The lively folk song “Hava Nagila” is a staple at Jewish weddings and other celebrations, but when Hankus Netsky started the Klezmer Conservatory Band it was part of a very niche musical tradition that carried on mostly in synagogues. Netsky decided to change that. Surprisingly his inspiration was an Irish musician.
Nearly five decades later, his group is credited with reviving klezmer music for modern audiences, making several albums and performing around the world. Their music has been in films, including one narrated by the late Robin Williams, and they’ve worked with many musicians, including an ongoing collaboration with Itzhak Perlman.
The last one happened after Netsky lured a reluctant Perlman into a jam session — more on that later.
An April 6 show at Concord’s City Auditorium will be special, with the full Klezmer Conservatory Band on stage, Netsky shared in a recent phone interview.
“We need to give a little present to New Hampshire,” he said, noting that their last time in Concord, “we came with a small group … we didn’t even have a trumpet player.”
Netsky came to New England Conservatory as a student in 1973. Five years later he was hired by the school’s Third Stream Department. The name came from NEC President Gunther Schuller, who felt that much contemporary music resulted from mingling “streams” of classical and jazz.
Schuller, Netsky said by phone recently, “felt very strongly that he couldn’t possibly talk about the 20th century of music without looking at the works of Ellington, James B. Johnson, Louis Armstrong, etc.” Netsky saw a role for Jewish music from the Ashkenazi communities of Ukraine, Romania and other Eastern European countries.
There were other tributaries, and as the Third Stream definition broadened, Netsky made klezmer’s case.
When Netsky was studying at NEC, he’d found boxes of klezmer 78s in his uncle’s basement that were once owned by his great-grandfather. He was amazed.
“By then in the Jewish community, the music,” he said, “was very perfunctory.” So he began transferring them to cassette.
The recordings revealed “there was a whole tradition of music that was on a really high level,” he said. “I kind of reinvigorated that stream.” Netsky began sharing them with students when he joined NEC’s faculty. He found common ground with guitarist Mick Moloney, who’d worked to bring long-lost Irish music back to the forefront.
“The real session music was more or less forgotten at that point, and he revived it,” Netsky recalled. “I went to one of his Irish sessions, and I went, ‘Oh! I get it! You have a party, serve some food, and then everybody comes and you teach them the music’; so that’s really what happened. Then one of the students got this idea we should do a concert.”
The young group contributed a three-song set as part of an evening of Jewish music. It was supposed to be a one-off, but in days they had three offers to do full concerts. They sent a tape to Garrison Keillor and quickly received an invitation to appear on his NPR show, A Prairie Home Companion, the next time it stopped in Boston.
From that point on, they’ve led a resurgence of the once moribund tradition, appearing everywhere, from synagogues to Carnegie Hall. They’ve spawned other bands as well; the genre-bending Klezmatics, founded during the mid-1980s in New York City, includes KCB founding member Frank London.
Then there are the many collaborations, the most famous with Perlman. It began haltingly, however, after an attempt at melding his legendary violin talents with jazz players like Oscar Peterson left him, according to many, dissatisfied. When a rep from NPR’s Great Performances contacted Netsky about Perlman’s interest in klezmer, she offered caution.
“He felt kind of burned by this jazz project,” he recalled her saying. “He just wants to learn about the music, but he doesn’t feel like he’s going to be ready to play it. Your job is to get him to take his violin out and feel good about what he’s doing.” Netsky knew there were certain songs that Perlman would have listened to as a young child in Israel, so he began with those. Perlman, his interest piqued, took out his violin and joined in. Mission accomplished.
“Then we started playing more serious klezmer music,” Netsky continued. “He recognized the tunes, and, again, right away he was playing along. Then we started going around the band, having people improvise, and then he improvised. He realized right away that this actually was something he wanted to do.”
Klezmer Conservatory Band When: Sunday, April 6, 2 p.m. Where: Concord City Auditorium, 2 Prince St., Concord Tickets: $23 at eventbrite.com
Attention bookworms of all stripes! This weekend features book fun for everyone. At the Derry Author Fest and Exeter LitFest, hear authors discuss their works and process — and maybe even get some tips on putting your own stories on paper. At the Old School Comic Show in Concord, enjoy the rows of comic books and meet some comics creators. And the Kids Con New England has chapter books, graphic novels and comic books — and artists and authors — to help younger readers grow their enthusiasm for books. Looking for some new reads? Check out this weekend’s many celebrations of stories, their creators and their loyal readers.
Derry Author Fest – Dive into the craft of books
By Zachary Lewis
zlewis@hippopress.com
Erin Robinson is a genealogy and reference librarian at Derry Public Library (64 East Broadway, Derry) and has been part of the Derry Author Fest since its inception almost 10 years ago. This year’s Fest, with the tagline “Community. Collaboration. Confidence,” is happening on Saturday, April 5.
“It’s a full-day lecture series,” Robinson said. “The idea is that people who are interested in writing or illustrating can come and they can learn about the craft and business of writing.”
Gibson’s Bookstore will be providing an all-day book sale, and a door prize is being offered by New Hampshire Writers Project.
“We have a variety of different levels of writers that come to the program. Some are authors who’ve been published, some are writers who maybe published once and they’re working on new projects, and some who’ve never been published. We try to get an array of different levels,” she said. Robinson is an author as well but publishes under the name Erin E. Moulton. She recently came out with a fun guide on exploring cemeteries called The Beginner’s Guide to Cemetery Sleuthing.
Laura Knoy is the keynote speaker of the day. Knoy is a journalist who founded and was the host of The Exchange on New Hampshire Public Radio before she “stepped down from the host’s chair to pursue other interests, including writing fiction,” according to her bio.
