Meet the Locals

Native plants support wildlife and offer beauty in your garden

In recent years there has been a real upsurge in the use of native plants in the landscape as a way to support pollinators, birds and other wildlife. This is due, in part, to the fact that native plants are recognized and used by our wildlife, while most foreign species of plants are not. For example, birds generally nest in native trees and shrubs, but avoid those originally from Europe or Asia, and caterpillars rarely are seen on any imported species of plants. Not only that, most natives are hardy and lovely.

Scientists have found that birds depend on the caterpillars of butterflies and moths as the primary food source for baby birds. No caterpillars? No birds nesting. Entomologist Dr. Doug Tallamy found that a clutch of chickadees needs 6,000 to 9,000 caterpillars to survive from hatching to fledging. So let’s take a look at some common native perennials, trees and shrubs that are handsome and easy to grow.

According to Dr. Tallamy, the best perennial for pollinators is goldenrod. There are many species of goldenrod. Some of the wild types are not suitable for garden beds as they spread by root and easily elbow out plants we also want. But there are some nice ones readily found for sale at nurseries and that do not spread like crazy.

My favorite goldenrod is a variety called ‘Fireworks.’ It grows to be 2 to 4 feet tall and stays in a nice clump that does increase in size but is not aggressive. It does best in full sun with damp soil, but will take some shade and dry soil.

The Mt. Cuba Center is a research center in Hockessin, Delaware, that trials and rates native plants. They rate ‘Fireworks’ goldenrod as the very best, a 4.6 out of 5.0. Another one I like is a dainty little goldenrod called blue-stemmed goldenrod (Solidago caesia) that grows well in dry shade, blooming late in the fall. For me it stays about 18 inches tall.

You probably know that monarch butterflies need milkweed for their caterpillars. The milky alkaloids in milkweed are ingested, making the caterpillars distasteful to predators. But common milkweed, the wild one, spreads aggressively by root and seed, making it a problem for most gardeners. The answer? Buy swamp milkweed (Asclepias incarnata). This comes with pink blossoms (or sometimes white ones) and stays in a nice 3- to 5-foot-tall clump. Other pollinators enjoy the nectar and pollen of this fine plant, too. It does best in moist soil, but will grow in ordinary garden soil. It blooms in early to mid-summer.

One day last September we were visited in our garden by hundreds of migrating monarch butterflies. Just like marathon runners, monarchs need lots of calories before their long trip. These were feeding on nectar from a late-blooming native plant, Joe Pye weed (Eutrochium spp.). I’d not seen so many monarchs all at once in 30 years or more.

There are several species and cultivars of Joe Pye weed. All do best in full sun or partial shade, and consistently moist soil — though I’ve read that they will tolerate ordinary garden soils once well-established. Most Joe Pye weeds are tall — 5 to 8 feet tall — and develop into large clumps. Blossoms are purplish to pink, lasting for several weeks in the fall. Their seeds are eaten by birds in winter if you leave the stalks uncut in the fall.

My favorite Joe Pye is a variety called ‘Gateway.’ It has purple stems and the blossoms look good in a vase longer than the wild ones I also grow. There are two varieties that are claimed to stay short, one called ‘Baby Joe’ and another ‘Little Joe.’ Both are said to grow to just 3 feet, but I haven’t grown either one.

Goldenstar or Green and Gold (Chrysogonum virginianum) is a nice, low native that does well as a groundcover. It blooms with 1-inch bright yellow flowers in early June for me, but also re-blooms off and on throughout the summer. It does fine in shade or part shade with rich, moist soil. If the soil stays moist, it will grow in full sun, though it will go dormant in the heat of summer. Each plant can cover a circle about a foot in diameter. Look for it in better nurseries: It is not a plant you’ll find in a big box store. It is native to Pennsylvania but is hardy in all but the coldest pockets of New England.

All wildflowers are native, and many are called ephemerals because they disappear after an early spring flush of flowers. All are important for native pollinators and beneficial insects because there are few sources of pollen or nectar in a New England spring. A good selection of wildflowers are available at The Garden in the Woods in Framingham, Mass. The Garden in the Woods is a nonprofit garden, education center and plant nursery run by The Native Plant Trust, formerly called the New England Wild Flower Society.

