Are we blowing this?

I’m genuinely afraid for the future of my/our country. We seem to have gotten to a point where it feels nearly impossible to talk to one another. There are some smart folks who are comparing the atmosphere in this country to just before the Civil War. Is it possible that, in our lifetime, maybe even within a generation or two, we will start to see the breakup of America? One of the primary areas of our inability to communicate is around the issue of race. This breaks my heart.

It’s not hard to understand how minorities can get upset at inequities, whether real or perceived. But, it’s also not hard to understand how whites can get upset when the term “racist” is often used, seemingly, at the drop of a hat.

I believe that most Americans are not racists and that the vast majority of our fellow citizens buy into the “all men are created equal” notion that our country is built on. That said, I also believe that, pardon the analogy, it’s not all black and white where you’re either a racist or you’re not. In my opinion, there is a lot of gray. In fact, I believe that the majority of us, regardless of our race, fall into that gray area.

While I believe that most would view my personal history as non-racist, only I know what is in my heart. I regularly try to measure my unconscious bias and admit that I have some. While I have never felt proud of being white, I continued to feel proud of my Italian heritage. Is that OK in your eyes? Or, is that somehow problematic? How do you measure your unconscious bias?

Too often, I have heard Democrats refer to Republicans as racists. I’m sure that there are Republicans who are racists, but I believe that most Republicans also fit into that gray area. To lump them together in this highly negative way is not only hurtful but ensures the furthering of our divisions and our inability to talk to one another. This is dangerous! We have to find a way to talk to one another in a manner that will ensure everyone stays at the discussion table. If we can’t, I fear for the future of our democracy.

I believe that the majority of us believe that America is the greatest country in the history of the world. Is it possible that we could blow this?

Fred Bramante is a past chairman and member of the New Hampshire State Board of Education. He speaks and consults on education redesign to regional, state and national organizations.

The NH Mixtape

27 PERFORMERS AND BANDS TALK ABOUT THE LOCAL SCENE, FELLOW MUSICIANS AND THE UPCOMING NEW ENGLAND MUSIC AWARDS

When the annual New England Music Awards ceremony takes place on Sunday, Oct. 17, New Hampshire will be well-represented, with a slate of dozens of nominees. The Hippo reached out to many of them, and 27 responded, sharing their thoughts on their nominations and what it’s like to be part of the local music scene.

New Hampshire’s Soundtrack

Michael Witthaus built a Spotify playlist highlighting the artists here. Find it by searching for him or “New England Music Awards 2021 — Representing New Hampshire” on Spotify. As Dead Harrison put it when asked about favorites among this year’s nominees: “There are so many excellent people here. Carissa Johnson, Liz Bills, Hunter, Jennifer Tefft, Major Moment, Mindset X, SixteenX20, Sepsiss, Walter Sickert … all of them are great…. Even still, there are so many nominees that I haven’t even discovered yet. You all need to go get some wholesome music into your earholes.”

Amanda McCarthy

Female Performer of the Year

On being nominated: Grateful … but also a little surprised, since I now reside primarily in Nashville. However, I do strive to remain active in New England and perform regularly when I visit home, so I was really happy to see that be recognized. The first time I was nominated, in 2019, I’d had zero expectations and I was truly shocked.

On NEMA’s importance: Awards are a funny thing in music. I don’t think they are or should be the end-all-be-all of what any musician does. That being said, it always feels good to be recognized and these nominations/wins definitely make a resume look better, which helps with bookings and getting bigger opportunities.

On her category: I haven’t really released new music since the last awards cycle, but I have continued to perform music for a living despite the Covid challenges, so I think it was actually the perfect category this time around.

On being a New England musician: It’s very easy to travel to different areas and make the rounds… There’s opportunity [to play] original music, but also work the covers scene for money. While I do feel Nashville is the place for me to be at this time as a songwriter, I fully credit New England for allowing the chances to develop my career … and I always look forward to coming back.

Upcoming shows: In New England on Saturday, Oct. 16, and Monday, Oct. 18, locations TBA

Bitter Pill

Live Act of the Year, Best in State

On being nominated: [The band, led by father-daughter duo Billy and Emily Butler, answered together via email] Billy said, H, look at that,’ sipped his coffee and pulled on a spliff, while Emily said, “Weeeeee!”

On NEMA’s importance: Awards are not important to us but we do love the community aspect of it. Celebrating original music from our region is something we feel is very important.

On their category: We were nominated for Best Live Act and Best of New Hampshire. That’s pretty cool. We love playing live and our audiences eat up our silliness, fun and love.

On being New England musicians: New England audiences love live original music. Also there is something in the air here in the North Country, especially the original music. Maybe it’s the four seasons or the deeply rooted working-class journeyman history. It’s one of the reasons we call ourselves Bitter Pill. It is hard living in the winter but when spring comes, that pill isn’t so hard to swallow.

Upcoming shows: Claremont Opera House, Saturday, Oct. 23

Charlie Chronopoulos

Album of the Year – Chesty Rollins’ Dead End

On being nominated: I’m honored. There are a lot of really awesome people making albums around here, so to be included in that conversation is a wonderful thing.

On NEMA’s importance:I’ve followed the awards over the years often voting for friends. I’ve found some really great music after looking into some of the other nominees I didn’t know. It’s a really great thing they’re doing in the community even just helping artists find one another.

On his category: Album of the year is my favorite category. It’s what I’m most interested in, so I’m glad to be there.

On being a New England musician: It has many upsides. You can afford studio space if you’re willing to look around off the beaten path. You can make friends for life in sleepy towns who don’t move away like friends in the city tend to. You can find a swimming hole on the way to a gig. Stuff like that makes it worth leaning into this community for sure.

Upcoming shows: Currier Museum of Art, Thursday, Oct. 28

“He’s the real deal. Definitely lived and done the thing and his writing really reflects that.”

Charlie Chronopoulos on Tyler Allgood

Dakota Smart

New Act of the Year and Best in State

On being nominated: When I found out, I felt humbled and in disbelief. I realize there’s a lot of talented artists in New England, and it’s an honor to be on a list with them. My first response was to thank the New England Music Awards, and to congratulate fellow musicians and producers who were also nominated. Then I encouraged my family, friends and fans to vote.

On NEMA’s importance: They are a huge deal to me. I live and breathe to write music and perform. I’ve been writing songs since I was 10 years old. My life’s passion is to produce music that has a positive impact and is enjoyed by people of all ages … to win would really help to spotlight my work, and provide an outlet for my music to be heard.

On his category: The two categories fit my level of work to date. Although I’ve been performing for years, this year I launched. My newest 12-song professional album is the best I’ve ever written, and I’m the most confident on stage I’ve ever been. … I feel this is the year that my career really has a chance to take off.

On being a New England musician: The music scene in New England is very supportive. It’s a small community that’s very inclusive of artists from various backgrounds and styles. Also, the venues are very open to live music, and that keeps us working.

