High country show

Fogelberg tribute is a gem

A careful return to concerts at the Franklin Opera House includes a hybrid live and livestream show on Nov. 14, with Maine singer-songwriter Don Campbell playing the music of Dan Fogelberg. Employing a voice that closely resembles the soothing tenor that propelled hits such as “Leader of the Band,” “Same Old Lang Syne” and “Go Down Easy,” Campbell will perform both solo on piano and guitar, and with an expanded band.
For Campbell, hearing Fogelberg’s Souvenirs album as a teenager in the early 1970s was a transformative experience.
“It made me want to become a songwriter,” he said in a recent phone interview. “It felt like he was singing directly to me. A common thread with fans that I meet is it’s almost like you knew him through his music.”
Campbell has had a lot of success with his chosen craft. He’s a six-time winner of the Maine’s Best Singer-Songwriter poll and took top honors at a Grand Ole Opry competition of original artists that earned him $50,000 and a Gibson Les Paul custom guitar. He’s made 14 CDs of original music, including a pair of Christmas albums. His most recent release is 2014’s The Dust Never Settles.
It’s Campbell’s tribute act that’s getting the most notice in recent years, however.
When prostate cancer claimed Fogelberg in 2007, Campbell began recording his favorites to memorialize him, ultimately releasing a double album in 2012, Kites To Fly – The Music of Dan Fogelberg. Its title is a metaphor, not a lyric reference.
“His songs are like beautiful kites that you take down from the wall and outside to fly a little bit,” Campbell said. “That’s the only way I can describe them for someone who doesn’t know Dan’s music.”
The tribute was noticed by the Fogelberg Association of Peoria, Illinois (the singer’s hometown). The family trust invited Campbell to perform at their annual Celebration Weekend in 2013 and endorsed his act on its website.
“I got to speak to his mother through the foundation president, who put me on the phone with her,” Campbell said. “It was really quite an honor.”
The upcoming Franklin show will be Campbell’s first livestream, and he said he’s relieved to be performing for an in-person crowd at the same time.
“We like to play for people, not at people, where you can talk to the audience,” he said. “So I love opera houses. They always sound great, and they were built for carrying sound. We’re not a loud band; we’re more about playing the parts.”
He’ll bring a seven-piece band that includes fiddle and mandolin players for the evening. It will span Fogelberg’s career, from his gentle, semi-confessional early work to mid- ‘70s jazz rock and the 1985 bluegrass classic High Country Snows, a record Campbell names as one of his most beloved in the catalog.
“It was a special project,” he said.
Over the summer, Campbell and his band did a few outdoor, socially distanced shows. One memorably happened in the parking lot of The Clambake, a favorite seafood restaurant in his hometown of Scarborough, Maine; he and his band played atop a flatbed truck.
“People got lobster rolls and sat in lawn chairs between each car or in the back of a pickup truck,” he said. “We put on a three-hour concert and it was really great. I’ve always said, ‘Evolve or dissolve.’ Everybody’s had to evolve in 2020 to keep things going.”
Asked what he’ll remember most about this challenging year, Campbell answered quickly.
“Playing in close proximity to people,” he said. “Being able to play in venues where there are dancers right in front of you, it’s hard to replace that.”

The Music of Dan Fogelberg – Don Campbell Band
When: Saturday, Nov. 14, 7:30 p.m.
Where: Franklin Opera House, 316 Central St., Franklin
Tickets: $18 & $20 ($17/livestream) at franklinoperahouse.org

Featured photo: Don Campbell. Courtesy photo.

Love and Monsters (PG-13) & The Craft: Legacy (PG-13)

Love and Monsters (PG-13)

A guy travels through miles of monster-infested wilderness to see a girl in Love and Monsters, a sweet, hopeful movie about the end of the world.

Joel (Dylan O’Brien, who is better served by this movie than by the Maze Runner movies he starred in) and Aimee (Jessica Henwick) are high school sweethearts who are in a car overlooking their bucolic California town, hanging out and making out, when suddenly an air raid siren goes off, stuff starts to blow up and the military shows up. Monsters are soon destroying the town and the couple is separated as people rush to evacuate. These monsters are mutated creatures — giant bugs, worms, frogs, lizards, etc. — created by chemicals that rained down on Earth from bombs sent to destroy an asteroid. (But wait —, you’re about to say. Look, just go with it.)

