Cover it in Chocolate

Make tasty things tastier with a chocolate coating

By John Fladd

jfladd@hippopress.com

There is something you need to understand about chocolate-covered strawberries.

They are ephemeral. They need to be eaten immediately.

They are also very romantic, so it’s tempting to hold on to them, and savor the gesture, but Paige Quish says don’t do it. Quish is the manager of Van Otis Chocolates in Manchester, and she knows and understands chocolate-covered strawberries on a bone-deep, almost spiritual level.

Van Otis goes through a lot of strawberries around Valentine’s Day. “Hundreds of pounds of strawberries,” Quish said. “Hundreds. Of. Pounds. Every pound is about nine to 12 berries, so I mean we’re talking a lot of strawberries.”

She said the clock starts ticking as soon as a berry is coated with chocolate.

“Freshness is definitely really important,” she said. “Chocolate-covered strawberries are best enjoyed within 24 hours. Some people don’t know that, but chocolate is dry, believe it or not — there’s no water involved with it — and then once it touches any kind of strawberry or fruit that has a watery base with a lot of moisture to it, the shelf life immediately starts to expire on it.” That’s why a two-day-old chocolate strawberry in your refrigerator might start looking sad and tired, she said. The fruit dries quickly in contact with the chocolate, and shrinks, so its chocolate coat doesn’t fit it anymore and it looks dejected.

There are many chocolate-giving holidays throughout the year, Quish said, but Valentine’s Day is one of the biggest.

“We do a lot of molding for our Christmas season and Easter,” she said, “you know, the bunnies and all that. But dipped fruit specifically? I’d say that strawberries are definitely the top seller for Valentine’s.”

A large portion of everything Van Otis makes is covered with chocolate.

Hand-painted Lovestruck Van Oreos at Van Otis. Photo by John Fladd.
Hand-painted Lovestruck Van Oreos at Van Otis. Photo by John Fladd.

“We cover almost everything in chocolate,” Quish said. “Anything that you see that has the chocolate coating on it goes through our enrobing system. All of our creams, our jellies — anything that you see like that — our liquor cordials, those are all fully enrobed. Orange peels and dipped cherries, just about everything.” All the chocolate enrobing is done on-site, she said. “A lot of people refer to it like the I Love Lucy episode, when they’re putting stuff on [the conveyer belt], but it’s basically a chocolate waterfall. There’s one part of the machine that coats the bottom of everything, and then there’s the top part that gets fully drenched and enrobed, and then it goes through the drying tunnel.”

One trend that began several years ago and is still gaining momentum, Quish said, is covering something salty with chocolate, for a salty/sweet contrast.

Chocolate-covered pretzels and potato chips have become increasingly popular.

“We try to think outside the box of things that would be delicious in chocolate,” she said. Chocolate-covered bacon has become a go-to gift for men. “Super Bowl, Father’s Day — those things are usually really popular for the chocolate-covered bacon.”

A good rule of thumb, she said, is that if something is delicious on its own, it will probably be even better coated in chocolate. “We have our Oreos. We take those and we’ll enrobe them, and animal crackers are something new that we started last year. We have gummy worms and gummy bears [that we cover with chocolate].”

Surprisingly, Quish said, chewy gummy candies actually hold onto a chocolate coating pretty well. It seems as if it would crumble and fall off while it’s being eaten, but she said that’s not the case.

“As soon as that chocolate dries and sets, it’s on there,” she said. “It’s fully coated. And it’s so good! We have people who say they’ve tried chocolate-covered gummy bears elsewhere and they’re obsessed with ours. They always say that it doesn’t compare. We have a really skilled production team so they definitely have their magic that they apply to all the goodies. Swedish Fish is another one of them.”

Jeffrey Bart’s family has owned and run the Granite State Candy Shoppes, which has shops in Concord and Manchester, for almost 100 years. He said the most popular candy his stores sell is also one of the simplest.

“Our most popular item that we make and sell are dark chocolate nonpareils,” he said. “Some people might call them snow caps; it’s a small round of chocolate with white nonpareil seeds on them.” But after that, he said, customers will go for anything coated in chocolate.

“Peanut butter cups,” Bart said. “We make a lot of peanut butter cups. And our third is our butter crunch — a toffee dipped in chocolate and then sprinkled with roasted chopped nuts, almonds. They are very, very popular. We make those constantly, all the time.”

He said that his staff too, struggles to keep up with the demand for chocolate-covered strawberries at this time of the year.

