Adventures in the Air

Get a new view of the world while ziplining above the trees, soaring in a hot air balloon or parasailing over the water

You’ve seen New Hampshire’s forests, mountains and seacoast, but have you seen them from above? Get a new view with a relaxing flight in a hot air balloon, an adrenaline-filled zipline tour or a gentle but exhilarating parasail ride along the coast.

Hot air ballooning

Heading toward the sky in a hot air balloon is a much smoother and quieter ride than most people expect, says Tony Sica of High 5 Ballooning in Derry.

“When we launch, [passengers] don’t even know we’re leaving the ground,” Sica said. “There’s no g-force; we’re just gently drifting off the ground.”

For every launch, riders meet half an hour before sunrise at 15 Ermer Road in Salem, then Sica and his crew pick one of five launch locations, depending on which way the wind is blowing.

“We’re trying to launch from a location that’s going to take us into a decent landing,” Sica said. “You land wherever the wind takes you.”

Once they arrive at the launch site, anyone who wants to help prepare the balloon for inflation is welcome to. Then the gentle ascent begins.

“There’s absolutely zero motion — unless I’m dancing, which I do sometimes,” Sica joked.

The balloon stays right above the trees and maintains a profile up and down the treeline, which Sica referred to as contour flighting. A three- to five-mile ride is typical, though Sica said he’s gone as far as eight miles when the wind is moving quickly. But he prefers to stick to that three to five miles that he says he knows like the back of his hand, because that takes his passengers over the most scenic areas.

“We try to keep it as natural as possible,” Sica said. “When we go over water or wetlands, I’ll get right down in there … so people can take those great reflection [photos].”

There’s also a crew following the passenger balloon that takes photos along the way. Sica said he likes to go for “the money shot,” flying over Melville Lake or Alexander Pond. If they’re in the smiley face balloon — his most popular option — he’ll spin it around and bring the basket down to the water so the crew behind him can capture both the balloon and its reflection on the water.

Once they land, passengers can help squeeze the air out of the balloon if they want, and then they head with the ground crew back to the meeting site for a Champagne celebration. The flight is an hour, but the whole experience is about two and a half hours, Sica said.

For people who think they have a fear of heights, Sica said most actually have a fear of falling, and since you’re surrounded by the basket’s four solid walls, that fear usually isn’t triggered.

He said the most scared passenger he’s ever flown, Paul, got in the basket and the whole thing was shaking because he was so nervous. Two months later, Sica got a letter from Paul’s wife thanking him for helping him overcome his fears — they’d just been on their honeymoon, where they went parasailing, and Paul had gone skydiving too.

“Another success story,” Sica said.

Plus, ballooning is the safest form of aviation in the world, he said. Any accident has been pilot-related, “people doing stupid things,” he said. “You have to be willing to walk away [if conditions aren’t safe]. Don’t ever put your wallet in front of your safety.”

Sica has owned High 5 Ballooning since 1999; when he opened, there were 27 ballooning companies in New Hampshire, and now there are three.

“I can’t even tell you how busy we are,” he said. “It’s insane.”

High 5 is currently booking into September and October. Sica can take as many as eight passengers; if you want a private flight, you can pay the $1,600 to be alone (you’re paying for all eight spaces), but Sica said most people realize it’s more fun with a group of people, even if they’re all strangers at the beginning.

“It’s an adventure sport and part of that adventure is sharing the experience with other people,” he said.

High 5 Ballooning

Where: 4 Joseph St., Derry (office); meeting place is 15 Ermer Road in Salem

When: Half an hour before sunrise, seven days a week

Cost: $200 per person. Prices are subject to increase for private flights, for passengers weighing more than 200 pounds, and for couples who weigh more than a combined 400 pounds.

To book a flight, call 893-9643 or visit high5ballooning.com.

A&A Balloon rides

Where: 7 E. Derry Road, Chester (office); meeting place is 15 Ermer Road in Salem

When: Half an hour before sunrise

Cost: Sunrise flights are $250 for adults and $125 for children who are 12 or older or who weigh more than 100 pounds. The cost includes Champagne, crackers and cheese for after the flight. Private flights and events are also available. Costs are subject to increase for passengers weighing more than 200 pounds.

