The Joy of Pancakes

Tips for making this most perfect dish

I read a science fiction/martial arts novel once where the main character, in classic Kung Fu tradition, searches out a reclusive martial arts master and begs him to train him. The old man reluctantly agrees, on the condition that the young man doesn’t ask any questions. His main teaching method is to jump out, surprise his student, then beat him mercilessly with a stick.

Eventually the young man learns the most important lesson in martial arts — how to develop the instincts to avoid trouble.

Making pancakes is a little like that.

There are a few things you can do to improve your pancake-making — cooking over a relatively low temperature, for instance, so the surface doesn’t cook too quickly, leaving the inside under-done. Or letting the pancake batter rest for a few minutes before cooking it, to let the ingredients get themselves in the right frame of mind.

But ultimately, it comes down to developing Pancake Instincts. You won’t be able to really know, intellectually, when a pancake is ready to flip. It’s only after you’ve made three or four in a batch that you will get an instinctive feeling for when a pancake is ready to turn over. There’s an old piece of wisdom that the first pancake isn’t very good. There’s something to that; it will definitely not be your prettiest one.

Be kind to yourself and don’t get discouraged. You’ve got this.

As we move into maple season, our thoughts turn to pancakes. Here are a few to widen your pancake vocabulary.

Classic Pancakes. Photo by John Fladd.

Simple Straightforward, Classic Pancakes (With Blueberries If You Want Them)

Basically the King Arthur Baking Company recipe you’ll find at kingarthurbaking.com.

2 eggs, room temperature

1¼ cup (283 g) milk, also room temperature

3 Tablespoons (43 g) melted butter. Have you ever noticed that there is a measuring guide printed on the side of a stick of butter? It’s almost always calibrated in tablespoons; just count down three lines and cut through the stick with a sharp knife. Unwrap your pat of butter and melt it in the microwave.

1½ cups (180 g) all-purpose flour

¾ teaspoon salt

2 teaspoons baking powder

2 Tablespoons (25 g) sugar

Frozen wild blueberries, or unfrozen, or regular-sized ones, or chopped strawberries or mango — I’m not here to fruit-judge you; I just happen to like the frozen wild blueberries

Whisk the flour, salt, baking powder and sugar together. Set them aside.

In a stand mixer with a whisk attachment, or in your blender, beat the eggs, milk and butter together, until they are light and frothy.

Mix the dry and wet ingredients until just combined, then set the batter aside for 10 or 15 minutes, while you heat your skillet or pan over medium-low heat, until it seems hot enough. You can test it with a drop of batter, or a few drops of water. If the water dances around, or the micro-pancake cooks, the pan is ready.

When your pan is properly heated, drop a generous amount of butter, maybe a teaspoonful, into the pan. Many well-intentioned pancake enthusiasts will tell you, “Hey, if you’re using a nonstick pan, you don’t need to add extra butter; there’s already butter in the recipe.” At best, these people are over-thinking things. At worst, they are unhappy and want to deprive you of this small bit of pleasure, so you can keep them company in their discontent. There is nothing that you can fry that isn’t better fried in butter. This is a stand I will defend passionately. Do this for each pancake.

Spoon two to three tablespoons of batter into the butteriest part of the pan. If you are making blueberry pancakes, sprinkle the berries over the raw batter. They will thaw and warm up when you cook the other side of the pancake.

When the first side has cooked enough — it’s OK to lift a corner and peek; it isn’t cheating — flip it over and finish the other side, and fry it until it is the shade of golden brown that you like.

As you finish two or three pancakes and have them stacked on a plate, call the least patient person in your house to come get them. These are delicious warm and stacked, but even better still hot and crispy around the edges. True, your family will not all be able to sit together at a table with a checked cloth and take joy in each other’s company, but pancakes wait for nobody.

These are your classic, platonic ideal pancakes. They are rich and buttery — because you cared enough to add the extra butter — and ready for you to add even more butter and syrup.

(Yes, more butter. If you wanted to eat healthy, you’d be having half a tomato and some Swedish crispbread. You knew what you were getting into when you decided to make pancakes.)

A glass of cold milk is perfect to cut through the doughy sweetness.

Moroccan Pancakes. Photo by John Fladd.

Moroccan Pancakes (Baghrir)

These are hand-held crumpet-adjacent pancakes from Morocco. If you make them once, you’ll make them many times.

1½ cups (252 g) semolina flour

¼ cup (32 g) all-purpose flour

2 cups + 2 Tablespoons (474 g) water

2 teaspoons yeast

2 teaspoons baking powder

½ teaspoon salt

1 teaspoon sugar

Add all the ingredients to a blender, and blend for a minute or so to get everything thoroughly mixed and to beat some air into the batter.

Leave the batter alone for 30 to 45 minutes, to give the yeast time to lighten it up.

Heat your pan over medium-low heat. When your batter has rested, pour enough batter into the pan to make a 4- to 5-inch pancake.

Wait.

This part takes patience. These particular pancakes are only cooked on one side. As your pancake cooks, bubbles will form on the surface and remain open. When the surface of the pancake has cooked all the way through — you’ll be able to tell by the color; if it’s still a little doughy inside, the surface will be a little bit yellow (from the semolina), and it will lighten in color when it has finished — and is covered with bubbles, remove it from the pan and finish its brothers.

These are excellent hot from the pan with butter, honey or jam — the holes are perfect for holding onto them — but they are good cooled down, too. They are a little yeasty and very slightly sweet. They are crispy on the bottom, and chewy, with a little extra texture from the semolina. These are very good for sharing with a friend over tea.

Orange Pancakes. Photo by John Fladd.

Simple Orange Pancakes

This is one of the easiest pancake recipes you will ever make. Don’t let its simplicity fool you; they are delicious and worthy of you.

Use your favorite pancake mix, but replace the milk or water called for with orange juice. Add the zest of an orange, and ½ to 1 teaspoon of orange extract.

As promised, these are deliciously orangey, but they’re not overly sweet. If you are generous with the butter or other fat when you fry them, you should get some crispy edges, which are one of the few, uncomplicated joys in this often exhausting world.

Dutch Baby. Photo by John Fladd.

Dutch Baby

This is a jumbo, pan-sized pancake that is useful for impressing people who underestimate you.

½ cup (60 g) all-purpose flour

2 Tablespoons sugar

½ teaspoon kosher or coarse sea salt

3 eggs, room temperature

¾ cup (170 g) milk, room temperature

1 teaspoon vanilla

3 Tablespoons butter

Preheat your oven to 425ºF, with a medium-sized cast iron skillet on the center rack. You’re going to want the pan to be rocket-hot when you pour the batter in (see below).

In a small mixing bowl, mix together your dry ingredients — the flour, sugar and salt.

In a blender, purée the eggs until they are light and a little foamy.

Add the milk, flour mixture and vanilla, then blend again, until everything is well mixed.

Remove the skillet from the oven.

Here’s the thing: You’re probably not used to using a frying pan in the oven; no one is. Because you’ve learned, probably the hard way, to use a kitchen towel or an oven mitt to take something out of the oven, you’ll remember to do that. It’s after you’ve set it down on your stovetop and your brain has moved on to the next step that you’ll get annoyed that the skillet’s handle is in your way, and absentmindedly grab it to rotate the pan. The pan that is 425ºF hot. If you have any small children in your house, it is at this point that they will learn some fascinating new words.

Set the pan down, and melt the butter in it. It will sizzle and foam in a really satisfying way. Pour the batter into the hot pan.

Return the skillet to the center rack of your oven and bake for about 20 minutes (though you should start checking on it at about 15).

Take your giant pancake out of the oven when it is golden brown and a little puffy. Set it down on your stovetop, or your granite countertop — if you want to show off and you’re 100 percent positive it’s real granite — and garnish it with yogurt and fresh berries

This is an outstanding brunch dish. Instead of making 15 or 20 normal-sized pancakes to feed a few friends, you just have to make one. A Dutch Baby is the rare intersection of fanciness and comfort food. It tastes very much like a thick crepe, a little sweet and eggy, with a satisfying chewiness, without being tough.