One of my favorite spring ephemerals is Dutchman’s breeches (Dicentra cucularia). This is a low-growing plant with delicate, finely divided leaves and white blossoms that look to me a bit like pairs of white long underwear! Mine is growing under an old apple tree in partial shade and deep, rich soil. It only blooms for a couple of weeks.

If you see a bumblebee at this time of year, it is a queen that has overwintered. They love Dutchman’s breeches and other early wildflowers — they use the pollen to feed their worker bees that are growing into real workers, so the queens can retire to a life of luxury.

Dutchman’s breeches have two relatives that you may know or grow: bleeding heart (Dicentra spectabilis) and wild or fringed bleeding heart (Dicentra eximia). Some books say both are natives, others say Dicentra spectabilis is native to Asia, or native both here and there. It dies back in late summer.

I’ve seen wild bleeding heart (Dicentra eximia) growing in the wilds of Vermont, though it is not common. It is an unusual wildflower because it keeps its foliage all summer and blooms on and off all summer. It is much lower-growing than its bigger cousin and has nice finely divided delicate-looking leaves. Both of these plants are readily available in nurseries.

If you live in suburbia with a big lawn and want to support wildlife, think about giving up some lawn and planting native trees. Trees really are the workhorses of the plant world. They have more leaves and greenery than our annual and perennial plantings, and hence can let moth and butterfly larvae munch their leaves — and you will probably never notice. Before you plant any full-sized tree, do your homework. Learn how big it will get and leave plenty of space for it.

According to Doug Tallamy’s excellent book, Nature’s Best Hope: A New Approach to Conservation That Starts in Your Yard, the very best trees to plant to support wildlife are the oaks. There are 90 species of native oaks that grow in the United States, and all are excellent. Of these, the white oak (Quercus alba) is the best. It commonly grows wild in the Northeast and it supports many more species of caterpillars than any other tree. Not only that, it grows to be a huge tree, one that can live for hundreds of years. So the white oak is also great at sequestering large quantities of carbon from the atmosphere, helping to reduce global warming.

If you want to plant a white oak, do not be deterred by how long you think it might take to grow. If you can afford a tree that is already 6 to 8 feet tall, it will be 20 feet tall inside of five years. Or if you are young and patient, you can plant acorns. At this time of year, or soon, you should be able to find and dig up seedlings that are just starting to grow. Oaks send down deep taproots, so digging up bigger plants is more difficult.

The only downside to white oaks, from my perspective, is that deer love to nibble on them when the trees are young — much more so than red oaks, which are also good native trees to grow for wildlife. If you plant a white oak and have deer in your vicinity, the safest way to protect it when young is to surround it with a wire mesh fence.

However, I have planted white oaks where deer are a problem and did not fence them. Instead I relied on a repellent device that clips onto twigs like a clothespin. It is called “Fend Off Deer and Rabbit Repellent” and contains garlic extract in small cylinders. Once you puncture the seal inside the capsule, it emits a strong odor that deer hate. These repellents last for over six months. I’ve seen footprints of deer going right up to white oaks with these garlic oil repellents — and then walking away without taking a bite.

Oaks have very strong limbs and can send out limbs that are almost parallel to the ground, sometimes 20 feet or more in all directions. So do not plant your tree near the house. It is a good “specimen tree” suitable for the middle of your back lawn, or protruding out from the edge of a wooded area. White oaks do not do well in areas that have poor drainage. For such an area, choose a swamp white oak (Quercus bicolor). They also do well in ordinary soil.

We all know and love the sugar maple (Acer saccharum) for its great fall colors and delicious syrup. Unfortunately it is not a perfect choice for suburban landscapes. It is not tolerant of pollution, compacted soils or salt. It does not tolerate long periods of wet soil. It struggles in soils low in calcium. It is better suited for rural areas where it grows wild.

