In the parlance of performance, 2020 wasn’t a hard act to follow — anything would beat a year of livestreams and solo shows. So the year began hopefully, and it got better as vaccines became available and venues were able to ease capacity restrictions.
Area supergroup Marble Eyes, for example, was Zooming from the Press Room in January; by July they were playing to a packed Prescott Park in Portsmouth.
Tupelo Music Hall returned in the spring with more drive-in shows but was able to head back indoors at summer’s end. Manchester’s Palace and Rex Theatres reopened in June, while the Capitol Center and Bank of NH Stage in Concord waited the summer out, running local-flavored shows in nearby Fletcher-Murphy Park.
On the Seacoast, Portsmouth’s Music Hall split the difference, offering outdoor shows and socially distanced events at its indoor Historic Theatre. The Casino Ballroom in Hampton Beach endured several close-to-the-wire cancellations before it returned to a semblance of normal in mid-July.
Creatively, 2021 was a great year. Several area performers released albums, including Liz Bills & The Change. The band’s self-titled record was rewarded with multiple NEMA nominations, including a win for Pop Act of the Year at the awards show in October.
Andrew North & The Rangers made a highlight reel of an album, Phosphorescent Snack. Among the best tracks were the Phish-adjacent “Aditi,” the buoyant, upbeat “Dig Deep” and “Epiphone” — the latter a guitar-free romp, even if it shared its name with a famous six-string.
April Cushman’s debut album, The Long Haul, dropped in July. The title song perfectly captures the struggle for success in the music business, particularly for women. Cushman sings about the “10-year turnaround” she faces as “just another girl among a thousand crowns … in a working man’s town,” the latter a reference to Nashville, where the disc was finished.
After a March 2020 release show was cratered by Covid-19, Married Iguana waited a year to make its hometown debut in Manchester, and their debut EP includes one of the best songs to come out this year. “Go With The Flow” chugs along like a rolling party bus, punctuated by scorching guitar licks from band leader and principal songwriter Brett Higgins.
All three bands have plans to start 2022 with a bang. Cushman will perform with her band on Jan. 13 at Bank of NH Stage in Concord, a venue Andrew North & The Rangers will also appear at, on Feb. 10. Married Iguana will headline a local showcase with The Humans Being and Earthmark on Jan. 22 at Shaskeen Pub in Manchester.
Comedy provided relief to a pandemic-weary region, first with socially distanced shows at places like Chunky’s Cinema Pub, with multiple locations, as well as Newmarket’s Stone Church and Kathleen’s Cottage in Bristol. Maine funny man Bob Marley played an April Fool’s Day show at Saint Anselm College’s Dana Center, while Juston McKinney did several small-capacity socially distanced sets at area venues.
By summer Wednesday night comedy had returned to Shaskeen Pub, accompanied by word that the weekly event would be taken over by Ruby Room Comedy. Longtime promoters Nick Lavallee and Dave Carter announced plans for a handoff with an eight-weekend run of shows. Standup popped up in some new spots, like Backyard Brewery and Yankee Lanes in Manchester, Concord’s Area 23, and Saddle Up Saloon in Kingston.
Sadly, 2021 ended with a series of losses to the music community. Billy Conway, drummer for Morphine and Treat Her Right, and former Concord resident, died on Dec. 19, the same day that David Surette, who for decades was a fixture on the area scene and Concord Community Music School faculty member, also died.
Granite State native Bill Staines lost his battle to prostate cancer on Dec. 5, and singer, songwriter, activist and provocateur Chelsea Paolini died at age 32, also on Dec. 5. She was a firebrand, whether lighting up the fretboard of her Gibson SG or dressing down perceived ignorance wherever she found it.
Finally, the death of drummer and bandleader Chucky Tester shocked the rock community. A memorial dubbed Rock In Peace happens Jan. 16 at A-Brews in Dracut, Mass. On the bill are Manchester prog rockers Mindset X, Prospect Hill, blindspot and A Simple Complex. For the latter band, it’s an early comeback, their first live performance in over two years.
“We saw the grief in the music community,” A Simple Complex frontman Mark Ingoldsby said recently, “so we decided to break our silence and come off hiatus early to organize a tribute benefit show in honor of Chucky.”
2022 shows to get excited about
Rex Theatre Morgan James, Jan. 15 (rescheduled from December) Max Weinberg’s Jukebox, March 24
Palace Theatre Seth Meyers, Feb. 9 Celtic Angels, March 5
Capitol Center for the Arts Juston McKinney, March 26 (recording a comedy special) Heart By Heart, April 2 (featuring original band members)
Bank of NH Stage Enter the Haggis, Feb. 3 Andrew North & The Rangers, Feb. 10
Tupelo Music Hall Corey Rodrigues, Kyle Crawford, and Alex Giampapa, Jan. 14 (Comedy) Martin Barre, Aqualung 50th Anniversary Tour, Feb. 11
The Music Hall Rachael Price (Lake Street Dive) and Vilray, Jan. 29 Natalie MacMaster and Donnell Leahy, Feb. 27
The best movie of 2021 is Barb and Star Go to Vista Del Mar.
Is it really? Who knows. But the urge to elevate the delightful over the seriously artistic is particularly strong this year. And I think backed up by experience: Several of the Serious Fil-uhm year-end movies (Being the Ricardos and Nightmare Alley or even legitimately good The Power of the Dog for example) have left me feeling sorta “shrug” while I fairly regularly rewatch the Barb and Star scene with Jamie Dornan powerballading to some seagulls because it’s never not joy-inducing.
I am as much of an awards-season completist as the next Oscar nerd, so while I haven’t seen The Card Counter, Spencer, The Green Knight, Respect, Licorice Pizza, Annette and The Lost Daughter they are definitely on my list to see soon (though I did say that last year about This Had Oscar Buzz candidate Ammonite and never got around to it). But I did see plenty to cheer about — from the high art to the “this movie will pair perfectly with popcorn, booze and a couch.” Here are some good, great and goofily entertaining movies I saw in 2021 — and where (as of late December at least) to find them. (Many will also be available for rent or purchase.)
• Let’s call these the “2020” movies: Every year I spend a good part of the first quarter watching some of the better movies that technically (and for Oscar purposes) have the previous year as their release date. That phenomenon was even weirder this year since some movies that actually did get an early 2021 release were in the extended Oscar qualifying window. I talked about a lot of these during Oscar season but these are worth searching for if you haven’t seen them yet. Sylvie’s Love (Amazon Prime) is a really swoony love story starring Tessa Thompson. Promising Young Woman (HBOMax) is a really angry grief story with a solid performance by Carey Mulligan. One Night in Miami (Amazon Prime) is a fascinating bit of historical fiction directed by Regina King. Judas and the Black Messiah (HBOMax) won Daniel Kaluuya his Oscar. Nomadland (Hulu) won director Chloé Zhao and lead actress Frances McDormand Oscars and is truly beautiful. Minari (Showtime) features a great Steven Yuen performance and a highly relatable family story. Sound of Metal (Amazon Prime) is a real showcase for actor Riz Ahmed. I won’t pretend that The Father (Starz) is a birthday party of a movie — it’s full of sadness and loss — but it also features one of Anthony Hopkins’ best performances.
• Good enough? Of course, most movies I saw this year are probably not Oscar-bound. Quite a few, however, fit the “decent entertainment from your sofa” bill. Thunder Force (Netflix) with Melissa McCarthy and Octavia Spencer as sudden, middle-aged superheros was not as good as I wanted but it had its moments. Netflix’s zombie movie and its prequel, Army of the Deadand Army of Thieves, are good lazy-day-on-the-couch fun. I probably liked the second even more than the first. The Ice Road(Netflix) contains exactly what it says on the label: Liam Neeson driving a big truck on an ice road. Red Notice (Netflix) is a very dumb movie that does not live up to the promise of Dwayne Johnson and Ryan Reynolds but I still laughed many times. VacationFriends (Hulu) is another dumb but fun outing with good comedic reluctant-buddy chemistry between Jon Cena and Lil Rel Howery. I know that Camila Cabello’s Cinderella (Amazon Prime) wasn’t, you know, “good,” but it was fun and her life’s ambition was more plucky than just “marry a prince.” Also on Amazon Prime, The Tomorrow War is a totally fine Chris Pratt-led action movie.
The winner of the “I’m not gonna say good but it’s worth a watch” prize this year might be an actual Oscar contender, House of Gucci, which is still in theaters and which the internet says will be on Paramount+ at some point in January. Come for the tacky-glam 1980s everything, stay for the “givin’ her all she’s got, Captain” Lady Gaga performance.
• Supermen & wonder women: For me, Zack Snyder’s Justice League (HBOMax), the longer, slower director’s cut of the 2017 movie, is probably more accurately in the previous category — not great but worth a watch. I felt very “oh now I see what’s supposed to be happening” and while it’s still not fun, it’s sort of an interesting historical document.
