Treasure Hunt 23/10/12

Dear Donna,
I recently purchased these wondering what they were. I know now they were and are used for holding flowers. My interest is in collecting them now. My question is values on them and where to look for more.
Thanks, Donna,
Ellen

Dear Ellen,
I enjoyed your email! Nice to see a collection beginning!
Metal painted flower holders like yours have been around for many centuries. They are used to hold flower stems in place inside a vase, bowl or other container. Even today “flower frogs,” as I knew them, are still in use.
The values of them can range from $5 to $10. Some fancier forms can bring much more. What a nice collection to have. As far as finding more, the hunt is on. Look at antique shops, flea markets, yard sales, thrift stores etc.
Ellen, I wish you luck in your hunt for a new collection. Thank you for sharing with us.

Putting the garden to bed

Cut, pull, label, rake

To me, this felt like the summer that never was. It was rarely hot and sunny. The rainy gray days felt more like those in Portland, Oregon, than in New England. Even so, the summer we had is largely over and it’s time to clean it up and get ready for winter. Let’s take a look at what we need to do.

It’s time to start cutting back flowers that are no longer blooming. I like using a small serrated “harvest sickle” for the job instead of hand pruners. It’s available from www.oescoinc.com for about $8. I grab a handful of stems and slice through them with the tool, getting several stems at once. Of course you could use an old steak knife instead. I leave stems bearing seed heads that the finches, cardinals and other seed-eaters might munch on this winter. Wear gloves when you use the tool — it is very sharp!

I am conscious of erosion when removing plants in the fall. I think it’s better to cut off the stems of big zinnias, for example, than to yank them now. That way I am not opening up the soil, making it vulnerable to erosion or providing a nice resting spot for airborne weed seeds. Many weed seeds are tiny and can blow in from your next-door neighbor’s garden. I can always dig out roots in the spring when I plant something else, and they may decay and add some organic matter to the soil in the meantime.

Once you have cut back and cleaned up the garden a bit, you should pull all the weeds. I know this can be a tedious chore, it’s better done now than in the spring. Weeds in spring will start growing long before you start planting — and before the soil is dry enough for you to work it.

Weeding is easiest to do when the soil is moist. If you have big, deep-rooted weeds like burdock, you should use a garden fork to loosen the soil. Plunge the fork into the soil and tip it back, loosening the soil. Do that in a few places for a big weed. Then pull s-l-o-w-l-y. A quick yank will break off roots that will survive and grow next summer. Any weed that is loaded with seeds should go in a separate compost pile; otherwise the seeds could come back to haunt you, even years later. For smaller weeds, I like my CobraHead weeder.

And here’s a little-mentioned fall task: getting rid of the flowers that have not done well in the past few years. That’s right, not everybody gets to ride the bus. This is a good time to say to plants that have not performed, “You’re off the bus. Go live in the compost pile.” A plant that is too aggressive — or one that just won’t bloom — should be exiled. Next spring, that gives you license to buy something nice — you have a gap to fill in the perennial border.

What else? Place labels in the back right corner of any clump of flowers that is relatively new. By spring you may have forgotten what it is. I like those narrow white plastic labels. Not to look at, but to do a job. I use a No. 2 pencil or a special crayon to write the name, and then I push the label deep into the soil so that only a smidge is showing. If I can’t come up with a name, I know where to look. Back right corner.

Outdoor flower pots need to be emptied, cleaned and put away after frost. Don’t wait until December to do this — if a pot full of wet soil freezes, it will crack. You may as well clean out the pots now rather than in the spring. And save all that potting soil. You can invigorate it in the spring by adding compost and some organic fertilizer. So fill up a trash can or a few buckets with that potting soil and re-use it.

The vegetable garden needs to be weeded, and preferably mulched with chopped up fall leaves. If, like me, you make mounded wide beds, re-shape the beds now by hoeing up some soil from the walkways. Pull dead plants and get rid of them.

If you have an asparagus patch, look to see if your plants are loaded with those little red “berries,” their seeds. If you see seeds, cut down the stems right now. Some of those seeds will settle in and start more asparagus plants — and they will fight for moisture and minerals just as weeds do.

