Cookie Art

How to add holiday sparkle to your cookies

You got inspired by a cookie recipe you saw online, but you thought it would taste even better without the coconut. And maybe with butterscotch. And Sheila at your book group is gluten-free. So you adapted the recipe and baked it three times before you dialed in the ingredients and baking time. You’ve made so many of these cookies that your family is ready to ask for a salad. But you finally nailed it. Your cookies taste great.

But they look like they were made by a blindfolded orangutan.

How do some people make their cookies look like works of art?

According to Kelli Wright, the secret is royal icing. Wright designs and produces custom cookies for customers, and teaches classes and workshops in cookie decorating through her business, Just Wright by Kelli (494-8472, justwrightbykelli.com). She said that unlike buttercream frosting, which tastes great but doesn’t lend itself to fine details, royal icing gives a baker more control.

“Buttercream is made from butter and sugar,” Wright said. “Royal icing is an icing. It hardens and there’s no butter in it. You can do more without it melting, so you have more capability with royal icing than you do with, say, decorating buttercream on your cookie. I think you have far more capability to create details and have them remain longer. It’s also more shelf-stable than a buttercream. When you make it correctly, the taste is just as good. It’s just a harder texture on the outside.” If you’ve watched cookie-decorating competitions on television, it is likely that the competitors used royal icing. When a contestant uses buttercream, they usually go out of their way to make a big deal about it.

Cookie Hack: Freeze the dough
The cookie dough for all three of these recipes can be saved in the refrigerator for a week or so, or for much longer in the freezer, so you don’t have to use all of it at one time. You can also make and freeze logs of cookie dough to have on hand in case of a cookie emergency.

One of the techniques that experienced cookie decorators use is something called “flooding.” They will pipe an outline on a cookie with a slightly stiff icing, then pipe looser icing inside that outline, which spreads out, or “floods” the space. When it dries, the icing provides a smooth, glossy surface that looks good on its own or provides a base to pipe more details on top of.

“It’s basically coloring in,” Wright said. “Flooding is basically coloring and filling in whatever section it is that you are doing. There are multiple consistencies in royal icing. It’s basically a really thick one when you’re doing detailed work. But there’s multiple consistencies that you use for different effects. I like to use a medium consistency, which is a little bit thicker, but I can flood with it in smaller sections. And then I use a looser consistency. to fill in, or flood. Other bakers might use a thicker consistency for both.”

Wright said different consistencies of royal icing allow a decorator to add fine details to a design. “There are multiple techniques to do any design,” she said. “One way is to outline flood and then do your details on top of that. But there is a technique called wet-on-wet where you’re using a loose consistency the entire time and the design is actually falling into your flood icing and you’re creating it all in one layer at one time.”

In Wright’s classes and workshops she has seen a spectrum of attitudes toward decorating.

close up of a woman's hand holding a bag of icing as she decorates sugar cookies
Photo courtesy of Kelli Wright.

“On one hand,” she said, “you just have a mix of people who just want to have fun and learn the basics, and then you have people who really want to learn. They are intent on getting the technique down right away and really intent on learning everything they absolutely can in every single class. And it can be hard in the beginning. It’s a lot harder than what you see on TV. I mean, I try to make it easier because I’ve gone through the … tribulations. I’ve learned on my own. Some people just have a natural ability to do it, and I think that’s amazing. But it took me some time to get the hang of it and adjust the consistencies to make it work for me and my style. There was a steep learning curve, but I was able to learn it on my own.”

“The best part about cookie decorating or cake decorating … and custom work like I do,” she said, “is the free form of it all. Letting it be art and realizing art, nature, everything is not about perfection.”

Royal Icing
4 2/3 cups (530 g) powdered sugar
1/3 cup milk
2 Tablespoons light corn syrup
1 teaspoon vanilla or almond extract

Mix these ingredients together, gently and slowly at first, until they come together as a thick, pipable liquid. Add more milk, a spoonful at a time, as needed, to thin it out.
Split the icing up into separate bowls depending on how many colors you will need to decorate your cookies. Stir in food coloring a few drops at a time to color each bowlful. Kelli Wright and Kate Soleau both prefer gel food coloring.
Use a piping bag or a plastic sandwich bag with the very tiniest tip of a corner cut off to pipe lines on your cookies. You can pipe or spoon more icing to “flood” it.

Wright likes to use all-natural gel-based food coloring.