Seven years later, Joel, like the rest of the surviving 5 percent of humans, lives with his colony underground. Traumatized by the early days of the monster uprising, he’s not so much of a hunter, more of a soup-maker and radio-fixer. But with these skills he was able to call around to other human colonies and eventually find Aimee, living in a colony by the beach 80-some miles away. Because he still loves her (and also because he is lonely as the only person not paired up in his small colony), Joel decides to set off on the trek to see her.

Along the way, Joel meets Clyde (Michael Rooker) and his sort of adopted daughter Minnow (Ariana Greenblatt) and they help him learn some survival skills, including some decent archery work. And Joel befriends a dog called Boy who turns out to be a good and useful traveling partner.

For a movie with giant man-eating ants and worms (decently portrayed and just this side of silly), Love and Monsters has a surprising amount of heart. And it’s hopeful. It shows Joel, deeply heartbroken and lonely, learning how to take the world as it is and move forward with some optimism despite, like, man-eating termites and a seriously depopulated world. And it’s funny — Love and Monsters isn’t full of big laughs but it has a lightly humorous tone throughout that really complements the sweet and bittersweet elements of the story. B

Rated PG-13 for action/violence, language and some suggestive material, according to the MPA on filmratings.com. Directed by Michael Matthews with a screenplay by Brian Duffield and Matthew Robinson, Love and Monsters is an hour and 49 minutes long and distributed by Paramount Pictures. It is available for rent or purchase.

The Craft: Legacy (PG-13)

A new generation of teenage witches uses their powers to teach jerks lessons and apply sparkly eye makeup in The Craft: Legacy.

Teenager Lily (Cailee Spaeny) and her mom (Michelle Monaghan) move to a new town to live with Adam (David Duchovny), her mom’s new flame, and his three teenage sons. Lily isn’t terribly excited to start at a new school and her first day does not go well. Her period shows up unexpectedly and a particularly meatheaded boy, Timmy (Nicholas Galitzine), a friend of Lily’s new stepbrother-types, humiliates her. Lily runs to the bathroom, where Lourdes (Zoey Luna), Frankie (Gideon Adlon) and Tabby (Lovie Simone) show up with words of comfort and a new pair of shorts. They have their eye on Lily and after she is able to shove Timmy into a locker without really touching him the trio decide that Lily is exactly who they’ve been looking for — the fourth, who will complete their coven and allow them to tap into the witch powers they’re certain they have. And with Lily around, they find they can perform some impressive feats, like telepathic communication, briefly freezing time and playing a kick-butt round of Light as a Feather, Stiff as a Board.

There is a very “first two episodes of a new CW series” feel about this movie — a new series I would probably watch even if it’s still finding its footing. Legacy balances, or at least it tries to balance, teen drama with magic and humor with horror, both literal and metaphorical. In one plot point, the girls cast a spell on Timmy, who tormented them all at some point. Their spell, basically, makes him woke — talking about his feelings and chastising bros for making insensitive jokes. It’s a cute element that is executed, at least for a while, OK. A series probably could have developed in clever ways but a movie just doesn’t have time.

The actors here are fine — little is stand-out but it feels like everybody is bringing a bit of something to their characters, even if they don’t get the time to do all that much. The movie’s final note really does have that “mid-season finale” energy and many of the story and character choices made here would make sense if this is the start of a longer-running universe. As a stand-alone movie, The Craft: Legacy feels not-yet-done and in need of a tighter focus. C+

Rated PG-13 for thematic elements, crude and sexual content, language and brief drug material, according to the MPA on filmratings.com. Written and directed by Zoe Lister-Jones (from characters by Peter Filardi), The Craft: Legacy is an hour and 37 minutes long and is distributed by Columbia Pictures. It is available for rent or purchase.

