Make a music fan’s holiday

Some fun gift buying ideas for this year

Sometimes the best present for the music fan is one that lets them choose, so this year’s holiday guide starts with gift cards. Pitchfork Records (2 S. Main St., Concord) has everything from CDs and LPs and gear to play them, along with fun things like a vinyl album frame — call 224-6700 or stop by the store to purchase.

Most of the region’s concert venues offer gift cards for their shows. For example, Tupelo Music Hall gift cards in increments of $25 are available by calling their box office (437-5100). Many live music-friendly clubs offer this option, like Shaskeen Pub in Manchester, Newmarket’s Stone Church, or Riley’s Place in Milford.

Among online stores offering vinyl, CDs and rarities, Rough Trade Records began as an independent label in 1976 and offers a huge selection, along with e-gift cards (roughtrade.com). Magnolia Record Store curates a selection that includes many exclusive releases (magnoliarecord.store).

For followers of the regional scene, some truly fine records were released by area musicians in 2025. Rocking Horse Music Club’s The Last Pink Glow is a musical interpretation of an unfinished Jack Kerouac novella that includes a guest performance by Tony Banks of Genesis (rockinghorsemusicclub.com).

Fans of Bruce Springsteen will love Ward Hayden & The Outliers’ two albums of countrified Boss covers, Little By Little and Piece By Piece. Both are out on pink splatter vinyl at wardhaydenandtheoutliers.com, along with the alt-country stalwart’s latest original LP, South Shore.

Underground Garage favorite Brad Marino grew up on colored vinyl and picture discs, and frequently delivers fun stuff like an orange vinyl version of his new single “Voodoo” on bandcamp.com. Similarly, down and dirty blues rockers Lee & Dr. G just released their latest LP, Girl For Me, on red wax (leedrg.co).

Books are always a great choice. One of this year’s best is Cameron Crowe’s memoir The Uncool, which tells the true stories behind the biopic Almost Famous, and more. The basic facts of his life — a teenager writing for Rolling Stone, interviewing stars like David Bowie and Gregg Allman — are fantastic enough.

Speaking of movies, one of 2025’s best is Deliver Me From Nowhere, starring The Bear’s Jeremy Allen White. Its success has caused many to revisit the book it’s based on, written by Concord native Warren Zanes, so there’s a gift suggestion with both local and national implications.

For coffee table books, Paul McCartney’s Wings: The Story of A Band on the Run is an oral history of the group he formed post-Beatles. For Deadheads, 60 Years of The Grateful Dead Experience, is a 160-page softcover packed with photos and memories of the proto jam band.

wooden block with circle inserted
SOvenomUND Ferrofluid Visualizer.

Music lovers crave gear, and one cool gadget is the SOvenomUND Sound Activated Ferrofluid Visual Display ($179 at miravique.com). It’s a sleek wooden block that sits on a desk that has a round acrylic insert with an inky blob inside. It pulses to music, or whatever it hears. Unlike Alexa, though, this device won’t try to sell you anything.

Headphones are always popular, and Status Audio continues to innovate and separate itself from the pack. At the low end are the in-ear Between Pros at $79, with the new, overperforming Pro X model a cool $299 at status.co. Bose (bose.com) makes a great open audio (over the ear, but no cups) model for $199.

Finally, for the giftee who’s been extra-special this year, there’s Klipsch’s The Three Plus Premium Bluetooth Speaker, with audiophile sound, a phone to unit range of up to 40 feet, and RCA inputs for plugging in things like a turntable or a CD player. It retails for $419, but most places currently have it on sale.

Last, but certainly not least for struggling local bands who make next to nothing from streaming, is the merch table, both physical and virtual. For the latter, hit bandcamp.com for a bevy of swag from regional musicians. There are great T-shirts from Soggy Po’ Boys, Ian Galipeau and Megan From Work, just for starters.

A band’s progress

The evolution of Slim Volume

Some of the most sophisticated and mature music in New England is coming from Slim Volume, a Manchester quartet that in four years has grown into a solid presence on the scene. Fans of lush harmonies, layered guitars and songs that suggest many influences but stand out as unique have a chance to see for themselves at an upcoming Pembroke City Limits show.

