2020 hindsight

The good parts of a not great year, and what’s (maybe, possibly) ahead

The year 2020 began well enough, as the ball dropped on a retro-themed party at Bank of NH Stage in Concord and a barefoot Adam Ezra once again lit up Tupelo Music Hall, an annual tradition. Headliners Comedy Club offered laughter up and down the state.

The newly opened Rex Theatre in Manchester slated a wide range of shows in its upcoming calendar; the year’s first was E Street Band saxophone player Jake Clemons. Town Meeting, one of the brightest lights in the region’s Americana scene, debuted a new album at The Rex in early February.

March looked to be even better, with St. Patrick’s Day events scheduled at multiple venues throughout the month. Former Celtic Woman fiddler Máiréad Nesbitt’s appearance at Saint Anselm’s Dana Center on March 14 was among the most eagerly anticipated, but she was interrupted by a Friday the 13th that confirmed every horror story concocted about the date — especially for live entertainment.

Tupelo CEO Scott Hayward put it succinctly from the empty stage of his venue that night.

“I boarded a plane to come home from vacation, and arrived to find my industry gone,” he said at the time.

The pandemic has consumed every aspect of life, beginning that weekend.

Through it all, however, there have been more than a few so-called Covid silver linings. Foremost among them was the rise of livestreaming. Concord native Dan Zanes launched a daily Social Isolation Song Series with his wife Claudia, a kid-centric effort. Lucas Gallo’s Local Music Quarantine Video Challenge invited musicians to record themselves at home.

There were many, many more, and the best part was hearing original songs from performers best known for playing covers in restaurants and bars. It was a gift that kept giving. When places began reopening in May, patrons were more receptive to local musicians, who were at that point the only game in town. It became a cultural renaissance, born from crisis.

Venues presenting national acts faced a bigger challenge. They responded ingeniously, with drive-in shows at Tupelo — the effort received national press — and at the Cheshire Fairgrounds in Swanzey, which kicked off its effort with rock tribute act Echoes of Floyd and offered a massive capacity of 750 cars.

Miraculously, the weather was mostly kind at these and other pop-up events throughout the region. Honking horns took the place of applause from early spring to late summer. The Music Hall booked shows into the streets of downtown Portsmouth, while Concord’s Capitol Center for the Arts took over Fletcher-Murphy Park, and Manchester’s Palace Theatre ran a series of summer events at Delta Dental Stadium, including one starring the Beatles-esque Weaklings.

Plenty of restaurants added tents and used live music as a lure for business. Local promoter Paul Costley saw his bookings spike as a result. “In normal times, I usually have 60 to 80 events a week,” Costley said in September. “I was up to 135.”

Indoor venues offered socially distanced shows, with comedians like Juston McKinney leading the charge by playing multiple sets to reduced crowds. Before returning to the stage, McKinney was playing to a crowd of family members and the ether. “I never thought I would look forward to having four people in an audience so much in my life,” McKinney told the Hippo in June for a Comedy After Covid story. “I would kill for four people right now.”

With new movie releases experiencing a drought, Chunky’s Cinema & Pub welcomed Rob Steen’s comedy acts.

Economically, it can’t sustain.

“Being open is one thing and being able to stay open is another thing,” Hayward said in mid-autumn. “If we don’t have the capacity to do the shows we normally do, it doesn’t work. A good show for us is 500 people. … A big show for a small club is 60 people … but I can’t live on 60 people.”

There’s hope on the horizon. Congress included $15 billion in recently passed legislation to help independent venues, theaters and talent agencies weather the crisis, prodded by the live music industry’s Save Our Stages effort. Though most regional venues are currently closed, live shows are scheduled to resume mid-winter at some of them. A few venues are sticking with more vague reopening plans. Tupelo, for example, sent out an update at the end of November saying that challenges with lower capacity shows in 2020 and shows scheduled for 2021 “are causing all sorts of problems for the artists, patrons and venue,” and it is “all but guaranteed that we will be closed through February of 2021 at least.”

Meanwhile, is still scheduled at Portsmouth’s Music Hall on Feb. 13, along with Vapors of Morphine Feb. 19 and Livingston Taylor Feb. 20. The Capitol Center for the Arts in Concord, which announced just before Christmas that it was extending its “pause” and canceling all live shows through the end of February, has comic Juston McKinney set for March 28, followed the next night by Celtic Woman Celebration.

Until then, January is Virtual Month at Manchester’s Palace Theatre, with three Thursday shows: a Carole King tribute on the 8th, local rocker Brooks Young on the 15th and Piano Men which offers classic songs from Stevie Wonder, Billy Joel, Elton John and others, on the 22nd. Actor and musician Jeff Daniels streams an acoustic concert on Jan. 12, with a Q&A following.

Featured photo: A teddy bear audience at Headliner’s Comedy Club helped facilitate social distancing. Courtesy photo.

Wonder Woman 1984

Wonder Woman 1984

Diana Prince suits up in her golden armor for an all-too-brief fight sequence in the otherwise extremely long Wonder Woman 1984, a sequel to the 2017 Wonder Woman available until near the end of January on HBO Max and in theaters.