Featured photo: Love and Monsters (PG-13)

In the kitchen with Frank Mannino

Francesco “Frank” Mannino of Nashua is the owner of Pizzico Ristorante Italiano & Martini Bar (7 Harold Drive, Nashua, 897-0696; 7 Continental Blvd., Merrimack, 424-1000; pizzicotogo.com), which offers a menu of authentic Italian appetizers, pastas and steak, chicken and seafood entrees, in addition to specialty burgers, sandwiches, pizzas and calzones. The drink menu includes a variety of house martinis and an extensive selection of Italian red and white wines. Pizzico, its name coming from the Italian word meaning “pinch” in terms of cooking, has been open in Nashua since 1996. Originally from Palermo, Italy, Mannino came to the United States as a teenager. He purchased the restaurant from his older brother Vito in 2005, opening the second location in Merrimack about three years later.

What is your must-have kitchen item?

I would say a pan or a knife.

What would you have for your last meal?

I would have our Sicilian stew, which we make in house with steak tips, sausage, carrots and onions cooked in a tomato sauce, and then we toss it in a pasta.

What is your favorite local restaurant?

Michael Timothy’s [Local Kitchen & Wine Bar in Nashua]. I’ll usually have a steak dish, cooked medium-rare.

What celebrity would you like to see eating in your restaurant?

Robert De Niro.

What is your favorite thing on your menu?

The lasagna, which is one of our most popular items. The meat lasagna has ground beef and pork Bolognese, and then we do a vegetarian lasagna with layers of eggplant.

What is the biggest food trend in New Hampshire right now?

Definitely gluten-free [options]. We do both gluten-free pastas and pizzas.

What is your favorite thing to cook at home?

Nothing too crazy, just a simple pasta with tomato sauce … or a cheese pizza.

Spaghetti Aglio & Olio
From the kitchen of Francesco “Frank” Mannino of Pizzico Ristorante Italiano & Martini Bar in Nashua and Merrimack (served with a pasta of your choice)

2 ounces chopped garlic
1 ounce extra virgin olive oil
Pinch of red pepper flakes
Pinch of salt and pepper
Pinch of chopped parsley

In a saute pan, add oil and garlic. While it’s cooking, add the red pepper flakes, salt and pepper. Once garlic is a gold color, shut the stove off and add a little bit of hot water to prevent it from burning and the pasta from sticking to the pan. Toss the pasta in. Serve and top with freshly chopped parsley and Parmesan (optional).

Featured Photo: Frank Mannino

Virtual wines and spirits

Liquor Commission presents 90 Days Around the World tasting series

In lieu of its annual Wine Week and Distiller’s Week, both of which bring hundreds of the world’s esteemed winemakers and spirit purveyors to the Granite State for several nights of tastings and seminars, the New Hampshire Liquor Commission is now bringing them to you from the comfort of your own home. The inaugural 90 Days Around the World program, which began on Nov. 2 and will continue through Jan. 30, features a three-month series of free virtual tastings, Q&A sessions and other interactive events with winemakers and distillers near and far.

Laphroaig. Courtesy photo.

“We knew it would be impossible to host the same events that we have in the past … but we still wanted to support that engagement with our customers, who continue to want to learn about our product offerings,” said Lorrie Piper, director of sales, marketing, merchandising and distribution for the New Hampshire Liquor Commission.

Each day during the program, participants can visit 90daysaroundtheworld.com and click on the “events” tab, where they’ll find a link to a virtual tasting or Q&A session that will be livestreamed on the Commission’s Facebook page and via Zoom. Most of them also include information about the purveyor and which wines and spirits will be discussed and tasted.

Those tuning in live can engage in the conversation by posting comments or questions to the video, but even if you miss one you wanted to watch, Piper said, all of the videos are archived.

“We’ll be monitoring the videos after they get posted, so we encourage people to still reach out, ask questions and make comments,” she said.

Several industry professionals who have travelled to New Hampshire for Distiller’s Week or Wine Week in the past have returned for this new virtual series. Among them is Jane Bowie, director of innovation at Maker’s Mark Distillery in Loretto, Kentucky, who was a featured panelist at the Women of Whiskey & Spirits seminar during last year’s Distiller’s Week.