“Slim Volume is one of the most cohesive bands around,” Pembroke City Limits owner and regional music authority Rob Azevedo commented recently. “It’s as if the band members were all meshed together, sharing in melody and sound. Just a tight, tight band.”

Two EPs released over the course of 2024, Back To You and Big Plans, were both the result of Trent Larrabee and Jake DeSchuiteneer, who respectively play guitar and bass, coming to guitarist Mike Morgan and drummer Jonny Lawrence with mostly completed songs. Early this year, that began to change.

“We took a deliberate approach … to pull back on Jake and I bringing material into the band that’s already written and fleshed out, and we’re going to go toward just organic creation,” Trent said in a recent joint Zoom interview with Jake.

“It’s easier, especially when you have bandmates who are very eager to contribute something unique.”

Jake agreed. The old way, he said, “can deny the other members of the band a little bit of flexibility, and the ability to kind of put in some of their own creativity. Like if someone suggests in a bridge, ‘Hey, what if we went to this change instead?’ and I say, ‘Well, I’m kind of married to this thing that I’ve had since I wrote it.’”

Trent and Jake have a Lennon and McCartney thing going as a songwriting team — the first song they learned together was a Beatles song — but composing as a band lifted their overall sound to another level. Jake credits a big part of it to Mike’s contributions on guitar and the textured, atmospheric sounds that result.

“He’s a very prolific writer of guitar parts that lend themselves really quickly to becoming songs,” Jake said. “The kinds of things he writes tend to be of a different flavor than something Trent would come up with, or something I would come up with. It allows us to kind of run a little wild on it lyrically and melodically.”

This all happened as Trent switched from acoustic to electric guitar and Slim Volume started to move away from the folk rock sound of its early records.

“Electric is just different, it opens up so much more potential,” he said, especially with a second guitarist. “Mike and I are both very careful about overplaying … I think that comes through.”

One consequence of this new “all for one, one for all” approach is that the band is writing a lot of new music. Ten songs recorded from January to April should have been released but for what Trent termed “a series of setbacks with the mixing” that are now resolved. In the interim, they’ve written another ten.

The band’s name definitely doesn’t refer to the number of musicians that inform their sound. There’s a vast river of music packed into their songs. One of the best, “Talk It Over” came after Trent heard “a random boygenius” track Jake sent him, “and it blended with the Vance Joy that I was listening to at the time.”

Another, “Big Plans,” echoes a Beatles song, though not deliberately. “I didn’t instantly think of ‘Dear Prudence.’ Once we were recording it, I was like, ‘Oh, wait,’” Jake recalled. Heck, George Harrison cribbed “Something” from James Taylor, so it’s all good. “A lot of our primary influences are classic rock guys … it’s a pretty big stew between the four of us.”

The show in Suncook is the band’s last scheduled one for a while. They are booked at Concord’s BNH Stage next April. “That’ll be our first time there as a headlining band,” Trent said. “We opened for Modern Fools in January and Golden Oak from Maine the prior year. So we’re really excited for that.”

They also are looking forward to their third show at Pembroke City Limits. Trent encourages people to come out for it.

“If you haven’t seen Slim Volume in a while, this would be a great place,” he said. “You’ll hear a bunch of new stuff and hear how the songs have evolved.”

Slim Volume
When: Saturday, Dec. 13, at 7 p.m.
Where: Pembroke City Limits, 134 Main St., Suncook
More: slimvolume.band

Featured photo: Courtesy photo.

The Music Roundup 25/12/11

Holiday Peanuts: Inspired to play piano by watching A Charlie Brown Christmas, David Benoit later was the composer for Peanuts specials in the 1990s and 2000s. His holiday concerts are an annual tradition, with songs like “Linus & Lucy” and “Christmastime Is Here.” He’s joined by singer Courtney Fortune, who does Barbra Streisand’s take of “Jingle Bells” and more standards. Thursday, Dec. 4, 7:30 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $43 and up, etix.com.