Though we last saw Wonder Woman hanging with Batfleck and the other Justice League-ers in roughly the current day, this takes us back to 1984 when Diana (Gal Gadot) is working in antiquities (for the Smithsonian, I think?) in Washington, D.C., and trying to discreetly protect people from baddies and other danger on the side. Despite a full professional life, Diana has a lonely private life, still aching from the death of Steve Trevor (Chris Pine) during World War I. Despite Diana’s inner sadness, her outer awesomeness has fellow museum science and antiquities person Barbara Minerva (Kristen Wiig) wishing that she could be like Diana. Barbara makes that wish while holding an artifact that claims to grant wishes, though both Barbara and Diana initially have their doubts about the authenticity of the item. Diana has also made a Steve-based wish while holding the artifact. While they might not believe in the artifact, we see the little wind blow-y effect in their hair and so we are not so surprised to see their wishes come true: The formerly awkward Barbara can suddenly walk with ease in heels projecting sexy confidence and finds she has increasing physical strength. Diana is approached by a man she’s never met before — who then says and does the last things Steve Trevor ever said and did, and suddenly she can see that it’s him, returned.

After initially just giving in to the delight of having Steve back, Diana and Steve decide to go figure out how it is that he has returned. Unfortunately, by the time they start their quest, the artifact has been stolen by Maxwell Lord (Pedro Pascal), who had long been on the hunt for it. A large donation to the Smithsoneon and some flirting with Barbara gets him access to the artifact and he convinces her to let him take it to get it looked at by an expert. What he actually does is, essentially, wish for all the wishes by wishing to become the artifact (which at some point people start calling “the Dreamstone”). People wish on Maxwell to get their heart’s desire and in return he takes something — their company, their wealth, their henchmen, etc. Their wishes seem to take from him too; he gets weaker and sicker-looking with each wish. Diana and Barbara discover that their wishes have a cost for them as well. These individual costs, however, are minor compared to the mounting societal costs as more and more people wish on Maxwell for more — more nukes, more power, more money. Diana discovers that this may be a feature, not a bug, of the Dreamstone, which has a dark history and was forged by a god known as the “god of lies.”

The lies are seductive and the truth is often sad and bittersweet but the world has to acknowledge and live in the truth to save itself — I think this is the working philosophy of this movie, which I feel like would have played a little different in the alternate timeline of June 2020 (the movie’s original release date), where all anybody is thinking about is the election and we’re all seeing movies in the theater, than it does now. There are some choices made with Pascal’s Max (some of the elements of his character read pretty Trump-y) that make me feel like this movie, without being overtly political, is trying to say something about the state of discourse. I feel like that element is maybe one of the many “too many accessories” that this movie should have taken off, Coco Chanel “take one thing off” style. (I always misremember that quote as “before you leave the house, look in the mirror and take three things off” and I feel like three is the minimum number of things this movie needs to take off.) There is a lot to do with Max that takes away from the development of Diana, Diana and Steve, Diana and Barbara, and Barbara and her own sense of self. Somehow, this two-and-a-half-hour movie feels like it doesn’t have time to give us any relationship or theme in depth — and yet the movie does not fly by. More editing? Less story? More editing of fewer plotlines and a more consistent tone — this movie just felt all over the place and needed streamlining in all things.

That said, there are nice elements. Because we can, I went back to watch some of the highlights of this movie before I wrote this review. The scenes between Diana and Steve do a good job of capturing the sparkle of that pairing, even if somehow the sparkle isn’t sustained. There is a nice start to a friendship between Diana and Barbara but then there is just so much plot business that it kind of gets lost. And there are some fun action stretches, nothing quite as fun as the No Man’s Land scene from the first movie, but nice work, to include an intro that gives us little-girl-Diana in Themyscira and brings back Robin Wright and Connie Nelson. (Much like Thor and Asgard in the Thor movies, Diana in Themyscira feels like a stretch where the movie really knows itself and what it’s doing.) And we get the golden armor that has been part of this movie’s marketing, though not for nearly as long as you’d hope given the general coolness of it.

Wonder Woman 1984 is a sequel to maybe the best recent vintage DC Comics movie and one that had a lot of Strong Female Lead hopes-and-dreams stuff attached to it. Living up to that is a tall order, and this movie doesn’t quite. But that’s not going to stop me from watching it, or at least parts of it, again. B-

Rated PG-13 for sequences of action and violence, according to the MPA on filmratings.com. Directed by Patty Jenkins with a screenplay by Patty Jenkins, Geoff Johns and Dave Callaham, Wonder Woman 1984 is two hours and 31 minutes long and distributed by Warner Bros. Pictures.

2020 ‘at’ the movies

It was a horrible and great year for movies

What even is a 2020 movie?

This year’s Oscar race will include films that at least dip a toe in theaters by Feb. 28. I spent at least the first month of this year watching 2019 movies as they trickled into local theaters. And then there’s that long stretch, between March 13 and right this moment, when I have seen exactly three movies on a big screen. Do all those small-screen movies — some great, some blech, some perfectly shrug whatever — count as part of 2020 cinema?

Yes. Like Stephen King used to say when he’d do his annual favorite film list in Entertainment Weekly, whatever we see this year is on this list for a great movie of this year. And, as much as I love the hot popcorn and cool air conditioning of a movie theater, it hasn’t been all bad for movies in 2020. After an Oscar season that was excitingly accessible, it was a silver lining to the terrible 2020 cloud to have movies like First Cow, Never Rarely Sometimes Always and Hamilton available to view as they were having their moment, instead of waiting for films to filter out of the big cities. And those movies are on a pretty long list of good and great films that came out this year. Finding a way to balance the fact that Ammonite is available to every interested Kate Winslet fan (I haven’t had a chance to rent that VOD release yet) and that most movie-lovers are also movie-theater-lovers and want them to survive will be the challenge of 2021 and beyond. (Some new movies are still hitting area theaters before they get to small screens, including Christmas Day releases News of the World and Promising Young Woman, but, of course, big budget theater-only releases are still far fewer than normal.)