Things were much better over in the Marvel Cinematic Universe. Eternals (in theaters and headed to Disney+ on Jan. 12, according to Wikipedia) offered an interesting new group of characters — probably too many to allow us to really focus on the characters with the most potential (Kumail Nanjiani) but I’m willing to ride this branching-out-the-MCU ride. Shang Chi and the Legend of the Ten Rings (Disney+) has a compelling lead in Simu Liu, an even better supporting character in Awkwafina and an excellent villain (sorta) in Tony Leung. Yes, I know Black Widow’s (Disney+) whole deal is setting up other Marvel stuff, but I still enjoyed this stand-alone about Scarlett Johansson’s character (and I’m always excited to see Florence Pugh, “Russian” accent and all). The Marvel standout was probably the recently released Spider-Man: No Way Home (in theaters), which gives a nice completion to the three-movie MCU-Spider-Man arc and gave me a new appreciation for the previous Spider-Man series.
My favorite action franchise outing this year, though, might be No Time To Die(rent or purchase), the send off for Daniel Craig’s iteration of James Bond. I feel like he had more fun than he has in a while and the movie had some fun with the character.
• Family movie night:There was a particularly good crop of kids movies, specifically kids animated movies, this year. Raya and the Last Dragon(Disney+) is a fun adventure tale featuring a talking dragon but also beautiful animation and a lovely score. The Mitchells Versus the Machines(Netflix) is a fun family-on-a-quest tale and it makes fun of Big Tech and it looks great. Lin-Manuel Miranda had songs in two animated movies this year: Encanto (Disney+) and Vivo (Netflix), where he also voices a kinkajou. Both were a delight. Beautiful and soulful, Luca (Disney+) centers on the friendship between two mer-boys who want to check out life on land in Italy. After you watch it, check out the excellent short Ciao, Alberto (Disney+). And while you’re watching shorts on Disney+, check out Olaf Presents…, which features Josh Gad’s snowman doing his recaps on Disney movies and cracks my kids up every time. I know people have all sorts of opinions about James Corden but I really enjoyed this year’s live-action/CG mix Peter Rabbit 2: The Runaway (Netflix), more even than the first movie.
• Christmas movies! I support this weird Christmas movie arms race happening across TV and streaming. Sure, there’s a lot of blah, but there’s also a lot of solid seasonal fare. This year, I enjoyed Shaun the Sheep: The Flight Before Christmas (Netflix), another all-ages friendly, sweet-hearted entry in the Shaun the Sheep Aardman Animation canon. A Boy Called Christmas (Netflix) is darker but does some good work looking at kids and grief. 8-Bit Christmas (HBOMax) stars Neil Patrick Harris offering us the A Christmas Story-riff I didn’t know I wanted about life way back in the 1980s. Single All the Way (Netflix) is an absolute charmer of a Christmas rom-com.
• How do you do, fellow kids? These teen movies were not made for me but they delighted me all the same. The Map of Tiny Perfect Things (Amazon Prime) used a Groundhog Day concept to examine a teen romance and teen grief. He’s All That(Netflix) was a fun riff on the 1990s teen makeover movie. Moxie (Netflix), with its zines and its riot grrrl music, seemed at least as aimed at X-ers like me as the teenager it portrayed. Netflix also offered some solid teen horror movies — There’s Someone Inside Your House and the trilogy Fear Street Part One: 1994, Fear Street Part Two: 1978 and Fear Street Part Three: 1666. Everybody’s Talking about Jamie (Amazon Prime) gives you a coming of age story (a teen developing his drag persona) and a joy-filled musical.
• “Above average” is not faint praise: With Monster Hunter (Starz), you get the very Resident-Evil-style Milla Jovovich punching monsters, like what else do you need? Dream Horse (Hulu) is the big-hearted a-town-pulls-together underdog story that feels like cozy socks in movie form. Worth (Netflix) is a bummer about the aftermath of Sept. 11 but features a great performance by Michael Keaton. In my review, I described No Sudden Move as “ a very Soderberghian cool crisp cocktail of capering and doublecross with just a dash of dry humor.” Nobody (rent or purchase) from the John Wick writer is basically John Wick as a suburban dad — and is fun in the same way. I liked Idris Elba’s performance in Concrete Cowboy (Netflix).
• The 2021 standouts: Comedy (or maybe dramedy?) Shiva Baby (HBO Max) is an entertainingly claustrophobic look at early adulthood. Plan B (Hulu) is another hilarious movie about teen-girl female friendship and the unnecessary difficulties of obtaining health care. Belfast (theaters and for rent or purchase) is Kenneth Branagh’s warm-hearted, semi-autobiographical look at life in Belfast in the late 1960s. That movie is in black and white and so is Passing(Amazon Prime), though it gives you race in America in the 1920s shades of gray along with a tense psychological, er, thriller? However you’d label it, it sticks with you. The Harder They Fall (Netflix) is a top-notch Western full of excellent performances (Regina King, Idris Elba, Delroy Lindo, LaKeith Stanfield, Zazie Beetz). If you like Wes Anderson and his little model train worlds, you’ll enjoy the short stories collected in The French Dispatch(available for rent). Madres (Amazon Prime) is a horror movie that packs a real (real world) gut punch. Pig(Hulu) is the excellent Nicolas Cage performance you didn’t know you were waiting for.
But my favorite of this group may be CODA (Apple TV+), featuring a truly great performance by Emilia Jones as the only hearing member of an otherwise deaf family. Her love of singing and her urge for independence have her parents (equally excellent Marlee Matlin and Troy Kotsur) afraid of losing her to a world they can’t access.
• Great docs: Val (Amazon Prime) is a fascinating memoir from Val Kilmer. Rita Moreno: Just a Girl Who Decided to Go For It (Netflix) will remind you why the actress is so beloved. Street Gang: How We Got to Sesame Street (HBO Max) is a fun look at a revolutionary show. And speaking of revolution, Summer of Soul (…Or When the Revolution Could Not Be Televised) (Hulu) is part documentary and part concert film, and according to iTunes, an accompanying album is slated for Jan. 28.
• Speaking of song:We got more music-filled movies this year. As someone who does not live in New York, I support any opportunities to bring Broadway to my living room. Thusly, I was charmed with Come From Away(Apple TV+). Of course, I can’t help loving West Side Story(still in theaters) and I even like the slight tweaks. And, yes, as mentioned up top, from culottes to Andy Garcia as Tommy Bahama, I love Barb and Star Go To Vista Del Mar(Hulu) and all of its music (“Edgar’s Prayer” but also everything from the hotel lounge singer).
• Most joyful:But OK, at the end of the day, I guess I won’t give those midwestern besties the absolute top spot. I guess that one goes to In the Heights (HBO Max), another Lin-Manuel Miranda musical, this one adapted for the big screen (versus Hamilton’s filmed stage production). This movie was bright and beautiful and absolutely joyous.
2022?
Look, who knows what the movie schedule will look like in January, much less the rest of 2022. But for now, here are a few things on the calendar that I’m excited to see:
• Scream (Jan. 14 in theaters) Yes, Scream, like the original, with Courtney Cox, Neve Campbell and David Arquette. I guess I am a sucker for some kinds of nostalgia.
• The Tragedy of Macbeth (Jan. 14 on Apple TV+) In theaters now (including Red River Theatres in Concord starting Friday, Dec. 31), this Joel Coen-directed version of Shakespeare’s play starring Denzel Washington will stream right into your home, for the convenience of current and former lit majors.
• Cyrano (late January) This movie starring Peter Dinklage has appeared on some year-end lists but won’t really get a release until January.
• Downton Abbey: A New Era (March 18, Peacock 45 days later, according to Wikipedia) I don’t know how I feel about this but I will still watch with some polite excitement this latest chapter.
• The Batman (March 4) Robert Pattinson dons the cowl.
• Doctor Strange and the Multiverse of Madness (May 6) Our next Marvel Cinematic Universe movie.
Featured photo: Barb and Star Go to Vista Del Mar.
A look back at the local food scene in 2021, plus trends and predictions for 2022
Local restaurateurs continued to feel the lingering effects of the pandemic throughout what was a very up-and-down year for the hospitality industry in 2021.
“This year certainly wasn’t quite as bad as 2020, but I think it was challenging in somewhat different ways,” said Mike Somers, president of the New Hampshire Lodging & Restaurant Association. “At the start of the year, consumer confidence was at an all-time low, and businesses were really struggling to keep their numbers up. … Over the course of the summer months, it was extremely busy. Then obviously it tapered off very quickly once we got past Columbus Day, or thereabouts. … Clearly, we’re going to be having these ups and downs as we go forward.”
New Hampshire-specific results from an operator survey conducted by the National Restaurant Association in mid-September showed that 44 percent of local business owners believe it will take at least another year before the industry normalizes. Profitability is down and food costs are up, with 93 percent of those surveyed saying they’re paying more than ever for product and 85 percent reporting their labor costs have increased. The lack of adequate staffing also remains a major problem — 91 percent of business owners reported being understaffed.