“Our whole theme is community, collaboration, and confidence,” Robinson said, “and of course, Laura’s got that in the bag. That’s a huge theme for her…. She’s always talking about local New Hampshire books. She’s going to bring some of her years of storytelling to the table for us.”
Knoy is excited for the day.
“I spent my whole career in journalism trying to create community around ideas and problems and solutions,” Knoy said, “and collaboration was definitely a part of that as you try to bring people together in a talk studio and hoping that people can not only discuss the issues and maybe their differences but collaborate on possible solutions for New Hampshire. But my speech is really about the third word in the conference title. I want to talk about confidence and how that’s played a role in my own career as a journalist and how it’s now playing a role in my efforts to become a published author.”
Her book, The Shopkeeper of Alsace, “is historical fiction that starts in World War I and ends in World War II. It’s heavily based on a true story that was shared with me by a French family who I met 30 years ago when I lived in France. The heroine of the story is the mother of the family,” Knoy said.
Knoy expands on the deep connection between the two globe-stretching events. “That’s the thing that I think makes this book so different. I mean, yes, there are tons of World War II stories, but Alsace’s experience during World War II was unlike any other region of France…. They were annexed. They became part of Germany again. They were part of Hitler’s Reich and their men had to fight for Hitler so their experience is completely different from any other region of France and nobody writes about that,” Knoy said.
Knoy will spend most of her time speaking on the conference’s themes.
Keynote Speaker Laura Knoy. Courtesy photo.
“I won’t be speaking that much about my specific book. I’m definitely going to talk about the role of confidence in my earlier career and how I’m kind of working,” Knoy said. Among Knoy’s other pursuits, she hosts a couple of podcasts. One is called ReadLocalNH and can be found on Spotify and other places where podcasts live.
“Once a month I interview a local author, and I’ve met some great authors … and I just feel like there needs to be more platforms for New Hampshire authors to shine. I’ve been running ReadLocalNH for two and a half years and I’ve met some incredible people. I’ll probably see some of them down in Derry,” Knoy said.
Knoy believes many paths exist to the land of writing.
“There’s no one right or wrong way to do it. And I’m kind of suspicious of anybody who says this is the right way. That works for them, but maybe that doesn’t work for you. … There’s the people who say, ‘Sit down every morning and write for four hours’ and that’s great for some people but that’s not my lifestyle,” Knoy said.
Robinson discussed other presenters on the schedule.
“Then we’ve got, of course, Gina Perry. She is doing a picture book process and she has multiple picture books. She writes and illustrates. She does a wonderful job. Terry Farish and Sara Leslie Arnold, that’s like an author librarian team, and they’re going to talk about author visits, presenting your stories to diverse students,” Robinson said.
Robinson hopes writers from around the state are able to go to the event.
“I think we do find that writers are often quite introverted, so it can be a challenge to find those groups to talk to and mingle with and connect with, so they’re going to be discussing that, Susan Drew and Scott Gray. Then the one I’m also really looking forward to is Sarah Lamagna. She does these New England hiking books, which I just love,” Robinson said.
With the event being free it will be hard for writers to pass up.
“Registration is recommended. We wouldn’t bar anyone from going if they showed up but it’s recommended just so we make sure we put out enough tables and chairs and get ample room for everybody,” Robinson said.
“It’s really for every level and it’s wonderful too because it really is a wonderful writers community and people come from Massachusetts and New Hampshire so I think the second best part besides being, just being a really enriching experience is the community that comes together. All the writers come out of their quiet little houses and come and collaborate and communicate for a day and it’s really nice to see. Some people honestly just come because they want to hear interesting speakers. They might not even have a project in the works yet, and they’re welcome to come too. It’s not just about that, you know, really strict group who, you know, call themselves writers. It really is open to all, anyone who’s interested. Great for teachers too,” Robinson said.
Derry Author Fest When: Saturday, April 5, from 10 a.m. to 4 p.m. Where: Derry Public Library, 64 East Broadway, Derry Free (registration encouraged) More: derryauthorfest.wordpress.com/schedule
Schedule 10–10:05 a.m. – Welcome 10:05–10:50 a.m. – Keynote with Laura Knoy 11:10–11:55 a.m. – Picture Book Process: From Your Light Bulb Moment to the Bookshelf with Gina Perry 12:15–12:55 p.m. – Lunch break 12:55–1:40 p.m. – Author Visits: Presenting Your Stories to Diverse Students with Terry Farish and Sara Lesley Arnold 2–2:45 p.m. – Get Out of Your Spare Bedroom and Find Your People with Susan Drew and Scott Gray 3:05–3:50 p.m. – Plot Twist: You Don’t Need an English Degree to be an Author with Sarah Lamagna 3:50 p.m. – door prize by New Hampshire Writers Project
Meet-and-greet and book signing will immediately follow each session. All-day book sale provided by Gibson’s Bookstore.
Comic con fun — for kids – Telling stories, drawing pictures
By Zachary Lewis
zlewis@hippopress.com
This year is the 10th anniversary of the founding of Kids Con New England, said founder Emily Drouin.
“I’m a comic book artist and children’s book illustrator and founder of Kids Con New England. It’s a fun comic con for kids and children’s book event,” Drouin said.
The event is scheduled for Sunday, April 6, at the Sheraton in Nashua.
“We’re all about promoting art education and literacy through family-friendly comics, children’s books, art, and creative workshops, and lots of fun activities for the kids. They can meet over 130 comic and children’s book creators, exhibitors, middle grade authors, as well as lots of superheroes, princesses, pirates, Pokemon characters, characters such as Bluey, Mickey & Minnie, and Star Wars characters and more,” Drouin said.
“We do Jedi training, musical performances by the Clemenzi Crusaders and the Foo Family Band, magic shows with Sage’s Entertainment, and we have Gamers Sanctuary providing fun video games, and we also have indie game makers that do tabletop games, and we’re having Lego builds with the Lego Store, coding and robotic demos, and art contests, kids and family cosplay contests, scavenger hunt and more. So there’s a lot of things going on,” she said.
