the grower’s name “Agrotato, S.A. de C.V.” due to potential salmonella contamination, according to a company announcement also available at fda.gov. The recalled cucumbers were sold between Oct. 12 and Nov. 26 to several states and Canadian provinces, not including New Hampshire but including Massachusetts, the recall said. “The cucumbers would have reached consumers through food service and retail outlets that may be located in states other than those listed above,” the announcement said. See the FDA’s website for product specifics.
Fuel Assistance Program
Dec. 1 marked the official opening of the New Hampshire Fuel Assistance Program (FAP), which helps vulnerable Granite State families with their heating bills. Last winter the program provided assistance to more than 28,400 households with an average benefit of $1,284 to help with heating costs, according to a press release.
The Fuel Assistance Program is a federally funded program administered by the New Hampshire Department of Energy (DOE) in partnership with New Hampshire’s Community Action Agencies. It’s known in Washington as the Low-Income Home Energy Assistance Program or LIHEAP, according to the release.
The Fuel Assistance Program provides assistance to New Hampshire families and seniors whose annual household income is at or below 60 percent of the State Median Income, the highest amount allowed by federal statute. This year that means that means an annual maximum income of $87,949 for a family of four or $45,733 for a single-person household, according to the release.
More than 23,000 households have already applied for this winter, according to the release, and households can also apply for the NH Electric Assistance Program at the same time, which provides eligible households with a discount on their electric bill.
Households that qualify for the program are also eligible for the Weatherization Assistance Program, which can help homeowners make improvements and upgrades that provide further reductions in energy costs.
To apply to the program, New Hampshire residents should contact their local Community Action agency. For Information about the NH’s Community Action agencies, including locations and contact information, visit capnh.org. Visit energy.nh.gov and find information about the Fuel Assistance Program under the Help with Energy and Utility Bills tab.
Save the sturgeon
According to a press release, the Atlantic coastal states of New Jersey, Maryland and Virginia have scheduled hearings to gather public input to an addendum to the Interstate Fishery Management Plan for Spiny Dogfish to reduce accidental capture of Atlantic sturgeons in nets made for spiny dogfish. In addition to the Dec. 11 hearing, stakeholders are welcome to participate in any of the virtual hearings, according to the release.
While the 2024 stock assessment update for Atlantic sturgeon showed signs of improvement, the stock remains depleted coastwide, according to the release.
The hearings are on Wednesday, Dec. 11, Tuesday, Dec. 17, and Wednesday, Dec.18, from 6 to 8 p.m. To register for a virtual public hearing webinar, find links at nhfishandgame.com. The Draft Addendum is available via the Atlantic States Marine Fisheries Commission’s website at asmfc.org/about-us/public-input. Visit wildnh.com/marine.
Metallica scholars
The Community College System of New Hampshire (CCSNH) was recognized as the first institution in the Granite State to receive grant funding for the Metallica Scholars Initiative (MSI) through All Within My Hands (AWMH), Metallica’s foundation, according to a press release.
The nonprofit philanthropic organization was created by the members and management of the band Metallica. CCSNH was awarded $75,000 to support students developing trade skills at New Hampshire’s seven community colleges, according to the release.
In New Hampshire, the Foundation for New Hampshire Community Colleges administered the grant and awarded 224 students with $50,575 of financial assistance to date to offset the cost of specialized equipment, materials, protective gear or other degree-specific equipment. The students receiving assistance had majors including health sciences and services, hospitality and culinary, industry and transportation and STEM/advanced manufacturing, according to the release.
In a statement, James Hetfield, Metallica’s lead vocalist and guitarist, said, “I am so proud — we all are — to see how this program is changing lives by providing much-needed resources to empower students, and it’s great that we’re able to make our biggest grant yet to support these students and the future workforce. … This year, our program will be in 60 schools in all 50 states!”
Red River Theatres in Concord (11 S. Main St.; redrivertheatres.org) has two classic holiday screenings on the schedule next week: catch 2003’s Love Actually on Tuesday, Dec. 10, at 7 p.m. and 1946’s It’s a Wonderful Life on Wednesday, Dec. 11, at 7 p.m.
Cirque Dreams Holidaze will play one show at the SNHU Arena (555 Elm St., Manchester, 644-5000, snhuarena.com) Tuesday, Dec. 10, at 7 p.m. This long-running holiday theatrical event wraps a Broadway-style production around contemporary circus arts. Tickets start at $59.
Noel at LaBelle is an evening with NSquared Dance accompanied by a three-course meal by LaBelle Winery on Sunday, Dec. 8 at 6 p.m. at LaBelle in Amherst (345 Route 101). Visit labellewinery.com for tickets.
The Picker Artists (3 Pine St. in Nashua; pickerartists.com) will hold their Holiday Open Studios on Saturday, Dec. 7, from 11 a.m. to 5 p.m.
An eight-week competition at Patrick’s Pub in Gilford sponsored by NH Music Collective culminates with performances from the winners and semi-finalists at the BNH Stage in downtown Concord on Dec. 1.