If you want a maple tolerant of soil compaction and suitable for soils from wet to dry, sandy to clay, our native red maple (Acer rubrum) is a good choice. It is relatively fast growing and shows off bright red leaves in the fall. It does not tolerate road salt, so it is not a tree to plant near a paved road. But almost anywhere else? It’s a great tree.

According to the terrific book Essential Native Trees and Shrubs for the Eastern United States by Tony Dove and Ginger Woolridge, the red maple supports 300 kinds of caterpillars as well as providing nectar while blooming in the early spring. Some varieties have male and female trees, but others have flowers of both sexes on the same tree. The seeds on female trees are important for birds and small mammals.

For smaller properties there are many fine native shrubs to choose from. One of my favorites is mountain laurel (Kalmia latifolia), the state flower of Connecticut. I grew up with it blooming in hardwood forests with a high canopy — mature oaks in particular. I did a lot of off-trail hiking as a boy and always stopped dead in my tracks when I came upon mountain laurels in bloom. Here I have planted three of them as they are hardy but are not found in the wild near me.

Mountain laurel, I have read, is not an easy shrub to grow, but my own experience is different: I planted my first one on a moist hillside with morning sunshine and acidic soil. It has thrived and blossomed nicely for decades even though I do nothing for it. It is a relatively slow-growing shrub, 6 to 12 inches per year. In the wild they can grow to 10 or 12 feet in height, but they stay smaller in cultivation.

Mountain laurel is in the heath or heather family, so it needs soil that is quite acidic, pH 5.5 or so. When planting, dig a nice wide hole and add sulfur or soil acidifier to the soil. It’s best to use a pH test kit to determine the soil pH, and then add acidifier as directed on the package to bring down the pH. Adding peat moss at planting time will help, too. Mulch with pine needles if you have them.

The mountain laurel has glossy green leaves that are a bit like those of rhododendrons. They look good all year. But then, ka-boom, the buds and flowers appear in June. The blossoms appear in clusters, which open up to small cups, often with a mixture of pink and white inside, though there are some varieties that are deep rose throughout.

Hydrangeas are well-loved shrubs for home gardeners, though many of them are not native. According to the Mt. Cuba Center, the best native is one I grow, a smooth hydrangea (Hydrangea arborescens) called Haas’ Halo. This is a relatively new selection with lacecap flowers in mid-summer. The flowers have both fertile and sterile blossoms on flat-topped corymbs 4 to 8 inches across. Bees and other pollinators flock to it when blooming. In the wild, smooth hydrangeas are found in woodlands, and this one will boom well in either sun or shade, and tolerates dry soils well.

The best-known smooth hydrangea is ‘Annabelle,’ which I don’t use because the first time the blossoms get rained on they flop to the ground. Not so with Haas’ Halo. It has sturdy woody stems that hold up its blossoms well. Even after the flowers go by, the dry floret looks good into the fall and winter. Though I have seen reports saying it is not attractive to deer, I have seen deer demolish young Haas’ Halo shrubs. I cut the stems right to the ground in late winter or early spring as they bloom on new growth, and this keeps the shrub from getting too lanky.

My last pick for a handsome native shrub is Common Sweetshrub (Calycanthus florida), which is native to Pennsylvania and south through Florida, but hardy here to Zone 4. It does best in part shade with well-drained rich loam — but will grow in clay soil and survive in full sun if given adequate moisture. I have had it scald in full sun, so I don’t recommend that.

Common Sweetshrub’s claim to fame is the strong fragrance of its wine-red 1- to 2-inch flowers. I suggest you buy one in bloom if fragrance is important to you. I have two specimens, both of which have only a minor fragrance. But the blossoms are delightful to look at, and they are vigorous plants. It provides pollen to bees and the leaves are eaten by caterpillars.

Although statistics vary, most authorities agree that at least 50 percent of Americans do at least a little gardening. If all of us planted a few native plants, it would help our birds and pollinators to thrive. Remember, native plants co-evolved with our native animals over millions of years. They are wired to recognize and use natives. So strive to plant more natives this year!

