Tag: 210429

Do Over

Married Iguana finally debuts in Manchester

After a heady process of assembling a band, then working up and recording three original songs for a debut EP, Married Iguana was prepared for a big reveal at Jewel Music Venue in Manchester. Sadly for the nascent power trio, their debut gig was scheduled on March 14, 2020, the day after Covid-19 landed like an asteroid on the local music scene.

The group quarantined and waited for another chance to show their stuff to an audience. The Rehearsal Dinner did come out as planned, and it’s a treat. “EAYM” is a Primus meets Mothers of Invention romp, and “Farewell My Friend” echoes Rush as it rocks out with abandon.

Leading off the record, “Go With the Flow” chugs like a steady rolling party bus, but to Married Iguana guitarist, singer and principal songwriter Brett Higgins it’s also an ironic anthem for his band, which went from planning to play out to hunkering down.

A year later, the personnel has changed — the current lineup has Higgins, Ian Smith (Trichomes) on bass and drummer Tyrel Gagnon — along with the music. Punchy radio rockers are now stretched out more.

“We don’t want to call ourselves a jam band,” Higgins said in a recent phone interview, “though Ian has a lot of that influence playing with his other group … it’s a little more progressive rock.”

That said, the way Higgins described his songwriting process is jammy enough.

“Me doodling around at home is basically how every one of our tunes starts,” he said. “I have my strainer of songs. I’ll be working on something and I have to think if it’s special enough to sell those guys. It’s almost like I’m auditioning for my own group.”

Higgins formed Married Iguana to counteract playing in cover bands like Darrah and Channel 3.

“I’ve always written my own songs on the sidelines, and finally got to the point where it was time to start applying myself,” he said, and began recruiting on Facebook.

Smith responded immediately with an offer to hang out and jam.

“There was no real idea,” Higgins said. “I had a couple of songs floating around right at the get-go, and I started showing them. We just noodled around a lot and Ian really latched onto a couple of the riffs. We’ve been getting together ever since, and that was it.”

Early on, the band was a four-piece, with a second guitarist. A few different drummers also came and went before Gagnon joined. He and Higgins have played in different bands together for over a dozen years.

“He’s been my go-to guy for a long time,” Higgins said. “He’ll get sick of me and he’ll skip out and then he’ll find a way to come back, or I’ll beg him enough and he ends up coming back in.”

On May 4, the band will finally make its hometown debut at Jewel.

“It’s a makeup gig,” Higgins said with a laugh, adding they’re fired up to finally play a set with over an hour of original music for a hometown crowd — though there are more than a few nerves at play.

“I just hope that people will have fun and will really accept us; we’re still kind of unsure what to expect,” he said. “We’re not the run-of-the-mill band from around the area. We’ve got a unique sense about us, a lot of energy in the music. It changes and twists and turns a lot, and I just hope that people will enjoy it, have fun and come see us.”

Married Iguana w/ The Humans Being and What Has Science Done?
When: Tuesday, May 4, 9 p.m.
Where: Jewel Music Venue, 61 Canal St., Manchester
Tickets: $10 at the door, masks required for entry

Featured photo: Married Iguana. Courtesy photos.

The Music Roundup 21/04/29

Local music news & events

• Crafted tunes: Enjoy an early evening set from Nate Cozzolino, a Providence-based singer-songwriter with ace guitar skills and an ethereal vocal delivery. Writer Vic Garbarini likened him to “early Van Morrison,” calling Cozzolino “one of the most promising artists working today.” In addition to his musical skills, he makes beautiful etched glasses, which are perfect for beverages on offer at this show. Thursday, April 29, 6:30 p.m., To Share Brewing Co., 720 Union St., Manchester, 836-6947.

• Music machine: A one-man band with rootsy sensibilities, ODB Project is the latest effort from Michael Dion, ex-Hot Day at the Zoo and currently in Daemon Chili. Dion loops together a wall of sound around an array of diverse material, from Frank Sinatra to the Dead and Cake, along with his originals. The tech doesn’t end there; the new RequestNow app lets audiences help him build a setlist in real time. Friday, April 30, 8 p.m., Penuche’s Ale House, 16 Bicentennial Square, Concord. See facebook.com/odbproject.

• Rock al fresco: Weather permitting, hard-rocking quartet Crave will take to the outdoor stage for a sunset show of covers from the heavy side of the songbook, from Volbeat’s “Hangman’s Body Count” to Breaking Benjamin, Seether, Stone Sour and Devour the Day, dressed in biker regalia with a banner of skulls behind them. Saturday, May 1, 6 p.m., The Bar Food & Spirits, 2B Burnham Road, Hudson, 943-5250.