“I’ve had the opportunity to collaborate with him in the past. He’s extremely talented, has a unique style, and is a pleasure to work with.”

Dakota Smart on Senie Hunt

David Corson

Best in State

On being nominated: My first response was actually shock. … I was scrolling through the nominees trying to see which bands I knew personally had been nominated and randomly saw my name. I was ecstatic, because I have been working really hard at this for a long time.

On NEMA’s importance: The awards are extremely important to every musician in this area because it gives us validation that all of our grinding has amounted to something. It also helps us get more gigs, because it looks great on our resume.

On his category: I have been playing music in New Hampshire and the surrounding area since I was 18, so being nominated for best in the state feels so good; almost 10 years of work is finally paying off.

On being a New England musician: I would say the best thing about being a New England musician is the community that I’m surrounded by. The musicians and the audiences create an atmosphere of acceptance and appreciation of all types of music.

Upcoming shows: Cara Irish Pub in Dover on Friday, Oct. 1; Dwyer’s Pub in Portsmouth on Wednesdays in October; Tailgate Tavern in Stratham on Friday, Oct. 8; Shane’s Backyard in Hampton on Friday, Oct. 15; Sawbelly Brewing in Exeter on Saturday, Oct. 16

Dead Harrison

Best in State

On being nominated: Our first nomination in 2019 … struck us with great hope. Even if we weren’t going to win, it gave us something to strive for. Now we’re on our third year [and] all the love and support from our community is so empowering and makes us push even harder to just do what we love to do, to make more and better music than the year before.

On NEMA’s importance: It sheds light on all those musicians around the New England area. There is so much talent that the majority of the public doesn’t see. It puts a little perspective to how hard people work [at] being a musician. It gives a musician hope. It helps us to never give up, and be better than you were at the gig before.

On their category: I don’t think we have ever felt that we were the best act in New Hampshire, but it is such a high honor to hold close to the heart. The past year and a half has been tough on us all. We all work so hard, and there are so many great bands out there keeping the fires lit. I feel it helps keep people inspired.

On being a New England musician: New England musicians have a strong work ethic and don’t give up easily. Not only that, but the community of other musicians has always been a supportive one. Always be encouraging. Always be truthful and don’t let pride be your downfall. We strive to be helpful, not hurtful. We push each other to be the best we can be, and then push a little further.

Upcoming shows: Octoberfest at Lithermans Limited, Concord, Saturday, Oct. 16, and Sinfest at Jewel, Manchester, Saturday, Nov. 13

DJ Midas

Digital Performer

On being nominated: I got a message from a friend/fan from Nashua who wrote, ‘I voted for you.’ I had no idea if it was a weird joke, a compliment or insult. I asked him what he meant and he sent me the link. I wasn’t familiar with the New England Music Awards, so I was initially skeptical as to what it was.

On NEMA’s importance: As a fairly off the beaten path type of artist, it is really heartwarming to know there are people out there that appreciate and recognize my efforts.

On his category: After spending so many years on vinyl and transitioning into the digital word only in the last decade, it feels pretty damn good.

On being a New England musician: I love [the] sparky New England attitude. I love that there is still breathing room in our area to be yourself.

Upcoming shows: Late Night Delight with Midas on 95.3 WMNH every Saturday and Sunday at midnight; Vice 80’s party at 603 Bar and Lounge in Dover on Saturday, Oct. 16

“I love Roots Of Creation; they end the rules, and sound so juicy.”

DJ Midas on Roots of Creation

Fil Pacino

Male Performer of the Year

On being nominated: Surprised. I’m not normally considered for such things and I found out from a friend a few days after nominees were announced.

On NEMA’s importance: The majority of what I do operates in the covers/GB scene. I do write, record and perform a lot of my own music, which can be found on all the streaming media and my website, but I’ve done OK with having not received any accolades in the past.

On his category: Well, I am a male and I perform pretty much every day of the year, so I think they nailed it.

On being a New England musician: There’s a lot of opportunity. I love that it’s a genre melting pot, and who doesn’t love getting to play music in all four seasons?

Upcoming shows: filpacino.com

Hunter

Best in State

On being nominated: I’m surprised and grateful.

On NEMA’s importance: I’m always going to be doing music and giving it my all, but it’s a really cool thing to have recognition for that work and energy spent.

On their category: There are so many good bands in every category and I’m blessed to know most of them. I love being nominated for best in state because I’ve worked really hard to represent New Hampshire with the band. I hope to be in performer of the year or female performer of the year because I do primarily think of myself as a performer and entertainer more than a musician.

On being a New England musician: I love the community of it in most areas — the support shared between the musicians and bands, sharing each other’s stuff, helping each other get gigs, and how we stay in touch and play shows together.

Upcoming shows: Portsmouth Feed Co., Portsmouth, Saturday, Oct. 9

Justin Cohn

Best in State

On being nominated: I was surprised. I’ve checked the nominations the last few years the day they’ve come out … this year I didn’t, assuming I wouldn’t get a nomination. A friend reached out to me and congratulated me; that’s how I found out. It’s an honor.

On NEMA’s importance: To be included as a nominee with a bunch of incredibly talented New England musicians for whom I have so much respect is very affirming. I play a lot of cover gigs to pay the bills, and while I’m so grateful to the venues that book me, it means a lot to be recognized as a musician in this vibrant creative community.

On his category: It is a meaningful category for me. I was born and raised here, and my roots will always be here. No matter where this career takes me, it would be an honor to win that award. Just to be nominated is an honor.

On being a New England musician: We have a lot of quality, original artists up here, and I love being in that community. That’s not to say other parts of the country don’t, but in my traveling and my conversations with friends, I think we have something special up here. Maybe it’s the four distinct seasons, maybe it’s the history. Whatever it is, I enjoy being a small part of it.

Upcoming shows: Hippy Hollow House Show in Greenville on Saturday, Oct. 2; Milford Pumpkin Festival in Milford on Saturday, Oct. 9; Square Root in Boston (opening for Cat Attic) on Friday, Oct. 15

Katie Dobbins

Best in State

On being nominated: I feel especially stoked … because it has been such a crazy time for musicians; you can start to feel nervous about losing momentum. So it’s nice to see that people are still excited about what I’m doing.

On NEMA’s importance: My success depends on me; that has really helped me deal with the inevitable rejection we all face in this industry. But of course being nominated helps build my musical resume, and I think it helps people take me more seriously. It does boost my confidence as well, which helps me feel like I’m on the right track.

On her category: It feels really great because New Hampshire is where I was born and raised, where I have continued to have an ongoing presence throughout my music career … it’s validation that I’m in the right place and that people are cheering me on. It’s also interesting because there are a lot of amazing New Hampshire artists that I look up to who didn’t make the list.

On being a New England musician: I have found the music community here to be so supportive. I’ve made a lot of very close friends in the industry, and in my experience everyone really wants to help each other out. We celebrate one another’s successes, we help one another get new opportunities. I don’t know that it’s like that everywhere; I’m grateful. … Nashville definitely has a piece of my heart, but there’s nothing like coming back home to New England.