To book a flight, call 432-6911 or visit balloonridesnh.com.

Ziplining

For a more intense adrenaline rush above the treetops, ziplining will get you from Point A to Point B much faster than a hot air balloon floating through the sky.

“The zipline is great for people who have the need for speed,” said Jen Karnan, who started working at Gunstock Mountain Resort as a zipline instructor back in 2012 and is now the communications coordinator. “You can get up to 65 mph. … It gives you that wind in the hair sensation.”

But there’s still an element of control, she said — there’s a brake, so you’re in charge of your own speed.

“We actually get a lot of people who come up here to conquer their fear of heights,” Karnan said. “They go from ‘I can’t do this’ to ‘I can’t wait to do this again!’”

Gunstock’s guides get you started on the ground level of the main lodge, going through safety instructions while you put on your helmet and harness and pick up your trolley. The trolley weighs about 18 pounds and is the main piece of equipment you’ll be suspended from (or carrying in a backpack) during the tour. Athleticism is not required, but you do need to be able to walk up to 3/4 of a mile and ascend two 50-foot staircases while carrying the trolley, according to the Gunstock website.

Gunstock’s zipline tour has five lines, starting with a 45-foot demo line, then a 450-foot training line, which allows you to get the sensation of ziplining and practice using the brake, Karnan said. Next up is the Summit Zip; you take a chairlift to the top, then zip down 273 feet. It’s kind of a last call, Karnan said, to make sure you want to move on to the final two lines. Recoil Zip is 140 feet off the ground and one of the longest in the country at 3,981 feet long, with a 688-foot vertical drop. The Pistol Zip is 3,804 feet and is 50 feet off ground.

On the longer zips, it’ll take a couple minutes to get down depending on how fast you’re going. Karnan said a lot of people like to race, since they’re going down next to someone, and there are a few tricks with positioning and steering that can speed up the descent.

“Our zipline guys have some good hacks for that kind of stuff,” she said.

But it’s not all about speed.

“The zipline really forces you to be in the moment … take in the surroundings, kind of enjoy the nature,” Karnan said. “We have unmatched views of Lake Winnipesaukee. You might see Mount Washington on a clear day — if it’s clear enough, you can see up to the observatory.”

She said a lot of people just want to try it once, for the experience, but many come back.

“It’s really a bucket list item, and once you’ve done it, it’s hard not to want to do it again,” Karnan said. “It’s such an adrenaline rush.”

At Candia Springs Adventure Park in Candia, the guided zip tour has six lines that stretch out over about 3,000 feet of cable, according to Clarissa Coppin. Guests zip from platform to platform, she said, and trained guides are in charge of the guests’ trolley and braking.

“We have varying heights of up to 40 feet,” Coppin said in an email. “The best part is at the end; [it] finishes at the 1,000-foot zipline that stretches over the entire park and over the pond.”

Candia Springs also has an Aerial Adventure course with bridges, climbing ladders, scales, obstacles and crossing ziplines.

“We have had many guests cross off their bucket list items here, face their fears, and even get engaged,” Coppin said in the email.

Gunstock Zipline Tour

Where: Gunstock Mountain Resort, Gilford

When: The Adventure Park is open through the end of October, and zipline tours are available Friday through Monday from 10 a.m. to 5 p.m.

Cost: $75 for ages 10 and up

You have to be between 4 feet and 6 feet, 8 inches, and between 50 and 260 pounds to ride the ziplines. Children 10 through 15 must be accompanied by a participating adult. Closed-toe and closed-heel shoes are required.

Candia Springs Adventure Park

Where: 446 Raymond Road, Candia

When: Open daily 10 a.m. to 5 p.m. Sunday through Thursday and 10 a.m. to 6 p.m. Friday and Saturday until Sept. 6. The Zipline Tour and Aerial Forest stays open until Oct. 31 on weekends only, from 10 a.m. to 4 p.m.

Cost: $41 for the Zipline Tour, and $41 for the Aerial Forest. Advance reservations are recommended. Visit candiasprings.com or call 587-2093.

For both adventures, the minimum age is 7, minimum weight is 50 pounds and minimum height is 48 inches. The maximum weight is 250 pounds.