“Back in the spring, we really thought we’d be in a whole different place by now. That hasn’t come to pass,” Somers said. “It really remains to be seen what the next three, four, five months looks like, and I think we’re going to start to see business owners make some key decisions.”
With 2022 on our doorstep and amid concerns about the omicron Covid-19 variant, here’s a look back on how the previous year unfolded and the current obstacles the industry is facing.
Highs and lows
New Hampshire began the year still under a statewide mask mandate for all indoor and outdoor public spaces, including restaurants. That emergency order would expire in mid-April following a sharp decline in Covid-19 cases, thanks to the rollout of vaccines throughout the early spring.
By early May, individual guidelines and restrictions at restaurants, in place since the start of the pandemic, transitioned into what Gov. Chris Sununu called “universal best practices,” consolidating guidelines for all business sectors across the Granite State. The state of emergency came to an end on June 11 as cases continued to drop.
“When you talk about 2021, I mean, there were just amazing highs and lows throughout the year,” said Tom Boucher, CEO of Great New Hampshire Restaurants, the Bedford-based group that includes each T-Bones, Cactus Jack’s and Copper Door location in the Granite State. “Most of our stores were up through the summer, over 2019 sales. … As soon as the fall hit, though, we did see revenues drop a little bit. Not a lot, but it was noticeable.”
As was the case in 2020, rented tents were set up in the parking lot of each restaurant to accommodate more outdoor dining opportunities. For a brief period from about mid-July to mid-September each location was also closed on Mondays as a way to give its staff a break.
Takeout is still not available from 5 to 8 p.m. on Friday or Saturday evenings, a move that has been in place since late March to allow each eatery to prioritize in-house dining. But Boucher said that there have been talks to end this temporary suspension at T-Bones and Cactus Jack’s.
Firefly American Bistro & Bar has similarly continued to experience a greater interest in outdoor dining, according to manager Rachael Jones. In addition to putting up tents, the restaurant now keeps its outdoor patio open year-round with propane heaters in the winter months.
“We’ve had the patio maybe eight years or so, but it was always something that was strictly seasonal,” Jones said. “There just wasn’t a call for it once it got cold, but now people are happy to bundle up and have a cocktail outside. It’s just become something that we do.”
At KC’s Rib Shack, owner and co-founder Kevin Cornish made several operational changes, the most significant of them being that he’s now permanently closed for lunch on weekdays. As of about a month ago, he’s also now open an hour later each evening.
“For 20 years I kind of considered whether or not lunch was worth it for us,” he said. “We would do a good lunch, no question about that. But I think closing for lunch has helped us immensely in a lot of different areas as far as keeping the quality of our food up.”
Cornish introduced KC’s Boneyard late in the spring, a new private function and event room housed in the former Souper Melt building directly in front of the Rib Shack.
In mid-March, Tim Baines of Mint Bistro and Bob Scribner of The Wild Rover Pub joined forces to open Elm House of Pizza, a neighborhood pizzeria in the former Theo’s space on Elm Street. It was also a big year for LaBelle Winery, which introduced a new restaurant concept, a retail market, performances and event spaces and a nine-hole golf course across a 45-acre property in Derry. Each of those properties opened in phases over the course of the spring and summer.
The struggle to staff
As restaurants have continued to recover, finding and retaining qualified employees to meet the growing demand became a defining issue in 2021, and it will carry over into 2022 for many.
The Flight Center opened a second location in Manchester in late June and has only recently become able to operate for lunch during the week. Its sister restaurant, the 1750 Taphouse in Bedford, as well as The Flight Center’s downtown Nashua spot, have also been only open for limited hours, managing partner Seth Simonian said.
“As 2020 came to an end and then going into 2021, we saw a pretty significant decline in applicant flow, while business didn’t really change,” Simonian said. “You have people who expect you to be open for lunch and dinner, and to be open seven days a week … Downtown Nashua has been our hardest to staff by far.”
None of LaBelle Winery’s three properties in Amherst, Derry and Portsmouth is operating full-time for similar reasons. Americus Restaurant, which opened in mid-May, currently offers dinner five nights a week and brunch and lunch on the weekends, but owner Amy LaBelle said the goal was to also have it be open during the week.
“Given the fact that there’s a golf course and many other daytime activities here on the property, it’s just staggering that we haven’t been able to get that accomplished. We just don’t have the staff,” LaBelle said. “The kitchen is definitely the hardest-hit, but even if I had a fully staffed kitchen I still couldn’t open full-time because I don’t have enough servers.”
Great New Hampshire Restaurants, Boucher said, remains slightly below its normal number of about 800 employees across the company’s 10 locations.
“Staffing has definitely improved for us, but I think the labor shortage is going to continue to be an issue in 2022,” he said. “It’s not exclusive to the restaurant industry either, that’s for sure.”
Beginning in 2022, in addition to Thanksgiving and Christmas, the company will be closing its restaurants on five additional holidays — President’s Day, Memorial Day, the Fourth of July, Labor Day and Columbus Day — and offering paid time off to its managers for those days.
“I think it’s going to be a really disruptive decision that we’re making to put us in a competitive place to attract employees and managers,” Boucher said. “It’s also a big win for our staff because they’ll be able to make plans to do something with their families or friends.”
Paying the price
Increasing food costs and ongoing supply chain issues have forced local restaurateurs to make critical choices about what to buy, problems they say aren’t likely to go away anytime soon.
“Inflation has really been the challenge,” Somers said. “It’s not about being able to get product. You could get it. It’s just whether or not you could afford to actually put it on the menu.”
LaBelle said she has especially felt these impacts since right around when Americus opened.
“When we are writing a menu now, we look at the prices first and we might say, OK, we can’t put this rib-eye on the menu right now. I’m not going to charge $70 for it,” she said. “So we’ve definitely tailored our menu to be able to reflect really good-quality food, but also things that we can get to people at a reasonable price without compromising our quality.”
Not being able to get the products right away, she added, only makes it more difficult.
“I used to be able to place a food order and get it the next day from our major food suppliers,” she said. “Now there’s a twice-a-week delivery schedule, because they don’t have people to deliver. So if I need something or if we run out of something, I can’t get that quick delivery that I used to be able to get. I have to wait until my designated delivery day. … So we’re not used to that, and it makes the chefs have to be super careful about what they’re ordering.”
At Firefly, Jones said she has already heard from purveyors warning that certain items may be hard to come by for anywhere from the next three to 12 months.
“You’re just so used to having everything at your fingertips,” she said, “but this year, it was just like all the rules go out the window. People have been very understanding, so that’s been great.”
Baines said he has experienced higher costs as well, particularly within the last six months or so.
“We did have to shrink the Mint [Bistro] menu a little bit and were reluctant to do so. Some of it is due to availability and some of it was just that the cost to put it on a plate just didn’t feel right to charge what we would have to to make it work,” he said. “I think you’ve seen that industry-wide. You’ve seen hours shrink and you’ve seen menu selections shrink.”
A taste of events to come
Here are a few foodie happenings to look forward to as we begin 2022. Be sure to visit the event’s website or contact the venue directly for the most up-to-date information.
• The Taste of Bedford is due to return on Tuesday, Jan. 11, from 6 to 8 p.m. at Bedford High School (47B Nashua Road), according to the event’s website. Bedford-area eateries will congregate for a night of food sampling, with proceeds benefiting the school’s Distributive Education Clubs of America (DECA) chapter, one of the largest in the state. Tickets are $10 per person, or $30 per family of four and $40 per family of five. Visit tasteofbedford.org.
• LaBelle Lights at LaBelle Winery Derry (14 Route 111) continues with a special Fire and Ice Weekend on Friday, Jan. 14, and Saturday, Jan. 15, featuring live performances like fire dancers and ice stilt walkers, in addition to bonfires, themed food and cocktail specials and more. Tickets are $15 to LaBelle Lights, which is being held from 4:30 to 9 p.m. on select days now through Feb. 26. Valentine’s Day and Mardi Gras celebrations are also planned before LaBelle Lights closes for the season. Visit labellewinery.com/lights to view the full calendar schedule.
• New Hampshire Wine Week is right around the corner, and tickets are available now to the 18th annual Easterseals Winter Wine Spectacular on Thursday, Jan. 27, from 6 to 9 p.m. at the DoubleTree by Hilton Manchester Downtown (700 Elm St.). This will be the first in-person Winter Wine Spectacular since January 2020 — the pandemic forced its transition into a series of virtual tastings last year. Tickets are $65 for access to the grand tasting, or $135 for access to the Bellman Cellar VIP tasting room (limited availability), with proceeds benefiting Easterseals New Hampshire. For the most up-to-date details on New Hampshire Wine Week, which also includes bottle signings and wine tastings across the state, visit nhwineweek.com.