Upcoming shows: Community Fest at The Belknap Mill, Gilford, Saturday, Oct. 16

Liz Bills

Female and Digital Performer, Pop Act, Song and Video of the Year – “WiHi”

On being nominated: I was honestly shocked to be nominated for so many awards.

On NEMA’s importance: The nominations and awards look great on the resume, and it helps with networking and connections.

On her category: I’m grateful to be nominated in five categories. It means the world to me to be nominated for female performer of the year because I feel that performing is one of my strongest abilities. It’s so funny, in a good way, to be nominated for pop act of the year because I won roots act of the year and rock act of the year in the past. It just goes to show you how difficult it is to categorize my genre, and I love that.

On being a New England musician: I love how close we are to neighboring states, making tours pretty sweet and easy. I am a New England girl born and raised, so it feels good to have roots here in music.

Upcoming shows: Pasta Loft in Milford (with April Cushman), Saturday, Nov. 13

“I have so many favorites who are also dear friends of mine. Wyn Doran’s emotionally haunting vocals bring me to tears. I also really love Coral Moons as people and songwriters… Erin Harpe is a freakin’ goddess guitar wizard master, Dwight and Nicole blow my mind, Veronica Lewis is a slayer of the keys, Prateek is an awesome songwriter and storyteller, Josh Knowles stopping hearts with his entrancing violin melodies and emotional vocals.”

Liz Bills on … lots of people

Maddi Ryan

Country Act of the Year

On being nominated: I was extremely humbled by the fact that even though we had one of the toughest years yet, I was still able to make an impact enough to be nominated. Excited, I was also excited!

On NEMA’s importance: I don’t really count my successes in awards or nominations, I just do what I love, but I think the nomination is more of a reminder that I’m on the right path.

On her category: I feel grateful to have been nominated among the talented performers within the country sphere of New England.

On being a New England musician: I love the community that music has in New England; everyone is so friendly and genuine. Also, the fans are some of the best around. If you’ve ever come to a show, the energy is always unreal!

Upcoming shows: The Goat in Manchester on Friday, Oct. 8; Bonfire Country Bar in Manchester on Friday, Oct. 29

Mindset X

Hard Rock/Metal Act of the Year

On being nominated: It felt good to be recognized again. Always nice that people pay attention to what Mindset X is up to and we do truly appreciate that.

On NEMA’s importance: I have never played music to win awards [but] because I have something to say and I adore the beauty that music is. That said, we’ve been doing this a long time [so] it does feel good to be recognized for creating music that reaches people. That is important to us, certainly.

On their category: I think it made perfect sense. We’re a band that likes to explore different styles so who knows? Maybe next it’ll be country. Or country prog metal. Is that a thing? If not it should be.

On being a New England musician: The best thing is probably the musical diversity. For such a relatively small area, we are gifted with so many great musicians and styles of music.

Upcoming shows: See mindsetx.com.

Prospect Hill

Hard Rock/Metal Act of the Year

On being nominated: Singer Adam Fithian said, “I was actually surprised since … we hadn’t been nominated in a few years. All I could say to myself was, ‘Well that’s pretty cool.’”

On NEMA’s importance: We worked hard for years solidifying our New England scene before we started touring around the country. What that did was allow us to come home after being on tour for a two-month run and have an amazing home show. To be nominated, at least for me, is a pat on the back for a lot of effort put forward in building our brand.

On their category: To be nominated in the hard rock/metal category is fitting for our style. We are a balance of both of these genres.

On being a New England musician: There is a very special group of musicians here, different than what I have seen around the country — the bonds that we create, the unique talents that we share together. I feel like I’m one lucky SOB to be a part of such an amazing family.

Upcoming shows: Prospect Hill’s 12th annual Halloween Bash, Wally’s Pub, Hampton Beach, Friday, Oct. 29

Roots of Creation

Live, Roots and World Act

On being nominated: It came as a huge surprise and honor to be nominated alongside a lot of our friends in three categories. We pushed really hard during the pandemic to challenge ourselves with livestreams, grow our connection with our fans. I like that we turned a crap sandwich and almost bankruptcy into a positive movement full of personal and musical growth.

On NEMA’s importance:I discover new artists from the nomination process and live performances at the award show, and our fans get stoked when we are nominated for awards. Winning previous awards has opened many doors for us, on both local and national levels.

On their categories: Winning live act of the year would be most exciting and validating, as it truly is where Roots of Creation shines.

On being a New England musician: It’s a really cool tight-knit scene that transcends genre. There’s a lot of collaboration behind the scenes, on stage, in the studio and at pickup gigs… I like being a big fish in a small pond, and no matter the beauty I encounter on the road, New Hampshire always makes me feel grounded and at home.

Senie Hunt

Male Performer of the Year

On being nominated: I found out through a friend of mine who asked me if I had realized that I was on the list of nominees. I didn’t even think to look for my name as I had just moved to Nashville a few months prior. I was honored and delighted to see my name among some of the amazing musicians that had also been nominated.

On NEMA’s importance: I had been following it even before I took the leap of faith to become a full-time musician. To me it was a reminder of how much music really impacts people and how much appreciation we all have toward the performers who put their hearts and soul into the music. I’m honored to just be nominated.

On his category: I’ve never been one for categorizing, especially when it comes to music. It’s such a widely varying art form that it can be overwhelming to place yourself in any category. To be nominated, however, as male performer of the year with all the talented people on and off the list is inspiring. It’s also a reminder that putting yourself out there and sharing your vulnerability through music can be well worth it.

On being a New England musician: Even after my recent move to Nashville, I always appreciate the love, support and family that comes from being part of the New England music scene. I also can’t say enough how incredibly dedicated, talented, resilient and hardworking all the musicians and venues I’ve had the pleasure of meeting and working with are in New England.

Upcoming shows: New England tour in November, see seniehunt.com

“The ones that stand out the most are Dakota Smart, who I first heard at an open mic…; Amanda McCarthy is not only an incredible songwriter and singer but also a kind and inspirational person. I like Justin Cohn [and] I was pleased to see my longtime friend and fellow musician Wesley Thurber … watching him and his music grow from when we first had classes together in college to his first single release this past year is an inspiration.”

Senie Hunt on Dakota Smart, Amanda McCarthy, Justin Cohn and Wesley Thurber

Sepsiss

Hard Rock/Metal Act of the Year

On being nominated: Singer Melissa Wolfe: After the challenges of a year quarantined with our shows, for NEMA to nominate us this year was a massive surprise. We are a community band, and our neighbors nominating us means the world to us all.

On NEMA’s importance: Wolfe: Sepsiss isn’t a weekend getaway; we don’t have side jobs or take breaks. Our project is a lifetime commitment, as leaders, creating awareness of the experience and authentic universal love for music, art and healing. It is important that New England celebrates all its talented neighbors.