Crepe Cake. Photo by John Fladd.

Crepe Cake

This is a Dutch Baby’s fancy sister. It is simply a pile of crepes layered with a cream cheese frosting. It’s one of those dishes that seems complicated, but if you follow the recipe carefully it will turn out well and you’ll be deservedly really pleased with yourself.

Crepes:

½ cup (114 g) water

1 cup (227 g) milk

4 eggs

4 Tablespoons butter, melted

1 cup (120 g) all-purpose flour

2 Tablespoons sugar

⅛ teaspoon salt

Frosting:

1 cup (2 sticks) softened butter

12 ounces (340 g) sweetened condensed milk (almost all of a 14-ounce can, without scraping down the sides)

8 ounces (1 package) cream cheese at room temperature

Add the crepe ingredients to your blender. This is weird, but you should do it in the order listed above: first the water and milk, then the eggs and melted butter, and then the dry ingredients. This keeps the flour from gelatinizing on the bottom of the blender jar. If you float the dry stuff on top, they will get pulled into the mixture smoothly and make you feel like a professional.

Turn off the blender and let the batter rest while you make the frosting.

With an electric mixer — either a hand mixer or a stand one — beat the butter and condensed milk together for a shockingly long time, seven to nine minutes, at the highest speed. After this time, the mixture will be very, very light and fluffy.

Cut off tablespoon-sized chunks of cream cheese and beat it into the butter mixture at a slightly lower speed, until it is thoroughly incorporated. Set it aside. It’s tempting to chill it in the refrigerator at this point, but you want it to be smooth, fluffy and spreadable when you put the cake together.

Heat a nonstick pan over medium-low heat. When it’s hot enough, grease the pan with butter. This is the only time you will do this. Yes, this is a violation of the Always Add More Butter rule, but crepes can be finicky; they seem to prefer not to be fried in extra butter. Who can understand the mind of a crepe?

Pour ¼ to ⅓ of a cup of batter into your pan. When it seems done — again, it’s OK to lift a corner and peek — flip it over and cook the other side. The easiest way to do this is to lift a corner with a spatula, then flip it with your fingers.

When it has cooked on both sides, transfer it to a sheet of parchment paper or a silicone mat to cool. Do not stack warm crepes together; it will be very difficult to separate them later. Once they have cooled, it’s fine to stack them, so you don’t run out of counter space. You should end up with 10 to 15 crepes.

When all the crepes have cooled, take a moment to feel good about yourself. Crepes can be really intimidating, but you have overcome them.

Choose a serving dish that you want to present this cake on, then place your Alpha Crepe on it. Frost the top of the crepe with your cream cheese frosting, starting from the middle and working your way out to the edges.

Stack your Beta Crepe on top of the first, and repeat the process. Keep doing this until you run out of crepes. Somewhere along the line you will find a particularly good-looking crepe. Save it for the top of the pile.You will probably have extra frosting left over at the end. Save it for French toast or something.

Chill your crepe cake for several hours in your refrigerator to firm up the frosting layers.

When you are ready to serve your crepe cake, run a sharp chef’s knife under hot water. This will help you make neat, non-squooshed cuts. It might help to stab the middle of the cake, then work your way down from there. Run the knife under hot water for each cut you make. If you want to be extra fancy — maybe you’re on a date or trying to show up your sister-in-law — garnish the plate with a few berries or mint leaves.

The two elements of this cake really make themselves known. The frosting is soft, sweet, and a little tart from the cream cheese. The crepes are eggy and really delicious, with a firm resistance when you bite through them.

In your heart, you always knew you were fancy.

Buckwheat Pancakes. Photo by John Fladd.

Old-School Traditional Buckwheat Pancakes

¼ cup (57 g) warm water

1½ teaspoons yeast

½ teaspoon sugar

1 cup (227 g) cold water

½ cup (60 g) all-purpose flour

1 cup (120 g) buckwheat flour

¾ teaspoon salt

2 teaspoons molasses

2 Tablespoons melted butter or margarine

½ teaspoon baking soda, dissolved in ¼ cup (57 g) of water

Mix the quarter cup of water with the yeast and sugar. Set it aside for 10 minutes or so. This is called “activating” the yeast. The little granules of yeast that have been sleeping in your refrigerator, or in their little envelopes, have been taking a nap. This will wake them up and get them excited about fulfilling their destiny.

When the yeast mixture looks foamy and excited, mix it in a container with a cover with a cup of cold water, the flours and the salt. Mix them thoroughly, then cover the container and store it in the refrigerator overnight or, if you’re having Breakfast For Dinner, several hours before you plan to eat.

In the morning, remove the container from your refrigerator and mix in the rest of the ingredients.

Let the batter sit on your counter for half an hour or so, to come up to room temperature. The cold from your refrigerator has allowed the flours to build up a little bit of gluten — buckwheat flour doesn’t have much to begin with, so the all-purpose flour had to tutor it overnight — but it has also made your yeast sleepy again. Bringing the temperature back up will give the yeast a last chance to pump out some carbon dioxide and live life to the fullest one more time before facing the frying pan.

Heat a skillet or frying pan over medium-low heat.

Drop a generous blob of butter or margarine into the pan, and when it is thoroughly melted, scoop 2 to 3 tablespoons of batter into the pan. It will be light and unexpectedly stretchy. You might hear it sizzle a little bit, or you might be too busy kitchen-dancing to “Livin’ La Vida Loca.” Or that might just be me.

When a few bubbles have formed along the edge of the pancake and remained open, flip it and see if it is dark enough on Side A. If it isn’t, you might have to re-flip it for a few seconds, once the B Side is done. (This is one of those examples of building a pancake instinct we’ve talked about.) Stack them on a warm plate, covered with a kitchen towel until you’ve finished making the batch.

Eat these while they are still hot, with too much butter, and Bourbon Maple Syrup (see below).

These pancakes have a deep, rich, slightly sweet flavor. They give you a wholesome, hunkering down in a log cabin during a blizzard — or, in our case, Mud Season — feeling. The crispy edges play off the chewy interior in a way that can leave you quietly happy.

Are there other recipes for Buckwheat Pancakes that don’t take 10 hours of planning ahead? Absolutely. Will they taste as good? Maybeee? Will they fill you with pride and a feeling of accomplishment? It’s doubtful.

Bourbon Maple Syrup

Warm half a cup of dark maple syrup, then stir in a tablespoon of good bourbon. The sweetness of the bourbon is a good match for the maple and gives it a slightly boozy backbone.

News & Notes 24/03/14

Francophonie NH

On Wednesday, March 13, at 9:30 a.m. Gov. Chris Sununu was scheduled to issue a proclamation on the historical and continuing importance of French in New Hampshire’s culture, according to a press release, at the New Hampshire Statehouse (107 N. Main St. in Concord). Special guests were slated to include Mustafa Soykurt, Consul General of France in Boston, and Marie-Claude Francoeur, Delegate of Quebec in Boston. The event was scheduled as part of the Executive Council meeting.

Nominate nurses

The Foundation for Healthy Communities (FHC) announced in a press release that nominations are now being accepted for the 2024 Clint Jones Nursing Award. According to the release, this annual award recognizes a registered nurse practicing in New Hampshire who exemplifies the practice of compassionate, quality nursing care and demonstrates a commitment to excellence in the nursing profession.

The Clint Jones Nursing Award was developed in honor of Clint Jones, who worked with extraordinary enthusiasm and commitment at the Foundation and several other New Hampshire organizations, to encourage people to pursue nursing careers in hospitals, schools, long-term care facilities and community practices, according to the press release. Selection criteria include demonstration of excellence and enthusiasm in the delivery of patient care; communication with patients, their families and health care colleagues; commitment to nursing as a career, and inspiration to other nurses and health care professionals as a role model, according to the same release. Registered nurses who have practiced for at least one year but not more than six years are eligible to be nominated.