“People still come to us and they want to buy a traditional heart-shaped box with assorted chocolates, but we advise ordering strawberries in advance if at all possible. We make them available on the 13th and the 14th, only. We [make] a huge variety of different berries. We make straight-dipped [berries] in dark, milk, and white chocolate. And then we have a huge array of what we call “Fancy Dipped Berries”; they’re dipped in chocolate, and then we’ll roll them in decoratifs, and then we’ll hand decorate them with chocolate drizzle and do another large assortment of other types of fancy decorations for the berries, too.”

Bart, too, advises customers not to wait too long to consume the berries.

“It’s best if you can consume them within 24 hours,” he said. “If you’re going to keep them for a little bit, we recommend refrigerating them, but when you want to enjoy them we recommend taking them out and letting them sit on the counter or sit out for a short period of time — 20 minutes, a half an hour, maybe an hour — so they warm up a little bit, and they’ll taste better that way.”

Another classic and popular item at Granite State Candy are chocolate-covered cherries.

“We use cordial cherries,” Bart said. “It’s a whole cherry with a liquid center. We have those available in milk and dark chocolate.” But some of the treats are less traditional. “We sell a lot of chocolate-dipped Twinkies,” he said. “That’s a fun, crazy little item that we do that is very popular. We’ve been doing it for a number of years now, so that’s a great item. We also coat orange peel, ginger — candied ginger — in chocolate, and that’s very popular. And another unique … item is something called the Jordan Cracker. It’s an oblong-shaped baked, sugarless cracker that we coat in chocolate and people love them.”

Jim Pasquill is the store manager for Sweetz & More in the Mall of New Hampshire in Manchester. He says there is a strong, consistent demand for any type of gummy candy covered in chocolate.

“Anything like Haribo gummy bears, even something like Juju cinnamon bears, we have those covered in chocolate,” he said. “The chocolate-covered cinnamon bears don’t always sell as well. I think it might be because the mixture of chocolate and cinnamon isn’t a favorite mix. However, we pretty much have the same brands on our theater box wall. It’s called Money Bears. It’s the same thing. It’s just packaged differently and it’s cheaper. And that also tends to be as hot as the chocolate-covered gummy bears on our pouch wall. It’s the same thing. Customers keep on coming in here asking us if we have them. Unfortunately, we don’t because they sell too fast.”

Pasquill said it is hard to keep this type of candy in stock.

“We try to get at least get 16 to 24 pouches in at a time,” he said, “because that can usually only last us a couple days — maybe a week. It’s a steady pace on the milk chocolate covered gummy bears but we do try and make sure we have a large quantity on our shelves.” He said he tries to keep just enough in stock, so that there is a constant turnover and the candy stays fresh.

Pasquill himself doesn’t necessarily go for outrageous combinations of chocolate and candies. “Me, I’m like a traditional guy,” he said. “I like nuts — cashews, almonds, peanuts — something with a solid crunch. I’m not really for the crazy Swedish fish, the gummy bears, but I can see why it sells. Now, I won’t necessarily say that they are healthy, but we do have chocolate-covered raisins, and we do have chocolate-covered cranberries. That can be somewhat healthy because we do have dark chocolate, and I know dark chocolate is more healthy than milk.”

Chocolate-covered Doritos at The Chocolate Moose. Photo by John Fladd.
Chocolate-covered Doritos at The Chocolate Moose. Photo by John Fladd.

In Salem, a lot of The Chocolate Moose’s customers would agree with Pasquill’s preference for chocolate-covered nuts. According to owner Nancy Cornell, “what we have to make every day is the turtles.” She pointed to a long display case filled with different varieties of turtles, in all sizes, and with all different types of nuts. “This whole line all the way down is all turtles. We have mini turtles, in milk and dark chocolate, pecans and cashews, and then the larger ones, the same thing, and then there’s almonds, macadamia, and then there are Oreo turtles. The Oreo turtles have no nuts in them.”

Chocolate-covered candy apples are another big seller for Cornell.

“Today,” she said, “we’ve been selling apples. It’s mid-morning and we’ve only got one left. But at Christmas we usually start at 2:30 in the morning making the candy apples. Even now, my husband is up at 3 o’clock at night and he does apples galore. Another thing that’s popular is our peanut butter cups. People come from Boston and so on to come up and get our peanut butter cups.”

Cornell said fruit works really well dipped in chocolate. “This” she said, pointing, “is candied orange peel, and I have grapefruit peels too, but we’re sold out of them right now. To get that bitter taste away, you have to boil them three or four times, then dry them out for days, with sugar. And then we dip them. Same with the ginger. Ginger is hot, so when you put it in chocolate it doesn’t quite have that hotness to it. Orange peels, we mostly cover in dark [chocolate]; that seems to be what most people want. And we have dried apricots, too.”

She said that an old-fashioned favorite has been coming back into fashion recently. “Marzipan went through a period of time where people didn’t want it,” Cornell said, “and I would have it, and then I’d have to throw it away. But now it’s back again. People go in cycles, and they actually ask for it now.”