On their category: Guitarist William Savant: Heavy metal is still traditionally a style where the people and players have to grow an appetite for practice, depth of intellect and discipline. It’s smart, challenging and, additionally, physical and interactive.

On being a New England musician: Savant: The seasons help remind us to grow and reflect, expanding with life and change. It reminds us of a well-balanced world where variety and colors shape our bold planet … and this is where Sepsiss creates. One foot in the unknown and the other right here at home, the birthplace of creativity.

Upcoming shows: Jewel, Manchester, Saturday, Nov. 6

“We all voted for Dead Harrison … because they understand the stamina game, the quality of building healthy relationships in the community, and are competitive while remaining generous [and] making music, in our opinion, for realistic reasons.”

Sepsiss on Dead Harrison

Slack Tide

Live Act of the Year

On being nominated: Guitarist and singer Chris Cyrus: The keyboardist Michael sent the band a group chat. It was surreal seeing us on the same list as some of our favorite bands. Needless to say, I celebrated pretty well.

On NEMA’s importance: As a musician, you really need to be your own biggest fan. Some days you aren’t going to get any support but you push on because you believe in your art. Having some formal recognition goes a long way toward maintaining that perseverance.

On their category: Jam bands don’t do studios well; even Deadheads often don’t like the Grateful Dead’s albums. It’s all about the live show for us. Being placed in best live act is hands down the most appropriate category for the type of music that we create.

On being a New England musician: Once you reach a level where only the ones who’ve worked their asses off remain, it really does become a family. The venues, bookers, bands and fans are all one big happy clump, and I never plan on leaving that funky clump.

Upcoming shows: Waterville Valley Resort in Waterville Valley on Saturday, Oct. 9; Woodstock Inn & Brewery in Woodstock on Friday, Nov. 12; Pipe Dream Brewing in Londonderry on Saturday, Nov. 20

Soggy Po’ Boys

Roots Act of the Year

On being nominated: It’s a big honor to be nominated for these awards and to broadly be seen as representatives in some way for New England roots music.

On NEMA’s importance: It is always nice to be appreciated for your craft and while we do not think of our music in terms of awards or accolades and more in terms of our message and audience engagement it still is nice to be acknowledged!

On their category: I think it was appropriate for us to have been nominated in the Roots category as that is the category most representative of our music. It is also somewhat challenging to find a genre home for us so Roots seems like a nice catch-all.

On being a New England musician: The area is brimming with talent so to be nominated here and see our peer list and to be appreciated within the community is a huge honor.

Upcoming shows: soggypoboys.com

Supernothing

Live Act of the Year

On being nominated: Humbled. Supernothing has been a project where we didn’t know where it was going to go. Surely not being mentioned among one of the best acts in New England. This is our second year in a row being nominated, just a different category.

On NEMA’s importance: It’s an accolade, something we can say we are proud of, but as musicians we are not in competition with anyone. It’s all about supporting each other and the NEMAs do just that, win or lose.

On their category: We love being considered among some of the best live bands that headline festivals…. Twiddle, Goose and our great buddies from Boston, The Elovaters, all slay it. We know we are good and tight live, but man, best in New England is an honor… to be noticed for the hard work we are doing live is amazing.

On being a New England musician: We have a small tight group of bands that all support each other’s craft. It’s amazing.

Upcoming shows: supernothing603.com

“The Elovaters are amazing friends and brothers in music and are killing it in our scene.”

Supernothing on The Elovaters

Town Meeting

Americana Act and Album of the Year – Make Things Better

On being nominated: It’s always an honor to be recognized and to know your work is being appreciated somewhere. We work really hard and care deeply about our music. It feels good to know it’s not just getting lost in the ether.

On NEMA’s importance: On the one hand, I always feel uneasy about anything that turns art, which is entirely subjective, into a competition. It’s weird and on some level it’s always bothered me … on the other hand, I also see the importance of things like NEMA because they shine a light on a lot of local music that otherwise might not be seen. It’s a bittersweet thing.

On their category: It feels great to have our album recognized. We worked really hard on it. Dan Cardinal, who mixed and produced it, also deserves a ton of credit. We also love to see our name alongside everyone in the Americana category. Honestly, we’re humbled by it. There’s so much talent there and it feels weird to know a band of goofballs like us are considered peers.

On being a New England musician: New England has the best local music, the best venues, the best musicians, the best scene, the best vibe and community for live music, period. There’s not even a close second.

Upcoming shows:townmeetingmusic.com

Truffle

Best in State

On being nominated: Surprised … not sure if we have been nominated before, didn’t even know until we received a letter. Obviously, we are honored and happy to be a part of it.

On their category: Best in New Hampshire of course makes sense as that’s our home state. We play a lot in Maine and Massachusetts as well, a bit in Vermont, but not as much these days in Connecticut or Rhode Island.

On being a New England musician: It’s an honor; there are so many great talented players, it’s a very vibrant scene. We celebrated our 35th anniversary, and although we did a lot of touring the first 15 years, we always called New England home. It always felt good to tell folks where the band was from.

Upcoming shows: Shooters Beer Garden in Exeter on Friday, Oct. 1; Fury’s Publick House in Dover on Friday, Oct. 15; The Tavern in Exeter (Halloween show) on Saturday, Oct. 30

Tyler Allgood

Album of the Year – Through the Empty

On being nominated: I was confused when I first heard. I thought someone might have been pulling a joke on me. Then, I cried.

On NEMA’s importance: The awards and every local resource, promotion, fan, advertisement [area] extremely important in this work.

On his category: I was ecstatic to be nominated for album of the year. I’ve always wanted to compose albums around my writing. Never expected this, though.

On being a New England musician: It’s wholesome to be a New England musician. There’s a real community and passion around here, and so much love between working musicians.

Upcoming shows: Granite Roots Brewing in Troy on Friday, Oct. 1; Penuche’s Alehouse in Concord on Saturday, Oct. 2; The Alamo in Brookline on Thursday, Oct. 14; Hancock Depot in Hancock on Friday, Oct. 15; Molly’s Tavern in New Boston on Saturday, Oct. 23

Wesley Thurber

Best in State

On being nominated: The thought hadn’t even crossed my mind. I received a few text messages congratulating me … and I couldn’t help but say to myself, ‘What is happening and why am I being congratulated?’ [Then] I became humbled, honored and beyond excited.

On NEMA’s importance: Before, they weren’t even a thought in my mind, awards and such. However, after being nominated I’ll be sure to keep a closer eye on these sorts of things. Win or lose, I couldn’t care less. I’m simply happy to even be nominated.

On his category: I take pride in my work, and I’m honored it’s able to be broadcasted on another outlet, especially one like the New England Music Awards.

On being a New England musician: New England has an entire feel and vibe of its own that’s incredibly unique. To be a part of that, especially as a musician, is quite wonderful.

Will Hatch

Album of the Year – Downtown

On being nominated: We were surprised when a friend told us. … We weren’t expecting this, but were grateful to be added to the list.