Horn-driven: Led for decades by guitarist Chris Vachon and anchored by a potent horn section, Roomful of Blues made a big change a few years back when “powerful, soul-stirring” DD Bastos joined as the band’s first female lead vocalist. Their recently released LP Steppin’ Out is a buoyant effort, an “exhilarating mix of jump, swing, proto rock ’n’ roll and tough blues” in the words of one writer. Friday, Dec. 12, 8 p.m., BNH Stage, 16 S. Main St., Concord, $49 at ccanh.com.

Blues power: Casting back across a century for inspiration, Blūz Chiīe is a local band that released their debut album, Hard Road To Sorrow, this summer. Highlights include the harmonica-driven opener, “Badlands” and the title track, a chugging ballad with nice slide guitar. The homage “Led Sled” is also tasty, a growling blues number. Friday, Dec. 12, 8 p.m., Riley’s Place, 29 Mont Vernon St., Milford, bluzchile.com.

Big Eighties: Still rocking after 45 years, Loverboy hits town to relive the MTV era and hits like “Turn Me Loose” and “Working For the Weekend.” Apart from a switch in bass players, the band’s lineup is unchanged. Lead singer Mike Reno is in top form, even if he’s not wearing red leather pants, and guitarist Paul Dean, who came up with the band’s name in a dream, hasn’t lost a step. Saturday, Dec. 13, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $132 and up at tupelohall.com.

Family bash: Cape Breton musical ambassadors Natalie MacMaster & Donnell Leahy’s Celtic-themed Christmas show is back, with seven of their children also in the spotlight. The evening features updated holiday classics, and overall good vibes. Tuesday, Dec. 15, 7 p.m., Rochester Opera House, 31 Wakefield St., Rochester, $48 and up at rochesteroperahouse.com.

Queen Esther, by John Irving

(Simon & Schuster, 408 pages)

Esther was 3 years old, almost 4, when she was left outside a Maine orphanage, where the staff found her angrily kicking the door. “Esther doesn’t cry — she just gets angry,” it is later said of the child.

The toddler had a well-developed vocabulary and had memorized passages from the Book of Esther of the Bible. She knew she was Jewish. But it would be years before anyone would learn that she was born in Vienna and came to the U.S. with her parents, both now dead.

The orphanage where tough little Esther is left, St. Cloud’s, is well-known to those familiar with The Cider House Rules, the John Irving novel that later became a film for which Irving won the Oscar for best adapted screenplay 25 years ago. Queen Esther is not a sequel, although its themes will be familiar to Irving fans — perhaps wearily so.

Esther will live at St. Cloud’s for a decade until she is offered a job — and a home — with Thomas and Constance Winslow, residents of Pennacook, New Hampshire, and the parents of four daughters named after the virtues: Faith, Hope, Prudence and Honor.

Like Dr. William Larch, the physician who runs the orphanage (played by Michael Caine in the Cider House movie), the Winslows are not fans of religion or the concept of God. They are ideologically at odds with the pearl-clutching “townspeople of Pennacook,” despite Thomas Winslow’s best efforts to open their minds at “Town Talks” where he endeavors to instruct them about the great books and convince them that morality is not the equivalent of conventionality.

Thomas Winslow is comically opposed to anything related to Maine; at one point, his wife thinks “Oh, Tommy, please give up the grudge you have against Maine!” But the couple need a new au pair to care for their youngest child, Honor, and they have run out of options elsewhere. So they travel to St. Cloud’s and adopt Esther despite the objections of people shocked that they would want “the Jewish one.”

It’s a good match, for the child and the couple. Like Esther, the Winslows are prodigious readers (which gives Irving a chance to proselytize his most favored 19th-century authors through his characters, as is his habit), and they are taking in a young woman who intends to get a tattoo that is a quote from Charlotte Brontë’s Jane Eyre: “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.”

The quote permeates the novel, even as Irving wrests the focus from Thomas and Constance Winslow, to Esther Nacht, to Jimmy Winslow, the child that Esther ultimately gives birth to and gives to Honor to raise, in accordance with a pact they have made.