Henry can be reached by e-mail at henry.homeyer@comcast.net. If you’ve grown some of these plants, feel free to e-mail him and give a report on how yours did.

News & Notes 26/04/30

Text scam

New Hampshire Attorney General John M. Formella sent out an April 22 press release “warning residents about an ongoing wave of scam text messages falsely claiming to be from New Hampshire Courts, including a new variation that uses QR codes to direct recipients to fraudulent payment sites.” Consumers have made reports to the New Hampshire Department of Justice Consumer Protection and Antitrust Bureau about text messages alleging that “they have missed a court date or owe a fine. These messages may include what appears to be an official ‘notice of hearing’ and now, in some cases, a QR code that recipients are instructed to scan to obtain more information or submit payment to avoid legal consequences,” the release said. The state’s Judicial Branch does not solicit payments via text and does not request payment through links or QR code sent by text, the release said. To check on the status of a court case, go to courts.nh.gov.

Record scholarships awarded

The Foundation for New Hampshire Community Colleges, which “supports the Community College System of New Hampshire by securing and stewarding resources to assist students,” awarded 1,650 scholarships totaling $1.1 million during the 2025-2026 school year, the most scholarships awarded in the Foundation’s 25-year history, according to an April 20 press release. Students received scholarships ranging from $200 to $3,000 that went toward “tuition, fees, and emergency financial needs to reduce obstacles that can derail a student’s path to degree completion,” the release said. See givenhcc.org for more on the organization.

Climate summit

NHPR will present By Degrees Climate Summit: Community Resilience on Friday, May 8, from noon to 4 p.m. at Manchester Community College, according to a press release. “This year’s summit will examine water quality and environmental pollutants including PFAS chemicals and other emerging contaminants, and the ways communities are creating change through policy, science, storytelling and collective action. We will focus on community resilience, highlighting how local towns and neighborhoods respond to environmental threats and work toward practical solutions,” the release said. See nhpr.org for a link to register.

Golf for a cause

It’s golf fundraiser season.

The Junior Service League of Concord will hold its eighth annual Golf Tournament on Monday, May 11, at Pembroke Pines Country Club in Pembroke to raise money to “support women and children in crisis across the greater Concord area,” according to a press release. Golf starts at 8 a.m. and the day features a seated banquet lunch, raffles and games, according to a press release. See jslconcord.org/upcoming-events.

The Hooksett Soccer Club will hold its Golf Classic on Monday, June 1, at Pembroke Pines Country Club in Pembroke to benefit the club, according to an email from event organizers. The day starts with registration at 7 a.m. and a shotgun start at 8 a.m. and will feature lunch, awards, prizes for top teams, raffles and more, the email said. See birdease.com/hscgolf.

The Seacoast Cat Club will have its annual Cat Show at the Everett Arena, 15 Loudon Road in Concord, on Saturday, May 2, 10 a.m. to 5 p.m., and Sunday, May 3, 9 a.m. to 3 p.m., featuring vendors and a feline agility competition, according to cfa.org/shows-events.

The Craftworkers’ Guild Spring Fair Craft Shop at Oliver Kendall House (3A Meetinghouse Road in Bedford, behind the Bedford Public Library) will be open Thursday, April 30, through Sunday, May 24, Thursdays through Sundays, 10 a.m. to 5 p.m. See thecraftworkersguild.org.

Tickets will go on sale May 16 for this year’s PountineFest, which will be held Saturday, Aug. 29, at 603 Brewery in Londonderry. See poutinefest.com/newhampshire for details about the event, including different ticket tiers, and to purchase tickets.

Malvenn, described as “a traditional Balfolk trio based in Montreal with harp, cello and clarinet,” will perform Friday, May 1, at 7:30 p.m. at the Wilton Folk Cafe Coffeehouse, Wilton Collaborative Space, 21 Gregg St., Second Congregational Church Hall in Wilton, according to a press release. Admission for the coffeehouse is free; doors open at 7 p.m. with the show at 7:30 p.m., said the release, which recommends reserving a spot by emailing strumma@aol.com or calling Sandy at 603-654-1245.

