What’s your food story?

Project looks at relationships to what we eat

By John Fladd

[email protected]

Shanta Lee knows that you have a fascinating story about food, and she wants to hear it.

“We all are connected as humans to food,” she said. “Whether or not we want to walk across that bridge, whether or not it’s something either warm and cozy for us, or painful and uncomfortable, we all have a connection and a relationship to food.”

Lee is an artist, oral historian, photographer and poet. Her current project is called Food Stories: We Are What We Eat. She is gathering stories from people from different backgrounds that tell something specific about their relationships with food.

“It’s a discussion between food, memory, identity and our stories,” she said. “And the main goal is to get people thinking about ‘How do these things intersect?’ It’s all the different ranges and ways that we are connected to food — not just personal stories either, but also individuals who work in food industries, people who work with food sustainability, people who work with food insecurity, ordinary people who recall why they really can’t stand a certain kind of food.”

Ultimately, Lee said, these stories will culminate in an exhibition.

“Those stories, those vignettes, those visuals, those are all going to be within an exhibition that’s happening at some point in the fall this year in Manchester,” she said. “I’m still looking for a place. At some point soon, I’ll be putting out a call to artists, and inviting them to contribute to this exhibition as well, if they have their own pieces that they want to be a part of this exhibition about food.”

One of the parts of Lee’s project that excites her is a book that will tie in with the exhibition.

“When the exhibition takes place,” she said, “There will be a booklet, what you might traditionally call an exhibition catalog, and some of the stories will be in there. There might be some of the questions that I use to help prompt the writers who contributed the stories, so that maybe people can continue talking about the food stories, and still engage with the project.”

Some of the early stories she has received have been engrossing, Lee said.

“There is a story I just got from a person named Taffi: ‘One afternoon I was washing chicken feet and cleaning gizzards before putting them in the freezer. Each pair of chicken feet seemed to be speaking to me. I loved the unusual textures and colors of both chicken feet and the skins of gizzards, so I ran for my camera. I took pictures of various arrangements. For years, I’ve been concerned about the food I eat. I grow and put up most of what I eat. I buy my meat from farmers I know.’”

“So, Lee observed, “it’s talking about this deep relation to food and also the relationship to this specific kind of food.”

Another story came from a novice cook who was deeply determined to bake lasagna but got distracted by a video game and burned it to cinders.

“It was a funny story,” Lee said, “because we’ve all been there. We try so hard, we toil on it, on the dish, and then it burns. Again, whether it’s a bridge that brings together or a bridge that involves some kind of reaction to [a shared experience], there’s always a story with it and you don’t need much when it comes to involving or including food.”

Lee will collect stories for the next three or four months.

“I’m going to wrap up collecting stories by early June,” she said, “so I can prepare for the exhibition in the fall. People will be able to submit their stories to me through my website, ShantaLee.com, but I also have a Facebook page called Food Stories. People can DM me there, if they want. Ballot boxes will be showing up in different places in Manchester, so if people are so inclined to put pen to paper, they could do that.”

Ultimately, Lee said, this project is about the way food brings people together. “There’s a whole range of what attracts us to or detracts us from food,” she said, “but it’s also a social and cultural lubricant. There’s a reason we have the phrase, ‘breaking bread together.’”

Food Stories
To find out more about the Food Stories project and Shanta Lee’s partners in the project, visit shantalee.com/foodstories, her “Food Stories” Facebook page, or instagram.com/mz.shanta_lee.

Featured photo: Shanta Lee. Courtesy photo.

Meatballs and music

Elm Street eatery offers Swedish, red sauce, ‘Thanksgiving’ and other variations

By John Fladd

[email protected]

Even after 28 years in the business Kevin Cornish finds himself relearning a basic lesson of restaurant ownership: it doesn’t matter how delicious a dish is if none of your customers order it.

“We had a vegetarian meatball,” he said. “After cooking them seven days in a row without one person ordering them, we had to get rid of it.”

Rock ‘n Roll Meatballs, on Manchester’s Elm Street, is Cornish’s new restaurant, themed around — perhaps not surprisingly — 1980s rock music and meatballs. After three decades of running his successful barbecue restaurant, KC’s Rib Shack, Cornish has decided to open a second place to indulge one of his other great passions, live music.