A cautious optimism
Despite a looming uncertainty about the future, most of the local restaurateurs we spoke with say they’re optimistic overall heading into 2022 — just as long as there isn’t another shutdown.
“We’re seeing the dining public out and about, and almost every restaurant I see is filling seats,” Baines said. “However people are feeling about it, they’re going out again.”
Nearly a year after opening Elm House of Pizza, Baines and Scribner are introducing another new concept in the Queen City. City Hall Pub, he said, is due to open in the former Cheddar & Rye space on the corner of Hanover and Elm streets by the third week of January.
“We have The Wild Rover, Mint Bistro, Elm House of Pizza and then City Hall Pub all under Southern New Hampshire Hospitality Group,” he said. “We’re going to offer a loyalty program within those four, so you can generate points and use them throughout each of the locations.”
LaBelle Winery, meanwhile, is due to finish construction on a new sparkling wine production facility and tasting room in Derry by late May 2022. LaBelle said plans are already underway to also bring back the highly successful LaBelle Lights holiday celebration next winter.
“We thought we would have 20,000 visitors throughout the three months of LaBelle Lights, but as it turns out, we’ve already had that many in the first month,” she said.
Boucher also said he’s noticed customers are coming back, making him hopeful for the future.
“Restaurants are obviously in the business to serve food, but they’re much more than that. They’re a gathering place,” he said. “It’s not just the food; it’s the warm hospitality that defines restaurants, and I think people really figured that out [by] staying at home through the pandemic. … I think restaurants will always thrive because eating at home just isn’t the same.”
A Year in the Kitchen: 2021 edition
The Hippo’s In the Kitchen Q&A series continued throughout 2021, with a different New Hampshire restaurant chef, baker or homestead business owner profiled each week.
Regular readers know that we like to turn to the experts for their thoughts on the biggest food trends currently sweeping the Granite State, and as the industry continues to experience the effects of the pandemic, the answers we received seemed to be all over the map. Farm-to-table dining, comfort items and vegan menus, and the ways we get our food beyond visiting a traditional brick-and-mortar restaurant — think ghost kitchens, food trucks or third-party delivery apps — were some of the most common threads.
“I think restaurateurs in New Hampshire have done such an amazing job pivoting their operations over the last year and a half, regardless of what their business model is,” Lisa Kingsbury of Lush Confections in Derry told the Hippo in July. “I think they are more open to different possibilities than they would have otherwise been.”
It’s always fun to see what people come up with as an answer to another question we ask, “What celebrity would you like to see eating at your restaurant?” or “What celebrity would you like to have a meal with?” For the second consecutive year, the No. 1 answer was chef Gordon Ramsay of, among many other shows, Hell’s Kitchen. Actor and New Hampshire native Adam Sandler once again received a fair number of mentions — and, even though he’s no longer with us, the late chef and author Anthony Bourdain also continued to be a common answer.
“In culinary school, [Bourdain] was who we looked up to and somebody we aspired to be,” Jenn Martins of Brickoven Catering in Hudson told the Hippo in August.
We also like to give our interviewees the opportunity to give a shout out to their favorite local eateries. The answers to this question could not have been more diverse — almost everyone called a different restaurant their favorite. But there were a few recurring names, including MT’s Local Kitchen & Wine Bar in Nashua, The Black Trumpet Bistro in Portsmouth, the East Derry Tavern, and several of the La Carreta Mexican Restaurant locations.
Featured photo: Americus Restaurant opened in mid-May 2021 in Derry. Photo courtesy of LaBelle Winery.
Well, it was better than 2020 — that’s the sentiment that many in the art community had about 2021, as they continued to try to evolve among the ebbs and flows of the pandemic.
“All arts organizations have faced tremendous challenges in bringing live performances and art experiences to the public,” Alan Chong, Director of the Currier Museum of Art in Manchester, said. “We have all learned to adapt and be flexible.”
Here’s how some artistic groups fared in 2021, and a look at what they think 2022 might bring.
Art
For some organizations, 2021 meant bringing back some sorely missed in-person events. The League of New Hampshire Craftsmen, for example, was able to hold its annual fair in Sunapee, with a few modifications that prioritized social distancing.
“We were really delighted that the fair was a total success and people felt comfortable coming,” said Miriam Carter, executive director of the League.
Carter said the artists did very well, with an increase in sales from $2.35 million in 2019 — the last time the fair was held in person — to $2.74 million in 2021.
“People came ready to buy,” Carter said. “It was incredibly heartening.”
The Currier Museum of Art in Manchester has faced financial challenges from being closed for most of 2020 and much of 2021, according to Chong, but it was able to reopen in 2021 with a special exhibition called “The Body in Art,” which looked at images of nudes from different perspectives, like gender, culture and time period.
“The museum also acquired a second house designed by Frank Lloyd Wright just before the pandemic,” Chong said. “We were so happy to be able to open both houses to the public in 2021.”
The museum is now offering free admission for all on Thursday nights, with live music, tours and refreshments.
Joni Taube, owner of Art 3 gallery, also re-opened her studio to the public this year, changing her hours to 1 to 4:30 p.m. Monday through Friday, with other times open by appointment. Taube, who does art design consulting for individuals and businesses, said that at the beginning of the pandemic she had to adapt how she showed the work in her gallery by hosting virtual show openings, and that has continued in 2021 because her space is too small for gatherings. She said she may have 70 to 80 artists showing at one time, with the majority of the works being paintings, along with some glass, ceramics and metal pieces. In working with so many artists, Taube has heard a range of reactions to the pandemic.
“Artists are doing more experimenting because they’re in their studios all the time now,” she said. “Some are frustrated because the galleries are closed. Many of them have way too much work in their studios that they’d like to find an outlet for. … Some are hunkered down and painting and happy. … I think that’s how a lot of them coped.”
Taube said she thinks it has been difficult financially for artists, which is one of the reasons she started posting work online.
“You try different things for them [like] social media [and putting] shows online so the artists feel like their work is getting exposure,” she said.
The League of New Hampshire Craftsmen was able to reopen its smaller galleries, and Carter said the artists who display their work there have been well-supported by the public.
“Shopping local has really started to stick,” Carter said. “There seems to be a mindset to support the local talent. … [I think] that’s a direct impact of Covid.”
Looking ahead, Carter said the League is already preparing for the 2022 fair and will be ready to adapt if needed.
“At headquarters we’re really excited to be returning to opening our exhibition gallery, [which has been] closed since [the start of the pandemic],” she said.
The gallery will open Jan. 20 with a three-day exhibition of Art & Bloom by the Concord Garden Club. It will then open for regular hours starting Jan. 25 on Tuesday, Wednesday and Thursday from noon to 4 p.m. A new exhibition called “Setting the Standard,” featuring new work from League jurors in all media areas, will be on display at that time.
At the Currier, Chong said they’re watching the omicron variant situation carefully and will make decisions based on keeping the community safe.
“We are continuing to push experiences [like] remote art classes and educational resources,” Chong said.
A new exhibition featuring the work of Arghavan Khosravi is scheduled to open in April, according to Chong, and the Currier will also be showing Warhol Screen Tests: “short film snippets made in the 1960s that prefigure our selfie culture,” he said.
Art 3 Gallery currently has a show that will be up for another few weeks called “Artful Escapes.”
Taube is hoping to have some in-person opening receptions next year but knows that as with this year, everything can change at any time.
“I don’t know what 2022 is going to bring,” she said. “I’m hoping that people start coming out more and looking again at art, thinking about spaces, decor and how they want to live and have an appreciation of what people go through in terms of forming a piece of artwork.”
Theater
Still reeling from a huge loss of income after the months-long shutdowns in 2020, New Hampshire performance companies and venues spent 2021 recuperating and trying to regain some stability.
Salvatore Prizio, who became the Executive Director of the Capitol Center for the Arts in Concord last fall, said financial difficulty is the biggest challenge to come with his new position.
“One of the major issues CCA and all performing arts centers are facing now is getting back on their feet [financially],” he told the Hippo in November. “They have a lot of fiscal issues from being shut down for months.”
As restrictions on public gatherings were eased, many performance companies and venues saw an opportunity to increase revenue by expanding their programming options as much as possible, to accommodate people with all levels of Covid safety concerns.
“New Hampshire Theatre Project moved to a variety of alternative formats last year, including livestream and on-demand programming as well as in-person and outdoor performances,” said Genevieve Aichele, executive director of the Portsmouth-based company, which had lost 75 percent of its income in 2020, according to Aichele.
The Hatbox Theatre in Concord reopened with its first in-person mainstage production of the year in early summer. With masks required and seats distanced, the venue was able to operate at around 85 percent capacity.
“[Having in-person shows] enables us to … get to a point where productions not only break even but might actually come out ahead a little for their next production,” theater owner and operator Andrew Pinard told the Hippo in June.