Some things never go out of style, though. “Oreos dipped in chocolate and graham crackers dipped are big,” she said. “They’ve been that way for years.I don’t think that’s ever going to change.”

DIY a chocolate coating

Buying chocolate-covered delicious things is an excellent way to express your affection, but there is always the homemade approach. Coating snacks in chocolate yourself (a) might impress the type of person that is impressed by this sort of thing, and (b) allows for a level of customization.

Making a chocolate-covered snack isn’t complicated — at least in theory. You only need two ingredients: a snack and some chocolate. It’s the details that can get a little finicky, such as what type of chocolate you use.

Richard Tango-Lowy is a master chocolatier and the owner of Dancing Lion Chocolate in Manchester. He said it’s not enough that a chocolate is delicious; if you’re going to coat something with it, you need to read the label.

“There are a lot of chocolates,” he said, “especially chocolate chips, that have ingredients that don’t lend themselves to [coating things]. You’re looking for three ingredients: cocoa solids, cocoa butter and sugar. Plus milk powder if it’s a milk chocolate.”

He said to stay away from anything labeled as “chocolate-style baking chips.”

Laura Wither, the chocolate maker for Loon Chocolate in Manchester, agrees. “There are additives in many [chocolates] that might or might not help you coat things — palm oil, and coconut oil, and things like that,” she said. She pointed out that Loon Chocolate doesn’t use them.

She also pointed out that it helps to be thoughtful about what kind of snack you’re covering with chocolate.

“I would say that you want to look for complementary flavors,” she said. “For example, we have a chocolate that leans towards the fruity side and I love it with pineapple. Contrasting can also be good. A lot of it is just taste testing, which is the fun part of the job here.”

If you want to coat a piece of fruit with chocolate, she said, it has to be patted as dry as possible.

“Chocolate and water are generally not good friends,” she said. “There are some exceptions but for the most part if we were covering fruit it would be dried fruit. I know people do chocolate-dipped strawberries, but generally when you do that, a lot of times, you’re using a coating chocolate.”

One fiddly part of melting chocolate at home is something called tempering. This is a process to make a chocolate shiny and give it a good snap when you break it or bite into it. It doesn’t change the flavor of a chocolate; it is a way of aligning the crystal structure of a batch of chocolate to bring out its best characteristics. On baking competition shows, judges will call out a contestant about how well or poorly tempered their chocolate is.

The accepted procedure that many home confectioners use to temper their chocolate involves manipulating its temperature:

Step 1 – Heat the chocolate in a double boiler, or in your microwave a few seconds at a time, until it reaches a temperature of 115°F.

Step 2 – Remove it from heat, and stir it until the temperature drops to 81°F. Most home chocolate-temperers will hurry the process by stirring unmelted chocolate into it. (I’ve used frozen chocolate to do this and have been reasonably pleased with the results.)

Step 3 – Raise the temperature of the chocolate again, to 92°F.

Step 4 – Start dipping.

If you think this seems like a difficult way to spend a morning, Richard Tango-Lowy agrees with you.

“You’re not going to do it at home unless you know what you’re doing,” he said. “Tempering is just one of those things that’s inherently complicated. You’ll never learn how to temper by watching videos. Most of them are just dead wrong.” To learn to temper chocolate at a professional level, he said, takes years of practice, and specialized techniques. Fortunately, there is a work-around, he said.

“If you don’t know how to temper, use chocolate that you like, one that is already tempered. Melt it extremely gently in the microwave — just mostly melt it, you’ll end up with a reasonably passable temper to put on your strawberries and things.” He advised melting the chocolate, a little at a time, until only a third or so of the chocolate remains solid, then to stir it until the chunks melt away.

Flamin' Hot (Chocolate) Cheetos. Photo by John Fladd.
Flamin’ Hot (Chocolate) Cheetos. Photo by John Fladd.

Once you have your chocolate melted, and delicious snack food standing by, it’s time to start covering things with chocolate. You can use chopsticks, tweezers or a fork to dip your snack and roll it around to cover it, or use a spoon to gently blanket it with melted chocolate. Coat the snacks, and put them on a piece of parchment paper or a silicone mat to cool and harden. In the photo below, I have coated Flamin’ Hot Cheetos with a 53 percent dark chocolate. I learned the hard way that they are delicious coated in white chocolate but can’t be swished around in it. The white chocolate will turn pink and look like peppermint, which it emphatically is not. I had the best luck laying each Cheeto on the surface of the melted white chocolate, then spooning it over the Cheeto. — John Fladdk trails.