What drove Drouin to start this saga?
“I was self-publishing and started going to comic cons,” she said. “I noticed that … there weren’t a lot of family-friendly activities for the kids. I would often be next to a lot of adult-themed comics. And I wanted to create a fun event for the kids so that there’s lots of things for the kids to do, as well as to inspire them to create comics, so I started running kid zones at comic cons where I was teaching creative workshops. Then I decided to create a whole convention devoted to fellow family-friendly comic creators and children’s book illustrators to showcase their work.”
Families will feel at home at this event.
“This is a family-friendly space, all the materials are family-friendly appropriate, you know, no bloody gore and inappropriate books for the kids,” Drouin said. She hopes to “inspire them with the creative workshops and get kids excited about reading and creating art and comics.”
Drouin is creating as well as offering the space to other creators.
“I just had a new comic that came out. It’s superhero-themed about saving the environment, kind of like Captain Planet. It’s by a company that does textile recycling, Apparel Impact. I worked on their second book in this series. The first was done by another comic artist but this one is Apparel Impact Toxic Takedown and it’s about this textile production causing their waste to go into the waters and it’s creating this toxic environment for the animals and the people in the surrounding community. The superhero team, they go to put a stop to that and save the day.”
Toxic Takedown is the second story in Apparel Impact’s Team Impact! comic book series. Selections from this story as well as more of Drouin’s work can be found on her website emilyatplay.com
“I work mainly with authors. I illustrate,” Drouin said. “I also had a couple of children’s books that came out too last year, or [in the] past couple of years. I had one about adopting a puppy called Kona Finds a Family. And I did another one about the environment, Buddy the Bass and the Gooey Green Slime.” Selections from these titles and more can be found on her website as well.
Comic strips in the newspaper were a big inspiration for Drouin.
Photo courtesy of Emily Drouin.
“I loved reading all those and that inspired me to start writing and creating my own comics and stories, and I also loved going to the library, all the books that I could get, and it inspired me to write and illustrate my own stories. When I was a kid I was inspired by Brothers Grimm fairy tales. I loved fairy tales, and so I would write my own fairy tales. I did co-write a comic book series called Eplis with my husband, Jeremy. I’m glad to still be doing this as an adult…,” she said.
Access to art as well is a big catalyzing factor for Drouin to put on Kids Con.
“One of the reasons why I wanted to do Kids Con New England was I wanted there to be a resource, a place for kids to learn and create comics. Through our workshops we’re hoping to inspire the next generation of creators. I wish there were more of these types of events when I was growing up … it’s a really awesome opportunity for kids to meet all these artists and authors and to get inspired … we have storytelling workshops [and] writing workshops to get kids better at how to write stories as well as creating comics.”
Many well-known and award-winning artists and illustrators will be in attendance, including Mark Parisi, Rick Stromoski, Chuck Dillon and Joe Wos.
Wos has won six Emmy awards as host and creator of PBS’ The Cartoon Academy. He is also an educator and has been the Charles M. Schulz Museum’s resident cartoonist for more than 20 years.
“He’s going to be doing a presentation at Kids Con…,” Drouin said, “teaching kids how to do cartooning, how to draw, and so it’s really a great place for kids to learn a lot. We also have several members of the National Cartoonist Society. So famous cartoonists are there.”
“I think the visual aspect of storytelling is really engaging to kids…. In the ’80s and early days, you know, there were mainly adult-themed comics, and now comics are very popular for kids. They have Dog Man and others out there. It’s just really a way for kids to get excited about reading, I think, through the visuals and the colors, and it brings the characters to life. … It’s a really fun and exciting way to create and tell stories.”
Drouin reflected on her journey running comic cons for kids.
“Since we’ve been running this for a decade [we’ve seen] all the kids that have been coming back each year to the shows … it’s really fun seeing the kids grow with us,” Drouin said.
Kids Con New England
When: Sunday, April 6, from 10 a.m. to 4 p.m. Where: Sheraton, 11 Tara Blvd, Nashua Tickets: Admission costs $16. Kids under 5 get in free. Discounts for family-of-four pack, military and seniors. More: kidsconne.com, emilyatplay.com
Nothing but comics – Little Giant show brings big-name artists
By Zachary Lewis
zlewis@hippopress.com
Jason Brodnick and his wife are hosting their Old School Comic Show at the Everett Arena in Concord on Saturday, April 5. They started the event in 2018 and typically expect to see a couple thousand comic book fans.
“So the Old School Comic Show is a true ‘old-school,’ in my opinion, what an old-school comic show was. I grew up in the ’80s in Philadelphia and I went to some comic shows back then and I remember them to be nothing but comics, artists, and art,” Brodnick said.
He’s interested in the fundamentals.
“There weren’t cosplay parades, and there wasn’t the Geico truck trying to sell you car insurance. There wasn’t a vinyl siding guy, you know? I think comic cons have become something that I don’t like, which is like a pop culture con, you know? They’re fun, but I go to shows for comic books, and I think a lot of other people do as well.”
Brodnick and his wife run Little Giant Comics in Lawrence, Mass., and they originally had a storefront at the Rockingham Mall in Salem, New Hampshire.
Their main focus at the Old School Comic Show is the comic books.
“All the other stuff kind of gets in the way for me, so I created a show how I remember them to be with nothing but comics, artists and art, and it’s resonated within the community. It’s now arguably one of the best shows in the country. We have the best vendors in the hobby — Heritage Auction House, Metropolis Comics comes and sets up. Terry O’Neill comes from California, Harley Yee, Greg Reese, these guys are legendary vendors in the hobby, and they converge on the capital city of New Hampshire at this little arena and it’s an incredible event.”