Manchester-based Cue Zero Theatre Company was one of a number of local companies and venues that utilized a hybrid format for its performances, allowing people to attend in person or watch from home via livestream.
“Being able to offer streaming alongside the in-person performances created new opportunities for us to reach both a wider audience as well as keep our local audiences feeling safe and comfortable,” Cue Zero artistic director Dan Pelletier said, adding that the company “had a successful 2021, all things considered.”
The New Hampshire theater community also took time in 2021 to celebrate the technology and experimental forms of performance that have kept them going through the pandemic.
“The pandemic has truly redefined the way theater artists make work,” said Matt Cahoon, artist director of Theatre Kapow in Manchester. “We feel very fortunate to have found ways to innovate.”
Powerhouse Theatre Collaborative in Laconia, for example, teamed up with the Community Players of Concord in April to host a Zoom Play Festival, featuring a series of new short plays by New Hampshire playwrights, written specifically for performance over the Zoom video chat platform; and the theme of New Hampshire Theatre Project’s annual Storytelling Festival, held in the spring virtually and in person in Portsmouth, was “What Are You Waiting For?” — a theme inspired, Aichele said, by the innovation of the arts community during the pandemic.
“It’s a new world; we can’t do art the way we used to,” Aichele told the Hippo in April, “so why not use Covid as an opportunity to reinvent ourselves? What are we waiting for? That’s really what these stories are about — not waiting to act or make a change.”
Heading into the new year, performance companies and venues are hopeful that they can continue to present shows in person, but are at the ready to go fully virtual again, should restrictions on public gatherings be reinstated.
“We are well aware that we may need to return to virtual performances at some point in the future, but truly feel prepared to make that transition if need be,” Cahoon said, adding that Theater Kapow is “also working hard to incorporate many of the lessons we have learned and the technology we have acquired into our in-person performances.”
Some companies and venues have had so much success with their virtual programming that they plan to offer it, in addition to their in-person programming, indefinitely, regardless of the Covid situation.
“Digital media … is going to be a long-term component of performing arts centers,” Prizio told the Hippo in November. “That’s going to be critical for us down the road. It’s a way we can reach a wider audience and allow people who might not have the opportunity to get to our physical space, like some of the folks living in senior centers, for example, to experience art from the comfort of their own home.”
Many theater directors are optimistic about the future of community theater, even in the face of uncertainty.
“2021 brought new challenges, but also new opportunities, and we are a stronger company because of it,” said Rob Dionne, artistic director of Majestic Theatre in Manchester. “We are looking forward to seeing our audiences grow again in 2022.”
“We know the challenges of Covid are not going away,” Pelletier added, “but we look forward to traversing them with our audiences into a new landscape where we can continue to create our brand of theater and art.”
Things to look forward to in 2022
ART • “Setting the Standard”: A new exhibition at League of New Hampshire Craftsmen headquarters in Concord that will feature new work from League jurors in all media areas will be open to guests Tuesdays, Wednesdays and Thursdays from noon to 4 p.m. starting Jan. 25. Visit nhcrafts.org. • Arghavan Khosravi exhibition: The Currier Museum of Art in Manchester will host an exhibition featuring the work of Arghavan Khosravi, “an immensely talented artist whose challenging images have a striking surrealist quality,” according to museum director Alan Chong. The opening date will be announced soon. Visit currier.org.
THEATER • The Majestic Academy of Dramatic Arts presents a Young Performers’s Edition of The Wizard of Oz at the Derry Opera House (29 W. Broadway, Derry), with showtimes on Friday, Jan. 28, and Saturday, Jan. 29, at 7 p.m., and Sunday, Jan. 30, at 2 p.m. Tickets cost $15 for adults, $12 for seniors age 65 and up and $10 for students age 17 and under. Call 669-7469 or visit majestictheatre.net. • Glass Dove Productions presents Mary and Me at the Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Concord) from Jan. 28 through Feb. 13. The original play by Irene Kelleher, inspired by a true story, follows a pregnant 15-year-old girl and her search for understanding while growing up in 1986 Ireland. Tickets cost $22 for adults and $19 for seniors and students. Visit hatboxnh.com or call 715-2315. • The Riverbend Youth Company will perform The Lion King Jr. at the Amato Center for the Performing Arts (56 Mont Vernon St., Milford), with showtimes on Friday, Feb. 4, at 7:30 p.m.; Saturday, Feb. 5, at 2:30 and 7:30 p.m.; and Sunday, Feb. 6, at 2:30 p.m. Tickets will go on sale in early January. Visit amatocenter.org/riverbend-youth-company. • Cue Zero Theatre Co. presents Deadly, an original movement-based theater piece by Crystal Rose Welch, at Granite State Arts Academy (19 Keewaydin Drive, No. 4, Salem), with showtimes Friday, March 4, through Sunday, March 6. With a nine-person ensemble, Deadly uses movement to explore the modern-day seven deadly sins. Visit cztheatre.com • The Franklin Footlight Theatre presents a production of Little Women at the Franklin Opera House (316 Central St., Franklin) with showtimes on Thursday, March 10, through Saturday, March 12, at 7:30 p.m., and Sunday, March 13, at 2 p.m. Based on Louisa May Alcott’s classic 1869 novel, the play follows the adventures of four sisters living with their mother in Massachusetts while their father is fighting in the Civil War. Tickets cost $16 for adults and $14 for students and seniors. Visit franklinoperahouse.org or call 934-1901. • The Palace Theatre (80 Hanover St., Manchester) presents a mainstage production of Bye Bye Birdie from March 11 through April 3. The musical comedy, set in 1958 small-town America, centers around teen heartthrob Conrad Birdie, who has been drafted into the Army and announces that he will give one girl from his fan club a goodbye-kiss before reporting for duty. Tickets range from $25 to $46. Visit palacetheatre.org or call 668-5588.
Featured Photo: Untitled by Arghavan Khosravi. Courtesy photo.
Powder Days, by Heather Hansman (Hanover Square Press, 264 pages)
Heather Hansman learned to love skiing in New England, even though she’s more of a West Coast woman these days. An accomplished writer and editor who has worked for magazines such as Outside, Backcountry and Powder, Hansman doesn’t qualify as a ski bum, the skiing-obsessed person who will take on low-paying jobs at ski resorts in order to indulge the passion full-time. But she was for a while and brings deep insider knowledge to Powder Days, an examination of what rising temperatures are doing to the ski industry, wrapped in a love letter to the sport and to winter.
“I know that skiing is ephemeral and selfish, but I ache when I’m away from it for too long, and I don’t think it’s just the dopamine drop that drives the fixation,” Hansman writes.
Before you non-skiers depart for lack of interest, you should know that while this is a book written by a skier for other skiers, this shouldn’t be a deal-breaker for the sedentary and clumsy (myself the latter). Hansman is a graceful writer, as lithe in language as in body, and while she occasionally slips into skier-speak, with a little Googling, you will learn many interesting things, such as that dangerous clumps of snow on a ski route are called frozen chicken heads, a term I enthusiastically welcome to my vocabulary. In short, I don’t ski, and I still found this book engrossing.
Hansmen begins by recalling her early ski-bum days, which began around a campfire in Maine when another skier offered Hansman a job scanning lift tickets at a ski resort in Colorado. “I latched on to the idea that if I went west, I would be braver and truer and more exciting,” she writes.
She had become a skier like most people do — because her parents paid for lessons. “You don’t become a skier by accident — it’s an objectively stupid, expensive, gear-intensive sport — but my parents enabled it early, cramming my brother and me into hand-me-down boots and carting us to New Hampshire, so they could ski too,” she writes. “ … In college, I’d wake up in the post-party, predawn dark to drive across Maine and New Hampshire just to ski knobby backcountry lines in the White Mountains. I’ve always felt clearer in motion.”
That said, Hansman came from a family of occasional skiers, not those who strap toddlers to skis while they are learning to walk. Her obsession with the sport and lifestyle grew organically, somewhat to her bewilderment. “Skiers chase snow and freedom and wildness, at the expense of a lot of other things. I’m still trying to understand how something so ephemeral can shape your whole life.”
Hansman dips into the history of skiing in the U.S, acknowledging “the ski industry starts where my ski story starts, in the knobby mountains of New England.” She recalls skiing the Tuckerman Ravine and the Sherburne Trail of Mount Washington, created in the 1930s, back when runs were “steep and skinny, just a couple of skis wide.”
“That was skiing for a long time, no lifts, just a grind uphill and a slide back down.”
She then zips through how the sport exploded, its growth tracking with the lives of baby boomers, and how its popularity in the 1970s led to today’s elaborate resorts and McMountain trails that she fears have taken the soul out of the sport and tarnished it with elitism. (Fun fact: more than 50 billionaires have homes in Aspen.)