Parasailing

If you’d rather soar above water, parasailing offers scenic views along with an up-in-the-air experience that feels like sitting on a swing with a friend, says Captain Craig Schreck, owner of Hampton Beach Parasail.

“You can see the whole coast of New Hampshire, Maine, Massachusetts, the Isles of Shoals. On a clear day you can see the White Mountains,” Schreck said. “It’s a very visual, scenic, relaxing ride up there.”

Hampton Beach Parasail offers rides with either 500 or 1,000 feet of line — the more line, the better the views, Schreck said. Passengers get harnessed to the parasail, usually two or three at a time, then take off from the back of the boat, ascending slowly as the boat takes off. They’re up in the air for about 10 minutes.

“It’s basically like I’m flying a big kite with people in it,” Schreck said.

One of the best things about parasailing, he said, is that pretty much anyone can do it. He recently took a woman who was celebrating her 80th birthday with a friend who was in her 70s, and he took his own kids when they were 7 and 9. He said parasailing isn’t so much like an amusement ride as it is a relaxing experience — even for people who are initially nervous.

“We get a lot of people who are afraid of heights [but] it’s a gradual increase [and] because you’re over the water you don’t necessarily feel how high you are,” he said.

He said 99 percent of people who are afraid of heights end up loving it.

“We take pictures too, and sometimes you see that first picture and you can see the nervousness in their eyes and then the next two pictures, all of a sudden [you can see] the relief and excitement,” he said.

There’s no need to be afraid of the boat ride either, Schreck said.

“If it’s really windy, we don’t go very fast at all,” he said. “If it’s not windy, we get up to about 15 miles per hour. … The [faster] part of the boat ride is going in and out of the harbor.”

Passengers start out at Hampton Beach Parasail’s office in Hampton Harbor, then walk to the boat and take off from the state pier. The boat holds up to 12 people, so it’s typically Schreck, his “mate,” who helps harness the passengers into the parasail, and about eight to 10 passengers. The whole ride is about an hour.

Rides start at 8 a.m. and run every hour until the last trip at 6:30 p.m. Schreck said he prefers the last couple of rides of the day.

“The evenings are nice,” he said. “It’s usually really calm and the sun’s starting to go down.”

Schreck has been parasailing off and on for years; he used to drive a parasail boat in Hampton when he was younger, and then later in Miami, Cape Cod and Newport, Rhode Island. The best part of driving the boat, he said, is seeing how excited people are when they land. And when he goes up himself, which he still does a handful of times each summer, he thinks it’s cool to look down and see all the people on the beach. But no matter how many times he goes up, he has the same thought: “I forgot how high this is!”

Hampton Beach Parasail

Where: 1 Ocean Boulevard, Hampton

When: Open seven days a week until the Hampton Beach Seafood Festival (Sept. 10 through Sept. 12 this year), and then weekends and reservations until October.

Cost: $99 per person for a 500-foot line, $139 per person for the 1,000-foot line

Reservations are recommended but not required. Visit hamptonbeachparasail.com or call 929-4386.

Featured photo: Ziplining at Gunstock. Courtesy photo.

News & Notes 21/07/15

Covid-19 updateAs of July 2As of July 12
Total cases statewide99,55599,770
Total current infections statewide181197
Total deaths statewide1,3721,375
New cases100 (June 29 to July 2)215 (July 3 to July 12)
Current infections: Hillsborough County3853
Current infections: Merrimack County1211
Current infections: Rockingham County4244
Information from the New Hampshire Department of Health and Human Services

Covid-19 news

State health officials announced 17 new positive cases of Covid-19 on July 12. The state averaged 28 new cases per day over the most recent seven-day period, an increase of about 17 compared to the week before. As of July 12, there were 197 active cases and 15 hospitalizations.

Also on July 12, officials announced the launch of the NH Mobile Vaccine Van, a new initiative in partnership with ConvenientMD in an effort to increase access to Covid-19 vaccines. According to a press release, the van is due to begin operation on July 15 and will run throughout the summer, offering all three of the FDA-authorized vaccines in addition to translation services. It’s available to appear at local community events such as festivals, neighborhood block parties and farmers markets at no cost. The van is set to hold two upcoming vaccination clinics this week — at the Roundabout Diner in Portsmouth on Thursday, July 15, from 8 a.m. to 3 p.m., and at the Sunapee Farmers Market on Saturday, July 18, from 8:30 to 11:30 a.m.