On NEMA’s importance: Our goal is to have fun and to make good music. Personally, I’m driven to create for my own fulfillment, but having a little recognition always feels good.

On his category: It is a great category to be in. There’s a lot of fantastic, hardworking bands out there so I will leave it up to others to decide what categories we belong in.

On being a New England musician: Given that the scene in New Hampshire is smaller, it promotes a camaraderie amongst the local diehards. It’s nice to connect with other musicians year after year and to get the impression that they’re in it for the long haul.

Upcoming shows: Penuche’s Ale House, Concord, Friday, Oct. 30

Wyn Doran

Best in State, Digital Performer of the Year

On being nominated: Gratitude and confusion. I felt a deep shift in how I approached creativity in quarantine. I went from worrying about how I presented myself externally to focusing on projects that I always secretly wanted to do but didn’t think I could pull off. The nominations provided a mirror that I have accomplished more than I thought … and I am unbelievably grateful.

On NEMA’s importance: It’s the icing on the cake. I don’t create with NEMA in mind, but in a world where I feel the arts are overall under-appreciated, I am so excited for an event that highlights artists and the important work they do.

On her categories: I’m really excited about Digital Performer because I realized my favorite projects to date fall under that category. I always wanted to arrange my songs for a choir of voices, and with my husband, Mike, [we created] a handful of videos over quarantine. To be recognized in a category that highlights those works is extremely fulfilling and inspiring.

On being a New England musician: I grew up in Illinois, where you could drive three hours and get nowhere. Every state in New England is gorgeous. … It’s a beautiful thing to have access to perform in so many great communities across a number of states within reasonable driving distance.

Upcoming shows: Stone Church, Newmarket, Wednesday, Nov. 3

Featured photo: Liz Bills. Photo by Isa Rosa Photography.

Dear Evan Hansen (PG-13)

Dear Evan Hansen (PG-13)

An anxiety-filled teenager stumbles into a family’s tragedy in Dear Evan Hansen, a film adaptation of the Broadway musical.

Evan Hansen (Ben Platt, who originated the role in the stage musical) is starting his senior year of high school with an arm cast, prescriptions to help him manage his anxiety and depression and an assignment from his therapist to write himself a daily letter of affirmation. “Dear Evan Hansen,” he writes himself in the high school library. He can’t seem to find the life-affirming words to say to himself and instead pens a letter wondering if he matters at all, throwing in a mention of Zoe (Kaitlyn Dever), a girl he’s long liked from a far. When he goes to print it out, though, her brother Connor (Colton Ryan) gets ahold of it first. Connor, an angry kid who briefly has a friendly-ish conversation with Evan before he finds the letter, storms off, thinking the letter is just meant to provoke him.

As Evan explains nervously to Jared (Nik Dodani), his one sort-of friend (we’re just family friends, Jared reminds him), he’s afraid Connor will publish his letter online. But instead, he’s called to the principal’s office, where Evan’s mom, Cynthia (Amy Adams), and stepdad, Larry (Danny Pino), ask him about what they assume is his friendship with Connor. Evan very weakly attempts to explain his whole therapist assignment situation but then Cynthia explains that the “Dear Evan Hansen” note is Connor’s last words because he has died by suicide. Evan ends up accepting a dinner invitation to Connor’s family’s house and, unable to bring himself to tell this grieving family that Connor didn’t write the letter, he makes up memories of a friendship between himself and Connor.

This friendship not only brings him into this family — a wealthy, in his mind idyllic version of a family compared to his absent dad and caring but long-hours-working mother, Heidi (Julianne Moore) — and closer to Zoe but wins him support from the kids at school, including high achiever Alana (Amandla Stenberg), who confides in Evan that she too struggles with mental health issues. As Evan is pulled more into these relationships, he finds himself able to deliver, to others at least, the hopeful message that he and, as he learns, other teens need to hear.

I know that time and Joss Whedon have made this comparison uncool, but during the first half of this movie especially I found myself thinking that the “Earshot” episode of Buffy the Vampire Slayer had delivered the basic message of this movie so much cleaner and more succinctly. The “every single person … is ignoring your pain because they’re too busy with their own” speech from that 1999 episode (which, if it makes it better, was written by Jane Espenson, according to Wikipedia) delivered to one high schooler by another gets to what I feel like this movie wants to convey. That, and that you, the “you” of all of teenagerdom, are not alone, which this movie conveys through at least two or three songs.

Here, these messages are delivered often by or to or around Ben Platt — and, look, it’s a musical, I can suspend disbelief regarding a lot of things, including an actor’s age (which has been a subject of internet chatter since the trailer was released). But Platt isn’t just about a decade older than the character he’s playing, he reads as considerably older, both older than his character and older than the other “kids” in the “high school.” In reality, he isn’t all that much older than most of the other main teen-playing actors, but his whole vibe creates something different in this character, something more predatory and, frankly, creepy than what seems to be intended, which, I think at least based on the songs, is more a kid who is sad and lost and so lacking in confidence that he sort of falls into something he doesn’t understand the harm of and can’t handle. I never felt entirely certain who I was supposed to root for, and if always thinking Evan Hansen was awful is what I’m supposed to feel then he makes for a very unappealing central character.

So there’s all that, creating a real “yeesh” in the middle of the movie that I could never quite get away from. But there are also some nice elements here. Moore and Adams both give real depth to their characters as moms dealing with sons they don’t know how to help. Their difficulties, their grief and frustrations are well-portrayed, even though the movie doesn’t give them a whole lot of independent character development. I also like how Dever (who has pretty much been excellent in everything I’ve seen her in) is able to give us the struggle of Zoe to reconcile the crappy parts of her relationship with her brother with her memories of them as kids.

While I don’t think I’ll be shelling out for the cast album, Dear Evan Hansen has some nice songs, that work in the moment. I didn’t love all of the choreography and camera work here, but it was interesting and it was able to break free from the “stuck on the stage”-iness that can hamper some musicals.

With its premise that I feel like it doesn’t entirely do justice to and its whole “this could easily be a horror movie” thing, Dear Evan Hansen is pretty solidly not for me. But I could see a world in which fans of the musical (of which there clearly are plenty; it was nominated for multiple Tonys, according to Wikipedia) might enjoy this adaptation. C

Rated PG-13 for thematic material involving suicide (which, for real-world help: the number for the National Suicide Prevention Hotline is 1-800-273-8255), brief strong language and some suggestive references. Directed by Stephen Chbosky with a screenplay by Steven Levenson (from the stage play with music and lyrics by Justin Paul and Benj Pasek and book by Steven Levenson), Dear Evan Hansen is two hours and 17 minutes long (and oh boy is it ever) and is distributed in theaters only at the moment by Universal Studios.

The Eyes of Tammy Faye (PG-13)

The life of the televangelist Tammy Faye Bakker gets the biopic treatment in The Eyes of Tammy Faye, a feature film that shares that title with a 2000 documentary about Bakker (who by then was Tammy Faye Messner).