Old School Comic Show, 2021. Courtesy photo.
Brodnick says attendants should expect to find countless comics when they walk in Saturday morning.
“It would be nothing but comic books as far as the eye can see and comic book art. So when you walk into the arena that’s what you’re going to get smacked in the face with is some of the best comic books and comic book art that’s out there.”
Comic book artists will be in attendance as well.
“We have some of the best artists that ever worked on a book, legends in the hobby. Jim Steranko; David Michelinie, who created Venom and Scott Lang. We have Jim Shooter, John Beatty, Donny Cates. C.G.C. Grading Company is going to be on site. It’s a pretty awesome event.”
These visual stories have shaped Brodnick since he was a kid.
“I had moved from Tennessee to Philadelphia and I was kind of like a little outcast, didn’t have a lot of friends, spoke in a Southern accent. One day I was walking home from school and I found a copy of ROM #18 and I read it and it was a story about the X-Men fighting this robot alien guy, Spaceknight they call him, and I got hooked…. I had my father bring me to Comic Universe to look for the first part of the story so I could find out what really happened, and it was fun. I enjoyed it, so I started collecting comics at that point.”
The Old School Comic Show grew out of a difficult period in Brodnick’s life.
“In 2013, I lost my job and I threw my back out,” he recalled. “It was six years before I could stand upright again. I was getting shots in my back. I had gotten severely overweight and depressed. Life was beating me up a little bit. My wife took me to a yard sale event at the Everett Arena in 2013. I remember walking in and it was like the horns of Valhalla started playing and it was the perfect venue for a show. I inquired about it and the guy said, ‘We only do dry floor events three months out of the year and vendors get right of first refusal,’ he said, ‘so for something to open up, it’s really hard. It takes a while for something to open up, but if anything happens, I’ll call you.’ So I left my number, I didn’t think anything about it. Five years later, in January of 2018, I get a phone call. ‘We got one day in April, it’s a Saturday.’ I said, ‘I’ll take it.’”
Little Giant Comics Old School Comic Show
When: Saturday, April 5, doors at 10 a.m. (9 a.m. for VIP) Where: Everett Arena, 15 Loudon Road, Concord Tickets: $15 in advance, $20 at gate, $50 VIP (pre-purchase only, limited to 250 tickets) More: oldschoolcomicshow.com
On Saturday, April 5, the Exeter Literary Festival happens at the town hall and the library. Katie Adams, the Chair of the Exeter LitFest board, spoke with the Hippo about the event.
“The group was founded by a group of people who wanted to highlight and celebrate and cultivate their long literary tradition in Exeter,” Adams said. “We’ve had so many writers here, from Dan Brown, people with a tremendous amount of success, and John Irving, to a whole slew of self-published authors who really add to that literary fabric that we all really appreciate.”
The LitFest has taken years to get to its current shape.
“When the festival began, it mainly focused on hyper-local authors, authors who were right in town or right nearby. In recent years we have expanded, and we’ve been able to balance out a lot of our homegrown authors with a little bit of a broader group from the New England area,” she said.
Two authors topping the bill this year are novelist Courtney Sullivan and historian Dr. Tiya Miles.
Sullivan “writes a lot about New England, a lot about big families, multigenerational, a lot of women’s stories,” Adams said. “She’s really wonderful, and her latest book, The Cliffs, is set right in Maine, so we think she’ll be a terrific fit for our audience.”
Miles’s All That She Carried won the 2021 National Book Award for nonfiction. “Her latest book, Night Flyer, is a kind of biography of Harriet Tubman [but] not just a straight cradle-to-grave account of her life. It is an account of her life through the lens of both her faith and her relationship to the natural world, so it’s really special,” Adams said. “We’re very lucky to be able to have these two authors who write such different books that are both so vibrant and relevant in our town.”
The fest is held on the first Saturday of April every year.
Exeter Literary Festival. Courtesy photo.
“This year we’re starting at 11 [a.m.] with our first event for adults and then our last event is at 4 [p.m.]. And we have events in the downstairs of the Town Hall as well as upstairs going on throughout that period of time,” Adams said.
“We also have a children’s event. This is our second year having a children’s event…. That is at the Exeter Public Library at 9:30 when children have been awake for many hours, as I well know.”
Aside from the featured authors, Lit Fest includes panel discussions. Four writers will join a panel about self-publishing. “We know we have a lot of writers and aspiring writers in this community, so that should be a really useful panel,” Adams said. “We have a panel on romantasy, the combination of romance and fantasy, which is one of the hottest and most rapidly growing genres for readers, so I think that will be a popular one,” Adams said.
Sports writing and baseball will be discussed too. “We have Keith O’Brien, who is a local author, who has written a great baseball book this year. He’s going to be coming back to Exeter Literary Festival this year with that book, and he’s being interviewed by Dan Provost, who both teaches English at the high school and is also a baseball coach. So I think that should be a really fun conversation,” she said.
“I like where we are right now. I like being able to be fundamentally a one-day event because the Exeter Town Hall is this really cool historic building and it’s also right in the middle of downtown where we have so many great shops, including our bookstore and restaurants. It’s great to be able to bring people here and collaborate with the local businesses and make it sort of a great community day,” Adams continued. “We have really worked on offering a variety of authors, perspectives, genres, so that we can both meet our readers where they are and also help introduce them to some new voices. That is definitely the balance I’d like to keep going forward,” she said.
Exeter Lit Fest
All events are free and open to the public.
Saturday, April 5
9:30 a.m. – Cynthia Copeland, author of middle-grade graphic novels Drive and Cub, at Exeter Public Library
Town Hall Main Events (Exeter Town Hall, 9 Front St.)
