Author: Meghan Siegler

11 features, 5 shorts

NH Jewish Film Fest offers in-theater & virtual screenings

This year’s New Hampshire Jewish Film Festival is combining the benefits of virtual screenings — reaching more people in more places, for example — and hosting in-person screenings too, to bring back that festival vibe that’s been missing for the past two years.

“It’s been a journey, that is for sure,” festival co-chair Pat Kalik said of holding the event during the pandemic. “We did get some benefits from going virtual, but we missed, of course, the community feeling of seeing a movie in the theater and then having the discussion after.”

This year’s festival, which runs March 31 to April 10, will feature five in-theater screenings, two of which will have post-screening discussions. Virtual attendees will have a 48-hour window to watch each movie any time during the festival, and there will be virtual screenings of four of the in-theater films as well after the festival ends.

The festival features independent and foreign films from 12 countries. Kalik said they start screening films in July and view about 50 before picking their final lineup. She said they try to pick different kinds of films, from dramas to documentaries, to appeal to all tastes.

“Our goal is to bring these films to the community, films that would not come to the independent theaters in New Hampshire,” Kalik said. “Some of the films are subtitled — some people won’t go to subtitled films, but we try to get a mix. … My hope is that everyone will give these types of films a try.”

One of her favorites is the documentary that’s going to open the festival at Rex Theatre.

“I thought The Automat was a fascinating film, and that’s going to be our opening night at the Rex in Manchester,” Kalik said. “[At Automat restaurants] you would put money into a wall of windows, and behind each window was the food you wanted to buy. This is a film about the history of the Automat.”

The closing film is Cabaret at Red River Theatres in Concord. Typically the festival features newer films; in this case, it’s celebrating Cabaret’s 50th anniversary. The screening will be followed by a discussion with film buff Zachary Camenker of Concord.

“The film kind of broke the glass ceiling 50 years ago in ways that people weren’t expecting,” Camenker said.

Cabaret, which is about Berlin nightlife during the Nazi rise to power, won eight Academy Awards. Camenker said it’s the winningest film that did not win best picture in Oscar history; it lost that award to The Godfather.

Still, “It’s one of those musicals that has stood the test of time,” he said. “It’s a good reminder of where things were a century ago as opposed to where they are now.”

Another film that looks back at a difficult time in history is “Upheaval: The Journey of Menachem Begin.” The documentary explores the life of the Israeli prime minister.

Director Jonathan Gruber of Black Eye Productions in New York said he didn’t know much about Begin before he started working on this project.

“I didn’t realize how instrumental he was in Israel’s becoming a state,” Gruber said. “I was just impressed with him as a leader. He never enriched himself through his position.”

Begin was a controversial leader, though, which Gruber saw firsthand in his interviews. He said he heard some criticism that the film is slanted favorably toward Begin, while others have thought the opposite.

“Begin does not get a free pass in the film,” Gruber said. “We annoy everybody.”

Gruber, who was born in Israel, was able to get all of his interviews done in person overseas just before the pandemic started. He used a third-camera angle for some of the film.

“The content is so powerful but I also visually wanted to make it arresting,” he said.

Gruber will discuss the documentary via Zoom on Tuesday, April 5, at 7 p.m.

With the exception of Cabaret, Zoom will be used for all film discussions.

“I think we’ve learned a lot because of [the pandemic], and we’re going to take advantage of it in the future, but it’s not going to replace the traditional film festival where you can go to the theater and bond and eat and drink,” Kalik said.

New Hampshire Jewish Film Festival
When: March 31 through April 10
Where: Various locations in the state and online
Cost: $12 per in-theater ticket or per virtual household ticket
More info: For festival pass information, movie trailers and more, visit nhjewishfilmfestival.com.

Here are the films according to festival descriptions.

In-theater screenings

The Automat

Thursday, March 31, 7 p.m. at The Rex, Manchester

Documentary, 2021, U.S., English. Before fast food, one American restaurant empire was unstoppable. Experience the untold story of the Automat with this documentary film starring Mel Brooks about the popular 1950s restaurant chain that served its meals in vending machines.

