News & Notes 22/06/09

Covid-19 update As of May 27As of June 6
Total cases statewide 324,373 327,358
Total current infections statewide 4,544 3,658
Total deaths statewide 2,534 2,542
New cases 3,331 (May 21 to May 27) 2,985 (May 28 to June 6)
Current infections: Hillsborough County 1,257 1,593
Current infections: Merrimack County 403 525
Current infections: Rockingham County 1,063 1,330
Information from the New Hampshire Department of Health and Human Services.

Students march

Students from Nashua North and South high schools will join hundreds of student groups across the country in the March for Our Lives protest, a nationwide event planned for Saturday, June 11, in response to the recent string of shootings throughout the U.S., to raise awareness about gun violence and advocate for gun control legislation. According to a press release from the organizers, the peaceful protest will take place in downtown Nashua, starting at 1 p.m., at The Soldiers and Sailors Monument. The students will then march to Greeley Park, where local high school students and Rep. Laura Telerski will speak about their experiences and opinions surrounding gun violence and gun legislation, starting at 1:45 p.m. March for Our Lives is a national student-led movement formed in 2018 in support of stricter gun control laws following a mass shooting at a high school in Parkland, Florida, that left 17 people dead. See “March For Our Lives Protest in Nashua” on Facebook for updates on the local effort.

Racing history

What was previously known as the North East Motor Sports Museum in Loudon has been officially renamed the New England Racing Museum as of June 2, according to a press release from the Racing History Preservation Group, the nonprofit that owns the institution. The 10,000-square-foot museum features race cars, motorcycles, photographs, artifacts, books, racing helmets, trophies and racing uniforms from throughout the history of motor racing in the New England region. The reason for the name change, the press release said, is to more accurately reflect the museum’s focus, which has become more specific to the six New England states than to the larger Northeast, and to racing than to the broader realm of motor sports, than the museum’s board of directors had originally anticipated when plans for the museum were first drafted more than 12 years ago and when the museum opened its doors in 2017. “You tell me we’re going to see motor sports and I’m not interested,” museum trustee Mike Smeriglio said in the press release in regard to the name change. “If you want to go see racing, I’m on board.” The museum is open on Saturdays and Sundays during the summer, Saturdays during the winter, from 10 a.m. to 4 p.m., with expanded days and hours when there are racing events at the New Hampshire Motor Speedway. Admission costs $10 and is free for children under age 12. Visit nemsmuseum.com.

Space news

The University of New Hampshire has been selected as one of 14 universities in the U.S. to receive a portion of more than $10.4 million in funding from the National Aeronautics and Space Administration, WMUR reported. The funds are to be used for research and special projects being conducted at the universities in partnership with NASA. In February, UNH announced that a group of researchers and engineers from the university’s Space Science Center had been recruited by NASA to study particles streaming to Earth from the edges of interstellar space as part of NASA’s Interstellar Mapping and Acceleration Probe mission, expected to launch in 2024. According to the UNH website, the mission will further understanding of the heliosphere and how the sun impacts the atmospheric space surrounding the Earth, which may ultimately help to provide better protection for astronauts and satellite technology.

The cane tradition

The Warner Selectmen will award long-time Warnerresident Phil Lord the Boston Post Cane at the United Church of Warner on Saturday, June 25. The tradition was introduced in 1909, when the now defunct Boston Post newspaper presented gold-headed walking canes to many New England towns to award to their oldest residents. Lord, who celebrated his 96th birthday on Feb. 4, will be the 32nd recipient of Warner’s cane. According to a press release from the Warner Historical Society, Warner is one of the last communities to still have its cane and continue the tradition. The cane will be preserved at the Warner Historical Society after the ceremony. The event runs from 2 to 4 p.m., with the main presentation at 2:45 p.m., and is free and open to the public. Visit warnerhistorical.org.

Deceased New Hampshire residents who served in the National Guard or as reservists during their lifetime can now be buried in the New Hampshire Veterans Cemetery in Boscawen. According to NHPR, the cemetery previously only accepted burials for New Hampshire residents who had served on active duty as members of the military. The Executive Council voted unanimously for the change in policy.