The Foundation will work with the recipient’s nominator to schedule a celebration at their health care facility during National Nurses Week, May 6 through May 12. The recipient will be recognized at the NHHA & FHC annual meeting, Oct. 20 through Oct. 22.

The nomination form can be found at bit.ly/3Tn75Nd. The deadline for nominations is Monday, April 8. Questions can be addressed to info@healthynh.org.

Second term

Lori Harnois was confirmed by the Governor and Executive Council for a second term as the director of the Division of Travel and Tourism Development (DTTD) at the Department of Business and Economic Affairs (BEA), according to a March 7 press release. In a statement, BEA Commissioner Taylor Caswell stated that “under Lori’s leadership, New Hampshire’s tourism industry has set records nearly every season for visitation and visitor’s spending.” The statement continued that “her collaborative nature has helped strengthen relationships with key tourism leaders from around the state. Her work in the state has elevated New Hampshire on a national level by being elected to serve on the U.S. Travel Association Board of Directors.”

The same press release stated that Harnois developed and administered programs aimed at growing the tourism industry within the state, specifically increasing visitor spending and jobs, advanced strategies to support business and workforce recruitment, and that her overall responsibility of the strategic direction of DTTD, including all campaigns, led to her confirmation. See visitnh.gov for information on New Hampshire tourism.

Law protects your data

According to a March 6 press release, Gov. Chris Sununu signed SB 255 into law to protect consumer data. Under the new law, according to the same release, New Hampshire is now the 14th state to pass comprehensive consumer privacy protections to ensure that Granite State consumers can view personal data collected by companies, see how it is held, and have that information deleted upon request. Sununu said in a statement that “this law provides transparency about what information is collected, why, and confidence that in the age of AI, steps are taken to protect that data.”

Moms and infants

Dartmouth Health and the New Hampshire Department of Health and Human Services (DHHS) are taking a significant step toward addressing maternal mortality and morbidity with the launch of the New Hampshire Perinatal Quality Collaborative (NHPQC), according to a press release. The NHPQC aims to improve access to high-quality perinatal care and significantly reduce disparities for pregnant individuals and infants in the state, according to the same release.

Patricia Tilley, the DHHS associate commissioner, said in a statement that “every New Hampshire resident should have access to the best prenatal care, postpartum care and birthing services they need to stay healthy. The Collaborative’s work will help make that a reality.” Sally A. Kraft, MD, MPH, Population Health Officer at Dartmouth Health, said in a statement, “The NHPQC will support New Hampshire hospitals and our communities in an effort to improve conditions inside and outside of hospitals and clinics, so everyone has a fair chance to be as healthy as possible.”

The NHPQC’s first meeting was held March 4. This collaborative effort has been made possible through funding from DHHS and the support of an anonymous organization, which has donated funds to support until June 30.

The Library Arts Center in Newport (libraryartscenter.org) is holding its 2024 Peeps Diorama Contest, featuring shoebox-sized dioramas with the marshmallow chicks (and bunnies and more), according to the website. The entry deadline is Thursday, March 21 (with drop offs starting March 15). The Peep dioramas will be on display March 23 through April 4. See the website for hours, entry rules and more.

The Northeast Organic Farming Association of New Hampshire (NOFA-NH) (84 Silk Farm in Concord) has opened applications for its 2024 farm share program, according to a press release. This program provides funds for community members in New Hampshire with limited incomes to purchase certified organic CSA shares at discounted prices where NOFA-NH contributes 50 percent of funds toward each farm share and recipients contribute 25 percent while farm partners donate 25 percent, according to the release Eligible New Hampshire community members can apply for the program through Sunday, March 17 at nofanh.org/farm-share-program.

The Old House & Barn Expo runs Saturday, March 16, and Sunday March 17, at Saint Anselm College in Manchester featuring lectures, exhibitors, demonstrations, a scavenger hunt for kids and more, according to nhpreservation.org, where you can purchase tickets for $12, $7 for seniors and students (tickets cost $15 and $10 at the door); kids 12 and under get in for free.

The Library Arts Center in Newport (libraryartscenter.org) is holding its 2024 Peeps Diorama Contest, featuring shoebox-sized dioramas with the marshmallow chicks (and bunnies and more), according to the website. The entry deadline is Thursday, March 21 (with drop offs starting March 15). The Peep dioramas will be on display March 23 through April 4. See the website for hours, entry rules and more.

The Northeast Organic Farming Association of New Hampshire (NOFA-NH) (84 Silk Farm in Concord) has opened applications for its 2024 farm share program, according to a press release. This program provides funds for community members in New Hampshire with limited incomes to purchase certified organic CSA shares at discounted prices where NOFA-NH contributes 50 percent of funds toward each farm share and recipients contribute 25 percent while farm partners donate 25 percent, according to the release Eligible New Hampshire community members can apply for the program through Sunday, March 17 at nofanh.org/farm-share-program.

The Old House & Barn Expo runs Saturday, March 16, and Sunday March 17, at Saint Anselm College in Manchester featuring lectures, exhibitors, demonstrations, a scavenger hunt for kids and more, according to nhpreservation.org, where you can purchase tickets for $12, $7 for seniors and students (tickets cost $15 and $10 at the door); kids 12 and under get in for free.

Takeoff time

Birds, In Theory celebrate debut album

Legend has it that Michael Clarke joined The Byrds because he looked like Brian Jones of the Rolling Stones, not due to his drumming skills. The similarly named Birds, In Theory, a local band celebrating their debut album at The Shaskeen on March 9, has a close but slightly different story.

Its drummer, Nick Matsis, admits that he had more enthusiasm than talent when he joined high school pals Tim Dacey and Shawn Murray to form the pop punk band Eagle Jesus. The name changed, to a riff on the conspiratorial belief that birds are fake creatures created by NASA, when Dave Maloof came on as drummer post-pandemic and Matsis moved to bass.

The band’s sound coalesced with a seasoned new member behind the kit, offering a sonic fury favorable to fans of Green Day, Blink-182 and Bowling for Soup. It was a change that delighted Matsis.

“I can’t drum to save my life and that guy is a machine,” Matsis said self-deprecatingly by phone recently. “I taught myself drums playing Rock Band on the Xbox.”

A song from the forthcoming record Aviary jokes about this, along with the dichotomy between the band’s more and less polished musicians. “Guys, Where Are We?” includes a few moves that Maloof and lead guitarist Dacey handle with ease; rhythm guitar player Murray and bassist Matsis, not so much.

“That’s the only song we really changed time signatures in,” Matsis said. “We would get lost playing it at first because me and Shawn aren’t great at changing time signatures, and Tim and Dave are classically trained. So they’re like, ‘Guys, what are we doing? Where are we?’”

Other standout tracks include the slow-burning breakup song “Cover Story” and “Tourniquet,” which builds into a rager and showcases Dacey’s shredding blended with Matsis’ chugging rhythm guitar, and Maloof and Murray locked in on rhythm. This new freedom enhanced the making of Aviary.

As a trio, “we just couldn’t get as fancy as we wanted in the writing process,” Matsis said. “Dave, he’s a big Travis Barker fan; he can get in there and play anything as fast or complicated as he wants. Having that in the recording room was amazing, because he was getting that stuff done in one or two takes…. It made it so much easier.”

Birds, In Theory cites a variety of influences. Matsis is a big fan of Balance and Composure, particularly the Pennsylvania band’s 2011 LP Separation. “Shawn’s more into pop punk and indie, Tim used to be in a death metal band,” he said. “Dave’s into anything from Blink-182 to instrumental prog metal. It’s definitely a range.”