The bigger problem for the industry, however, is not the unaffordability of homes in ski country, but the warming climate. There’s less snow these days than there was a quarter-century ago, and it’s not always cold enough to make snow, as 88 percent of ski resorts do. We are seeing, as Hansman puts it, “the winnowing of winter.” She quotes a meteorologist friend who says that what concerns him most is that low temperatures are increasing faster than high temperatures. This means that places like New England have fewer days when the temperature falls below freezing.
“Depending on the emissions scenario you choose, snowfall is predicted to shrink by up to a third by the end of the century. That thin margin of winter is going to have a huge bearing on the future of skiing, and on whether or not people can keep counting on the seasons to eke out a way of life.”
Hansman’s worries that Aspen could be the new Amarillo by century’s end may strike some as the hysteria of the climate-grief-stricken. By the end of January, her fear of “hot, snowless winters” may actually hold some appeal. But there is real concern about what will happen if recent trends continue. Resorts can make snow, sure, but it still has to be cold enough. “I get a deep gut ache when I think about losing snow, about the contrast between my childhood memories of snow and the gray slush of right now. … New England skiing feels almost too painful now. How could it have gotten this bad so fast?”
Hansman ends with another kind of grief, the acknowledgement that skiing can be deadly. “If you get deep into skiing, eventually you have to acknowledge that the thing you love can kill the people you love.” Then, she pivots into the tendency for thrill-seekers like skiers to abuse drugs and alcohol, and sometimes to kill themselves. Deaths of despair are on the rise in the U.S. and this is an important topic, but it was a bit jarring to have this conversation take place at the end of the book. That said, it’s a small quibble with an otherwise solid book, which might even be more interesting for nonskiers than skiers, who already know about frozen chicken heads.
Book Events
Author events
• JAMES ROLLINS Author presents The Starless Crown, in conversation with Terry Brooks. Virtual event hosted by Gibson’s Bookstore in Concord. Mon., Jan. 10, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com.
• TIMOTHY BOUDREAU Author presents on the craft of writing short stories. Sat., Jan. 15, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.
• CHAD ORZEL Author presents A Brief History of Timekeeping. Virtual event hosted by Gibson’s Bookstore in Concord. Thurs., Jan. 27, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com.
• ISABEL ALLENDE Author presents Violeta. Virtual event hosted by Gibson’s Bookstore in Concord. Sat., Jan. 29, 7 p.m. Via Zoom. Registration and tickets required, to include the purchase of the book. Visit gibsonsbookstore.com.
• JOHN NICHOLS Author presents Coronavirus Criminals and Pandemic Profiters. Virtual event hosted by Gibson’s Bookstore in Concord. Tues., Feb. 1, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com.
• GARY SAMPSON AND INEZ MCDERMOTT Photographer Sampson and art historian McDermott discuss New Hampshire Now: A Photographic Diary of Life in the Granite State. Sat., Feb. 19, 9:45 to 11:45 a.m. Peterborough Town Library, 2 Concord St., Peterborough. Visit monadnockwriters.org.
Poetry
• CAROL WESTBURG AND SUE BURTON Virtual poetry reading hosted by Gibson’s Bookstore in Concord. Thurs., Jan. 20, 7 p.m. Via Zoom. Registration required. Visit gibsonsbookstore.com or call 224-0562.
• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.
Book Clubs
• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.
• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.
• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.
• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com
• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].
• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.
Language
• FRENCH LANGUAGE AND LITERATURE CLASSES
Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.
Wherein John Fladd presents “TannenBombed – A High-Proof Christmas Card in Eight Parts.”
A note on measurements: For non-liquid ingredients, like sugar and stuff, I measure by volume and weigh it as I go. In general when I cook, I almost entirely measure ingredients by weight, when possible, especially with baking, because I find it’s more precise. For those who prefer to wing it with cups and teaspoons, I’ve approximated those.
Part 1:
Saint Nicholas
A lot of people conflate Saint Nicholas with Santa Claus, which is, at best, overly simplistic and, at worst, potentially dangerous. He was not a man to take lightly.
Nicholas of Myrna is one of the early Catholic and Orthodox saints — really early, like Roman Empire-early. Apparently, “jolly” was not really one of his outstanding character traits. Nicholas was more of a roll-up-the-sleeves-of-your-robes-and-knock-some-sense-into-them kind of saint. According to the Saint Nicholas Center (stnicholascenter.org), during his lifetime he was best known for chasing demons out of trees with an ax — apparently demonic possession of trees was a thing in the fourth century — and punching a fellow theologian in the face at the Council of Nicaea.
“But, surely,” you say, “he must have had something to do with children. He’s the Patron Saint of Children, after all.”
Funny you should ask, actually. Yes, Saint Nicholas is the Patron Saint of Children — as well as thieves, brewers, sailors and wolves — because of a light, charming, amusing* anecdote. (*Actually, it’s pretty much the opposite of light or charming.)
It seems that a rogue butcher, or maybe an innkeeper – there are several versions of the story — kidnapped three children and cut them up to make into sausage. Worried parents asked Nicholas to get their children back for them. According to the story, Nicholas went to the butcher’s workshop and called for the children to come home with him, whereupon the body parts sprang up from various vats, reassembled themselves into little boys and followed him back to their village. The moral of the story, I suppose, is that even in the Late Roman Empire some things were off the table — literally, in this case.
A more cheerful story — and probably the connection with Santa Claus — is the story of The Golden Balls:
It seems that a wealthy man fell on hard times and didn’t have any money to provide his three daughters with dowries to attract good husbands. He was in the process of preparing to sell them into prostitution — because of course he was — when Nicholas saved the day by throwing three gold balls down their chimney, where they landed in the girls’ shoes, or possibly their stockings.
You would think that this would be enough to make him the Patron Saint of Brides or Stockings or maybe Balls, but in fact it landed him the gig as Patron Saint of Pawn-Brokers. (This is why most pawn shops have a sign with three golden balls by their front doors.)
Pawnbroker Cocktail
2 ounces apple brandy — I like Laird’s Applejack
1 ounce Goldschläger — a cinnamon schnapps with flecks of actual gold in it
1 ounce fresh-squeezed lemon juice
Combine all ingredients with ice in a cocktail shaker.
Shake.
Strain into a small, fancy glass. As you drink this, think about how much you’d have to pay someone to take one of your kids off your hands. You’ll come away with a new appreciation for Nicholas.
This is a take on a classic cocktail called a sidecar. Think of it as a cousin to a margarita, but with brandy instead of tequila, and, in this case, a sweet, cinnamony associate. The taste of this drink is very cinnamon-forward, but, as with Saint Nicholas himself, do not underestimate it. The Goldschläger is sweet and a bit candy-like but clocks in at over 80 proof. If you had too many of these too quickly, you could find yourself threatening your houseplants with a spatula, trying to rid them of malignant spirits. (In fact, you are probably just over-watering them.)
Part 2:
Drinking punchwith Charles Dickens
Charles Dickens was a big fan of punch — proper punch, with something sweet, something sour, and an alcoholic kick that would stun a musk ox. During the Victorian period, being able to serve a self-respecting punch was a status symbol for any host. Today we think of the term “punch drunk” in the sense of a boxer who is on his last legs, but the whole reason that phrase ever caught on in the first place is that everyone was familiar with the concept of being drunk on punch.
Apparently, Dickens’ favorite punch was a version of something called a Smoking Bishop, which was traditionally heated by lighting it on fire or, better yet, plunging a red-hot poker into it, which frankly seems a bit intimidating. Fortunately he provided an alternative.
In A Christmas Carol Dickens makes several passing references to punch but never gets specific about what, aside from lemons, should go into a decent Christmas punch. (The lemons themselves are a bit of a tell, though. When you think of what an extravagance lemons would have been to a man like Bob Cratchit, you get a glimpse into what a special occasion punch-drinking was.) A better guide comes from Our Mutual Friend:
‘You don’t use lemon in your business, do you?’ asked Wegg, sniffing again.
‘No, Mr Wegg,’ said Venus. ‘When I use it at all, I mostly use it in cobblers’ punch.’
‘What do you call cobblers’ punch?’ demanded Wegg, in a worse humour than before.
‘It’s difficult to impart the receipt for it, sir,’ returned Venus, ‘because, however particular you may be in allotting your materials, so much will still depend upon the individual gifts, and there being a feeling thrown into it. But the groundwork is gin.’
‘In a Dutch bottle?’ said Wegg gloomily, as he sat himself down.
‘Very good, sir, very good!’ cried Venus. ‘Will you partake, sir?’
‘Will I partake?’ returned Wegg very surlily. ‘Why, of course I will!”
— Charles Dickens, Our Mutual Friend
So let’s take a stab at a Cobbler’s Punch.
Cobbler’s Punch
3 lemons, large and as deeply yellow as you can find. (Your best bet will be to look in the seafood department of your supermarket.)