Following the screening, director Lisa Hurwitz will discuss her film via Zoom, and Automat collector Steve Stollman will join the conversation.

Fiddler’s Journey to the Big Screen

Sunday, April 3, 1 p.m. at 3S Art Space (Portsmouth), The Rex (Manchester) and Showroom (Keene)

Documentary, 2022, U.S., English. Narrated by Jeff Goldblum, Fiddler’s Journey to the Big Screen captures the humor and drama of film director Norman Jewison’s quest to recreate the lost world of Jewish life in tsarist Russia and re-envision the beloved stage hit as a wide-screen epic.

The Un-Word

Thursday, April 7, 7 p.m., Red River Theatres, Concord

Narrative, 2020, Germany, German with English subtitles. In this German satire, tempers flare after a Jewish student is goaded by Muslim classmates into a schoolyard brawl, injuring an Iranian and a Palestinian student. A hopelessly naive teacher arranges a summit with the fuming parents and spineless principal. But her do-gooder attempts at peacemaking, complete with Palestinian and Israeli flags decorating the snacks, expose her own misguided beliefs.

Tiger Within

Sunday, April 10, 1 p.m., Red River Theatres, Concord

Drama, 2020, USA, English. Multiple Academy-Award-winner Ed Asner, in one of his last performances, stars in this tender story of the unlikely friendship between Samuel, a Holocaust survivor, and Casey, a skinhead teen runaway. Despite their respective traumas and initial mistrust of one another, they form a powerful bond that yields a sense of family and mutual support.

Cabaret

Celebrating Cabaret’s 50th Anniversary!

Sunday, April 10, 3:30 p.m., Red River Theatres, Concord

Musical/Romance, 1972, U.S., English

Starring Liza Minelli, the musical about Berlin nightlife during the Nazi rise to power won eight Academy Awards.

Following the screening, New Hampshire educator and film enthusiast Zachary Camenker will lead a discussion about the history and impact of the film a half century later. (This screening is in-person only and does not have a virtual option.)

Virtual-only screenings

200 Meters

Drama, 2020, Palestine, Jordan, Qatar, Italy, Sweden (Arabic, Hebrew, English with subtitles). Mustafa and his wife live 200 meters apart in villages separated by the Israeli border wall. One day he gets a call every parent dreads: His son has been injured in an accident. Rushing to cross the Israeli checkpoint, Mustafa is denied on a technicality. But a father’s love won’t give up, and he will do anything to reach his son.

Apples and Oranges

Documentary, 2021, Israel (Hebrew, English with subtitles). A wave of foreign volunteers came to Israel in the 1960s through 1980s to work on a kibbutz, a communal village centered around agriculture. During the ’80s, the war in Lebanon and the Israeli-Palestinian conflict forced volunteers to decide whether supporting the kibbutz meant supporting the state of Israel.

On Monday, April 4, at 7 p.m., Director Yoav Brill will discuss his film and reflect on the changing nature of the volunteers as Israel’s geopolitical situation evolved.

Greener Pastures

Drama, 2020, Israel (Hebrew, English with subtitles). Dov, a widower, is forced by his family to move to a nursing home. He’s broke since he lost his pension, and he blames the state. When Dov notices that all his fellow residents smoke legal medical cannabis, he realizes that weed can be his salvation — selling it, not smoking it.

Neighbors

Drama, 2021, Switzerland, France (Kurdish with English subtitles). In a little village on the Syrian-Turkish border in the early ’80s, a 6-year-old Kurdish boy experiences his first year in an Arab school and sees how his little world is radically changed by absurd nationalism.

Persian Lessons

Narrative Feature, 2020, Russia, Germany, Belarus (German, French, Italian, English and Persian with English subtitles). Occupied France, 1942. Gilles is arrested by Nazi SS soldiers alongside other Jews and sent to a camp in Germany. He avoids execution by swearing to the guards that he is not Jewish, but Persian. This lie temporarily saves him, but Gilles gets assigned a life-or-death mission: to teach the Farsi language to Koch, the head of camp, who dreams of opening a restaurant in Iran once the war is over.