The journey is winding, complex and transcontinental. Esther goes off to Israel to fulfill what she sees as her life’s purpose, and the child she conceived, Jimmy Winslow, grows up and becomes a father and a writer and tries to sort out his complicated roots, insisting all his life that he is “just a New Hampshire boy,” although in reality he is not a Pennacook townie and never will be.

This is ironic, since the Winslow line was genealogical royalty in America; the ancestors of both Thomas and Constance sailed on the Mayflower, and, as Irving writes, “If you grew up in Pennacook, in southeastern New Hampshire, in the 1940s and 1950s, where you came from mattered.” But so did adherence to a certain set of standards that didn’t include unconventional families and overlooked far more grievous sins. And Jimmy’s conundrum is that he isn’t really a Winslow by blood and doesn’t identify as Jewish; despite being ardently loved by people on multiple continents, he is not really sure who he is.

Irving is a master at character development, and 100 pages in, I was so invested in the lives of Thomas and Constance Winslow that I was reluctant to leave their world to delve into Esther’s, and Jimmy’s. Nor was I prepared for the degree of preaching to which I would be subjected about social and international issues.

Indeed, it is Irving’s preaching that is an obstacle to be overcome in enjoying this novel. As evidenced here and throughout his body of work, he has strong opinions on reproductive choice, on non-traditional families and on religion, opinions which he intends to inculcate into his readers with all the subtlety of a hammer. Even as Irving riffs on the pious townspeople of Pennacook for their moralizing, he moralizes with the same unyielding zeal, denying the microphone to any timid nuance that might want to offer an opposing view. This belligerent approach at times comes off as a grudge.

In one scene, Jimmy visits what is believed to be the tomb of Jesus Christ at the Church of the Holy Sepulchre and observes a weeping man who leaves the cave, “his face streaked with tears, his smile radiant.”

“Jesus touched me — I felt him touch me!” the lunatic Christian cried,” Irving writes, and in the insertion of the word “lunatic,” we feel the full force of those who harbor animosity toward religion and believe its ills outweigh its good, even though it later becomes apparent that the man had been touched by a cat, and not a deity.

Irving once told an interviewer that he believes “it’s vain and presumptuous to presume that what you believe, everyone else should also believe. …. In other words, people who are so convinced of their religions that they proselytize it to others, I find very tiresome.”

It’s unclear if Irving is aware of how much he proselytizes to others of his own values and beliefs. Nonetheless, he is, like Jimmy Winslow, “a New Hampshire boy” and one of New England’s most important contemporary writers. If some parts of Queen Esther feel like reconstituted sermons from The Cider House Rules or The World According to Garp, this does not preclude the reader taking pleasure in the world of the Winslows.

But offer thoughts and prayers for the poor. maligned, monocultural “townspeople of Pennacook” — not to be mistaken with the good people of the village of Penacook in Concord — as you read. B

Featured Photo: Queen Esther

The local shelf

Books from local authors

Want to add to a friend’s book collection? Here are some recent releases from local authors. Look for them at your favorite bookstore.

The True and Lucky Life of a Turtle,written by Sy Montgomery and illustrated by Matt Patterson, is the story of a real-life 42-pound snapping turtle named Fire Chief. Montgomery has written many other books about animals, including some for adults and other picture books illustrated by Patterson. Kirkus Reviews named this 40-page hardcover one of the Best Picture Books of 2025 for Animal Lovers.

Frankie the Ghost Train, written by LaBelle Winery co-owner Cesar Arboleda, “is a heartwarming tale of a quiet boy, a mysterious train, and the power of imagination,” according to the book’s description on LaBelle’s website. “Set in the forgotten corners of Milltown, this story reminds readers young and old that sometimes the places we stumble upon are the ones that shape us the most.” About the author, the website says this: “Cesar Arboleda immigrated as a young boy from Colombia, South America, to Lowell, Massachusetts. He is a proud American citizen, a storyteller, dreamer, husband, father, and lifelong believer in the quiet magic found in unexpected places.” This 40-page hardcover children’s book is available for $20 at labellewinery.com/shop.frankie-the-ghost-train-book-by-cesar-arboleda.

