Author: Amy Diaz

Amy Diaz is the executive editor and writes about movies and compiles the Kiddie Pool column. Reach her at adiaz@hippopress.com.

At the Sofaplex 21/03/04

Tom & Jerry (PG)

Chloë Grace Moretz, Michael Peña.

Cartoon cat Tom and mouse Jerry (along with other animated animals) inhabit live-action New York City in this movie that is pretty solid on the special effects but pretty shaky everywhere else.

The human story centers around Kayla (Moretz), a girl who talks her way into a temporary job at the ultra-fancy Royal Gate Hotel. She’s meant to help with the upcoming nuptials of famous couple Ben (Colin Jost) and Preeta (Pallavi Sharda). Hotel head Mr. Dubros (Rob Delaney) has faith in Kayla and her fabricated prior event experience but event manager Terence (Peña) is suspicious. When the appearance of a mouse threatens the event, Kayla attempts to fight infestation the old-fashioned way — with a cat. Tom is happy to help, as Jerry interrupted his keyboard busking. Terence highly doubts that this will work, especially as the cat and mouse duo cause destruction everywhere they go.

The Common Sense Media headline on this movie warned me that it was on the violent side so I didn’t watch it with my kids, who are otherwise right in what is probably this movie’s demo. And I’m glad I didn’t; convincing young humans that they can’t do cartoony foolishness is a significant part of my day and the way the movie puts animated characters in a live action setting makes those head-smacks and electrocutions feel real (but without the consequences of real-world physics). That factor plus the scenes that are heavy on adult humans and their boring problems make me wonder who this is for; do enough 7-to-10-year-olds want Tom & Jerry content that comes with Kayla’s Gen Z-er starting out issues?

Which is all too bad because this movie does have a nicely quirky sense of humor at times — it makes some cute jokes about Tom & Jerry’s lack of human-comprehensible verbal communication, possession of business cards and showbiz abilities. Near the end Rob Delaney calls them “Thomas and Jerome,” which is a solid understated bit of business. And the animation really worked for me; their cartoon antics have some visual cleverness. The blend of old-fashioned illustration-style Tom & Jerry with the live-action world was visually appealing, especially as the wedding got crazier and more exotic animals showed up at the hotel.

Tom & Jerry feels like it’s halfway to a family-fun reboot of old characters but the movie is just out of balance enough to make it feel longer, flatter and more worrisome in the “please don’t try to electrocute your brother like the cat”-sense than I want from my family entertainment. C+ In theaters and on HBO Max until late March.

The United States vs. Billie Holiday (R)

Andra Day, Trevante Rhodes.

Golden Globe winner Day gives a standout performance as Billie Holiday is this jumble of a movie about the singer’s legal troubles and the government’s attempts to discredit her due to the power and popularity of her song “Strange Fruit.” The story jumps around from 1947 to 1959 as Holiday struggles with heroin addiction. The Federal Bureau of Narcotics pursues her mercilessly, claiming to be trying to build a case against her to get her to turn in her suppliers. But early on we see Harry Anslinger (Garrett Hedlund), the Bureau’s leader and a malevolent cartoon villain, tell a room full of senators (and Roy Cohn) that “This jazz music is the devil’s work” and silencing Holiday will keep a lid on the civil rights movement. African American federal agent Jimmy Fletcher (Rhodes) is tasked by Anslinger with helping to bring Holiday down, an assignment he comes to have mixed feelings about.

This movie is very tell, not show — leaning on our previous knowledge of government wrongdoing and 20th century history. The movie states things — like that “Strange Fruit” is important to the civil rights movement and is “making people think” — but it doesn’t really demonstrate what this means or explain its effect on the culture of the 1940s and 1950s. The movie doesn’t really even do a good job of explaining the wider cultural relevance of Holiday and her career.

However. In the middle of a tornado of questionable movie-making choices is Andra Day and her Billie Holiday. She is able show the strength, vulnerability, weakness, brilliance and righteous anger of Holiday all at once and make her seem real, even when she is frequently wading through some business that feels 1980s-TV-biopic-y. It’s a top-notch performance that really deserved a better movie. B (a B+ maybe A- for Day’s performance; everything else is solidly in C territory). Available on Hulu.

Minari (PG-13)

Minari (PG-13)

A Korean-American family seeks a path to financial security in rural Arkansas in Minari, an excellent family drama.