But first, we have to get through winter.

What follows are my picks, not just for the best films of 2020 (endless movies also means there are endless movies to catch up on and plenty of 2020 greats that are still on my to-watch list) but for the films that might offer you some fun, escape, artistry and entertainment as we wait out the socially distanced season and hope for a return to more robust movie theater offerings sometime soon. (The streaming locations listed here are based on December offerings, which may change in January.)

Excellent movies I saw this year that are technically 2019 movies: Portrait of a Lady on Fire was totally robbed during last year’s award season; it is beautiful, swoony, bittersweet and at times haunting (currently on Hulu). I didn’t get to review Little Women, the adaptation of the classic novel by director Greta Gerwig, before I did my 2019-in-review roundup; this is a perfect movie (currently on Starz but I may have to spring for the two-movie bundle that also comes with the 1994 Little Women and sells for $16.98 on iTunes).1917(currently on Showtime and available for rent or purchase) was also a basically perfect movie that dazzles with the visual feat of a “one-shot” movie that takes soldiers through battlefields on a mission during World War I. If you want to make an argument for the supremacy of seeing a movie in theaters, 1917 does a good job of selling that point.

2020 movies that literally saved my life: I mean “literally” in the figurative sense though an argument for “literal” could be made as the precious moments of peace and quiet these movies brought to homebound children in the spring and summer of 2020 meant a calm cup of coffee or some other sustenance-providing thing for me. Trolls World Tour(available on Hulu and Peacock if you didn’t buy it the second it appeared on iTunes) may not be the best movie of 2020 but who cares, all of my children were happy to watch it the first time it came out and continue to watch it now. It is a bright and fun animated movie with cute music and, if you need to feel like your kids’ media has merit, it has some decent stuff about celebrating differences.

A Shaun the Sheep Movie: Farmaggedon(available on Netflix) is another movie that kept all the kids entertained, but this one has legitimate claim for a “year’s best animation” prize. From Aardman Animation of Wallace & Gromit fame, this tale of sheep and their fellow farm animals encountering a friendly young alien is sweet, well-crafted and full of funny sci-fi Easter eggs. It’s also basically language-free and very little-kid friendly.

More good kid fare: The Willoughbys (on Netflix) is a beautifully animated story about four siblings trying to dump their neglectful parents and learning to appreciate their kind nanny. It has shades of A Series of Unfortunate Events and just the right amount of Ricky Gervais. Phineas and Ferb The Movie: Candace Against the Universe(on Disney+) is another great movie about siblings working together that called to mind The Simpsons in its ability to pack every minute and every frame with jokes (though still with the right amount of slapstick for the little viewers). The eight-minute short Once Upon a Snowman (also Disney+) shows us snowman Olaf’s adventures between his “Let It Go” creation and his finding Anna.

Add this to the family holiday rotation: Eleventy bazillion Christmas movies hit screens this year but here are three that are worth holding on to for next year — Jingle Jangle(on Netflix), a fun musical about a toymaker and his plucky granddaughter; Lego Star Wars Holiday Special (Disney+), totally great use of both Lego and fan-service, andMariah Carey’s Magical Christmas Special (AppleTV+), which is like the grown-up (but family-friendly) version of Elmo’s Christmas Countdown (and both feature Jennifer Hudson!).

Excellent movies I’ll never watch again: A movie can be great and a stone cold bummer at the same time. Thus, Never Rarely Sometimes Always with its heartbreaking performance by Sidney Flanigan as a young woman who needs abortion services but runs into so many obstacles is definitely on my list for 2020’s best and I don’t think I can put myself through seeing it again. (It’s on HBO Max and available for purchase.) Another movie great at stoking rage is The Assistant, a quiet film about a young woman working her first job for an unseen but monstrous movie producer boss. (It’s currently on Hulu and available for rent or purchase.)

I doubt I’ll bring myself to watch The Invisible Man again. Elisabeth Moss brings genuine terror not to the idea of an invisibility suit in the wrong hands but to the toll of domestic violence and, sure, this is one of those Universal Pictures horror movies but Moss deserves some awards attention for her top-shelf performance. (Available on HBO Max and for purchase.)Blow the Man Down is a smart movie with excellent performances (Sophie Lowe, Morgan Saylor and, as always, Margo Martindale) and a Coen Brothers-y feel (it’s available on Amazon Prime) that feels like an atmospheric mystery novel read in one sitting.

Pretty good middle-of-the-road movies: We need not just great movies but pretty good movies that might be able to stand up to casual rewatching.

Netflix has a fair amount of these offerings. I have already rewatched parts of Will Ferrell’s wacky comedy Eurovision Song Contest: The Story of Fire Saga. I liked the Charlize Theron superhero movie (based on a Greg Rucka comic) The Old Guard and truly hope there will be a sequel. And I wouldn’t mind a next chapter of the kinda stupid Mark Wahlberg-fronted Spenser Confidential, an upbeat procedural that shares some DNA with the TV show Spenser for Hire.

The “Tom Hanks on a Navy boat in World War II” movie Greyhound (Apple TV+) delivers exactly on that premise. I liked Melissa McCarthy in Superintelligence (HBO Max); it might not rival Spy or The Heat but it’s an enjoyable comedy. Love and Monsters(available for rent or purchase) is an optimistic movie about the end of the world. I’d even put Birds of Prey (now on HBO Max) in that category, especially if you can fast-forward to the last half-hour.