Things to cover with chocolate

Easily made and stored for a week or so:
Pretzels — especially peanut butter-filled ones
Crystalized ginger
Dried blueberries, spooned into clusters
Candied orange slices
Banana chips
Any nuts — perhaps something unusual, like pistachios or shelled sunflower seeds
Other candies like licorice bites or gummies
Corn chips
Spicy snacks — Flamin’ Hot Cheetos work very well
Cookies — especially store-bought crunchy ones like Oreos or Vienna fingers
Animal crackers
Marzipan
Espresso beans, especially dusted with lemon or lime zest

Easily made but must be eaten immediately:
Strawberries
Mango cubes
Fresh mint leaves
Avocado slices
Jalapeno slices

Cream cheese and lemon zest, or goat cheese

Featured Image: Courtesy photo.

Counting blessings

Colby-Sawyer showcases Italian program

By Michael Witthaus

mwitthaus@hippopress.com

Having a community conversation was Theatre Kapow’s goal when its season began last fall. This continues with Every Brilliant Thing, a play that will spend a weekend at BNH Stage in Concord, then move to Winnipesaukee Playhouse two weeks later for three final performances.

About a child trying to encourage their mother, hospitalized after a failed suicide attempt, with a list of “brilliant things” that are worth living for, it’s technically a one-person play. However, an in-the-round crowd plays a big role, even for a theater company that’s always strived to bring it close to the action.

“Throughout … the audience is relied on quite heavily to make the story actually happen, to get the character through each scene to the next point,” Director Emma Cahoon said by phone recently. This begins when attendees enter the venue; each gets a card with a numbered “thing” written on it to call out when prompted. Bolder souls can choose bigger roles.

Playwright Duncan McMillan, she continued, tells a story about how depression can be contagious without tools to take it on. His message: People can’t go it alone, they need help. To that end, the National Alliance for Mental Illness, Capital Art Therapy and the Jason R. Flood Memorial Fund are all community partners for the production.

“He tells a story about a person discovering how important it is to talk to other people, in a way that requires the audience to be in conversation with the piece the whole time,” she said. “So the function of the storytelling is proving the narrator’s point [that] I could not get through this on my own … I had to turn to other people.”

Though the material can be dark, it radiates hope with happy thoughts of “ice cream, water fights, and knowing someone well enough to get them to check your teeth for broccoli.” There’s also an improv comedy mood; an exchange between the main actor and a volunteer co-star could go anywhere, after all.

In a Jan. 28 blog post, Eric Gutterson, a longtime patron who’s served as test audience for rehearsals, said the play evokes “laughter, sadness, joy, longing, and a sense of togetherness,” adding that it “doesn’t shy away from being real. There are dark tones, but you come up for air early and often with frequent moments of comic relief.”

Matt Cahoon co-founded Theatre Kapow with his wife Carey; Emma is their daughter and this is her second directing role. Matt, who’s also Academic Dean and Theatre Director at the New Hampton School, has taught Every Brilliant Thing to his students. He called the feelings Gutterson described in line with his company’s mission.

“Sometimes contemporary theater can feel like you’re taking your medicine, because you’re having to have these difficult thoughts,” he said by phone. “But there’s also a lot of sugar that goes with that medicine.”

The decision to make conversation a focus of their season was deliberate, in anticipation of a contentious election and its aftermath. Matt thinks Every Brilliant Thing transcends that.

“In a polarized and often isolating world, the play’s format… emphasizes shared vulnerability and collective healing,” he wrote on their website.

“There’s a stripped down, base human aspect to all of us,” he continued in conversation. “With the audience for this show, we’re not Republicans and Democrats, we’re not even men and women or old and young. We’re just humans in the space together … here’s an entry point for every single person who lives and breathes on this planet into this play.”

Though she was 6 when her parents founded the company, Emma Cahoon wasn’t always certain that it was her destiny. During her rebellious middle school years she even planned on being a nurse. Last May, however, she graduated from BU with a BFA in Theatre Arts. She’s in it for the long haul now, and comfortable with that knowledge.

“Everything I said I was going to do that wasn’t theater was, in some ways, theatrical,” she said. “I never imagined myself not in a caretaking or community-based position, and when I got over that period of time, I was like, ‘Yeah, actually, this is what I wanted to do.’ Then I went to school for it, and here we are.”

Every Brilliant Thing

At BNH Stage, 16 S. Main St., Concord
Friday, Feb. 7, and Saturday, Feb. 8, 7:30 p.m. and Sunday, Feb. 9, 2 p.m.

At Winnipesaukee Playhouse, 33 Footlight Circle, Meredith
Friday, Feb. 21, and Saturday, Feb. 22, 7:30 p.m. and Sunday, Feb. 23, 2 p.m.

