Heartfelt

Teddy Thompson plays solo in Manchester

At the end of a benefit show in New Jersey last month, Richard Thompson invited his son Teddy onstage to perform with him. The elder Thompson is folk music royalty, while Teddy Thompson is a singer-songwriter who over two decades has dipped his toes in many musical ponds including country, pop and, on his 2020 LP Heartbreaker Please, Muscle Shoals soul.

The song they led off with that night, however, wasn’t one of those genres. Instead, they covered Eddie Cochran’s “Cut Across Shorty,” a rousing rave-up from rock ’n’ roll’s early days.

This suited Teddy Thompson perfectly. When he was twelve and his friends were hooked on MTV fare like Madonna, he was time traveling. “1955 to 1959 … that’s all I listened to,” he said by phone recently. “I thought, this is my first taste of what music is, and if it’s this good, I can’t wait to hear more. It turns out actually that’s as good as it got … everything I’ve heard since then has been a sort of slight letdown.”

He eventually learned to embrace artists of his own era like Culture Club and Crowded House. This was a reflection of what his mother, Linda Thompson, termed a “catholic” music taste that ran in his family. “It doesn’t matter where it comes from,” he said. “If you like it, you like it.”

For his own material, which he’ll perform solo at an upcoming show in Manchester, Thompson remains committed to just one thing, which in his telling is, well, everything.

“When it comes down to it, I’m really mostly enamored and focused on the song itself, hopefully something that is a strong suit,” he said. “I write the songs with just me and the guitar and then, depending on the album, sometimes it leans one way or the other.”

On Thompson’s latest project he collaborated with Jenni Muldaur, another child of a famous musician, to cover classic country duet partners. Three songs each from Porter Wagoner and Dolly Parton, George Jones and Tammy Wynette, and Conway Twitty and Loretta Lynn, they recorded it mostly to pass time during the pandemic, then put it out online. “We sort of half-ass released it,” he said.

“Our mutual friend David Mansfield, who is a real autodidactic and renaissance man, really put the whole thing together,” Thomson continued. “By the time we finished it, we sort of realized, ‘Oh, this should be a record.’ So we’re in the process now of getting a deal together to put it out … hopefully next year.”

Thompson’s worked with a lot of musicians over the years, both as musician and producer. His production began with his mother’s 2002 return Fashionably Late. Since then he’s helmed Shelby Lynne and Allison Moorer’s haunting Not Dark Yet, three LPs from Dori Freeman, and Roseanne Reid’s 2019 Trails.

When asked what draws him behind the console, Thompson is a bit self-deprecating.

“I think it’s a little bit to do with not being very disciplined in my own writing and direction,” he said. “I’m not somebody who’s terribly focused and ambitious and has a real long-term view of what my career should be, when my next album should come out, all that stuff. So I think I’ve turned to collaborations in between things. When I don’t feel like I’m ready to make another record of my own, it’s a musical project to do in the meantime.”

This logic didn’t apply on 2014’s Family, a record Thompson conceived, produced and played on. He was joined by his mother and father, a once-acclaimed musical duo who divorced when he was young, his sister Kami, nephew Zak Hobbs, half-brother Jack Thompson, and a few other relations. The New York Times wrote brilliantly about the often fraught effort.

“Even if you’re not a musician, you can just imagine trying to do any kind of project with your entire family; there’s gonna be difficult moments,” he said. “There were a lot of emotions involved, mostly just for me. Because it was my idea, I was in charge, it was all on my head … it was pathetic in a way, as it really was enjoyable once it all came together.”

Heartbreaker Please was a breakup album, and Thompson thinks the best songs come from pain in relationships.

“That’s just what we feel the most and it’s the subject that everybody’s drawn to,” he said. “I guess some people are writing songs about other things but it’s tough for me to do anything really heartfelt when it’s not about the heart, if you see what I mean. I tend to write more songs about me and my woes, but it never seems boring or old to me … it’s endlessly interesting and fascinating and moving.”

Teddy Thompson
When: Saturday, Feb. 25, 8 p.m.
Where: Rex Theatre, 23 Amherst St., Manchester
Tickets: $29 at palacetheatre.org

Featured photo: Teddy Thompson. Courtesy photo.

Finding her way

Hard work and tenacity define Jordan Quinn

Settling behind an electric keyboard to play covers for the dinner crowd at Fratello’s in Manchester on a frigid Saturday night, Jordan Quinn is logging a few more of the 10,000 hours that Malcolm Gladwell wrote about in his book Outliers. Since mid-2021 the 23-year-old singer has done more than 300 gigs, and her calendar remains packed.

Most sets are like this one, with lots of soulful ballads — Whitney Houston is a favorite. She’ll make multiple tables look up and take notice when she hits the key change on her rendition of “I Will Always Love You.” Quinn also can make a song all her own. Her take on Al Green’s playful “Let’s Stay Together” is reinvented as a plaintive plea to a distancing lover.

Occasionally, like during a recent set with her band at Hennessy’s in Boston, Quinn will dip into a growing catalog of originals that started with the easygoing “Dream World” about a year ago. Her latest, “Can We Become Friends,” shows Quinn’s growing maturity as a songwriter. It’s a response to the war in Ukraine, but addresses problems closer to home.

Inspired by Michael Jackson’s “Earth Song,” it’s boosted by an angelic choir that’s almost entirely Quinn. “I was supposed to have a few buddies in the studio to do the choir part and everyone canceled on me,” she said in a phone interview. “So it’s actually 13 tracks of just my voice, with the exception of one, which is my bass player.”

Quinn released the video for the song early, spurred by a recent shooting outside a Manchester nightclub; the victim was a casual friend of hers. “To just see that some random person was able to take his life so easily, it just really affected me,” she said. “This needs to be done, the whole violence thing … life is precious.”

The title cut of her debut album in progress is about striving to become and belong. Quinn wrote “Somebody” while in Los Angeles preparing to meet with a potential manager.

“I’ve had a lot of hard times with self-confidence, figuring out the path that I want to be on,” she explained. “This was a reminder to myself that everything will work out — you’re where you’re supposed to be, things will get better. Then I was like, why not share this message with other people? Because I know I’m definitely not the only person that feels this way.”

Quinn penned a lot of songs on that West Coast trip. She found being in a place where so many performers are looking for a foothold very inspiring.

“I definitely liked being out there and seeing all the talent and everything; it motivated me to just push,” she said. “All these people are trying to be somebody … it doesn’t need to be the entire world, where everyone knows your name. Just one little thing to make a difference.”

Born in Manchester, Quinn relocated to Connecticut with her mother while in fourth grade. “This whole time, my dad still lived in New Hampshire,” she said. “I would do the trip twice a month to see him on the weekends.” After high school, she went to South Carolina for a year, then returned to move in with him and enroll in the theater program at UNH.

Her father encouraged his daughter’s creative urges, taking steps to help her find her way.

“My dad is the sole reason that it all happened,” she said. “He knew [local musician] Chad LaMarsh and kind of took it upon himself to see what would happen if he introduced us…. I’ve been on this path ever since.”

