The Weekly Dish 24/09/26

News from the local food scene

Closing: The North End Bistro in Manchester has closed. In a Sept. 18 post on the restaurant’s Facebook page, the owners cited the normal “big challenges” of running a restaurant and a family emergency for North End’s sudden closing, and thanked their staff and customers.

Burgertober: New England Tap House Grille’s (1292 Hooksett Road, Hooksett, 782-5137, taphousenh.com) October Burger of the Month will be a bacon apple cheddar burger featuring locally sourced beef, crispy bacon, Vermont cheddar cheese, sliced apple, arugula and a drizzle of honey mustard nestled in a bun, for $18.50.

Cupcaketober: The October martini-cupcake pairing at the Copper Door (15 Leavy Drive, Bedford, 488-2677, and 41 S Broadway, Salem, 458-2033, copperdoor.com) will have a spooky theme. A Trick-Or-Tini features 360 Chocolate Vodka, butterscotch schnapps, Frangelico, Trader Vic’s Dark Chocolate, cream,chocolate syrup and a candied Halloween rim for $14. October’s featured cupcake, Batty for Boston Cream, features vanilla sponge cake, vanilla bean pastry cream, chocolate ganache, chocolate frosting and a chocolate cup for $11.

Wine Saturday: Appolo Vineyards (49 Lawrence Road, Derry, 421-4675, appolovineyards.com) will hold a Rock #thecrushpad event Saturday, Sept. 28, from 3 to 6 p.m. Reckless Luna will perform with Chef Chase preparing food.

Polenta: There will be a cooking class at the Cooking School at Tuscan Market Salem (Tuscan Village, 9 Via Toscana, Salem, 912-5467, tuscanbrands.com) Saturday, Sept. 28, from 2 to 5 p.m. Learn to make polenta with sausage ragu. Tuscan Chef Jarrett Parizo-Kellerman will show attendees how to make a classic polenta and turn it into polenta squares or fries, along with a demonstration of a sausage ragu to go with it. Tickets are $70 through the Tuscan Market website.

Bread: The Culinary Playground (16 Manning St., Derry, 339-1664, culinary-playground.com) will hold a focaccia bread art workshop on Sunday, Sept. 29, from 10 a.m. to noon. The cost is $65.

Kiddie Pool 24/09/26

Family fun for whenever

Deerfield Fair

• “147 years of agricultural family fun!” is how the Deerfield Fair describes itself at deerfieldfair.com. The fair kicks off Thursday, Sept. 26, at 8 a.m. and offers a full day of live music, performances including puppets and magic and agricultural shoes and competitions. The fair runs through Sunday, Sept. 29, and is open 8 a.m. to 10 p.m. Thursday through Saturday, and 8 a.m. to 7 p.m. on Sunday. Tickets cost $12 for ages 13 and older, kids ages 12 and younger and all military get in for free. Senior days are Thursday and Friday when tickets for $65+ purchased at the gate cost $9. See the website for early ticket purchases. Ride Special Wristband Days are sold Friday from 9 a.m. to 5 p.m. for unlimited rides until 6 p.m. for $35 and on Sunday from 9 a.m. to 6 p.m. with unlimited rides until 7 p.m. for $35. Ride ticket singles cost $1.50 with discounts for bulk purchases.

Some of the highlights from the fair entertainment and events schedule include (see the website for a full schedule):

Thursday: BJ Hickman Magician at 10:30 a.m., 1:30 p.m. and 4:30 p.m. at the Relaxation Stage (also appearing through the weekend); Lindsay and her Puppet Pals at 11:30 a.m. and 2:30 p.m. at the Bandstand Stage (also appearing Friday); Bryson Lang Juggling & Comedy Show at 1 p.m. at the Bandstand Stage (also appearing through the weekend); Pig scramble for ages 8 to 10 at 2 p.m. at the Swine Area

Friday: The Flying Wallendas at noon and 3 p.m. at the Main Stage (also on Saturday and Sunday); Pig scramble for ages 11 to 13 at 2 p.m.; The Incidentals at 7 p.m. at the Relaxation Stage

Saturday: 4-H Dairy Goat show at 9 a.m. at the Sheep Barn Area; Pig scramble for ages 8 to 10 at 2 p.m. at the Swine Area; Sheep shearing at the Sheep Barn 2 p.m.; Aim High Canines at the Swine Ring 3 p.m.; Truck Pull at the Tractor Pull Area 5 p.m.: Shakerz Band at 7 p.m. Relaxation Stage

