Category: Featured Content

News & Notes 21/01/28

Covid-19 updateAs of January 18As of January 25
Total cases statewide57,86462,768
Total current infections statewide6,4445,627
Total deaths statewide933990
New cases5,557 (Jan. 12 to Jan. 18)4,904 (Jan. 19 to Jan. 25)
Current infections: Hillsborough County2,2621,994
Current infections: Merrimack County585420
Current infections: Rockingham County1,3621,278
Information from the New Hampshire Department of Health and Human Services

Covid-19 news

New Hampshire surpassed 60,000 overall cases of Covid-19 with its daily public health update on Jan. 21, according to state officials. Despite numbers continuing to climb, state epidemiologist Dr. Benjamin Chan said during a Jan. 21 press conference that overall test-positivity rates have been trending downward. “It’s at 6.8 percent, which is … at the same level that we saw back at the end of November,” he said. Hospitalizations have also been on the decline — 230 people were hospitalized as of Jan. 25, down slightly from the previous week.

With the state moving on to Phase 1B of its vaccine distribution plan on Jan. 22, opening up eligibility for roughly 300,000 Granite Staters to receive their first doses, Gov. Chris Sununu urged people to be patient during the registration process. “We put needles in arms as fast as we get them in … but we’re still only getting about 17,000 [doses] a week,” Sununu said. “As the federal government increases vaccines for the State of New Hampshire, we will add more reservation spots within our system and be able to move people up.” The online registration portal is accessed by visiting vaccines.nh.gov. As of Jan. 25, just under 200,000 Granite Staters have signed up to receive doses as part of Phase 1B, and more than 60 percent of those have already scheduled a location and time for their first shot. The first Phase 1B vaccines were administered Jan. 26. According to a press release issued by the state Department of Health & Human Services, the FAQs on vaccines.nh.gov have also been updated and clarified to note that only residents are eligible to receive the vaccine in New Hampshire.

On Jan. 22, Sununu issued Emergency Order No. 83, an order allowing local officials to postpone their 2021 town meetings and elections and to pre-process their absentee ballots due to Covid-19 concerns. The order, according to the paperwork, serves to “bridge the gap” by responding to timing challenges related to SB 2, which passed in the Senate on Jan. 6 but has an indefinite timeline for passing in the House. “The House of Representatives has scheduled a public hearing on Senate Bill 2 and expects to pass the bill in early February 2021,” the order states. “Some towns in New Hampshire have stated that an early February enactment date … would be too late for these towns to set their schedules.”

Also on Jan. 22, Sununu issued Executive Order 2021-1, extending the state of emergency in New Hampshire due to the pandemic for another three weeks through at least Feb. 12. It’s the 15th extension he has issued since originally declaring a state of emergency last March.

Details of Sununu’s emergency orders, executive orders and other announcements can be found at governor.nh.gov.

Education funding

Sixteen mayors and School Board chairs from cities across New Hampshire sent a letter on Jan. 21 to New Hampshire Department of Education Commissioner Frank Edelblut, Gov. Chris Sununu, Senate President Chuck Morse and House Speaker Sherman Packard regarding concerns over education funding. “Covid-19 has put tremendous strain on school districts across the state … and as districts begin the budgeting process for the next school year, there are three particular areas of concern that we … wanted to bring to your attention,” the letter starts. The first concern is lower enrollment in free and reduced lunch programs due to national expansion of program eligibility during the pandemic, which affects the amount of funding given to school districts. The second is that there has been an “unprecedented decrease” in school enrollment during the pandemic as many parents have chosen to send their children to private school or to home school until public schools are able to return to fully in-person education safely, the letter says. Since

adequacy aid is based on the enrollment of the previous year, districts are concerned that they will end up educating students for whom they did not receive adequacy aid. “For example, Nashua would see a reduction of $1.6M in adequacy aid in the 2022FY budget if enrollment numbers increase close to pre-pandemic levels for the next school year, as districts are anticipating,” the letter reads. The final concern is the rate increases for state retirement contributions. “This downshifting of costs from the State of New Hampshire to local municipalities and school districts will result in considerable budget shortfalls,” the letter says. The letter ends by asking the Department of Education and the state’s government to take the anticipated revenue shortfalls into account as they allocate funding.