If you have old maple trees, think about giving them some ground limestone or agricultural lime this fall. Acid rain dissolves and washes away the calcium they need. Adding some lime will increase the vigor of your trees. And remember that soil compaction is bad for tree roots. Don’t park your car near a tree you love. Sprinkling a little compost over the soil will loosen it up as earthworms move it down and microorganisms break it down. Roots go far from the trunk of trees — much farther than the “dripline” of the branches.

My last task is always to rake the leaves. I chop mine in a chipper-shredder, but you can also run over them with a lawnmower. Leaves are full of good nutrients for plants, and are much loved by night crawlers and microorganisms. Rake the leaves onto a tarp and drag them away — that’s much more efficient than packing them into a wheelbarrow. Once it has rained, the leaves will settle in and make your plants feel cozy and loved.

Reach Henry at PO Box 364, Cornish Flat, NH 03746 or by email at [email protected]. He is the author of four gardening books.

Featured photo: This harvest sickle is great for cutting back stems of flowers. Photo by Henry Homeyer.

Whoosh, splat, wow!

Goffstown Pumpkin Regatta returns

by Jill Lessard
[email protected]

Things are going to get creepy, kooky, mysterious and spooky on the Piscataquog River at the 22nd annual Goffstown Pumpkin Regatta, an autumn event unlike any other, on Saturday, Oct. 14, and Sunday, Oct. 15, in downtown Goffstown.

“Addams Family – Every Night Is Halloween” is the theme for this year’s fall festival, hosted by the Goffstown Main Street Program (GMSP). An array of Gomezes, Morticias, Wednesdays, Uncle Festers, Cousin Its and other “Things” are guaranteed to be on hand (pun intended) to board the giant pumpkins-turned-boats, some of which may “Lurch” to and fro, and possibly sink into the old mill stream.

The weekend-long celebration of giant gourds will once again feature the Giant Pumpkin Weigh-Off on Saturday followed by the fun-filled Pumpkin Regatta and Pumpkin Drop on Sunday, which always makes a splash. A variety of contests, such as the crowd-favorite pie eating contest, the pet costume contest and a pumpkin cook-off, will be held. Other entertainment, including a coloring page and a talent show, as well as food, crafts and a hayride will also be included in the weekend of activities. Admission is free.

“A long-time volunteer thought turning our giant pumpkins into boats and racing them in the river would be an interesting touch,” said Tina Lawton, President of the GMSP Board of Directors. That volunteer was local visionary Jim Beauchemin, and the pumpkins competing in the weigh-off can tip the scales at one ton or more. “Little did he know at that time,” Lawton said, “it would become one of the most popular fall events in New Hampshire.”

No wonder the event has been covered national outlets like NBC News and the Washington Post. Atlas Obscura even sent a reporter to participate in the race, but her hopes for victory sank quickly along with her giant pumpkin boat. “I went down with my ship,” said Gastro Obscura foods editor Sam O’Brien.

“That’s valiant. That’s the best thing a captain can do. So I’m proud of myself. I did my best.”

How many adventurous Addams Family aficionados will participate in this year’s highly competitive contest? “That depends upon how many giant pumpkins we have,” Lawton said. “Some pumpkins split or fail before the big day. This year is especially challenging with all the wet weather. Many pumpkins have split in recent days. We are hoping for at least five.”

In addition to the gutted gargantuan gourd regatta, the fur may fly as area pets rival each other in the pet costume contest, hosted by and located at Glen Lake Animal Hospital (15 Elm St.) on Saturday at 10:30 a.m. Other contests will include the mouth-watering pumpkin cook-off, featuring four categories (appetizers/bread, entree, desserts, and kids (under age 12)); the talent show, spotlighting three age groups (up to 9 years; 10 to 15, and 16+), and the pie-eating competition, with three groups of 10 hungry and brave individuals competing to be named No. 1 in their age bracket.

