Category: Nightlife

Era-evoking New Year’s Eve gala in Concord

A retro vibe will blend with entertainment spanning decades, as the Bank of New Hampshire stage is transformed into a splendorous Roaring Twenties-themed ballroom on New Year’s Eve. Performers, ranging from chorus girls on the main stage to a jazz combo with a Sinatra-styled lead singer mining the Great American Songbook in the upstairs lounge, will ring in 2023 with a sexy verve.

Though the evening will commence with “Puttin’ on the Ritz,” much of the ensuing soundscape will be familiar to those who attended a similar bash three years ago at the Concord venue, which back then had a Studio 54 disco theme. The same Boston DJ/VJ who performed that night will return, with a broad song palette accompanied by striking big-screen visuals.

“One of the reasons I have him is because he likes to play a wide range of music,” Boston event artist Beth McGurr, who’s curating the night, said by phone recently. “Some DJs only want to play hip-hop, or Top 40, or house. He likes to have fun with it, and pull out songs that maybe you haven’t heard in a long time, or that you wouldn’t really expect. Plus, a video DJ is harder to find than a regular DJ.”

Another centerpiece of the evening will be the Honey Taps, a New York City song-and-dance troupe that began in the ’80s. It includes members who often appear in Broadway shows when they’re not tapping away in flapper garb and doing songs like “Happy Feet” and “Anything Goes” with infectious energy. Their efforts are “interactive,” McGurr said. “They get the audience to participate and dance with them … get up on stage and dance there too.”

During the evening’s earlier hours, revelers will find sanctuary in the intimate, speakeasy-bedecked lounge overlooking downtown. The Page, Shontz & Rose Jazz Trio will play, with piano, upright bass and woodwinds backing vocalist Lenny Zarcone, who channels not only Ol’ Blue Eyes but Mel Torme, Tony Bennett and other crooners. “It will be a Rat Pack vibe up there,” McGurr said. The room is appointed with comfy chairs and couches to help boost the easygoing mood.

Along with music and dance, there will be an aerialist swinging from the ceiling in the center of Bank of NH Stage’s brick-lined main room, drag performers, a photo booth to capture memories, and party favors to accompany the celebratory midnight Champagne toast — which also will have a balloon drop and confetti blast. A few surprises are promised as well. “Expect the unexpected,” McGurr said. “There’s something around every corner.”

McGurr considered doing a Roaring Twenties night for her initial endeavor in Concord, in 2019. “I didn’t do it the first time…. I was trying to be different,” she said. “It was 2020 and everybody was doing that thing, [but] now, three years later, I’m doing a speakeasy. It’s just a great New Year’s theme; I think everybody loves to dress up and have fun with it.”

This New Year’s Eve party was slated to happen last year, but everyone caught Covid, performers and staff included. The pandemic hit McGurr hard, as the events her Interactive Nightlife company specializes in can’t translate to Zoom. She was also grounded from flying, making it doubly difficult for her. “What I love most in life are traveling and throwing parties, and neither one I could do for two years,” she said. “I was at the edge of going crazy.”

She returned to the Granite State with a Halloween party in October, and hopes this event will flow into a busy 2023, with more Concord soirees planned, spanning a range of themes. “I was really excited after the first New Year’s, because that was my first event up there and I had a momentum going … but then we took a two-year pause,” she said. “I find people are much more comfortable at parties now… everything seems to be pretty busy — knock on wood.”

The event offers two entry tiers, general admission and a VIP level with a pair of drink tickets and access to balcony seats. Attendees are encouraged to come in their favorite finery, whatever decade they choose to evoke. “It’s still that Studio 54-type vibe, where anything goes,” McGurr said. “Dress up, have fun with your style.”

Featured photo: Honey Taps. Courtesy photo.

April Cushman and Brad Myrick team up

On paper, the pairing of April Cushman and Brad Myrick is unexpected. At the recent New England Music Awards, she won for Best Country Act, while he was nominated in the jazz category. Over the years, however, they’ve connected a lot, at area open mics and through bookings done by NH Music Collective, an agency co-run by Myrick.

Recently, they tried playing together informally and found a strong musical connection. So, when Cushman got an offer to open for Scotty McCreary at Keene’s Colonial Theatre, she reached out to him to see if he’d be interested in making her solo act a duo for the show.