Sunday: The Bel Airs (doowop and vintage rock ’n’ roll) at 11 a.m. and 2 p.m. at the Relaxation stage; Dog demonstration, sheep dog herding at the Special Events Area at noon; Pig scramble for ages 11 to 13 at 2 p.m. at the Swine Ring; Pig scramble for adults at 2:15 p.m. at the Swine Ring; Fry Pan Toss for women 18+ at the Tractor Pull Area at 4 p.m.; Double Take at 5 p.m. Relaxation Stage

Strolling performers throughout the weekend include Pirate Man Dan, Seacoast NH Ukulele, Wicked Witches of the Lakes Region and Mixtape A Cappella Group, according to the website.

Fall family fun

The Harvest Moon Festival at the Mt. Kearsarge Indian Museum (18 Highlawn Road, Warner, indianmuseum.org, 456-2600) is Sunday, Sept. 29, from 10 a.m. to 4 p.m. and offers something for the whole family. According to the website, the Harvest Moon Festival celebrates the traditional harvest season; it is a family-friendly event featuring craft demonstrations, activities for kids, and educational exhibits. Food for sale, prepared using Native American recipes, includes bison stew, chicken wild rice stew, several varieties of cornbread, and sweets. Tickets cost $13 for adults, $7 for children, and are available online.

Les Enfants

• The Franco-American Centre is offering Children’s Beginner French classes for ages 6 to 11 via Zoom. The classes will run Tuesday, Oct. 1, through Dec. 3, from 4:30 to 5:30 p.m. The kids will learn “through various fun activities and games” and no French knowledge is required, according to a Franco-American Centre newsletter. The cost is $150, with discounts for multiple children. See facnh.com/product-page/children-s-beginner-french.

Save the date

• The Joppa Hill Educational Farm (174 Joppa Hill Road, Bedford, 472-4724, theeducationalfarm.org) will hold a Fall Fair on Saturday, Oct. 5, from 10 a.m. to 4 p.m. The day will feature artisan booths, food trucks, vendors, tractor rides, apples, pumpkin decorating, live music, kids’ activities and farm fun. Tickets cost $15 (plus fees) per person or $30 (plus fees) per family.

• Tickets are on sale now for the Community Players of Concord’s Children’s Theatre Project production of Charlotte’s Web featuring 42 young actors ages 6 to 16, according to a press release. Catch the production on Friday, Oct. 18, at 7 p.m. or Saturday, Oct. 19, at 2 p.m. at the Concord City Auditorium, 2 Prince St. in Concord. Tickets cost $15 and are available at CommunityPlayersofConcord.org or at the box office 90 minutes before each show, the release said.

Treasure Hunt 24/09/26

Hello, Donna,

Can you give me any information on this hand-painted wood blue jay? I believe it could be hand-carved as well. There are three places where it might have been in something on the bottom. It’s 9 inches long and 3 inches wide.

Charlene

Dear Charlene,

Sweet blue jay bird! It’s tough to tell a value if there is no maker or carver’s name on it. You didn’t mention it so I am assuming there are no markings. So let’s start off by just the quality of the carving. Look at detailing, intricate carving, painting, etc. You can also check the eyes to see if they are glass or plastic. Glass eyes are better for a higher value.

The holes were probably a place to go into a base, as you said.

Taking all this into consideration I would say the value of your carved wood blue jay is in the $40 range.

The Art Roundup 24/09/26

The latest from NH’s theater, arts and literary communities

Rom com on stage: The Nashua Theatre Guild will present Prelude to a Kiss, described as “a romantic comedy that explores themes of love, identity, and the extraordinary nature of ordinary life,” on Friday, Sept. 27, and Saturday, Sept. 28, at 7:30 p.m. and Sunday, Sept. 29, at 2 p.m. at the Court Street Theatre (14 Court St. in Nashua). Tickets cost $20 general admission, $18 for students, military and 65+. “After a whirlwind romance, Peter and Rita marry and experience a life-changing twist when a mysterious stranger appears at their wedding. This thought-provoking story delves into the complexities of human connection and the essence of true love,” the email said. See nashuatheatreguild.org.

Oliver!
It’s the final weekend for Oliver!, the Oliver Twist musical adaptation, at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org). The show will be on stage Thursday, Sept. 26, through Saturday, Sept. 28, at 7:30 p.m. and Saturday, Sept. 28, and Sunday, Sept. 29, at 2 p.m. Tickets cost $35 through $49. See Michael Witthaus’ look at the production in the Sept. 12 issue of the Hippo. Find the digital edition at hippopress.com; the story is on page 16.