On Nov. 5, Bowie, along with Maker’s Mark master distiller Denny Potter, led an interactive virtual discussion and tasting of four of the company’s spirits.

“It’s not as personal, but you do get to talk to and reach a lot more people in this format,” Bowie said in a phone interview. “I almost think you can get more engagement in this scenario, because people are tasting from their homes. They’re in their natural environment and may not be as nervous about asking questions as they might be from a more orchestrated tasting.”

Some tastings planned for later on in the series will also feature live cooking demonstrations, meant to showcase food pairing suggestions with wines and spirits. In mid-January, winemaker Lisa Evich of Simi Winery in Sonoma County, California, will host a joint virtual cooking demonstration and tasting with executive chef Kolin Vazzoler.

Evich is a two-time past attendee of the Winter Wine Spectacular and has also participated in several dinners at local restaurants that have featured Simi’s products during Wine Week.

“Sonoma County is just such an incredibly diverse region to grow grapes in with nice lush flavors,” Evich said in a phone interview. “Kolin does an outstanding job of creating dishes that really complement and showcase what our wines are all about.”

Throughout the 90-day series, participants have the opportunity to earn points that would accumulate toward their chance to win multiple prizes and giveaways. You can start earning points by downloading the free Scavify app, which Piper said acts as a virtual “passport” for each event you tune into. Once you create an account through the app, you’ll earn points by getting a “stamp” in your passport.

Points can be accumulated by attending as many events as possible or by completing tasks, such as posting pictures of your favorite spirits or wines or correctly answering trivia questions. Some of the larger prizes, Piper said, include a $2,500 New Hampshire Liquor & Wine Outlet gift card and a guide to build your own home bar, including tools and accessories.

90 Days Around the World virtual tasting series
When: Various dates and times, now through Jan. 30 (series began Nov. 2 and all tastings can be viewed on Facebook @nhliquorandwine)|
How to participate: Visit 90daysaroundtheworld.com or download the Scavify app to start accumulating points

Featured photo: A table of booze from a past Distillers Showcase. Courtesy photo.

Kiddie Pool 20/11/12

Family fun for whenever

Movie party

Meet Toy Story’s Woody and Jessie during a lunch or dinner viewing party at Chunky’s, with screenings on Saturday, Nov. 14, at noon at Chunky’s in Pelham (150 Bridge St.) and Sunday, Nov. 15, at 6 p.m. at Chunky’s in Nashua (151 Coliseum Ave.). Woody and Jessie will be in the theaters an hour before screening times to lead the kids in games and socially distant dance parties. Tickets cost $6.99 and can be purchased at chunkys.com.

Make music

Kids in grades 6 through 12 can create music that will explore their feelings and help them express their emotions during a free online rap music class hosted by the Manchester Community Music School. The class is designed to allow students to work together to come up with original music that helps them navigate the effects of the pandemic. The class is free via Zoom and will run on Wednesdays for four weeks: Nov. 11, Nov. 18, Dec. 2 and Dec. 9. Students can register for one of two class times on those dates, either 1:15 to 2:15 p.m. or 4:30 to 5:30 p.m. Call 644-4548 or visit mcmusicschool.org.

Family field trip

While it’s still not too chilly, take the kids to America’s Stonehenge (105 Haverhill Road, Salem, 893-8300, stonehengeusa.com), a 4,000-year-old stone construction that was built by ancient people as an astronomical calendar to determine solar and lunar events of the year. Take a tour (mostly outdoors) and learn about the site, which was also used as a stop on the Underground Railroad. Kids can dig for gemstones with tools used by real archaeologists, and interactive tools are now available, including a free audio tour that parents can download to their smartphones. The museum is open daily from 9 a.m. to 4 p.m. (last entrance at 3 p.m.). Admission rates are $13 for adults, $11 for seniors age 65 and up, $7.50 for kids ages 5 through 12, and free for kids age 4 and under.