I forgot, until rewatching the trailer for that doc (available for rent or purchase), how deeply weird it could be, with its puppets reading title cards and its talking head interviews with Tammy herself. Tammy Faye died in 2007 and really by that point did seem like someone whose life and on-screen personality were so much bigger and stranger than the late 1980s collapse of the TV evangelist network she fronted with her then-husband Jim Bakker.

Here we much more specifically stick to Tammy Faye (Jessica Chastain) from roughly the early 1960s, when she first met Jim Bakker (Andrew Garfield) at bible college, through the end of their religious entertainment and real estate empire. After an initial glimpse at child Tammy Faye, eager to be a part of the church community where her mother, Rachel (Cherry Jones), played piano, we see maybe-20-ish Tammy become instantly attracted to Jim, whom she watches honing his tight five on the prosperity gospel in class. The teacher is not impressed by his “God wants you to be rich” shtick but it fits with Tammy’s “just spreadin’ joy” approach to religion. The two quickly get married and decide to hit the road as traveling preachers, with Tammy finding a crowd-pleasing gimmick in puppetry.

Their show, with its kid-grabbing puppets and parent-captivating humor and messages, is exactly the kind of four-quadrant entertainment that Pat Robertson (Gabriel Olds) is looking for at his Christian Broadcasting Network. The couple goes to work for him and makes a nice living — but Robertson’s living is nicer, Bakker realizes. Tammy meanwhile is not thrilled with how pregnancy and a new baby has pushed her off the air. They decided to go it on their own, starting their Praise The Lord network and earning big off the contributions of their audience.

But there is no “enough” for Jim, whom the movie shows constantly trying to expand the PTL’s reach with an amusement park and real estate. Along the way, Tammy doesn’t realize (or maybe has decided not to realize) the financial troubles the couple is getting themselves deeper and deeper into but she does realize that there are serious troubles in her marriage.

This movie seems to have one strongly held belief and that is that Jim Bakker is a real jerk. The movie paints him as manipulating and gaslighting Tammy Faye, shows him being cruel to her and shows him leeching off her talent to bolster his house-of-cards empire. Is Tammy an earnest dupe who doesn’t understand her husband’s dodgy business dealings? Is she sort of a willing dupe who doesn’t understand because she doesn’t want to understand? Is she a True Believer who is on a mission from God? Is “True Believer” another bit of stagecraft, like the sparkly clothes and the loud makeup, that she puts on because it gains her affection? I’m not really sure where the movie comes down on all of these issues or what it wants us to come away believing about her. I feel like it presents us sort of an appetizer sampler of Tammy Faye’s life and who she is and lets us pick whether we think the jalapeño poppers of “making up for childhood hurts” or the mozzarella sticks of “a natural-born performer whose skills didn’t have a lot of outlets in the deeply religious mid-century rural South” are the true centerpiece of the dish.

This movie feels like it was constructed by figuring out the makeup and costumes first, with everything else built off that. Everybody looks and sounds the part (or enough of the part) that you can believe who they are. But I didn’t get a sense that the movie went much deeper than that. The Eyes of Tammy Faye absolutely sells us on the idea that Tammy Faye is deserving of a biopic, but doesn’t offer a clear picture of who it thinks she is. B-

Rated PG-13 for sexual content and drug abuse, according to the MPA on filmratings.com. Directed by Michael Showalter with a screenplay by Abe Slyvia, The Eyes of Tammy Faye is two hours and six minutes long and distributed by 20th Century Studios in theaters.

Copshop (R)

A police officer at a lonely Nevada police station finds herself in the middle of a shootout in Copshop, the dusty, 1970s-vibed Western you want when you want some popcorn and escapism.

Officer Val Young (Alexis Louder — ladies and gentlemen, meet action movies’ newest badass) gets punched breaking up a rowdy wedding party fight at a local casino and arrests the puncher, Teddy Murretto (Frank Grillo), a man who wasn’t actually part of the wedding. And, as Young figures out pretty quickly, he wanted to get arrested. Perhaps he figured even the bored, shifty and generally annoyed officers at this small station were safer company than the likes of Bob Viddick (Gerard Butler), a man also arrested that night. Bob appears to be falling down drunk — but of course that’s just his way of getting into the same small cell block as Teddy. Though locked up, Bob proves pretty quickly that he can still get to Teddy. But they both learn that Bob wasn’t the only person hired to take Teddy out. But, whatever the workplace politics of Teddy, Bob and their criminal bosses, no-nonsense Val isn’t having any of it.

Everything in this movie feels very intentional. The movie appears to be set in roughly the now but it plays with what feels like a throwback sensibility — a little bit 1970s stylized police and Western tales, a little bit 1990s indie crime tales with a violent sense of humor. And it manages to do this — and play with some very stylized camera shots — without tipping into Quentin Tarantino territory.

This movie is also very intentionally (maybe even impeccably?) cast. Everyone brings a kind of griminess to their characters — none more so, of course, than Butler, whom I have seen deservedly praised in other reviews for his work here. His Bob Viddick is both a precise and professional assassin and kind of a sweaty, hairy mess and it all works great. And then there is Louder, who just leaps off the screen as the confident but capable enough to justify the confidence young officer. Get this woman a John Wick-style franchise!

Copshop feels like real effortless fun, like exactly the kind of movie you’re hoping for when you go to a midday matinee, as I did in the reopened and newly named Apple Cinemas in Hooksett (which is the new owner of the old Cinemagic; both the Hooksett and Merrimack locations are now back in operation). Improbable shootouts and the nuttiness of a not-the-good-guy Gerard Butler performance — now this is why you go to the movies. B

Rated R for strong/bloody violence and pervasive language, according to the MPA on filmratings.com. Directed by Joe Carnahan with a screenplay by Kurt McLeod and Joe Carnahan, Copshop is an hour and 47 minutes long and distributed by Open Road Films. It is screening in theaters.

FILM

Venues

AMC Londonderry
16 Orchard View Dr., Londonderry
amctheatres.com

Bank of NH Stage in Concord
16 S. Main St., Concord
225-1111, banknhstage.com

Cinemark Rockingham Park 12
15 Mall Road, Salem

Chunky’s Cinema Pub
707 Huse Road, Manchester; 151 Coliseum Ave., Nashua; 150 Bridge St., Pelham, chunkys.com

O’neil Cinemas at Brickyard Square
24 Calef Hwy., Epping
679-3529, oneilcinemas.com

Red River Theatres
11 S. Main St., Concord
224-4600, redrivertheatres.org

Regal Fox Run Stadium 15
45 Gosling Road, Newington
regmovies.com

The Strand
20 Third St., Dover
343-1899, thestranddover.com

Shows

Ferris Bueller’s Day Off (PG-13, 1986) part of the Film Frenzy $5 Classics series at O’neil Cinemas in Epping with multiple daily screenings on Thursday, Sept. 30.