11 a.m. – J. Courtney Sullivan in conversation with Katie Adams 12:15 p.m. – Keith O’Brien in conversation with Dan Provost 12:15 p.m. – Independent Publishing in the Modern World featuring authors Renay Allen, Michael Cameron Ward, Justin Corriss and Sara North, moderated by Lara Bricker 1:30 p.m.– Damsels and Dragons: Romance, Fantasy, and Marrying the Two featuring authors Jacquelyn Benson, Laura Mayo, and Lyra Selene, moderated by Naomi Farr 1:30 p.m. – Echoes of Now: Poets of the Present Moment featuring poets K. Iver, Cate Marvin and Nathan McClain, curated by Diannely Antigua 2:45 p.m. – Family and Finding Home featuring authors Jane Brox and Alexandra Chan, moderated by Stef Kiper Schmidt 2:45 p.m. – Exeter High School Student Poetry 4 p.m. – Dr. Tiya Miles in conversation with Caleb Gale
More: exeterlitfest.com
Featured photo: Kids Con NE. Photo courtesy of Emily Drouin.
The peregrine falcons at the Brady Sullivan tower in downtown Manchester welcomed a second egg on March 27, according to a log recording action at the nest. This new speckled egg joins an egg laid a little more than five days earlier on March 22. You can watch the couple and their progress at the Peregrine cam at nhaudubon.org/education/birds-and-birding/peregrine-cam, where the New Hampshire Audubon offers three live views of the nest with support of Peregrine Networks and Brady Sullivan Properties, the website said.
NH literacy
The New Hampshire Department of Education has launched a survey to get community input about literacy education in the state, according to a press release. The “New Hampshire’s Literacy Landscape Survey” asks to rate satisfaction in literacy education at local schools and about instruction in literacy elements as well as what tools might be needed, according to the survey, which is available at education.nh.gov. (Find the March 31 press release about the survey for the link.) The survey will close on June 3, the release said. “As part of the state’s commitment to improving literacy outcomes for all students, NHED is conducting this needs assessment survey to identify the most pressing needs and opportunities to achieve the goals outlined in the creation of the State Literacy Plan,” the release said.
Sustainability
The Boys & Girls Club of Souhegan Valley (56 Mont Vernon St., Milford) will hold the 2025 Souhegan Sustainability Fair on Saturday, April 5, from 9 a.m. to 1 p.m. Bring a non-perishable food item to donate to the local food pantry SHARE, according to a press release. The fair will feature live music, food, a guided hike, a story walk, kids crafts, 34 exhibits, presentations and more, according to the release. Admission is free.
Juneteenth event
The Black Heritage Trail of New Hampshire will hold a discussion on Ona Marie Judge, the woman who eventually settled in New Hampshire after escaping enslavement at George Washington’s Mount Vernon estate, at the Currier Museum of Art in Manchester on Thursday, June 12, at 5:30 p.m., according to a press release from the Black Heritage Trail. Judge, the focus of the book Never Caught by Erica Armstrong Dunbar, escaped to Portsmouth, and the event will include a dramatic reading of her 1845 interview published in The Granite Freeman, the release said. New Hampshire actress Sandi Clarke Kaddy will perform as Ona Judge, after which Armstrong Dunbar will discuss Judge’s story, the release said. Admission is free; reserve a spot at blackheritagetrailnh.org or by calling 570-8469.
The artist reception for “Revive, Renew, Reconnect,” an art exhibit from Concord-based Art Alley Cats (artalleycats.com) and DIY Craft & Thrift (diycraftandthrift.com) at Kimball Jenkins (266 N. Main St., Concord, kimballjenkins.com), will be on Saturday, April 12, from 5 to 7 p.m. The event was originally scheduled last weekend but was postponed due to weather.
The Evolution Expo, with the tagline “mind, body & spirit,” will be held Sunday, April 6, from 9 a.m. to 4 p.m. at the Grappone Conference Center, 70 Constitution Ave. in Concord, and will feature exhibitors, demonstrations, workshops and more, according to holisticnh.org/evolution-expo, where tickets are free (admission costs $10 at the door).
Hampton Beach Casino Ballroom (169 Ocean Blvd., HamptonBeach, casinoballroom.com) will kick off its new season with Experience Hendrix (a multi-artist show featuring Kenny Wayne Shepherd, Christone Kingfish Ingram, Zakk Wylde, Eric Johnson, Devon Allman and Samantha Fish) on Thursday, April 3, at 8 p.m. and Melissa Etheridge on Sunday, April 6, at 8 p.m.
The Milford Garden Club will hold a program on purple martins, birds native to North America, featuring Pamela D. Hunt, a biologist for avian conservation at the New Hampshire Audubon, on Monday, April 14, at 10:30 a.m. at the First Congregational Church Parish House, 10 Union St. in Milford. The meeting is free and open to the public.
In the world of classic rock, there’s a lot of love for the Young Dubliners. One reason perhaps is Keith Roberts, who co-founded the band with a fellow Irishman in the early ’90s, grew up watching Top of the Pops, and decided that home country bands like Big Country and Boomtown Rats were more interesting to him than traditional Celtic reels.
The biggest factor, though, is the number of rock stars who love them.
After Bernie Taupin watched the Young Dubs (what most fans call them) light up L.A.’s House of Blues in the late 1990s, he gifted them with the lyrics to “Red.” It became the title track of a 2000 album, one of their best. However, a certain Sir Elton almost kept that from happening.
Roberts wrote the music quickly, and Taupin loved it, Roberts recalled by phone recently. “Then right as it was recorded and ready to go, Elton suddenly tells Bernie, ‘I’m working on something for that song.’ Bernie said, ‘no you’re not, Elton. I’ve given it to the boys.’ I always joke about how I’ve never met Elton John, but I’ve [screwed] with him.”