“I don’t use a water-based [color] because it can alter my consistency. And then I have to remix and change my consistency. There are powdered colors out there, too. Prism, I think, is the company, or now it’s SugarArt, has beautiful powdered colors and a natural color base that people use. But there’s a whole other learning curve to go through … using the natural products because they don’t work the same as our current gel food coloring. They work very differently.”

Because Wright makes some very specific custom designs of cookies, she rarely buys cookie cutters “off the shelf” anymore.

“Etsy is kind of the place to go. I buy the STL files [from artists] on there and print them myself on my 3D printer. If you don’t have access to a 3D printer, your library might be able to print them for free, so if you find something that you really like you can always get the file and see if your local library will print it out for you.”

Kate Soleau is another custom baker, decorator and instructor. Her business is Posy Cottage Cookies (801-7590, posycottagecookies.com). She is in the process of developing online instructional content to teach elements of cookie decorating. She is a big fan of royal icing but takes a slightly different approach to adding details.

“I like to use stencils,” Soleau said. “I’ll flood the background [of a cookie], let it dry, and then come back the next day with a stencil and scrape thicker royal icing over it. When I remove it, it looks like a very cool textured look on the cookies, but it is still just using the royal icing. I’d say 90 percent of my additives on decorating are royal icing but used in different ways. So for instance I make a lot of floral transfers where I take really thick royal icing and pipe it with a piping bag with little metal tips, make flowers, and then let them dry. Later I can come back and actually pick them up and use them as homemade sprinkles or transfers to put onto cookies to enhance the look.” Soleau also uses a 3D printer to make custom stencils.

plate on marble counter, holding four cookies shaped and decorated like armadillos
Decorated gingerbread armadillos by John Fladd. Photo by John Fladd.

For the highly detailed work Soleau does, she rarely uses candies or sprinkles.

“But there’s a gold dust,” she said, “where you mix a powder that’s gold or silver with a little bit of vodka or Everclear [an extremely high-proof grain spirit] and then you paint it on.” She explained that the high-proof alcohol evaporates quickly and doesn’t change the flavor of the cookie.“ I do a lot of painting techniques on my cookies and I’ll use edible gold but also just use food-grade gels and do the same thing — mix them with water or Everclear, then paint the cookies. I generally use transfers and use what I have to create the decor.”

Soleau said many of the techniques she uses to decorate cookies have unexpected quirks that she only learned about with experience.

White Cutout Sugar Cookies
2 1/2 cups (300 g) all-purpose flour
1/2 teaspoon salt
1/2 teaspoon baking powder
1 cup (2 sticks) butter
1 cup (198 g) sugar
1 egg
1 teaspoon almond extract – Yes, you could use vanilla. It’s kind of boring a classic. But the almond gives this cookie a slightly fruity background flavor.

In a medium bowl whisk together the flour, salt and baking powder. Set it aside. Its time will come.
In your stand mixer —
A quick aside: If you like to bake, or think you might like to if it were less of a hassle, it would be worth your time and money to invest in a good stand mixer. Yes, the really good ones (cough, cough, KitchenAid) can be pricey, but you can buy a reconditioned one from most manufacturers for about 30 percent less than a new one. There’s a lady at one of the flea markets I go to who has a couple of tables full of kitchen appliances. With some hard haggling and a gift doughnut, you might get a stand mixer for $100 or so. Alternatively, you can go the conventional route and get married. A good stand mixer will last longer than most marriages.
— anyway, in your stand mixer, beat the butter until it has softened slightly, then add the sugar, and beat until it is creamy, about three minutes. This is, appropriately enough, known as “creaming” the butter. Beat in the egg and almond extract.
Turn the mixer to its lowest setting, and spoon the flour mixture in, a little at a time. This is to prevent a comical poofing of flour into your face. Mix everything very briefly, just until it all comes together.
Split the dough into two lumps and wrap each with plastic wrap. Chill the dough in your refrigerator for an hour or two.
When the time comes to bake, preheat your oven to 350°F.
Flour your counter, then unwrap one of the doughballs and flatten it with the heel of your hand. You will want to flip it a couple of times and swish it around in the flour, to keep it from sticking. Use a rolling pin to roll it out to about ¼ inch thick.
If you have a large offset spatula — the kind fancy people use to frost cakes — swipe under your rolled-out cookie dough to make sure it hasn’t bonded to your counter.
Use whimsical cookie cutters to cut shapes from your sheet of dough. Transfer the cutout cookies to a baking sheet covered with parchment paper, or a silicone baking sheet. These particular cookies won’t spread too much as they bake, so you won’t need to space them out too much.
Bake each batch of cookies for 10 minutes, and let them cool on the baking sheet.