Their lyrical mood is informed by bands like The Wonder Years and Car Seat Headrest. “‘Tourniquet’ is about watching someone you thought you knew kind of change over time, and ‘Reflections’ deals with not wanting to take your emotions out on the people around you and just trying to communicate that it’s not them,” he explained. “A lot of our songs are more down, emotionally charged. Maybe not in the most positive way, but we like to make them fun.”

With a new record to celebrate, they’ll top the bill at The Shaskeen, but they’re also part of many multi-band events in the area.

“We’re lucky that we’ve been close-knit with a lot of people over the last few years and we played so many shows,” Matsis said, “That’s fun for us because we like playing with our friends and seeing our friends play.”

Beyond that, “My only hope is more new bands come around,” he continued. “This is actually our first time playing with Promise Game, so that’s exciting … I just hope the kids keep coming out and making music because there’s only so many 31-year-olds like us that can still get out there.”

Birds, In Theory w/ Promise Game, Cozy Throne and Oziem
When: Saturday, March 9, 8 p.m.
Where: Shaskeen Pub, 909 Elm St., Manchester
Tickets: $10 at the door, 21+

Featured photo: Courtesy photo.

Watch these movies!

A preview of the Oscars

If I ran the Oscar ceremony — which will this year air on Sunday, March 10, at 7 p.m. on ABC — my goals for the annual event would be: (1) to convince people to watch movies, (2) to convince people to watch these, the nominated movies, and (3) to give the presenters and winners enough space to say funny or touching but mostly funny things.

To the last point, see Steven Yeun winning a Golden Globe this year (where he realizes his life mirrors the plot of Frozen) or Adam Sandler winning anything — this year’s People’s Icon, 2020’s Indie Spirit award. That’s what you want at an award ceremony. Maybe just give Adam Sandler some kind of award every year — at least you’d have all of New Hampshire tuning in.

To the movie-watching goals: The Oscars stand as the answer to everyone who complains nothing but superhero movies gets released anymore. Here are a bunch of movies, only two of which are Marvel-related — Guardians of the Galaxy Vol. 3 (nominated for visual effects; available for rent or purchase and on Disney+) and Spider-Man: Across the Universe(nominated for Animated Feature Film; available for rent or purchase and on Netflix) — that were in theaters (or will be, in a few cases) and are now largely available for your viewing pleasure in your house.

My case for movie watching and for the Oscars itself, would go something like this:

Oscar nominates popular movies! Including those aforementioned Marvel-character films, four of the films in the 2023 box office top 10 are nominated for Oscars, the other two being the two sides of the summer movie-going event known as Barbenheimer — Barbie (nominated in seven categories; rent or purchase and on Max) and Oppenheimer (nominated in 13 categories; rent or purchase and on Peacock). Also nominated are top-20-box-office earners Mission: Impossible — Dead Reckoning Part One(nominated for Sound; rent or purchase and on Paramount+) and Elemental (nominated for Animated Feature Film; rent or purchase and on Disney+). See? You’ve heard of those movies. You may not have liked Elemental — and I’d agree with you in that — but you’ve heard of it.

Oscar nominates fun movies! Barbie, my favorite movie of 2023 and my pick for Best Picture, is super fun — from its detailed attention to the toy-doll-ness of Barbie and her world to absolutely everything to do with Ryan Gosling’s Ken, including the song “I’m Just Ken,” which is nominated for Original Song and will likely be performed during the broadcast. Other fun films include Original Song nominee Flamin’ Hot (on Hulu & Disney+), the Eva Longoria-directed true-or-whatever story behind Flamin’ Hot Cheetos; its self-conscious tall-tale-ishness is goofy fun. The Creator (nominated for Sound and Visual Effects; rent or purchase and on Hulu) is a very wide-tent futuristic tale about AI robots and humanity’s difficult relationship with them. My pick for Animated Feature Film would be Nimona(nominated in that category and available on Netflix), a very fun underdog quest movie that my older elementary-and-up kids have watched multiple times (as the shape-shifting girl warrior Nimona would say, “metal”). I haven’t seen it yet but Godzilla Minus One (nominated in Visual Effects) is the first Godzilla movie to ever receive an Academy Award nomination and I am generally pro-Godzilla-movies.

Oscar nominates movies that make you appreciate your streaming services! Rustin, featuring the nominated lead actor performance by Colman Domingo; Nyad, nominated for Annette Bening’s performance in lead actress and for Jodie Foster’s very good performance in supporting actress; Society of Snow(an International Film and Makeup and Hairstyling nominee), and May December, nominated for original screenplay, are all Netflix movies (where you can still find them), as is Best Picture nominee Maestro(also a nominee in six other categories). Napoleon(nominated in Costume Design, Visual Effects and Production Design), the bloated biopic that isn’t a terrible watch, and Killers of the Flower Moon, a solid Martin Scorsese movie (nominated in Best Picture and nine other categories, including the outstanding Lily Gladstone for best actress), are both Apple Films, and while they had an initial theatrical run they are now available to Apple TV+ subscribers to watch (as well as for purchase).

Oscar’s Best Picture list includes some comedies! American Fiction(five total nominations; available for purchase) and The Holdovers (five nominations; rent or purchase and on Peacock) are both solid, laugh-out-loud for-grown-ups comedies. Past Lives(two nominations; rent or purchase and on Showtime) also has its funny moments, even though it is a quieter almost-love story. I heartily recommend all three.

Oscar, of course, nominates serious films for when you want to get serious and watch films. The Zone of Interest(nominated in five categories; available for purchase) is a harrowing movie about a really horrifying thing (the Holocaust and the willing participation of one family therein) and yet it was also excellently well done and totally worth seeing. The same could be said of documentaries Four Daughters (rent or purchase and via Kinko Film Collection), about one Tunisian family’s difficult history, and 20 Days in Mariupol(rent or purchase and via PBS.org), about the Russian invasion of Ukraine, the two strongest of the three documentary nominees I’ve seen. They are difficult to watch yet important and well done films. The Eternal Memory(for rent or purchase and on Paramount+) is also heartbreaking — the tale of a couple trying to hold on to each other even as one is losing his connection to himself from Alzheimer’s. Of the other documentaries Bobi Wine: The People’s Presidentis available on Disney+ and To Kill A Tigerdoes not yet appear to be available.

Back to the best picture nominees: Anatomy of a Fall (nominated in four other categories; available for rent or purchase) is a serious drama that examines the unknowability of a relationship via a murder trial. The previously mentioned Killers of the Flower Moon is at its strongest when it is telling the story of the Osage and attempts to steal their oil money. Poor Things (11 total nominations; available for purchase) is maybe my second least favorite Best Picture nominee (after Maestro) but perhaps this is a movie I need to give a second look to. And even if I don’t ultimately love — or even like — it, arguing about your serious films is a fun part of the movie fan experience.

Oscar reminds you that interesting movies can come in all sizes. The 15 movies nominated in the three shorts categories — animated, documentary and live action — are a good reminder that film is a storytelling medium that creators can use in all sorts of ways. See shorts.tv/theoscarshorts for updates about watching the packages of films at home. Individually, films you can watch now include all the documentary nominees — The ABC’s of Book Banning (Paramount+), The Barber of Little Rock (via The New Yorker), Island in Between (via The New York Times), Nǎi Nai and Wài Pó (Disney+) and The Last Repair Shop(Disney+), my favorite of the ones I’ve seen from this very strong bunch, which is about kids, their musical instruments and the people who fix them. In the animated short category, I could find Letter to a Pig(for rent via Vimeo), Ninety-Five Senses(find it via docplus.com) and Pachyderme(for rent via Vimeo). In the live action category, I found The After (Netflix), Invincible(for rent via Vimeo), Knight of Fortune (for rent via Vimeo), Red, White and Blue(for rent via Vimeo) and The Wonderful Story of Henry Sugar(Netflix).