She eschews many modern artists, calling her singing range similar to Ariana Grande’s, but adding that she’s not a fan of her music. “I used her vocals as influence for mine,” Quinn said, but “instrumentally, I’m really into rock like Queen, and then Michael Jackson and Whitney Houston. I try to incorporate their styles along with everyday pop.”

She’s sung “Somebody to Love” with tribute act Queen Flash on a few occasions, and will open for them later this year.

For now Quinn stays on her Gladwell path, night after night. “My goal is to continue to find myself,” she said. “Testing my abilities … seeing how far I can go. I don’t really have any career goals [beyond] improving who I am as an artist, and really seeing what I’m capable of.”

Jordan Quinn
Next show: Saturday, Feb. 18, 6 p.m.
Where: Homestead Restaurant & Tavern, 641 Daniel Webster Hwy., Merrimack
Full calendar: facebook.com/jordan.quinn.7106

Featured photo: Jordan Quinn. Courtesy photo.

Gallery grooving

Singer-songwriter kicks off concert series

A three-weekend original music concert series at a Hopkinton art gallery offers buoyant pop, jazz-infused Americana and bluegrass. It kicks off Feb. 11 with Ariel Strasser, a Boston by way of Minnesota singer, pianist and guitar player with influences ranging from Carole King to Rufus Wainwright. The Honey Bees — chanteuse Mary Fagan and guitarist Chris O’Neill — arrive the following Saturday, with the all-acoustic Hydro-Geo Trio closing things out Feb. 18.

With light refreshments and soothing ambience, the two-hour events are presented by Two Villages Art Gallery and NH Music Collective. Strasser is returning, having performed there last year.

“It’s a really warm and inviting space,” Strasser said by phone recently. “Acoustic music is well-suited to it, and they’re really great people. I’m excited to be back.”

Strasser has released two albums. 2013’s Crooked Line featured duets with fellow songwriter and mentor Chris Trapper. Motivation came out in 2018 and led to a pair of New England Music Awards nominations the following year. She’s assembling material for a third long-player. Among the new songs is “Small,” a gentle ballad about putting things in perspective.

“I’m not sure yet when that one’s going to land, but hopefully soon,” she said. “It’s about staying grounded and remembering that the little things you agonize over sometimes don’t have as much power as you believe that they do, and understanding that we’re really just a small piece of this large universe, and remembering that when we get bogged down.”

The singer-songwriter came to New England to study musical theater at the Boston Conservatory, now a part of Berklee College of Music. There she “found a love of songwriting and sort of latched onto that even more, but my theater roots definitely feed into my songwriting, in terms of lyrics and things like that.”

Her songwriting process varies. “Sometimes I’ll be inspired by something I see and the lyric will come from that and I’ll want to set it to music,” she said. “Other times I’ll be sitting with an instrument and the musical idea will come to me and I’ll find the gibberish that goes with it, then figure out what the song means later. It just depends on the inspiration.”

Along with performing, Strasser runs ArtsBridge, an organization that helps aspiring young performers find arts colleges. “I run programs for theater, voice, fashion students,” she said. “It’s a cool opportunity to work with high school kids who are really talented…. It’s definitely inspiring to see people at that stage of their life where they’re on the brink and excited about everything.”

The two-week summer camp has a job fair vibe. “They learn about the different programs and what works for them and also what different schools like to see,” she said. “They’re learning about the process through the eyes of these different college faculties…. It’s definitely a valuable experience for them.”

Performing, however, remains Strasser’s passion, and she’s excited about upcoming shows, both the solo Two Villages set and an in the round show with fellow songwriters Katie Dobbins and Audrey Drake at Hermit Woods Winery on Feb. 22, also organized by NH Music Collective.

“As an artist, I love so many different parts of being in this world, but I really love playing live,” she said. “I don’t know if that comes from theater or just me, but that’s definitely my favorite…. Solo shows that are real listening room type places are really fulfilling for me. I feel like you can see the songs land.”

Audience interaction, she continued, “is the one thing you can’t replace online. There’s so much we can do on the internet, but live shows … those you can only do one way and that’s to show up. So I hope to see some people out there, and I’ll just keep playing as much as I can.”

Ariel Strasser
When: Saturday, Feb. 11, 4 p.m.
Where: Two Villages Art Society, 846 Main St., Hopkinton
Tickets: Donations accepted at the door
More: arielstrasser.com and nhmusiccollective.com

Featured photo: Ariel Strasser. Courtesy photo.

Born to fun

Comic Cory Gee debuts at Headliners

When Cory Gee bounds onstage, he’s almost immediately mixing with the crowd. Learning who’s married, dating for the first time, celebrating a birthday. The rapid-fire back and forth helps the veteran comic size up the audience, but it’s not a call for conversation.

He’s setting up jokes, polished over time. Like the one about why asking a baby-faced cop how he caught him while riding a Big Wheel isn’t a good way to get out of a speeding ticket, or how single men shouldn’t plan bachelor parties, and the reason a VFW hall is a better venue for such gatherings than a strip bar.

Cory Gee really doesn’t want to hear about your day, but thanks anyway.

“In today’s TikTok era, crowd work is a necessary evil,” Gee said in a recent phone interview, noting that shutting down hecklers is a reliable way to get clicks. “I love to engage with the crowd, but what is frustrating for me as a comedian is when the crowd talks to me. Does that make sense?”

Sometimes, though, Gee’s high-wire act leads to comedy gold. “A perfect joke for me is the joke I never intended to do,” he said. Like when a random crowd remark sparks the memory of a long-unfinished bit. “You just start to work it, then it all starts to fall into place … and it’s like this moment. I was not meant to figure out that joke until just now.”

Gee will appear for the first time at Headliners in Manchester on Feb. 4. He’s talked for a while with promoter Rob Steen about playing there. “I pretty much know every headliner he uses on a regular basis, and they were all saying the same thing … ‘You’d do so well in New Hampshire, those crowds would really enjoy you.’ I’m really looking forward to it.”

He began doing comedy in 2002 at Comedy Connection in Providence, Rhode Island. The decision to become a standup was an evolution. He majored in theater in college, left early to find fame in Hollywood, but only got as far as his dad’s home in Georgia, where he got work in a professional theater company.

It didn’t last past a series of grueling rehearsals for Lips Together, Teeth Apart.

“I was just tired of saying other people’s words,” Gee explained. “In comedy, everything sits on you, all of the writing is you, all of the performing is you, every movement you make on stage is solely you, [and] knowing I was in complete control was probably the moment that I realized … this is what I want to be doing.”

It ended in 2013. His employer, a well-known nonprofit, gave him an ultimatum: jokes or a job. With two sons, Gee had little choice, so he quit, cold turkey. He didn’t write a bit, go to a show, or even think about comedy for five years. Then he got an offer at a new company. It was a lateral move; commuting costs actually reduced his take-home.

His wife had only one question. “She said, ‘Can you do comedy?’ I said, ‘Yeah, they told me they don’t care what I do.’ She was like, ‘We will figure out whatever financial impact this will have; you have to get back to comedy,’” he recalled.

