House of Gucci (R)

The family behind the Gucci fashion company faces scandal and murder in the 1980s and 1990s in House of Gucci, a movie that doesn’t live up to the promise of its trailer.

The trailer is great, buzzy, maybe just this side of camp, and gives you many of the best lines and displays the “all in” performance by Lady Gaga. The movie — really gave me an appreciation of whoever cut the trailer.

The movie starts in the 1970s, I think, with Patrizia Reggiani (Lady Gaga) meeting Maurizio Gucci (Adam Driver), a law student whose father, Rudolfo (Jeremy Irons), owns half of Gucci along with his brother Aldo (Al Pacino). Maurizio has grown up wealthy but otherwise doesn’t seem involved in Gucci. When Patrizia fails to make a good impression with Rudolfo, Maurizio breaks away from his father (and his money). He goes to live with Patrizia’s family, working for her father’s trucking company, and the two get married.

When Aldo calls Maurizio to congratulate him on his wedding, Patrizia sees an opening to get Maurizio back into the family fold — and possibly to connect with some of that Gucci wealth. Maurizio isn’t entirely comfortable with how Patrizia advises him to play Aldo and his son, Paolo (Jared Leto under so very much makeup), against each other but he seems OK taking advantage of the outcomes, which are more wealth and power in the family business. But the more Patrizia pushes, the more Maurizio seems to grow disenchanted with her.

This movie has some real “but why?” casting (Leto, definitely, but also Irons and Pacino) and some Joey Tribbiani School of Italian Accents accent-work. But Lady Gaga is giving 110 percent all the time, swinging at every pitch, throwing lots of stuff against the wall to see what sticks — all the cliches for just absolutely diving into this thing whether it’s any good or not. I don’t know that the result is a great performance but she’s great to watch. The movie is significantly less interesting when she’s not on screen. I don’t think the story does a particularly great job of making Patrizia into a fleshed out human and not just a cartoon but I think Gaga’s performance does paint a more complex — or at least just compelling — character.

House of Gucci had me thinking about two TV shows. One is Succession, for the way I didn’t actually root for any of the characters. They all seem unlikable, dangerously selfish and the kind of people you’d just generally steer clear of (as portrayed in this movie, I know basically nothing about the real life Guccis). But that’s fine — the way this movie is built, I didn’t find myself needing a hero and got some good soap opera entertainment watching these screw-ups betray each other. If anything, this movie needed to lean in to the jerkishness of these characters more.

The other TV property is the Ryan Murphy-verse of American Crime Story — a series with reenactments of big public crimes and scandals (or Feud, with its focus on golden age of Hollywood gossip). I’ll admit, I’ve probably read more recaps of these shows than I have actually watched them but I found myself wondering why this project didn’t go that route. It would seem to have all the sudsy elements — business machinations, family betrayals, a rocky marriage — to sustain some six to eight episodes. Here, storylines feel like they are being truncated — Paolo and Aldo spend the last hour or more separated from the Patrizia/Maurizio action — even though the movie is more than two and a half hours long (and feels it).

I’m not sorry I watched House of Gucci, particularly for everything to do with Lady Gaga (her character’s so-of-the-times hair, her wonderful glamorous-tacky wardrobe). I kept waiting for the movie to really take off, really go for the moon with its general craziness, but it frequently felt bogged down. Lady Gaga and the trailer are a solid B+, everything is maybe generously a B-.

Rated R for language, some sexual content, and brief nudity and violence, according to the MPA on filmratings.com. Directed by Ridley Scott with a screenplay by Becky Johnston and Roberto Bentivegna (based on a book by Sara Gay Forden), House of Gucci is two hours and 38 minutes long and distributed in theaters by Metro-Goldwyn-Mayer Pictures.

Belfast (PG-13)

Belfast of 1969 is seen through the eyes of a young boy in Belfast, a semi-autobiographical story written and directed by Kenneth Branagh.

The opening scene is an encapsulation of Buddy’s (Jude Hill) life in 1969: he’s a young boy — young enough to be learning multiplication tables, old enough to have a crush on the girl who is often the head of the class — whom we meet playing knights with a homemade sword and a trash can lid as a shield. He’s called home by his mother (Caitríona Balfe), a call that is repeated down the street by neighbors and cousins and a slew of people that have known the family as long as any of them can remember. Heading home in the middle of this busy street full of friendly hellos, Buddy suddenly finds himself stuck between two quickly approaching gangs about to battle and riot. His mother rushes out to grab him, using his shield to protect them both from thrown rocks, and then pushes Buddy and his older brother Will (Lewis McAskie) under the table in their home as she crouches by the window watching the chaos outside. This neighborhood, as we learn, is a mix of Catholics and Protestants, and has lived peacefully, but now there are barricades, soldiers and a local gang that is pressuring Catholics to move out and Protestants (like Buddy’s family) to become active in their cause.

Buddy’s dad (Jamie Dornan) is eager to keep himself and his boys, particularly teen Will, out of all this and to try to exist in peace. But this task is harder because he is only home every other weekend, spending most of his time in England, where he works in construction. He sees no good future for the family in Belfast and wants them to move to England. Buddy’s mother, meanwhile, doesn’t want to leave everyone and everything she’s ever known and the community that she feels cares for and supports her boys.