Housing stability

The Council on Housing Stability released its three-year Strategic Plan last week, according to a press release from the New Hampshire Department of Health and Human Services. The plan is a roadmap that coordinates actions and resources and seeks to increase housing availability by 13,500 units by 2024 to ensure that homelessness in New Hampshire is rare, brief and one-time whenever possible. It includes a three-year actionable framework to address homelessness across the state, with an emphasis on the need for an increase in inventory of affordable housing, the release said. Recommendations include promoting new housing development, reducing barriers to affordable housing and using a data-driven approach to determine regional needs.

The New Hampshire Council on Housing Stability was established by Gov. Chris Sununu on Nov. 18, 2020, and includes stakeholders from across the state, including state leadership, local mayors, and people who have experienced homelessness. The plan is led by the Department of Health and Human Services, in partnership with the New Hampshire Department of Business and Economic Affairs and the Community Development Finance Authority, the release said.

ARPA funds

On June 7, the Manchester Board of Mayor and Aldermen voted to initially approve Mayor Joyce Craig’s recommendations for the city’s use of American Rescue Plan Act funds. According to a press release, most of the programs and positions are funded for the next five years, and during that time the city will measure program effectiveness to make sure it addresses the negative impacts of Covid-19 and helps build a strong recovery for the city. The recommendations will be discussed by the Board of Mayor and Aldermen’s Finance Committee before a final vote. “Manchester residents overwhelmingly cited education as one of the areas to which they would like to see ARPA funds allocated, and we look forward to working with Mayor Craig and the Board to help expand access to higher education for public school students in Manchester and to support local workforce needs,” Paul LeBlanc, President and CEO of Southern New Hampshire University, said in the release. Greater Manchester Chamber CEO Mike Skelton said in the release that “The Greater Manchester Chamber, along with many community business leaders, support the proposed ARPA spending plan and the investments that will generate and support job growth, stimulate economic activity and expansion, and strengthen the city’s ability to attract and retain its workforce.”

Unemployment numbers

Last week, the New Hampshire Department of Employment Security issued a press release after the weekly unemployment report was released by the United States Department of Labor, stating that the numbers reported for New Hampshire were wrong “and present a misleading view of trends in the state’s unemployment claims.” According to the release, some claimants were counted twice — once when they received their last week of federal unemployment benefits and again as a new claim for state-level benefits the following week. New Hampshire ended participation in the federal pandemic unemployment programs June 19 and instead incentivized people to return to work with a $1,000 bonus payment. The final week of benefits was included in the claims numbers reported by the Department of Labor, and some of those recipients may have qualified for benefits in the state’s regular unemployment program during the week ending June 26 — meaning those same individuals were counted a second time by the Department of Labor, the release said, artificially inflating the state’s numbers. “These numbers are wrong and give the misleading appearance of an increase from the prior week which has not occurred in the prior 3 months,” Rich Lavers, Deputy Commissioner at Employment Security, said in the release. “In reality when you compare claims filed by people in the regular state unemployment program, the weekly claims fell by 19 percent compared to the prior week and federal claims fell by 12 percent in the final week they were available.”

Aircrews from the New Hampshire Wing of Civil Air Patrol departed from airports in Concord, Laconia, Portsmouth and Nashua on July 10 during a statewide emergency response training exercise. According to a press release, the Air Force-assigned trainings focused on Civil Air Patrol’s airborne search and aerial disaster assessment photography skills.

The Manchester School District announced July 11 that longtime district administrator Debora Roukey of Goffstown will be the new principal of Central High School. According to a press release, Roukey is the first female principal in Central’s 175-year history.

A $50,000 Comprehensive Addiction and Recovery Act Local Drug Crisis Grant has been awarded to the Raymond Coalition for Youth, which works to reduce opioid, methamphetamine, and prescription drug misuse among youth and young adults in Raymond and its surrounding communities. According to a press release, the grant is provided by the White House Office of National Drug Control Policy, in cooperation with the Center for Disease Control and Prevention, and will be paid out over five years.