Friends funding

On Jan. 24, the New Hampshire delegation — U.S. Sen. Jeanne Shaheen, U.S. Sen. Maggie Hassan and Reps. Annie Kuster and Chris Pappas — announced that the Friends Program in Concord has been awarded $149,811 in AmeriCorps funding. According to a press release, the funding is specifically in support of the AmeriCorps volunteers in the Retired and Senior Volunteer Program, which focuses on volunteers who are 55 and older. “These federal funds make important investments in New Hampshire’s community service programming, bolster volunteer opportunities for seniors and support the Friends Program’s mission to empower Granite Staters with the tools they need to give back to their communities,” Shaheen said in the release.

FIT grant

Dartmouth-Hitchcock Health has given a $20,000 grant to Families in Transition in Manchester, to support the nonprofit’s work with people experiencing homelessness, providing funding for its adult emergency shelter program. “More than ever during Covid-19 members of our community are struggling to meet their basic needs for shelter, food and social contact,” Greg Norman, MS, director of Community Health for Dartmouth-Hitchcock, said in a press release. “D-HH can help community-based organizations like Families in Transition continue to meet the safety net needs of our patients and other members of the communities we serve.”

Winter gear

On Jan. 20, Girl Scouts in Manchester placed about 180 scarves, hats, gloves and blankets around Veterans Park. According to a press release, the items were left on trees, fence posts and other places throughout the park with tags to let people know they were free to take.

Two new specialty clinics, NeuroOncology and Gynecologic Oncology, are set to open at the Dartmouth-Hitchcock location at the Catholic Medical Center’s Notre Dame Pavilion in Manchester. According to a press release, the clinics will focus on specific cancer diagnoses, including even the rarest cancers.

OLLI — the Osher Lifelong Learning Institute, for people ages 50 and up — at Granite State College in Concord announced in a press release that it will offer 81 non-credit courses via Zoom during the spring term, which starts Monday, Feb. 22. There will be classes on history, politics, arts and literature, computer skills, health and food and more. Visit olli.granite.edu.

Dr. Jahmal Mosley, superintendent of the Nashua School District, has announced his resignation, effective at the end of this school year. According to a joint statement from the District and the Board of Education, Mosley has taken a job as superintendent in South Hadley, Mass. The board thanked him for the services he’s provided since 2017.

The Bedford Police Department recently issued an announcement reminding residents not to leave remote key fobs unattended in their vehicles. According to the announcement, Bedford Police have responded to three incidents in the last month where vehicle owners left key fobs in their vehicles, “allowing criminals to easily steal their vehicles.”

Lift one another up

At a religious ceremony last weekend, in the beautiful woods of New Hampshire, the priest counseled us to come together across our differences and to pray for one another. While that sentiment seemed reasonable among the small group of relatively like-minded folks gathered in the snow that morning, I realized it was directed ultimately not just to us but beyond, even nationally across our country. The challenge of that admonition was for each of us to look above what divides us to what we have in common. But in all honesty, that’s hard to do when so much of what has happened recently seems inevitably to drive us even further apart.

Tonight, as I write this, while watching the memorial service for the victims of the pandemic who were grieved at the National Mall, and especially when the 400 lights came on along the Reflecting Pool, each one casting a reflection in the shimmering water, as if to ripple out through each glistening reflection the individuality of every single tragically lost life from families across our nation, it became so very clear that that truly is what we have in common.

For regardless of partisan identity, as human beings we all grieve the loss of our loved ones.

In that other, almost religious service this evening, we were counseled, “To heal, we must remember. It’s hard sometimes to remember.” Yes, it is hard to look beyond the tragedy of our personal losses: the deaths of those who didn’t die with their families at their side, who died in the compassionate care of nurses and doctors who maybe knew them only by name and brief acquaintance, but who gave them tender ministration in our place. Yes, to hold that sorrow and look around to so many others with whom we share loss and to remember they, too, are our brothers and sisters.