Double play

Orchestral rock and Scorpions music from Uli Jon Roth

On his current Pictures of Destiny tour, Uli Jon Roth balances the music he made with Scorpions and his solo material by playing two full shows in three hours. He begins with the classical rock he began making after he left the group, with his original films and artwork on a screen behind him. The set often ends with a new arrangement of “Sails of Charon.”

Perhaps his best-known song with the German hard rocker band, it’s also a bridge to the fan-pleasing second half. With his full band, Roth does a front-to-back performance of Virgin Killer, to help celebrate its 50th anniversary this year, followed by a best-of from his time in Scorpions. Usually there’s a faithful take of “Sails of Charon.”

Roth is realistic that the Scorpions material made his name, while the more complex work that followed didn’t cross into the mainstream.

“I have a new Uli audience who are more into the new stuff,” he said from a tour stop in Denver. “Then there are those brought up with Tokyo Tapes and that kind of stuff. My performances reflect that.”

For many years Roth chafed at the nostalgia of it all, but he now leans into pleasing Scorpions fans.

“Actually, I do enjoy playing it,” he said — particularly 1976’s Virgin Killer. “It feels really fresh. We are doing it slightly differently from the originals, and it feels like it was written now in some strange way.”

The key, it seems, has been learning to bring his current sensibility to the older songs rather than merely recreating them — “Sails of Charon” is a good example. “That’s undergone lots of transformations over the years,” he said. “Simply because I was never satisfied with the original arrangement; I always thought it was slightly unfinished.”

At his upcoming Tupelo Music Hall show Roth will preview material from Requiem for an Angel, a project he returned to recently after shelving it for two decades. Over the past year strings, percussion, drums and guitar tracks were recorded in the studio, and parts of it were performed on a recent Japan tour.

Requiem for an Angel is a large-scale orchestral tribute to Monica Dannemann, an artist Roth met in the mid-1970s. The two were life partners until her death in 1996. Dannemann was crucial to his creative growth, creating artwork for his records and co-writing songs.

“She was always an inspiration; I was really privileged to have even met her,” Roth recalled. “She is still part of my life, because when she passed away, she’s basically irreplaceable — not just for me, but for all of our circle of friends. She is one of these people who is really sorely missed.”

For the first half of the show Roth relies on computer-backed orchestral music. That’s due both to modern music industry economics and personal preference going back years.

“I’m utilizing technology to the max; I always have,” he said. “We can’t carry an orchestra around with us, but I am playing everything live.”

A multimedia show utilizing film, his projected paintings (also on display in the lobby), and time-synced visual footage allows Roth to bring a hundred-piece orchestra’s worth of ambition to small venues like Tupelo. Not that he wouldn’t like the real thing.

“It would be a lot of fun,” he said. “But nobody would pay for it.”

Roth is equally unbothered by AI’s encroachment on creative fields.

“Unlike most of my peers, I’m not afraid of AI — I love it,” he said, adding that he uses it to refine compositions for his videos and assist in the early stages of his paintings before committing to oil on canvas.

He’s also not worried about things like the recent Spotify dustup when an AI “artist” built up big streaming numbers with human-free music. He welcomes it.

“If the day comes that AI creates a better piece of music, then so be it,” he said. “You know, let the best computer win.”

There is one genre that Roth is not at all interested in, machine made or otherwise.

“I’m really not a heavy metal fan,” he said. “The worst is death metal and black metal. I can’t stand it because there’s no wholesomeness in it. It’s just a bunch of question marks and no answers.”

Uli Jon Roth
When: Friday, April 24, 7 p.m.
Where: Tupelo Music Hall, 10 A St., Derry
Tickets: $50 at tupelohall.com

Featured photo: Uli Jon Roth. Courtesy photo.

What does a chef want to cook for you?

The Ash Street Inn’s Chef’s Table

Nick Provencher has been a professional chef for more than 15 years. That sounds very impressive, he said, but in fact the job can be very frustrating.