“For instance,” she said, “I’ve been dabbling in natural food-grade gels. It’s kind of like a whole science project because the pH and everything actually changes the color. So if you try to make black, sometimes it’ll come out a little purple and you add a little baking soda and it’ll change the color. So the natural gels have been challenging, but I’d really like to work more with natural colors in the future.”

Where sprinkles, miniature candies and dragees (colored sugar balls) come into their own is in decorating with children. Kristen Chinosi is the owner and chief instructor at The Culinary Playground in Derry (339-1664, culinary-playground.com), where she teaches cooking and food techniques to adults, children and mixed groups. She said that for very young children a good strategy is for an adult to bake cookies ahead of time, frost them with buttercream, and provide the kids with decorations they can press into the frosting.

“For the younger kids, you definitely want to go with just a buttercream as a base and use it as sort of a glue to hold on whatever other candies, sprinkles you’re supplying for the decorating,” she said. It’s a good idea to take a child’s age and ability into account to keep them — not to mention their parents — from getting frustrated.

“Probably not younger than 8 — more like 10 — is a really good age to start with royal icing,” Chinosi said, “because those need to be bagged. You need quite a steady hand; it’s pretty detailed work. I mean, younger kids can try it, but the frustration level can get high. If you’re doing soup-to-nuts with your Christmas cookies — meaning if you’re making your own sugar cookies, rolling it out, cutting them and frosting it — plan to make it a two-day event, because the kids will lose interest and you will be by yourself decorating cookies. So on one day you could have them help make up the dough, maybe later that day you roll it out, cut the cookies, set them aside. The next day, make up your frosting, or if you’re using a canned frosting that’s fine too. They’re littles, right? And then have like a decorating party. And what we like to do is use muffin tins and we’ll line them with like the paper liners and put different types of candies or sprinkles so the children have kind of like a whole little array.”

Old-fashioned gingerbread cutout cookies
1 Tablespoon ground ginger
1 Tablespoon ground cinnamon
1/2 teaspoon ground cloves
1/2 teaspoon ground black pepper – after you’ve made this recipe once or twice, you might want to use more black pepper, or even, if you’re feeling adventurous, ground Szechuan pepper.
5 cups (600 g) whole wheat flour
1 teaspoon baking soda – If you were wondering why this recipe uses baking soda instead of baking powder (and let’s face it; you probably weren’t), it’s because the molasses is slightly acidic, so the slightly alkaline baking soda will work better in this particular application.
1 teaspoon salt
1 cup (2 sticks) butter
1 cup (198 g) brown sugar
1 egg
1 cup (340 g) molasses

See if this seems familiar:
Whisk the spices, flour, baking soda and salt together in a medium bowl and set it aside.
Cream the butter and brown sugar together, then beat in the egg and molasses.
Add the flour mixture, a couple of spoonfuls at a time, and mix everything until the dough just barely comes together. Divide the dough, wrap it, and chill it.
Roll the dough out, and cut out shapes with cookie cutters, then bake at 350°F for 10 minutes, and let them cool on the baking sheet.
If you own an old-fashioned, wooden cookie mold, this dough works extremely well using that. Just remember to brush the inside of the mold with vegetable oil before you start, and with flour Every Single Time thereafter.
These are, as promised by their name, classic, old-fashioned gingerbread cookies, spicy and not too sweet, perfect for decorating in full color or with traditional minimalist white icing.

This Week 25/12/18

Thursday, Dec. 18

The Nature Conservancy (nature.org) will celebrate the longest night of the year with a Winter Solstice Soirée this evening from 5 to 9 p.m. at the McAuliffe-Shepard Discovery Center (2 Institute Drive, Concord, 271-7827, starhop.com). Celebrate the season and mingle with other nature lovers with drinks, light appetizers and holiday cheer. Register at preserve.nature.org/page/180114/event/1.

Thursday, Dec. 18

Pop-rock band the Jonas Brothers perform at the SNHU Arena (555 Elm St., Manchester, 644-5000, snhuarena.com) tonight beginning at 7:30 p.m. as part of their Greetings From Your Hometown tour. Tickets start at $196 through ticketmaster.com.

Friday, Dec. 19

The Canadian Brass will perform at the Nashua Center for the Arts (201 Main St., Nashua, (800) 657-8774, nashuacenterforthearts.com) tonight at 7:30 p.m. as part of their Making Spirits Bright tour, which includes original arrangements and signature takes on beloved holiday classics. Tickets start at $54.