Upheaval: The Journey of Menachem Begin

Documentary, 2020, USA (English) Prime Minister Menachem Begin was a tireless fighter for the Jewish people. He was, at the same time, a controversial leader.

On Tuesday, April 5, at 7 p.m. Director Jonathan Gruber will discuss his documentary on the life of Menachem Begin.

Short films (virtual only)

Beefies

Comedy Short, 2021, U.S. (10 minutes, English). Josh wants to find his late mother’s “beefies” recipe for Passover but must reconnect with his estranged brother to do so.

Ganef

Short, 2020, U.K. (14 minutes, English with Yiddish phrases), London, 1962. 6-year-old Ruthie discovers Lynn, the cleaner, is a thief.

Masel Tov Cocktail

Short, 2020, Germany (30 minutes, German, Russian with English subtitles). A Russian-Jewish teen in Germany offers a comic take on modern Jewish life.

The Shabbos Goy

Comedy Short, 2019, U.S. (7 minutes, English). God literally forbids Chana to turn off her vibrator gone rogue.

The Tattooed Torah

Animated Short, 2021, U.S. (21 minutes, English, Hebrew). True story of the rescue and restoration of a Torah from Czechoslovakia.

Featured photo: Courtesy photo.

Love is all around

Real-life couple performs Love Letters

On stage and off, Kathryn and Erik Hodges are in love, and the married Penacook couple brings that real-life emotion to Love Letters, a two-person show that explores the relationship of Andrew and Melissa through letter writing over the course of 50-plus years.

“It’s an unconventional love story,” said Lauren Shelby Douglas, who’s directing the piece for Hatbox Theatre. “It’s not high-energy, it’s not anxiety-driven — it’s a very kind show.”

Love Letters was written by A. R. Gurney and nominated in 1990 for a Pulitzer Prize in drama. The Hodges first performed it to limited, socially distanced audiences in September 2020 at Hatbox, during the brief period when the venue was allowed to reopen after being shut down due to Covid, only to be shut down again shortly after.

“Love Letters was very well-received critically, but it was lightly attended,” Hatbox Theatre founder Andrew Pinard said. “[I brought it back because] I thought the work was really strong, and it’s a powerful piece about keeping people together when they’re apart. … I’m not so concerned about ticket sales. This level of work deserved more eyes.”

This is Douglas’s directorial debut, replacing the previous director and offering a new perspective.

“Everybody comes in with their own insight, which is what you want — even though our previous director did a wonderful job,” Kathryn Hodges said. “She’s a youngster, and she does have her own vision.”

Douglas said she had never seen or read the play before, so she really came into it with fresh eyes.

She said it’s a subtle, understated play, with no grand drama — just a conversation between two people that starts in grade school and continues through war, the Great Depression, marriages and more, with ups and downs throughout the years.

“It’s not your average play in the fact that the actors don’t memorize their lines — they read from the script right on the stage,” Douglas said. “Gurney strictly had instructions not to memorize lines, [because he] wanted it to be like they were really reading these letters.”

There are no costume or scene changes either, which allows the actors to focus on how they’re emoting through their words.

“You don’t have to sweat the small stuff — you don’t have to learn the blocking [for example],” Kathryn Hodges said. “The lights come up and you start reading these lovely snapshots of these bygone times.”

The real-life couple has been together for 36 years, and Kathryn Hodges said they really relate to the relationship between Andrew and Melissa.

“They are very fond of each other, they are very much each other’s best friend, and that’s us in a nutshell,” she said.

Andrew and Melissa’s relationship, though, evolved during a very different time period, so understanding their characters was a process.

“As a warm-up for this production we did a little exercise where we reversed roles,” Erik Hodges said. “This play is very much written from the analogous male point of view [and] seeing the character from her point of view was an eye-opener. While the male just sails through [life] … [Melissa], because she’s a little eccentric and different, she’s penalized.”

The Hodges have been part of the local theater scene for decades; Erik Hodges started performing with the Community Players of Concord when he was 10, and Kathryn Hodges joined the Players when she was 20.

