Save Ferris, “Xmas Blue” (self-released)
This one came in too late to be included in the pre-HannuChistmaKwanzaa column. This teaser single from a 2024 LP from the Orange Country, California, ska band comes with some interesting sidebars for us to go over, the first being the song’s background itself. It’s a girl-sung rootsy dancehall track that does have a Christmas-y feel to it; it’s not some sort of annoying ’90s-ska phone-in at all, but anyway, the lonely-at-the-holidays-steeped lyrics revolve around the trials of a friend of singer Monique Powell who “went through a hard divorce, and even two years later was still so obsessed with his ex-wife that it was borderline stalking.” Sucks that anyone has to be without a love connection any time of the year, but another thing to know is that this is the band’s first release under the newly launched music community platform We Are Giant, which, local musicians should note, helps give a social media edge to unknown bands who could use a boost, this by connecting more intimately with fans. Good for them, I say. A —Eric W. Saeger
Patrick Wolf, A Circling Sky (self-released)
Unbeknownst to most, this 40-something British singer-songwriter is one of the most talented and idiosyncratic musicians of his generation, with a run of critically hailed albums, notably Lycanthropy in 2003 and Lupercalia in 2011, the latter of which saw him incorporating viola, Celtic harp, dulcimer, baritone ukulele, piano, harpsichord, analog synthesizers and re-sampled field recordings in his music and collaborating with the likes of Marianne Faithfull, Tilda Swinton, Patti Smith and others. Imagine what you’d get if Mark Oliver Everett from The Eels wanted to make tuneage for steampunk conventions and you’re pretty close, at least going by this set of B-sides and rarities, which includes the front-facing “Godrevy Point,” a gently apocalyptic track full of from-the-mountaintop reverb propelling the odd little collection of instruments on board. Nick Cave is another touchstone here, if that’s your bag. A —Eric W. Saeger
Playlist
A seriously abridged compendium of recent and future CD releases
• Nice, way to hurry things along, 2024, the first general-issue CD release Friday of the year is Jan. 5! It is an election year, fam, and at this rate it’ll be the last one before the whole system melts down, so it was sure nice knowing ya, but whatever, there are albums on trucks headed to stores, including a new one from British grime rapper Ghetts, On Purpose With Purpose. You hip American kids probably know him from his days with the grime collectives The NASTY Crew and The Movement, but nowadays — wait, what, you’ve never heard of NASTY Crew or The Movement or any grime collectives to begin with? I’m kidding, of course you haven’t, bands and artists from the U.K. might as well be from the planet Neptune for all American listeners care, even though garage-grime has been a lot more fun and cool than American hip-hop for, what, 10 years now? Twenty? But that’s OK, when did American hip-hoppers ever get anything wrong, aside from all the PR stunts they fell for, in other words, absolutely, don’t pay attention to grime, just because it’s better than U.S. corporate hip-hop in every single way. Wait, don’t get mad, here, forget I said anything, let me go check out this album and report my findings, for your reading pleasure! So, the LP starts out with “Daily Duppy,” comprising a dream-time beat and Ghetts’ impeccably enunciated British blatherings; it has a little trap-drumming going on there so American audiences can understand that it’s some sort of rap or hip-hop or whatnot, be sure to listen to it with a parent or guardian in case you have any questions.
• LastWorld is a band whose music is targeted at “fans of Journey, Bon Jovi, Night Ranger, Alias & The Storm,” got that, guys?, and what that means is — wait, what does it mean, I’ve never heard of “Alias & The Storm,” am I being trolled (OK, I looked, there’s no such band, so they probably mean a band called Alias and another one called Storm, oh forget it)? Whatever, LastWorld, a two-piece consisting of Jim Shepard (all instruments) and David Cagle (all vocals) will release a new album titled Beautiful Illusion this Friday. The kickoff single, “Never Gonna Let You Go,” is a big bouquet of hair-rawk hooks that blends Journey, Bon Jovi, Night Ranger, and — wait, we already talked about this. Right? No, seriously, if you liked White Lion, a band that wrote all their songs to “Billboard specifications,” you’ll like this, probably.
• Hannah Kaminer is an Americana group from Asheville, North Carolina. They want people to stop saying they’re an Americana band and instead tell all their friends that they’re a country music band, which I refuse to do because of my journalistic principles, and because I am a jerk most days. The band’s third studio album, Heavy On The Vine, is on the way, and you can check out the title track on YouTube. The song is an Americana take on the typical Mazzy Star B-side, with lots of slidey dobro, a synth that sounds like dobro, a fiddle, and a drummer on a drum set that has like three pieces to it. It’s very pretty and dreamy for a totally Americana song.
• And finally we have someone from Florida recording under the stage name Tegu, with a new album titled Forest Hills, which was recorded in one 24-hour block of lo-fi improvisational mayhem. It features an ingredients list consisting of, and I quote, “field recordings, tape loops, vocal haze, FX, and thrifted Yamaha keys.” Given that, you already know pretty much what it sounds like: breezy soundtrack-ish stuff, with hazy synths, bluebirds chirping, etc. It’s OK. —Eric W. Saeger