Ancient wisdom tells us that “Nothing is as strong as a heart that has been broken.” Might this nation of broken hearts look up through our pain and remember who we are?

Rituals are things we do as a community at times of profound change and deep feeling. They can bind us up as individuals, but they can also urge us as fellow human beings to lift one another up. Truly, this I believe.

Playing out, in

Winter Warmer showcases regional talent

The spark for Winter Warmer, a virtual music festival that kicked off Jan. 16, came in the sweltering days of August. Along with fellow musician Nick Phaneuf, Mike Effenberger and his wife, videographer Amanda Kowalski, produced an outdoor, multi-camera video project and came away elated with the results.

As they watched the playback, the thought occurred to them that filming a series of professionally staged shows could provide a boost to the area scene when gigs grew scarce. They reached out to Martin England, who frequently uses his barn, dubbed North Buick Lounge, for house concerts. With plenty of space and good ventilation, it was a perfect venue for what they had in mind, Phaneuf said in a recent joint interview with Effenberger.

“The idea was to film when it was warm and safe, so that musicians could … monetize their work in the winter by having a high-quality concert to sell tickets to,” he said. “It would keep the local audience engaged with the scene by providing them with content to keep them caring.”

Area bands, spanning multiple genres, jumped on board immediately. Eleven sets were shot over two weekends, straddling the end of September and the start of October. The first performance filmed was by Boston rap group STL GLD (pronounced “Still Gold”). Effenberger wasn’t sure how the neighbors would react, even though they’d been advised of the plans.

“It’s 11 in the morning and there’s high-volume hip-hop happening that was exciting and briefly nerve-racking, but nobody complained,” he said. “Their set was incredible.”

The livestreams premiered in mid-January with New Orleans channelers Soggy Po’ Boys, and the March 27 finale stars Dan Blakeslee and the Calabash Club. Effenberger and Phaneuf are members of both groups. Upcoming shows include bluegrass from Green Heron (Jan. 23), Americana trio Young Frontier (Feb. 27) and harmony-rich quartet River Sister (March 20).

Phaneuf’s favorite was Seacoast rockers Rick Rude.

“I’ve only got to see them a couple of times over the years, and it was great being up close while we were capturing the concert,” he said. “Their music is joyful and chaotic, in all the best ways. That was a refreshing set to listen to.”

A key benefit for participating musicians is that they’ll retain full ownership of their performance video.

“Creating high-quality content that the bands could then continue to monetize or utilize after the series is done” was a key goal of the effort, Phaneuf emphasized. “We feel pretty good as an outcome of this that we can give them that.”

Both Effenberger and Phaneuf had a limited schedule during 2020, but when they did perform, they were pleased by the outpouring of support from the community.

“I was personally blown away at the dollar value that people put on the thing that we do,” Phaneuf said. “Doing this for a living, you spend at least some amount of your time as musical wallpaper. … You’re seen and not heard. People paying $50 to lock down a table at a Portsmouth pop-up to hear a show made me feel the community really valued music more than I thought they did. It was sort of an ‘absence makes the heart grow fonder’ situation, where there was less music, but the audience dedication to being at those shows was impressive.”

Effenberger liked how venues adapted, and how a few new ones sprouted up overnight. “It was an uphill battle,” he said, noting a farm in Kensington that “simply built a stage and bought a PA, and said, ‘Let’s do this and see if the community bites’ — and they did.”

Almost all the money from Winter Warmer will go to the artists, with five percent benefiting Continuum Arts Collective, an effort run by Martin England that puts musical instruments and equipment in the hands of kids who don’t have access. The series also received critical assistance from Seacoast nonprofit Project MusicWorks.

Shows will be available for viewing after they premiere, for the rest of 2021.