We see all of this from a kid’s perspective, both figuratively (the attempts to talk to the girl he has a crush on are at least as important to Buddy as the social unrest) and literally, as many scenes show us the world (predominately in black and white) from Buddy’s height or peering-around-a-corner location. It works as a way to tell this story and helps to put us in Buddy’s situation — terrifying things are happening but this is also a rosy memory about childhood.

This also allows us to see Buddy’s story without always putting all the weight of a scene on child actor Jude Hill. The movie gives us a nice balance of Hill’s genuinely strong performance with the performances of the grownups around him, including his grandparents, played by Judi Dench and Ciarán Hinds. We get to see a slice of the prickly relationship between his parents, Dornan and Balfe, but we don’t know their whole story, in the way we seldom really know the story of our own parents’ relationship, particularly during our childhood.

I suppose I could quibble with some of the choices the movie makes with its use of black and white and occasional color (which appear when the family is watching a movie or live theater — a hint maybe that we’re seeing young Kenneth Branagh experience the world of acting), or its occasionally overwhelming, Van Morrison-heavy soundtrack. But these elements weren’t really flaws. This movie is fairly immaculately crafted, with the kind of compelling specificity that comes with someone telling their story. A

Rated PG-13 for some violence and strong language, according to the MPA on filmratings.com. Written and directed by Kenneth Branagh, Belfast is an hour and 38 minutes long and distributed by Focus Features in theaters.

FILM

Venues

AMC Londonderry
16 Orchard View Dr., Londonderry
amctheatres.com

Bank of NH Stage in Concord
16 S. Main St., Concord
225-1111, banknhstage.com

Capitol Center for the Arts
44 S. Main St., Concord
225-1111, ccanh.com

Cinemark Rockingham Park 12
15 Mall Road, Salem

Chunky’s Cinema Pub
707 Huse Road, Manchester; 151 Coliseum Ave., Nashua; 150 Bridge St., Pelham, chunkys.com

Dana Center
Saint Anselm College
100 Saint Anselm Dr., Manchester, anselm.edu

Fathom Events
Fathomevents.com

The Flying Monkey
39 Main St., Plymouth
536-2551, flyingmonkeynh.com

LaBelle Winery
345 Route 101, Amherst
672-9898, labellewinery.com

The Music Hall
28 Chestnut St., Portsmouth
436-2400, themusichall.org

O’neil Cinemas
24 Calef Hwy., Epping
679-3529, oneilcinemas.com

Red River Theatres
11 S. Main St., Concord
224-4600, redrivertheatres.org

Regal Fox Run Stadium 15
45 Gosling Road, Newington
regmovies.com

Rex Theatre
23 Amherst St., Manchester
668-5588, palacetheatre.org

The Strand
20 Third St., Dover
343-1899, thestranddover.com

Wilton Town Hall Theatre
40 Main St., Wilton
wiltontownhalltheatre.com, 654-3456

Shows

• House of Gucci (R, 2021) screening at Red River Theatres in Concord on Thursday, Dec. 2, and Thursday, Dec. 9, at 3:30 & 7 p.m. (vaccinated guests) as well as Friday, Dec. 3, through Sunday, Dec. 4, at noon, 3:30 and 7 p.m.

• Belfast (PG-13, 2021) screening at Red River Theatres in Concord on Thursday, Dec. 2, at 3:30 & 7 p.m. (vaccinated guests) as well as Friday, Dec. 3, through Sunday, Dec. 5, at 1, 4 & 7 p.m.

• 21+ “Christmas Vacation Ugly Sweater Party” will be held on Thursday, Dec. 2, at all Chunky’s locations. The event will start at 7 p.m. in Manchester and Pelham and 8 p.m. in Nashua. The PG-13 1989 movie will screen during the event, where people who wear ugly Christmas sweaters get extra prizes. Tickets cost $5.99. (Take notes — there will be a 21+ Christmas Vacation trivia night on Thursday, Dec. 16, at 7:30 p.m. in Manchester.)

• The Metropolitan Opera Live — Eurydice Saturday, Dec. 4, 12:55 p.m. at the Bank of NH Stage in Concord. Tickets cost $26.

• Gremlins (PG, 1984) will screen at Regal Fox Run on Saturday, Dec. 4, at 1 p.m. Tickets cost $5.

• National Theatre Live The Curious Incident of the Dog in the Night-Time A broadcast of a play from London’s National Theatre, screening at the Bank of NH Stage in Concord on Sunday, Dec. 5, at 12:30 p.m. Tickets cost $15 ($12 for students).

• Elf (PG, 2003) A family-friendly screening will happen Wednesday, Dec. 8, at all three Chunky’s locations — 6 p.m. in Manchester and 7 p.m. in Pelham and Nashua. On Thursday, Dec. 9, at 7 p.m. at all three locations there will be a 21+ Elf screening.

Featured photo: House of Gucci. Courtesy photo.