Tickets: $25 and up at tkapow.com

Starring Peter Josephson on Feb. 7, Feb. 9, Feb. 22, Carey Cahoon on Feb. 8, Feb. 21, Feb. 23.

Content Transparency:
Verbal descriptions of depression, self-harm, suicide and suicidal ideations.
There will be some warm and inclusive audience participation.

Featured photo: Emma Cahoon. Photo by Sarah Coleman.

News & Notes 25/02/06

New CMC CEO

John Skevington was named the new CEO of Catholic Medical Center in Manchester, which as of Feb. 1 is a part of HCA Healthcare, according to an HCA release. Skevington most recently served as interim CEO of Portsmouth Regional Hospital and was previously CEO at Parkland Medical Center, both HCA Healthcare facilities, the release said. Previous CEO Alex Walker will be the executive director of the new nonprofit Catholic Health Care Foundation of Greater Manchester, according to a Jan. 29 story from the Union Leader.

Oscar 2026

The New Hampshire Film Festival, slated for Oct. 16 through Oct. 19 in Portsmouth, will serve as an Academy Award qualifying festival for films in the three short film categories, according to a festival press release. The festival is now taking submissions for the 2025 festival including those Oscar hopefuls in the live action shorts, animated shorts and documentary shots categories, the release said. See nhfilmfestival.coml.

Re-entry program

The New Hampshire departments of Corrections and Health and Human Services have launched two new programs aimed at helping adults and youth prepare for discharge from correctional facilities, according to a DHHS press release. The programs — the Community Re-Entry program and the Youth Re-Entry Program — were both launched on Jan. 1 and seek to help participants “be successful in their return to community settings and reduce recidivism related to unmet health care needs,” the release said. The adult program will “provide eligible adult individuals with severe and persistent mental illness and substance use disorders a targeted set of health care and peer services 45 days prior to release,” the release said. The youth program “provides a tailored service package to Medicaid-eligible youth up to age 21 and former foster youth up to age 26,” the release said.

Break out the flannel

Nashua will host its first ever GenXpo on Sunday, March 2, from 10 a.m. to 1 p.m. at the Nashua Center for the Arts, according to a press release from the mayor’s office. This free event is geared at “Gen Xers, Baby Boomers and better” and will include “a variety of entertainment and leisure companies, businesses and service providers of all kinds, who have offerings targeted towards the needs and interests of those age 50 and better. Financial planners, travel agencies, local activities, home improvement, adult learning, health care and fitness, insurance, senior life and housing, etc.,” the release said. Vendors and sports can sign up until Feb. 14 by emailing kpalmer@nashuanh.gov.

The Center for the Arts will hold its monthly First Friday Gallery Stroll on Friday, Feb. 7, from 5 to 7 p.m, showcasing artwork at five locations in New London. See cfanh.org.

Ice has been declared “in” and the 46th annual Great Meredith Rotary Fishing Derby is on for Saturday, Feb. 8, and Sunday, Feb. 9, on the lake near Hesky Park in Meredith, with a $15,000 prize for the winning fish. There will be a kids’ activity tent with contests, snacks and a free ice fishing clinic. Go to icefishingnh.com for tickets, derby rules and registration.

N.H. Poetry Out Loud competition announced the schedule for its upcoming semi-finals: Tuesday, Feb. 11, at 6 p.m. at New England College in Henniker; Thursday, Feb. 13, at 6 p.m. at Plymouth State University, and Tuesday, Feb. 18, at 6 p.m. at the Rochester Opera House. Now in its 20th year, the competition features high school-age students reciting poems, according to a press release. See nharts.dncr.nh.gov/programs/poetry-out-loud.

The NH Audubon’s 38th Annual Backyard Winter Bird Survey is Saturday, Feb. 8, and Sunday, Feb. 9. Go to nhaudubon.org to learn how to help produce a snapshot of the state of birds in New Hampshire by birdwatching from your backyard. For more on the event, see the story on page 11 in the Jan. 30 issue of the paper; find the digital issue at hippopress.com.

The 2025 Special Olympics Penguin Plunge will be held Sunday, Feb. 9, at Hampton Beach. After a costume parade at 11:30 a.m., plungers will begin their run into (and then quickly out of) the Atlantic at noon, followed by a towel, a change into dry clothes and a lunch. For information on supporting the plunge or plunging yourself, see fundraising.sonh.org. A High School Plunge is held Saturday, Feb. 8, and the next big cold-water fund-raising event is the Winni Dip in Laconia on March 8.

Stones’ fab four

Paying tribute to a hot streak of albums

By Michael Witthaus

mwitthaus@hippopress.com

Beginning with Beggars Banquet in 1968, the Rolling Stones made four records in a row that are all among the greatest to come from the classic rock era — and the last one, 1972’s Exile on Main Street, was a double album. The other two were, of course, 1969’s Let It Bleed and Sticky Fingers, released in 1971.