• Blues day: A transplant from Nashville to New England, Ms. Vee is a blues, jazz, soul and occasional rock singer who has a lot of fun with the culture shock she’s experienced since moving here; her show offers both music and comedy. For her first post-pandemic appearance, the vocalist — real name Valyria Lewis — is joined by Lady Ro, part of a weekly series at the homey eatery. Reservations are recommended. Tuesday, May 4, 7:30 p.m., Madear’s Southern Eatery & Bakery, 141 Main St., Pembroke. See facebook.com/MsVeeSings.

• Lakeside sound: The first weekend in May provides a good excuse to hear No Limitz draw from the classic catalog of the ’50s, ’60s and ’70s while playing on a stage perched on the edge of Lake Winnipesaukee, hosted by a restaurant that offers free tie-ups to all who arrive by boat and an unrivaled ice cream selection; there’s also a nice tiki bar for outdoor imbibing, proving that channeling Jimmy Buffett can be done even while inland. Sunday, May 2, 5 p.m., Town Docks, 289 Daniel Webster Hwy., Meredith, 279-3445.

At the Sofaplex 21/04/29

Stowaway (TV-MA)

Anna Kendrick, Daniel Dae Kim.

The four-person cast is rounded out by Toni Collette and Shamier Anderson in this movie about three astronauts headed to Mars. Zoe (Kendrick) is a doctor, David (Kim) is a scientist studying plant life and Marina (Collette) is the mission’s commander. Twelve hours into the flight, they find the unconscious Michael (Anderson), an engineer whose last-minute check on equipment led him to be accidentally stuck on the spacecraft before liftoff. There is no turning back on this two-year mission, which means that Michael is now part of the crew.

I found myself waiting for this movie to reveal what it is really about — space vampires! space caper! — but it ultimately is about exactly what it appears to be about, in which case it presents some plot problems that make the whole endeavor feel a little shaky. Which is too bad because the basic idea of this movie (a small number of people stuck in space, some science-y stuff that allows you to keep the low-gravity-related special effects to a minimum) is a nice way to do low-budget space stories. There are decent performances all around but nobody really gets the chance to build a fully realized character. C+ Available on Netflix

The World To Come (R)

Vanessa Kirby, Katherine Waterston.

Two women in 1850s rural New York, stuck in complicated marriages, find friendship and romance in each other in this bleakly pretty love story.

Abigail (Waterston) and her husband Dyer (Casey Affleck) joylessly churn through their days, still deep in grief from the death of their young daughter. Abigail keeps a record of the farm, which in her narration becomes a kind of poetry about their inner turmoil and increasingly distant relationship. Then she meets Tallie (Kirby), who moves to a nearby farm with her husband, Finney (Christopher Abbott), who seems disturbed and occasionally sadistic. The women seem instantly drawn to each other and fall beautifully in love even though they have little means by which to arrange their lives around this relationship that clearly makes both of them so happy.

Excellent performances and beautiful cinematography help make this story, which you know going in isn’t going to end with, like, a run through the airport and a wedding proposal, lovely and swoony despite the constant air of impending doom. B+ Available for rent

The winner is ‘Husavik’

The excellent, Oscar-nominated song from Will Ferrell’s goofy but fun Eurovision Song Contest: The Story of Fire Saga didn’t actually win the original song Oscar (that went to “Fight for You” from Judas and the Black Messiah) but the performance of the song in Husavik, Iceland, with Molly Sandén and sweater-wearing children singing in Icelandic was probably the standout element of last weekend’s Oscar ceremonies for me and definitely the clip I’m going to rewatch the most.

That performance was aired during the official Oscar pre-show, which was optimistic and energetic and full of people who seemed delighted to be out in the world wearing nice clothes and talking to other humans. This vibe did not seem to carry through most of the ceremony itself, which often felt oddly lifeless despite having that much-hyped in-person gathering of people. While the ceremony featured some talk of movies past (Steven Yeun’s story about watching Terminator 2 was genuinely sweet), I was surprised by how little energy went into being excited about movies now, either for the nominated films (clips mixed in with discussion of craft would have been welcome) or upcoming films (I was happy to see trailers for West Side Story, Summer of Soul and, of course, In the Heights, which I have been hyped for since mid-2019). I had expected more in the vein of Frances McDormand’s passionate plea to someday see these Oscar nominees in a theater.

A little more than half my predictions turned out to be correct this year (did anybody anywhere predict Anthony Hopkins for The Father?). Among the winners I hadn’t expected, I was happy to see Emerald Fennell’s Oscar for original screenplay (Promising Young Woman, available on VOD) and New Hampshire-connected Sound of Metal’s Oscars for film editing in addition to sound (see it on Amazon Prime Video).