“We’re encouraging people to have a group experience,” Phaneuf said, “but if you miss it on that Saturday, you can watch it later.” Winter Warmer Online Concert Series

Winter Warmer Online Concert Series
Shows debut on Saturdays at 8 p.m. on seacoastmusicsupport.com

Premiere dates:
Green Heron, Jan. 23
Rick Rude, Jan. 30
STL GLD, Feb. 6
Jim Dozet Band Record Release Show, Feb. 13
Jazzputin and the Jug Skunks, Feb. 20
Young Frontier, Feb. 27
Earthkit, March 6
Sojoy, March 13
River Sister, March 20
Dan Blakeslee and the Calabash Club, March 27

Featured photo: Courtesy photo.

Promising Young Woman (R) – One Night in Miami (R) – News of the World (PG-13)

Promising Young Woman (R)

Carey Mulligan plays a woman who can’t move on from the wrong done to her friend and the resulting devastation in Promising Young Woman, a dark, occasionally darkly funny, brutal revenge thriller that is expertly well made.

Promising Young Woman is so much more emotionally torturous than comes across in the trailers, which highlight the revenge element but serve it up with dark humor. While it does have dark humor, actually seeing the story play out and knowing the characters, makes everything so much grimmer. I’ve read and heard lots of commentators point this out but it’s worth really highlighting this fact now that the movie is available for home viewing. (I believe this movie is still in area theaters as well.) Be warned: This is not a “bad-girl” funny good time.

That said, this is also an exceptionally well-made movie. It is surgical in its writing; every line has a point. It looks great; so much care has clearly been taken with every shot and with where characters are in the frame and where the movie is directing you to look. I was amazed with how it is all staged and how everybody is costumed and how that all works into what is being conveyed with each scene.

And the performances are strong. Carey Mulligan brings a lot of layers to Cassie, a 30-year-old woman who is stuck in her grief. During the day, Cassie is being her “real” self — but with a wall of dry humor and disinterest to keep people at arms length.

At night, Cassie goes out as someone else. She’s made up and dressed up and nearly-falling-down drunk. Or really “drunk,” because the unsteady walk and halting speech are just an act. Eventually, some Nice Guy (played by Adam Brody or Sam Richardson or Christopher Mintz-Plasse) comes over to “help her,” to “protect her from those jerks.” This seems to eventually involve taking her to their house, offering her more intoxicants and starting to make out with her, or really make out on her because she doesn’t engage. And then, suddenly, she soberly looks them in the eyes and asks them what they think they’re doing, to their absolute terror.

Cassie does this in the name of Nina, her best friend from childhood through their time in medical school. We learn piece by piece that something terrible happened to Nina, who is always talked of in the past tense. The terrible thing — which the movie makes clear involved sexual assault even before we know the details — has traumatized Cassie too. She lives with her parents (Jennifer Coolidge, Clancy Brown), who seem supportive but also scared and sad for their daughter. She works at a coffee shop and won’t even consider the promotion offered by her kind boss (Laverne Cox). And she has no contact with any other friends or anybody from school, at least until Ryan (Bo Burnham) comes into the shop and, after some chat, asks her out. She is wary with him too but slowly starts to wonder if maybe he really is a nice guy and maybe there could be more to her future.

This movie is written and directed by Emerald Fennell (known, as an actress, for roles in Call the Midwife and The Crown). This is her first feature-length movie, which makes the excellence in execution seem all the more extraordinary. I heard somebody on a podcast (maybe This Had Oscar Buzz) compare her to Jordan Peele and his initial outing Get Out and I thought of that comparison while watching the movie. There is a similar thoughtfulness and preciseness in both movies. It’s rare to see someone completely ace their first outing the way Peele did and Fennell does here. I don’t know that I’ll ever bring myself to watch this movie again but I can’t wait to see what she does next. A

Rated R for strong violence including sexual assault, language throughout, some sexual material and drug use, according to the MPA on filmratings.com. Written and directed by Emerald Fennell, Promising Young Woman is an hour and 53 minutes long and is distributed by Focus Features. It is in local theaters and available for rent.

One Night in Miami (R)

Malcolm X, Muhammad Ali, Sam Cooke and Jim Brown hang out together after Ali’s fight with Sonny Liston in One Night in Miami, a movie based on a play of the same name and directed by Regina King.