The Shopkeeper of Alsace is the debut novel from former NHPR host Laura Knoy. It’s based on a true story and “brings to life a little-known corner of wartime history — and an inspiring real-life heroine you’ll cheer for,” says the book description at lauraknoy.com. Visit the website to read about the background behind the book and to order a copy. (Michael Witthaus talked to Knoy about the book; see the story in the Nov. 6 Hippo on page 14. Find the issue in the digital library at hippopress.com.)

A Better Loser is a collection of short stories set in southern New Hampshire, written by Manchester resident and high school teacher Nate Graziano. “Whether facing romantic troubles, addiction, or struggling to rein in their passions, these characters will not allow their failures to define them — instead, they become ‘better losers,’” according to the author’s website, nathangraziano.com, which has links for purchasing the book.

Grenier Air Base: A Beacon on the Home Front, by Leah Dearborn, is “a non-fiction military history of a vanished air base,” says the author’s website, leahmdearborn.com. Dearborn is associate director of the Aviation Museum of New Hampshire; the book is available at the Museum’s website, aviationmuseumofnh.org/shop, where it goes for $35. The author’s website says a portion of all proceeds goes to AMNH programming.

The Weight of Snow and Regret, by Elizabeth Gauffreau, is a novel that “tells the story of the closure of the last poor farm in Vermont in 1968,” according to a press release from Paul Stream Press. “The Weight of Snow and Regret tells the poignant story of what it means to care for others in a rapidly changing world.” Gauffreau grew up in Vermont and lives in Nottingham, New Hampshire.

The Gospel According to Jack: Tracking Kerouac In My Life is written by Rev. Steve Edington, a retired Unitarian Universalist minister and Minister Emeritus of the UU Church of Nashua. “Through meditations on Kerouac’s life, art and restless searching, Edington weaves together literary reflection and personal journey. The Gospel According to Jack offers an uplifting and wise exploration of faith, creativity, and what it means to seek meaning in a vast, mysterious universe,” said the website for Balin Books in Nashua (balinebooks.com), where Edington will discuss the book on Saturday, Jan. 10.

Courtship in Purgatory, by Robert Perreault, is described as “an intimate look at the difficulties faced by two middle-aged lovers” and “a sincere look back at family and Franco-American traditional attitudes and constraints following World War II.” Perreault is a bilingual writer of books and articles about the New England Franco-American experience and the history of his hometown, Manchester. This is his first novel in English. He holds a B.A. in Sociology from Saint Anselm College (1972), including a year of study in Paris; an M.A. in French/New England Franco-American Studies from Rhode Island College, and an M.F.A. in Creative Writing (Fiction/Nonfiction) from Southern New Hampshire University, according to a press release, and Manchester’s Franco-American Centre proclaimed him Franco-American of the Year in 2012.

Perfidy: The Silver River Series 2, by Emily Siems, is the second book in a planned romantasy trilogy. Visit the author’s website, emilysiems.com, to read Siems’ blog and an excerpt from Springhaven, the first book in the series.

Featured Photo: The Shopkeeper of Alsace by Laura Knoy

Album Reviews 25/12/11

Ski Team, Burnout Boys (self-released)

New York native Lucie Lozinski looks (and often sings) like an awkward twee-waif Zoomer, but she’s been around the block quite a bit. Her father owned a backyard studio, and that somehow led to her singing backup for the likes of Tony Bennett and Queen Latifah before she turned 10. She’s pretty excited about releasing this debut album under her stage name Ski Team in January, but as promised in the Playlist column, there’s holiday music afoot this week, and she was able to eke out a rough-ish draft of “Santa” just before my deadline. There’s a light, frosty elegance to the beginning of it, in which she toys with covering “The First Noel” and then switches gears into epic/country-fied Chappell Roan mode, while introducing some world-class sampling into the mix. The push track is “Thirst Trap For Diego,” which combines wood-paneled ’80s disco with spaceship incidentals and some pretty odd found sounds. “Gilroy” has elements of Taylor Swift and Sheryl Crow within its pretty-crunchy-pretty pattern. Lots of decent melody here. A —Eric W. Saeger

Brian Sumner, Christmas (self-released)