The full list of nominees makes for a good line-up the next time you’re looking for something to watch. I’d recommend starting with Minari (available to rent), best picture winner Nomadland (on Hulu and available to purchase) and Sound of Metal — and, of course, either the movie (on Netflix) or the Oscar clip of “Husavik.” — Amy Diaz

Featured photo: eurovision

Mortal Kombat (R)

Mortal Kombat (R)

A rag-tag group of would-be champions must come together to protect Earth in Mortal Kombat, a movie based on the video game franchise.

My Mortal Kombat experience is limited to occasional exposure to whatever version was floating around for home consoles and in arcades in the early to mid 1990s, but I think I was still able to roughly get the gist: There’s our world (Earthrealm) and a more magic-y place (Outworld), and Outworld is poised to conquer Earthrealm if it wins the next Mortal Kombat tournament. Earthrealm is protected by superpowers-having wise-elder-type Raiden (Tadanobu Asano); Outworld is ruled by Shang Tsung (Chin Han). Shang Tsung has a bunch of experienced fighters who are well-schooled in all the Mortal Kombat lore; Earth’s champions are all at varying degrees of knowing-about/believing-in this stuff and have an identifying dragon mark.

Which is where regular-seeming human Cole Young (Lewis Tan) comes in. He has the dragon mark but just thinks of it as a birthmark. Luckily, while he may not start out as an Earth-protecting champion with superpowers, he is an MMA fighter, so he isn’t completely defenseless when bad-guy warrior Sub Zero (Joe Taslim) appears to “finish him” as part of Shang Tsung’s plan to kill all of Earth’s champions before the tournament.

Eventually we get the Earth-gang together: Cole, Jax (Mehcad Brooks), Sonya Blade (Jessica McNamee), Liu Kang (Ludi Lin), Kung Lao (Max Huang) and, because this kind of movie always needs quips and lugheaded aggression, Kano (Josh Lawson). There’s fighting, there’s superpower-acquiring, there are some rules to the whole realm balance-of-power situation that I never really understood, and there is a centuries-old hatred between Sub Zero, who used to be called Bi-Han, and Hanzo Hasashi (Hiroyuki Sanada), who is an ancestor of Cole’s.

Hanzo Hasashi’s story is one of many details (like the whole Mortal Kombat tournament itself) that feel like half-baked bits of lore included here to do some of the world-building that you need if your movie is the first in a franchise, which is what it feels like this movie is supposed to be. I feel like slicing the movie down to its core elements — Earth warriors learning to fight Outworld warriors — would have made for a more enjoyable lightweight fantasy-tinged martial arts-based action movie. (Lightweight but gory; this movie is very 1990s-video-game in its gore.)

I am not the audience for Mortal Kombat but I did basically want to like it, the way I want to like any movie that looks like it could offer fun action silliness. While it had its moments, it just doesn’t live up to even that standard of Godzilla vs. Kong-esque popcorn entertainment. C

Rated R for strong bloody violence and language throughout, and some crude references, according to the MPA on filmratings.com. Directed by Simon McQuoid with a screenplay by Greg Russo and Dave Callaham, Mortal Kombat is an hour and 50 minutes long and distributed by New Line Cinema. It is available on HBO Max through May 23 and in theaters.

Featured photo: Mortal Kombat

Effortless by Greg Mckeown

Effortless, by Greg McKeown (Currency, 256 pages)

In some ways, Boxer the horse is a symbol for the American worker. One of the most memorable characters in George Orwell’s Animal Farm, Boxer was the loyal draft horse whose response to any setback was “I will work harder.” In a country steeped in the Puritan work ethic, where the typical two weeks of vacation pales in comparison with Europe’s generous holidays, it’s hard to not admire Boxer’s attitude, even knowing how it turns out for him.

Hard work is good, right? It demonstrates commitment, perseverance, toughness.

Wrong, says Greg McKeown in Effortless, the followup to his Essentialism, published in 2014. Emulating Boxer gets you sent to the slaughterhouse, essentially. The better way to work is to find a way to do it more easily, not in the Tim Ferriss pie-in-the-sky model of working four hours a week (as if) but changing the long-running soundtrack that informs the belief that the harder we work, the luckier we get.

McKeown believes that this mindset creates a fog that obscures a truth: that in those moments that we actually feel inspired, when the work seems to flow, as if poured from heaven, what we are doing is not hard, but feels effortless. This is the essence of what Mihaly Csikszentmihalyi wrote about in Flow in 1991 — and who hasn’t heard the platitude “work smarter, not harder”? But McKeown’s take on the subject feels fresh and relevant. And interestingly, he begins by admitting to a failure of his previous book.

In Essentialism, McKeown argues that we suffer from the misuse of the word “priority,” which used to mean the singular thing that matters but has been pulled and stretched into “priorities,” which shouldn’t exist. Running around tending to priorities, as if they were errant chickens, means that the essential stuff of life doesn’t get done. To be effective, he said, we must ruthlessly cull “the trivial many from the vital few” and, intentionally and guiltlessly, build a life around them.