You can still feel the play in elements of this movie, which is largely made up of the four men hanging out in a hotel room, talking and arguing. Malcolm X (Kingsley Ben-Adir); Muhammad Ali, still going by Cassius Clay (Eli Goree); football player-turned-actor Jim Brown (Aldis Hodge) and singer Sam Cooke (Leslie Odom Jr.) gather in Malcolm’s room after the fight in 1964. The plan is to have a party but Malcolm offers only vanilla ice cream and conversation. Cassius is on the verge of announcing his conversion to Islam. Malcolm seems proud but also conflicted — he is in the process of making a break from the Nation of Islam. Jim has recently shot his first movie and seems to be considering leaving the NFL. Sam is preparing for a show at a venue where he previously bombed — and working on some new music. The friendship of these men is strong but the momentum of their own careers and their various approaches to the civil rights movement are points of friction between them.

To some extent the movie at its core is “just” conversation, but it’s engrossing conversation between people who feel multidimensional, with more layers than just “history’s Malcolm X.” We see just enough of these men’s lives to get a hint of what they’re bringing into the room, their hopes, their insecurities, what things inform their point of view.

The performances here are stellar across the board but I will admit that my eyes kept landing on Odom and his take on Cooke. He plays Cooke as someone who is canny about his profession and how to make it make money for himself and for other African American artists but he still has those desires to say something more through his songs. Maybe Hamilton just sort of taught me to look for “guy working at several levels” from Odom but I feel like he’s doing it again here and it pulls his Cooke to the center of the story even if Malcolm X and Muhammad Ali have the bigger personalities. A

Rated R for language throughout, according to the MPA on filmratings.com. Directed by Regina King with a screenplay by Kemp Powers (who also wrote the play), One Night in Miami is an hour and 54 minutes long and is distributed by Amazon Studios and available via Amazon Prime.

News of the World (PG-13)

Tom Hanks plays the Tom Hanks character who is unexpectedly tasked with bringing an orphan to her distant relatives in post-Civil War Texas in News of the World.

This is basically Hanks’ Greyhound if you replace “get convoy of ships to the U.K.” with “get little girl to the Texas Hill Country” and “outrun Nazi submarines” with “outrun Old West-y villains.”

I mean that in the best way; I liked Greyhound. Here as there, Hanks is a man who calls on his quick thinking and basic decency to complete his hero’s journey. Is chicken parm the most inventive dish in the world? No, but few things are better than a really good chicken parm. Hanks is serving up some very classic cuisine and doing it expertly.

Capt. Jefferson Kyle Kidd (Hanks), mostly just called Captain, was once a Confederate soldier but he seems very “bind up the nation’s wounds” for some “just and lasting peace” about the whole thing. Now, 1870-ish, he travels the Texas countryside and reads newspapers to audiences who pay a dime a person for this in-person Walter Cronkite action. Captain is lively but down the middle with his news reading, not allowing meetings to turn into anti-federal-troops gripe sessions, for example.

While on the road, he comes across a wrecked wagon and an African American federal agent who has been lynched — which, the movie makes clear, Captain finds appalling. He figures out that the man was tasked with transporting Johanna (Helena Zengel), the young blonde girl hiding nearby, who had been living with the Kiowa tribe. When the Kiowa were forced off their land, Johanna’s Kiowa parents were killed and Johanna, who only knows her name as “Cicada,” found herself orphaned for a second time. She lost her biological parents as a young girl when their settlers’ village was raided. She doesn’t appear to retain any memory of that life — or of being called Johanna — and doesn’t speak English.

Captain tries to turn her over to the Bureau of Indian Affairs at the next town but he’s told that the agent won’t be back for months. Eventually he agrees to take her on the several weeks’ drive south to find a biological aunt and uncle. Along the way they encounter various people who want to kill (or in Johanna’s case, kidnap) them, but Captain’s Hanks-y cleverness helps them deal with dicey situations. To pay for their journey, he continues his news-reading work, with Johanna collecting dimes from the crowd and learning to enjoy his stories.