¾ cup white sugar
1 750-ml bottle of very cold gin
½ cup / 4 ounces limoncello
3 12-ounce bottles of extremely bubbly seltzer, chilled. Topo Chico would be excellent for this.
Peel the lemons and muddle the rind with the sugar at the bottom of a punch bowl.
Turn your back on the lemon sugar and find something else to do for three hours — maybe watch the first two Die Hard movies (see below).
Shortly before your guests arrive, squeeze the lemons. You’re aiming for ¾ cup of juice. Add it to the lemon sugar in your punch bowl, and stir to dissolve. You will be surprised at how much moisture the lemon peels have released already, preparing the sugar for its final disposition.
Add the other ingredients and stir.
Add an extremely large block of ice. If you have a small Bundt pan, make it in that. It will be a fancy ring of ice with a lot of surface area to chill the punch. Garnish with thin slices of lemon.
The key to this punch is the lemons. Dickens was right about that. It might be tempting to try rounding out the flavor with triple sec, or elderflower liqueur, or something that isn’t lemony. Don’t do it. The lemons know what they’re doing; don’t get in their way. Limoncello is the way to go on this.
The second key to this punch is extreme cold. Store your gin in the freezer for a day or so ahead of time. It won’t freeze, but it will get shockingly cold. Chill your seltzer. If it’s really cold outside on the night of your party, make this on the patio. Or balcony. Or fire escape.
Part 3:
Is Die Hard aChristmas Movie?
Yes. Yes, it is.
The Nakatini
2 ounces Szechuan peppercorn-infused gin (see below)
1½ ounces ginger syrup
1 ounce fresh-squeezed lemon juice
Combine all ingredients with ice in a cocktail shaker. Shake like a building that has just had a bomb go off on the roof, taking out a helicopter full of overconfident federal agents.
Strain carefully into a martini glass — carefully, as if the gin were an international terrorist with unknown motivations.
Drink it. You have two options here:
(a) Knock it back blithely, overconfident in your ability to handle factors well beyond your understanding. This might not end well for you, but fortune favors the bold. Sometimes.
(b) Sip it gingerly (get it?) like a wounded hero hobbling across the floor with feet full of broken glass.
Every now and then you run across somebody who has never seen Die Hard. If you ever managed to sit them down and force them to watch it, they would almost certainly start out skeptical:
Them: “Bruce Willis? Really? But he’s so—”
You: “Shhh. Be patient.”
After half an hour they will slip into a stunned silence.
Approximately an hour and a half, two explosions and 73 shootings later (I looked it up) they will be sitting, mouth agape, in a sort of a fugue state.
You: “So?”
Them: “Wow. I, uh, I had no idea. Um — wow.”
You: “Do you want to watch it again?”
Them: “Yes. No. Uh, my brain can’t — um —”
You: “Will you ever be the same, from this point forward?”
Them: “I really don’t think so.”
That’s what drinking a Nakatini is like. Szechuan peppercorns are delicious, spicy — not too hot — and a little citrusy. They go well with the aromatics in gin. Gin, in its turn, goes extremely well with lemon, which goes with the citrusness of the peppercorns. All of it marries well with ginger.
But Szechuan peppercorns — and this is the part that is just like watching Die Hard for the first time — have a numbing effect on your lips and tongue. Your mouth will feel exactly like it just watched a wounded cop swing through a window on the end of a fire hose.
Szechuan Pepper-Infused Gin
1 cup / 8 ounces / 237 ml. good-but-not-very-expensive gin
1 tablespoon Szechuan peppercorns
Combine the gin and Szechuan peppercorns in a small bottle. Forcing the peppercorns through the neck of a funnel with a chopstick will break them up just enough.
Cap the bottle and shake it. Let the mixture infuse for 24 hours, shaking it periodically.
Strain and rebottle.
Part 4:
A Christmas Drink for Guys and Dolls
Before Tom and Jerry were a cartoon, they were a Very Serious Drink.
As described by Damon Runyan:
This hot Tom and Jerry is an old-time drink that is once used by one and all in this country to celebrate Christmas with, and in fact it is once so popular that many people think Christmas is invented only to furnish an excuse for hot Tom and Jerry, although of course this is by no means true. … Now of course Good Time Charley and I are not using rum in the Tom and Jerry we are making, as we do not wish to do anything illegal. What we are using is rye whisky that Good Time Charley gets on a doctor’s prescription from a drug store, as we are personally drinking this hot Tom and Jerry and naturally we are not foolish enough to use any of Good Time Charley’s own rye in it. The prescription for the rye whisky comes from old Doc Moggs, who prescribes it for Good Time Charley’s rheumatism in case Charley happens to get any rheumatism, as Doc Moggs says there is nothing better for rheumatism than rye whisky, especially if it is made up in a hot Tom and Jerry.
— Damon Runyon, Dancing Dan’s Christmas, Damon Runyon Omnibus
The good news about a Tom and Jerry is that it doesn’t require any preparations that need to be made days in advance. Do not be overconfident, however — making a credible T&J requires a cool eye and steady nerves.
Tom and Jerry Batter
3 eggs, separated
¼ cup powdered sugar
¼ teaspoon freshly ground allspice
¼ teaspoon cinnamon
¼ teaspoon freshly ground black pepper
Beat egg whites to stiff peaks.
Separately, beat the egg yolks, powdered sugar and spices until they lighten in color. (The mixture will look like whole-grain mustard, but not as angry.)
Carefully fold the egg whites into the yolk mixture, being careful not to deflate them. This is a lot like making a soufflé, if that means anything to you. Beat about 1/4 of the egg whites into the mixture, just to lighten it up a bit. Then add the rest of the whites, 1/3 at a time, folding them in gently, until everything is evenly mixed but still light and fluffy. You’ll have 3 or 4 cups of the final mixture when you are done.
Set this mixture aside. It is your “batter.”
Tom and Jerry
2 Tablespoons / ¼ cup “batter” mixture
2 Tablespoons / ¼ cup “batter” mixture
¾ ounces brandy or 2 ounces rye whiskey
1½ ounces dark rum — Myers, in this case
Hot milk
Add “batter” and alcohol to a mug. The 1935 edition of the Mr. Boston Bartender’s Guide is explicit about the importance of making a Tom and Jerry in a heated mug, so fill yours with boiling water for a few minutes before mixing the actual drink. Remember to pour the water out before adding the other ingredients. That may seem obvious, but might become less so after two or three Tom and Jerrys.
Top with hot milk. (How hot? I like mine to be around 175º F / 80º C.)
Stir to combine.
Garnish with fresh-grated nutmeg. Seriously, if you’ve never grated your own nutmeg, try it. Just smell a little of it in the palm of your hand. It will be a revelation.
I tried this recipe both ways — with rum and with rye. I’m generally a rum guy, and even Damon Runyon’s character admits up front that a Tom and Jerry is best with rum. On the other hand, I’d feel foolish to go to all this trouble and end up with rheumatism.
The rye recipe is completely delicious. The spiciness of the rye plays really well with the black pepper. There is a whiskeyness to it that feels extremely Runyonesque.
Tom and Jerry 1 – rheumatism 0.
The rum recipe knocked me back on my heels. I have to go with the 1930s hoodlum logic on this. A rum Tom and Jerry — or three — would make for a truly magical Christmas. The deep, sweet muskiness of the rum adds a layer of decadence to the whole affair that really could convince you to break into a showgirl’s apartment dressed as Santa Claus and leave her stolen diamonds. (See Damon Runyan, above.)
(If the idea of using a raw egg in a cocktail is a little too 1930s hoodlumish for you, some supermarkets carry pasteurized eggs. Alternatively, you can pasteurize your own by heating them in a water bath at 135 degrees for two hours. If you have a sous vide apparatus, this is an excellent use for it. If you don’t, you know what to ask for this Christmas.)
Part 5:
Giving the Joint Some Atmosphere
Nick: “Hey, look mister, we serve hard drinks in here for men who want to get drunk fast. And we don’t need any characters around to give the joint atmosphere. Is that clear? Or do I have to slip you my left for a convincer?”
Nick(Sheldon Leonard)– It’s a Wonderful Life, 1946
I was a senior in college before I saw It’s a Wonderful Life. In my defense, this was in the mid-’80s, before the movie was on TV, demand and video quite so ubiquitously.
We were screening it in the school’s dining hall. The music swelled, Zuzu said her line about angels getting their wings, and the movie ended. Someone turned on the lights, and the other students all got up, put on their coats and left, leaving me and a buddy of mine sitting there, crying like French soccer players.
I hadn’t even realized that JP was at the movie. Apparently, he hadn’t ever seen the movie before either, because he got up and walked across the room to me, tears streaming down his face.
“Are you OK?” he asked me.
I nodded between sobs.
“It’s just that he had … such … a … hard … life!”
JP understood.
“But … it … was ….” At this point, we both broke down completely.
“…A WONDERFUL life!” he wailed. We hugged.