“Even though both Erik and I have a long history with community theater, we don’t often appear in the same show, or if we are in the same show our characters have nothing to do with each other,” Kathryn Hodges said.

Love Letters has been a special opportunity for them as actors, and it’s a unique play for audiences to experience as well.

“The show seems very, very simple, but it’s so much more,” Kathryn Hodges said.

Love Letters
Where: Hatbox Theatre, 270 Loudon Road, Concord
When: Friday, March 18, and Saturday, March 19, at 7:30 p.m., and Sunday, March 20 at 2 p.m.
Tickets: $22 for adults, $19 for members, seniors and students and $16 for senior members. Tickets may be reserved by calling 715-2315 or visiting hatboxnh.com.

The future of Hatbox Theatre

It’s been a tumultuous month for Hatbox Theatre founder Andrew Pinard. The venue was unexpectedly served with an eviction notice from Steeplegate Mall Realty on Feb. 11; that notice was rescinded shortly thereafter. Pinard said in a phone interview on March 9 that he couldn’t imagine how he would have packed everything up and gotten out of there in 30 days.

Now, Pinard has faith that the verbal agreement that Hatbox made with the mall to stay put — and to extend the amount of eviction notification time — will be honored.

“We’re waiting for the mall to provide written confirmation. We expect that will be the case,” he said.

And while the news that Hatbox could stay came as a relief, it also served as a wake-up call.

“It was a very alarming moment in time,” Pinard said. “[We realized] we need to be thinking of our future and forever homes. We hope to stay in our current location for a long time, but we have to be pragmatic and look into other options.”

Even if the mall allows Hatbox to stay indefinitely, the theater company itself has been struggling since the pandemic started, which might force some changes anyway.

“The numbers are still not what they ought to be,” he said. “Things where people congregate — sports, concerts … are still not attended in the way that people expect.”

Pinard recently attended a meeting with fellow performing arts groups, and the general consensus is that most are not expecting to get back to even 70 percent of their typical audience numbers until summer 2023.

“From an artistic perspective … even though we’re starting to reconnect in person, there’s still a lot of concern,” he said.

Along with less income from ticket sales, venues are also dealing with increased costs. Pinard said he had about $7,500 worth of utility bills in two months, when revenue was “maybe $800, maybe $1,000.”

“We can only continue to operate a deficit for so long,” he said. “We’re in the hole, and every weekend we do performances, if we don’t meet a certain number of attendees, we continue to be in the hole.”

Pinard said he’s “cautiously optimistic that we’re going to make it through this,” and they’ve invested heavily in protective measures like UV filters to make sure patrons are safe and feel comfortable returning. But things are going to need to start improving fairly quickly.

“If this doesn’t come back within a year, we may not be able to afford to stay open,” Pinard said.

Featured photo: Courtesy photo.

Backyard Sugarhouse

New space and new equipment for Beaver Brook Maple

Curiosity — that’s essentially how Andrew Mattiace ended up with the brand new sugarhouse on his property in Bow. After his grandmother’s funeral in 2017, Mattiace and his family visited her favorite sugarhouse in Charlestown; at one point, Mattiace looked at the evaporator and thought, “This thing just boils water? I can do this.”

So, being a “curious engineer,” he built his own evaporator, tapped some maple trees in his backyard, and in 2018 produced maple syrup for the first time — a whopping 5 gallons.

“The first year was horrendous,” he laughed.

Mattiace learned mostly by scouring the internet, and then through trial and error — and there were a lot of errors, he said. But what he produced in the end was good stuff, worthy of bottling and selling.

“It was like, OK, I can make syrup now, but how do I sell it?” he said.

He decided to build a self-serve farmstand on his property and named his business Beaver Brook Maple. Once he started selling, the demand quickly outpaced how much he was producing, even after he started to get the hang of it.

Andrew Mattiace’s sugarhouse at Beaver Brook Maple. Photos by Meghan Siegler.

Mattiace now has plenty of sap, tapping into some of his neighbors’ trees too. On a recent Friday 13-year-old Miles Miller and his dad Joe dropped off almost 130 gallons of sap from their own trees. It was their second run of the week; a few days earlier, they’d brought 80. Miles, who does the majority of the tree tapping and sap collecting, walked away Friday with $55 for that day’s delivery. He said they’ve lucked out with the maple trees on their property.