At the movies

How locally-owned movie theaters are weathering 2020

With Covid-related capacity restrictions and a scarcity of big new movie releases, movie theaters are struggling to cover their operating costs and some haven’t been able to open at all.

Among the big chains, area Regal theaters are temporarily closed and the AMC theater in Londonderry is mostly open Friday, Saturday and Sunday, as is the Cinemark in Salem, according to their websites. Likewise, locally-owned movie theaters have worked to find ways to adapt to regulations and uncertain movie release schedules.

Limited capacity, limited releases

One of the biggest challenges movie theaters have faced this year is the shortage of new movies being released.

“Whenever we think [a movie] is coming out, we get news that the studio has pushed the release date out,” said Mike Mannetta, marketing manager for Chunky’s Cinema Pubs, whose screening rooms offer chairs arranged at tables and food and bar menus, with locations in Nashua, Manchester and Pelham. “It’s like we’re chasing a carrot that just keeps moving on us.”

Some studios are bypassing theaters altogether and distributing the new films straight to home video, streaming platforms and on-demand services.

“It’s really hard to get people engaged [with movie theaters] when they have Netflix and HBO and so many different options,” said Angie Lane, executive director of Red River Theatres in Concord, which is a non-profit cinema with a mission to highlight independent films. “And I don’t blame them. It’s definitely easier right now to be like, ‘I’ll just find something to watch on Netflix.’”

Theaters may be able to get a hold of some new indie, local or foreign films or classic movies, but those alone don’t attract enough moviegoers for the theaters to make a profit or, in many cases, even break even with what they have to pay in licensing and operation costs in order to show the movie.

“A lot of these [indie] titles are great films, but they don’t have a great marketing budget,” Lane said, “and it takes a certain attitude that a lot of people don’t have to say, ‘I’ve never heard of this and have no idea what it’s about; I’m going to watch it.’”

“We need the blockbusters; the movies from Disney and all those big studios are the meat of our business,” Mannetta said. “Not having those is what’s really, really hurting us right now.”

But, as Wilton Town Hall Theatre owner Dennis Markaverich can attest, even first-run movies with big-name actors aren’t a surefire antidote to moviegoers’ reluctance to go out, especially to a small, intimate theater. When the theater reopened with new releases Irresistible and Emma in July, it was, Markaverich said, “a disaster.”

“They were first-run movies, one with Steve Carell in it, and guess what? They did terrible,” he said. “The film companies still wanted their regular percentage, which is high, and we weren’t even making the minimum. People weren’t even coming inside. It was like shoveling money into the boilers of the Titanic.”

If and when more moviegoers feel comfortable going to the theaters again, the state’s regulations for theaters, which currently call for a 50-percent reduction in capacity, may still make it difficult for theaters to cover their operating costs.

“Our largest theater can normally hold 150 people, so realistically, right now, with social distancing, we could sell maybe 50 tickets for that one, and maybe 25 tickets for our other theater, which can normally hold 100 people, and that’s at best,” Lane said, “and if we can’t sell enough tickets to cover the cost of opening the theater, our hands are tied. We can’t risk our financial future by trying to stay open. We have to be responsible.”

Bringing back the classics

Local theaters have taken a variety of approaches to coping with the challenges posed by Covid-19.

It’s been easier for some than others. Drive-in theaters were among the first entertainment venues permitted to reopen in New Hampshire on May 11, which was great news for the Milford Drive-In Theater, which has two screens.

“I was ecstatic that the governor’s office recognized that we would be able to [operate safely] and allowed us to open back up so quickly,” said Barry Scharmett, one of the family owners.

The Milford Drive-In Theater opened that same weekend with double features of Onward and The Call of the Wild on one screen and The Invisible Man and The Hunt on the second screen, new releases from February and March that were in the middle of their run when theaters were ordered to close. Tickets sold out fast for all showings. The drive-in continued throughout the summer and fall with a wide range of double features, including family-friendly favorites like Shrek and Despicable Me, horror duos like It and It Chapter Two and The Conjuring and The Conjuring 2, comedy pairs like Monty Python and the Holy Grail and The Big Lebowski, and a “Christmas in July” weekend with titles like Elf, How the Grinch Stole Christmas and National Lampoon’s Christmas Vacation.