He’s ever grateful for the boost. After shows, she helps him deconstruct and decompress. “I took it for granted the first time,” he said. “It has definitely added a wrinkle to our relationship from a support standpoint. Not that it wasn’t there before; I just I didn’t realize how important it was.”

Gee returns the favor by co-hosting a podcast with her. Ready, Set, Disney offers tips for visiting the theme parks. It helps that the manic stage prowler is already a big fan of Disney World. “If you’ve seen my act, you know I can’t stand still,” he said. “So the idea of a vacation in which I sit on a beach and just kinda throw my feet up would not work for me. When we go to Disney, I’m constantly moving.”

Cory Gee
When: Saturday, Feb. 4, 8:30 p.m.
Where: Headliners Comedy Club, 700 Elm St., Manchester
Tickets: $20 at headlinersnh.com

Featured photo: Cory Gee. Courtesy photo.

Homecoming

Blues Fest debuts at Rex

The first New England Blues Festival was a modest one-off featuring regional bands, including Mr. Nick & the Dirty Tricks, led by organizer Nick David. Buoyed by its success, David brought it back the following year and soon was attracting national talent like Chicago heavy-hitter Nick Moss, and the event scaled to multiple venues.

The annual show has attracted a bevy of talent over the years, including Muddy Waters’ son Big Bill Morganfield. David’s former group Mr. Nick & the Dirty Tricks backed him up in 2018. “I get goosebumps talking about it,” David recalled in 2019, “because that’s as close as I’ll ever get to playing with Muddy.”

David always hoped the show would stop in his hometown of Manchester; that will finally happen on Sunday, Jan. 29, on the stage of the Rex Theatre. “I’ve been talking to the Rex off and on for the last few years,” David said by phone recently. “I really like the venue a lot.”

The 13th festival features four guitar heroes. There’s headliner Mike Zito, Moss, playing for his fourth time, Roberto Morbioli, and Paul Size, the latter a member of David’s latest group, and concert house band, The Wicked Lo-Down.

Size is a legend in the blues rock world dating back to his stint in L.A.-by-way-of-Texas band The Red Devils, whose early ’90s residency at the gritty King King club attracted movie stars and music legends. They made an album with Mick Jagger that was never released (one cut was on Jagger’s Very Best compilation), and backed Bruce Willis on his Return of Bruno LP. Rick Rubin produced their lone live album, in 1995.

The Wicked Lo-Down grew out of a fruitful collaboration in late 2019 between David, Size and another guitarist, later replaced by Jeff Berg and augmented by a rhythm section of Nick Toscano and Mike Law. Hobbled by lockdown, they made an album, We Hot, in mid-2020 that stayed shelved for almost two years before its release last November. It’s a barn-burner, with a churning title cut and the Blasters-adjacent “Lena” among the standouts.

They’re now gigging and shopping the record to labels, including Zito’s moniker Gulf Coast. David met the guitarist in 2021 at the White Mountain Boogie & Blues Festival. Zito passed on releasing it, even though he reportedly “loved” the album, according to David. “Nobody was willing to sign us because we weren’t out there gigging … how are they going to make money off us if we’re not playing? Who knows who we are?”

Zito has had a string of blues chart-topping albums in the recent past, beginning with 2018’s First Class Life and a Chuck Berry tribute collection that had assistance from Joe Bonamassa, Walter Trout, Robben Ford, Luther Dickinson and Sonny Landreth. Zito’s most recent disc, Resurrection, received a Blue Music Award last year for Best Blues Rock Album.

The chat with Zito did get David a headliner for his festival, which has two Massachusetts dates, Salisbury and Norwood, along with Hartford, Connecticut, before its New Hampshire finale. “Mike and I have some stuff in common,” David said. “He was into doing it, so we were able to get it together this year.”

Morbioli is an Italian guitarist who comes Stateside once a year. David met him over a decade ago when he appeared on John Guregian’s Blues Deluxe radio show. “It was on the UMass Lowell radio station,” David explained. “I was living there with my wife at the time, and she spoke fluent Italian. We went down there, hung out and played a few songs. We’ve been friends ever since.”

Finally, along with his status as a fest perennial, Moss created an interesting conundrum for David from the time they met.

“I got confused for him often; we’re both similar-looking,” he reported of the guitarist, who rose to fame with Nick Moss & the Pop Tops. “We both had big greasy pompadours, and we’re big guys named Nick. I saw a picture of him once and thought he was me. I was like, why do I have a guitar in my hand? Oh, it’s because that’s not me.

13th Annual New England Winter Blues Festival
When: Sunday, Jan. 29, 8 p.m.
Where: The Rex Theatre, 23 Amherst St., Manchester
Tickets: $23 at palacetheatre.org

Featured photo: Mike Zito. Photo by Scott Lukes.

Femme force

Wyn Doran readies next project

Watching a private screening of Beautiful Was The Fight provided a full-circle moment for Wyn Doran. The Nashua based singer-songwriter appears early in David Habeeb’s documentary film about the challenges faced by New England’s female and non-binary musicians. A nervous Doran is seen in 2017 auditioning for an eventual role in Liz Bills’ band. Years later she’s fronting her own all-female combo.

“We were babies,” Doran said by phone recently about the clip of her and Bills. “The first day we met was basically captured in that film, and now she is one of my absolute best friends.”

The journey from jittery aspirant to confident artist wasn’t easy, but watching Wyn Doran these days, it feels complete.

While singing backup for Bills, Doran made her stirring 2019 EP Thick of It, an effort marked by medical emergencies, bouts of stage fright, even a house fire. During the pandemic she released a few singles, including a reverent cover of Amy Winehouse’s “Back To Black.” In February she’ll enter the studio to record her first full-length album.

Fans can get an early preview of the as-yet-unnamed project, to be produced by Colin Lester Fleming at Great North Sound Society in Maine, when Doran appears at Stone Church Music Club on Jan. 25, backed by upright bassist and multi-instrumentalist Lucia Jean.

Catalyzed by Covid-19, playing live has become much easier for Doran.

“After not being able to get in front of people for such a long time, the second I could, the stage fright was gone,” she said. “It was this huge shift in mindset … this is something that I really enjoy and feel like I’m born to do; why am I sabotaging it with myself?”

With only the livestreams to do, Doran spent the pandemic creating, continuing after the world began to open up. When she wrapped up last fall, she had a unified set of songs worthy of her first long-player. “It was this big piece of work,” she said. “I really do see the album as a journey. I got the band, a producer, and we started workshopping things in December; it’s the real thing in February.”

Lyrically, the new record “is a mix of both my personal anguish and journey, and what I see as a greater view of humanity — the cycles we’ve woven ourselves into nationally and on a global level. It kind of ebbs and flows between getting really, deeply personal, those themes, and zooming way out to the beginning of time, and kind of how we all got here.”

Her longtime band — Jean and drummer Heidi Tierney — will work with Doran in the studio. “We’re going to really try and keep it true to our trio live show, but also play with the skills that we bring to the table,” she said, noting that Tierney also plays a variety of instruments. “I’m kind of blown away to have them, and so excited about these 10 songs.”