Friday, Dec. 19

Etz Hayim Synagogue (1 1/2 Hood Road, Derry, 432-0004, etzhayim.org) continues its annual tradition of lighting its giant outdoor electric menorah tonight from 7:15 to 8:30 p.m. to celebrate the sixth night of Hanukkah. Jelly doughnuts will be served.

Saturday, Dec. 20

Red River Theatres, 11 S. Main St. in Concord, redrivertheatres.org, has fam-ily-friendly holiday screenings on the schedule this weekend. Catch Elf (PG, 2003) on Saturday, Dec. 20, at 10 a.m. andThe Grinch (PG, 2018), the animated movie, on Sunday, Dec. 21, at 10 a.m. Both screenings feature complimentary hot cocoa. Tickets can be purchased on the website.

Saturday, Dec. 20

Enjoy a festive holiday tradition at The Stockbridge Theatre (22-98 Bypass 28, Derry, 437-5210, pinkertonacademy.org/stockbridge-theatre) at 7 p.m. with the Safe Haven Ballet’s production of The Nutcracker. Tickets start at $33 through the Theatre’s website.

Saturday, Dec. 20

New Hampshire Philharmonic Orchestra (647-6476. nhphil.org) will perform its Annual Holiday Pops concert this afternoon and tomorrow, Sunday, Dec. 21, at 2 p.m. at the Seifert Performing Arts Center (Salem High School, 44 Geremonty Drive, Salem, 893-7069, ext. 5601, sau57.org/pac). An audience favorite returns with seasonal classics, sing-alongs and more. General admission tickets are $35.

Saturday, Dec. 20

80s glam metal band Warrant will take the stage at the Tupelo Music Hall (10 A St., Derry, 437-5100, tupelomusichall.com) at 8 p.m. tonight as part of its Let The Good Times Rock tour. Tickets start at $84.

Save the Date! Sunday, Dec. 28
Experience the thrills of slam dunks, trick shots and moments you’ll never forget as The Harlem Globetrotters dazzle, dunk and hype the stands as part of their 100 Year Tour. They will take on their long-time rivals the Washington Generals, who are due for a win. Performances will take place at 2 and 7 p.m. Tickets start at $90 through ticketmaster.com.

Featured Photo: The Harlem Globetrotters. Courtesy photo.

Quality of Life 25/12/18

Nobody legit asks for gift cards

The email seems authentic at first glance. It says it’s from the Director of the Allenstown Public Library. She’s writing to ask you for some technology help. She’s trying to buy some gift cards for her niece with cancer, the email tells you, and for whatever reason, she can’t seem to finalize the purchase. Could you do it for her and she’ll pay you back? Maybe you should call her for clarification. The problem is, it turns out, the Allenstown Library doesn’t even have a Director at the moment. “We’ve spent the last two days fielding phone calls about this,” one of the librarians on duty said in a phone interview.

QOL score: -1

Comment: On its website, the New Hampshire Department of Justice advises: “Use known and trusted contact information to reach out to the individual and confirm that they are not responsible for the suspicious request. Assume that any request to purchase gift cards is a scam. This is a tactic that is widely used by scammers.” Visit doj.nh.gov/news-and-media.

Make friends now or be lonely and sick later

A recent study by the University of New Hampshire suggests that building social connections earlier in life can help prevent isolation and its associated health problems in old age. According to a Dec. 4 press release from UNH, “The study found that older adults without children are more vulnerable to loneliness, but good friends helped fill that void. The researchers said the study was partially motivated by current demographic shifts like declining fertility rates and the growing number of people without children living longer.”

QOL score: +1

Comment: “Research into loneliness is important on multiple fronts,” the press release read,”including informing social programming that could help older adults. That is especially relevant in a state like New Hampshire, which has one of the oldest demographics.” Visit unh.edu/unhtoday/news.

QOL score: 79

Net change: 0

QOL this week: 79

What’s affecting your Quality of Life here in New Hampshire?

Let us know at news@hippopress.com.

News & Notes 25/12/18

Plant closure

The Anheuser-Busch facility in Merrimack will close in early 2026, as reported in a Dec. 11 report on WMUR.com and by several other media outlets. A press release from New Hampshire Senate President Sharon Carson (R-Londonderry) said the plant represented nearly 120 jobs. “The State of New Hampshire will provide the necessary resources and support to help them navigate this challenging transition,” Carson’s press release said. Sen. Tim McGough (R-Merrimack) also put out a release on the closure saying, “Anheuser-Busch has been a long-time supporter of Merrimack, contributing to local schools, charities, and civic organizations. It has been a driving force behind our economy providing jobs and supporting vital community projects.”