It turned into a heady night, as the sold-out crowd responded thunderously to their first song, a rarity when most fans are typically trickling in when the opener is on stage. That gig led to a headlining date for Cushman’s band at the intimate Colonial Showroom on Dec. 9, with Myrick joining the group; it sold out. Over the past several months, they’ve played many shows together, in big and small rooms.

“Brad and I have always been booking with each other and playing a lot of the local places,” Cushman said in a recent co-interview with Myrick. “It just came about that we should collaborate and come together. I’m a rhythm guitarist and Brad is amazing at everything he does. We’re both huge advocates of original music. I regret not doing it sooner than we did.”

Though his recorded output points in one direction, “I gotta say, I’m decisively a rock and pop guy,” Myrick offered. “It’s funny, when I moved back to New Hampshire after being away for a decade, the first project that got some traction was a quintet, so everybody around here started thinking of me as a jazz guy.”

Cushman concurred. “A lot of country music stuff is really rooted in rock and bluegrass,” she said. “When you think about taking Brad and me separately and combining them together where we are both so rooted in rock … country music is very pop these days, and bluegrass … it just worked very well.”

Myrick is especially excited by working in the studio; the two connected in a big way there. Cushman’s debut, The Long Haul, was made in Nashville with session players, and Cushman was looking for a change, both in approach and venue. In November, she and Myrick recorded two of her songs at The Greenhouse Studio in Gilford, for release next year.

“Smoke” is a both aching and sweet ballad that alludes to the trap of social media. “Do you feel like you have to use that filter?” Cushman sings. “Are you stuck somewhere in between who you are and what they see?” Myrick’s fingerpicking guitar perfectly complements the all-acoustic track. The treasure-every-moment “Borrowed Time” is equally intimate and includes a Myrick harmony vocal.

“I wanted to come out of the gates with the first record … radio-ready,” Cushman said. “But at the end of the day, I never played on any of those tracks. I tracked all the vocal work myself … but any of the acoustic guitar on The Long Haul, it’s not me. Playing with Brad in the studio and keeping it local, I think is very important.”

“It was really easy for me to share music with April because she’s got songs; the lyrics are relatable,” Myrick said. “As a side man, I’m listening to the singer, I’m thinking, ‘How do I support that and give it a second voice?’”

Their next duo show is opening for Joe Nichols in Boston Dec. 15. Locally, they’ll do an apres-ski set at Sunapee Resort on Friday, Jan. 6, and share the stage with Houston Bernard Band at the Press Room in Portsmouth on Jan. 20. Both are keeping busy solo schedules. Myrick has a few holiday shows upcoming, including one at Café One East in Warner on Dec. 17 and another at Contoocook Cider Co. on Dec 21.

He spent last summer in Italy, recording a soon to be released record with longtime musical partner Nicola Cipriani. “I think it’s my masterpiece, the best thing I’ve done in 41 years of being alive; I’ve never been so excited about music,” he said, adding, “the last few months have been great playing with April; she’s on such a great trajectory right now. I’m so proud of her, she’s just killing it.”

Death, Seventh Son, Nights of the Dead and Somewhere in Time. When it sells out, there are other items that headbangers will love, like a Pantera set, along with standalones of Ronnie James Dio and Twisted Sister’s Dee Snider.

Featured photo: April Cushman and Brad Myrick performing at NEMA2022. Photo Credit: M. Allen Photography

Music fan gift guide

From modest to massive, local to legend, light fun to heavy tomes, there’s a great gift for the music fan in your life. Here are some ideas sure to bring a smile this holiday season.

Rocking Horse Music Club’s Circus of Wire Dolls (rockinghorsemusicclub.com) is one of the best records to come out of New Hampshire in years, an ambitious rock opera of memoir and anthropomorphism that could very well be on Broadway one day. Its lineup includes area talent and progressive rock legends, led by creator and producer Brian Coombes — available on vinyl and CD.

Speaking of local acts, several released great albums this year. Couple Gravity and the Stars Above, the moody pop-punk sophomore release from Donaher (facebook.com/donahertheband), with a cool T-shirt. Go country with April Cushman’s NEMA-winning The Long Haul and a bull skull hoodie (aprilcushman.com), or gift Faith Ann Band’s raging In Bloom with a piece of their leader’s handmade jewelry (thefaithannband.com).