Pretty-good good movies: A rung up, you’ll find movies like Valley Girl (available on Hulu), a jukebox musical update of the 1983 film. An American Pickle (HBO Max), the “two Seth Rogens” movie was funny, sure, but also sweet and contemplative. The Sunlit Night (now on Hulu) has some of those qualities as well, and a solid Jenny Slate performance. I liked the indie Buffaloed (also on Hulu and available for rent or purchase) for its spunkiness. Sofia Coppola’s On the Rocks (Apple TV+) was a crisp gin and tonic of a dramady. Unpregnant (HBO Max) is the comedy, Booksmart-ish version of Never Rarely Sometimes Always, based around a sweet friendship. Vampires vs. The Bronx (Netflix) offers fun horror and something to say.

Great docs: This was a great year for documentaries and at the front of the pack is Crip Camp: A Disability Revolution (on Netflix) that is about a camp for kids and teens with disabilities in upstate New York in the mid-20th century but sprawls to cover the political movement for legal protections for the rights of people with disabilities (and introduced me to American hero Judith Heumann). Another solid Netflix offering is Mucho Mucho Amor: The Legend of Walter Mercado, which brings us the life of a hugely popular TV personality. In Netflix’s Dick Johnson Is Dead, a filmmaker deals with the dementia and mortality of her beloved father with grace and humor.

On AppleTV+, Boys State gives us the best and worst of present-day American politics as filtered through a high school government program in Texas.

And speaking of young nerds (and I mean that in the very best sense), watch a pre-Hamilton Lin-Manuel Miranda and his crew of improv rappers make theater and song and comedy in We Are Freestyle Love Supreme.

More of the best movies I saw this year:The best movie I saw in theaters this year (at least, of 2020 offerings) wasEmma (currently on HBO Max and also available for rent or purchase), a beautiful and stylish-looking and cleverly cast and acted adaptation of the Jane Austen novel.

The 40-Year-Old Version (Netflix), about a woman reinventing herself, and The Vast of Night (Amazon Prime), a sci-fi suspense film, are two movies with an indie feel that nevertheless earn their place next to any glossy mainstream fare.

Palm Springs (Hulu) was one of those woulda-been theatrical releases that wound up on a streaming site, which means I’ll be able to watch this charming rom-com with Andy Samberg and Cristin Milioti again and again.

Remember when everybody was raving about First Cow(currently on Showtime; available for rent or purchase)? They are right! This Western about friendship and baked goods is gentle and charming.

Enola Holmes (Netflix) puts the plucky little sister of Sherlock and Mycroft in the middle of her own mystery to solve (and the women’s suffrage movement). This bubbly action and adventure has a sweet story about mothers and daughters at its heart.

Mank (Netflix) is the most awards-season movie to ever awards-season with its Old Hollywood setting and its behind-the-scenes look at the writing of Citizen Kane using Kane-like visuals but it also would actually deserve those awards for its technical and performance feats.

Speaking of eyeball-grabbing style, Black Is King,Beyonce’s visual album riff on The Lion King, is absolutely beautiful (visually, musically, fashion-ally) and heartfelt (on Disney+).

Make room on the Oscar nominations list for all kinds of entries for Ma Rainey’s Black Bottom, which features what appears to be the last Chadwick Boseman performance we’ll ever get and another knock-out Viola Davis role.

Two more movies with standout storytelling and performances: Shirley(on Hulu and available for rent or purchase) a gothic thriller mixed with a Shirley Jackson biopic starring Elisabeth Moss, and Spike Lee’sDa 5 Bloods(Netflix), another chance to see strong work from Chadwick Boseman.

Absolute best time with a movie in 2020: Hamilton. As I said, what even is a 2020 movie? Can a filmed 2016 theatrical production count as a movie from this year? I say sure. Hamilton was a joy to watch (and rewatch; it’s available on Disney+). The experience of watching a Broadway play with its original cast and shot in a way that made it feel alive and not locked on a stage (even though this was on a stage it felt less boxed in than, say, Netflix’s adaptation of the musical The Prom) is maybe one of the most optimistic parts of whatever happens next in movies. More art to more people — let’s hope we can find a way to have that and our movie theater popcorn too.

2021 ‘at’ the movies
Who the heck knows what 2021 will bring, but here are some early 2021 movies that I’m looking forward to:
One Night in Miami Directed by Regina King, this movie tells the story of a fictional meeting between Muhammad Ali, Malcolm X, Sam Cooke and Jim Brown, according to Amazon, where it will be available on Jan. 15.
The Little Things This Denzel Washington movie is slated to be released by Warner Bros. in theaters and on HBO Max on Jan. 29.
Supernova This movie also sounds like it has awards potential with Stanley Tucci playing a man with early onset dementia and Colin Firth playing his longtime partner. It has a Jan. 29 theatrical release date.
Nomadland Based on the nonfiction book of the same name, this movie is showing up on some top 10 lists and earning Frances McDormand buzz for her performance. The movie currently has a theatrical release date of Feb. 19; no word yet on streaming access.
The Many Saints of Newark This Sopranos prequel movie is another Warner Bros. release and could hit movie theaters (and HBO Max) March 12.
In the Heights This movie was on my list of things I was excited about for 2020 last year and I am hoping it will see the light of screens this year. Currently, Lin-Manuel Miranda’s pre-Hamilton musical is slated to hit theater screens (and HBO Max) on June 18.