A songwriting retreat with Ben Folds a few years back helped Doran find her voice as a songwriter, and she’s come a long way since. During the pandemic she assisted Folds with a Zoom version. “That was a neat throwback,” she said. “First, it was the scared Wyn showing up for the start of my songwriting, then jumping into this role where I wasn’t just pouring out sweat, I was interfacing with it. He’s releasing an album this year, I’ll be releasing an album this year — who knows?”

Seeing Habeeb’s documentary gave her a sense of camaraderie, albeit bittersweet.

“I don’t want to put a negative slant on this, but there are people who think we’re the bassist’s girlfriend, just carrying the amp, and we really have to step up and advocate for who we are as a musician,” she said. “One of the special parts of the film was Dave showing that experience back to back to back … these things I used to feel so alone in experiencing; all of a sudden, you realize we’re all together, going through this collective struggle.”

Wyn Doran w/ George Barber & Paulie Stone
When: Wednesday, Jan. 25, 8 p.m.
Where: Stone Church Music Club, 5 Granite St., Newmarket
Tickets: $10 at stonechurchrocks.com

Featured photo: Wyn Doran. Photo by Devin Perry.

Moving forward

A new hip-hop vibe from Fee The Evolutionist

Winning the Rising Star New Hampshire plaque at this year’s New England Music Awards was quite gratifying for rapper Fee The Evolutionist, but also bemusing. “I was laughing about that,” he said by phone recently. “I’m a rising star — it only took me 20 years.”

It’s actually a bit longer than that.

Bill Fee was dropping rhymes in the mid-1990s, with DJ Lyrical in the group X-Caliber. The period birthed an incredible story, when they impressed producer Ski Beatz during his visit to the radio station at UMass-Lowell. This led to an invite to Ski’s New York City studio, but their opportunity got bumped so another rapper could finish his first album — Jay-Z.

The rest is hip-hop history.

“Looking back, you know, it was probably the right decision,” Fee said with just a little irony. “We weren’t ready.” Ski Beatz stayed a mentor and produced X-Cal’s “Back in the Dayz” last year. The old-school track recounts that heady time and includes Fee’s life partner Ruby Shabazz on vocals.

Fee’s solo career is a newer development.

“I’ve always been in bands,” he said. “Playing drums, percussion, songwriting, rapping, singing … last November was my first solo release.” That would be the blistering “Go,” a two-minute sprint that evokes punk and metal with the same fervor as hip-hop.

Such cross-pollination is typical for Fee, and it’s one reason he and Shabazz have been called “King and Queen of New Hampshire Hip-Hop” more than a few times. Another is the couple’s consistent civic engagement. “We love it,” he said. “We embrace the community, and the community embraces us.”

The latest example of his genre-hopping ways will be on display Sunday, Jan. 15, in his home town of Nashua, when Fee performs with guitarist Adam Payne at Millyard Brewery. The centerpiece of the show, which will also include brief sets from Shabazz and fellow Nashua rapper Cody Pope, is an acoustic set featuring Fee rhyming and Payne’s looped playing.

It’s hip-hop, time-traveling to a ’60s jazz club. “A folk vibe,” Fee said. “I’m gonna bring my cajon and bongos, and some percussion … it’s going to be a lot of improv. Set songs, some familiar covers, but we’re also going to flip stuff, make it fresh.”

This is Fee’s first gig with Payne, who he initially saw perform at a festival in downtown Nashua a few months back. “I loved it, and I said, ‘Hey, I’ve gotta link up.’ This was the opportunity,” he said. Millyard’s a logical venue choice, he added. “I just feel like a brewery is a good place to have guitar and percussion, and kind of introduce what we do.”

The microbrewery has been a big supporter of the local arts scene, offering regular weekend events. In a Jan. 4 email, Millyard’s Dean Baxter called 2022 “a storming year,” saying “we are fast becoming a leading live music venue [and] continue to support some of the best-known musicians in New England. Fee is one of those.” 

Fee adopted his Evolutionist moniker to underscore his solo career as a step away from band days, along with the way he draws from many eras as an artist. “I’ve seen the evolution of hip-hop; I’m taking you through that,” he said. “I have soul samples from the ’70s, a little R&B, and I’ll get a little bit more aggressive … that’s one aspect; the other is the evolution of myself, and my growth as a person. I’m always evolving, and trying to learn new stuff.”

He views his NEMA win as validation for the genre in the region. “It’s flourishing; we’re in a renaissance period for hip-hop up here,” he said, pointing to the success of Pope and DJ Myth, who he also collaborates with, and other local artists, along with the excitement that surrounded the recent Hellhound for the Holidays showcase at Nashua Garden as examples.

His own brand of hip-hop is distinct from many others, Fee continued. “I consider it more of the jazz style; it’s organic,” he said, noting it attracts an eclectic group of musicians eager to work with him. “You’d be surprised how many people are open to that … they’re like, ‘Oh, I have never done this before.’ It’s new; we’re kind of making our own genre right now.”

Fee The Evolutionist w/ Adam Payne
When: Sunday, Jan. 15, 5 p.m.
Where: Millyard Brewery, 25 E. Otterson St., Nashua
More: feetheevolutionist.com

Featured photo: Fee The Evolutionist. Courtesy photo.

Harmony united

Bluegrass duo Green Heron

Fans of old-time music have a few opportunities to partake of one of the region’s best in the next few weeks, as Green Heron has performances ahead in Boscawen, Barrington and Laconia. Betsy Green and Scott Heron’s deft, delicate instrumental interplay and inspired harmonies make the case for them as New Hampshire’s own Gillian Welch and David Rawlings.

The two initially connected as musicians, then found a deeper bond. In 2015, Green’s sibling group The Green Sisters was booked on a show with The Opined Few, which included Heron. At an after-hours jam session, Heron thought, “I’d like to get one of those girls in our band.” He ended up with more than that; they’re now married.

They’ve made three albums together. 2018’s Folk Heroes and 2019’s New Pair of Shoes contained mostly original songs, bluegrass with a timeless, dipped-in-amber character. Last year’s Feet on the Floorboards had a balance of Green Heron-penned tunes and traditional classics. Recorded at home, its 15 tracks offered a better reflection of their onstage sound.

For their next project, “I’m thinking a little bigger, and at the same time a little smaller,” Heron said by phone recently. “In this day and age, how many songs do you want to record? People aren’t necessarily sitting down and listening to full albums … let’s just get five or six decent songs together.”

Some of the newer material will likely be teased at their upcoming shows. They’re at High Street Coffee House on Jan. 6, bookending the regular open mic event. “We were lucky enough to get asked to kick off that series,” Heron recalled. “We played it once live, and also a livestream … it’s a wonderful time.”

In mid-2020, they serenaded an outdoor crowd from a gazebo overlooking Laconia’s Belknap Mill during the height of the pandemic; they’ll be inside for a Jan. 12 show. The many al fresco shows necessitated by Covid-19 were an unexpected pleasure that inspired them even after masks and social distancing were in the past.

“We actually did one in our backyard at our old house at the end of the warm-weather season, with a bunch of people and a couple of bands,” he said. “I miss that.”