“I love live music,” Cornish said. ”It’s probably my biggest hobby. This place [the restaurant’s location] has been opened twice with different people running it and pretty much closed twice. Manchester hasn’t always supported live music all that much. Especially in something this size, you need a scene to create a scene. There’s got to be little, ragged rock clubs for big rock clubs to succeed. My band used to play at Mad Bob’s and if we brought 25 people it was great. It was a little hole in the wall and a little bar, but in New Hampshire you can’t have a bar — you have to have a restaurant.”

Cornish had seen a few meatball-specific restaurants on the West Coast and liked the idea. He and three partners decided to adopt that formula for their menu. Despite his number of years as a restaurant owner, though, Cornish found that developing recipes for the new place required a long process of trial and error.

“When it came to the meatballs,” he said, “for one day or several days, we’d just work on beef meatballs, or beef and pork meatballs, or chicken meatballs. For months leading up to this, my wife was so sick of eating chicken meatballs — she was like, ‘What do we have for dinner tonight?’ Meatballs, you know?”

Ultimately, developing the recipe turned out to be a group project.

“We would come in and we lined this whole bar up with all the ingredients we would need. Each of us would take a table, and a bowl, and work up a recipe. It was nice to get in here and cook seven different types of meatballs in an afternoon, and being able to try them right next to each other. By coming in here and having everybody make a different one … we were able to zero in on, ‘Wow, we really like the flavor of this, but maybe, but we like the mouth-feel of this one, maybe that’s because this one was made with bread as opposed to this one made with panko breadcrumbs,’ and things like that. So we were able to kind of tweak and zero in on it and that’s what we did.”

Even after the kinks in a recipe have been ironed out, there’s still no guarantee that it will work on the restaurant’s menu. Which brings us back to the vegetarian meatball.

Rock ‘n Roll Meatballs’ menu is centered around five core meatballs: a standard red-sauce one, a Swedish meatball in a creamy sauce, a brisket-macaroni and cheese one, a “Thanksgiving” meatball made with ground turkey and stuffing, and a chicken Parmesan one.

One of the biggest surprises, though, was an appetizer that sold well from opening day onward. “The escargot is great,” Cornish said, a bit perplexed. *It’s a very simple dish, and it’s selling great.”

Rock n Roll Meatballs
179 Elm St., Manchester, 931-3654, rocknrollmeatballs.com
Open seven days a week: Monday through Thursday 4:30 to 9 p.m., Saturday noon to 10 p.m., and Sunday noon to 9 p.m. There will be live music twice monthly. Visit facebook.com/RnRMeatballs for notice of upcoming events.

Featured photo: Swedish Meatballs. Courtesy photo.

Treasure Hunt 25/02/13

Hello, Donna,

Have enjoyed your column for years in the Hippo. The photos will show a carving of some type that my grandfather bought back from France during WWI in 1919. It appears to be ivory or marble. It’s approximately 5 inches in diameter. The frame is a dark hardwood with a curved glass top. Any idea on rarity or value?

Thanks.

Gene

Dear Gene,

Thank you for reading the Hippo and my column.

What you have is a Victorian era (last part of the 1800s) carved meerschaum in a convex glass frame. Meerschaum is a form of clay that was used for lots of smoking pipe carvings.

Your carving is of a religious subject and most ones I found to compare it to ran in the $200 range. I found some in a higher range but on average the ones marketing were in that range. Some of the meerschaum carvings that had other subjects and details also brought more. Value depends on the condition of the inside carving, glass and frame.

Thank you for sharing and I hope this helped.

The Weekly Dish 25/02/13

News from the local food scene

Chocolate and raspberries: The martini-and-cupcake pairing at Copper Door (15 Leavy Drive, Bedford, 488-2677, or 41 S. Broadway, Salem, 458-2033, copperdoor.com) for February is a Chocolate Raspberry Martini, made with double chocolate vodka, dark creme de cacao, raspberry liqueur, cream, raspberry puree, and chocolate syrup, garnished with a glittered raspberry, for $14.75, and a Red Velvet Cupcake, with red velvet cake, a raspberry preserve filling, and cream cheese frosting, garnished with a white chocolate cup and glittered berries for $11.

Investing in kettle corn: Ken and Meredith Thomas, the owners of Ken’s Corn (68 Chester Road, Derry, 208-661-0282, kenscorn.com), have announced an unusual investment strategy to expand their kettle corn business. Using Honeycomb Credit (honeycombcredit.com) the Thomases are asking individuals to lend them expansion money, to be paid back with interest, rather than working through a traditional bank. Contact Ken’s Corn at [email protected].