Featured photo: Trolls World Tour

Jared DeBernardo

Jared DeBernardo’s family has been in the restaurant business for more than three decades, dating back to the mid-1980s, when his grandfather Harry owned a small chain of Italian eateries in New Hampshire and Massachusetts. DeBernardo’s Restaurant (175 Main St., Epping, 734-4520, debernardos.com), which has been at its current location since December 2016, offers a scratch-made menu of Italian items, from fresh pizzas using its own homemade dough to classic dishes like lasagna, chicken piccata and more, all made to order using recipes from his father, Nick. The eatery is currently closed to dine-in customers, but takeout and curbside pickup are available, in addition to delivery to Epping and more than a half dozen other surrounding towns, like Raymond, Fremont, Stratham, Exeter, Brentwood, Kingston and Newmarket. DeBernardo’s also has an extensive offering of family-sized meal pans of items like bruschetta, stuffed shells, chicken, veal or eggplant Parmigiana, baked ziti and pan-fried ravioli.

What is your must-have kitchen item?

I always have a pen in my hand, because I have 9,000 things going on during the day, and if I don’t write it down I won’t remember to do it.

What would you have for your last meal?

I am a sucker for a really good chicken Parm, so that would definitely be something I would go for. That and a super Tuscan wine.

What is your favorite local restaurant?

Goody Cole’s [Smokehouse and Catering Co. in Brentwood]. I am a huge fan of them. All of the sandwiches are amazing. The pulled pork is probably one of my favorites.

What celebrity would you like to see ordering from your restaurant?

I think it would be cool to have another … perspective from someone who’s in the business, like Jon Taffer from Bar Rescue. Same thing with Gordon Ramsay and Hell’s Kitchen.

What is the biggest food trend in New Hampshire right now?

I would say that takeout, and specifically online ordering, has definitely become more of a trend. … Our industry as a whole has to be able to adapt no matter what.

What is your favorite thing to cook at home?

I like to do a lot of pastas with my own sauces I make in my house.

Homemade “date night” bruschetta
Courtesy of Jared DeBernardo of DeBernardo’s Restaurant in Epping (quantities dependent on preference)

01 sub roll
Butter
Freshly chopped garlic
Freshly diced tomatoes
Freshly chopped basil
Olive oil
Balsamic vinegar
Shredded mozzarella cheese
Romano cheese

Preheat the oven to 425 degrees. Open and lightly butter the sub roll, then add the chopped garlic and diced tomatoes. Sprinkle on the shredded mozzarella cheese. Bake in the oven until the sub roll is golden brown and the cheese is melted. Sprinkle freshly chopped basil on top. Garnish with olive oil and balsamic vinegar. Sprinkle Romano cheese to desired level.

Featured photo: Jared DeBernardo

A taste of what’s to come

A look at the food scene in 2020, plus a preview of 2021

In what has been a tough year for the industry, New Hampshire restaurateurs were forced to pivot their operations in all kinds of ways to stay afloat, from increased or extended outdoor dining to a greater emphasis on takeout and prepared meals.

But as we get ready to turn the page on a new year, immediate relief may be in sight. A $900 billion Covid-19 relief package passed by Congress on Dec. 21 has several special provisions for the food service industry, including a second round of Paycheck Protection Program [PPP] funds that would be tax deductible. Restaurants in particular can also seek the funds at 3½ times their monthly payroll, compared to 2½ times that amount for all other types of small businesses.

The bill would be a crucial lifeline in getting restaurants in the Granite State through to the spring, said Mike Somers, president of the New Hampshire Lodging & Restaurant Association. Up to October, the industry has been down more than $600 million in combined gross sales for the calendar year, according to Somers, while food service jobs in the state still remain down between roughly 10,000 and 15,000 from where they would normally be.

With 2021 on our doorstep, here’s a look at some of the biggest restaurant trends of the past year in New Hampshire and how they’ll continue in the months ahead.

Moving outdoors

The first significant blow to businesses came in mid-March when, on the day before St. Patrick’s Day, Gov. Chris Sununu issued an emergency order limiting all restaurants and bars in New Hampshire to takeout, delivery and drive-thru only. The original order was only set to last through April 7, but as cases of Covid-19 in the state continued to climb, an extension was soon put in place that ended up lasting an additional month and a half.

On May 18, New Hampshire eateries were given the green light to reopen for outdoor dining only. Even as reopening at a limited capacity indoors became allowed the following month, in mid-June, outdoor dining became a major trend throughout the summer and fall in the Granite State, with restaurants utilizing their space in ways they never had before.

At the Tuscan Kitchen and Market in Salem, outdoor patio seating was extended all along its center piazza under a large open-air tent, complete with a pizza oven and a pop-up container bar. The company’s new “al fresco” dining model was so successful, Joe Faro Jr. of the Tuscan Brands marketing team said, that a winterized version with outdoor heated igloos and even a synthetic ice skating rink was recently unveiled. The Winter Giardino at Tuscan Village officially opened on Dec. 12 and will continue well into the new year, Faro said.

The rink itself is in the parking lot in front of the Tuscan Market building and is open for public skating from Wednesday through Sunday, featuring skate rentals available from TSR Hockey & Lacrosse. Since its launch, Faro said, a few special events have been held, like skating with Santa Claus and an ’80s and ’90s themed skating party. As for the igloos, those are located exactly where the open-air tent had been during the summer months, with two-hour dining times available to parties of between two and six diners who reserved them.