Those grieving the loss of a loved one will no longer have to worry about paying road tolls in New Hampshire when they are part of a funeral procession. Gov. Chris Sununu signed the new executive order on June 6 which states that if the lead car in a funeral procession stops at a toll booth and informs the attendant of how many of the following vehicles are in the procession, the attendant will allow those vehicles to pass without having to stop or pay, according to a press release from the Governor’s office in Concord.

The Merrimack Rotary Club is holding an Electronics Reycling Fundraiser on Saturday, June 11, from 8 a.m. to noon at Merrimack Town Hall (6 Baboosic Lake Road in Merrimack), according to a press release. Drive by and pay a donation fee to drop off telephones, cables, video games, speakers, radios, computers, televisions and air conditioners, the release said. See merrimackrotary.org.

Party in a pitcher — 06/02/22

John Fladd, Hippo’s cocktail columnist, gives you not one but five drink ideas this week (plus a few eats suggestions). The drinks are all good for a crowd (and he explains the mechanics of preparing a pitcher for your summer gatherings) but can also be made for one person enjoying a relaxing moment in the sun.

Also on the cover, meet makers specializing in all different forms of media at the annual NH Maker Fest in Dover, p. 17, crispy bacon and cold craft brews will take center stage during the NH Bacon & Beer Fest, returning to Merrimack this weekend, p. 25, and find live music every day of the week in our Music This Week listings, which start on page 34.

A graphic the shape of the state of New Hampshire, filled in with the New Hampshire flag made up of the crest of New Hampshire on a blue field.
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Top Gun: Maverick (PG-13) Enjoy some long, lingering shots of military aircraft — old airplanes, new airplanes, airplanes going fast, ...
Local music news & events • In memoriam: A long-running Goth and Industrial Night remembers Depeche Mode founder and keyboard ...
4 band members posing in studio
After country detour, Lit returns rocking “My Own Worst Enemy” could be the post-grunge era’s “Free Bird.” Released by Lit ...

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Old school

After country detour, Lit returns rocking

“My Own Worst Enemy” could be the post-grunge era’s “Free Bird.” Released by Lit in 1999, the raucously rocking tale of misadventure is a fitting touchstone for that cultural moment. With its staccato opening guitar riff and a wailing chorus of “please tell me why” that’s both desperate and arrogant, it provided just the right coda for a musically chaotic decade.

The song also changed the lives of the band that made it. Lit began in a Southern California living room with a bunch of teenage pals chasing rock ’n’ roll dreams. The core group — brothers Jeremy and A. Jay Popoff, Kevin Baldes and Allen Shellenberger — formed in 1989 with a now long-gone member as Razzle, toiled in L.A. clubs and looked for a record deal.

Ten years later, the hordes at Woodstock 99 were singing along to their song.

They’ve haven’t lost sight of how special that is. “The song has legs of its own, it’s its own animal,” Kevin Baldes said by phone recently. “But we’re still rock fans, we still buy albums. We still love listening to new music and old music, and we can’t believe that we’re a part of the … Americana fabric. ‘My Own Worst. Enemy’ is in there. It feels good; we don’t take it for granted at all.”

It’s an iconic track, but far from their only one. The band’s punkier-than-thou tour manager said it wasn’t even their best. Lit’s major label debut, A Place In the Sun, recently reissued on white vinyl, had great songs like “Miserable,” “No Big Thing” and “Zip Lock.” Their upcoming album Tastes Like Gold furthers the case that Lit might be selling out stadiums today if Napster and file sharing hadn’t crippled the music business right after the world first noticed them.

Due for release June 17, the first three singles from the new disc show the band in full stride. “Mouth Shut,” the latest, takes their most famous song and reworks it for the internet age. “I don’t regret what I said, I just regret hitting send,” sings A. Jay. “I shoulda stayed in my head.”

Baldes is eager for fans to hear more. “If you like A Place in the Sun, Tastes Like Gold is like right there for you, man,” he said. “It’s awesome. There’s some great stuff. I can’t wait for it to come out and people to hear all the songs … friends that have heard the new album have come to me with their favorites, and it’s all over the place.”