While the movie feels like it is telling this story from the point of view of David (Alan Kim), the elementary school-aged youngest child of the Yee family, we get a good glimpse at the inner lives of all the family members. Mom Monica (Yeri Han) is horrified when her husband, Jacob (Steven Yeun), pulls up to the family’s new plot and presents her with a rickety-looking trailer sitting in a field. They have moved from urban California to very rural Arkansas in what seems like the early 1980s to chase Jacob’s dream of having a farm. Specifically, he plans to grow Korean vegetables and sell them to businesses in Korean communities in regional cities, like Houston or Oklahoma City. We get the sense that Jacob (who, like Monica, has immigrated from Korea; the kids seem to have been born in the U.S.) has some experience with farming but not nearly enough experience with convincing Monica of his plan. To pay the bills while he starts his farm, the couple works, as Jacob complains at one point, staring at chicken butts all day — that is, they sort the male and female chicks. David and older sister Anne (Noel Kate Cho) seem to adapt to this new environment, amusing themselves by poking around the family’s land or watching TV while drinking Mountain Dew.

When Monica’s not worrying about their financial precariousness, she is worrying about David, who has a heart murmur and has been told not to run or do the strenuous kid stuff he naturally wants to do. Their new home is an hour away from the nearest hospital, a fact that adds to Monica’s worries.

When the threat of a tornado nearly breaks the wound-tight Monica, Jacob tries to placate her by telling her to bring her mother to live with them. Monica seems embarrassed to have her mother see her family’s circumstances but Grandma, Soon-ja (Yuh-Jung Youn), treats the whole situation as kind of a hoot, teaching David to play a Korean card game and swear in Korean, watching American wrestling and planting minari in the wild near a pond on the property.

This is such a relatable family and such a relatable story — the dad who needs to succeed beyond his nine-to-five, the mom who feels the weight of her kids’ safety and well-being, the kids torn between their American culture and their parents’ culture, the fish-out-of-water can-we-make-the-best-of-it-or-will-this-break-us scenario. I felt like I knew these characters very quickly and could see all the perspectives and life experience that went into their reactions and decisions. Monica and Jacob have several fights where you can see both sides and can empathize deeply with both of them. Han and Yeun do absolutely excellent work to show us everything about what their characters are thinking or fearing with just a look or a small gesture. The surrounding actors do good work too — Kim is so believable as David, with the exact right amount of kid fear, kid adaptability and kid mischievousness. Youn as the grandmother is also fantastic — you’re not a real grandma, David complains, which Soon-ja gleefully takes as a compliment.

The movie is also shot beautifully — you can see why Monica is aghast that this creaky trailer is the family’s new home but the movie also shows us the home and land in the same light Jacob sees it, his garden of Eden he says, only half joking, at one point.

Minari isn’t just another awards-season movie that deserves its praise; it’s a standout movie that completely immerses you in a family’s life. A+

Rated PG-13 for some thematic elements and a rude gesture, according to the MPA on filmratings.com. Written and directed by Lee Issac Chung, Minari is an hour and 55 minutes long and distributed by A24. It is available for rent.

Featured photo: Minari

Kiddie Pool 21/03/04

Family fun for the weekend

Scientific discoveries

After being closed for renovations for a couple months, the McAuliffe-Shepard Discovery Center (2 Institute Drive, Concord) is reopening on March 5, with hours on Fridays, Saturdays and Sundays from 10:30 a.m. to 4 p.m. Occupancy limits have been set for popular exhibits and planetarium shows, and stringent Covid-19 cleaning and safety procedures will be in effect as the museum reopens. This Friday the discovery center will also hold its virtual Super Stellar Friday program at 7 p.m.; this month’s topic is “Mystery & Majesty of Saturn’s Rings.” The event is free, but registration is required at starhop.com.

Walk on the wild side

Squam Lakes Natural Science Center (23 Science Center Road, Holderness) hosts several Wild Winter Walks this month, starting Saturday, March 6, and Sunday, March 7, with sessions from 10 to 11:30 a.m. or 1 to 2:30 p.m. The program is for adults and families with children ages 6 and up. A staff naturalist will lead a guided walk on the live animal exhibit trail and will talk about how these native animals adapt for winter in New Hampshire. Snowshoes are available at no extra cost, if needed, or participants can bring their own. The cost is $10 per person. Pre-registration is required for all programs at nhnature.org or by calling 968-7194. Other upcoming Wild Winter Walks are scheduled for Saturday, March 13, and Saturday, March 20 (sess

At the Sofaplex 21/02/25

I Care A Lot (R)

Rosamund Pike, Peter Dinklage.

This recent Netflix release feels like half of a good idea: Perfectly coiffed, razor-sharply attired Marla Grayson (Pike) steals the assets of old people, legally, by getting them declared incapable of taking care of themselves and getting herself named as their guardian. She has a network of people wittingly (and maybe a few unwittingly) helping her get them locked into care facilities and incapable of reaching family or legal representation. Marla liquidates their assets “to pay for their care” — and for her own guardianship services, of course — until they slowly waste away. She is slick and insincere and basically evil and I never once rooted for her.