“Covid never actually hurt us. The turnout this season was steady and fantastic from the get-go,” Scharmett said. “People wanted to get out of the house and do something, and we were able to provide a safe place for them to do that, so things worked out well for us.”

Milford Drive-In has closed for the season and will reopen in the spring, according to its website.

When indoor theaters got the green light on June 30, Chunky’s opened its doors right away with screenings of Jurassic Park, Ghostbusters and The Goonies. It continued with themed events like “Shark Week” in August, which featured shark-centric movies like Jaws, Open Water and Shark Tales; a screening of Mean Girls on Oct. 3 (fans know it as “Mean Girls Day”); and Halloween classics like Hocus Pocus, The Nightmare Before Christmas and Beetlejuice. They also brought back some popular flicks from the last few years, such as The Greatest Showman and Bohemian Rhapsody.

But screenings of older movies, even if well-attended, bring in nowhere near the amount of revenue that new blockbusters do, Mannetta said. In an effort to compensate for that loss, Chunky’s has been hosting other kinds of entertainment, including live comedy, music, magic and variety shows, trivia, 21+ events sponsored by an alcoholic beverage brand, a celebrity chef dinner series, paint nites, special promotions for kids and more and is, according to Mannetta, “constantly coming up with new, creative events to add.”

“If we just relied on the classic movie showings, we would be really struggling,” he said. “We’re still down significantly [in revenue] from last year, but all these special events we’re doing have been helping a lot with allowing us to continue [operating].”

Regional chain Cinemagic, which has theaters locally in Merrimack, Hooksett and Portsmouth, opened in New Hampshire in August with a similar mix of classic blockbusters as well as the new movies that came out in late summer, like The New Mutants and the Christopher Nolan directed Tenet. Local Cinemagic theaters’ current line-up of films includes new releases such The War with Grandpa featuring Robert De Niro, Honest Thief with Liam Neeson and other films with lower profiles than the big franchise films that have been delayed until 2021.

At Wilton Town Hall Theatre, after seeing the negligible turnout for the two first-run titles that he showed after reopening, Markaverich said he is resigned to showing only classic movies for the foreseeable future. The theater continues to run its Saturday classic films series each week and has been increasing the frequency of its well-attended silent film series, which features live music by silent film accompanist (and Hippo co-founder and associate publisher) Jeff Rapsis, from once a month to several times a month. Markaverich said he still looks forward to “going back into the movie business,” he said, “meaning the real movie business, being open seven nights a week with regular commercial films,” but he’s not going to take that step lightly.

“I already tried, and that act didn’t fly, so why would I try again when I know I’m just going to end up back in that same boat?” he said. “That’s why I’m waiting until I see other [similar theaters] start to turn over some good figures and get some steady flow. That doesn’t seem to be happening, but hopefully someday it does.”

Red River and O’Neil Cinemas in Epping have yet to reopen to the public. Red River has been subsisting on federal relief as it waits for “the safety and the financial viability” to reopen, Lane said, adding that the theater is preparing to attempt “a very limited reopening” before the end of the year.

“The funds have allowed us to breathe a little,” she said. “They’ve given us a bit of a cushion so that we can take the time to survey people … and look at every possible scenario … and really think about what our reopening is going to look like before we do it.”

In April, Red River launched its “virtual cinema,” inviting moviegoers to support the theater by purchasing tickets for new independent films, to be streamed from home.

“It’s not really enough to fund us, but we see it more as an engagement opportunity,” Lane said. “We feel that it’s important for us, as part of what we do as a nonprofit, to be out there in the community in some way. We want to make sure that we’re always meeting our mission, even when we’re not open or not making any money.”

Loni Dirksen, marketing manager for O’Neil Cinemas, said the theater is hoping to reopen next year but will not do so under the current circumstances for as long as they persist.

“We’re waiting for Covid numbers to improve, for restrictions [enforced by the state] to be lifted, and for new movies to start being released again,” Dirksen said, adding that O’Neil has no interest in reopening only to show classic movies.