Extremely good ports in the storm: WineNot Boutique (25 Main St., Nashua, 204-5569, winenotboutique.com) will host a Grand Port Tasting Thursday, Feb. 13, from 6 to 8 p.m. Explore seven distinct styles of Portuguese ports, from youthful ruby to aged tawny, in an evening of rich flavors. Tickets are $50, through eventbrite.com.

Bottle your own wine: Join the winemakers at Averill House Vineyard (21 Averill Road, Brookline, 244-3165, averillhousevineyard.com) Sunday, Feb.16, for a special Valentine’s Sunday Bottle Your Own experience, which includes a two-hour tasting, tour and bottle-your-own event. One bottle of wine is included, and additional bottles may be filled and purchased. Note: The wine being bottled is pre-selected by the vintner based on the weekly bottling schedule. Included will be a charcuterie board with chocolate, cheese, nuts and meats. Tickets are $69 per person, through exploretock.com.

Kiddie Pool 25/02/13

Family fun for whenever

New stuff

• Check out two new exhibits at the Children’s Museum of New Hampshire (6 Washington St. in Dover; childrens-museum.org) that will be unveiled to the public on Saturday, Feb. 15, during the morning (9 a.m. to noon) and afternoon (1 to 4 p.m.) sessions. “Little Farmers,” an exhibit designed for children ages 0 to 5, features farm-themed activities “curated specifically for this age,” according to the museum website. “Play Loft” is an open space for active play, such as games like Floor Is Lava, according to the website. Also on Saturday, Lindsey and her Puppet Pals will perform at 11 a.m. and 1:30 p.m. Admission costs $14.50 for everyone over 12 months old, $12.50 for 65+.

Winterfest

• Squam Lakes Association, 534 Route 3 in Holderness, will hold its Winterfest on Saturday, Feb. 15, from noon to 3 p.m. The free event will include ice skating, sledding, mini golf, scavenger hunts and more, according to a press release (BYO skates and sleds). See squamlakes.org.

Kids on stage

• Londonderry High School will presentFootloose! The Musical at the Derry Opera House (29 West Broadway in Derry) on Thursday, Feb. 13, and Friday, Feb. 14, at 7 p.m. and Saturday, Feb. 15, at 1 and 7 p.m. TIckets cost $15 for adults; $10 for seniors and students. See derryoperahouse.org.

• Franklin Middle School will present Shrek Jr. at the Franklin Opera House (316 Central St. in Franklin; franklinoperahouse.org) on Friday, Feb. 14, at 7 p.m.; Saturday, Feb. 15, at 2 & 7 p.m., and Sunday, Feb. 16, at 2 p.m. Tickets cost $10 for adults and seniors, $8 for students and children.

• Palace Youth Theatre will present Big Fish, the small cast edition performed by student actors in grades 2 through 12, at the Rex Theatre (23 Amherst St. in Manchester; palacetheatre.org) on Wednesday, Feb. 19, and Thursday, Feb. 20, at 7 p.m. Tickets cost $19 for adults, $16 for ages 6 to 12.

For kids on stage

Look Both Ways: A Tale Presented in 10 Blocks, part of the Cap Center’s educational series, will be on stage in the Chubb Theatre of the Capitol Center for the Arts (44 S. Main St. in Concord; ccanh.com) on Tuesday, Feb. 18, at 10:30 a.m. Doors open at 9:30 a.m. The show is 63 minutes with no intermission and is suggested for kids in grades 5 and up and families, according to the website. “10 blocks. 10 unique tales. There’s something for everyone across these 10 vignettes about identity, compassion, fear, and friendship — as told through puppetry, dance, music, projections, audience participation, kamishibai (paper theater), and more,” according to the website’s description. Tickets cost $8.

For kids on screen

Chunky’s Cinema Pub (707 Huse Road in Manchester; chunkys.com) has two special kid-friendly screenings on the horizon. On Tuesday, Feb. 18, at 11:30 a.m., catch How to Train Your Dragon (PG, 2010) as part of the Little Lunch Date Series.

On Wednesday, Feb. 19, at 11:30 a.m. Dog Man (PG, 2025) will screen on Wednesday, Feb. 19, at 11:30 a.m. at a sensory-friendly screening with lights up and sound down.