Cabaret Friday: Anselmian Abbey Players will present A Miscast Cabaret on Friday, Sept. 27, at 7 p.m. at the Dana Center for the Humanities at Saint Anselm College in Manchester. Tickets cost $15. See tickets.anselm.edu.

Iron melt: The Andres Institute of Art in Brookline will hold its annual iron melt on Saturday, Oct. 19. Buy a mold for the melt for $45 and return in advance to have it prepped for the melt (no later than 10 a.m. on Oct. 19), according to andresinstitute.org. Purchase a mold online or in person and pick up at the welcome center, 106 Route 13 in Brookline, on Tuesdays or Thursdays between 11 a.m. and 4 p.m. (see the website for additional details). Whether you have a mold or not, the public is invited to watch the molten iron be poured into the molds on Oct. 19 — according to the website, “The pour should happen between noon and 1:30 pm. Molten iron can be a little finicky, please be patient.”

Arts Alive, a “nonprofit organization working to sustain, promote and expand access to arts and cultural resources in the Monadnock Region,” according to a press release, will hold a field trip related to the Iron Melt. The two-part trip will include a session on Saturday, Oct. 5, from 10 a.m. to noon at the Keene studio of artist Craig Stockwell when participants can carve a design for the melt. “Designing is completely beginner-friendly and a fun challenge,” the release said. On Saturday, Oct. 19, participants will head to the Andres Institute to explore the grounds and watch the pour. Registration costs $50; see monadnockartsalive.org/artist-field-trips.

Fall Festival
The Beaver Brook Association (117 Ridge Road, Hollis, 465-7787, beaverbrook. org) hosts its annual Fall Festival and Art Show on Saturday, Sept. 28, and Sunday, Sept. 29, 10 a.m. to 4 p.m. This year’s featured artist is Carolyn Maul, whose works include landscapes and Ecoprints, which feature leaves and other nature designs and which you can see at carolynmaulstudioart.com. The festival will feature an adult and children’s art show, a raffle and silent action, local exhibitors, a bake sale, children’s nature crafts, an insect safari, an apple cider press, a fire pit with music, a self-guided story walk and a scavenger hunt, according to Beaver Brook’s schedule. Also slated for the weekend are Wingmasters Birds of Prey (Saturday at 10:30 a.m. and 12:30 p.m.); a history walk (Saturday at 11:30 a.m.); storytime at the amphitheater (11:30 a.m. both days); a puppet show (Saturday at 2:30 p.m. and Sunday at 2 p.m.), and Eyes on Owls (Sunday at 10:30 a.m. and 12:30 p.m.).

See saws: Woodworker Ted West will present a demo and a project planning topic at the Concord Makerspace (197 N. Main St., Unit 4, Boscawen; concordmakerspace.org) on Saturday, Sept. 28, at 10 a.m. He will discuss air-dried wood versus kiln-dried wood and he will bring Japanese saws, according to an email from the Makerspace, which said the presentation is part of the “Ask An Expert” series and is free and open to the public.

Shades of black and white: The Manchester Artists Association will present Jim Luckern for “A Demonstration in Charcoal and Graphite Drawing” on Monday, Oct. 7, at 7 p.m. at the Manchester Police Department Community Room (405 Valley St. in Manchester). Luckern, who grew up in Concord, “creates lifelike images in his charcoal and graphite medium. He will share his techniques in a demonstration for the Manchester Artists Association at their monthly meeting,” according to a press release. See luckernfinearts.com for a look at his work. The event is open to the public.

Stories from beyond: The Woodman Museum (182 Central Ave. in Dover; woodmanmuseum.org) will host a reenactment event called “Voices From the Cemetery” at Pine Hill Cemetery in Dover on Saturday, Oct. 12, and Sunday, Oct. 13, with tours starting every half hour from 10 a.m. to 3 p.m.. More than a dozen famous and infamous Dover citizens will come to life at their gravesites to tell their stories, according to a press release. Tickets cost $20 for adults, $10 for ages 17 and under online; find the link to purchase tickets at woodmanmuseum.org.

