Summer scrapbook — 23/08/31

We recognize that summer, in the calendar sense, might not be over but Labor Day does feel like the conclusion of the summer vibe. So in this week’s paper we look at a few of the events that made this mild, sometimes sunny, frequently rainy, summer unique. On the cover and above, kids attending the Currier Museum of the Art’s Summer Block Party in July get their faces painted by young artists from Manchester Central High School. Photo by Morgan Karanasios courtesy the Currier Museum.

Also on the cover It’s a long weekend, make the most of it with live music at area restaurants. Find our Music This Week listing on page 32. Concord is trying to make downtown the place to be on the first Fridays of each month (see page 24). Find some mystery and some family fun at the UFO Festival in Exeter (page 18).

View entire selection throughout the years here

Summer scrapbook — 23/08/31

We recognize that summer, in the calendar sense, might not be over but Labor Day does feel like the conclusion of the summer vibe. So in this week’s paper we look at a few of the events that made this mild, sometimes sunny, frequently rainy, summer unique. On the cover and above, kids attending the Currier Museum of the Art’s Summer Block Party in July get their faces painted by young artists from Manchester Central High School. Photo by Morgan Karanasios courtesy the Currier Museum.

Also on the cover It’s a long weekend, make the most of it with live music at area restaurants. Find our Music This Week listing on page 32. Concord is trying to make downtown the place to be on the first Fridays of each month (see page 24). Find some mystery and some family fun at the UFO Festival in Exeter (page 18).

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Playing the dream

Brooks Young counts his wins ahead of Thorogood tour

Most people who meet their musical idols are grateful if they get a bit of face time and an autograph, but Brooks Young aims higher. Beginning with B.B. King, whom he met as a teenager, the fiery blues guitarist has shared the stage with a still-growing list of performers that includes Bryan Adams, Los Lobos, The Wallflowers and Huey Lewis & The News.

Last year he received a personal invitation from Sammy Hagar’s management and flew out to the Midwest to play solo for stadium-sized crowds ahead of the Red Rocker’s band The Circle, a supergroup that includes Jason Bonham and Van Halen’s Michael Anthony.

“It was quite a rush … very surreal,” Young said by phone recently. “You walk out there holding a piece of wood with six strings on it and 20,000 people in front of you, what are you going to do?”

Young’s success has come from a combination of talent and tenacity.

“Keep pushing forward and the things that you love in life will come to fruition,” he said. “That’s all I care about — just stick with things.” His latest triumph is a tour with George Thorogood & the Destroyers that begins Oct. 21 in Pennsylvania and winds its way through the South, ending Nov. 10 in Mobile, Alabama.

Thorogood was also part of the Hagar run, and the two connected during the brief tour.

“We just became friendly with each other,” Young said. “It spurred George to ask me to come out on tour this fall.” The nearest show is in New York, a four-hour drive from his home town of Concord, but fans will have an opportunity to catch a full Brooks Young Band show at Penuche’s Ale House on Sept. 1.

“I’m really excited about that,” Young said. “I’m going to be out there on the road, in a bunch of places that I don’t know, with a bunch of people I don’t know around me, and I want to leave home feeling good.” He’ll also play a few solo gigs before heading out, including one at Foster’s Tavern in Alton Bay on Sept. 15.

His Penuche’s full band set will feature material from Supply Chain Blues, a solo blues album released last October. It has a mix of originals, like the title track and “Working Man,” along with several tasty covers — Freddie King’s “Going Down,” Howlin’ Wolf’s “Forty-Four,” “Ventilator Blues” from the Stones’ Exile on Main Street, and Buddy Guy’s “Five Long Years,” the musical twin of Derek & the Dominoes’ cover of “Have You Ever Loved a Woman.”

He’s working on a follow-up to the record, which garnered a burst of attention when it came out. For a while, Supply Chain Blues was No. 1 on the iTunes blues charts, sitting atop Buddy Guy. “The day I woke up and saw that, I thought, ‘Oh my gosh,’” Young said. “I pinched myself and went, ‘I’m sorry, Buddy, it won’t be very long; maybe a week or two.’”

Now 41, Young is no less giddy than when he was starting out and meeting Ben Folds in the hall of a Manchester hotel elevator was a cool moment. These days there are bigger achievements, like recording Eric Clapton’s song “Promises” with his daughter Ruth and attending Clapton’s Boston Garden show courtesy of the legendary guitarist’s management.

“I’m so thankful that after all these years this guy from New Hampshire that’s not even close to all these other folks is part of that circle,” he said. “Guitar icons like B.B. King and Robert Cray and Jimmy Vaughn and Eric Clapton, playing with them, or going out and hanging out with them, was a dream of mine since I was a kid growing up in Concord, and I decided this is what I’m going to do. I’m going to stick with it until the day it doesn’t work; it still gets better every year.”

Brooks Young Band
When: Friday, Sept. 1, 8 p.m.
Where: Penuche’s Ale House, Bicentennial Square, Concord
More: brooksyoung.com

Featured photo: Brooks Young. Courtesy photo.