Save the date

Dartmouth Health Children’s Battle of the Badges, a hockey game featuring firefighters, police officers and first responders, will take place Sunday, March 16, at 1 p.m. at the SNHU Arena (555 Elm St. in Manchester; snhuarena.com). Presented by the Elliot Perry Foundation, the Battle of the Badges “proceeds are used to help kids with critical services such as support when they are in pediatric intensive care and management of chronic illnesses, as well as patient and family support services,” according to Dartmouth Health Children’s website, childrens.dartmouth-health.org, where you can find Battle of the Badges information under events. Tickets cost $16. Find more about the Elliot Perry Foundation at elliotperry.org.

The gods must be funny

Lend Me A Tenor playwright’s latest hits Concord

The old adage “Be careful what you wish for” guides The Gods of Comedy, the latest production from Community Players of Concord. The 2019 Ken Ludwig play makes its New Hampshire debut on Feb. 14 at Concord City Auditorium. It looks at what happens when a pair of deities are beseeched from the heavens and actually arrive.

The story begins when two professors, Ralph and Daphne, find a rare manuscript while on a holiday in Greece, only to see it inadvertently destroyed when they return to their Ivy League university. This prompts a cry for on-high assistance that miraculously produces Dionysus, the god of misrule and partying, and Thalia, who’s the muse of comedy.

It’s classics weekend at the college, so the gods are sidetracked by costumed students and campus partying, while the frazzled professors try to solve the problem of the lost work, a Euripides play. Meanwhile, additional gods of varying demeanor manage to make things more complicated.

“It’s part fantasy and classic literature — there’s a lot of Shakespeare references, which I really appreciate,” Elizabeth Lent, the play’s director, said by phone recently. “There are ancient Greek references as well, but also a lot of silliness, as they get into a lot of interesting antics and situations.”

This is the Players’ fifth play by Ludwig, well-known for his 1986 Tony winner, Lend Me a Tenor. Lent has directed two of them, 2004’s Shakespeare In Hollywood and Ludwig’s 2017 revival of Murder on the Orient Express. She’s pleased to present a relatively fresh work with up to date elements.

“I really do like the fact that it’s contemporary,” Lent, who’s been with Concord Community Players since the early 1980s, said. “I’ve been directing for a very long time and have directed lots of old stuff. I was really interested in trying something new, and Ludwig appeals to me.”

The cast includes Emily Thompson playing Daphne, John Julian, Alex Hutton, Kal Hachi and Suzanne Watts as Dionysus and Thalia, along with Heather Carmichael, Dana Sackos, Griffin Stuart, Seth Bunke and, making her Players debut, Jeri Lynn Owen. Set designer is Craig Walker, costumes are by Suzanne Potoma and Gay Bean, and lighting by Steven Meier.

Lent had the play cast the night auditions were finished.

“The chemistry is so good with these folks,” she said. “They’re all very talented and dedicated. Everyone comes to every rehearsal, even the tiniest little roles. They all like each other, which is really kind of wonderful, and they’re having such a good time. It’s so joyful to watch them work.”

Among the hijinks occurring is one of the gods inhabiting two of the other characters.

“They get possessed, and these two actresses that are making the transformation are hilariously funny doing it,” Lent said. More importantly, everything ends on a happy note. “For me, it’s exciting to watch these folks just having such a blast with it.”

Lots of laughs, a cast enjoying themselves and an upbeat finale is just what’s needed at this particular moment in time, and The Gods of Comedy is poised to provide all that.

“When the gods come down, they’re given a mission; this woman, Daphne Ring, needs an adventure and a happy ending, and they deliver,” Lent said, who described the play as “a clever mashup of the best kinds of knockabout comedy across the ages” in a press release. “We’d love to see everybody in the audience. Because it’s so new, it’s very exciting for us to be performing it.”

The Gods of Comedy
When: Friday, Feb. 14, and Saturday, Feb 15, 7:30 p.m.; Sunday, Feb. 16, 2 p.m.
Where: Concord City Auditorium, 2 Prince St., Concord
Tickets: $20 ($18 under 18 and 65+) at communityplayersofconcord.org

Featured photo: L to R – Kal Hachi, Emily Thompson and Suzanne Watts. Photo by Michael Von Redlich.

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