“They have a pretty high sugar content,” he said.

With neighbors selling him sap and plenty of people buying his syrup, the sugarhouse was the next logical step for Mattiace. He wanted to upsize his tank to produce more syrup in a shorter period of time.

Plus, he said, “I got tired of freezing my a** off. It’s very laborious and time consuming, and I wanted to get out of the outdoor process.”

His old evaporator processed eight gallons of sap in an hour, while the new one can process 35 gallons. His goal for this year is to produce 50 gallons of syrup, up from 23 last year, which will be much easier with the new equipment and warmer space, he said.

Mattiace isn’t in this for the money. In fact, if he sells those 50 gallons, he’ll just about break even.

“If I count my labor, I’m completely in the red,” he said.

Mattiace doesn’t want to grow Beaver Brook Maple into a big business. He has a full-time job that pays the bills, and this “hobby” already takes a lot of time.

“I want to make it worthwhile, but I never want to exceed 100 gallons a year,” he said.

Mattiace’s main goal has always been to create a sense of community, a place where friends and family come to hang out.

“That’s a real driving factor for me,” he said. “Everybody loves sweet, sugary things.”

Featured photo: Andrew Mattiace and his new sugarhouse at Beaver Brook Maple. Photos by Meghan Siegler.

Outside in

New Hampshire Outdoor Expo returns

After being canceled for the past two years, the New Hampshire Outdoor Expo returns for three days to help outdoor enthusiasts get ready for all kinds of spring and summer adventures.

The expo is happening Friday, March 11, Saturday, March 12, and Sunday, March 13, at the Hampshire Dome in Milford and features retailers, free hands-on fun for kids and seminars for adults who want to learn about things like waterfowl hunting, animal calls and cold water fishing.

“It’s great to be back in action,” event organizer Daniel Kenney said. “We’re bringing the outdoors indoors, and the beauty of it is that it’s really an event where you can go and see 50, 60 feet of an archery store, a couple of huge fishing stores … a hunting gun range. … It’s kind of like Candyland for the outdoorsman.”

Retailers, outfitters and guides will be there to answer questions and offer help or suggestions for all levels of expertise in a range of sports. Kenney said there will be kayaks, ATVs, boats, fishing equipment, custom lure makers and bait makers, a hunting gun range and some unique items that can add some outdoorsy charm to a camp or cabin.

“We have a couple of really good rustic furniture makers,” Kenney said. “There’s a metal fabricator … [who can make you] a sign with your family name and it [might have] a background with a kayak and maybe someone fishing. … You just don’t see that in stores anywhere.”

Kids 12 and under get in free, Kenney said, and they can spend the day catching fish in a trout pond or trying out the archery range and the BB gun range.

“One of our goals is to educate and promote the outdoors,” Kenney said.

Seminars will be held throughout the event and cover a range of topics, from “NH Firearms Inside and Out” to “Proper Kayak Rigging for Safety and Success.”

Kenney said that anyone looking for a new hobby is welcome, as there will be booths with information on getting involved, and seminars run the gamut from basic information to more advanced topics for people who are more educated in hunting, fishing or kayaking. Retailers will offer a range of equipment as well; for example, Kenney said, there will be kayaks available for several hundred dollars and several thousand dollars.

“There are the basics there for sure, but then there are products that more of an educated angler [for example] would gravitate toward,” he said. “Regardless of what they’re looking into, there’s something there for them.”

This is the third year the event is being held at the Hampshire Dome in Milford, and Kenney said the first two years were a big success.

“It’s a fun time,” he said. “We really do pride ourselves in having just about everything [outdoorsy] represented, and we’ve got a lot of cool items … that you just can’t get at the mall, you can’t get on Amazon. It’s an experience where you can look, touch and feel.”