It’s their first studio effort since These Are the Days. That album was a detour into modern country that confused many, The Popoff brothers currently reside in Nashville, and the 2017 record reflected that.

For Baldes, it feels good to be back to old-school Lit. “I got ‘Johnny Cash’ tattooed on my arm [so] I got a couple of drops of country blood in me,” he said, adding “Someday Maybe” was a particular favorite. “Jeremy and A. Jay … accumulated quite a few songs and [said] let’s try this out as Lit, these are kind of fun. Something different … that’s how it all evolved.”

He concedes they may have enjoyed it more than some fans. “That particular album kind of went sideways a little bit — I think in a good way. A lot of people loved it, but some were scratching their heads,” he said. “We felt it, and we were like, alright, this next record has to be in the hard rock arena.”

It’s perfectly consistent for a band that went from sounding like Motley Crue in their days as Razzle to punk metal on their indie debut Tripping the Light Fantastic while on their way to the version that struck “My Own Worst Enemy” gold.

“People know Lit as being what it’s always been, a rock band,” Baldes said. “But if you’re a huge fan, you know that we duck and weave quite a bit — there is no road map for us. We just kind of blindly get in the driver’s seat and go wherever it takes us.”

Lit w/ Chad Perrone
When: Friday, June 3, 8 p.m.
Where: Tupelo Music Hall, 10 A St., Derry
Tickets: $38 and up at tupelohall.com

Featured photo: Lit. Courtesy photo.

The Music Roundup 22/06/02

Local music news & events

In memoriam: A long-running Goth and Industrial Night remembers Depeche Mode founder and keyboard player Andrew Fletcher, who died on May 26 at age 60. DJs Pet, OmegaTelik and Boss Salvage provide the music to celebrate the English electronic band, which was deservedly inducted into the Rock & Roll Hall of Fame in 2020. The event happens every other week at the downtown venue. Thursday, June 2, 9 p.m., Jewel Music Venue, 61 Canal St., Manchester, admission $5 before 10 p.m., $7 after (18+).

Helping out: A pair of local standups are featured at a comedy fundraiser. Drew Dunn and Paul Landwehr entertain in support of Game Plan Sports, an organization that helps young athletes with strength and conditioning programs. Dunn is a past winner of comedy competitions in Boston, Seattle and Burbank. Landwehr has appeared on NPR and Tupelo Night of Comedy. Friday, June 3, 7 p.m., Stark Mill Brewing Co., 500 N. Commercial St., Manchester, tickets are $25 at GamePlanSportsNH.org.

New music: Alternative rock band No More Blue Tomorrows play a hometown show in Nashua. The group — guitarists Connor Coburn and Zak Lombard, plus drummer Peter Owen Davis — has stayed busy recording during the past year. Among their best songs is “For Forever,” with both steel guitar and a classic rock solo at the end that sounds like it came from a Thin Lizzy album. A new video, “Chaperone,” dropped in May. Saturday, June 4, 9 p.m., Peddler’s Daughter, 48 Main St., Nashua. See facebook.com/nomorebluetomorrows.

Sandy picking: Enjoy bluegrass music on a beachfront deck as Keller & The Keels perform. The trio — guitarist Keller Williams, and the married couple of award-winning flat picker Larry Keel and his superb bass-playing wife, Jenny — have played together off and on since 2004. Williams, who recently released his 27th album, Grit, made with a full band, calls their infrequent get-togethers “acoustic picking parties.” Sunday, June 5, 8 p.m., Bernie’s Beach Bar, 73 Ocean Blvd., Hampton Beach, $25 at ticketmaster.com.

Song man: Along with performing with several units, Alex Roy plays out as a solo acoustic singer/guitarist, covering everything from AC/DC to Zac Brown Band. The most prominent of his affiliations is Spark the Rescue, a national touring act that has appeared with All Time Low, Red Jumpsuit Apparatus and Mayday Parade, among others. Lately he’s part of Holly Heist, a rocked-up cover quartet appearing throughout the region. Wednesday, June 8, 5 p.m., Stumble Inn, 20 Rockingham Road, Londonderry. See alexroyband.com.