The possibility of comeuppance is introduced when Marla commits Jennifer Peterson (Dianne Wiest), a woman who appears to be quite wealthy but without family. Messing with Jennifer, who turns out to have shadowy “friends,” is a mistake, several people try to tell Marla, and that’s before a murderous Peter Dinklage character gets involved.

Of all the characters here, I guess I rooted for Wiest, who is sidelined for way too much of the movie, and maybe for Dinklage, who is one of those “always fun” actors for me but also didn’t feel like he was given the best material. This movie has a strong cast (including some nice work by Alicia Witt and Chris Messina). It sets itself up as a comedy, maybe, or at least a darkly comic drama about villain versus villain, but I felt like some of that went off the rails in the movie’s second half and maybe wanted us to see Marla as one of those peak TV anti-heroes that have moral layers (maybe just let the villain be a villain?). But Marla to me always felt like a flatter version of Pike’s Gone Girl character without the wit or the relatable rage. The movie feels like it wants to make a statement about Capitalism or The System or something but by the time we get to the big climax I found that I didn’t really care much at all. C+ Available on Netflix

Supernova (R)

Stanley Tucci, Colin Firth.

Tusker (Tucci), an American writer, and Sam (Firth), a British pianist, are a longtime couple who hit the road in an RV through the countryside in England, where they have lived for decades. We can tell by the way Sam gazes adoringly at Tusker that all their complaints about each other’s driving and navigation is the banter of a couple deeply in love. And, even before it is openly stated, it’s clear that there is an underlying current of grief to this trip. Tusker has a degenerative disease, one that is affecting his memory and abilities to write (and maybe read) as well as his physical abilities. He is getting worse and there is a bit of a “last hurrah” tone to the trip from the beginning, with the couple visiting a favorite camping spot and then Sam’s family home for a big get-together.

Exactly how Tusker and Sam are individually coping with Tusker’s illness and how they plan to handle it as time goes on is the topic they keep returning to throughout the trip but it’s one that both of them are not quite ready to deal with directly, at least to each other. Their relationship is the center of this movie and the performances of Tucci and Firth are what make this lovely, gentle movie worth watching. Both actors fill in all the corners of these characters, we can see the layers of emotion, we can see all the things they’re saying to each other even when they’re chatting about something meaningless. It’s all such good work that it carries you through this bittersweet story. A- Available for rent or purchase.

Nomadland (R) | The Map of Tiny Perfect Things (PG-13)

Nomadland (R)

Frances McDormand gives one of the year’s great performances in Nomadland, a movie based on the non-fiction book by Jessica Brueder.

The two most common scenes in this movie are McDormand’s Fern talking to people in what feel like actual conversations people are just having with McDormand herself, and Fern by herself enjoying the beauties and working through the difficulties of life as a nomad. Fern became a nomad — specifically, a nomad who lives in a van and travels from one seasonal job (Amazon warehouse) to another (a harvest) — after, basically, losing everything. Her beloved husband died after a painful illness and her town essentially died when the factory employer closed and kicked the workers out of the company housing.

Shorn of everything — her possessions are in a storage locker, she even cut her hair we’re told — Fern packs up a few of her most precious things and heads out. First, she stays at an Amazon-paid-for RV lot while she works packing things at some massive distribution center. Later, we see her follow new friend Linda May to a job as a park host at another RV/campground near a national park. Fellow nomad Dave (David Strathairn, one of the few other people not essentially playing themselves here) is a worker at the park and helps hook Fern up with a job at Wall Drug (a tourist attraction in South Dakota). Dave takes a shine to Fern; she maybe likes him too. They’re both awkward as heck in their flirting but we also get the sense that Dave is an attachment Fern is not ready for.

According to posts on the Nomadland Twitter account, several of the people McDormand’s Fern meets along the way — including Swankie, Linda May and Bob Wells — are essentially playing themselves and had their stories told in the book. I think this approach helps to ground this movie and keep the story focused on Fern and her life, rather than letting it spin off into thinkpiece territory. Fern is working through grief and dealing with a life turning point when we first meet her and that makes her story (and all the socio-economic aspects to it) all the much more layered and meaningful.

I realize that projecting soul-deep authenticity is sort of a baseline of any McDormand performance but she really does knock it out of the park here. I cared about Fern, and the movie makes us understand why she makes the choices she does and empathize with them.

And on top of this, the movie is beautiful — beautiful to look at (so many shots of the western and midwestern country) and beautiful to listen to, with a really excellent score. Definitely add Nomadland to your awards season must-watch list. A

Rated R for some full nudity, according to the MPA on filmratings.com. Directed by Chloe Zhao with a screenplay by Zhao (from the book Nomadland: Surviving America in the Twenty-First Century by Jessica Bruder), Nomadland is an hour and 48 minutes long, is distributed by Searchlight Pictures and is in some theaters and available via Hulu.

The Map of Tiny Perfect Things (PG-13)

Two teens are stuck in one of those Groundhog Day/Edge of Tomorrow-time loops in The Map of Tiny Perfect Things.