“We’ve obviously done things outdoors, but we’ve never taken it this far before,” Faro said of the igloos and the skating rink. “We’ve consistently been trying to get better at providing our guests with fun and exciting things to do in this new environment, and we’ve had a good time doing just that.”

Also in December, the Bedford Village Inn announced it will be offering outdoor dining in several heated igloos on its patio. According to sales and marketing director Melissa Samaras, the plan to bring an “igloo garden” to the Inn was in the works even before the pandemic hit, as the company was looking for a replacement for its annual Ice Bar event in February. The igloos can be reserved for dinner nightly, or brunch on the weekends, and special Valentine’s Day packages are already being booked now, Samaras said.

In Brookline, Averill House Vineyard went from gearing up at the beginning of 2020 for what would have been the biggest tour season of its history to changing almost everything about its business model by year’s end. Owner Bob Waite said the vineyard recently unveiled the “Vine to Wine” igloo and gazebo experience, which allows guests to safely enjoy private wine tastings with charcuterie boards in small groups inside of heated igloos. Each igloo, Waite said, has a Norwegian theme with soft wood furniture.

Waite added that the vineyard has also introduced several new products over the course of this year that have been a hit, like multiple flavors of single-serve “wine cream,” or wine-mixed ice cream from a partnership with Sub Zero Nitrogen Ice Cream of Nashua, as well as mulled wine. They can also be enjoyed inside the igloos.

“The wine creams have been a real hit, especially for someone who’s not a big wine drinker but they like ice cream,” Waite said.

Larger cities in the state even opened up public sidewalks and parking spaces downtown to accommodate additional outdoor dining space for restaurants, another defining theme for much of 2020. In Concord, new outdoor dining permits for 2021 will become valid on April 1, according to city health and licensing officer Gwen Williams.

Manchester Mayor Joyce Craig had issued an announcement back in mid-May allowing restaurants to also expand dining into privately owned parking lots, as long as business owners had written permission to use the space from the property owner. Jersey barriers were in place for much of the summer and fall along Elm Street before they were all removed by the first significant snowstorm of the season earlier this month.

According to Lauren Smith, chief of staff for Mayor Craig, a similar program may be returning next spring or summer for downtown business owners who again want to take advantage of additional outdoor seating. In the meantime, the possibility of utilizing certain parking spaces as 15-minute curbside pickup locations during the winter is being considered.

Nashua also had parking restrictions along Main Street for much of the year, and city economic development director Tim Cummings said there is an ongoing discussion to have them return in 2021. Meanwhile, on Dec. 22, the Nashua Board of Mayor and Aldermen voted against implementing a 9:30 p.m. curfew at city bars and restaurants, despite a unanimous recommendation from the Nashua Board of Health to do so.

The year of takeout

Ordering takeout also became an inevitable trend for local eateries in 2020 as a result of the pandemic, even for those that had previously only generated a small percentage of overall revenue from it, or had not been set up for takeout at all.

Restaurants like Greenleaf in Milford, Revival Kitchen & Bar in Concord and the Hanover Street Chophouse in Manchester, all of which had regularly drawn in an in-house dining crowd and had special attention to detail in the presentation of their plates, were among those that especially felt these impacts. They and many others across the state had to change or significantly scale down their menus to provide more takeout-friendly options. To help restaurants bring in a little bit more revenue with just takeout, Sununu would also issue an emergency order on March 18 to temporarily authorize those with a liquor license to sell bottled or canned beer and wine with all food orders.

Early on, Greenleaf introduced a new menu of takeout-friendly options like sandwiches, soups, and small plates, many of which included previews of its sister restaurant, Culture, which would open in August. Though it recently has been open for dine-in eating most days of the week, Greenleaf owner and chef Chris Viaud announced Dec. 28 that the restaurant will suspend dine-in service starting Jan. 3 and will revert back to a takeout-only model.

The Tuscan Kitchen and Market, according to Faro, launched an online grocery service, allowing its products to be shipped all over the country.

“That’s really been our biggest saving grace throughout this whole time period,” he said. “That arm of the company that we started has been doing unbelievable for us.”

Revival, owner and chef Corey Fletcher said, has returned to an emphasis on takeout since the summer ended, featuring options like hand-cut steak and wine pairings for two. The Hanover Street Chophouse also found success with takeout through its weekly “pop-up butcher shop” events, selling a variety of its house-cut meats and fresh sides a la carte.

Keep on brewing

Local breweries have been hit hard this year too, sustaining large losses in sales due to the closures of tasting rooms and the suspensions of growler fills.

As 2020 comes to an end, however, the craft beer community is coming away with a significant win. A permanent extension of the Craft Beverage Modernization and Tax Reform Act, passed by Congress on Dec. 21 as part of its stimulus package, will provide major tax relief for breweries and thus save the industry millions of dollars.

According to C.J. Haines, executive director of the New Hampshire Brewers Association, the bill makes the federal excise tax rates of $3.50 per barrel permanent. Without the legislation, the rates would have gone back up to $7 after Dec. 31.

At the state level, Haines said the Association was able to secure $3.9 million in aid from Gov. Sununu’s Main Street Relief Fund in the pockets of local brewers, all while holding several virtual events and fundraisers throughout the year. New Hampshire Craft Beer Week, she said, is indeed due to return in 2021 with tentative dates of April 7 to April 17, but details on what it will look like are still being ironed out.