Red was helped by a tour opening for Jethro Tull, during which Tull’s front man found ways to make every press avail about the Young Dubliners. “That album blew up massively because of Ian Anderson talking about it, and everything he did. Every interview, he would make me come in and do all the media stuff.”
They’ve toured with a bevy of bands over the years.
“We just became friends with these people,” Roberts said. “Following an appearance at the Deadwood Jam in the Black Mountain Hills of South Dakota, Ed Roland of Collective Soul recruited him for a night of partying, along with Spin Doctors lead singer Chris Barron.
“Ed said to me in his southern drawl, ‘I hear you like to drink whiskey.’ I said, ‘I’ve been known to,’ and he’s like, ‘Well, why don’t we go do that?’” They headed into the Deadwood Saloon. “The girl just kept putting bottles of Jameson on the table, and we just kept going.”
The next night, Collective Soul’s road manager asked Roberts, “‘Would it be OK if I didn’t take Ed out again?,’ because he was hurting pretty bad. I’m like, oh, crap, really? Then I’m doing it again.”
In August, they will join On the Blue, a cruise hosted by the Moody Blues’ Justin Hayward, with acts like Alan Parsons, Dave Mason, Starship with Mickey Thomas and more. This year’s cruise originates in Boston; because of the city’s Irish heritage, the Young Dubliners will play the ship away from the dock and off to Nova Scotia and New Brunswick.
So, more than six decades down the road, this affinity for the Young Dubs’ anthem-y Celtic rock endures. This may seem at odds with their name. However, they didn’t choose it; it chose them. Roberts moved to Southern California with hopes of becoming a rock journalist, but ended up opening a pub and starting a band instead.
“Me and Paul O’Toole, who started the band, he was from Dublin and I was from Dublin, and people would say, oh, the young lads from Dublin are playing,” Roberts recalled. “They started making backdrops from sheets that they just spray-painted Young Dubliners on.”
They never dreamed of getting a record deal, but when it happened they had to agree on the fan-bestowed moniker, which needed to be cleared by Ronnie Drew, leader of The Dubliners in Ireland and a family friend. “I had to call him and ask him, was it all right, because the label wouldn’t let me change the … name.”
They received his blessings — “Keep the faith,” he said — and later got an even more satisfying validation.
“When my dad passed away, at the funeral, they took a picture of me and my brother and Ronnie Drew,” he said,. It was printed in the local paper. “It said, ‘Old Dubliner and Young Dubliner say goodbye to Charlie.’ It was the biggest gift you could give me, because that made the Irish accept the name.”
Young Dubliners When: Sunday, March 30, 7 p.m. Where: Tupelo Music Hall, 10 A St., Derry Tickets: $35 and up at tupelohall.com
A woman’s beautiful family life falls apart when her husband is disappeared by the Brazilian government in I’m Still Here, the Oscar-winning adaptation of the true story of Rubens and Eunice Paiva in 1970s Brazil.
Rubens (Selton Mello) was once a congressman but is now an engineer living with his wife, Eunice (Fernanda Torres), and their five children in Rio de Janeiro in a lovely house by a lovely beach. Like, it is all so lovely and sunny and early 1970s beautiful — from the cars to the clothes to the luminous Torres. Her happy children run around like kids on vacation — teen daughters Vera (Valentina Herszage), Eliana (Luiza Kosovski) and Nalu (Barbara Luz) are all about music and records, younger kids Marcelo (Guilherme Silveira) and Babiu (Cora Mora) are all about a small shaggy dog they find on the beach and make the family pet, naming him after Vera’s shaggy-haired boyfriend. But like storm clouds on the horizon of a perfect beach day, the heavy-handed presence of the dictatorship government is everywhere along the edges of their lives. The news is full of talk of abducted ambassadors, military trucks full of troops roll down city streets and Vera and her friends are stopped on the way home from a movie by a checkpoint looking for “terrorists,” a label which seems to indicate anyone with disagreements with the government. We see Rubens accept and hand off envelopes and talk with his friends who seem to be politically aligned with his anti-dictatorship views but the only people in this circle who seem worried are a bookshop-owning family who have decided to move to London and offer to take Vera with them, which Rubens and Eunice agree to.
Rubens and Eunice are just enjoying an afternoon together — playing backgammon, smoking cigarettes in a way that makes even a non-smoker want a drag — when armed men show up. There are no warrants, no papers, no uniforms, just guys with guns saying Rubens has to come with them to give some kind of testimony. He tells Eunice not to worry, that he will be back before dinner, and gets into his car with one of the men. Several of the men stay at their house, searching Rubens’ office and just generally being menacing. Eunice tries to keep things normal for the younger children and sends one of the kids off to spend the night with her friend. But she can’t entirely hide her fear from 15-year-old Eliana, especially when after about a day, the men say Eunice and Eliana need to come with them.
Eunice spends a harrowing 12 days in a jail, seemingly run by the military, being asked about random friends and acquaintences, terrified for her daughter and her husband. Torres does an excellent job of making the Euince who returns home after being released a completely different person than the one who left — her easy smile is gone, the light in her face is replaced by tenseness. It’s a magnificent performance — would I place it above Demi Moore’s The Substance performance, one of the performances nominated along with Torres’ for Lead Actress at the recent Oscars? Maybe not, but I do think I’d rank it higher than winner Mikey Madison. (I’m Still Here did take home an Oscar for Best International Feature Film.)
It’s hard not to weigh the movie against the other Best Picture nominees — it would definitely be in my top three of those 10 films. The movie does an excellent job of juxtaposing the normalness of life — even in a dictatorship kids still adopt stray dogs, families still eat ice cream, the beach is still a mini vacation — with the psychological destruction of Rubens’ absence. It’s not just that he’s arrested, he is thoroughly disappeared, removed from existence by the blank wall of an unaccountable government. They won’t even admit that he was arrested or what happened to him. Eunice initially can’t access any of his/their money because he doesn’t exist even on a death certificate that would make her a widow. The movie shows how a country doesn’t literally need to be at war for existence to become terrifying. A Available for rent or purchase.