We enter in the middle of Mark’s (Kyle Allen) time-loop experience. He knows all the beats of this one day he’s been living over and over. Currently, he is using his knowledge of when and where everything happens, down to the second and the milimeter, to get the attention of a specific girl who always falls into the water at the neighborhood pool after getting hit by a beach ball. That is, she falls in if Mark isn’t there to catch her (and sometimes if he is; playing it cool takes a lot of do-overs).

But one day, instead of Mark catching the girl after the ball hits her, another girl walks by and swats the ball away. This new girl’s sudden appearance and the way she looks at and runs away from Mark makes him pretty sure that she, too, is in the loop. After a few “days” of looking, Mark finds and meets Margaret (Kathryn Newton). They are, as she says, marooned on this island together, so they hang out and become friends, even creating a project to map all of the little awesome moments (a guy getting pushed out of the way of bird poop, an eagle grabbing a fish, a girl showing up all the lesser skaters at a local skateboard hangout) that happen during their one day. But every evening Margaret mysteriously leaves him, and Mark isn’t sure how to turn these regular hangouts into something more. Or how to even have something more when he can never move forward.

Unlike other timey-wimey movies, Mark actually has a good group of people around him that he can lean on. We see him interact with his dad (Josh Hamilton), his sister (Cleo Fraser) and his best friend (Jermaine Harris), who don’t know about the “one day over and over” thing but are still able to help him work through some things. It’s all very sweet and allows the movie to examine the regular teen clash of emotions of wanting to grow up and also not being ready to move on. Newton in particular stands out as being a solid up-and-comer; I liked her in the recent Freaky and this movie similarly shows her skill with blending drama and humor, silliness and genuine emotion. B+

Rated PG-13 for brief strong language, some teen drinking and sexual references, according to the MPA on filmratings.com. Directed by Ian Samuels from a screenplay by Lev Grossman, The Map of Tiny Perfect Things is an hour and 38 minutes long and is distributed by Amazon, where it is available on Amazon Prime.

Featured photo: Nomadland

Kiddie Pool 21/02/25

Family fun for the weekend

Bounce and climb
Cowabunga’s (725 Huse Road, Manchester, 935-9659, cowabungas.com) has extended hours for February vacation week, with public play times this Thursday, Feb. 25, and Friday, Feb. 26, from noon to 6 p.m., Saturday, Feb. 27, from 10 a.m. to 7 p.m., and Sunday, Feb. 28, from 10 a.m. to 6 p.m. Tickets must be ordered ahead of time online. The cost is $12 per hour per child, or two hours for $15, or for $19.99 get three hours of bounce time and a kids meal.
Nuthin’ but Good Times (746 Daniel Webster Hwy., Merrimack, 429-2200, nuthinbutgoodtimes.com) is also open for the remainder of vacation week, on Thursday and Friday from 9:30 a.m. to 5 p.m. and Saturday and Sunday from 10 a.m. to 5 p.m. Climbing is open to the public during those hours, and there is no time limit. Admission is free for infants, $2.50 for crawlers, $6 for ages 3 and under, $9.50 for ages 4 through 17, and $2.50 for ages 18+.

Try tubing
Let the kids get out some energy outside. For the rest of the vacation week, Pats Peak (686 Flanders Road, Henniker, 428-3245) is open for tubing from 9 a.m. to 9 p.m. The cost is $24 for a two-hour session, and advance online reservations are required. Only Pats Peak tubes are allowed and they are included in the cost. Children must be at least 5 years old and at least 44 inches tall. Visit patspeak.com to make a reservation.
McIntyre Ski Area (50 Chalet Ct., Manchester, 622-6159, mcintyreskiarea.com) also offers tubing, though reservations are not accepted. Tickets must be purchased at the ticket window, and it is first come, first served. Tickets are $23 for a two-hour session. For vacation week, hours are 11 a.m. to 9 p.m. Thursday through Saturday and 11:30 a.m. to 5:30 p.m. on Sunday, with sessions broken into two-hour time slots. According to the McIntyre website, tickets go on sale 30 minutes prior to each session, but it is recommended that you arrive an hour to an hour and a half prior to the session to get in line for tickets.

Virtual homeschool
On Thursday, March 4, from 10 to 10:45 a.m. the Squam Lakes Natural Science Center (Holderness, 968-7194, nhnature.org) will host its monthly virtual homeschool series for ages 4 to 10. On the first Thursday of each month, participants are introduced to a seasonal topic and are provided with an outdoor investigation to complete at home. The following Thursday, students share their observations and discoveries and “meet” a live animal that connects to the topic. Virtual sessions are held via Zoom, and adults are expected to participate with their kids. The cost is $11 per child per month, or $22 per family per month. Register online or by calling.

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