There is nothing surprising here but everything here is done really well. Zengel is a solid child actor, communicating a lot with her face. Hanks, of course, is top notch, turning in the high-quality performance that seems like rote for him but is really the demonstration of extraordinary skill. Director Paul Greengrass is able to show us a country still mired in all kinds of conflict and aware of what our modern opinions will probably be without turning Captain into some kind of anachronistic saint. Even when the movie veers into “OK, this is a bit much” it is able to pull off the sandstorms and the town full of weird and violent separatists thanks to the skill of everybody involved. B

Rated PG-13 for violence, disturbing images, thematic material and some language, according to the MPA on filmratings.com. Directed by Paul Greengrass with a screenplay by Paul Greengrass and Luke Davies (from a novel by Paulette Jiles), News of the World is an hour and 58 minutes long and distributed by Universal Studios. It is playing in local theaters and available for rent.

Featured photo: Promising Young Woman (R)

Zombies!

One fairly common New Year’s resolution is to read more classics of literature. I didn’t actually make that resolution this year, because I really don’t need any more sources of failure and self-recrimination. But that said, I’m probably ahead of the game and have read more classic literature during the first few weeks of this year than many people who did make that resolution.

To wit, 1951’s The Holiday Drink Book.

I did rather well for myself over the holidays and was given several antique cocktail books, this being easily the most festive.

Is it dated? Yes. Does it include dated references to ingredients — claret or sauterne, for example — that we don’t use anymore? Undoubtedly. Does it include unfortunate illustrations of leprechauns, cannibals and serving wenches? Um, yes. That, too.

That said, given the first few weeks of this new year, I think we could all use a stiff drink. And if you are looking for a stiff drink, I say, go to the source — the 1950s, the era of the Three-Martini Lunch. And, if you are looking for a stiff drink from the 1950s, you could do worse than go with the grandfather of all stiff drinks, a Zombie. The Holiday Drink Book puts it rather well: “In appearance and effectiveness the Zombie is the king of all table drinks.”

I’m a big believer in sticking strictly to a recipe the first time I make something. It drives me crazy when someone omits all the butter from a recipe and replaces half the flour with oat bran, then complains that their muffins taste cardboardy. It’s a good idea to cook what the recipe’s author had in mind before messing with it too much.

But you do need to draw the line somewhere.

Did I use four types of rum in my test Zombie, as specified? I did. Did I garnish it with fresh mint leaves and a dusting of powdered sugar? Yes.

But here’s where The Holiday Drink Book and I parted ways: Their recipe calls for papaya juice.

Now, I don’t want to hurt your feelings if you happen to be a papaya, but certain harsh truths need to be recognized. Papaya is a trash fruit. If fruit cocktail and oatmeal had a torrid half-hour in the alley behind a bar, the result would be something very much like papaya. So I had to play with the recipe a bit. Ultimately, this is what I came up with:

The Purple Zombie

The juice of one lime – approx. 2 oz.
1 oz. pineapple juice
1 oz. frozen grape juice concentrate – the deeply purple kind
1 oz. golden rum
2 oz. dark rum – I used Meyers’s
1 oz. white rum – I went with Mr. Boston
½ oz. apricot brandy

Enough over-proof rum to float on the surface of the cocktail – in my case, Gosling’s Black Seal 151-proof dark rum

4 up-market cocktail cherries – right now, I really like Luxardo.

Fresh mint leaves to garnish

1) Combine the first seven ingredients in a cocktail shaker with ice. Shake until very cold. I like to include one of the spent lime halves, as well. I don’t know for a fact that it improves the flavor, but I like to give limes the vote of confidence. They are the hardest-working members of the citrus family, and I like to make them feel needed.

2) Remove the lime half, then pour the contents of the shaker — ice and all — into the most garish tiki glass you own.

3) Float ½ an ounce or so of the 151 over the top of the drink. Pour it over the back of a spoon, much like you would the whiskey in an Irish Coffee, so it stays on the surface.

4) Garnish with snobby cocktail cherries and fresh mint. If your mint leaves are large, chiffonade them (cut them into ribbons).