LCHIP

On Dec. 9, Gov. Kelly Ayotte joined “New Hampshire Land and Community Heritage Investment Program (LCHIP) Board Chair Richard Lewis in announcing 31 LCHIP grants totaling more than $3.5 million awarded to municipalities and nonprofit organizations in support of land conservation and historic preservation initiatives across the state,” according to a press release from the program. Grant recipients include Canterbury Shaker Village ($250,000) for its East House, Kimball Jenkins Estate ($18,450) for a comprehensive building assessment of its five historic structures, Goffstown Public Library ($19,272) for preservation of its wood windows, Hudson Historical Society ($72,875) for Hills House, Grace Episcopal Church in Manchester ($22,000) for Riddle House, and the Town of Milford ($12,500) for the Milford Town Hall assessment, according to the program’s website lchip.org, where you can find descriptions of all of this year’s recipients, see a map of LCHIP projects and find information about applying for the grants.

Delta Dog

Red Arrow Diner raised more than $8,000 to benefit Operation Delta Dog, an organization that rescues and trains “shelter dogs as specialized service companions for veterans experiencing PTSD, TBI, and MST,” according to a Red Arrow press release. The diner held a Breakfast for a Year raffle, selling tickets for $1 each, to raise the funds, which it presented to the Hollis-based Operation Delta Dog on Dec. 12, the release said. See operationdeltadog.org.

Big stuffies

The D’Amante family continued an annual tradition of gifting “more than 20 oversized stuffed animals” to the Concord Hospital pediatric unit for pediatric patients “who are invited to choose their own stuffed companion to snuggle with and then take home,” according to a Dec. 8 hospital release. “The tradition began when Cinda D’Amante visited the unit decades ago and decided to make a positive impact on hospitalized children during the holiday season,” the release said. See concordhospital.org.

The Flying Monkey in Plymouth will screen 1946’s It’s A Wonderful Life on Saturday, Dec. 20, at 2 p.m. Doors open at 1 p.m. for this free screening; reserve tickets at flyingmonkeynh.com.

Rick Santos has resigned as head football coach at the University of New Hampshire in Durham to accept the same position at the University of Pennsylvania, according to a Dec. 13 UNH press release. “Associate head coach and defensive coordinator Scott James has been named interim head coach, and UNH will launch a national search for the next program leaders,” the release said.

Day’s Jewelers, “an employee-owned New England fine jeweler” that has eight locations in New Hampshire and Maine, held a grand opening in November for a location at Tuscan Village in Salem, according to a press release. See daysjewelers.com.

Spyglass Brewing Co., 306 Innovative Way in Nashua, will hold a Puzzle Competition on Sunday, Dec. 21, starting at noon, according to spyglassbrewing.com. Teams of up to four people each will compete at putting together a 500-piece puzzle, the website said.

The Perfect Gift — 12/11/2025

on the cover

Hippo’s Gift Guide Find gift ideas throughout this week’s issue. Michael Witthaus suggests gifts for art-lovers (page 14) and music fans (page 33). Henry Homeyer offers a gift guide for gardeners (page 18). John Fladd suggests some gifts for those bringing the greenery indoors (page 20). John also makes some suggestions for foodies (page 26) and we round up some books by local authors that could make good gifts for bookworms (page 31).

Also on the cover Michael Witthaus also previews a market showing off the art of fine knives (page 13). John Fladd previews the Currier and Ives Cookie Tour (page 25). Michael also talks to the band Slim Volume ahead of their Saturday, Dec. 13, show at Pembroke City Limits (see page 32).

Read the e-edition

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Queen Esther, by John Irving

(Simon & Schuster, 408 pages)

Esther was 3 years old, almost 4, when she was left outside a Maine orphanage, where the staff found her angrily kicking the door. “Esther doesn’t cry — she just gets angry,” it is later said of the child.

The toddler had a well-developed vocabulary and had memorized passages from the Book of Esther of the Bible. She knew she was Jewish. But it would be years before anyone would learn that she was born in Vienna and came to the U.S. with her parents, both now dead.

The orphanage where tough little Esther is left, St. Cloud’s, is well-known to those familiar with The Cider House Rules, the John Irving novel that later became a film for which Irving won the Oscar for best adapted screenplay 25 years ago. Queen Esther is not a sequel, although its themes will be familiar to Irving fans — perhaps wearily so.

