Curse Of Lono, People In Cars (Submarine Cat Records)
Well this is nice, even though I’m not big into Lou Reed. Now, that’s not to say it’s a whole lot like Lou Reed, but that’s the first tangible feel to the third LP from this London band, which, like so many U.K. collaborations, has an obvious fetish for the American South; there’s slide guitar on here, as well as a lot of really agreeable, quite pretty Americana vibe. I suppose I really need to elaborate on the Lou Reed reference, though, just to be clear; singer/bandleader Felix Bechtolsheimer’s voice evokes a dude serenading himself absently while noodling around with his bobblehead collection, in case you need an explainer. So it’s pleasant and unobtrusive in that way, and despite the indefatigably urban PR source that sent me this, it’s very, very accessible and should please fans of Wilco who wouldn’t mind a little more Amos Lee added to that core sound. Not a thing wrong here. A
Focus, “Aether”/”Sequinox” (Dissident Music)
I’m telling you, folks, I’m really trying to support good progressive-house music (and this stuff here isn’t just good, it’s great), but the assumed knowledge on the part of these Beatport-dependent artists (and their utterly incompetent PR flaks) is really getting on my last raw nerve. I’ve already been through two pages of Google trying to get the deets on exactly who this person or soundsystem is, but the only clue I remain left with is a count-’em 180-word blurb sheet that indicates this two-song upcoming-album-tease is the work of one guy who’s from somewhere in Florida, and that’s it. Is it something I’ve never heard before (and mind you, house DJ stuff was what kept me writing for the all-night-club-centric Miami New Times for about a year, like, I really do like it a lot when it’s done well)? No, it is not, but trust me when I say this is up there, meaning Above & Beyond/ Armand Van Helden-level. Beach vibes, lovely synth lines, sexy vocals, all the ingredients in place. Recommended of course, but man, this whole cult needs to lay down some entry-level carpet so that the genre ceases being so insular and unapproachable to newbies. Holy freaking crow. A+
PLAYLIST
• Uh-oh, it’s May 20 and you know what that means. I mean, I hope you do, because I don’t, all I know is that there will be new albums, and our purpose here is for me to try to hypnotize you so you’ll avoid the bad new albums and just buy the good ones, if there are any. Since my little Jedi mind trick never works anyway, let’s reverse-psychology this thing for once and kick things off with an album that I’d actually recommend, only because it is an album by farm-girl-turned-edgy-goth-queen Zola Jesus, and its title is Arkhon. I’ve talked about her before because I find her quite fascinating; her music combines electronic, industrial, classical and goth into a fricassee of weird, which has gotten her gigs doing her weird act at venues like urban museums and whatnot. She’s guested on songs by Orbital, M83 and Hollywood Vampires, so she’s like one of the coolest people ever born, but she spent a lot of her early life in North Dakota with literally no one around but her parents. I know, that’s how most people are living now anyway, but whatever, what I’m saying is she’s like a David Lynchian version of a ghost girl, and she causes trouble in the music industry whenever she can, so that makes her a good person no matter what this new single, “Lost,” might sound like. As is her habit, the video is a cinematic treasure, there she is, trudging around in the snow with a bunch of sticks, and there are all these weird mountains around, but it could be a scene from someplace that actually exists — yes, it does, the video was shot in Turkey, at Argos in Cappadocia. The music is really epic, a creepy industrial vibe, and she’s singing in a pretty chant style with the echo knob cranked all the way. So she puts down the bundle of sticks, picks up a torch and goes into this mountain cave, and she starts seeing visions of herself as some sort of Turkish goth goddess, and it makes no sense from there, but the song is really cool, kind of New Age-y but goth and spooky. You’ll probably dig it if there’s the slightest trace of cool in your DNA.
• Half the people who saw the movie The Eternals thought it was stupid and had no character development, and the other half were all like, “Cool, another excuse for me to wear my Captain America jammies!” I’m totally sick of Marvel movies and just wish they’d stop, but if you saw The Eternals, you got to see Harry Styles for two seconds, during one of those stupid mid-credits things at the end, you know, when your date really needs to use the bathroom but you can’t because maybe if you don’t wait for the credits to rattle off the 42,858 animators it took to make another one of Marvel’s glorified Popeye cartoons, you’ll miss extra footage. Anyway, Styles is also a boyband tin idol, and he has a new album on the way, called Harry’s House. Since Harry has a fondness for selling out, he loves him some ’80s music (for now), so the first single, “As It Was” commits petty theft against A-ha’s “Take On Me” and then, even with that brainless pop tune serving as its, ahem, template, becomes tedious and trite. OK.
• Wait a second, some good local-ish news, as Methuen, Mass., band Cave In releases its newest LP, Heavy Pendulum, through the mighty Relapse Records label! The singer is kind of normal, kind of Alice in Chains-ish, but the music is doomy and maniacally heavy, think Crowbar and whatnot. Good for these guys.
• We’ll close up shop this week with another actual-good album, Raw Data Feel, from U.K. art-rock band Everything Everything! The song “Bad Friday” is pure genius, a fast-paced vocal thing that reads like a cross between Bone Thugs and Bruno Mars. You should go check this out this instant.
If you’re in a local band, now’s a great time to let me know about your EP, your single, whatever’s on your mind. Let me know how you’re holding yourself together without being able to play shows or jam with your homies. Send a recipe for keema matar. Message me on Twitter (@esaeger) or Facebook (eric.saeger.9).