Visitors are encouraged to enter the scavenger hunt, a fun way to get to know the village better, and the coloring contest, to be decided on Sunday morning after the judges review every completed coloring sheet brought to the GMSP Booth.

Lawton has borne witness to some of the most memorable moments — and mishaps — in the history of the Goffstown Pumpkin Regatta. “It snowed one year, and boats have sunk in the river,” she recalled. “[But] we do things with giant pumpkins like no other event.”

All are invited to put a witch’s shawl on, grab a broomstick you can crawl on, and plan to pay a call on the 22nd Annual Goffstown Pumpkin Regatta this weekend. “Come see the fun!” Lawson said. “And fall in love with the village of Goffstown.”

Goffstown Pumpkin Weigh-Off and Regatta
When: Saturday, Oct. 14, 9 a.m. to 4 p.m., and Sunday, Oct. 15, 9:30 a.m. to 3:30 p.m.
Where: 15 Main St., Goffstown, NH
Cost: Admission is free
Visit: www.goffstownmainstreet.org/pumpkin-regatta-2023
Municipal parking lots (with accessible spaces) and street parking are available.

Saturday, Oct. 14
9 a.m. – giant pumpkins begin to arrive at the Common
9 a.m. to noon – touch a truck (corner of Elm and Maple)
10 a.m. – giant pumpkin carving begins
10 a.m. to 2 p.m. – art show off at the town hall (16 Main St.)
10:30 a.m. – pet costume contest at Glen Lake Animal Hospital (15 Elm St.)
11 a.m. – Giant Pumpkin Weigh-Off at the Common
1 p.m. – pumpkin cook-off (location TBA)
2:30 p.m. – giant pumpkin boat building on Mill Street

Sunday, Oct. 15
10:30 a.m. – talent show on the Common
noon – Giant Pumpkin Drop (Depot Street, across from the post office)
1 p.m. – pie eating contest on Mill Street
2 p.m. – mini pumpkin race for 50/50 raffle on the river
3 p.m. – Giant Pumpkin Regatta at the river

Featured image: Courtesy photo.

Under one roof

Original play shows family through the generations

By Renee Merchant
[email protected]

Two local playwrights, Toby Tarnow of Hollis and Ellen Cunis of Amherst, share a personal story about family, community and strong women in their original play The Big White House on Main Street. The play premieres at the Amato Center for the Performing Arts in Milford on Thursday, Oct. 19.

The play begins with two Italian immigrants moving to Massachusetts in the 1920s to pursue their dream of opening a cafe and starting a family. Spanning five decades, The Big White House on Main Street is a piece of historical fiction inspired by Cunis’s parents and grandparents, who all lived together in a big white house.

Cunis said her grandparents owned the house and it was split into four apartments. Her grandparents lived in one apartment, her family in another, and her aunts and uncles lived in the other two.

“It was a place of community … music, and laughter,” she said. “We would sit on the steps of the big white house and sing.”

While The Big White House on Main Street is not a musical, Cunis said that there is spontaneous singing and dancing throughout the play, echoing the musical traditions of her family during her upbringing.

Cunis began to write her story as a children’s book. When she shared it with Tarnow, whom she had worked with in the past, Tarnow recalls saying, “I can see it — it’s a play, let’s do it.”

“The only pieces [from the children’s book] that remain are some of the narration,” Cunis said.

During their writing process, Tarnow is often at the computer, capturing the story, while Cunis acts out the scenes, which they said can be an emotional experience.

“Then we’re both crying, and we’re both laughing,” Tarnow said. “We’re both living it.”

Tarnow said that she pictures the set, the lighting and the sound, and she adds those elements into the script.

“Our plays flow one scene into another and we use lighting to create our moods and our scene changes,” Cunis said.

“It runs like a movie,” Tarnow added.

In all of their plays, Tarnow directs while Cunis acts — a dynamic that shapes their storytelling process.

“Those personas will always be a part of who we are, so they come out in the play through the writing,” Cunis said.

Tarnow said she takes an actor-focused approach to directing.