Here’s the thing, though. It was an iconic streak, but the band’s true achievement was surviving it. Most of them, anyway; co-founder Brian Jones barely made it through the first two LPs before his death. Arrests, bad business deals, a disastrous free concert and a midnight run from England to France all happened, while the music just got better.

A show on Feb. 1 at Pembroke City Limits will feature four songs from each album, along with a look at the times that produced them. A house band led by John Zevos of Lichen will recreate “Sympathy for the Devil,” “Midnight Rambler,” “Dead Flowers,” “Tumbling Dice” and a dozen others.

“I was peeling through some of the Stones’ essential works of the late ’60s and ’70s and I just could not get past these four records,” PCL owner Rob Azevedo, who organized the show, said recently. “Mick’s potent lyrics, Keith’s blazing riffs and the magnitude of these incredible creations…. I thought, we need to pay tribute to these songs, and soon!”

Hosting and providing historical context for the event will be me, Michael Witthaus. I watched a lot of it unfold as a teenager in Northern California, like the horrific Altamont show that summarily ended the ’60s idealism once rising at Woodstock. When the Stones returned to San Francisco in 1972 and played Winterland, I was there.

Since then, I’ve learned a lot more from books and podcasts about the decade’s music. I’ll talk about living in that era, and tell stories about the Greatest Rock & Roll Band in the World, like the one about how the organ player on Dylan’s “Like a Rolling Stone” later joined The Stones and helped shape the opening bars of “You Can’t Always Get What You Want.”

A seasoned group of Stones-loving musicians is promised, which will include a horn section for a few songs consisting of sax players Brian Booth, Dani Sven and Jason Reichelson, along with John Spring on trumpet. Zevos wrote the horn charts, something he’s done for Azevedo-organized tribute shows in the past. The band, he said in an email interview, consists of “people I’ve played with a lot over the years that I knew would be great playing Stones tunes.”

On keyboards and singing is his wife Diane Zevos. She’s also a member of Lichen, a band nearly as durable as the Stones, having marked 43 years together last August. “Di loves rock ’n’ roll, and adds so much to any band she plays in,” Zevos said. “We love playing together.”

Playing guitar and vocals is Wayne Hughes, a longtime collaborator of Zevos’. “We play together all the time in various situations, and he knows more about the Stones than anyone I know,” he explained. “As soon as Rob asked me to do this I said to myself, ‘I have to get Wayne,’ and he was eager to jump in.

Steve Forgione, though best known for his guitar work in local band Who Knows What, will move to drums for the show. “He grew up drumming in drum corps, and he is also a fantastic drummer,” Zevos said, adding, “Steve knows this material really well and I think because he is a guitar player he is a very musical drummer.”

On bass and vocals is a newer friend of Zevos, Peter Borden. “I met Peter while playing with him in another band and we found that we have the same taste in music,” he said. ‘Even more than that, we hit it off musically. When I found out he was into the Stones, he seemed like the logical choice, and it is working out really well.”

Zevos will handle the “Keef” parts on guitar. “A lot of them are in the open tunings that Keith Richards uses,” he said. “You can play all of the songs in standard tuning, but to get the same sound as Keith, on some songs you need to use the tunings. I like it, it’s really fun. I’ll need to bring four guitars.”

Rolling Stones Tribute Show

When: Saturday, Feb. 1, 2 p.m.
Where: Pembroke City Limits, 134 Main St., Suncook
More: pembrokecitylimits.com

Featured Photo: Rolling Stones, 1969 (Courtesy Photo).

A Complete Unknown (R)

A Complete Unknown (R)

Timothée Chalamet is Bob Dylan in A Complete Unknown, a biography of Mr. Robert Zimmerman from his 1961 arrival in New York through 1965 when he “goes electric” at the Newport Folk Festival

This is an extremely straight-down-the-middle look at Dylan as he comes to New York City, befriends an ailing Woody Guthrie (Scoot McNairy) and buddy Pete Seeger (Edward Norton), becomes a big noise in the folk music community and then itches against the fame and the expectation that he stay in a strict musical lane. Along the way he meets and has relationships with (fictional) folk music fan/artist Sylvie (Elle Fanning) and with fellow folk singer Joan Baez (Monica Barbaro) — both women who the movie doesn’t do a lot for in terms of fleshing them out and making them more than reaction shots to whatever Dylan is doing. (Baez as a character feels particularly underserved.) Bob enjoys the money and to some degree the fame but he doesn’t like the getting-chased-out-of-bars side of fame or the part where people basically just want more “Blowin’ in the Wind” from him.