Oscar can remind you of all the other movies you can see. Go to abc.com/shows/oscars and print out your ballot. Sure, you can use it on March 10 to predict the winners and place your friendly snack-based bets with your fellow Oscar watchers. But you can also use it as a “what to watch” guide the next time you’re fruitlessly scrolling through your streaming services. And then head to filmindependent.org/spirit-awards for their list of 2024 nominees — you’ll find some overlap (American Fiction and Past Lives are also in their Best Feature category) but you’ll also find new movies to check out. Ditto the Screen Actors Guild Awards (sagawards.org), which has more overlap but also TV nominees; the Bafta Awards (bafta.org), Oscar’s British equivalent, and the Golden Globes (goldenglobes.com/nominations/2024) with its drama, comedy and “Cinematic and Box Office Achievement” categories. Watch these movies, watch other movies, just keep watching movies.

Dune: Part Two (PG-13)

The Fremen help Paul Atreides, gifted with both visions of the future and preternaturally good hair, fight the weirdos of House Harkonnen in Dune: Part Two, a movie about sand and vibes.

Previously on Dune: Paul (Timothée Chalamet) and his mom Lady Jessica (Rebecca Ferguson), who is pregnant, had to run off and hide in the deserts of Arrakis, the planet from which comes Spice — a space fuel that can also make your eyes blue. House Harkonnen, which had controlled Arrakis but was stripped of the Spice trade by the Emperor, attacked the Atreides base on Arrakis and killed Paul’s very hot father Leto (Oscar Issac), previously head of House Atreides and Duke of Arrakis. The Harkonnen are now back in charge of Arrakis but are fighting an insurgent war with the Fremen, the indigenous people of Arrakis who would like all of these Spice-hungry imperial families to just go home.

Paul and Lady Jessica are hanging out with the Fremen in part because that’s the only way they can survive the desert, in part because some of the Fremen think Paul might be their messiah and in part because Paul has been dreaming about Chani (Zendaya), a Fremen girl who he’d like to ask “hey, how you doin’?” Stilgar (Javier Bardem), leader of that particular tribe or whatever of Fremen, is pretty sure Paul is the messiah and says increasingly crazy things about following him. Chani is not impressed with all this religious fervor her maybe-boyfriend is inspiring — and how much worse it could be in the fundamentalist south of the planet — but she doesn’t seem to let that get in the way of sharing a tent with Paul.
Meanwhile, Lady Jessica, a member of the order of magic-y religious-y ladies called the Bene Gesserit, spends a lot of time talking to her unborn daughter, who talks back and can also talk with Paul sometimes via dreams (I think?). Jessica has been made a Reverend Mother of Arrakis, which is helping her push this whole “Paul is the Messiah” thing which she does a bit out of genuine belief maybe but mostly out of a sense that it will help him survive and gain the power that comes with a Fremen army.

Also meanwhile, the Harkonnens are finding themselves losing Spice production equipment to the Fremen rebels. When Glossu Rabban Harkonnen (Dave Bautista) can’t get the Fremen in line, his way-crazier, even creepier younger brother Feyd-Rautha Harkonnen (Austin Butler) shows up to bomb stuff and be super evil.

Further meanwhile, the Emperor (Christopher Walken, whose character has a more elaborate name but who I always just thought of as “Emperor Christopher Walker”) is watching all this drama from afar, afraid that the other families will find out he was behind the fall of House Atreides. His daughter Princess Irulan (Florence Pugh) helpfully narrates some of this information; she mostly hangs around and looks concerned until the end when it becomes clear that she will have more to do next time if there is a next time.

Which I suspect there will be, as Dune: Part Two, for all that I will forget most of that plot by the time Part Three shows up, made $82 million in its opening weekend, according to IMDb. And I predict it will likely match Dune: Part One’sbig Oscar nomination haul next year — Part One had 10 nods, with six wins: Production Design, Sound, Visual Effects, Original Score, Cinematography and Film Editing. I fully expect it to be very competitive in those categories again, as well as Costume Design and Makeup and Hairstyling (two categories it was nominated in in 2022 but didn’t win). Will it get Best Picture and Best Adapted Screenplay nominations like it did last time too? Maybe, why not — it straddles the line between beautiful art and movie that gets its own commemorative popcorn box. Part Two looks beautiful, just as Part One did, but maybe feels like even more of a feat because this world isn’t brand new and we get more of the shades-of-brown Arrakis and the black-and-white Harkonnen home world. It’s lovely and creepy, according to what it needs to be, and I really did find myself dazzled by little details like the Bene Gesserit robes given to Lady Jessica or the fancy if kinda stupid headpieces worn by Princess Irulan. I mean, a lot of this doesn’t hold up to deep thought — it’s 10,000 years in the future and we’re still doing billowy capes? — but don’t ask a lot of questions and it looks great.

I feel like Part Two is also an improvement on Part One’s glacial pace. Sure, a merciless editor could have tightened this puppy up a good hour and we wouldn’t have lost anything, but I didn’t mind spending time in this world. The push and pull between Paul’s desires for Freman support but uneasiness with Fremen worship is moderately interesting and I am not too bothered by the generally chilly relationship between Paul and Chani because they’re both fully Movie Stars. Which I guess is how I feel about all of the characters. Everybody looks great — does not in any way resemble a human person and not just a game board piece — but they look great and hold your attention while on screen.

It’s all fine, is what I’m saying, Dune: Part Two is fine — like, better than average for a popcorn movie if not dazzling me with brilliant story or dialogue. But is that really why most of us are here? The big worms are cool, the “waaah”s on the soundtrack are unsettling and the sand looks so much more photogenic than sand is in real life. B

Rated PG-13 for sequences of strong violence, some suggestive material and brief strong language, according to the MPA on filmratings.com. Directed by Denis Villeneuve with a screenplay by Denis Villeneuve and Jon Spaihts, based on the novel by Frank Herbert, Dune: Part Two is two hours and 46 minutes long and released in theaters this time by Legendary Features Productions and Warner Bros.

Featured photo: Dune: Part Two.

Art in Nature

NH Audubon in Concord showcases artist Jackie Hanson

Starting Tuesday, March 12, the artwork of New Hampshire native Jackie Hanson will be on display at the Susan N. McLane Audubon Center at 84 Silk Road.

“It is a really nice space,” Hanson said, describing the venue. “Great natural light, plenty of wall space — I feel like I need to make a few more pieces before I hang the show.”

Hanson, a 2022 Bachelor of Fine Arts graduate from New England College (after the New Hampshire Art Institute merged with the school) was thrilled to be asked by the New Hampshire Audubon to exhibit her collection titled “Human/Nature.”

“I do a lot of landscapes and other nature-based things,” Hanson said. This will be her third showing since September.

“I had my art hang at two different public libraries last year,” she said. “The first one was Nashua Public Library. That was in September and October. Then my work went to Amherst Town Library in December.”

The NH Audubon describes this collection on their website as “immersive landscapes that feature both well-known and overlooked vantages.”

Hanson likes to pick and choose how to express an image.

“This show will all be in soft pastel,” Hanson said, “which is kind of like a chalk. That’s what that series of work is, but apart from that I also like to use watercolors, acrylic, wash … I like to jump around in different mediums. I find that if I do switch now and then, then I am better at all of them when I switch again.”

The collection for this show is solid. “I believe I have around 15 or 20 pieces. The biggest one that I have is called ‘Annie C Maguire Shipwrecked Here 1886.’” The painting measures 30 by 62 inches installed.“It is a four-panel, I guess quadriptych, of a panoramic view at Portland headlight in Maine. I named it that because there is a rock that you can see that they have to repaint it every few months because of the tide, but it says the name of a shipwreck that happened there.”

Hanson, as the NH Audubon points out, enjoys the vantage points less traveled.

“I have done a few pieces in this way, where I went to an iconic landscape in New England and I kind of turned away from the classic view, which in this case would be the lighthouse,” Hanson said. “I had it behind me and I was taking a view of the little cove next to it instead. And you can actually see the place that most people stand to take their photo of the lighthouse in my painting.”