Concert tickets are a gift that pays off now and later, when the shows actually happen. The two-day Northlands Festival (northlandslive.com) is returning next June, this time with The String Cheese Incident and Phish’s Mike Gordon topping the bill at the Cheshire Fairgrounds in Swanzey. The long-awaited Nashua Center for the Arts finally opens in April, with Suzanne Vega, blues polyglot Grace Kelly and ukulele wizard Jake Shimabukuro all on sale, along with other shows (nashuapac.org).

For the gadget-minded, there are some great options. If you’re feeling really generous, the Beolit 20 from Bang & Olufsen is a perfect gift. It’s a portable Bluetooth speaker that runs around $500, which is entry level for the Danish sound company. Along with pristine output, the unit’s top doubles as a magnetic charge base for mobile phones.

Less lofty is JBL’s Charge 5, a (totally) tubular speaker that’s waterproof and quite powerful. Apple AirPods are always a safe pick; the third-generation ones pack a big bass wallop. For the extravagant, there’s the sleek and powerful over-ear AirPods Max. Just as beautiful is the Ikea Symfonisk Picture Frame, which does not require user assembly, a rarity for that store. It works with Sonos, AirPlay and Spotify Connect.

How thoughtful is the clever offering from Vinylify, a bespoke vinyl album containing a playlist of choice and customized cover art? The site also offers gift cards, a safer choice that will allow your music lover’s imagination to run wild. You can give them some ideas with Easton Press’s voluminous Rock Covers book, which collects more than 750 sleeves from Elvis and onward, organized by artist and spanning rock’s 40-year “golden era” at a pricey $176.

More down to earth are books about classic rock favorites. Bob Spitz, whose past works include an encyclopedic look at The Beatles, has a biography of Led Zeppelin that does a great job with the band’s early days, when its four members were scrappily climbing the ladder and learning the ropes. U2 front man Bono’s Surrender looks back at his life through 40 of his band’s songs.

If fiction is more to your favorite fan’s liking, a good choice is a hardcover copy of Taylor Jenkins Reid’s Daisy Jones & The Six with a “She just seemed so fearless” bookmark. The novel traces the rise and fall of a band that sounds very much like the Stevie Nicks-era Fleetwood Mac.

Given the recent passing of Christine McVie, now’s a fine time to spin “Don’t Stop” and “You Make Loving Fun” — or marinate in McVie’s own music. There’s a Glyn Johns remaster of her Songbird: A Solo Collection that’s a good choice there. Or go further back in McVie’s career: For the hardcore fan, there’s a limited white-vinyl edition of the 1970 record she made as Christine Perfect on Amazon — an import, naturally.

Everyone loves toys for Christmas, especially music fans. One of the best (and hardest to get) is Funko Pop! Rocks: Iron Maiden Glow In The Dark Box Set (popmarket.com). It includes four 4.5-inch Eddie figures of the English heavy metal band: Live After Death, Seventh Son, Nights of the Dead and Somewhere in Time. When it sells out, there are other items that headbangers will love, like a Pantera set, along with standalones of Ronnie James Dio and Twisted Sister’s Dee Snider.

Featured photo: A bespoke vinyl album containing a playlist of choice and customized cover art through Vinylify.

Amanda McCarthy duos for hometown show

On a Thursday afternoon in late October, Amanda McCarthy played a set at Bobby’s Idle Hour, a no-nonsense bar nestled at the edge of Nashville’s Music Row. The busy performer had another gig scheduled later that evening, but this one was special, marking the release of “Lifeline,” a song that takes a healthy look back at a long-gone relationship.

“When I finished that song in the writing session, I was like, ‘Well that’s all I have to say,’” McCarthy recalled in a recent phone interview. “I think there’s something really cool about that feeling.” Begun a few years ago and completed with the help of her fiancé, Tom Shubsda, and Martin Butter, its finality shares common ground with Taylor Swift’s “All Too Well.”