But as McKeown built a career as the leader of Essentialism, he realized, from what other people told him and what he saw in his own family life, that some people can peel away all the unessentials and still have too much to do. In short, for most of us, there are multiple priorities, multiple essentials. Struggling with that, he realized that people in this situation can either let priorities slide or find a way to make everything easier and take less time. He recommends the latter. And in keeping with the Effortless theme, they’re not hard to do.

McKeown believes that the transition from Boxer to Secretariat (the analogy is mine — Secretariat made everything look easy) begins with understanding the tired old template of platitudes like “It won’t be easy but it’s worth it” and replacing it with a new mantra: How can I make this task easy and sometimes even fun?

Sometimes, answers appear when we just take the time to think about the question. But McKeown has devised a series of exercises to help people make progress on their essential goals with relative ease. For example, he says that one thing that slows people down is that they don’t take time to think about what it looks like when a project, goal or idea is actually done; instead, they spend all their time thinking about the beginning and only vaguely seeing a nebulous end. Define what “done” means at the start and the steps leading there will be easier, he says. Another idea is to set goals that are malleable — low-end daily targets that represent the minimum amount of action you can take and still feel that there is momentum, high-end targets that are more ambitious but limited enough to protect you from burnout. Part of the “effortless” mindset, McKeown writes, is protective. Hard workers can sabotage themselves into paralysis by overthinking or working to exhaustion, thus needing extra time to recover and losing momentum. The effortless way is not so we can lie in hammocks in Thailand with Tim Ferriss, but so we can do our best work.

If this all sounds a bit like “work smarter, not harder,” well, it is. But McKeown is an engaging writer who peppers his own experience with research and anecdotes of achievement, from how Elon Musk got into rocket science to why Reed Hastings started Netflix. He gets extra points for never using anonymous people with only first names, like so many authors of business and self-help books do when telling anecdotes, leaving the reader to wonder if the people really exist at all. If there’s anything to criticize, it’s that the writing of this book seems a bit too effortless; at 217 pages of new material, it feels short, and including an excerpt from Essentialism at the end feels like padding. Was that really essential? B

BOOK NOTES
A few months ago, The New York Times reported that an editor at Hachette Book Group, one of the “big five” in publishing, had been fired. The editor, Kate Hartson, headed up Center Street, the conservative imprint within Hachette, and she said she’d been fired over politics. Apparently, she was open to books from Trump supporters and associates, and according to the Times, the big five are resistant to MAGA authors and themes.

This could explain why conservative media companies, sensing a profit to be made, have quietly started publishing books. Both Fox News and Newsmax have started publishing arms, respectively Fox News Books and Humanix.

You’ve probably never heard of Humanix, and most of its titles look pretty obscure and/or peculiar, but Fox, which launched its imprint in November, has already a splash. Its first book, Modern Warriors: Real Stories from Real Heroes by Pete Hegseth, made the bestseller lists at the end of last year.

The second book, The Women of the Bible Speak, by Shannon Bream, has been No. 1 on the Times bestseller list under “advice, how-to and miscellaneous” for three weeks.

But the real surprise in conservative publishing has to be how well former Speaker of the House John Boehner’s book is performing. In On the House, A Washington Memoir (St. Martin’s, 288 pages) Boehner promises a story of how a “regular guy” went from working in a bar to “holding a pretty big job,” and says that Congress didn’t change him: “I walked out of the Capitol the same jackass I was when I walked in 25 years earlier.” In early reviews, it looks like a slash-and-burn, which may be why it’s doing so well.

Released April 13, Boehner’s memoir was No. 1 in nonfiction last week but now has competition.

Susan Page’s Madam Speaker: Nancy Pelosi and the Lessons of Power (Twelve, 448 pages) seems like a conflict of interest for the author, given that she is the Washington bureau chief for USA Today, but it’s getting good reviews.

Interestingly, the Washington Post review notes that Pelosi felt slighted because Time magazine never put her on the cover during her first term as speaker but put Boehner on the cover shortly after the 2010 midterms. Booting him off the bestseller list would probably help resolve some of that sting.

Books

Author events

• SUZANNE KOVEN Author presents Letter to a Young Female Physician, in conversation with author Andrew Solomon. Hosted by The Music Hall in Portsmouth. Tues., May 18, 7 p.m. Virtual. Tickets cost $5. Visit themusichall.org or call 436-2400.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

Poetry

• JENNIFER MILITELLO Poet presents her newest volume of verse, The Pact. Hosted by Gibson’s Bookstore in Concord. Virtual, via Zoom. Thurs., April 29, 7 p.m. Registration required. Visit gibsonsbookstore.com or call 224-0562.

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Featured photo: Effortless

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