Hanson grew up in an artistic family; her mother is an artist and has “always been doing artwork,” she said. “My family and my mom have shaped my idea of what’s beautiful in the world. So I like to promote that with other people, to look for beauty in everyday moments. ”

“I have a full-time job and it can be tricky,” she said; Hanson makes the most of her time, though, “painting at night and on the weekends. As we get into the warmer months, I do a lot of art and craft fairs on the weekends. You can find me all around the state and sometimes into Maine or Massachusetts, bringing my art and prints and cards and stickers of my art to different places. I like to do pop-ups, making it accessible to everyday people to have artwork in their homes. That’s a lot of how I get my art income. I do have my work at a store in Contoocook called Maple Street Mercantile as well.” The majority of her pieces will be for sale at the McLane Center.

Be on the lookout for future shows from Hanson.

“I just finished up an unrelated series that’s in mostly acrylic but some mixed media that’s botanicals, mostly house plants. I wanted to make sure that they had a distinctly feminine aesthetic.” As she sees it, “a lot of the high art world and some of the academic art world doesn’t think that things considered feminine are necessarily worthy…. So, a lot of pink, a lot of vibrant colors. I was thinking: art by a woman for women.”

Human/Nature
Where: McLane Audubon Center, 84 Silk Farm Road, Concord
When: March 12 through May 17; the gallery is open Tuesdays through Fridays 11 a.m to 5 p.m.
An artist reception will be held Saturday, March 23, from 2 to 4 p.m.

More info: “Looking Back: Owl’s Head” by Jackie Hansonart. Courtesy Photo.

Flight into flyover country

Palace performs The Prom

A quartet of Broadway actors in need of a reputation reboot and a gay high school student looking to disrupt the status quo in her small town are at the center of The Prom, a musical that’s at turns heartwarming and hilarious. The latest production from the Palace Theatre, it will run Fridays, Saturdays and Sundays through March 24.

Creative Director Carl Rajotte decided to do the show after watching a Netflix adaptation of it with Palace staff during the pandemic.

“We just all loved it,” he said in a recent phone interview. “People cried, we all laughed; we thought this should be something that we put in our season once we reopened.”

The story begins as diva actors Dee Dee Allen and Barry Glickman are finishing opening night of Eleanor: The Eleanor Roosevelt Story. The musical is immediately panned by the critics for missing the point. Both actors are slammed for being narcissistic and out of touch. Dee Dee is played by Michelle Rajotte, seen most recently in Dancing Queens. Jay Falzone plays Barry; it’s the ninth production for the Palace veteran.

Crestfallen, the two decide to combine altruism and public relations and look for a cause. With help from Trent Oliver, an underemployed Juilliard graduate (Richard Gomez), and Angie Dickinson, an actress who wants to move beyond 20 years in the Chicago chorus line (Katie Harvey), they learn about Emma (played by Palace newcomer Juliana Chimenti), whose attempt to take her girlfriend to the prom caused the whole thing to be canceled.

To the soundtrack of the un-self-aware anthem “Changing Lives,” the four hatch a plan to love-bomb the prom back into existence. Hopping on the bus with Trent, who’s in a non-union touring company of Godspell, they head to Indiana and an incredulous reception. The object of their crusade (mixing in Godspell is a lovely touch) is among the most bewildered.

Of course, the well-meaning bunch is undeterred. Like four bedazzled bulls in a China shop, they push their Big Apple agenda, as it were (“I’m a liberal from New York who’s come to save you!” Trent shouts at one point), on a cornfield community. Gratefully, life lessons outnumber caricatures, and The Prom’s heart shines through in the end.

The Prom’s greatest strength is taking a serious topic and leavening it with outsized humor, while weaving in compelling subplots to move the action along. The Broadway-loving (and Emma ally) high school principal who has a lifelong crush on Dee Dee, and Barry vicariously living his dashed high school prom hopes through Emma, are among the entanglements that carry things forward — along with great songs.

Ultimately, it succeeds because of what’s stumbled upon in an errant pursuit of redemption.

“It’s a comedy but it has so much heart too, it’s so charming,” Rajotte said. “Elites from the big city come thinking that they’ll bowl over the small town and they begin to learn where the soul of this place is, and they learn about themselves as well in the process.”

In preparing for the show, Rajotte was surprised to learn that playwright Jack Viertel got the idea for The Prom from a real event. “In Mississippi in 2010, a girl went to her school and asked to bring her girlfriend, and she wanted to wear a tux and they ended up canceling the whole prom,” he said. “That kind of hit me hard; that’s why this show is just so important.”

A few years back, Rajotte helped with a prom for teenagers in the Palace’s Youth Theatre program; it opened his eyes. “I thought … we’ll put some music up, dance a little bit,” he said. “But then I talked to the kids; one came to me, and this hit me like a brick wall. He said, ‘thank you so much for doing this…. I love it here more than school because I’m able to dance and be myself, and no one will make fun of me.’”

The moment reminded him why the show’s message matters. “Being inclusive and taking a moment to step in someone else’s shoes for a second before you judge … see it from another point of view and see how much someone can be hurt because of that,” he said. With The Prom, “we’re trying to get that message across, of course, with a ton of humor.”

The Prom
When: Fridays, March 8, March 15 and March 22, at 7:30 p.m.; Saturdays, March 9, March 16 and March 23, at 2 and 7:30 p.m., and Sundays, March 10, March 17 and March 24, at 2 p.m.
Where: Palace Theatre, 80 Hanover St., Manchester
Tickets: $28 and up at palactheatre.org

Featured photo: Courtesy photo.

State of the Plate

Local Eateries talk about how they’re faring,
Plus a pairing of restaurants and theater in Manchester

Running a restaurant has never been easy.

The past four years have surpassed the definition of “challenging” for the restaurant industry — from the pandemic that shut New Hampshire restaurants down in March 2020 to all the supply chain, staffing and inflation issues that have come after. So how’s it going now?

How it’s going

Less than optimal, according to Todd Roy, owner of Cheers Grille and Bar in Concord.

“It’s not great,” he said. “Everything is down; I can tell you that.”

Roy blames a combination of inflation and too many restaurants in the Concord area.

“There’s just not enough population to support all of us,” he said. But he sees inflation as a bigger challenge to his business. Rent, utilities, and especially food costs have gone up, but there are secondary effects as well. When money is tight, he clarifies, restaurant patrons have to set priorities: “Going out to eat goes farther down the list.”

“We’re all struggling. I’ve added breakfast on the weekends to raise our revenue,” Roy said.

Jeff Paige, chef and co-owner of Cotton in Manchester, is happier about business conditions. “Business has been great,” Paige said. Overall, his regulars have been very loyal.

“We’ve been able to build a relationship with our customers over the years,” Paige said. “A few of them come in so regularly that they call in to let us know if they can’t make it in.”

He agrees that staffing can be challenging. Cotton, which pre-pandemic was open weekdays for lunch, has had to drop lunch service.

“Lunch was busy; we just didn’t have the staff,” Paige said. Fortunately, most of Paige’s core kitchen staff have been with him for 20 years or more. “We make sure we take care of those people. We’re fortunate that we’ve been able to pay more than a lot of other restaurants.”

Amanda Wihby, co-owner and COO of Red Arrow, agrees that business is good. During uncertain times customers crave comfort food — something that diners like the Red Arrow specialize in.

“It’s been a tumultuous four years,” she said. “We’re finally coming out of the effects of the pandemic. Because of inflation, we’re seeing the customers coming back.”

Takeout. Photo by John Fladd.

Ready to eat?

Keith Sarasin, cookbook author, chef and owner of The Farmer’s Dinner Dining Group, sees a change in many restaurant customers, who have traditionally had conservative tastes in food. “It’s encouraging,” he said. “People are embracing foods that they aren’t familiar with — that haven’t been represented in the mainstream up until now. The education piece has been much higher for the average diner. As a chef, that’s super encouraging.”