New Hampshire Outdoor Expo
When: Friday, March 11, from 1 to 8 p.m.; Saturday, March 12, from 10 a.m. to 7 p.m.; and Sunday, March 13, from 10 a.m. to 5 p.m.
Where: Hampshire Dome, 34 Emerson Road, Milford
Cost: $12 for ages 13 and older; children under 12 get in free
More info: nhoutdoorexpo.com

Featured photo: Attendees check out Tracker Off Road vehicles at a past New Hampshire Outdoor Expo. Courtesy photo.

Embodying emotions

Deadly brings the seven sins to life on stage

Seven actors, seven sins — that’s the idea behind Deadly, the newest all-original production from Cue Zero Theatre Company.

“It’s an original movement piece that takes the classical deadly sins and kind of examines them through a more modern lens, with an interesting twist [that makes them more] accessible and relatable,” Cue Zero founder Dan Pelletier said.

The production was written and is directed by Merrimack native Crystal Rose Welch, and it’s set entirely to music, with no spoken words.

“I think we assume that verbal language is the most important thing [but] people can communicate in other ways,” she said. “I wanted to create theater that felt accessible when words aren’t accessible, for when the feelings are too big.”

Welch said movement theater is a relatively new and misunderstood form; most people think it’s like dance, but it’s not.

“You are crawling and dragging and basically embodying the emotions,” Welch said.

Welch came up with the idea for the play back in 2016, when she was still in college.

“It’s changed and evolved a lot. There’s a whole different soundtrack because copyright is awful,” she laughed.

The way that the seven deadly sins are expressed is pretty different from her original idea too; it began as a production about one person experiencing all of the sins, Welch said.

“I think having just more experience in life and the world [helped it evolve]; since I came up with it I have graduated college, I’ve fallen in love and gotten married … we’ve been through a pandemic,” she said. “[I’ve realized] no one person is experiencing all of the ‘sins,’ and there is no ‘sin’ — that’s just a dirty word to make you feel guilty.”

The way the “sins” are portrayed, then, is designed not to show the “bad” sides of people, but to show the struggles that all humans go through.

Pelletier, for example, is sloth.

”We look at it kind of through the lens of depression, so my character … ends up coming off looking lazy and slothful but you see it’s because of how beat down and exhausted [he] becomes from the challenges of life,” Pelletier said. “The depression to the outside observer looks like sloth but it’s due to this serious mental illness.”

Gluttony is portrayed through alcoholism, and technology plays a big role in lust. But the emotions behind people’s behaviors is the real message.

“Fear [for example] is something we all feel in different ways,” Welch said. “We have a song about what it is like to live with social anxiety, so someone comes to ask for directions [and the character] is freaking out. I wanted to use movement to show a modern version of something that is actually deadly, something that divides us and keeps us away from community and keeps us from feeling our best.”

Pelletier said the soundtrack of modern music adds to the show’s emotional vibe and helps make it “a very exciting, very high-energy piece.” And relying on movement rather than spoken word allows plenty of room for the audience to have their own feelings.

“It tells a story, but we leave some things where people can interpret them in their own way,” he said.

And that’s exactly what Welch is going for.

“I want to help people process emotions and open doors for conversation — this, this is what I feel. That’s how I feel when I’m scrolling through the news and I’m just getting more and more depressed,” she said.

Despite the intense emotions, though, Welch said the production is not doom and gloom.

“I want people to be open to feeling things and not be afraid that this show is going to wreck them for the night,” she said. “You shouldn’t leave this feeling worse. If people are looking for some hope, this show can provide it.”

Deadly
Where: Granite State Arts Academy, 19 Keewaydin Drive No. 4, Salem
When: Friday, March 4, and Saturday, March 5, at 7:30 p.m., and Sunday, March 6, at 2 p.m.
Cost: $15, for in-person or livestream
More info: cztheatre.com

Featured Photo: Deadly. Courtesy photo.

Culture for Concord

Lecture series brings free music and more to the Capital City

With a lineup that’s heavy on music, the Walker Lecture Series is starting its spring season of free community events, which will include tribute bands, a string quartet, travelogs and an exploration of the art of silent film.

“We do try to make sure to include some conventional lectures to be true to our name,” Walker Lecture Series Trustee Jon Kelly said. “There is more music this season than usual — some of that is the way Covid worked out.”