At her side that day was Sam Ferrara, a singer-songwriter she’d worked with a lot since leaving New Hampshire just over two years ago, lately singing backup on Ferrara’s own ex-boyfriend burn, “Get Out of My Town.” The two will be making a trip North in early December, with dates at NYC’s Cutting Room and Over The Moon Farmstead in the Granite State.

“I played in New York City before, but she’s from there, so it’ll be really cool to meet her people and be with her in her home environment,” McCarthy said. “Then I’ll get to bring her to New Hampshire.”

The bond with Ferrara is one of many McCarthy has formed since her 2020 leap of faith to Music City. She’s been a part of several songs that have been recorded, co-writing Benn Park’s “Mountain Steep” and penning “Unwrite Every Song” with Emily Myers. “That was a special one,” McCarthy said. “She’s also one of my best friends.”

Though written years ago, “The Long Haul” recently helped April Cushman win a New England Music Award for Best Country Act. McCarthy still hews to the song’s message of tenacity in the face of challenge. “I’ve kept my expectations low but my work ethic high,” she said. “I’ve always been kind of an underdog in a way, and I have no problem working harder day by day, trying to figure it out.”

Her biggest success isn’t one song or even the award she received from Young Entertainment Professionals Nashville for being its most active member. “Being able to quit my job was certainly validating because it let me say I’m stable enough, I’m getting enough work that I can do this,” she said.

She’s aware it’s a crucible that’s not for everyone. “I was always a full-time musician up north and the big question was can I do this in Nashville,” she said. “I was able to, and that really gave me a confidence boost and let me know I’m on the right path, no matter where it’s going. Every time someone records a song I’ve helped write is validating, because it shows me that other people see the value in what I write, not just me.”

The move also helped her growth as an artist. “I’ve learned so much about songwriting from being here, and it hasn’t even been from anyone telling me that I was doing anything wrong. I think just being around so much of it, you absorb a lot, you get inspired by a lot. I’ve kind of become in tune with knowing how to really pull out my inner voice. But I can also become other people’s voices, which is a very cool way to switch things up — and my voice has gotten stronger.”

McCarthy looks forward to seeing friends and family and doing some tax-free Christmas shopping during her brief visit, which also includes a solo show at The Bar in Hudson on Dec. 4. Beyond that, performing at Moonlight Meadery’s home base is about more than music for her.

“The owners, Michael and Bernice, are my best friend’s father and stepmother, and she’s my maid of honor,” McCarthy said, noting that the bridal shower for her wedding next spring happened at the facility. “So not only are they part of an amazing music venue, but I have a very personal connection with them…. I’ve known them since I was a kid, so it’s very cool to be playing there.”

Amanda McCarthy & Sam Ferrara
When: Saturday, Dec. 3, 2 p.m.
Where: Over The Moon Farmstead, 1253 Upper City Road, Pittsfield
More: amandamccarthy.com

Featured photo: Amanda McCarthy. Photo Credit Nash Bash Collective.

Step out for a musical December

From big stages to small, national touring acts and regional heroes will fill the nights with mirth and melodies throughout December.

Here’s a taste of what’s coming.

• Bookend the month, and then some, with Recycled Percussion. The junk rockers close out their latest, Redonkulous, at their personal performance venue, The CAKE, with 2 p.m. and 7 p.m. shows (tickets $35 to $110) on two Saturdays, Nov. 26 and Dec. 3, and Sunday, Dec. 4, at 2 p.m. On Wednesday, Dec. 28, they’ll invade Manchester’s Palace Theatre ($35 and up) for a 13-show run that concludes on Jan. 7.

• Over at the Palace’s sister room The Rex Theatre, get festive and international with a week of holiday-themed events. On Saturday, Dec. 10, at 7:30 p.m. Boston-based jazz singer Rich DiMare serves up A Sinatra Christmas($29 and up), followed Sunday, Dec. 11, at 4 p.m. by the Celtic fiddle mastery of A Joyful Christmas with Eileen Ivers ($39). On Wednesday, Dec. 14, Italy takes a jazzy bow with Anthony Nunziata: My Italian Broadway Christmas; the next day, it’s Eric Mintel’s Charlie Brown Jazz Christmas. The Spain Brothers offer a blend of holiday-themed Irish and American folk on Saturday, Dec. 17 (all shows 7 p.m., $29).