Black Bag (R)
Married British spies get tangled up in the sale of state secrets in Black Bag, a well-paced mystery from director Steven Soderbergh.
George Woodhouse (Michael Fasbender) is tasked with finding the fellow spy who sold a thing to the Russians (the thing is a device that causes a meltdown of a nuclear plant). The suspects are friends and colleagues — and his wife, who is also a spy, Kathryn St. Jean (Cate Blanchett). He invites the other suspects to dinner: friend/co-worker Freddie (Tom Burke); Freddie’s too-young girlfriend/fellow agent Clarissa (Marisa Abela); James (Regé-Jean Page), who George recently promoted above Freddie, and Zoe (Naomie Harris), James’ girlfriend and a staff therapist who professionally treats/oversees all the suspects. At George’s dinner, a dish dosed to lower inhibitions results in fights all around but doesn’t leave George with a clear answer. As he watches the repercussions of the dinner’s conversations play out, the clues start to point to Kathryn’s involvement. George is such a straight shooter that he once brought down his own father, but what will he do if Kathryn is the one who is in trouble?
Black Bag is solidly acted, coolly funny and wonderfully brisk. For me, there is a sparkle that this talented cast suggested but that the movie didn’t fully deliver on. But this doesn’t make this any less a solid, quietly fun adult thriller. B In theaters.
Snow White (PG)
Disney tries to make a plucky modern hero out of the OG “Some Day My Prince Will Come” Princess in Snow White, a weird mess of an unnecessary live action adaptation of the 1937 animated movie.
First, let’s jump back to the 1937 source material, which I definitely saw years ago but only vaguely remembered as a tale where the heroine’s inciting event is that she’s discovered to be too pretty and her special skill is tidying up. I rewatched it after seeing this new Snow White and it is not quite what I remembered. Animated Snow White, who reads as sort of Clara Bow plus Shirley Temple, and her Prince Charming (we call him that but he doesn’t actually have a name) and the Evil Queen are wafer thin characters presented in a high melodrama. Snow White and the prince meet while singing and decide they are in True Love, a fact that then doesn’t really matter for the story again until the movie’s final moments. Snow White is nearly killed by the Huntsman, who was ordered by the queen to cut out her heart because the queen was jealous of Snow’s beauty, but he tells her to flee instead, and then she runs off into the forest in a panic. You can see in this story the scaffolding on which 2007’s Enchanted built its fairy tale riff — and actually that movie serves as a pretty good live action take on the Snow White story.
But back in 1937, all of this romance-and-jealousy stuff is just setup for what serves as the true heart of the animated movie, which is Looney Tunes-esque woodland animal hijinks and Three Stooges/Oliver & Hardy-ish wackiness of the seven short miners that Snow White encounters when she invites herself into their cottage in the woods. Their vibe is very much “grizzled prospector” and/or less-malevolent Elmer Fudd. Bigger chunks of the movie than I expected are about them Stooge-ily trying to sneak in the house to figure out who is inside or goofing at an outdoor wash bin, doing silly bits with bubbles.
The Snow White of it all — with the red hair band and the weird dress and the getting squirrels to help her do chores — has stuck around through the decades because she’s the central image of the movie and because she’s the most merch-able element (little princess-phase girls still dress up as her) but she’s rather incidental to most of the fun stuff in that movie. The 1937 movie’s whole vibe is very of its time — it’s a fascinating watch for the visuals and the style of comedy but I don’t see why anyone would really want to remake it (other than whole IP machine, of course).
Back to the new live-action movie: here, we get a whole backstory about Snow White (Rachel Zegler), the princess born during a blizzard, hence the name, and beloved child of two benevolent rulers of a happy kingdom. But then, in the grand Disney tradition, good Queen Snow White’s Mom (Lorena Andrea) dies and King Snow White’s Dad (Hadley Fraser) is enchanted with the beautiful, minor-magic-having lady Evil Queen (Gal Gadot). They marry, she convinces him to go fight the Southern Kingdom and then the Evil Queen becomes a dictator who rules by fear and makes bakers and farmers serve as soldiers. Snow White is forced to be her servant for no particular reason, and is also afraid (of the Queen? I think?) and just sort of mopes around feeling bad about the situation.
No handsome prince here, instead she meets a floppy-haired cute guy, Jonathan (Andrew Burnap), stealing potatoes to help feed his merry band of Robin-Hood-esque thieves — but like half-hearted thieves. Did the movie say they were once a theater troupe? Because I was getting real “pop-up production of Midsummer Night’s Dream” vibes off of them.
Once again, the Magic Mirror (voice of Patrick Page) tells the Evil Queen that she is the fairest of them all — which, how is a magical object who can only do that one thing (as the movie specifies) useful? He is basically a yes-man who only gives her the positive poll numbers, until one day he tells her that Snow White is fairer. But in this movie “fair” can mean both “kind and just” and “beautiful” and it seems like Snow White is defined as the first and the Evil Queen is only concerned with the second and what even is the conflict here? But anyway, off to the woods and the woodland creatures and, eventually, the seven dwarfs who are here the most oddly rendered CGI approximations of the animated characters. The slapstick is very secondary to the central story of Snow White, learning to stand in her power or whatever and rescue her kingdom from the tyranny of the Evil Queen who doesn’t seem to have much of a plan beyond “wear pointy jewels and try to be a sassy bad-ass.”
Gal Gadot can’t quite make her villainy fun or interesting. She is no Cate Blanchett, who was such a delicious evil stepmother in the live-action Cinderella, all Bette Davis snarls to accompany her on-point lewks. Gadot’s performance is only wardrobe, and while the wardrobe is nice it’s not enough to carry her through.