“Most of the time, it’s kind of a burnout job after a while,” he said. “It’s the hours and the people and the this and that, like you just get discouraged.”

His new position as the chef at the Ash Street Inn in Manchester has restored his sense of joy in the kitchen, he said.

“It’s essentially like a chef’s table that we’re doing inside the Ash Street Inn B&B,” he said. “They don’t normally serve dinner except when you’re doing a chef’s table.” On Chef’s Table nights, 12 guests sign up to have a multi-course meal prepared for them by Provencher.

“It’s a five-course dinner that we’re doing,” he said. “The menu changes every single week, depending on regional themes or just locally inspired menus. It’s super food-oriented, which is something that gets lost sometimes in a restaurant setting. There are none of those outside distractions. There’s no employees. There’s no one running operations or a general manager or a front-of-the-house staff. It’s just me cooking and interacting with the people who are there and just trying to create a really special night for everyone.”

For instance, Provencher said, “This week’s menu is a French-Indian fusion. It’s centered around some Indian flavors and Indian concepts done through the lens of a French chef and French technique. One of the dishes is going to be a slow-roasted and braised cabbage vindaloo. So there’s kind of a mix between two techniques. It has the sauce-building of Indian cuisine. and then the high regard and respect of fresh ingredients. The cabbage gets treated like meat, and cooking it is a three- or four-hour process. The finished dish is essentially like butter chicken, except it’s going to be with French-style Parisian gnocchi. There are going to be things at every meal that people haven’t tried before, or combinations they haven’t tried, or cuisine they haven’t tried.”

Cooking for 12 people at a time has opened up opportunities to follow his creativity, Provencher said.

“It’s 12 people. It’s so small that I can realistically accomplish whatever I have in my mind. There’s no, ‘Oh, we need to make sure it scales to 30 seats. We need to do this. We need to make sure that the line cooks are competent enough to cook it properly….’ There are really no holds barred on whatever we can do.” As the chef, he doesn’t have to design menu items that would be viable to make at volume, in and out of season, he said. “It only needs to be viable for three days, so you can bring in really cool ingredients, really fresh ingredients.”

Because liquor laws don’t allow the Ash Street Inn to sell wine, Provencher encourages diners to bring their own.

“It’s B. Y. O. B.,” he said. “We send out wine recommendations with the menu for the people who make the reservations, but it’s hyper-focused on what will pair with really, really high-quality food.”

That freedom and relaxed atmosphere allows Provencher to interact directly with the people eating his food, something that isn’t usually possible in a traditional restaurant experience, he said. He can explain the choices he made in preparing their dinner, and point out how ingredients enhance or complement each other.

“There are no distractions,” he said, ”no conflict of interest, no arguments. It’s just a calm, enjoyable dinner in a common enjoyable space where the focus is just around creating amazing food and interacting with people.”

“The hope of that is what has kept me in the game so long,” he said.

Chef’s Table
There are three seatings per week of the Chef’s Table at the Ash Street Inn (118 Ash St, Manchester, 668-9908, ashstreetinn.com), on Thursdays, Fridays and Saturdays. Seating is by reservation only. Visit ashstreetinn.com/ash-restaurant.

Featured photo: Courtesy photo.

Books, prizes, golden tickets

Local shops celebrate indie bookstore day

According to Michael Joachim, the general manager of Balin Books in Nashua, what sets independent bookstores apart from corporate chain bookstores is the personal relationships they build with their customers.

“The bookstores I’ve worked at and run are very much connected to the community,” he said. We do a great deal of business with almost all the local school systems. There are dedicated people here who work with specific teachers and librarians to make sure they get the books they need at the best price we can get them. And we handle all the work of getting the books sorted, packed up, and delivered to the schools. Individuals will just call us personally and say, hey, here’s a list. Can you help me with this? Can you find out some information on these books that we need? And we take care of that for them.”

Joachim and his staff are ramping up for this Saturday, April 25, Independent Bookstore Day, which the American Booksellers Association (bookweb.org/independent-bookstore-day) describes on their website as a “national one-day party held the last Saturday in April to celebrate independent bookstores across the country, online, and in-store, through exclusive books and literary items, contests, cupcakes, and everything in between.”