A recent move to Barrington has them close to Nippo Golf Club, which is home to an early autumn to late spring bluegrass series that’s a fixture in the regional roots music scene. Green Heron’s next gig there will be a rare full-band affair. They’ll be backed by bass player Jed Rosen (Rockspring, Hot Day at the Zoo), Dave “Lonesome Dave” Talmadge (New England Bluegrass Band, Bolt Hill Band) on bluegrass banjo, and dobro player Bob Kordas (Fret Benders).

“The Nippo bluegrass series has just got such a fun built-in crowd,” Heron said. “A lot of friends go there regularly, and they’re all musicians, so we kinda just grabbed a few close friends and got them together.” It’s the first of two Nippo Lake appearances for the duo in the current season. Betsy also has a pair of shows with The Hazel Project, a tribute group that celebrates the music of bluegrass heroes Hazel Dickens and Alice Gerrard.

Both she and Heron have other musical irons in the fire. He plays with Tim Cackett in The Wagoners and performs in a duo with Manchester musician Liam Spain occasionally. Green’s sister act continues, and she’s in the harmony country folk trio She Gone, along with fellow Hazel Project members Lindsay Lassonde and Whitney Roy.

Bluegrass music moves naturally toward such community, and recruiting like-minded acolytes is a natural outcome, Heron observed.

“The music just kind of lends itself to collaboration, mostly because it’s acoustic and it’s simple… anybody with a guitar or banjo or fiddle can play,” he said. “We all kind of know the same stuff, [so] you can instantly start jamming.”

Green Heron
When: Friday, Jan. 6, 6:30 p.m.
Where: High Street Coffee House, 12 High St., Boscawen
More: facebook.com/greenheronmusic
Also: Full band on Sunday, Jan. 8, 6 p.m., Nippo Lake Restaurant, 88 Stagecoach Road, Barrington ($8 to $10 donation) and Thursday, Jan. 12, 7 p.m., Belknap Mill Society, 25 Beacon St., Laconia ($10 at the door)

Featured photo: Green Heron. Photo by Amanda Jean Kowalski.

2023 beckons

Music and comedy New Year’s Eve bashes

Looking to send 2022 off in style? Here are some places with plans for Saturday, Dec. 31 — New Year’s Eve.

3S Artspace (319 Vaughan St., Portsmouth, 766-3330) Dress loud and have fun at Harsh Promadillo, a prom-themed 21+ dance party with music from Harsh Armadillo, with The Q-Tip Bandits. A prom king and queen will be crowned. Doors open at 8 p.m., show starts at 9 p.m. Tickets are $21 and up.

603 Bar & Lounge (368 Central Ave., Dover, 742-9283) DJ Tuggboat back to back with DJ Donald Bump, starting at 9 p.m. and ending with a New Year’s Champagne toast.

815 Cocktails & Provisions (815 Elm St., Manchester, 815nh.com) This ’80s Prom Party promises to be gnarly to the max, totally, for sure. Open bar, featured menu, dancing, photo booth, Champagne toast at midnight. Starts at 9 p.m., tickets $120.

Alan’s (133 N. Main St., Boscawen, 753-6631) New Year’s Eve with Stray Dog playing covers, $15 per person, starts at 8 p.m.

American Legion Post 21 (7 Perley St., Concord, 225-0498) Technical Difficulties — the band, not the excuse — performs at 8 p.m.

American Legion Post 22 (189 Mechanic St., Lebanon, 448-3429) Dance with Cruisin’ after a 5:30 p.m. cocktail hour and 6:30 p.m. dinner that offers the choice of steak or chicken as a main course. $20.

American Legion Post 47 (551 Foundry St., Rollinsford, 742-5833) Acoustic Radio is back for the sixth time in a row; the annual bash includes opener Middleman. $15 with prime rib dinner available; event starts at 7:30 p.m.

American Legion Post 6 (96 Islington St., Portsmouth, 436-7575) Echo Brook performs rock covers at 8 p.m.

Area 23 (254 N State St., Unit H, Concord, 881-9060) Smokestack Blues with Gardner Berry opening, 7 p.m.

Ashworth by the Sea (295 Ocean Blvd., Hampton, 926-6762) Party with Midtown Horns, cash bar, hotel restaurant, midnight Champagne toast, and fireworks on the beach. $20. Starts at 8 p.m.

Auburn Pitts (167 Rockingham Road, Auburn, 622-6564) Stoned Wasp plays “hippie style jam music” with raffles, drink specials and more, starting at 7 p.m.

Bank of NH Stage (16 S. Main St., Concord, ccanh.com) A tribute to America’s most extravagant nightclubs, inspired by the bold speakeasies of the Roaring Twenties and the iconic New York nightclubs of the 1970s, starts at 8 p.m. Tickets $45 to $90 plus fees.

The Big House (322 Lakeside Ave., Laconia, 767-2226) NYE bash featuring Eric Grant Band, Dylan Cooper and the Beer Belly Boys starts at 8 p.m. $20.

Bonfire Restaurant & Country Bar (950 Elm St., Manchester, 217-5600) Martin & Kelly perform country rock at 9 p.m.

Breezeway Pub (14 Pearl St., Manchester, 621-9111) Drag Roulette NYE hosted by Portia Chanel and Sasha Stone at 8 p.m.; DJ Topher B spins with showtime at 10 p.m. $10.

Bridgewater Inn (367 Mayhew Turnpike, Bridgewater, 744-3518) Catfish Howl plays blues downstairs, with a DJ upstairs all night long. $50 includes buffet (5:30 to 7:30 p.m.); $20 for party only, starting at 8 p.m. Hats, tiaras, noisemakers, beads and midnight toast.

Brook Casino (319 New Zealand Road, Seabrook, 474-3065) Aerosmith tribute band Draw The Line performs at 7:30 p.m. $35.

Buckey’s (240 Governor Wentworth Hwy., Moultonborough, 476-5485) Red Hat Band is back, an annual tradition, at 9 p.m.

Castleton Banquet & Conference Center (58 Enterprise Drive, Windham, eventbrite.com) Ring in the new year with East Coast Entertainment, featuring DJ music, dancing, a three-course meal and an open bar, all starting at 7 p.m. $125.

Cercle National Club (550 Rockland Ave., Manchester, 623-8243) Potluck dinner and appetizers with Off Duty Angels playing rock covers at this members club; the fun starts at 7:30 p.m. and there’ll be Champagne at midnight.

Chen Yang Li (520 South St., Bow, 228-8508) 1950s style dance party hosted by DJ Kenny P at 8 p.m.

Chop Shop (920 Lafayette Road, Seabrook, 760-7706) AD/HD – The AC/DC Experience, a tribute act from Boston, at 6:30 p.m.

Chunky’s Cinema Pub (707 Huse Road, Manchester, 232-4794) $30 for early comedy show starring Robbie Printz, Mark Scalia and Alex Giampana (7 p.m.), followed by Dueling Pianos show (separate $40 ticket) with Champagne at midnight.

Chunky’s Cinema Pub (151 Coliseum Ave., Nashua, 880-8055) Comedy show starring Robbie Printz, Matt Barry and Dan Crohn at 7:30 p.m. $30.