Singer-songwriter Ian Archibold took top honors in the final round on Nov. 18 and will headline the show. Second-place winner Ian Galipeau will perform ahead of Archibold, and Temple Mountain — the nom de tune of singer, guitarist and songwriter Eric Impallomeni — rounds out the bill-topping trio.
The rest of the performers are an eclectic bunch. Adrienne Mack-Davis offers hip-hop and R&B, Arthur Terembula has a rustic sound that’s somewhere between Tom Waits and a Smithsonian field recording, while Brendan Cleary, Willy Chase and Jason Oberstein sit comfortably in the folk, singer-songwriter genre.
The show is an excellent way for fans of original music to broaden their horizons. Take, for example, Ian Galipeau’s song “The Little Things.” A worthy counterpart to Jason Isbell’s “If We Were Vampires,” it distills a lifetime of love, marriage, parenthood and death with breathtaking precision. He’ll likely play that along with material from his 2022 album Like We Were Never Here At All and his most recent single, “Floorboard,” another storytelling gem.
Archibold released an EP, Parallel, in 2016, and cites influences ranging from The Beatles to Bruno Mars and Coldplay. His song “Valley of Uncertainty” is a good example of how he joins those disparate threads to craft a singular sound. He hails from Panama but has performed around the New England region for a while.
A well-traveled Long Island native, Temple Mountain blends deft finger-picking guitar with atmospheric vocalizing that recalls Elliot Smith, a singer-songwriter he cites as an influence. Lyrically idiosyncratic, with a bio stating that he has “a psychology background,” his songs charmingly probe the human experience.
NHMC is riding a successful wave of late. The idea for its monthly Sunday Sessions is to book a local performer in the BNH Stage’s intimate Cantin Room, then move into the main theater when ticket sales hit a certain level. This month, Charlie Chronopoulos sold out the big space, and a few months earlier, singer/songwriter Taylor Hughes came within a few dozen seats of doing the same.
“So far, we’ve had three shows go to the big stage,” NHMC principal John McArthur said by phone recently. “We book a lot of bar gigs … breweries and wineries, stuff like that, where they’re doing mostly cover songs. But this opportunity to perform original music in front of a listening audience, this is what I live for.”
The third annual singer/songwriter contest at Patrick’s attracted entries from as far away as Rhode Island. “This is how starved indie artists are,” McArthur said. “People that in past years would have gotten in didn’t. We’re trying to build a community of songwriters and indie singing, and it’s starting to work.” Brad Myrick, who founded the musician-friendly organization, agreed with his partner McArthur.
“I love that we can tie one thing that we’re doing to support songwriters and original music and segue that into a proper theater show promoted well and in a city like Concord that has some movement,” he said. “These are the kinds of things that I didn’t have the ability to do five or 10 years ago … that we’ve grown to where we can do that feels really good.”
It’s a two-way street for artists and NHMC, which books a wide range of area venues, Myrick continued.
“John set up the open mic as a way to have a forum to hear some new people and invite some folks,” he said. “It’s opened up some new performers for us, and it works great for them. They come up here and get new fans. It’s building something. I want people to say there’s a scene in New Hampshire. I want that to be felt and be real.”
NHMC Sunday Sessions: Songwriter Showcase When: Sunday, Dec. 1, 6 p.m. Where: BNH Stage, 16 S. Main St., Concord Tickets: $18.75 at ccanh.com
Featured photo: First, second and third place winners of the Patrick’s Pub Songwriter Competition. Pictured L to R: Ian Archibold, Ian Galipeau, Temple Mountain. Courtesy photos..
According to Chef Keith Sarasin, opening a restaurant can feel a lot like a bad break-up.
For the past two and a half years Sarasin and his team have been running Aatma Curry House as a pop-up restaurant. For one or two nights they would cook and serve their food at specific events, but they didn’t have a permanent home. During that time, Sarasin was looking for a location for a brick-and-mortar Indian restaurant.
“We found three different locations over the course of those two and a half years,” he said, “and each time something would happen that was out of our control. And by the third time this happened, we were looking at a place in Kittery, and when it fell through, it was a lot like a heartbreak or a breakup in a relationship where you just go through these deep emotions of, ‘I’m so close!’ Ultimately I used that frustration and anger and angst to come up with the concept of Atma Curry House.”
Aatma represents an unusual restaurant concept. Customers place their orders throughout the week, then pick it up at a predetermined time each Saturday. One of the advantages of this system is that it gives Sarasin and his staff an opportunity to connect with customers individually.
“We get to have interaction with every single person and talk about our passion and feed them little extra things,” Sarasin said. “We love throwing surprises and handwritten notes in every single solitary order.”
That passion is reflected in Aatma’s very ambitious goal. “It’s punk rock,” Sarasin said. “It’s turned-up food; the flavors are there and super traditional. A lot of times the food that we eat in the West when it comes to Indian food is muted or toned down, not just from a spiciness standpoint but from a spice and flavor standpoint. We decided on Day 1 that Curry House was going to bring the best Indian comfort food that exists in the entire Northeast.”
Part of that mission involves giving customers food that they are familiar with, but at the same time trying to expand their understanding of what Indian cuisine can be.