There are some nice elements to this movie that has the heavy lift of “introducing” Bob Dylan even though if you are inclined to see this movie you probably have your own built-in opinions of the man and his music. We get a bunch of standard biopic-rooted-in-time stuff, like Walter Cronkite delivering the news flash that JFK has been killed and snippets of the civil rights movement. And there is a fair amount of reaction to the news of the day that feels overly earnest. But I think generally the movie’s presentation of Dylan and his role in the capital S Sixties works — before he was Mr. Nobel Prize for Literature, Bob Dylan was just a talented, ambitious, annoying 20something trying to make it in the music business and also figure out his role in the culture, which was much more “mono-” than it is now. I also like the way the movie dips into the struggle between “old” folk and the “new” folk of the 1960s and how record companies were trying to bring in the kids but also keep whatever the old audience was with covers of classic folk songs. Folk can’t just be all Dust Bowl music, Sylvie argues, which helps inspire Dylan to write more about the Now (1960s). It’s a nice if stagey way to illustrate how today’s urgent issues become tomorrow’s nostalgia and helps to put us back there with Dylan in the 1960s headspace. At some point this tips into what basically becomes an argument about folk authenticity — “electric guitars!?!” — which is the same bummer to wade through as any argument about authenticity. And it feels like more of a stall in the movie’s energy than a lead-up to a dramatic climax. But overall I think the movie (and the Chalamet of it all) does do a good job of showing how Dylan’s lyrics and unpretty voice felt fresh for the time. B Available in theaters.

The Brutalist (R)

Adrian Brody gives a solid performance in The Brutalist, a movie with a three-hour-and-34-minute runtime.

There is a 15-minute intermission, which is either thoughtful of the movie or exhausting, depending on how you feel about what you’re watching and how much Coca-Cola Freestyle you drank in the movie’s first two-hour-ish chunk.

We meet Hungarian Lázló Tóth (Brody) as he arrives in America in 1947. Once a well-regarded architect of the Bauhaus school, Lázló survived the Holocaust with basically nothing, only finding out that his wife Erzébet (Felicity Jones) has also survived when he arrives in Philadelphia. There he meets up with long-ago-immigrated-to-America cousin Attila (Alessandro Nivola), whose last name is now Miller and who has a Catholic wife and has himself converted or something — adding a layer of tension to the relationship between the cousins. Lázló lives in a small back room at their furniture shop and is meant to help up the design game of the shop while working to get Erzébet and their niece Zsófia (Raffey Cassidy) out of what is now a Soviet-controlled country.

Lázló arrives in the U.S. with not just the psychological trauma of all he’s experienced but also a broken nose that has left him with severe pain — all of which leads him to eventually turn to heroin for relief. When we finally meet Erzébet and Zsófia, they also carry around the scars of their ordeal. Erzébet’s long starvation has left her unable to walk and she uses a wheelchair when she first arrives. She also takes pills for pain in her legs that, when it strikes, leaves her screaming. Zsófia, who we first see in the movie’s opening scenes being interrogated by the Soviets and who was a child when Lázló last saw her, has been so traumatized she doesn’t speak.

And then Lázló meets rich psychopath Harrison Van Buren Sr. (Guy Pearce) and his terrible son Harry Jr. (Joe Alwyn). Harry hires Lázló and Attila to turn his father’s messy study into a proper library for his fancy first editions. What Lázló creates is such a modernist piece of art that it eventually gets a feature in Life magazine, but Van Buren’s initial reaction is just to yell at everybody and refuse to pay. Eventually Van Buren realizes that he has stumbled on a genius and ensnares Lázló into building this ridiculous community center that will serve as a monument to Van Buren’s dead mother. It is immediately clear that Van Buren is very much a not-good guy but his lawyer, Michael (Peter Polycarpou), offers to help Lázló bring over his wife and niece and Van Buren offers Lázló a chance at regaining some of his past life as an architect, so Lázló begins the project that we see become an obsession for nearly a decade.

I realize it is deeply unsophisticated to complain about a well-made movie being too long — as though you’re admitting that your baby brain has been so TikTok broken it can’t hold complex thoughts. And, maybe, but also at some point the tonnage of a movie gets in the way of all the things a movie can accomplish. And The Brutalist — which really feels at least 40 minutes not just too long but too long without good reason — does attempt some interesting things. The production design and cinematography (both of which received Oscar nominations in this 10-nomination-receiving movie, including for Best Picture) are excellent, really putting the emotion on screen via colors and shapes and the way stone and shadow play such a big role in what we’re watching.