Top Gun: Maverick (PG-13)

Top Gun: Maverick (PG-13)

Enjoy some long, lingering shots of military aircraft — old airplanes, new airplanes, airplanes going fast, airplanes doing crazy maneuvers — in the lookbook of sexy planes that is Top Gun: Maverick, a movie that also has some people, but mostly they’re incidental to all the cool airplanes.

Look, I like a flying machine as much as the next Josephine and, sure, the jets featured here are particularly cool, with all their aerobatic maneuvers. But this movie is way hotter for the airplanes than it is for any of the humans.

Good ole Pete Mitchell, a.k.a. Maverick (Tom Cruise), is still in the Navy, still smirking and ignoring orders and still flying faster than anyone on Earth, as one crew member says when he flies a hypersonic jet to Mach 10 despite being told to abort the experimental flight. (Because Maverick, who has got to be around Tom Cruise’s age of 59, is still a hot-shot pilot and not a crazy medical liability? Don’t think about it too hard, I guess.)

While that particular bit of insubordination should get him in some kind of trouble, instead he is sent to teach the young hot shot pilots the Top Gun fighter pilot training school. The Navy has only a few weeks to prepare for a mission to blow up some kind of secret nuclear facility in (unnamed) enemy territory. The mission involves flying through mountainous, anti-aircraft missile-studded terrain (it’s remarkably similar to the mission to blow up the Death Star) and Maverick is picked by his longtime friend, Admiral Tom Kazansky, Iceman (Val Kilmer), to be the one to teach the elite pilots who will go on the mission. The aggressively cocky pilots include Rooster (Miles Teller), as Lt. Bradley Bradshaw is known. The movie goes hard with some mustache styling and piano playing to convince us that Rooster is the son left behind by Goose, Maverick’s old friend and wingman who died in the first movie.

Maverick is nervous about training Rooster, whom he feels protective toward (and who also super hates Maverick), but takes the gig because Admiral Simpson (Jon Hamm) tells him this is his last chance to fly or something — those “Maverick and his superior officers” scenes don’t have much staying power. “Bark! bark! bark!” is how all of Hamm’s dialogue sounded to me.

Meanwhile, Maverick has a lady friend named Penny (Jennifer Connelly). She owns the bar everybody hangs out in, she has a daughter (not Maverick’s), they have a past and she’s basically happy to see Maverick again. She is not a person with an interior life and a personality beyond “bar owner who awkwardly kisses Maverick.”

We are still light on big movie star event films and this is definitely that, Tom Cruise being The Last Great Movie Star, as so many movie-critic-types have observed lately. While this isn’t his most personable or captivating role ever, it isn’t off-putting. And I have a soft spot in my heart for nostalgia — I loved the “let’s do original Star Wars again!” vibe of Star Wars: The Force Awakens and I am very excited for the forthcoming fifth season of Cobra Kai, which isn’t so different from Top Gun: Maverick in that it takes some iconic 1980s characters and catches up with them in the present. But from the initial cowbell-gong noises (you know the one) and “Danger Zone,” this movie started to wear me out.

While Cobra Kai has let those Karate Kid characters grow and let the world around them change and just generally has some perspective on itself, Maverickand Maverick are still solidly stuck in the mid 1980s. Sure, the Karate Kid movies were underdog stories and Top Gun comes from a more muscley overdog-type place, but they both existed in the very particular 1980s-y culture at roughly the same time. Top Gun: Maverick, though set in the now, feels like it is still there, still doing 1986, without even any “kids these days” differences between the pilots then and the pilots now. There is little sign that Maverick has in any way grown or lived a life for the last 35 years. The only acknowledgment that time has passed for him and that we’re in the present is when various people say the word “drones.”

If you go to this movie in the theater and have fun, that’s fine. The shots of two planes spiraling around each other or whipping through canyons are cool and are a pretty good argument for seeing things on a big screen. And the movie has a very kind Val Kilmer cameo.