Isabel Povey of Hampstead will represent New Hampshire at the Miss America’s Outstanding Teen Competition in Florida later this month. According to a press release, the Pinkerton Academy senior was crowned Miss New Hampshire’s Outstanding Teen in February 2019 and has served as the state representative throughout the pandemic, volunteering with local food pantries, the NH Food Bank, and the international nonprofit organization Seeds of Hope. Preliminary competitions will be held July 29 and July 30, and the new Miss America’s Outstanding Teen will be crowned Saturday, July 31, the release said.

Clarification
Page 29 of the Hippo’s “Cool Things About New Hampshire” magazine should have said that Hayward’s Homemade Ice Cream served chicken tenders, steamed hot dogs and fries in addition to its homemade ice cream flavors. It does not sell burgers.

Generous Listening

Much of what passes for public conversation these days could well be likened to a poker game where each player slaps down a card and the others try quickly to put down one of higher value. Whether the topic is immigration, gun control/rights, or abortion, the exchange soon becomes heated and the pace frantic. What is lost, quite simply, is listening.

For 25 years, there had been a space in our lives where that was not the pattern. Rather than shouting, blustering assertions, or insulting innuendos, NHPR’s The Exchange had been true to its name, a thoughtful, measured, and substantive exploration of issues and events among people with diverse and often deeply different views (NHPR discontinued the show last month).

Twenty-five years of The Exchange also brought us lighter fare about matters we didn’t know we didn’t know, such as the issues of pets along our hiking paths, developing alternatives to maple sugar syrups, and the curious doings of some of New Hampshire’s long-ago governors.

These conversations, in the truest sense of that term, were moderated by Laura Knoy, host of the program since its inception.

Whether interviewing a U.S. presidential candidate on a swing through our state or hosting a three-way exploration of substance abuse, Laura consistently modeled her program on what she herself values, generous listening. The term first used by Rachel Naomi Remen and later by Krista Tippett is “listening that is powered by curiosity.”

It is further suggested that this is “a virtue we can invite and nurture in ourselves to render it instinctive.” For anyone who had consistently tuned in to The Exchange each weekday morning, it would be clear that generous listening is instinctive with Laura.

And that is the point about what so many of us will miss. The program not only facilitated a statewide forum for the examination of issues critical to our community but also modeled behavior by which civil conversations even about profoundly contentious and divisive matters can take place.

At a time of such polarization, we need many more such exemplars of what our “better selves” could be to one another.

You can contact Steve Reno at [email protected].

Take a load off

The Weight Band plays drive-in show

Though named after The Band’s most iconic song, with sets featuring “Up On Cripple Creek” and other gems from their catalog, The Weight Band is a flame keeper, not a tribute act.

Guitarist and singer Jim Weider cofounded the group after Levon Helm died in 2012, but prior to that he’d assumed the role Robbie Robertson famously quit in The Last Waltz, touring with a reunited Band for 15 years, and playing on their final three studio albums, Jericho, High on the Hog and Jubilation.

Weider’s ties go deeper than that, however. In the mid-1960s, he began bumping into Band members while working at a stereo store in his hometown of Woodstock, New York. Owner Kermit Schwartz, an oddball who’d smoke two cigarettes at a time and had a constant Maalox ring around his mouth, endeared himself to musicians with a generous credit policy.

“He would just give everything out; pay later, they loved it. They would bring in their newest record and stuff they were working on and play it on the Macs and Crowns,” Weider said in a recent phone interview — the latter reference not to computers but to high-end receivers made by McIntosh and Crown Audio. “I met Levon very early on back then.”

After the seismic impact of Music From Big Pink, the Woodstock scene dissipated as The Band hit the road and Weider began his professional music career. By the mid-’80s, everyone was back. The Band had reunited in 1983 with The Cate Brothers Band backing them, but by 1985 the four founding members were considering a lineup shuffle.

Weider, who’d been in Helm’s All Star Band post-Waltz, got a call.

“Levon said, ‘Come on down, the four of us are here at The Getaway playing,’” Weider said. “I sat in with them and we did a whole night of music with the original Band. … They realized they wanted to go back to five pieces after playing with me.”

His first gig was in front of 25,000 people, opening for Crosby, Stills & Nash.

“Dallas, Texas, no rehearsal, just boom,” he said, recalling an inebriated Richard Manuel being carried onstage by two roadies. “I got to kick off all the tunes. … They all have guitar intros, because the guitar player wrote most of them. It was pretty nerve-wracking.”