There is also a narrative that we’re used to in this kind of movie — where the refugee from the horrors of World War II comes to America and then just buckles down on the making of a new life and more or less assimilates — that this movie brilliantly argues with. In The Brutalist Lázló suffers in a way that feels more messy and genuine, can’t just close the door on the past and, as we eventually learn, works out some of his suffering through his architecture. And no amount of American hustle changes the fact that he was once a big deal with a full life of his own and is now at the mercy of the increasing awfulness of the racist, classist Van Buren to claw a little bit of that back. Likewise, Erzébet was a professional woman with a career as a foreign correspondent and isn’t here for everything’s-great-now housewife. Strong performances all around (even to a degree from Jones, I guess, saddled with another thin and thankless wife role) help break these people out of what you expect of them and give you something horrific but real. B In theaters.

Featured Image: A Complete Unknown (R)

Viking vibes at Sunstone Brewing

New brewery keeps it simple

By John Fladd

jfladd@hippopress.com

The first thing Brian Link and his business partner Cam Carter want you to know is that their new Viking-themed brewpub is centered around medieval Scandinavian warriors, not the Minnesota football team.

“Yeah, we’re Patriots fans!” Link stated, emphatically.

Along with their friend and manager Jessica Cotto, Link and Carter opened Sunstone Brewing Co. in Londonderry just over two months ago, in the former Long Blue Cat location. This is their first time running their own place.

“Brian and I had worked at a brewery together for the last four or five years and hit it off really well,” Carter said. “And we started thinking up this idea of opening our own place and working for ourselves. All three of us are big Viking fans; we love all the Nordic things. We just wanted to create a space that was very original and fantastical and just build a community that people can come into and feel warm and inviting.” The name Sunstone is meant to reflect that quality. In the Middle Ages, Vikings and other Nordic people used faceted crystals called sun stones to locate the sun in an otherwise cloudy sky. These might have been used in navigation, and gave comfort to them in dark and cloudy times.

Following a “less is more” philosophy, owners and brewers Link and Carter made the decision not to overextend themselves at the beginning of their business and have concentrated on brewing and serving a small number of craft beers.

“This is our first business, our first brewery, so we just wanted to take it step by step — ‘keep it simple stupid,’” Link explained. “We took an approach where we have only eight draft lines, so we’re trying to create as much diversity as we can with only eight. So what we’ve done is we have four real set styles. There’s our Sunstone Golden Ale. It’s a lighter beer that really tastes like a beer. It’s got a little bit of graininess to it. It has a very light hop character, so that way it’s easy drinking.”

Some of Sunstone’s other beers have even more Viking-ish names.

“Our next [beer] we have is our God Slayer,” Link continued. “That one’s a New England-style IPA [India Pale Ale]. It’s got some nice mango and peach flavor coming off the hops, a little bit of citrus. It’s a good big eight and a half percent beer [8.5 percent Alcohol By Volume or ABV]. And then the next one is our Light Your Torches; that one’s an espresso porter. It’s got a little bit of coffee in it, so it’s got a lot of robust coffee flavor, some roasted characteristics to it. Basically, we saw how popular espresso martinis are these days…. And we’ve got our Keep It Low-Key [Get it?], which is a New England-style session IPA, so [an ABV of] 4.5 percent. It’s big on citrus. It’s meant to be for someone who wants an IPA, still wants that hazy and that hop flavor, but you’re not drinking an 8 percent, you’re drinking 4.5 percent. So you can actually have a few and enjoy them without being hammered.”

The team has taken the same approach to Sunstone’s food, building a small initial menu of dishes that can be prepared in a very small kitchen.

“When you look at our food menu, it’s kind of the same thing,” Carter said. “We try to keep it simple, but really good stuff for people when they’re hungry.” The menu focuses on pub-style appetizers, like nachos and hummus and pretzel bites and then sliders, wraps, and mac and cheese. “The Mac & Beer Cheese is a favorite,” he said.

Sunstone is planning a slate of events to appeal to their already growing customer base. For example, “for Valentine’s Day,” manager Jessica Crotto said, “We’re partnering with Van Otis Chocolates in Manchester to serve a flight of four beers paired with chocolates. We haven’t nailed in the name yet, but I think we want to call it a ‘Chocolate Flight Delight.’ And then we have a full stage … so we’re looking to do live music, comedy shows, I mean I’ve thrown out the idea for magicians, illusionists, everything you could think of. I mean I think it’d be really fun to do.”

Sunstone Brewing Co.

Where: 298 Rockingham Road, Londonderry, 216-1808
Hours: Wednesday from 4 to 9 p.m.,Thursday through Saturday, from 11:30 a.m. to 9 p.m., and Sunday from 11:30 a.m. to 8 p.m.
More: sunstonebrewing.com
Food and growlers of beer can be ordered for takeout. Veterans, active duty military, first responders and teachers get a 10 percent discount.

Featured Photo: Photo by John Fladd.

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