Zegler brings something more to Snow White, even if her conflict isn’t well-defined and her character’s motivations and abilities are sort of hazy. Having the seven dwarfs be otherworldly animated beings prevents them from having real personalities or from one really being the strong, comic-relief supporting character this movie probably needed.
Probably because the Snow White story was so thinly drawn in the first movie, this movie brings a lot of ideas to what’s going on and who these people are. But I feel like they’re mostly half-formed ideas. There is a lot of “to what end?” to all of the Evil Queen’s motivations that make her a mess of a character on top of Gadot’s nothing performance. Clearly “make her plucky” was the goal with Snow White but the movie never bothers to give her reasons for her pluckiness. It all feels so overworked, so “let’s please everyone!” that the result is just an unfun slog that probably pleases no one, giving us forgettable copy-of-a-copy songs and no real sense of why we’re watching these people. C- The 2025 live-action Snow White is in theaters. The 1937 animated movie is streaming on Disney+.
Emmett Soldati is very thoughtful about chai lattes.
“It’s spiced, flaky, typically pretty strong and then with some kind of either foamed or steamed milk if it’s hot or milk if it’s over ice, and sometimes a little sweet,” said Soldati, owner of Totally Tea + Coffee in Concord and Dover.
“We have a tagline at the cafe that says ‘Everyone’s a Little Chai-Curious,’” he said. “We sell several different chai blends. But, for our cafe bar, we have a specific blend we make with black tea, cinnamon, clove, cardamom, star anise and black pepper; we use that to make a concentrated tea base. And then with that base we can make hot or iced chais, which allows us to control pretty much every aspect of it. We can control how sweet it is. We usually put a pump or two of brown sugar syrup in it. We can control what milk goes in it, whether it’s a non-dairy oat milk or just a regular cow’s milk. And that allows us to control the flavor and make sure that it’s a nice strong sort of deep amber brown chai latte.”
The color of Soldati’s chai lattes is important to him.
“There’s only a handful of chai companies that sell packaged chai to restaurants and cafes and they tend to be fairly diluted and sugary so by the time you add in milk it basically just looks like tinted milk. To me it’s really important that it’s a nice deep amber and then of course you get a dusting of cinnamon on top,” he said.
According to Soldati, one reason Totally Tea+Coffee’s chai lattes are distinctive is that they came to the development process almost backward.
“We’re basically a tea and coffee company,” he said, “but I think a lot of coffee houses and cafes lead with coffee and then their tea and chai becomes like a secondary afterthought. We started from the other way. We started as a tea company and then expanded our espresso drinks so that we can do like a dirty chai [a chai latte with a shot of espresso], but people know us because of our specific house chai blend.”
Tiana Sargent is the manager of Flight Coffee Co. in Bedford. She is proud that Flight brews its own chai concentrate.
“We [make] a really strong brew using a masala chai from Mem Tea,” Sargent said. “They’re out of Cambridge, Mass. Awesome tea company. But yeah, we make a really strong brew using that, we lightly sweeten it with sugar, and cut it with milk and serve it. You can steam it to serve it hot or you can mix it in a cup.”
“I am very proud of our chai,” Sargent said. “It’s a great balance of sweet and spicy. We don’t overly sweeten it and we go heavier on the chai so you really get the flavor, the spices, the tea. A lot of places will use a really small amount and so it gets really diluted in the milk. And a lot of places will sweeten it too much as well. So you end up with a sweet drink that’s lacking depth. So we try to not put it there. We really want the tea to be tea-forward, spice-forward, and have just the right amount of sweetness [so] that it’s great on its own but if you’re somebody who likes the flavor of chai you can add a syrup and it won’t overdo the sweetness.”
Danielle Beaudette is the owner of The Cozy Tea Cart (104A Rte 13, Brookline, 249-9111, thecozyteacart.com) and a Specialty Tea Institute, (STI) Certified Tea Specialist. She said that chai and chai lattes have been popular in India for decades, but vary from one region to another, depending on the variety of teas and spices grown in a given area.
“The South grows different ones than the North,” she explained. “So depending on where you are, you’re going to get different spices in your chai latte. Some use ginger, some do not. There’s all different spices Some use peppercorns.”
She said that the quality of a chai latte depends on the quality of the tea used.
“We are very proud of the teas that we bring into the country here,” she said. “We only use loose leaf tea, so we never want to hide the flavor of the tea. It would complement the flavor. So it really depends on the place that’s blending it, on how they blend it. If they’re using tea bag tea, [the quality of the tea] probably doesn’t matter to them,” she said.
Brit McCullouch, the Supervisor for Waterworks Cafe in Manchester, said chai lattes have become a fixture on her menu.
“They’ve become very popular,” she said. “We’ve put a twist on the one that we have. We carry an organic and gluten-free honey vanilla chai latte, and we serve that either iced or hot, but we also put a spin on it [to make] a specialty drink. We add flavors to it. So last season we did pistachio and now with spring coming we add coconut syrup to it. It’s fine on its own, but I think always putting a spin on something grabs people’s attention. It’s just a nice alternative to having coffee. It’s a black tea concentrate with the honey and spices, and you pick your milk, and it goes so well with non-dairy milks, dairy, it really is just a very versatile product.”
Roo Hasty at William & Sons Coffee Co. in Concord and Manchester pointed out that the type of milk a chai latte is made with is an important and underappreciated aspect of the enterprise.
“A lot of people who are in their 20s like it with oat milk,” she said, “because it’s creamier. Whenever I have oat milk, it just tastes way creamier. We have oat milk, we have regular [dairy milk], we have coconut milk, we have almond milk. We’ve got all the milks.”