He also sees more of a relationship between customers and individual chefs.

“I’m seeing trends where people are getting involved with the [local] chef community. I see diners following chefs from restaurant to restaurant,” Sarasin said.

Chris Viaud, the chef and owner of Greenleaf (serving seasonal, contemporary American style food) and Ansamn (Haitian cuisine) restaurants in Milford, has been surprised and gratified by the loyalty of his customers over the past few years.

“Our guests have been so supportive,” he said. “In 2019, we got off to a great start, then boom! But our customers have been supportive of both our restaurants, coming out during Covid and helping build us back up.”

Viaud, too, sees customers becoming more adventurous.

“They’re definitely more sophisticated than they used to be,” he said. “Diners do want to see different and new things. As a chef, my excitement comes from being able to adapt and change. I’m excited that there is such excitement for new and different cuisines.”

Chef Chris Viaud. Courtesy Photo.

On the menu

While traditional comfort foods will always play an important role in New Hampshire dining, across the board, cuisine diversity was frequently mentioned as the biggest change in the local restaurant scene.

“I think we’re getting more international food,” said Jessica Martin, Executive Director of Intown Concord. “We’ve got our classics, but we’re getting a lot more restaurants in Concord that reflect how diverse our population is becoming.” She cited Batulo’s Kitchen, a Concord restaurant that specializes in Somali-inspired cuisine, as one example.

“There’s Buba Noodle (a Vietnamese restaurant), N’awlins Grille (Creole), and STREET, which specializes in dishes inspired by street food from around the world,” Martin said.

Sarasin agrees that the New Hampshire restaurant community is embracing diversity and food from around the world. He points to Classic Biryani, Kabab and Curry — an Indian restaurant on Manchester’s West Side.

“I travel all over the country, tasting food everywhere. As far as I’m concerned, this is the best kebab house in the country. It’s incredibly encouraging that a community like Manchester can support an Indian restaurant of that quality,” Sarasin said.

Wihby of the Red Arrow agrees.

“I’d like to see even more diversity in fine-dining restaurants,” she said. “It would be great to see more places popping up.” She expressed a fondness for Thai Food Connection, which has restaurants in Manchester and Bedford.

Viaud, whose Ansanm restaurant in Milford specializes in Haitian-fusion cuisine, feels vindicated by the expansion of offerings.

“Coming up in the industry, you get pigeonholed,” Viaud said. “I feel strongly that this is my background, and I want to share it. Customers have definitely become more sophisticated. Indian, Mexican, Italian — they’re open to it all.”

Kaji Maharjan of Kathmandu Spice, a Nepali/Indian restaurant in Manchester, said before Covid most of his business was in-house dining.

“2021 was a very bad year, though,” Maharjan said. “Now, 25 to 30 percent of our customers eat here; the rest of our business is takeout, at this point.”

He said that in addition to customers using Grubhub, UberEats and DoorDash, his restaurant has changed its online presence. “Now people can order online or call in their orders,” which, he said, translates into even more takeout business.

Maharjan said that over the past year, however, in-house dining has been on the rise.

“There are more people eating here,” he said. “It’s slowly getting better.”

Cheers. Courtesy Photo.

What’s next

According to Jessica Martin at IntownConcord, there are some very positive developments on the horizon. She points to the Capitol Center For the Arts’ Culinary Artist in Residence program, which works with newly arrived community members who want to start a food business. The culinary residents are able to use the Capitol Center’s two commercial kitchens to develop a customer base and to work out recipes on a commercial scale.

She also points to State Street Kitchen’s incubator program, which helps provide equipment and training for prospective small food businesses. Traditional restaurant models are changing. “We’ve been working on bringing more food trucks to the area,” she said, such as the food trucks that show up for the monthly First Friday shopping events.

Jeff Paige at Cotton sees more changes to traditional service models in the future.

“I’m seeing a trend toward dinner-only service,” he said. Staffing issues and kitchen efficiencies make eliminating lunch more attractive to restaurant owners. He also points to the difficulty of staying open seven days a week.

“Tuesday through Sunday makes the most sense for most of us,” he said, “and holiday Mondays.” Paige said that although the past few years have been tough, he’s cautiously optimistic. “We’re doing really well and a few of our friends who own restaurants are doing well, too.”

Kaji Maharjan at Kathmandu Spice agrees. His restaurant has been open seven days a week for years, but has just started closing on Tuesdays.

“Being open all the time is just too hard,” he said. “My staff needs a break.”

Roy at Cheers continues to worry about rising business costs: “I just signed a three-year contract with my food reps to keep prices down.”

Sarasin sees New Hampshire’s restaurant scene as only becoming more diverse, and more focused on superior ingredients. “More small, chef-driven restaurants centered around high-quality, fresh, seasonal ingredients are going to thrive,” he said.

Viaud sees area restaurants working together to build a culinary community where restaurants play off each other. As customers at one restaurant open themselves up to new experiences, hopefully they will take that spirit of adventure with them to other restaurants.

Different restaurants with different cuisines pull together to build a common culinary vocabulary. “I’m hoping the industry continues to be collaborative,” he said.

Chef Keith Sarasin. Courtesy photo.


Great Manchester Restaurant Week

Greater Manchester Restaurant Week runs through March 14. The Greater Manchester Chamber and the Palace Theatre are working together this year, to promote the Palace’s production of the Broadway musical The Prom (running weekends March 1 to March 24) by collaborating with more than 25 participating Manchester restaurants, who will have special offerings from custom cocktails to prix-fixe meals.

“Pairing a Restaurant Week with the Palace Theatre’s production of Prom is quite a creative way to experience the culinary and cultural contributions of the Greater Manchester community,” said Cole Riel, Director of Small Business and Community Development at the Greater Manchester Chamber, in a press release.

“We’ve been wanting to sponsor a restaurant week for a couple of years now,” says Kelsey Collins, the Marketing Director for the Palace Theatre. “Prom is a new show for us and we’re very excited about it, so we decided to do it now.”

The Prom is a musical comedy about four overly enthusiastic Broadway actors who try to help an Indiana teenager, who has been banned from attending her prom. Their over-the-top efforts are overwhelming to the teenage girl, who just wants to be left alone.

Many participating restaurants will be serving prom-themed cocktails and meals. Campo Enoteca has developed a pair of bespoke cocktails called “The King of Prom” and “The Queen of Prom.” The Gyro Spot is featuring an “After Prom Special” — two gyros of the customer’s choice, and a special chocolate-covered loukoumades. Current Kitchen & Bar at DoubleTree is serving a Honey Nut Cheerios ‘Prom-tini’ with Honey Nut Cheerios-infused rum, Angry Orchard hard cider and honey cinnamon simple syrup.

“A lot of theater-goers are going out to dinner,” Collins explains, “either before or after a show. This is a good way to let them know about the great restaurants in the area, and vice versa.”

The Prom is running at the Palace Theatre until March 21. For tickets and a list of participating restaurants, see palacetheatre.org/restaurant-week.

News & Notes 24/03/07

Town voting

Tuesday, March 12, is town election day in many New Hampshire towns. Check with your town’s city clerk’s office for your town’s hours, voting registration requirements and sample ballots.

Virtual ER

Elliot Hospital announced in a press release that it is unveiling a new online avenue called VirtualER for patients with non-life-threatening ailments or injuries (such as minor burns, cold and flu symptoms, or UTIs). Dr. Matthew Dayno, of Elliot’s Emergency Department, said in a statement, “The program brings board-certified emergency physicians directly to the fingertips of the patient to help assist with either attending to their care virtually or getting them to the right location at the right time.”