Dan Dailey
The work of Dan Dailey, described as “a New Hampshire artist whose creative ideas and innovations in glass have expanded the canon of art,” will be on display at the Currier Museum of Art (150 Ash St. in Manchester; currier.org) in “Dan Dailey: Impressions of the Human Spirit,” which opens this week. A member preview will be held Thursday, Sept. 26, from 6 to 8 p.m. (registration required in advance). The show will feature more than 75 of Dailey’s pieces which “span more than five decades and push the expressive boundaries of glass as an artistic medium, drawing on comics, pop art, art deco, and 1960s pinup posters,” according to a Currier press release. Dan Dailey will discuss his craft and career highlights with Kurt Sundstrom, exhibition curator, on Sunday, Oct. 6. The exhibit is on display through Sunday, Feb. 2. The Currier is open Wednesdays through Sundays, 10 a.m. to 5 p.m. Dan Dailey, Aquamotion Circus vase, 2018. Photo by Bill Truslow.

Zachary Lewis

The Lost Weekend on a Tuesday and Wednesday

Photos of John Lennon featured in exhibit

By Zachary Lewis
[email protected]

An exhibition titled “The Lost Weekend – The Photography of May Pang” that showcases photos of John Lennon and friends will be held at Creative Framing Solutions in Manchester on Tuesday, Oct. 1, from 3 to 8 p.m. and Wednesday, Oct. 2, from 3 to 8 p.m.

May Pang was romantically involved and worked with John Lennon during the time period dubbed as the “Lost Weekend” that took place from late 1973 through 1975.

Pang spoke about the photographs and how the exhibit came to life: “I was in the middle of also doing my movie, The Lost Weekend – A Love Story, but no one knew that. And I was using some of my photographs for that, so I just sort of kept it under wraps.”

The documentary can be viewed online now and helps give context to the photographs. Scott Segelbaum, owner of the Rock Art Show, who helps put on the gallery showings, was persistent in getting Pang to display her art.

“I truly didn’t think people would be interested. And he kept saying, you’re wrong,” Pang said.

Ultimately Pang dug out the images, to the delight of Beatles and John Lennon fans everywhere.

“They were sitting under my bed. I have a storage unit and it was always sitting under my bed and I never really thought anything of it. They’re my home photos when I was living with John,” Pang Said.

Some photos will be recognizable to fans. “One of the photos was John’s favorite and when people come to the exhibition I point that out. It is the single sleeve cover for the U.K., because Imagine was being released three years from its initial release of the album, and he wanted to use that particular photo that I took of him for the sleeve,” she said.

Other albums include her artwork too. “And then a couple of years ago, Julian, his son, wrote to me and said, do you have any pictures of me from when I was young? And I never know if I have whatever in my collection, so I sent him a couple of photos, and that became the album cover,” Pang said. The album from Julian Lennon was Jude, which came out in 2022.

Besides the artwork, Pang was involved with recording and producing the songs of John Lennon along with George Harrison, Harry Nilsson, Mick Jagger and more. “And then we did David Bowie with Fame, hung out on that one,” Pang said.

According to Pang, John Lennon would let songs naturally grow in the studio. “It was more organic. John understood what he wanted in the studio. It depends on what part of the process we’re in. He knows what he wants and then at that time he’ll go and figure it out. Like he’ll say, ‘I need a chorus, I need people to sing here,’ or ‘I want this sound.’ He hears it as it goes along. So the first part is him just laying down the basic tracks and then he works it from there,” she said.

Outside of the recording studio Lennon was enthusiastic and encouraging about Pang’s photography. “He was the one that kept pushing me to take more photographs. I think it’s a great thing to see. What you’re seeing is, as I always say, you’re seeing pictures of John and everybody else through my eyes, the way I saw them,” Pang said.

What type of equipment did Pang use to capture what her eye saw in these moments? “Well at the time I was using my Nikon. I mean we had our Polaroids, that was great, but when it came to using the camera I used my Nikkormat, one of the other versions of the Nikon in the Nikon family. And I had a great lens, I used a portrait lens that I was using all the time and that’s what most of my pictures are from. I like using film and I like using black and white, some of my favorite, but then you use color and you get slides and so the film process is really nice. It’s just really dynamic.”

Of all her photographs, Pang could not pick a favorite. “Everybody asks that and it’s very difficult to say, oh yeah, that’s what I want, that’s my favorite, only because they’re like my kids. You know, you can’t show favorites.”

The last photo of John Lennon and Paul McCartney, from March 29, 1974, will be at the exhibit. “The photo was the first time that they had seen each other in a few years. And then, I never took another photo of the two of them and nobody else did either,” she said.

Pang mentioned that Lennon and McCartney’s relationship was not as sour as it is sometimes represented. “A lot of people think that they were always arguing. They weren’t. They’d come over, you know, chat, we’d go, what’s going on, where did you go, what’s your next project, that’s the type of thing that went on,” Pang said.