When Manuel died a year later, they continued to tour; the reunion ended when Danko succumbed to a heart attack in 1999. Later, Weider was part of Helm’s band The Midnight Ramblers during their legendary run of Rambles in his hand-built Catskills barn.

“Levon was in his glory there,” Weider said. “He loved having Allen Toussaint up with us, or John Hiatt or John Prine. Everybody wanted to come and take part. … It was like a big barn dance.”

The Weight Band now includes keyboard player Brian Mitchell, Albert Rogers and Michael Bram on bass and drums, and newest member Matt Zeiner on keyboards. Along with Weider, each brings a long list of credits to the mix, including Bob Dylan, Dicky Betts, Willie Nelson, B.B. King and Al Green.

The energy that moved The Band’s rebirth — honoring the past, while continuing to create new music — is alive with The Weight Band. In 2018, they released World Gone Mad: eight originals, with covers of Jericho’s “Remedy” and Grateful Dead’s “Deal.” In December they completed a follow-up, due later this year or in early 2022.

Shows still feature lots of Band songs, “but now it’s to pull people in,” Weider said. “I’m just carrying on some of the music, and we’ve got our whole catalog of our own sound.”

The night always ends with the song that gives them a name, one many call the national anthem of Americana. Why does “The Weight” endure?

“People can relate to it, they can sing it, and the melody — it’s just, help your brother, take a load off,” Weider said. “It’s just a good feel song, one that everybody wants to play and sing. Robbie wrote a good one.”

The Weight Band
When:
Sunday, July 11, 3 & 6 p.m.
Where: Tupelo Music Hall, 10 A St., Derry
Tickets: $75 per car, $22 per person at tupelohall.com

Featured photo: The Weight Band. Courtesy photo.

The Tomorrow War

The Tomorrow War (PG-13)

Chris Pratt stars in the old-fashioned summer save-the-world popcorn movie The Tomorrow War, released on Amazon Prime Video.

Dan Forester (Pratt) is having difficulty getting ahead in his career (science something or other) but has all sorts of admiration from his wife, Emmy (Betty Gilpin), and young daughter, Muri (Ryan Kiera Armstrong). He’s in the middle of a consoling snuggle with the two of them while watching World Cup soccer when a wormhole opens up on midfield and soldiers come pouring through. They announce that they are from about 30 years in the future and are losing a war with an alien force. Come and fight with us to save humanity, they say, and, as news clips explain, the countries of the world eventually agree to a draft. The people drafted are both random and specific: They are men and women, fit and doughy, but most tend to be older — perhaps because, as Dan and fellow draftee Charlie (Sam Richardson) surmise, they will all be dead by 2052 and therefore won’t accidentally meet their older selves and cause a paradox.

When Dan is called up, it’s after nearly a year of the present sending soldiers to the future, with few returning and no sign that humanity’s prospects for winning the war are improving. He learns that draftees get very little training and not much in the way of uniforms; it’s just “here’s a gun, try not to get eaten.” The aliens, white insect/crustacean-y creatures, don’t have weapons (except for the sharp spikes that shoot out of their tentacles, hence their name “white spikes”) or even an organizing structure. They eat, people and whatever other animals cross their path, and once a week they go back to their nest-holes and rest (or, as we later learn, breed, which is why there are now so many of them). White spikes move fast and only lucky neck or abdomen shots take them out, so when Dan shows up in the future for his seven-day stint in the war, it’s clear that the outlook for humanity is bleak.

Dan, who once served in the military and did a tour of duty in Iraq (where he had a leadership role), is also a science teacher who has shared his love of science with his daughter. Charlie is also a former science professor who now works in tech research and development and makes up for his lack of military prowess with quips. Dan has a difficult relationship with his father, James (J.K. Simmons), who also has a military background and now has a shifty job fixing planes and skirting the law. I could list a few other Chekhov guns in the packed metaphorical armory of the first segment of this movie that go off in the final action set piece. There are a lot.

And that’s OK.