Composer Amy Beach, a documentary about the NH composer, screened at Bank of NH Stage in Concord on Thursday, Sept. 30, 7 p.m. Tickets cost $12.

21+ Trivia Night for Harry Potter and the Deathly Hallows at Chunky’s in Manchester on Thursday, Sept. 30, at 7:30 p.m. Reserve a seat with the purchase of a $5 food voucher.

The Lost Leonardo (PG-13, 2021) screening Friday, Oct. 1, and Sunday, Oct. 3, at 4 & 7 p.m. and Saturday, Oct. 2, at 5:30 & 8:30 p.m. at Red River Theatres in Concord.

The Eyes Of Tammy Faye (PG-13. 2021) Friday, Oct. 1, and Sunday, Oct. 3, at 12:30, 3:30 & 6:30 p.m. at Red River Theatres in Concord.

Blue Bayou (R, 2021) Friday, Oct. 1, and Sunday, Oct. 3, at 1 p.m. and Saturday, Oct. 2, at 2:30 p.m. at Red River Theatres in Concord.

Dracula (1931) and Frankenstein (1931) double-featuring on Saturday, Oct. 2, at 1 p.m. at AMC Londonderry, Cinemark Rockingham Park 12 and Regal Fox Run Stadium 15 via Fathom Events.

National Theatre Live Follies, a broadcast of a play from London’s National Theatre, screening at the Bank of NH Stage in Concord on Sunday, Oct. 3, at 12:30 p.m. Tickets cost $15 ($12 for students).

Week of Witches see films daily at The Strand in Dover Sunday, Oct. 3, through Sunday, Oct. 10. One ticket to all 8 films costs $25.

Spirited Away (PG, 2001) at Cinemark Rockingham Park, AMC Methuen 20 and Lowell Cinema Showcase on Sunday, Oct. 3, at 3 p.m. (dubbed); Monday, Oct. 4, at 7 p.m. (subtitled), and Wednesday, Oct. 6, at 7 p.m. (dubbed) via Fathom Events.

Featured photo: Dear Evan Hansen. Courtesy photo.

A bite of the apple

AppleFest returns to Nashua

For more than a decade the Salvation Army of Nashua has partnered with Sullivan Farm to present AppleFest, an annual outdoor event marking peak apple-picking season with local foods, demonstrations, family-friendly activities, games and more. After a year off, the two-day festival will return to the farm on Saturday, Oct. 2, and Sunday, Oct. 3, from 10 a.m. to 4 p.m. each day.

“We are so excited to be back doing it again this year. We all really missed it,” Salvation Army of Nashua administrative assistant and AppleFest coordinator Amie Groff said. “It’s a great fall family event, and it’s something that the kids look forward to all year long.”

A rainy summer season has helped produce a bountiful crop this year for apple orchards across the Granite State, including at Sullivan Farm, which is also open for pick-your-own daily from 10 a.m. to 6 p.m. Kathy Williams, who owns the farm with her husband, Bob, said there are several apple varieties grown on the orchard, from McIntosh and Cortland to Macoun, Mutsu and Red Delicious. This year Lull Farm has also opened a small satellite farm stand at Sullivan Farm, selling its fresh fruits, vegetables, mums, cider, eggs and more.

“There’s a good crop,” Williams said. “All of the rain was definitely helpful in sizing up the apples. … They are not overly big, but bigger than they have been in some previous years.”

Courtesy photo.

AppleFest will have two ticket booths set up at its entrance, Groff said — tickets are either $1 apiece or 25 for $20 and are used to purchase foods or gain access to featured activities.

Fresh apple crisp and apple pies will be available for sale, using mostly Sullivan Farm-grown apples. According to Groff, culinary students from Nashua Community College and Nashua High School North respectively prepare each dessert, both of which can additionally be ordered with vanilla ice cream. The Salvation Army of Nashua will provide additional food options, like hamburgers, hot dogs, french fries and popcorn.

“We’ll also be doing a little chance raffle, so we’ll have some baskets set up and you can put your name in there to win,” Groff said. “We have lots of gift cards from local restaurants, a watch from Cardin Jewelers, and a huge painting from the Art by Nonda gallery on Main Street.”

Throughout both days there will be live music, face painting and pumpkin painting, plus demonstrations from local groups and businesses, like Tokyo Joe’s martial arts studio. Kids will have the opportunity to make their own scarecrows or go on a hayride throughout the apple orchards. Pony rides, a petting zoo, and a touch-a-truck event with members of the Nashua Fire Department are all also expected, Groff said.

AppleFest

When: Saturday, Oct. 2, and Sunday, Oct. 3, 10 a.m. to 4 p.m. both days
Where: Sullivan Farm, 70 Coburn Ave., Nashua
Cost: Tickets are either $1 apiece or 25 for $20, and are used to purchase various foods and activities offered during the festival
Visit: nne.salvationarmy.org/nashua/applefest
Event is rain or shine.

Featured photo: Courtesy photo.

Walk on

“Kick-Start!” art exhibition shows resilience through shoes

Stilettos, slippers, blue suede shoes — footwear can tell a story, and the “Kick-Start!” art exhibition currently on display at Twiggs Gallery is showing it through paintings, sculptures, installations and other expressive media.

“All the work is really different,” Twiggs Gallery Director Laura Morrison said. “No one piece is like the other. We have things that are very serious, things that are just plain silly, things that are really powerful.”

The exhibition, presented by the Women’s Caucus for Art’s NH Chapter, symbolizes resiliency, particularly in light of the pandemic.

“The call for art [was] … how are we kick-starting our lives after Covid?” Morrison said. “There are a few about that, but [also some that are] about more personal things, like personal power.”

“Filling Our Shoes with Talent and Leadership,” by Margaret Femia. Courtesy photo.

Morrison said that the idea came from Adele Sanborn, owner of Twiggs Gallery and a member of the board for the Women’s Caucus for Art’s NH Chapter.

“A few years ago we had a bra show, and that was a big hit, so she came up with the idea [that] maybe we can use some other piece of clothing,” Morrison said.

Shoes turned out to be a good choice; the artists took the theme in all kinds of directions.

“It just really runs the gamut in terms of media and content,” Morrison said.

One of the most unique pieces is a popup book called “Rude Shoes” by Donna Catanzaro, which tells stories of the shoes she’s hated — like the squeaky shoes she once wore to a quiet museum, and the very uncomfortable hiking boots that hurt her feet and ruined her hike. Creating the piece was, in itself, a nod to the “kick-start” theme.

“She had a lot of free time during the pandemic, so she taught herself how to make a popup book [through] online classes,” Morrison said.

Artist Paulette Brace created a small installation featuring all of her children’s baby shoes, which she had collected and stored in the attic for years.

“It’s actually quite a powerful piece,” Morrison said.

There’s a feminist piece created by Margaret Femia, a salmon stiletto with flags that feature the names of female leaders. Linda Greenwood also went with stilettos, but hers are red with rhinestones and glitter, and they’re ready to fight a tiger.