In a press release, Elliot said the VirtualER service is an online platform that will virtually connect patients to Elliot emergency-certified physicians to ensure they receive the same level of expertise they would expect from an in-person visit at their Emergency Department (ED). Patients can be treated virtually, through verbal or visual instruction, or be triaged to an urgent care center or the ED for a physical exam, according to the release.

Patients will need to have a MyChart Patient Portal account to use Elliot’s VirtualER but should know that it’s free to use the VirtualER service. Once logged into their MyChart account, patients will be able to request a same-day appointment by selecting from available time slots, which exist in 15- to 20-minute increments, according to the release.

Assistance ends

The New Hampshire Homeowner Assistance Fund (NH HAF) announced in a release that the program will stop accepting applications on Friday, March 8, because funding for the program is projected to be depleted. If an application has already been submitted, it will be placed on a waitlist and those applicants will receive a notice regarding their eligibility and the availability of funds, according to the release.

The NH Homeowner Assistance Fund program was launched two years ago in March 2022, and the fund has helped eligible New Hampshire homeowners through grants for past-due mortgage payments, utility bills, property taxes and association fees. The NH HAF has awarded more than $36.5 million in grants funded by the federal American Rescue Plan Act.

The NH Homeowner Assistance Fund is a temporary relief program federally funded through the NH Governor’s Office for Emergency Relief and Recovery and administered by New Hampshire Housing.

Crop loss help

On March 1, Gov. Sununu and Department of Agriculture, Markets, and Food Commissioner Shawn N. Jasper announced in a press release that the Crop Loss Program, totaling $8 million, would begin accepting applications that same day. Developed in collaboration with UNH Cooperative Extension, the Crop Loss program is designed to help New Hampshire farmers who suffered significant losses because of extreme weather conditions during 2023.

Surveys that were conducted by the Cooperative Extension after the severe weather found that fruit growers lost almost all their peach crop due to extreme low temperatures, according to the release. The release went on to say that this loss was followed by a late freeze that destroyed a significant portion of the state’s apple crop as farms saw additional losses throughout the growing season due to an excess accumulation of rain.

The release also stated that the program is open to any farm that suffered at least a 30 percent loss of any commodity, had a gross farm income of at least $30,000 in the previous three years, and was neither closed nor currently in bankruptcy.

Funding for the program was repurposed from ARPA funding and was approved at the Executive Council Meeting on Wednesday, Feb. 21. All applications, which will be reviewed weekly, must be received by May 15. Additional payments may be made if funding allows, according to the release, and no payments will exceed their loss, but they will include a reasonable allowance for an owner’s operator labor. Applications can be completed by visiting www.agriculture.nh.gov.

Pollinators in the city

The Tuesday, March 12, Science on Tap presentation from SEE Science Center will focus on “Sharing our cities with pollinators,” according to see-sciencecenter.org, where you can register for this free program, which takes place at 6 p.m. at Stark Brewing (500 Commerical St. in Manchester).

The Aviation Museum of New Hampshire in Londonderry is holding a volunteer open house on Tuesday, March 12, from 7 to 8:30 p.m.Volunteers are needed in aspects such as community outreach, aviation research, engineering and more. Those interested can contact the Aviation Museum of New Hampshire (27 Navigator Road, 669-4877) or email ldearborn@nhahs.org.

A new exhibition, “I live a journey of a thousand years,” featuring the work of French artist Raphaël Barontini, opens Thursday, March 7, at the Currier Museum of Art in Manchester. The exhibition comprises about 20 works, according to a press release, and will run through June 23. The museum will host an opening celebration on the evening of March 7 from 5:30 to 8 p.m. with the artist and Currier staff. The opening reception is $20 for non-members and $10 for members. Visit currier.org.

Carol Coronis returns to the Seacoast Artist Association at 130 Water St. in Exeter for their Second Friday artist reception on Friday, March 8, from 5 to 7 p.m. She will perform a Celtic music program to get everyone ready for St. Patrick’s Day, according to a press release. The public is invited, and donations are appreciated. See more at seacoastartist.org.

The Portsmouth Music Hall Lounge (131 Congress St.) will host bestselling author Andre Dubus III on Wednesday, March 13, at 7 p.m. to talk about his new book Ghost Dogs: On Killers and Kin. The event will be moderated by Lara Prescott, author of The Secrets We Kept. Tickets cost $50. Visit themusichall.org

Making the pieces fit

Slim Volume on the rise

Blending elements of alt country and harmony-rich classic rock, Slim Volume is a breath of fresh air on the local music scene. At the core of the four-piece band is the songwriting team of Trent Larrabee and Jake DeSchuiteneer, who met as coworkers at SNHU’s Manchester campus, bonded over a shared love of ’60s bands, and found their mojo at Strange Brew Tavern’s open mic night.

With the addition of Mike Morgan on guitar and, soon after, drummer Jonny Lawrence, they picked a name and began playing whatever bar, basement or party would have them, polishing their sound while writing a growing list of original songs. Their sound isn’t easily pinned down — the Jake-written “It’s Been Sweet” echoes “Take It to the Limit” from the Eagles, while Trent’s composition “Talk it Over” is a lovely slice of dream pop wrapped in Tom Petty jangle.

Ever present, however, is the pair’s lush harmonizing. This comes through in the covers they choose. A mid-February listening room show at The Livery in Sunapee included no fewer than four Beatles tunes — “The first song we learned together was ‘This Boy,’” Trent said from the stage — and “Dream” from the Everly Brothers.

Other influences include Wilco and Pavement, along with contemporaries.

“A lot of local bands inspired me the most,” Trent said in a recent phone interview. He specifically cited Evan Benoit and his band Badfellows, now called Happy Just to See You, and Great White Tourist. “Just the whole Manchester music scene from 2015 to 2017 was super influential on me because I was still living in a Beatles/Bob Dylan paradigm that I had not really broken out of yet.”

The duo’s vocal connection began with Trent teaching himself Ricky Skaggs’ “You’ve Got a Lover” and Jake deciding to come in on top of the vocal. “I remember we noticed that it worked, and Trent being like, ‘You should do more of that type of thing,’” Jake recalled. “My voice does things Jake can’t and he does things mine doesn’t really do,” Trent agreed. “They definitely complement each other in that way.”

Trent had played in a few other bands before meeting Jake, who was just starting to explore taking his interest in music to another level. Working together on Trent’s 2021 solo album Billions of Musics helped Jake’s songwriting to grow. It’s led to a collaborative process that usually starts with one or the other writing a nearly complete song and then taking it to the band for fine tuning.

“I was inspired by the fact that Trent seemed to be finishing songs [that] had something to say and were interesting from start to finish,” Jake said. “That kind of helped me to see my way toward doing more, because a lot of what I’d done at the time was just writing stuff on my own, with really no intention of any audience hearing it.”

They’ve released one EP, Staring at the Sun, and a handful of singles. They have two more finished EPs, set to drop later this year. Each represents a different side of the group, Trent said. “One is more indie rock, and the other is our indie soul folk kind of sound. So that’s going to be a great display of, I don’t want to say the polarities of our music, but the range and spectrum of what we do.”

They’re also at work on their first full-length album with, noted Trent, an embarrassment of riches facing them.

“We have so much material, it’s really become a problem,” he said. “We can keep doing singles and EPs forever, but putting 10 or 12 songs together is really more important. It’s helped us focus [and] filter songs through the lens of what’s going to be good on an album, what’s going to fit together sonically, and what’s going to be the most accessible to an audience.”

Jake agreed. “I think we’re really starting to circle the target on what our sound, Slim Volume original music sounds like,” he said. “It’s a little bit indie rock, a little bit folk rock, sometimes it’s a little pop, sometimes it’s soulful. I think the album is gonna really show in a cohesive way what that range is.”

Slim Volume
When: Saturday, March 2, 5 p.m.
Where: Twin Barns Brewing, 194 Daniel Webster Hwy., Meredith
More: slimvolumeband.com

Featured photo: Courtesy photo.

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