Like an Independence Day with a smaller budget and a lower wattage of stars, The Tomorrow War hits a lot of the familiar apocalypse action movie beats with a nice mix of shooting and explosions and humor and basically appealing characters played by actors who have more in them than this movie asks of them. It’s microwave popcorn fare, in the sense that it isn’t quite the fresh popcorn with real butter of summer blockbusters past and in the sense that you’ll be enjoying this one at home, which perhaps lowers the bar a little. If you need it, you can look for some deeper commentary about climate change and the ability of humans to come together (or not) when they really need to. But you also don’t need to dig that deep for a reason to basically enjoy this (long but forgivably so) lightweight summer movie. B-

Rated PG-13 for intense sequences of sci-fi violence and action, language and some suggestive references, according to the MPA on filmratings.com. Directed by Chris McKay with a screenplay by Zach Dean, The Tomorrow War is two hours and 20 minutes long and is distributed by Paramount Pictures but somehow available on Amazon Prime Video.

The Boss Baby: Family Business (PG)

The suit-and-tie baby of the 2017 The Boss Baby returns in The Boss Baby: Family Business, a cute animated movie that isn’t quite as rich as the original version but is still family-friendly.

And by that I mean not only that it is kid-appropriate (for, I don’t know, elementary schoolers and up) but also all about family. In the first movie, Boss Baby, also named Ted (voice of Alec Baldwin), is the younger brother of Tim (voiced in this movie by James Marsden). Though appearing to be a regular goo-goo-gaa-gaa baby, Boss Baby is actually a 30 Rock’s Jack Donaghy-style corporate ladder-climber sent by his company, Baby Corp., on a mission. Tim deeply resented new baby Ted at first but eventually learned to live with him, in part by helping him with his corporate ambitions at Baby Corp., the company that is bullish on babies and tries to keep their affection rankings higher than those of, say, puppies.

In the years since, Ted and Tim have grown up and grown apart. (Actually, in the years since 2017, Boss Baby and Tim have had continuing adventures in a Netflix TV series called The Boss Baby: Back in Business, which has an enjoyably oddball sense of humor. For example: Boss Baby finds himself battling an outside consultant brought in to evaluate Baby Corp. managers and makes regular cracks about why you can’t trust the marketing department. In one episode, when the boys’ grandma fights with a department store over returning a blouse, she ends up unionizing the store workers. It’s weird and I recommend it.)

But now adult Tim is living in his parents’ (voiced by Jimmy Kimmel and Lisa Kudrow) old house with his wife Carol (voice of Eva Longoria) and their two daughters, second-grader Tabitha (voice of Ariana Greenblatt) and baby Tina (voice of Amy Sedaris). Tabitha has recently started at a new school and seems stressed out by its expectation for advanced math and proficiency in Mandarin. Tim, a stay-at-home dad, is worried that she is growing up too fast and growing away from him, not unlike how he and Ted have grown apart. Though they were once best friends, Ted is now very busy with his executive businessman lifestyle and mostly interacts with Tim by turning down invitations to come and visit and sending overly elaborate gifts.

This can not stand, decides Tina, who is, like her uncle before her, a Baby Corp. executive. She needs both Ted and Tim to help fight a new threat: Dr. Armstrong (voice of a very Jeff Goldblum-y Jeff Goldblum), the head of the international chain of high-achievement-focused schools (including Tabitha’s). Tina and Baby Corp. are certain he has some sort of shifty plan and they need Boss Baby to help them. Thus does Tina lure Ted to the family home and then dose both Ted and Tim with special de-aging formula that temporarily turns them back to roughly Tabitha-aged Tim and Boss Baby.

The first movie used the Boss Baby conceit as a way to play out Tim’s feelings about going from only child to oldest child with a pushy infant sibling. Likewise, this movie uses it to work through various family relationships — Tim and Ted, Tim and Tabitha and maybe Tim and his own sense of self if his oldest daughter doesn’t need him as much. And it works about as well as the first movie did, but this feels less kid-focused. Though he appears in a kid’s body, Tim is really an adult person with his adult person worries and the movie is more centered on those than on executive baby humor or kid antics.

That said, the movie did seem to have enough wackiness to entertain kids — there’s a lot of silliness with a horse, we do still get some “the horror of other babies” moments with Boss Baby. Goldblum brings a nice element of weirdness to his character who is a villain but not violent or particularly mean.