Chunky’s Cinema Pub (150 Bridge St., Pelham, 635-7499) Comedy show starring Dan Crohn, Tim McKeever and Mark Scalia at 7:30 p.m. $30.

Coach Stop (176 Mammoth Road, Londonderry, 437-2022) Rebecca Turmel plays an early set at 7 p.m.

Common Man (88 Range Road, Windham 898-0088) Singer-songwriter Karen Grenier performs an early set at 6 p.m.

Concord Holiday Inn (172 Main St., Concord, 224-9534) New Year’s Eve cocktail party at 8 p.m. to benefit Project S.T.O.R.Y. and a book launch.

Copper Door (15 Leavy Dr., Bedford, 488-2677) A local musician plays from 6 to 9 p.m., with a special NYE prix fixe menu.

Copper Door (42 S. Broadway, Salem, 458-2033) A local musician plays from 6 to 9 p.m., with a special NYE prix fixe menu.

Covered Bridge Farm Table (57 Blair Road, Campton Lower Village, farmtablenh@gmail.com) $10 Black & White Ball with Pete Downing and Mira George starting at 6 p.m., followed by Sly Richard at 9 p.m. $100 for a table for eight or $50 for four includes a complimentary bottle of Champagne and nibble board to snack on.

CR’s (287 Exeter Road, Hampton, 929-7972) Live music from 5 to 10 p.m.

Davignon Snowshoe Club (218 Wilson St., Manchester 623-8239) Brideau, Nichols, Westover play a no-cover show at 8 p.m.

Derryfield (625 Mammoth Road, Manchester, 623-2880) Chad LaMarsh rocks the house. $25 a ticket includes admission to see the music, Champagne toast at midnight and party favors. Starts at 9 p.m.

DoubleTree Hotel (700 Elm St., Manchester, headlinersnh.com) Transform into a Venetian dream at the Masquerade Ball, 6 p.m. cocktail hour with cash bar, 7 p.m. dinner, 8:30 p.m. comedy show starring Joe Yannetty, Jody Sloane, Rob Steen and Eric Hurst. Also separate Dueling Pianos show. Dinner and hotel packages available. $60 and up.

Dover Town Hall (288 Central Ave., Dover, 516-6000) Black tie optional with dancing to Black Agnes Band, fireworks at 9 p.m., Champagne toast at midnight, hors d’oeuvres by Mezzanine Catering. Event starts at 6:30 p.m. $75.

East Side Club (786 Massabesic St., Manchester, 669-1802) Cry Uncle (or maybe Synergy) plays rock covers at 9 p.m. with a potluck at 6 p.m. for members and non-members of this private club.

Elks Lodge No. 146 (290 Granite St., Manchester, 623-9126) A Roaring 20’s New Year’s Eve Party starts at 9 p.m. and includes finger foods, the Jennifer Mitchell Band and a Champagne toast at midnight. $20.

Flannel Tavern (345 Suncook Road, Chichester, 406-1196) Get an early start with Country Don from noon to 2:30 p.m., Joe Pero from 3 to 5:30 p.m. and Dave Graham from 6 p.m. until close. Drink specials, food and surprises all day.

Fleming Center (formerly New London Barn Playhouse) (84 Main St., New London, 562-6710) Curated dinner menu, Champagne and an assortment of drinks. Entertainment includes Bethany Gwen Perkins, known for her role at the Barn Playhouse as Patsy Cline in Always…Patsy Cline, and Janoah Bailin, a circus and juggler entertainer. Table seating. $150. Starts at 7 p.m.

Flying Monkey Movie House (39 Main St., Plymouth, 536-2551) Comedian Bob Marley is back, performing at 2, 5:30 and 8 p.m. Tickets start at $46.50.

Fody’s (9 Clinton St., Nashua, 577-9015) ’90s alt rock stalwarts Smashing Cranberries perform at 9 p.m.

Fody’s Derry (187 1/2 Rockingham Road, Derry, 404-6946) Pop Roks keeps it modern at this party starting at 9 p.m.

Fratello’s (155 Dow St., Manchester, 624-2022) Clint LaPointe plays at 8 p.m.

Giuseppe’s (312 Daniel Webster Hwy., Meredith, 279-3313) Bob Kroepel plays requests at the piano starting at 9 p.m.

The Goat (50 Old Granite St., Manchester, 603-4628) NYE party with Seven Day Weekend starts at 8 p.m. at the newest member of this club franchise.

The Goat (142 Congress St., Portsmouth, 658-4628) Mike Forgette plays at 9 p.m.

Governors Inn Hotel & Restaurant (76 Wakefield Road, Rochester, 332-0107) $80 admission includes dinner with appetizers and dessert, along with dancing to classic rock and pop cover band Bad Penny. Starts at 7:30 p.m.

Granite State Music Hall (546 Main St., Laconia, granitestatemusichall.com) Hollow Virtue with special guests Wired for Sound, along with supporting local acts, at 6 p.m. $15.

Haluwa (44 Gusabel Road, Nashua, 864-8348) Red Line helms a two-day celebration at this beloved Chinese restaurant. Starts at 8 p.m.

Headliners Comedy Club is hosting a New Year’s Eve gala at the Hilton DoubleTree in Manchester (700 Elm St.) on Saturday, Dec. 31 at 6 p.m. Ticket prices must be purchased by noon on Dec. 31 and prices start at $35 per person. Visit headlinersnh.com.

Hen House (85 S. Main St., Newton, 382-1705) New Year’s Eve Bash with Stumpy Joe Band again hosting the party, at 9 p.m.

Hermanos (11 Hills Ave., Concord, 224-5669) Singer and guitarist Mark Bartram plays covers and originals, 6:30 p.m.

High Octane Saloon (1072 Watson Road, Laconia, 527-8116) Hell On Heels plays rock covers at this Lakes Region club celebrating a second anniversary, 8 p.m.

Hillsboro Moose Lodge (15 School St., Hillsboro, 464-6024) Local Sound Development Band featuring WhoLeo and Jimmy playing classic rock, $10, event is open to the public. 8 p.m.

Homestead (641 Daniel Webster Hwy., Merrimack, 429-2022) Lou Antonucci performs at 6:30 p.m.

Inn on Newfound Lake (1030 Mayhew Turnpike, Bridgewater, 744-9111) Annual gala starts at 6 p.m. and includes cocktail hour with appetizers, five-course dinner, Champagne toast, fireworks at midnight, live music and dancing, Champagne, cash bar. $125.

Jade Dragon (515 Daniel Webster Hwy., Merrimack, 424-2280) DJ Mike Kelly entertains; tickets include dinner, dancing, party favors and a midnight toast. $20. Starts at 8 p.m.

Jimmy’s Jazz & Blues Club (135 Congress St., Portsmouth, jimmysoncongress.com) Gatsby-esque New Year’s party with Scott Sharrard leading an all-star orchestra through the likes of Louis Armstrong, Ma Rainey, Mamie Smith and more to create an original evening of swing/jump blues music inspired by the Roaring Twenties, with buffet, passed hors d’oeuvres and midnight Champagne toast. Doors open at 7 p.m. There’s a 5 p.m. VIP reception in MONA. Tickets $375 to $425.