To this day I can get through the entire movie pretty well until that last scene, when the whole town shows up to give Jimmy Stewart money, and Martini, the bar owner, shouts, “I broke open the juke-a-box!”
**Sniff**
Dang it.
Pottersville Special
1½ ounces rye
¾ ounce sweet vermouth
⅛ teaspoon orange bitters
Shake over ice.
Pour into a rocks glass.
Drink, garnished with sentimental tears.
This is delicious, with a hard edge. It makes you realize that you may have bought that rye to make the Damon Runyan drink but you are starting to really like it. It has an emotional whiskeyness to it, but sweetened and tempered by the vermouth and bitters. This is what you’d drink if the bank examiner were coming to serve a warrant for your arrest, but if you weren’t quite ready for prison yet.
Part 6:
Big Man on Krampus
“The Feast of St. Nicholas is celebrated in parts of Europe on 6 December. On the preceding evening of 5 December, Krampus Night or Krampusnacht, the wicked hairy devil appears on the streets. Sometimes accompanying St. Nicholas and sometimes on his own, Krampus visits homes and businesses. … Unlike North American versions of Santa Claus, in these celebrations Saint Nicholas concerns himself only with the good children, while Krampus is responsible for the bad. Nicholas dispenses gifts, while Krampus supplies coal and the Ruten bundles (birch rods to beat the children with). It is customary to offer a Krampus schnapps, a strong distilled fruit brandy.”
— Wikipedia page on Krampus
Dieter Krampus snuck a look at his watch. He had a couple of minutes before he and The Boss had to be at the next house.
He set down his sack of birch switches and stood up straight, stretching the kinks out of his back. All in all this was a pretty good gig, but Dieter had to admit it was harder on his body than it used to be. He leaned his head from side to side, stretching out his neck, and was rewarded with a couple more popping sounds — a task that was aided significantly by the weight of the enormous horns growing out of the top of his head. He’d be happy to shed them in a couple of days. Yes, they itched like the devil as they grew back in, but he couldn’t imagine hauling that weight around all year.
“Herr Krampus?”
It didn’t matter how long they had worked together, The Boss was always formal.
Dieter was getting tired. It had been a long night. He let out a grunt as he bent over and picked up his sack. He must have groaned a little louder than he intended, because the saint called out softly to him again, this time with a little encouragement.
“Time for some schnapps, don’t you think, Herr Krampus?”
Say what you will about The Boss, nobody understood the concept of Carrot and Stick better than he did.
“On my way, Mein Herr.”
Switches and Coal
The legends and traditions are pretty clear: The traditional drink for a Krampus is a straight shot of schnapps. That’s great if you’re putting in a hard night of terrifying children, but what about when your shift is over and you get a chance to put your hooves up? You’ll want something refreshing but with some authority.
This is a take on a classic drink called a Black Satin, but boilermaker-y:
3 ounces very dark beer — stout or porter
3 ounces brut Champagne
2 ounces of the darkest rum you can get your hands on — I like Cruzan Black Strap
Gently pour the very dark beer into a tall glass.
Float the Champagne on top of it. Pour it over the back of a spoon. It will not make visibly separate layers, but it makes a difference.
Pour a shot of very dark rum, then drop it into the mixture.
Drink, while complaining to your husband about your day.
We all understand, intellectually, that grapes are a fruit, but it is still shocking how fruity and chocolatey this drink is. It is utterly delicious and just what you want to drink if you’ve had a hard day with the kids. It goes down dangerously smoothly.
Part 7:
The Ferociousness of a Puerto Rican Grandmother
Over the past several years, as I have researched my family tree, the most joy has come — hands down — from a branch of my father’s family from the hill country in Kentucky.
Case in point: my Great Uncle Wirt, who was ridden out of town on a rail and ended up in upstate New York, and was arrested for fishing in a state park.
With dynamite.
I mention this to help illustrate an (admittedly shaky) analogy between Kentucky and Puerto Rico. Both are well-known for their fine, sophisticated liquor — upscale bourbon near Churchill Downs, and golden añejo rum on the beaches and resorts of Puerto Rico. But as you move up into the hills in either place, both the people and their alcohol become somewhat alarming.
It would be rude to turn down your cousin Cletus’ offer of a taste of his moonshine — acknowledging all the while that you would be seriously rolling the dice to drink it. In the same vein, there are Puerto Rican grandfathers who make a sugarcane liquor called pitoro that can strip the chrome off a trailer hitch.
The traditional holiday drink in Puerto Rico in December is a rich, creamy concoction called coquito. Some people describe it as “Puerto Rican eggnog,” but that’s misleading; there are no eggs in it. There is, however, an alarming amount of pitoro.
Ask any Puerto Rican about coquito and they will get misty-eyed remembering their mother or grandmother’s recipe — much like a Southerner’s relationship with biscuits — but they will almost always finish with a statement like, “But if you go up into the hills, their coquito is really scary!”
A friend of mine tells me that each family has its own recipe for coquito. “At each house it tastes different,” she says. Every mother or grandmother has two secret ingredients that they use to make their version. “Some of my friends’ mothers added ice cream to make their coquito creamier,” my friend Myrta says. “My mother,” she adds, pausing dramatically, then continuing almost in a whisper, “uses pistachio ice cream.”
The second secret ingredient is almost always extra alcohol.
Let’s be really clear here: This will not be as good as Myrta’s mother’s coquito. It will be really, really good, but for the real stuff you’ll have to go to Puerto Rico.
Coquito
1 15-ounce can cream of coconut (the presweetened, incredibly artificial kind you would use for dorm-room piña coladas)
1 14-ounce can condensed milk
1 14-ounce can coconut milk (Warning: If you even think of using any low-fat ingredients in coquito, you risk angering vengeful Caribbean spirits. I wouldn’t risk it.)
1 cup / 8 ounces overproof rum (I like Gosling’s Black Seal 151.)
½ cup water
1 cup pistachio ice cream
1 teaspoon vanilla
2 cinnamon sticks
2 whole cloves
1 pinch ground cinnamon
1 pinch freshly grated nutmeg
Add all ingredients except the cinnamon sticks and cloves to a blender. Blend on low speed for 1 to 2 minutes.
Strain into one large, or two large-ish, jars. Add the whole spices, seal and shake.
Refrigerate for at least overnight, or better yet, 2 to 3 days.
Your finished coquito will be pretty thick, so you will probably want to thin it with a little water, but that said, if you want to tackle it full-octane, more power to you.
Coquito is very everything — very sweet, very coconutty and very boozy. This is not for someone with mixed feelings about the holidays. It is for fully embracing the season and singing loudly— louder with each glass of coquito. I’m not saying you will necessarily end up waking your wife at 2 a.m. singing “Oh-hoe tie-eye-dings of CUH-HUM-FORT AND JOY!”, wavering on the lowest note you can force out of your chest.
But you might.
Part 8:
“Yeah, But What if I’m a Teetotalling,Gluten-Free Vegan?”
I think the best inspiration for this challenge is Hermey the Elf, from the Rankin-Bass Christmas classic Rudolph the Red-Nosed Reindeer. If you don’t remember Hermey, he is the tacitly closeted elf who, unhappily working on Santa’s toy assembly line, yearns to be a dentist. After being mocked and punished for not being as butch as the rest of the elves (Yes, I know. What can I say? It was the ’60s.), he runs away to seek his fortune, singing one of the greatest “I Want” songs in movie history:
Hermey: “Why am I such a misfit? I am not just a nitwit. You can’t fire me, I quit. Seems I don’t fit in.”
Like every character in the Rudolph story, he is eventually provisionally accepted once he can prove himself useful to a judgmental society.
You could take several lessons from Hermey’s adventures:
Work hard and be loyal to your friends, and the Universe will reward you.
Inspire respect by ripping the teeth out of your enemies with pliers.
Don’t wait for the world to accommodate you; create your own destiny — or, in this case, your own festive holiday beverage.
Let’s focus on the third one, shall we?
Caffeine for Hermey
2 cups almond milk
⅓ cup white sugar
1½ cups whole coffee beans
pinch of salt
1 cinnamon stick
1 cup non-dairy half & half
1 tablespoon vanilla
Combine the almond milk, sugar, salt, coffee beans and cinnamon stick in a small saucepan. Heat to just below a simmer, approximately 174 degrees, stirring occasionally. The sugar should dissolve completely.
Remove from heat, cover, and allow to steep for two hours.
Strain the mixture to remove the coffee beans and the cinnamon stick. Wash your hands and squeeze the coffee beans to wring every bit of flavor from them.
Add the non-dairy half & half and the vanilla. Stir to combine.
Chill for 2 to 3 hours.
Drink with a proud heart and kind thoughts for Hermey.
“This is really good and all, but isn’t it just iced coffee?”
I can’t help noticing that you’re on your third glass of it.
“Well, that’s only because it’s so creamy. It tastes … friendly.”