Pang is happy to have a chance to share her photographs to the world and New Hampshire. “It’s like a gallery, they can come and see it, it’s all free. I’m just very happy about it and I appreciate all the people that come out and check out the artwork,” she said.

The Lost Weekend – The Photography of May Pang
When:
Tuesday, Oct. 1, and Wednesday, Oct. 2, from 3 to 8 p.m.
Where: Creative Framing Solutions, 410 Chestnut St., Manchester, creativeframingsolutions.com, 320-5988
Note: Pang will only autograph items purchased at the gallery.

Featured image: May Pang with artwork 2023. Courtesy photo.

A joyful place

Concord Chamber art exhibit

The Greater Concord Chamber of Commerce’s downtown Visitors Center is an oasis for art lovers. New Hampshire Furniture Masters and the New Hampshire Art Association both display works there. Currently, sculpture and otherworldly tables and chairs built by Jon Brooks are streetside, while 11 paintings from Yildiz Grodowski adorn the back wall.

Grodowski was born in Istanbul, Turkey, and studied there before moving to New England; she’s lived in the Boston area for most of her life. Speaking by phone recently, she described herself as “a semi-abstract artist, because there are always recognizable elements in my paintings.”

These include scraps of text: handwritten or from newspapers, magazines or sources, like the Viking cruise ship brochure found in the lively “One Step at a Time.” The latter work is part of a series called “Into The Woods,” which occupies the first half of her exhibit, “Where Will I Take You.” Its four pieces — there are more, she said — are evocative, playful and joyous.

The first, “Ménage a Quatre,” has a bird with bits of sky in its wings rising toward three Dali-esque windows capped by a staircase to the stars. Below this raucous activity is a street scene that looks cribbed from a mid-20th-century European fashion magazine. The next two, “Her Hands Were Watching Me” and “One Step at a Time,” are colorful and animated.

The final painting of the group, “Take Me to Where the Wild Things Grow,” is subdued. It’s also beautifully textured, another characteristic of her work. It’s an important reason why looking at photos of her art online can’t do them justice.

Her overall selection of works for the exhibit, which ends in early November, was done in hopes of holding onto summer as it fades away.

“I like warm weather, I don’t like winter, I don’t like cold,” she said. “That’s the reason I wanted to bring some color, something happy, something joyful, something optimistic.”

That said, Grodowski stressed that her art isn’t born from crunching around in the autumn leaves, even if it arrives in a bucolic place eventually.

“I love nature. I respect it so much, but it’s not my inspiration for some reason,” she said, explaining that the series’ title is “about discovery of a space, of a person, of oneself.”

For Grodowski, the creative process is as kinetic as her works suggest. The first stage, which she calls “the play,” always includes music played at full blast, and a lot of movement. “I don’t even think about creating movement,” she said. “It’s so intuitive, it comes from within, you know? I’m a dancer, so I guess my brush dances on the substrate as I’m painting.”

She often layers on an already prepared surface.

“I start with either collage or my own writings on the substrate,” she said. “Collage pieces can be almost anything. A lot of them have also numbers and writings … or I write myself. If I’m listening to a song, maybe I’m just writing the lyrics, or whatever happened the day before, or what I’m feeling.”

The middle stage is the longest, one she calls The Ugly. “Which is the struggle,” she wrote for artsyshark.com, leading to “refinement — the home stretch. With the exception of the last stage, during which I need absolute quiet, I blast the music, singing and dancing … and of course, painting.”

At that point, after the pasting, the painting and occasionally the sanding of surfaces, Grodowski can bond with the piece and sign her name to it.

“Connection is everything; that’s the foundation of my art, really,” she said. “Connection means … there’s nothing more I can add; it’s all I could give to that piece. Although many artists and many masters say, and it’s true, that no art piece, no painting, is finished … there comes a moment that you know — this is it.”

Hopefully, the viewer will be similarly lifted.

“I want to create something so they can find their own place and connection,” she said, noting that the exhibit title is a question, not an answer. “Rather than giving it to them, saying ‘Here it is, take it,’ I want to ask them what they see.”

‘Where Will I Take You’ – Yildiz Grodowski
When: Through Nov. 10, artist reception Saturday, Nov. 2, 6 p.m.
Where: Chamber of Commerce Visitor Center, 49 S. Main St., Concord
More: nhartassociation.org

Featured image: Works by Yildiz Grodowski. Courtesy photo.

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