Joachim said the day is a good chance to show customers some of the things independent bookstores like Balin Books can do for them.

“Having knowledgeable people in the store,” is important, he said, noting, “People who have their whole lives in book selling usually wind up in an independent store … and that goes an enormous amount of miles in results, in speaking to someone intelligently about finding a book you’re looking for, recommendations, or just how the store inventory is shaped to be responsive to the local community. All that comes out of experience.”

Erin Magoon, one of the lead booksellers at Gibson’s Bookstore in Concord, said Independent Bookstore Day is one of the most fun days of the year for book fans.

“There’s an Indie Bookstore Ambassador every year,” Magoon said. “This year it’s LeVar Burton of Reading Rainbow, so we’re doing kind of like rainbow-themed decorations, some rainbow-themed search and find activities for kids over on the kids’ side of the store. We’ll have a golden ticket hidden somewhere in the store, and that’s redeemable for 12 free audiobook credits available for someone to find in the store. One of our booksellers, Kate, did a booth last year called Book Zoltar [named for the fortune-telling machine in the 1988 Tom Hanks movie Big]. She gives fortunes to adults and kids about what books they should read. And then, of course, we’ll have some local authors here to meet our customers and sign books.”

Manchester’s Bookery is also hiding prizes and a Golden Ticket audiobook voucher, said event coordinator Alex Pellerin. “This is a special ticket that’s going to be hidden around the Bookery,” she said, “and we’re going to be giving clues throughout the day as to where that ticket is. And whoever finds that ticket gets 12 free audiobooks for the year from Libro.fm, which is really fun.” There will also be visiting authors throughout the day, she said, and live music.

According to Pellerin, independent bookstores like Bookery are able to provide their customers with “curated” experiences. “[Independent bookstores] are all unique,” she said, “and a lot of our books reflect our communities. We take a lot of recommendations from our customers for books and we really personalize which books we carry. Our staff is able to work with everybody and offer personalized recommendations, rather than a list of what a corporation says to.”

Indie Bookstore Day

Independent Bookstore Day is Saturday, April 25. Here are the plans at some local participating book stores. For a map of bookstores participating in Independent Bookstore Day activities, visit indiebound.org/independent-bookstore-day/map.

• At Balin Books in Nashua (Somerset Plaza, 375 Amherst St.), get exclusive Independent Bookstore Day tote bags and collectible pencils while supplies last, plus mystery grab bags of five books for a $5 donation to the Nashua Soup Kitchen. (A portion of the day’s sales will be donated to NSK.) Author Laura Knoy will be at the store at 11 a.m. for an event featuring her new book, The Shopkeeper of Alsace. p.s. There will be cake, according to the website. See balinbooks.com.

Gibson’s Bookstore in Concord (45 S. Main St.) promises exclusive merch, balloon animals and a “Golden Ticket” for Libro.fm, source of indie audiobooks, as well as visits from authors Kari Allen, Patricia Zube, Jeff Lang and Sam Kelley Theodosopoulos; see gibsonsbookstore.com for details on their books.

Manchester’s Bookery (844 Elm St.) is planning “prizes, discounts, live music, authors, and so much more!” according to their website, bookerymht.com.

Wonderland Books and Toys (245 Maple St., No. 12, Manchester) will celebrate its second anniversary in conjunction with Independent Bookstore Day with a week of promotions, giveaways and family-friendly events. On Saturday, April 25, the store will have extended hours from 10 a.m. to 8 p.m., featuring exclusive deals and interactive activities, according to a press release.

• At Water Street Bookstore in Exeter (125 Water St.), go on a blind date with a book, search for the Libro.fm Golden Ticket (worth 12 audiobook credits) and hidden gift cards, enter a literary trivia quiz (win a $50 bookstore gift card) and join other fun activities. See waterstreetbooks.com.

• In Portsmouth, the Book Nook is hosting an audio book walk to celebrate the day, starting with a free mini Loon chocolate bar in the store at 10 a.m.; see portsmouthbooknook.com for details.