“We have our staples,” Sarasin said. “For instance, we have our Aatma Butter Chicken, and our butter chicken is based off of the original premise of the dish in Moti Mahal in Delhi, but we add a couple of secret ingredients to it that makes it very New England.” (Moti Mahal is a respected chain of restaurants in India that originally introduced iconic Indian dishes to the West, butter chicken being one of them.) “So we have our staples like butter chicken, dal, things of that nature, but every week we add new menu items and change dishes out to encourage people to try things that are different beyond just what they’re used to.”
Another way the staff at Aatma challenges preconceptions of Indian dishes is by “putting a New England spin” on them. Sarasin used gulab jamun, an Indian dessert spiced with cardamom, rose water or saffron and served in a sugar syrup, as an example. “We have a classic gulab jamun that stays on the menu all the time and they’re made the exact same way, very traditional. Sugar syrup is added just like it typically is with a little bit of cardamom but then our spin on it is we actually add maple syrup to that syrup and it is absolutely mind-blowingly good how well it works.”
Sarasin said his vision for Aatma is to marry tradition with rebellion; it has been a tricky needle to thread. “That’s where I was at personally after feeling defeated, but also the spirit of India is based off of these things. When you think about Indians kicking out the British Raj, or the story of how tea was forced upon them and they created something beautiful out of it, you realize that this is a very Indian attitude. I hope this is an homage to that tradition.”
Aatma Curry House 75 Mont Vernon St., Milford Aatma takes orders online Sunday through Thursday, for pickup between 1 and 3 p.m. on Saturday. Visit the website, aatmacurryhouse.com, to order and to find out what dishes are on the menu in a given week.
Jan Brett is releasing a new book, Alice in a Winter Wonderland, on Tuesday, Nov. 26, and is traveling to 17 cities in 23 days to get the word out on her newest story, which she wrote and illustrated over a two-year period. Brett has won many awards and is a New York Times No. 1 bestselling author.
The author and illustrator of The Mitten, The Nutcracker and The Snowy Nap, among countless other books, is launching her new book tour at Oyster River High School on Friday, Nov. 29, in partnership with Durham Public Library and Gibson’s Bookstore. Registration for the 530-seat event is already at capacity.
“Everybody knows about Lewis Carroll’s Alice’s Adventures in Wonderland, which was published in the 1800s. I always loved the book when I was little. I loved the whimsy of it. I loved the topsy-turvy-ness. It sort of reflected the way I used to feel as a child. It’s like you never know what’s coming up next,” Brett said.
Brett has put a twist on the story. “I set my book in Alaska, because I wanted to take away from the very British … sides and references to that part of England. The Cheshire Cat, there was a kind of cheese in Cheshire that had this cat on it, and so [Carroll] put that in the book.”
The beauty of the tundra, past and present, inspired her too. “I’ve always been fascinated by glaciers and the glaciation of North America and how human beings lived there,” she said.
“There were all these megafauna from the Pleistocene that lived at the same time as human beings. I thought that was really, really cool. I’ve always loved that idea and wished I could travel back in time,” Brett said, “so I found a way to travel back in time through this story. [Alice] falls through the rabbit hole. It was a hole in the glacier and then she finds an underground world.”
The Cheshire Cat is converted into a Pleistocene animal, the smilodon.
“Smilodon is a saber-toothed cat. It’s got these huge fangs, and it … lived in the United States, in Alaska and really North America, more like Canada, along with woolly mammoth, short-faced bear, which was a huge, wooly rhino. There were also mastodons, which is another kind of elephant likely to have fur, so I put those in the book,” Brett said.
One ancient hoofed mammal that is still around today is Brett’s favorite. “Actually we have one creature that I’ve been really obsessed with, which is a muskox…. It’s like a very, very furry kind of half-ox, half-sheep kind of animal. I’ve done a couple books about it.”
Despite updates to the classic, Brett’s adaptation is a sincere and thoughtful retelling.
“Probably one of my favorite pages is the griffin because I think it’s such a cool creature. It’s supposed to guard treasure and you see it in the Middle East, but it’s a mythic figure that obviously Lewis Carroll really liked. He loved puzzles and math, so I tried to tip my hat a little bit to that,” she said. Carroll was a Mathematical Lecturer at Christ Church, a college at Oxford, and his knowledge and curiosity about the world made his book a joy for countless generations. Brett puts the same care into her new telling of the story.
“I tried to put a lot of little puzzles in it,” Brett said. “I loved to just get my pointer finger out and just like go around the page and see what I could see and maybe there would be something fun to look at and something that would be informative…. It’s not like everything has to have a reason. It’s just fun to be able to spot things, so that was the underlying reason for all the detail and why it took two years to do it.”
At each stop of the tour, Jan Brett will talk about her story and take time to sign books.
“Every time I do a book I write about how I got the idea,” Brett said. “Hopefully [readers will] go to those places someday and extend their frame of reference and if they themselves want to be a writer or an artist they’ll just say, ‘Oh, look at this, this is the way she does it. I wonder how I’m going to do it?’”