Though their theaters were closed, O’Neil and Red River were, however, able to host some outdoor events during the summer. O’Neil had four drive-in showings of classic movies like Jurassic Park and Back to the Future, which Dirksen said “were pretty popular.” Red River partnered with Concord Parks and Rec for an outdoor showing of Toy Story, and with Canterbury Shaker Village for an outdoor showing of Casablanca. Lane said Red River may even hold another outdoor movie during the winter.

“Sometimes early December can be a little warmer, so we’re trying to see if that would be feasible and are looking into maybe getting some heaters,” she said.

Want a private screening room?

Another way that many local theaters are supplementing their income is by renting out their spaces as venues for private events for a reduced price. Depending on the theater, renters may be able to show their own DVD or Blu-ray disc or play their own video games on the big screen, and some theaters will provide concessions for the events.

Chunky’s and the Wilton Town Hall Theatre have been doing the rentals for months with a lot of success, according to theater representatives. It’s the main source of income (aside from federal relief funds) for O’Neil Cinemas and for Red River, which just started offering the rentals this week, their representatives said.

Dirksen said the rentals at O’Neil Cinemas have been popular for holiday get-togethers, business meetings, birthday parties and the like.

“It gives people a chance to get out and do something enjoyable,” she said, “and they can feel safe knowing that they’re coming into a clean environment that’s been disinfected just for them, and that all the people there are people from their own group who they’ve been socially distancing with.”

Pandemic protocols

In addition to limiting their capacity to 50 percent as mandated by the state, theaters have implemented a number of different protocols to prevent the spread of Covid-19 and ensure a safe environment for moviegoers.

Standard procedures at all theaters include required mask-wearing for theater staff and patrons, socially distanced seating arrangements and frequent sanitizing of common areas.

“I was adamant about people wearing masks while outside their cars,” Scharmett said of the Milford Drive-in. “If someone came in without a mask, they’d have to find one or leave — no ‘ifs,’ ‘ands’ or ‘buts’ about it.”

Rules about food and concessions vary from theater to theater. Chunky’s, for example, is continuing to offer a scaled-back selection of its pub fare, whereas Red River, when it reopens, will not offer concessions.

“We want people to be able to keep their masks [on] at all times,” Lane said.

Some theaters have taken other kinds of precautions as well. Both Chunky’s and the Drive-in (when it was open) conduct temperature checks with every staff member before every shift, and Red River has updated its air filtration system and is currently working on creating a contactless system for buying tickets in preparation for its reopening.

Dirksen said the actions taken by theaters across the country have been “very effective” so far.

“We recently learned that, as of now, there have been zero cases of Covid-19 connected to a movie theater,” she said. “That’s really great news for us.”

How patrons can help

Support from moviegoers is essential to the survival of movie theaters now more than ever, Lane said.

Theater staff said that one of the best ways to support local theaters is to consider becoming a member if the theater has a membership program, which often gives dues to the theater and gives patrons perks such as reduced admission pricing, guest passes, complimentary popcorn, invitations to members-only events and more.

Some local movie theaters have hosted fundraising events. O’Neil, for example, had a drive-thru popcorn and candy sale in October, and Dirksen said the theater may have another one in the future.

Gift cards are another option, Dirksen said, and can be a big help to theaters that still aren’t open and able to sell tickets.

“We will be opening again, and when we do, those gift cards will be good to use,” she said.

Lane at Red Rivers says donations of even $5 or $10 helps.

“We understand that a lot of people are out of work and struggling and it’s hard to give right now, but whatever they can give is enough,” she said. “Five dollars doesn’t seem like a lot, but if everybody gave that, it adds up.”

Though the CARES Act did provide some loans for small movie theaters, it simply wasn’t enough, Dirksen said, especially for theaters that are still closed.

“Some of us have been closed for six-plus months now and are still not getting any income,” she said.

By encouraging patrons to reach out to local congresspeople to advocate for them and “raise awareness … about how much independent theaters are hurting right now,” Dirksen said, theaters are hoping that Congress will be compelled to provide them with additional relief funding to help them stay afloat.

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