Esther will live at St. Cloud’s for a decade until she is offered a job — and a home — with Thomas and Constance Winslow, residents of Pennacook, New Hampshire, and the parents of four daughters named after the virtues: Faith, Hope, Prudence and Honor.

Like Dr. William Larch, the physician who runs the orphanage (played by Michael Caine in the Cider House movie), the Winslows are not fans of religion or the concept of God. They are ideologically at odds with the pearl-clutching “townspeople of Pennacook,” despite Thomas Winslow’s best efforts to open their minds at “Town Talks” where he endeavors to instruct them about the great books and convince them that morality is not the equivalent of conventionality.

Thomas Winslow is comically opposed to anything related to Maine; at one point, his wife thinks “Oh, Tommy, please give up the grudge you have against Maine!” But the couple need a new au pair to care for their youngest child, Honor, and they have run out of options elsewhere. So they travel to St. Cloud’s and adopt Esther despite the objections of people shocked that they would want “the Jewish one.”

It’s a good match, for the child and the couple. Like Esther, the Winslows are prodigious readers (which gives Irving a chance to proselytize his most favored 19th-century authors through his characters, as is his habit), and they are taking in a young woman who intends to get a tattoo that is a quote from Charlotte Brontë’s Jane Eyre: “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.”

The quote permeates the novel, even as Irving wrests the focus from Thomas and Constance Winslow, to Esther Nacht, to Jimmy Winslow, the child that Esther ultimately gives birth to and gives to Honor to raise, in accordance with a pact they have made.

The journey is winding, complex and transcontinental. Esther goes off to Israel to fulfill what she sees as her life’s purpose, and the child she conceived, Jimmy Winslow, grows up and becomes a father and a writer and tries to sort out his complicated roots, insisting all his life that he is “just a New Hampshire boy,” although in reality he is not a Pennacook townie and never will be.

This is ironic, since the Winslow line was genealogical royalty in America; the ancestors of both Thomas and Constance sailed on the Mayflower, and, as Irving writes, “If you grew up in Pennacook, in southeastern New Hampshire, in the 1940s and 1950s, where you came from mattered.” But so did adherence to a certain set of standards that didn’t include unconventional families and overlooked far more grievous sins. And Jimmy’s conundrum is that he isn’t really a Winslow by blood and doesn’t identify as Jewish; despite being ardently loved by people on multiple continents, he is not really sure who he is.

Irving is a master at character development, and 100 pages in, I was so invested in the lives of Thomas and Constance Winslow that I was reluctant to leave their world to delve into Esther’s, and Jimmy’s. Nor was I prepared for the degree of preaching to which I would be subjected about social and international issues.

Indeed, it is Irving’s preaching that is an obstacle to be overcome in enjoying this novel. As evidenced here and throughout his body of work, he has strong opinions on reproductive choice, on non-traditional families and on religion, opinions which he intends to inculcate into his readers with all the subtlety of a hammer. Even as Irving riffs on the pious townspeople of Pennacook for their moralizing, he moralizes with the same unyielding zeal, denying the microphone to any timid nuance that might want to offer an opposing view. This belligerent approach at times comes off as a grudge.

In one scene, Jimmy visits what is believed to be the tomb of Jesus Christ at the Church of the Holy Sepulchre and observes a weeping man who leaves the cave, “his face streaked with tears, his smile radiant.”

“Jesus touched me — I felt him touch me!” the lunatic Christian cried,” Irving writes, and in the insertion of the word “lunatic,” we feel the full force of those who harbor animosity toward religion and believe its ills outweigh its good, even though it later becomes apparent that the man had been touched by a cat, and not a deity.

Irving once told an interviewer that he believes “it’s vain and presumptuous to presume that what you believe, everyone else should also believe. …. In other words, people who are so convinced of their religions that they proselytize it to others, I find very tiresome.”

It’s unclear if Irving is aware of how much he proselytizes to others of his own values and beliefs. Nonetheless, he is, like Jimmy Winslow, “a New Hampshire boy” and one of New England’s most important contemporary writers. If some parts of Queen Esther feel like reconstituted sermons from The Cider House Rules or The World According to Garp, this does not preclude the reader taking pleasure in the world of the Winslows.

But offer thoughts and prayers for the poor. maligned, monocultural “townspeople of Pennacook” — not to be mistaken with the good people of the village of Penacook in Concord — as you read. B

Featured Photo: Queen Esther

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