“It’s called ‘Kick Butt and Go for the Gold,’ and it symbolizes getting rid of Covid and moving forward in a positive and energetic manner,” Morrison said.

Morrison, who is also president of the national Women’s Caucus for Art, created a very personal piece for the exhibition. During Covid, she was undergoing treatment for breast cancer. Sanborn organized a get-well card writing campaign while she was undergoing chemotherapy and radiation, and Morrison was sometimes getting three, four or five cards a week. She ended up with well over 100 cards and small pieces of art, which she used, along with cut-up suede stilettos and petals from roses that her husband had given her, to create her piece.

“It was really fun and also very emotional to go through [the cards] again,” she said.

Twiggs Gallery hosts shows for the Women’s Caucus for Art’s NH Chapter every couple of years, and Morrison said it’s a strong chapter with more than 100 artists. Anyone can join the caucus; it’s open to all artists and art lovers. Morrison said that Twiggs always enjoys working with the caucus, because their exhibitions are solid in terms of the number of artists who participate and the types of media. Plus, they fit with the gallery’s natural propensity to promote women’s creative ventures.

“We show a lot of women’s art here at Twiggs,” Morrison said. “We get a lot of support from women. … It’s a real community of women artists. [But] we welcome men [too]!”

“Kick-Start”

Where: Twiggs Gallery, 254 King St., Boscawen
When: On display through Oct. 31
Hours: Thursday through Saturday, 11 a.m. to 4 p.m., and Sunday noon to 4 p.m.
More information: 975-0015

Featured photo: “Lifespan Development” by Marcia Santore. Courtesy photo.

News & Notes 21/09/30

Covid-19 update As of Sept. 20 As of Sept 27
Total cases statewide 115,401 118,706
Total current infections statewide 3,769 3,595
Total deaths statewide 1,458 1,476
New cases 3,075 (Sept. 14 to Sept. 20) 3,305 (Sept. 21 to Sept. 27)
Current infections: Hillsborough County 932 1,038
Current infections: Merrimack County 431 447
Current infections: Rockingham County 719 715
Information from the New Hampshire Department of Health and Human Services

Covid-19 news

As of Sept. 27 there were 3,595 active infections of Covid-19 statewide and 143 current hospitalizations. All 10 counties remain at substantial levels of community transmission.

On Sept. 22 the U.S. Food and Drug Administration authorized single booster doses of the Pfizer-BioNTech vaccine for certain populations, including for people over 65, as well as for those with underlying health conditions and who are regularly exposed to the virus, according to a press release. Booster doses can now be administered at least six months after receiving the second shot. “This pandemic is dynamic and evolving, with new data about vaccine safety and effectiveness becoming available every day,” Acting FDA Commissioner Janet Woodcock said in a statement. “As we learn more about the safety and effectiveness of Covid-19 vaccines … we will continue to evaluate the rapidly changing science and keep the public informed.”

With steadily climbing infection and hospitalization rates in the state, the New Hampshire Hospital Association issued a press release on Sept. 24 signed by dozens of health care professionals renewing their calls to get vaccinated, to wear a mask in indoor settings where social distancing is not possible, and to stay home when you are not feeling well. “There is no one solution that can completely eliminate the risk of spreading Covid-19, but when layered together, these interventions will have a significant impact,” the press release read in part.

Motion denied

On Sept. 27, the Hillsborough County Southern District Superior Court denied a motion to require that New Hampshire reinstate the Pandemic Unemployment Assistance Program and dismissed the case. According to a press release from the Office of the Governor, the state had announced it would be ending participation in the enhanced federal unemployment benefits over four months ago and gave citizens over a month’s notice to prepare for the termination as was required by the United States Department of Labor. According to the release, the court noted that “the plaintiffs have not demonstrated a likelihood of success on the merits of their claims because neither of the statutes on which they rely require the defendants to act. … Moreover, because all of the plaintiffs’ claims for relief are premised on flawed interpretations of RSA 282-A:127, I and 15 U.S.C. § 9021(c), the Court further finds that the plaintiffs cannot succeed on the merits of their claims as a matter of law. In other words, the plaintiffs have failed to state claims for which relief may be granted.” Gov. Chris Sununu thanked the court in a statement following the decision and said that “The New Hampshire Department of Employment Security has done a phenomenal job throughout the pandemic assisting out-of-work Granite Staters receive benefits and find work, and this ruling will allow them to continue helping our citizens unobstructed as we move forward.”

Economic support

The first two of the four planned Collaborative Economic Development Regions in New Hampshire have been established to promote economic expansion post-pandemic, according to a press release from the New Hampshire Department of Business and Economic Affairs. The regions were created as part of the state’s Economic Recovery and Expansion Strategy and will help facilitate collaboration among economic development partners with business retention and attraction; workforce development; entrepreneurship; infrastructure and business advocacy. “While the pandemic has taken a significant toll on the Granite State, New Hampshire has proven resilient,” BEA Commissioner Taylor Caswell said in the release. “CEDRs are an intentional approach that builds an infrastructure for the state’s entities to work together and deliver on our collective missions to support those employers.”

$10 million, found

Between November 2016 and July 2021 more than $10 million was located for New Hampshire residents who used the National Association of Insurance Commissioners’ Life Policy Locator tool, according to a press release from the New Hampshire Insurance Department. More than 1,000 consumers in the state searched for deceased relatives’ policies. Christopher Nicolopoulos, commissioner of the New Hampshire Insurance Department, said in the release that finding life insurance policies can be a challenge. “The Lost Policy Locator Tool is a powerful resource that has helped New Hampshire residents settle important details of the estates of deceased friends and family members,” he said.

Associated Grocers of New England’s distribution facility in Pembroke was scheduled to cut the ribbon on a new 1,292-kilowatt solar array on Sept. 29. According to a press release, the 3,400 solar panels are expected to generate more than 1,450,000 kilowatt-hours of clean energy every year, which is the equivalent of planting 17,000 trees or removing 224 cars from the road each year.

Granite United Way coordinated a Volunteer Day at two camps in Bedford last week. According to a press release, on Sept. 23 volunteers from several local companies, including Geneia, Enterprise and McLane Middleton, spent time at Camp Kettleford and Camp Allen working on end-of-season projects like landscaping and painting.

Members of the Manchester Garden Club recently planted fall flowers at several locations around the city: the Manchester Historic Association, the Manchester City Library and the Mary Gale Apartments. According to a press release, the club was established in 1933.

The Nashua Regional Planning Commission is holding a Household Hazardous Waste Collection on Saturday, Oct. 2, from 8 a.m. to noon at the Nashua City Park & Ride at 25 Crown St., according to a press release. Residents of Amherst, Brookline, Hollis, Hudson, Litchfield, Merrimack, Milford, Mont Vernon, Nashua, Pelham and Windham. There is a $15 user fee per vehicle, with additional charges for waste that exceeds 10 gallons or 20 pounds. Visit nashuarpc.org/hhw for a complete list of accepted items.

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