Featured photo: A limited-edition tote designed by Tom Gauld, author of Physics for Cats, will be available at participating indie bookstores.

Secrets and pies

Sweet, funny The Littlefield Gazette Does Not End Today opens in Nashua

One by one, local newspapers are disappearing. Wedding announcements and grainy photos of youth sports once stuffed in envelopes and sent with pride to relatives now live online. Or worse, they’re forever gone. The lingua franca of small-town life, dropped on porches by middle schoolers on their bikes, is a fading memory.

That’s the world of The Littlefield Gazette Does Not End Today, the latest production from Nashua Theatre Guild, running April 24 through April 26 at the Janice B. Streeter Theater. Set at the company picnic of a 126-year-old paper in the Midwest, it’s a heartwarming look at coworkers doing their best to keep a looming demise from spoiling the fun.

Directed by Alex Slocum, the 2022 Don Zolidis play is less a commentary on independent journalism than a celebration of the spirit of one small group of people swimming against the tide to carry it on. In small vignettes, the ensemble cast share their fears and dreams, using the moment to both unburden and connect.

Sports reporter Tony (Mike Amichetti) and Kate (Danielle Chisholm), a human interest story writer, compare jobs and imagine life without them. At first dismissive, Tony praises Kate’s work. “Your human interest stories make me really interested,” he says. “You take the most boring people this town has ever produced and make them seem fascinating.”

Kate is less charitable to Tony’s beat, but he defends it with an observation that sums up what it means to lose community papers like the Gazette. Readers are “not going to go to Facebook to find out what happened,” he says. “Nobody’s sending a link to grandma to let them know how their kid did in the meet … that’s the thing that’s going to be missed the most.”

Linda (Sierra Jones), a farm reporter who bartends and remodels kitchens on the side, counsels Imani (Belle McLeod), a new ad sales rep who’s overseen a vanishing client list in her tenure. When she laments her failure to turn things around, Linda reassures her, saying, “I can’t even clean my bathroom in two months.”

For some, the event is a catalyst to confession. Throwing caution to the wind, feelings long buried surface for both young and old to inspire romantic overtures. One couple tentatively discusses a move from dating to the next level. There’s a pie contest with a twist ending — after all, it’s the Midwest.

The overall effect is wholesome, heartfelt and timely. For Alyson Galipeau, who plays publisher Gayle, the latter is what attracted her to the play. An at-large member of the Guild’s board, Galipeau also helped select The Littlefield Gazette Does Not End Today for production.

“I grew up getting the Nashua Telegraph in my house,” she said in a recent phone interview. “When it went to an online format and … employees got fired, my mom was really bummed out. I was bummed out, too. The parallels between worlds is what drew me in.”

Despite its solemn undertone, the play’s humor breaks through.

“Rehearsals have been going great, a lot of fun,” Galipeau said. “We crack up nonstop. Some of these characters are ridiculous, and we’re also screwing up our lines … between those two aspects, we laugh nonstop.”

Plays like this one and The Tin Woman, a tear-jerker done earlier in the season, are a big reason why the interest in Guild productions is growing.

“A lot of people are auditioning, and we are having to turn auditioners away for the first time in many years,” Galipeau said. “That tells me that there’s increased interest in theater and our plays, which I love.”

She believes the current effort, which runs for three performances, has wide appeal. “There is a little subplot for everyone in this play. You’ll be able to relate to at least one person; I think that’s important. If you can connect with your audience, then you have done your job as a writer and a director.”

The Littlefield Gazette Does Not End Today
When: Friday, April 24, and Saturday, April 25, at 7:30 p.m.; Sunday, April 26, at 2 p.m.
Where: Janice B Streeter Theater, 14 Court St., Nashua
Tickets: $18 and up, nashuatheatreguild.org

Featured photo: The Littlefield Gazette Does Not End Today. Courtesy photo.

Stay in the loop!

Get FREE weekly briefs on local food, music,

arts, and more across southern New Hampshire!