If you wait and see this movie at home some Saturday evening, that is also fine — stunts aside, it is maybe, with the opportunity to rewind and to have “hey, remember in the first movie when” conversations, even the more fun way to view this movie. The movie itself feels C+ in its non-airborne moments, but I’d go to a B- if you really like planes and miss being at air shows.

Rated PG-13 for sequences of intense action and some strong language, according to the MPA on filmratings.com. Directed by Joseph Kosinski with a screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Top Gun: Maverick is two hours and 11 minutes long and distributed in theaters by Paramount Pictures.

Featured photo: Top Gun: Maverick.

The Immortal King Rao, by Vauhini Vara

The Immortal King Rao, by Vauhini Vara (W.W. Norton & Co., 384 pages)

Commercially successful fiction usually doesn’t make the reader work too hard. The story typically flows in a fast-running river, propelled by familiarity and forum. No brows need furrowing, no paragraphs or sentences re-read.

Vauhini Vara could have gone that route with her debut novel, The Immortal King Rao, for at its simplest, the plot has all the markers of prime Hollywood fare: A brilliant and eccentric tech titan creates technology to essentially offload one’s consciousness into another person, as a climate-ravaged planet transforms society into a socialist dystopia.

Instead, Vara added layers of complexity, making her titular character an immigrant who was born into the lowest caste in India and then moved to the United States to get a graduate degree. Naming a child born of rape “King” is an act of defiance and hope performed by the aunt who raises the child after his mother died in childbirth. Yet King Rao himself is dead as the novel begins. His effect on the world is largely told by his daughter, who is in jail, accused of killing her father.

As a father, King was “uncommonly old” and raised his daughter largely on his own, after he had been forced out, not only from Coconut, the massively influential tech company that he founded, but also from society in general. At the peak of his power, King was something like a combination of Steve Jobs, Jeff Bezos and Elon Musk, with a sprinkling of Karl Marx. He just happened to be all this, and also a Dalit, an “untouchable” in India’s caste society.

In America, however, he rose to the potential of his name.

King Rao had, Vara writes, “rescued the planet from nation-state rule, which was bringing society to ruin, and engineered a calm and peaceful transition to Shareholder Government, under which the world’s citizens collectively owned its corporations.”

Worldwide, societies were run not by human leaders but by the “Master Algorithm” that Coconut developed. Rather than money, people traded in Social Capital, “based on the Algo’s prediction of the actual value they had produced.” The Master Algorithm also decided what schoolchildren would be taught (the curriculum was the same worldwide) and what punishment would be given to criminals.

This large-scale transformation had been enabled, in part, by the myriad breakdowns occurring on “Hothouse Earth.” But not surprisingly, not everyone signed on to this system, resulting in deadly rioting. Instead of punishing the objectors, the Master Algorithm ruled that they could live on islands that came to be known as “the Blanklands.” These people came to be known as “exes” and leaving society was called “exing.”

And King Rao and his daughter became exes, too, as a requirement of the algorithm’s judgment.

Living in almost total isolation on an island in Puget Sound, Athena has a largely blissful life as a child with her doting father. But when she turns 7, she starts to experience something akin to visions. When, for example, her father calls her “Puffin,” one of her nicknames, she suddenly can see images of the birds, “their potbellied stomachs thrust forward as if they were businessmen at a conference.”

She also suddenly has knowledge of puffins that she has not been taught — such as the fact that prior to their extinction, people in Iceland used to trap puffins for food in a net on a pole, and this was called “sky fishing.”

Athena’s brain, in effect, had absorbed the internet through a product her father’s company had invented called “The Harmonica.” It was to be King’s crowning achievement, yet the technology had failed — not because it was a moral problem, but because of an engineering fail that resulted in the deaths of test subjects.

But King had managed to have the genetic code implanted in a frozen embryo that would eventually be Athena. “His decision to leave the mainland, to take up residence on Blake Island instead of one of the established islands — all of it was meant to keep the world from discovering the project of my existence,” Athena says.