“We’ve also had conversations about potentially doing something at the end of summer or maybe mid-fall, kind of like a seated festival where you purchase a table space, share beer samples and brewers would walk around and talk to you about them,” she said. “Everything’s up in the air.”

More upcoming foodie happenings

Food festivals across New Hampshire were either reimagined virtually or canceled altogether throughout much of the spring and summer, but a few are already eyeing a return in 2021.

At Anheuser-Busch Tour Center and Biergarten in Merrimack, the New Hampshire Bacon & Beer Festival is scheduled for May 22, with tickets due to go on sale in mid-February, while the Great American Ribfest & Food Truck Festival will take place on June 18, June 19 and June 20, Jeremy Garrett of the event management company J2L Events confirmed. Both festivals had been canceled this year due to the pandemic.

To maximize social distancing, Garrett said, all parking and entry tickets will need to be purchased in advance for both events, as there will be no shuttle services. All of the vendors will be spread out, and masks will be required while waiting in lines. The Bacon & Beer Festival typically brings together around 40 craft breweries with 20 locally made bacon dishes, while the Ribfest and Food Truck Festival has between 20 and 24 food vendors.

“Almost all of the [barbecue vendors] and food trucks that had committed to the 2020 Ribfest are returning,” Garrett said in an email, adding that he doesn’t expect to add many more. “More trucks is good for attendees, but not for the trucks themselves, and they need the help next year.”

Held virtually back in late March, the SouperFest, a soup tasting fundraiser for the Concord Coalition to End Homelessness, is also scheduled to return live, according to office administrator Teri Gladstone. Eight Concord-area eateries will be offering homemade soups for you to order in advance and pick up at White Park on March 20, from 3 to 5:30 p.m.

Several local eateries are also scheduled to open for business in 2021. In Milford, Taco Time Cocina & Cantina Mexicana, a brick and mortar restaurant from the owners of the Milford-based food truck Taco Time, will be opening soon. Trio’s Cafe & Cantina is also on the way, on North Broadway in Salem, while in Derry, LaBelle Winery is expanding its business to include a new Champagne house, restaurant and retail marketplace by the summer, in the former space of Brookstone Events & Golf on Route 111.

A Year in the Kitchen: 2020 edition
The Hippo’s In the Kitchen Q&A series continued throughout 2020, featuring dozens of diverse voices of the state’s food scene over the course of the year, from restaurant chefs and food truck owners to homestead bakers and other business owners.
One question we always ask our industry experts, “What is the biggest food trend in New Hampshire right now?,” yielded a variety of answers depending on the time of year it was. Plant-based foods, craft breweries and food trucks were all recurring answers throughout the year, but especially as the impacts of the pandemic drew on, the most common trends we heard about had to do with shopping and eating local, takeout and online ordering at restaurants, and returning to the simplicity of home-cooked meals.
“Family meal deals from local restaurants … help alleviate the enormous tasks of working from home while homeschooling children,” Elizabeth Silva of Cafe El Camino in Plaistow told the Hippo in May. The eatery, which specializes in authentic Puerto Rican cuisine, has continued to offer family-sized meals throughout the summer and fall and into the holiday season, featuring meats, rice, vegetables and more that can be ordered online for pickup.
We also had a number of people tell us that artisan doughnuts have been a recent trend. Other answers we received for specific foods included gourmet burgers, street tacos, grain or rice bowls and salads, chicken tenders, chili dogs, and steak and cheese subs.
A fun question we also ask, “What celebrity would you like to see eating at your restaurant?” or “What celebrity would you like to have a meal with?,” always produces a wide array of answers, and this year was no exception, with several musicians, Hollywood actors, athletes and celebrity chefs all receiving mention. The No. 1 answer of 2020 was Gordon Ramsay, of the hit cooking competition television series Hell’s Kitchen, followed closely by actor, comedian and New Hampshire native Adam Sandler. Actor Dwayne “The Rock” Johnson and chef Paul Hollywood of The Great British Bake Off also received multiple answers.
“If I’m going to be criticized by anyone for my cooking, I would want the most critical person, and it’s [Ramsay],” Ken Mosher of The Country Chef in Wilton told the Hippo in April.

Featured photo: An igloo at Averill House Vineyard in Brookline. Courtesy photo.

Art adapts

2020 became a year of unexpected innovation for arts organizations

In 2020, we saw art galleries and performance venues closed, shows and festivals canceled and classes and programs suspended. But in the face of the many challenges brought about by Covid-19, the New Hampshire arts community did what it does best: It got creative.

“Many New Hampshire arts organizations and artists are finding creative ways to engage the public during the pandemic, reimagining events and activities in both physical and virtual spaces,” said Ginnie Lupi, director of the New Hampshire State Council on the Arts.

Performance venues erected new outdoor stages and spaces to welcome socially distanced audiences; theater companies, musicians and authors accommodated audiences at home through livestreamed and recorded shows and discussions, and educators in the arts carried on with classes and lessons remotely.

Now, as a Covid vaccine brings hope that a return to normalcy is on the horizon, artists and arts organizations are reasoning that the solutions they improvised to get through the pandemic may still have merit in a post-pandemic world.

“We expect many of these changes to become permanent,” Lupi said. “Many organizations are finding that online performances and activities are reaching more diverse and distant audiences.”

Living room theater

The Majestic Theatre in Manchester is one of many local theater companies that installed new video equipment to offer virtual performances.