No programs were canceled due to Covid in the past two years, with some presenters opting to speak or perform via Zoom, or to use rented space at the Hatbox Theatre to allow for social distancing, but most of the musical acts opted to postpone their shows until it was safe to play live at Concord City Auditorium.

“We found that lecturers could still do a wonderful presentation, but musicians found that Zoom did not work for [them] the way it would for a speaker,” Kelly said.

The Walker Lecture Series has presented programs since 1896, using funds from a trust gifted to the City of Concord by lifelong resident Abigail B. Walker with the provision that the series offers free lectures on “subjects of history, literature, art or science, and free dramatic, musical, literary, historical and other cultural events” in Concord, according to the terms of the trust.

Music tends to bring in the biggest crowds, Kelly said, so musical acts have increased in recent years, even aside from the Covid factor. Kelly himself is looking forward to hearing Artful Noise this season.

“I don’t know very much about classical music and string quartets, [and] this is a great opportunity to expose myself to something new,” he said.

The musical genres vary greatly for this series, and that’s no accident. Kelly said that a Beatles tribute band was a huge success, with a large audience and people up dancing, while an opera was not as well-attended — and that’s OK, he said.

“We love having a full house, but we also love bringing an opportunity that might not have existed otherwise to the community,” he said. “It still brings value.”

This season’s musical offerings are no different in their variety, with the string quartet, some a cappella, a night of doo-wop, a tribute to Chicago and a tribute to Johnny Cash. The latter could appeal to many, Kelly said.

“Older people remember him from when he was touring with Elvis in the ’50s, but younger people who saw [Walk the Line] know him from that,” Kelly said. “He really spoke across the generations.”

Two of this season’s programs are travelogs, presented by travel photographers and filmmakers; one is an exploration of Central and South America, and the other is a journey through Japan.

“We’ve been going since 1896, and historically there’s been an interest in travelogs — and that feels like it’s from another century because now people can watch the Travel Channel,” Kelly said. “But … what makes it different from sitting in the living room is the photographer and the videographer are in the room with you.”

The other non-music presentation of the season is a lecture called “Sennett, Chaplin, Keaton & the Art of Silent Film Comedy,” which Kelly thinks can also appeal to a broader audience.

“It’s easy for people to say [silent film is] a hundred years old, and yet people like Chaplin and Keaten were so skilled at reaching everybody [in the audience] that when you see them today, you still get that connection,” he said.

And, as with all of the programs, there’s really nothing to lose from checking it out, Kelly said.

“Here’s a chance to come and try it for free — if you find out you love it, then that’s a great gift,” he said.

Walker Lecture Series spring season

Where: Concord City Auditorium, 2 Prince St.
When: All shows are on Wednesdays and start at 7:30 p.m.
Cost: Free
More info: walkerlecture.org

Schedule
Feb. 23: Buskers’ Night In, produced by Jordan Tirrell-Wysocki
March 2: The Rockin’ Daddios, An Evening of Doo Wop
March 16: Artful Noise, a string quartet from the New Hampshire Seacoast
March 23: Filmmaker Marlin Darrah explores Central and South America, an introduction to the grand natural wonders, architectural treasures, and cultural and artistic highlights of several cities and countries.
March 30: Travel photographer and documentary filmmaker Brent Winebrenner presents “Japan, Land of the Rising Sun,” a multimedia presentation about its history, traditions, culture and people.
April 6: Counterfeit Cash: A Tribute to Johnny Cash
April 13: Patrick Anderson, film buff and Colby-Sawyer professor, presents “Sennett, Chaplin, Keaton & the Art of Silent Film Comedy.” Learn how film creates and delivers ideas, and how it shapes and reflects popular attitudes, then discuss movies and enjoy the art of silent film comedy as it was developed by three masters.
April 20: An Evening of A Cappella with Mixtape and Ball in the House
May 11: Introduction: Tribute to Chicago

Featured Photo: The Rockin’ Daddios will be playing at the Walker Lecture Series on Wednesday, March 2nd. Photo by Jim Brady.

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