The Music Roundup 23/08/31

Local music news & events

Al fresco blues: A summer concert series ends with the Eric Lindberg Band, led by a singer, songwriter and multi-instrumentalist. He’s joined by Aaron Jones (kids’ music’s “Mister Aaron”) on bass and 13-year-old drumming phenom William Lindberg. The twilight show will be rich with down-home blues and Americana rock. Thursday, Aug. 31, 7 p.m., Butler Park, 17 W. Main St., Hillsborough. See facebook.com/ericlindbergofficial.

Down-home sound: Sip a glass of craft cider and enjoy Eyes of Age playing harmony-rich folk songs. Hancock duo David Young and Susan Lang are joined by bass player Rob Clemens for an after-work set that’s sure to have a few Grateful Dead tunes as well. Friday, Sept. 1, 5 p.m., Contoocook Cider Co., 656 Gould Hill Road, Contoocook. See facebook.com/eyesofage.

All day music: Dozens of regional acts play on multiple stages at the Keene Music Festival. It’s all about discovery, and a visit to the fest’s Facebook page is a good place to start. It includes quick profiles of many performers, like blues rockers Dragon Bone Jam, traditional Irish band O’Hanleigh, “eclectic funk addicts” Whalom Park and the boisterous, female-fronted metal group Vale End. Saturday, Sept. 2, 10:30 a.m., Downtown Keene. See facebook.com/KeeneMusicFestival.

Four-band show: Four area alternative rock bands gather for DankFest, as Area 23 prepares for a move from its current home in Concord’s Smokestack Center to an as-yet undisclosed location. The last day for live music is Sept. 30, with an afternoon Acoustic Circle and an evening performance by Professor Harp scheduled. DankFest is named for host band Dank Sinatra; also appearing are Wired for Sound, Buster and Kuusi Palaa. Saturday, Sept. 2, 8 p.m., Area 23, 254 N. State St., Unit H, Concord, thearea23.com.

Heavy times two: Nine bands, two stages and the admonition to “leave nothing left standing” mark Distressfest, a metallic knockout of a show. Appearing are No Bragging Rights, Mouth for War, Downswing, Your Spirit Dies, Ratblood, Cannabis Crypt, Fishface, Heavyweight and Iron Gate, the latter a Manchester act that formed when its singer asked online for anyone looking “to play heavy, ignorant music.” Sunday, Sept. 3, 6:30 p.m., Jewel Music Venue, 61 Canal St., Manchester, $20 and up at eventbrite.com.

You Are So Not Invited to My Bat Mitzvah (PG-13)

Two lifelong besties do the kind of brutal (psychological) violence to each other that only two middle school girls can do in You Are So Not Invited to My Bat Mitzvah, an Adam Sandler family production.

The girl having the titular bat mitzvah in her friend group’s season of bar and bat mitzvahs is Stacy Friedman, played by Sunny Sandler, the younger of Adam Sandler’s two real-life daughters. His older daughter Sadie plays Ronnie Friedman, Stacy’s older sister, and their genuine sibling chemistry — unwavering support while also threatening to murder each other — is one of many endearing elements of this comedy. Stacy and Lydia Rodriguez Katz (Samantha Lorraine) have long been best friends, planning their spectacular “today you are a woman” bat mitzvah parties for years. But then, as can happen in the seventh grade, there are shake-ups in friendships. Lydia becomes friendly with a group of popular girls. She doesn’t seem to think much of it but Stacy becomes both jealous and eager to get herself included, especially since those popular girls hang out with Andy Goldfarb (Dylan Hoffman), the boy who makes the world go slow-mo for Stacy.

At first Stacy and Lydia seem to fit in, but then Stacy has a menstrual product mishap in front of the whole popular-girls-and-cute-boy crowd that Lydia seems to join the populars in laughing at. Horrified, Stacy declares her love for Andy dead — but not so dead that she doesn’t become enraged when she sees Lydia kissing him later. Thus does Stacy shout to Lydia the movie’s title: “You are so not invited to my bat mitzvah.” This seeming break in their friendship does not, however, lead to an end of hostilities between Lydia and Stacy, with Stacy eventually (accidentally) burning it all down over her hurt at what she sees as Lydia’s betrayal.

Adam Sandler plays the Friedman girls’ father, Danny, with his Uncut Gems wife Idina Menzel playing Bree, Danny’s wife and the girls’ mother. Rounding out the Sandler family on screen is Adam Sandler’s real-life wife, Jackie Sandler, who plays Lydia’s mother, Gabi, in the midst of a divorce from Lydia’s father, Eli (Luis Guzmán). With fun small roles — Sarah Sherman as Rabbi Rebecca and Ido Mosseri as DJ Schmuley, the must-have party DJ — the movie has an overall chummy feel. Lots of good-natured yuks and a general sense of good will toward all. Which is sort of your standard Adam Sandler Netflix fare, except for the young-teen-girl on young-teen-girl angst and destruction and love and loyalty. Those elements have some surprising sharp edges that can take you right back to the lunch room and the kids who are too cool and the close friends with whom there’s been a falling out. And even though the movie knows we know how not a big deal in the scheme of one’s whole life the slights and upsets that torment Stacy are — and how ridiculous her response is — the movie doesn’t belittle the bigness of these kids’ emotions.