• At the state’s largest venue,the SNHU Arena, the Boston Pops Esplanade Orchestra returns for the 21st time since their Manchester debut in 2001, on Saturday, Dec. 10, at 7:30 p.m., as Keith Lockhart conducts the 2022 Holidays Pops Tour. Tickets are $55 and up at ticketmaster.com.

• At Concord’s Bank of NH Stage on Friday, Dec. 2, at 7 p.m., Portland, Maine-based Spencer and the Walrus recreate The Beatles’ studio recordings with astounding accuracy, joined by a six-piece horn section ($38). The theme continues with well-regarded Talking Heads tribute act Start Making Sense on Saturday, Dec. 3. at 8 p.m. ($15 and $30). Tim Reynolds, who rose to fame through his collaboration with Dave Matthews, plays with his TR3 band on Friday, Dec. 16, at 8 p.m. ($36).

• The Capitol Center for the Arts hosts a trio of seasonal shows starting with The Seamus Egan Project’s Celtic Christmas on Saturday, Dec. 3, at 7 p.m. ($32 and up). The Capital Jazz Orchestra does its Holiday Pops show on Sunday, Dec. 11, at 4 p.m. ($27.50 and up) and the annual Morning Buzz Christmas Ball happens Thursday, Dec. 15, at 7 p. m. ($45, recommended age 18+)

• Tupelo Music Hall is packed from Day 1, as bluesman Popa Chubby stops by, with local favorite Brooks Young as an opener, on Thursday, Dec. 1, at 8 p.m. ($30). Guitar shredder Gary Hoey, whose Ho! Ho! Hoey! holiday show is synonymous with the season, plays Sunday, Dec. 4, at 7 p.m. ($35 and up). Musicians’ musician Martin Sexton hits Tupelo Friday, Dec. 9, at 8 p.m. ($40 and up), and folk chanteuse Judy Collins offers hits and holiday songs Sunday, Dec. 18, at 7 p.m. ($55 and up).

• At Jimmy’s Jazz & Blues Club, guitarist and legendary side man Larry Carlton digs into Steely Dan’s catalog — that’s him wailing on 1976’s “Kid Charlemagne” — and plays other hits Saturday, Dec. 3, at 7 and 9:30 p.m. ($35 to $115). Singer-songwriter Dar Williams serves up erudite folk songs Thursday, Dec. 8, at 7:30 p.m. ($10 to $60), while British Blues Hall of Fame guitarist Matt Schofield plays Saturday, Dec. 17, at 7:30 p.m. ($15 to $55).

• At the nearby newly renovated Music Hall Lounge, the utterly charming Antje Duvekot appears Thursday, Dec. 8, at 7:30 p.m. ($37 and up), and Thanks to Gravity, a band key to the early ’90s Seacoast scene chronicled in the 2012 documentary In Danger of Being Discovered, plays two shows, Saturday, Dec. 10, at 7 p.m. and Sunday, Dec. 11, at 8 p.m. ($28 and up).

• 3S Artspace has a few live music events, including free ones like Mission of Burma’s Roger Clark Miller playing from his boundary-stretching album, Eight Dream Interpretations for Solo Electric Guitar Ensemble, on Friday, Dec. 2, at 6:30 and 7:30 p.m. Small Pond tops a Saturday, Dec. 3, 7 p.m. show with Hello Shark and Sneaky Miles ($15). The headliners began in Portsmouth doing DIY shows, later opening for national acts like The Ballroom Thieves and Haley Heynderickx. Their sound is described as “swingy, laid-back indie rock with big hooks and undeniably catchy lyrics.” Boston emo stalwarts Piebald plays a 3S date on Wednesday, Dec. 28, at 8 p.m. ($25).

Venues
Bank of NH Stage 16 S. Main St., Concord; ccanh.com
The CAKE Theatre 12 Veterans Square, Laconia; thecaketheatre.com
Chubb Theatre (Capitol Center for the Arts) 44 S. Main St., Concord; ccanh.com
Jimmy’s Jazz & Blues Club 135 Congress St., Portsmouth; jimmysoncongress.com
Music Hall Lounge 131 Congress St., Portsmouth; themusichall.org
Palace Theatre 80 Hanover St., Manchester; palacetheatre.org
Rex Theatre 23 Amherst St., Manchester; palacetheatre.org
SNHU Arena 555 Elm St., Manchester; snhuarena.com
3S Artspace 319 Vaughan St, Portsmouth; 3sarts.org

Featured photo: Recycled Percussion. Courtesy photo.