L Street Tavern (17 L St., Hampton, 967-4777) Live band on the second floor with DJ Dubz playing dance and DJ Jeff doing karaoke, free appetizer buffet, no cover. 9 p.m.

LaBelle Winery (345 Route 101, Amherst, 672-9898) New Year’s Eve dinner starting at 9 p.m. with Freese Brothers Big Band followed by a stroll through the LaBelle Lights, $121.50.

Luna Bistro (254 North Broadway, Salem, luna-bistro.com) Black Tie Cocktail Party starts at 6 p.m. and features The Hep Cats doing Sinatra and Rat Pack tunes. White glove passed hors d’oeuvres, dessert buffet, Champagne toast at midnight. Proper attire and advance ticket purchase required; cash bar available. $100.

Martingale Wharf (99 Bow St., Suite W, Portsmouth, 431-0901) First Night – Fire & Ice has DJ music, eros photo booth and ice sculpture among other attractions. NYE menu with token payment system. Starts at 6 p.m.

Masonic Temple (1505 Elm St., Manchester, 543-5072) MB Enterprises has an international cuisines cocktail party with DJ, Bollywood dancing, belly dancer show, passed appetizers, bourbon tasting from 7 to 9 p.m., and Champagne at midnight. $100. Starts at 7 p.m.

Muddy Road Brewery (213 Middleton Road, New Durham, 767-5997) Singer-guitarist Chris Gowland entertains at 8 p.m.

Murphy’s Carriage House (393 Route 101, Bedford, 488-5875) Comedy show with Jim Colliton, Mike McDonald and host Chris Cameron at 8 p.m. $30 or $65 (includes dinner).

Murphy’s Taproom (494 Elm St., Manchester, scampscomedy.com) Comedy show with Jason Merrill, Dan Donahue, Francis Birch and Juan Cespedes at 8 p.m. $25 ($30 at the door).

Music Hall (28 Chestnut St., Portsmouth, themusichall.org) Portsmouth Symphony Orchestra evokes the Roaring Twenties. John Page leads the orchestra, along with old-fashioned bubble machines and a real Champagne bar. 8 p.m. $30.

Music Hall Loft (131 Congress St., Portsmouth, 433-3100) Following outdoor First Night festivities, high-energy string band Rockspring performs at 10 p.m., with a midnight Champagne toast. $35.

Palace Theatre (80 Hanover St., Manchester, 668-5588) Recycled Percussion is again home for the holidays. Two shows: 4 and 7 p.m.

Party at the Peddler’s Daughter (48 Main St., Nashua) with the last ever performance of Take 4 for a New Year’s Eve Bash on Saturday, Dec. 31 starting at 4 p.m. There will be a set menu and a Champagne toast at midnight. Visit thepeddlersdaughter.com.

Pasta Loft (241 Union Sq., Milford, 672-2270) Beloved cover band The Slakas returns; $10 admission includes Champagne toast at midnight. Event starts at 7 p.m.

Pats Peak Ski Area (686 Flanders Road, Henniker, 728-7732) There’s dancing to The McMurphys in the Sled Pub starting at 6 p.m. and New Year’s fireworks (slopes close at 10 p.m.).

Players’ Ring Theatre (105 Marcy St., Portsmouth, 436-8123) Take in a performance of First Night, a romantic comedy by the author of Moonglow, Jack Neary, at 10 p.m. Tickets $27.

Polish American Club (15 School St., Nashua, 889-9819) DJ music, food, cheer and a midnight Champagne toast. Starts at 8 p.m.

Portsmouth Book & Bar (40 Pleasant St., Portsmouth, 427-9197) Taylor Swift-inspired NYE celebration with themed karaoke, cocktails, snacks and dance party, starting at 7 p.m. $5 in advance, $8 at the door.

Portsmouth Gas Light (64 Market St., Portsmouth, 430-9122) Boston Circus Guild’s Welcome to The Show, a Cirque du Soleil-inspired evening with live entertainment and DJ music, starting at 8 p.m. VIP packages available.

Press Room (77 Daniel St., Portsmouth, 431-5186) Ski Party with DJ Chad Banks and Adrienne Mack Davis starts at 9 p.m. $40.

Re/Mix Social Club (1 Pleasant St., Claremont, 504-4231) Alcohol-free party at a nonprofit downtown Claremont alternative to the typical club/bar atmosphere. Enjoy warm beverages from the coffee bar along with catered hors d’oeuvres as people share their experiences with overcoming addiction. (7 p.m.)

Red’s Kitchen & Tavern (530 Lafayette Road, Seabrook, 760-0030) Jordan Quinn plays at a NYE Pajama Party; wear your favorite bedtime get-up for a night of live music, drinks, dancing, food, prizes, giveaways and more starting at 8 p.m.

Rex Theatre (23 Amherst St., Manchester, 668-5588) Juston McKinney’s Year In Review comes to Manchester, show at 8 p.m., tickets $35 (also on Friday, Dec. 30).

Riley’s Place (22 Mt. Vernon St., Milford, 325-2177) Old friends Aces & Eights ring in the new year. Starts at 9 p.m. $25 advance, limited number of seats for $10 at door.

Rio Tequila Cantina (37 Bow St., Portsmouth, 433-8655) Music with Adam Forbes, performing acoustically at the newest addition to Portsmouth’s dining scene, at 6:30 p.m.

Rockingham Ballroom (22 Ash Swamp Road, Newmarket, 448-8000) Dancing all night on the area’s largest dance floor starting at 8 p.m. with DJ host Johnny B Groovy. $30 and $40.

Saddle Up Saloon (92 Route 125, Kingston, 369-6962) Casual Gravity plays fifth annual bash, $60 tickets include buffet from 7 to 9 p.m. and a late-night pizza buffet, Champagne toast and party favors.

Salt hill Pub Lebanon (2 W. Park St., Lebanon, 448-4532) Adam McMahon Trio performs with complimentary Champagne toast at midnight. Starts at 9 p.m. $10.

Salt hill Pub Newport (58 Main St., Newport, 863-7774) Tirade, featuring Toby Moore, plays the 14th annual bash at 9 p.m. $5.

Sea Dog Brewing (9 Water St., Exeter, 793-5116) DJ Doug York plays from 9 p.m. to midnight; free appetizers at 11:30 p.m. with creative dinner selections from Chef Calvin.

Shaskeen (909 Elm St., Manchester, 625-0246) Lock The Doors Bash is reprised with limited $60 tickets covering a food buffet, midnight Champagne toast, giveaways, Chris Bennett a.k.a. DJ Myth spinning, and open bar. The club will be closed to anyone without tickets. Event is 21+ only. 8 p.m.

Side Bar (845 Lafayette Road, Hampton, eventbrite.com) Music from DJ CHN, a free pizza and app buffet, a free Champagne toast, drink specials all night long, starting at 9 p.m. $25.

Sky Meadow Country Club (6 Mountain Laurels Dr., Nashua, headlinersnh.com) Comedy with Kevin Lee and Tim McKeever, along with DJ dancing, starting at 6:30 p.m. $75.