“The virtual component has been a valuable tool to share our performances with those who are homebound,” artist director and CEO Rob Dionne said. “Now, a virtual component will be a part of most of our shows moving forward.”

Genevieve Aichele, executive director of New Hampshire Theatre Project in Portsmouth, said that purchasing new video, audio and computer equipment and hiring a part-time associate producer for media was an advantageous use of the CARES relief funds it received.

“The board and staff of NHTP views this as an investment for the future,” she said. “NHTP will be continuing to offer programs online for the foreseeable future.”

Though New Hampshire Theatre Project is presenting in-person performances again, it and many other theater companies that are able to do so are now using both formats, giving audiences the flexibility to experience theater in a way that meets their needs and comfort level. Aichele said the virtual option remains the most popular, noting that New Hampshire Theatre Project’s November production of The Adventures of Sleepyhead brought in 36 tickets for the in-person show and 245 tickets for the virtual one.

Matt Cahoon, artistic director of Theatre Kapow in Manchester, said the company’s “significant [investment in] time, energy and money” to offer virtual performances will “define this company for the next decade.”

“I would hate to see us just leave that behind,” he said. “I imagine that some of the technology will come back with us, and that we will find ways to meld together the live and virtual experiences.”

Unexpectedly, Cahoon said, the virtual format has given Theater Kapow the opportunity to enhance the theater experience for audiences by incorporating storytelling elements that aren’t feasible on a live stage. For example, the use of cameras allows him to draw the audience’s attention to small details that they might miss in person.

“The audience’s perspective of the actors was closer than ever,” he said. “It seems impossible to me to go back to a time where we say to audiences, ‘OK, you sit over there in the dark and we will be up here with the lights on us.’”

Art on screen

The visual arts have also found a new place in the virtual realm, with many arts organizations and art galleries shifting to an online format.

Lauren Boss, co-president of the Nashua Area Artists’ Association, said the Association moved its operations online when the months-long closure of its brick-and-mortar art gallery, ArtHub, limited members’ opportunities to sell their art.

“The pandemic forced us to figure out how to make e-commerce work for us,” she said. “This is something that will definitely remain after the masks are gone.”

The League of New Hampshire Craftsmen made a successful transition online after Covid made it impossible for the League to host its annual Craftsmen’s Fair in-person. The nine-day arts and crafts fair held in August at Mount Sunapee Resort typically draws 20,000 paying attendees, provides 80 percent of the League’s yearly operating income and is the largest opportunity for more than 300 local and regional artisans to sell their work; canceling the event altogether, League executive director Miriam Carter said, was simply not an option.

The League held the fair virtually on its website by providing links to the artisans’ online shops as well as a virtual exhibition tour and exclusive video content including craft demonstrations, musical performances and guided try-at-home craft projects for all ages.

While the virtual fair was a success in that artisans were still able to sell their work, it also had some silver linings that extended far beyond the fair itself, Carter said.

“[It] inspired 80 of our craftsmen to create websites or online sales capability for the first time,” she said. “This is a significant and welcome culture shift in a membership that is generally slow to adopt technological innovation … [and gives] craftsmen online tools they need to sustain their business through the Covid era and beyond.”

Carter said the League plans to make virtual elements a permanent feature of the Craftsmen’s Fair moving forward.

Learning from home

During the pandemic, many local arts organizations started offering classes, lessons and educational programs remotely, with students and educators meeting over video conferencing apps like Zoom, and some plan to continue offering remote education as an option indefinitely.

New Hampshire Writers’ Project hosted its annual 603: Writers’ Conference, normally held in Manchester in the spring, remotely in October. The reimagined 603: Writers’ “Sit and Click” Virtual Conference featured most of the same activities as the in-person conference, including panels, classes and a keynote speaker, accessible live on Zoom and through recordings that were available to participants for 90 days following the conference.

“We also have become more creative with our programming,” New Hampshire Writers’ Project board chair Masheri Chappelle said.

Many of New Hampshire Writers’ Project’s regular programs are now offered virtually, which has increased membership and participation, including writers from as far as Utah and Australia.

Peggy Senter, president of Concord Community Music School, said there has always been a number of students who travel from out of state to participate in the school’s programs as well as students who discontinue their education after moving farther from the school. Remote classes and lessons have eliminated that barrier, she said, and have proven to be “a wonderful opportunity for people who live far away and otherwise wouldn’t be able to participate.”

“Going forward, we will most likely offer remote learning to those who would be unable to participate due to distance, illness or adverse weather,” she said.

Additionally, virtual student recitals have given students a chance to share their musical abilities with people who would not be able to attend the recital in person.

CCMS has produced 11 student recitals on YouTube since March, Senter said, the most recent of which featured 40 students.

“Going forward, we will look forward to in-person recitals again, but also having a recorded version is allowing friends and family to access these performances from around the country and the world,” she said.

Supporting the arts

Lupi said that while the creativity exhibited by the New Hampshire arts community to keep the arts alive has been “encouraging” and “speaks to the value of the arts,” local arts organizations aren’t out of the woods yet.

“The pandemic will definitely have an ongoing, long-term impact on New Hampshire’s arts sector,” she said. “Some organizations and businesses may not survive, and those that do will have a long financial and programmatic recovery. … More aid to the sector will definitely be necessary for 2021 and beyond.”

Featured photo: Peter Josephson in Theater Kapow’s virtual production of A Tempest Prayer in November 2020. Photo by Matthew Lomanno.

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