Trans-Siberian Orchestra’s big show returns

Few acts usher in the holiday season quite like Trans-Siberian Orchestra, with its Christmas cocktail of classic rock, classical music and theatrical flourish topped with lasers and smoke bombs. Fans set their calendars by them, gathering families to take in a show that gets bigger and better each year.

For their stop in Manchester on the day after Thanksgiving, TSO will reprise the rock opera that put them on the map, The Ghosts of Christmas Eve. Originally a 1999 television special, it offers traditional songs such as “O Come All Ye Faithful” and originals including “Music Box Blues” and “Christmas Eve (Sarajevo 12/24),” the latter the template for the massive band that’s captivated audiences for over 25 years.

Recent times have been challenging. In 2017, visionary founder Paul O’Neill died, but at the behest of his widow Desi and other family members TSO carried on. Three years later, the pandemic sidelined them from playing live; instead they did a virtual pay per view show that was a far cry from their epic arena firepower.

“It was as strange for the band members as it was for the fans,” drummer Jeff Plate said of the lost year in a recent phone interview. Returning to the stage in 2021, he had “a whole new appreciation for wow, we are so lucky to do what we do. But we were also in the bubble; we were anxious, there was this anxiety … I was so relieved when we got done.”

Breathing easier this time around, the group is focused on keeping O’Neill’s vision going, a task that in the days after his death seemed overwhelming.

“When we lost Paul, I’ll be honest with you,” Plate recalled, “there was a moment when I sat down on the couch with my wife and said, ‘maybe that’s it’ … none of us were really sure what was going to happen.”

However, it soon became clear that continuing was “exactly what Paul would want us to do … he had said many times, ‘It’s going to outlive us all, we’re going to pass this on from generation to generation.’ The reality is, TSO has become a tradition. That’s a pretty heavy statement, but it’s true…. Some people can’t even function until they see TSO to get their holidays going.”

Moving forward was also helped by the fact that TSO is a well-oiled touring machine, with separate East and West Coast runs. Each has its own cast, crew and semi-truck fleet.

“We’ve been operating like that since the year 2000,” Plate said. “Losing Paul was huge, but everybody knew the job at hand and just how much more focused we needed to be…. There’s no way to make these tours as good as they are, and as successful as they are, without that kind of commitment.”

Plate first worked with O’Neill in Savatage, the band that spawned TSO, on their 1995 album Dead Winter Dead. “It was a really interesting time, because the band had changed so much and Paul’s gears were turning all the time,” Plate recalled. At first, no one knew what to make of the “Carol of the Bells” meets Emerson, Lake & Palmer track “Sarajevo,” which would reappear on the first TSO album, Christmas Eve and Other Stories.

“We were all questioning, what was Paul thinking, putting this song on this record, but there was no denying how great the final version was,” Plate said. “To see that song take off in a completely different direction and all of a sudden become this huge hit, it was like, you know, Paul could see down the road further than the rest of us.”

Once again, the upcoming show will be divided into two acts, starting with Ghosts of Christmas Eve stitched together with narration, followed by a greatest hits segment. “This is a fan favorite, and it’s a band favorite too,” Plate said, “one of my favorite shows to play. It’s high energy, with a really good vibe to the whole thing.”

As the interview ended, Plate made sure to make a note of another TSO tradition: donating a dollar from every ticket sold to a local charity. It came with another nod to their founder’s family. “Over $16 million we’ve donated across the country all these years,” he said. “It could have easily gone away when we lost Paul, but his wife and daughter really stepped up. … We can’t thank Paul enough for everything that he’s done, but his family has also been very, very critical to all that too.”

Trans-Siberian Orchestra – The Ghosts of Christmas Eve
When: Friday, Nov. 25, 3 and 7:30 p.m.
Where: SNHU Arena, 555 Elm St., Manchester
More: $52.50 to $102.50 at snhuarena.com

Featured photo: Trans-Siberian Orchestra. Courtesy photo.