I think I liked the original The Boss Baby (which doesn’t appear to be streaming anywhere but is available for rent or purchase) more than a lot of reviewers. I still like the overall universe, as presented here, even if the sequel doesn’t quite match up. B

Rated PG for rude humor, mild language and some action, according to the MPA on filmratings.com. Directed by Tom McGrath with a screenplay by Michael McCullers (based on the books by Marla Frazee), The Boss Baby: Family Business is an hour and 47 minutes long and is distributed by Universal Studios in theaters and on Peacock.

The Forever Purge (R)

The Purge-supporting totalitarian government of the U.S. is threatened by an even more violent social-media-organized group in The Forever Purge.

Don’t worry if you haven’t seen or have forgotten previous Purge entries (this is No. 5 in the series). This movie sort of catches you up/reorients you in the Purge universe: The Purge is the annual 12-hour period when people can commit any crimes they want and apparently what they want is to wear menacing animal masks and go on spree killings. It went away for a while but is back now, thanks to the recent elections favoring the Purge-supporting New Founding Fathers. They were reelected because of increased crime and anti-immigration sentiment and something something The Purge will fix it.

This movie, though, isn’t really about the Purge. While we see two main sets of characters prepare for and weather the Purge, most of the story takes place in the hours after it’s over.

The wealthy cattle ranching family in rural Texas the Tuckers gathers at their large, secure home for the Purge: there’s the paterfamilias Caleb (Will Patton), his adult daughter Harper (Leven Rambin), his sullen adult son Dylan (Josh Lucas) and Dylan’s pregnant wife, Emma Kate (Cassidy Freeman). None of them seem to be on Team Purge or Team Current Administration, though Dylan has some general resentment because his father and everybody else at the ranch knows that he’s not such a great cowboy. Certainly, he’s not a great cowboy compared to Juan (Tenoch Huerta), one of the ranch workers, and this makes Dylan all jealous, which he expresses via racism.

Juan and his wife Adela (Ana de la Reguera) are recent immigrants from Mexico and are aware of the weird annual festival of violence of their new home but they are determined to make it work, especially Adela. They spend Purge night hunkered down with other families in a fortified and guarded warehouse. And yet she remains optimistic about America and their future as the Purge ends and she heads back to her life. Optimistic right up to the moment when she is trapped and nearly killed by some mask-wearing loons telling her that it’s “purge ever after.” The Forever Purgers have decided one day of violence is not enough and want to continue the killing until everyone who doesn’t agree with their brand of white supremacist fascism is dead.

She and Juan and their friend (Alejandro Edda) and the Tuckers trying to find their way to safety — which is eventually identified as refuge in Mexico — makes up the bulk of this movie’s action, making it not really about some “organized chaos” day but about actual anarchy and the collapse of society.

I’ll try to separate what has always annoyed me about the Purge movies and the overall “watching a reenactment of your root canal” feel of this movie with what worked about it — and there are small elements that work.

I have always found the Purge as a concept maddening, both as public policy (how does it reduce crime and stimulate the economy? Even in a bread-and-circus sense it seems stupid) and as a story-telling device. The movies use the Purge as a sort of dippy murder fest — either thrill killing or petty revenge — without going much beyond that. There is a general “saying something about wealth inequality” sheen on these movies but they don’t really say that much; “rich people are jerks” is maybe as far as it goes.

So what works here? The movie gets its pacing right. It takes us from Juan and Adela’s backstory to Purge night to post-Purge pretty quickly. And it keeps up the energy without lingering too much on grisly violence for grisly violence’s sake.

Ana de la Reguera is a fun action heroine. We are probably with her more frequently than with any other one character and she definitely has that believable, can-do butt-kicking energy.

The movie also has some visual cleverness about juxtaposing Mexico and the chaotic U.S.; one of the final shots in particular made me think “huh, neat” for the way it referenced so many other movies.

Overall, though, The Forever Purge was a bummer, but I guess if Purge movies are your thing, this is maybe one of the better ones. C

Rated R for strong/bloody violence and language throughout, according to the MPA on filmlistings.com. Directed by Everado Gout with a screenplay by James DeMonaco, The Forever Purge is an hour and 43 minutes long and is distributed by Universal Studios, in theaters.

Featured photo: The Tomorrow War

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