King experimented on himself, too, and Athena can experience his memories. So she is able to explore his early years, his relationship with her mother and how she came to be, in the comfort and safety of her own mind, even as her physical safety becomes increasingly uncertain.

Like King, the author — who has been a reporter and editor for The Wall Street Journal and The New Yorker — hails from a Dalit family. She has said it took 12 years to write the novel, and it shows. It is a finely layered story with a beginning that is difficult to get through, not only because of the subject matter (the sexual assault of a child and a marital rape occur in the first chapter), but also because it’s challenging to keep up with various Rao family backstories that seem not to matter. The novel quickly picks up speed, but even so, readers may find little to emotionally connect them with the characters. The ending is jarring, but elicits little more than a pained “oh.”

The Immortal King Rao is clearly a cautionary tale about something; it’s just not entirely clear what. Still, it manages to be inventive and often lyrical in the telling and was 12 years well spent. B

Book Notes

Little, Brown & Co. is billing James Patterson’s latest book as “the most anticipated memoir of 2022,” and the publisher is probably not wrong, given that its competition right now includes memoirs by political strategist Kellyanne Conway (Here’s the Deal, Threshold, 512 pages) and actress Melissa Gilbert (Back to the Prairie, Gallery, 282 pages).

Patterson has written or co-written more than 200 books, and The Washington Post has said of him, “In book publishing, there is James Patterson — and basically everyone else.”

Still, there’s something that smacks of hubris in the title of the book, which is James Patterson, The Stories of My Life. Which means the listings of the book say James Patterson by James Patterson. You can get away with that when you’re James Patterson. The memoir is 400 pages and comes out on Monday.

While we’re on the subject of writers writing about writers, we may as well move on to books about books and readers, which is suddenly a thing.

The Woman in the Library (Poisoned Pen Press, 288 pages), also out next week, is by Sulari Gentill and is billed as an “unexpectedly twisty literary adventure” set in the reading room of the Boston Public Library.

Emily Henry’s Book Lovers (Berkley, 384 pages) is a romance novel about a literary agent and a book editor who keep encountering each other while vacationing in North Carolina. (Definitely a beach read from an author whose previous titles include 2020’s Beach Read.)

And in August comes Bookish People (Harper Muse, 336 pages), a comedic novel by Susan Coll that is set in the world of an independent bookstore in Washington, D.C., and will appeal to anyone who might name a cat Kurt Vonnegut Jr.


Book Events

Author events

JAMIE RASKIN Author and congressman presents Unthinkable: Trauma, Truth and the Trials of American Democracy. Gibson’s Bookstore, 45 S. Main St., Concord. Fri., June 3, 11 a.m. Visit gibsonsbookstore.com or call 224-0562.

AMOS J LANDON Author presents debut novel The Girl, The Pig, and the Accidental Demon. Sat., June 4, 2 p.m. Toadstool Bookstore, Somerset Plaza, 375 Amherst St., Nashua. Visit toadbooks.com.

ANDREA PAQUETTE Author presents Loveable: How Women Can Heal Their Sensitive Hearts and Live and Love as Their True Selves. Sat., June 18, 6 p.m. Toadstool Bookstore, Somerset Plaza, 375 Amherst St., Nashua. Visit toadbooks.com.

PAUL DOIRON Author presents Hatchet Island. Gibson’s Bookstore, 45 S. Main St., Concord. Wed., June 29, 6:30 p.m. Visit gibsonsbookstore.com or call 224-0562.

PAUL BROGAN Author presents A Sprinkling of Stardust Over the Outhouse. Gibson’s Bookstore, 45 S. Main St., Concord. Thurs., June 30, 6:30 p.m. Visit gibsonsbookstore.com or call 224-0562.

Poetry

DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email pembrokenhtownlibrary@gmail.com.

Book Clubs

BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email elizabethw@goffstownlibrary.com or visit goffstownlibrary.com

BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email bookclub@belknapmill.org.

NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email information@nashualibrary.org or visit nashualibrary.org.

Language

FRENCH LANGUAGE AND LITERATURE CLASSES Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

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