You Are So Not Invited to My Bat Mitzvah is a charmer of a gentle growing-up comedy with just enough “thank God I’ll never be 13 again” tartness to give it some genuine emotional moments. B+

Rated PG-13 for some crude/suggestive material, strong language and brief teen drinking, according to the MPA on filmratings.com. Directed by Sammi Cohen with a screenplay by Alison Peck and Fiona Rosenbloom, You Are So Not Invited to My Bat Mitzvah is an hour and 43 minutes long and is streaming on Netflix.

Featured photo: You Are So Not Invited to My Bat Mitzvah (PG-13)

Slow AF Run Club, by Martinus Evans

Slow AF Run Club, by Martinus Evans (Avery, 239 pages)

Desir must not get to the library much, because there’s actually no shortage of books in this genre, from 2007’s elegant Strides by Benjamin Cheever (John Cheever’s son) to A Beautiful Work in Progress by Mirna Valeria, published in 2017.

But Evans does bring something new to the table, which is a willingness to use the F-word frequently (very popular in publishing these days), and also, he has run eight marathons (including Boston) as a 300-plus-pound athlete, a truly admirable feat. His book promises to be “the ultimate guide for anyone who wants to run,” and by “running” he doesn’t set the bar too high.

Apparently Merriam-Webster defines running as “to go faster than a walk.” So, “As long as your legs are moving faster than when you are walking, then you are running,” Evans says. He believes that the biggest thing keeping people from running is not the physical work of exercise but the mental roadblocks. So he spends the first part of the book offering a sort of runner therapy, with mantras such as “Not everything you think is true, and not everything you feel is real” and “The body you have today is the body that you have today.” He’s also a fan of affirmations, such as “You can do hard things” and “I love hills!!!”

Admittedly, it’s cheesy sometimes. But Evans does offer some more serious self-coaching advice. For example: Delusional self-belief, he says, is what inventors have until they invent something that no one believed possible. At one point, no one thought a four-minute mile possible, or a marathon under two hours. And when Evans weighed 360 pounds and was told by a condescending doctor “lose weight or die,” he had delusional self-belief when he announced he would run a marathon and bought running shoes later that day.

As Evans makes clear, the physical challenges of running a marathon at his size are subordinate to the psychological ones. In one story, he talks about being harassed by a van driver who is on the course to pick up people who can’t keep running. It was his first marathon, in Detroit. Although Evans repeatedly says he is fine to continue, the driver keeps coming back to him, urging him to get in the van and quit, saying things like, “Hey, big man, you’re starting to slow down. Hop in, I’ll take you to the finish line” and “I’m just doing my job, I can’t help it that you’re fat and slow.”

The driver continued badgering him until Evans was less than a mile from the finish line, which rightly infuriated him. What’s worse is that it almost worked — at one point, Evans hobbled to the van and almost got in before realizing that he could push past the pain and keep going. He did finish, and wrote of the moment, “I felt like I could literally do anything. I’ll never forget that moment, and everything that had come before it, not for as long as I live.”

With stories like this, it’s understandable that Evans feels the need to curse, a lot. And he is a reliable narrator when it comes to the difficulties of running while fat (his choice of word) and he gives decent advice on practical things such as how to deal with chafing, what to wear, what to carry on a long run, how to stretch, and so forth. He also has a rather heartbreaking chapter on “Running While Black,” in which he wrote, “The murder of twenty-five-year-old runner Ahmaud Arbery in 2020 damn near broke me. I almost hung up my running shoes for good because of it.”

But much more of his experience has been positive. In fact, scared as he was to run his first 5K in Cromwell, Connecticut — “a fat Black man wearing a bright orange shirt and shoes … getting ready to run a race in a sea of fit white people” — it turned out great, and he wants everyone to do it.

“Running,” Evans writes, “is a struggle of the mind.” That’s true for thin runners as well as overweight ones. But large runners do face an obstacle that thin runners don’t — judgment — judgment of ourselves, and the judgment of people who see us out on the road. In the face of this struggle, mindset is everything, he says. “Because let’s face it, people be judgin’. Haters are going to hate. There’s always going to be someone telling you to get on the bus.”

That’s a great line, and there are plenty in this book, but it is folksy to a fault, unfortunately. The expletive works in the title and in the running club he founded, but the constant repetition in the book becomes tiresome, as do some of the self-help exercises. (“Write down a habit that you would like to create a ritual for.”)

But I’ve been running for 30 years and am somewhat cantankerous, so maybe that’s great advice for others. Evans is an inspirational runner who has built a strong online community; he has 94,000 followers on Instagram, where he goes by “300poundsandrunning.” He’s a terrific role model for anyone, regardless of age or weight. B-