This jazz guitarist has racked up a pretty impressive 400,000 Spotify listens this year on the way to making a name for himself as an improv specialist; his previous record For What explored a variety of emotions and themes, but this one is, as you’d venture to offer if pressed by the Spanish Inquisition, more focused on the holidays: “Within the context of his own mind, Sumner puts himself in the family room, at the dinner table, near the front door waiting for guests to arrive, in fights, away from home and in a myriad of other situations, and then freely improvises to the thoughts and feelings that are invoked,” and — waitwhat, “in fights?” Well, those come with the holidays too of course, in case you tend to avoid the news (which is always a good idea), but in all honesty, tension and emotional discomfort of any sort are rare commodities here. It’s mostly upbeat; if the idea of having a highly trained expert noodling around on a barely plugged electric guitar as you stare into a fire appeals to you, you’ll want this. A —Eric W. Saeger

PLAYLIST

• Look out, fam, I’ll be talking about holiday records again this week. Of course, I should have been talking about that in Hippo’s holiday issue, but like I told you people last week or whenever it was, I wasn’t deluged with holiday albums until after I’d written the column for the holiday issue, so I have an excuse. Just making you aware that I actually do pay attention to what I’m doing once in a while, and speaking of that, I also haven’t forgotten that I promised to pop into some local-to-Manchvegas clubs and talk about some of our struggling artists, and I do plan to do that once I’m not crazy-busy with a million-billion stupid things in my “semi-retirement” from work hell, but toward all this nonsense, I’ll have you know that I took my nephew to this year’s Trans Siberian Orchestra concert at SNHU Arena, on Black Friday, a family ChristmaHannuKwanzaa tradition! We were seated dead center in the 10th row, and it literally doesn’t get better than that; Petunia couldn’t go because she was sick, so I took my nephew. He’d never been to a big concert, let alone sat so close to the stage that one of the guitarists tried to throw a pick to him, so I expected him to be all full of young Millennial enthusiasm afterward, you know how they get. But the first thing he said? “Boy, pretty old crowd, huh?” so I was all like “What?!” and he goes like “All the old people!” so I was like “You’re walking home, Bucko!” and he was like “No way!” No, I’m kidding, he had to be in Maine the next day, so I did unlock the passenger door and let him in, but it got me thinking about older people who go to shows at giant hockey arenas. They really don’t want to stand up, even when there are lasers and flying flame-balls and they’re playing super-old songs, and yes, it bugged me too during one song, when we and two teenagers were the only ones standing up. Look, man, if you’re at a concert, push yourself up somehow and start getting your jam on, you know? Right, so that is today’s rock ’n’ roll lesson, and now we can look at the albums coming out this Friday, Dec. 12! We’ll start with English EDM-pop singer-producer Fred Again, whose new album USB002 is the follow-up to USB001, I don’t know what it all even means! There is a rehearsal video that shows him smoking butts, nodding his head a lot and playing his ProTools Tamagotchi thing, maybe you’ll find it interesting. OK fine, whatever, there’s some decent trance and tribal house that sounds fine if terribly 2010s to me, let’s continue.

• Many of you hip-hop scamps love the collaborations you’ve heard over the years between Nas and DJ Premier, and guess what, they’re releasing an album together! Titled Light Years, it starts with “Solar Scriptures,” which features a piano-driven old-school hip-hop beat. It’s uneventful, but what else would you expect?

• Nate Amos, more famously known as This Is Lorelei, is from Vermont, and his second album, Holo Boy, spotlights the title track, a slow grungy tune that has a lot of melody and weird guitar sounds. If Pavement didn’t suck they’d sound like this.

• We’ll close with former Kiss drummer Peter Criss, whose eponymous album is on its way! Lol, he put it out through Bandcamp, but don’t judge, maybe it’s better than his absolutely awful 2007 LP One For All, which included an actual cover of “Send In The Clowns,” let’s go see! Yup “Creepy Crawlers” is a cool hard-rock song, you’ll like it! —Eric W. Saeger

Featured Photo: Ski Team, Burnout Boys and Brian Sumner, Christmas

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