I Care A Lot (R)
Rosamund Pike, Peter Dinklage.
This recent Netflix release feels like half of a good idea: Perfectly coiffed, razor-sharply attired Marla Grayson (Pike) steals the assets of old people, legally, by getting them declared incapable of taking care of themselves and getting herself named as their guardian. She has a network of people wittingly (and maybe a few unwittingly) helping her get them locked into care facilities and incapable of reaching family or legal representation. Marla liquidates their assets “to pay for their care” — and for her own guardianship services, of course — until they slowly waste away. She is slick and insincere and basically evil and I never once rooted for her.
The possibility of comeuppance is introduced when Marla commits Jennifer Peterson (Dianne Wiest), a woman who appears to be quite wealthy but without family. Messing with Jennifer, who turns out to have shadowy “friends,” is a mistake, several people try to tell Marla, and that’s before a murderous Peter Dinklage character gets involved.
Of all the characters here, I guess I rooted for Wiest, who is sidelined for way too much of the movie, and maybe for Dinklage, who is one of those “always fun” actors for me but also didn’t feel like he was given the best material. This movie has a strong cast (including some nice work by Alicia Witt and Chris Messina). It sets itself up as a comedy, maybe, or at least a darkly comic drama about villain versus villain, but I felt like some of that went off the rails in the movie’s second half and maybe wanted us to see Marla as one of those peak TV anti-heroes that have moral layers (maybe just let the villain be a villain?). But Marla to me always felt like a flatter version of Pike’s Gone Girl character without the wit or the relatable rage. The movie feels like it wants to make a statement about Capitalism or The System or something but by the time we get to the big climax I found that I didn’t really care much at all. C+ Available on Netflix
Supernova (R)
Stanley Tucci, Colin Firth.
Tusker (Tucci), an American writer, and Sam (Firth), a British pianist, are a longtime couple who hit the road in an RV through the countryside in England, where they have lived for decades. We can tell by the way Sam gazes adoringly at Tusker that all their complaints about each other’s driving and navigation is the banter of a couple deeply in love. And, even before it is openly stated, it’s clear that there is an underlying current of grief to this trip. Tusker has a degenerative disease, one that is affecting his memory and abilities to write (and maybe read) as well as his physical abilities. He is getting worse and there is a bit of a “last hurrah” tone to the trip from the beginning, with the couple visiting a favorite camping spot and then Sam’s family home for a big get-together.
Exactly how Tusker and Sam are individually coping with Tusker’s illness and how they plan to handle it as time goes on is the topic they keep returning to throughout the trip but it’s one that both of them are not quite ready to deal with directly, at least to each other. Their relationship is the center of this movie and the performances of Tucci and Firth are what make this lovely, gentle movie worth watching. Both actors fill in all the corners of these characters, we can see the layers of emotion, we can see all the things they’re saying to each other even when they’re chatting about something meaningless. It’s all such good work that it carries you through this bittersweet story. A- Available for rent or purchase.