Soho Bistro (20 Old Granite St., Manchester, 222-1677) Party Science with DJ Lefte at 9 p.m.

Sol Southern Kitchen (111 State St., Portsmouth, 319-8175) Tim Parent & The Grim Bros Duo (with Tim and Ben Butterworth) NYE musical celebration starts at 9 p.m.

Stone Church (5 Granite St., Newmarket, 659-7700) Idlewild: A Celebration Of The Allman Brothers Band and Not Fade Away Band join forces for Peach Lightning, an evening of Allmans and Dead tunes, at 6 p.m. $20.

Strand Ballroom (20 Third St., Dover, 343-1899) Comedy with Mike Donovan and Amy Tee, followed by musical guests The Broken Heels. Starts at 7 p.m. Tickets $50 and up.

Stumble Inn (20 Rockingham Road, Londonderry, 432-3210) New Year’s Eve bash featuring Last Kid Picked starts at 8 p.m.

Sweeney Post No. 2 (251 Maple St., Manchester, 623-9145) Stuck In Time Band, with a potluck dinner; bring an app, favorite dish, or dessert to share. 8 p.m.

Thirsty Moose (21 Congress St., Portsmouth, 427-8645) Eric Marcs & Solid Group rock the basement music space, while great beer flows on both floors. 9 p.m.

Tokoss (1293 Elm St., Manchester, 486-1538) Food, drinks and music starting at 8 p.m. with DJ Kamix spinning. The first 50 people will receive a New Year’s celebration package. $20 and up. VIP table reservations are available.

Tower Hill Tavern (264 Lakeside Ave., Laconia, 366-9100) DJ Tim hosts Karaoke NYE party starting at 8 p.m.

Tupelo Music Hall (10 A St., Derry, 437-5100) Adam Ezra Group and opening band Billy Keane & the Waking Dream play at 7 p.m., with a four-course dinner at 5:30 p.m. for $95; 8:30 p.m. show only is $45, and all tickets include a Champagne toast.

Tuscan Market & Village (9 Via Toscana, Salem, 912-5467) Silver Springs Fleetwood Mac tribute with Leaving Eden at 8 p.m.

Veterans Club (118 John Stark Hwy., Newport, 863-3945) $10 for Talkin’ Smack, a popular cover band playing hits at 7 p.m.

Village Trestle (25 Main St., Goffstown, 497-8230) The Full Bob Pratte Band performs at 5 p.m.

Wally’s Pub (144 Ashworth Ave., Hampton, 926-6954) Popular cover band Pop Disaster performs at this party starting at 9 p.m.

WSCA Radio (909 Islington St., Suite 1, Portsmouth, 430-9722) Exotic Family Records showcase, 21+ BYOB, starts at 7:30 p.m.

Featured photo: Karen Grenier is due to play at the Common Man in Windham.

2022 in the groove

A look back and glimpse forward

After a year spent mostly indoors, followed by another truncated by omicron, 2022 sailed along quite smoothly. From big to small, venues packed calendars and celebrated with their fingers crossed; only the odd cancellation interrupted their joy. For example, Bank of New Hampshire Stage stayed dark on New Year’s Eve due to a Covid mini-wave, and Squeeze’s Glenn Tilbrook had to postpone his Tupelo Music Hall show in September at the last minute.

Otherwise, what happened was inspirational. National acts were longing to be back in front of audiences and joyously delivered the goods. Performing at Laconia’s Colonial Theatre over the summer, John Hiatt reminded fans why he’s a treasure, well-deserving of inclusion in the Rock & Roll Hall of Fame. Earlier, in February, Martin Barre returned to Derry’s Tupelo for the first time in three years to play Jethro Tull’s Aqualung and other hits by his former band.

Local acts got a lot of love, too, as many of the region’s opera house-type venues have added more intimate satellite rooms — The Rex Theatre in Manchester, Concord’s Bank of NH Stage, the recently renovated Music Hall Lounge in Portsmouth, and the latest addition in Keene, The Showroom. Artists like April Cushman, Darlingside, Brooks Young Band and Cold Engines enjoyed listening-room experiences.

They had a lot to showcase. Some of the better efforts included Faith Ann Band’s In Bloom, which was played ferociously at Concord’s Market Days, and Donaher’s sophomore effort Gravity and the Stars Above. The latter received its debut at a rousing Shaskeen release show. Dakota Smart’s insightful Leap of Faith was another standout, made at Rocking Horse in Pittsfield, where producer Brian Coombes also helmed the epic rock opera Circus of Wire Dolls.

Memorable performances, there were a few. Friends of the Green Martini, a downtown Concord club that burned in 2012, reunited for a show at the Bank of NH Stage. Though sparsely attended, Wyn Doran opened for Billy Wylder at the same venue, with a stellar, haunting set. Cape Cod rockers Crooked Coast kicked it hard at the Shaskeen, and the disciplined Denver jam band Evanoff shook Jewel’s rafters.

Comedy had a great year, capped by hometown hero Adam Sandler’s sold-out stop at SNHU Arena. The downtown dome also hosted Sebastian Maniscalco, who just a few years ago sold out Concord’s Capitol Center. Homegrown efforts carried on; in Manchester, Shaskeen’s Ruby Room had national alt comics every Wednesday, with Strange Brew Tavern’s Laugh Attic on Thursday nights celebrating its fifth anniversary in October.

The coming year promises more of the same. Born as a series of pandemic drive-in shows, the annual Northlands Festival will be back in June, and the LiveNation shed in Gilford has a few dates already booked — Bank of NH Pavilion kicks off its season with Louis Tomlinson on June 27.

In the near term, the Bank of NH Stage’s Nashville Newcomers series continues with Tim Dugger and Lauren Davison on Jan. 5. In the bigger room down the street, Rob Schneider tells jokes on Feb. 4, and country group Lonestar plays Feb. 10. Later in the spring, Samantha Bee, whose show Full Frontal lasted six seasons, appears at the downtown Concord venue.

At the SNHU, ventriloquist comic Jeff Dunham appears Feb. 10 and rapper Yung Gravy performs on March 4. The Palace has brilliant Beatles doppelgängers 1964 on Jan. 15, while its sister room the Rex has the aforementioned April Cushman on Feb. 11; she’s also appearing at Laconia’s The CAKE on Jan. 28.

Mark-the-calendar shows at Tupelo Music Hall include hometown heroes Fortune on Jan. 28, Masters of the Telecaster on Feb. 3, and Big Head Todd and the Monsters Feb. 10. The Winery Dogs, led by former Poison guitarist Ritchie Kotzen, is there on Feb. 26; that’s one that typically sells out fast.

Finally, the always meticulous prog rockers Mindset X promised that Humans, their follow-up to 2015’s Oceans, would drop in 2022. In early summer, a video for the single “For Love of War” was released to tease the album. Perhaps it will finally appear in 2023 — the band is part of a showcase with Dead Harrison and Dust Prophet booked for Dover’s Strand Theatre on May 26.

Featured photo: Faith Ann Band. Courtesy photo.

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