Three important points about The Purple Zombie:

a) The mint leaves totally make this drink. Somehow the herbiness of the mint plays very well off the dominant taste of the cocktail, which is the rum. Don’t skip the mint.

b) Do skip the powdered sugar. I’m not entirely sure what they were thinking with that one.

c) “Wait a second. You got all snobby about papaya, then replaced it with frozen grape juice concentrate? What kind of beatnik hypocrite are you?” What can I say? It works. The drink needs some sweetness to balance the alcohol and the grape juice concentrate does that very well while adding to the fruitiness. Why not just grape juice? It isn’t quite sweet enough. You need to go with the hard stuff.

Plus, it turns your Zombie purple.

Am I saying that drinking a Zombie will remove any of the heavy weight that the past year has put on your shoulders? No. But I am saying that if you approach it right, a good Zombie might give you the emotional shoulder pads to allow you to claw your way through to February.

Featured photo: Photo by John Fladd.

A blend of flavors

How grape varietals come together in wine blends

Courtesy photo.

Most wines produced today are made up of a blend of wines from different casks or vats. Fundamentally the goal of blending wines is for the final product to be greater than the sum of its constituent parts. These “parts” could be wines from different grape varieties, or simply distinct parts within the same vineyard.

Wines exposed to or without oak barrels, or different vintages and other variations, such as percentages of each wine component, can make up a blend. Blending is a skill developed by experience, requiring a fine palate and the foresight of how the different flavors will work together.

Champagne and American sparkling wine is a blend. It can be a blend of different chardonnay wines, or a chardonnay blended with pinot noir. This blend results from the process of making the wine, as new wine is added to the bottle during the dosage. A white wine such as sauvignon blanc will often have sémillon added to it to quiet the acidity and citric notes of the sauvignon. Even Prosecco, the wine from a particular region in northeast Italy, is made mainly from the glera grape but can have up to 15 percent chardonnay, pinot bianco, pinot grigio or some less familiar native grapes to add to its sweetness and complexity.

Chianti, the darling of Italian restaurants with red-checkered tablecloths, gets its name from the hills that stretch south from Florence to Siena. While the main grape is 80 percent sangiovese, up to 20 percent canaiolo, cabernet sauvignon and merlot are added to provide the wine with a silkier texture, finer finish and more fruit flavors than 100 percent sangiovese wine can offer.

Bordeaux is more than a world-famous wine region; it is a wine empire, with 463 square miles of vineyards (half the size of the state of Rhode Island) and 57 appellations of grape growers, vineyard owners and numerous cooperatives. Bordeaux is well-known for its red wine, the blends made from cabernet sauvignon, merlot, cabernet franc and petit verdot combined in varying percentages based on the estates’ locations, soils and weather of the growing season, an intricate balance that changes from year to year. The cabernet franc is lighter than the lead cabernet sauvignon and, when added, contributes a finesse to the more robust leading grapes of cabernet sauvignon and merlot.

Blends do not always have to be traditional or formulaic. In an exclusive offer to the New Hampshire Liquor & Wine Outlets, Frog’s Leap Vineyards owner John Williams presents his 2018 Granite Red Blend (originally priced at $54.99, reduced to $19.99). While almost all the wines produced and bottled by Frog’s Leap Vineyards are estate grown, sometimes, due to weather or the estate’s production in a given year, they will supplement with purchased grapes. For the 2018 Granite Red Blend, Frog’s Leap used carignan grapes from a Mendocino County vineyard planted in 1942. Typically the carignan grape is used in blends, as it has a tannic, rustic quality. It has a dark red color and produces a wine with notes of the dark red fruit of cherries and plums. While this blend of mostly carignan along with some cabernet sauvignon lacks a long finish, it is the perfect wine for the weeknight dinner.

In the New Hampshire Liquor & Wine Outlet’s website under Education is a window titled “The Tasting Room.” As part of their “90 Days Around the World” promotion, there is an hour-long Zoom interview with John Williams from November ― “Wines of Frog’s Leap with John Williams.” It is highly entertaining and informative as John is an endearing personality who presents his philosophies of making wine, protecting the environment and living life to the fullest. It’s worth checking out.

Featured photo: Rory and John Williams. Courtesy photo.

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