“I want to see what they feel and how they want to express the character,” she said. It’s a process, she said, of trusting the actor to become the character and then fine-tuning it.

Instead of telling an actor what their character should do in a scene, Tarnow said she asks them questions like, “What is your goal in this scene?” to help them elicit genuine emotion.

In this play, Cunis is the narrator — a departure from her work in other plays in which she portrayed characters within the story.

“It’s very different for me because the narrator is outside of the story,” she said. “So the challenge is to feel it. It’s not just saying words or setting up the story; it’s actually feeling it in the moment, which presents a challenge because it can be emotional.”

Writing and producing this play, Cunis said, has been filled with personal reflection, and a journey into the heart of her past. “It takes me to a place of great appreciation for the simple things in life — for family, for living in that house — and sharing that experience with people.”

The Big White House on Main Street
When: Thursday, Oct. 19, through Saturday, Oct. 21, with showtimes at 7:30 p.m., and a 2:30 p.m. matinee on Saturday
Where: The Amato Center for the Performing Arts, 56 Mont Vernon St., Milford
Tickets: $15 for adults, $12 for students and seniors
More info: thebigwhitehouseonmainstreet.com

Featured photo: Tarnow, left, and Cunis, right. Courtesy photo.

The Art Roundup 23/10/12

The latest from NH’s theater, arts and literary communities

  • Art in the City: The Manchester Arts Commission is hosting an Open Studios & Art Walk on Saturday, Oct. 14, from 10 a.m. to 3 p.m. Participating galleries include Studioverne, Fine Art Fused Glass, Creative Framing Solutions, Mosaic Art Collective, See Saw Art, Brandy Patterson, Jason Baggetta, AR Workshop Manchester, Susanne Peterson Larkham and The Factory On Willow, according to the group’s Facebook page. Downtown visitors who find at least 10 of 14 pigeon mini-murals can also enter a drawing for gift cards to local businesses, according to a press release. Maps will be available for pick up in front of City Hall on Elm Street; an online map will be available on Saturday, Oct. 14, via the Commission’s Facebook page.
    Also, the Commission’s City Employee & Family Art Show is on display now at City Hall. The exhibit, which will run through Nov. 30, features works by dozens of artists — photos, paintings, ceramics and more, according to a press release.

Brigadoon
The Manchester Community Theatre Players will offer a modern take on the Learner & Lowe Broadway classic Brigadoon for the next two weekends. The show, which features classic songs like “Almost Like Being in Love” and “Bonnie Jean,” will run Friday, Oct. 13, through Sunday, Oct. 22, with shows on Fridays and Saturdays at 7:30 p.m. and Sunday, Oct. 22, at 2 p.m. Tickets cost $20 for adults, $18 for seniors and $10 for ages 18 and under. Purchase tickets at mctp.info or at the door.

  • On stage this weekend: The Nashua Theatre Guild will present The Laramie Project Friday, Oct. 13, through Sunday, Oct. 15, at the Court Street Theatre (14 Court St. in Nashua). The play tells the story of the murder of Matthew Shepard in 1998 in Wyoming, the aftermath and the trial of the men accused of killing Shepard, according to a press release. Shows are Friday and Saturday at 8 p.m. and Sunday, at 2 p.m. Tickets cost $20 for adults, $18 for 65+ and students; purchase tickets at nashuatheatreguild.org.

Versa-Style Dance
The Los Angeles-based Versa-Style Dance Company brings its blend of hip-hop, popping, lock, krump, salsa, merengue and cumbia dance styles to Stockbridge Theatre (Pinkerton Academy, 5 Pinkerton St. in Derry; stockbridgetheatre.showare.com) on Thursday, Oct. 12, at 7 p.m. Their latest show, “Freemind Freestyle,” is performed to remixes of hip-hop, classical and electronic music, according to a press release. Tickets cost $25.

  • Crafts and corn: The Coppal House Farm (118 N. River Road (Route 155) in Lee; nhcornmaze.com, 659-3572) will host an Artisan Craft Fair Saturday, Oct. 14, and Sunday, Oct. 15, from 10 a.m. to 5 p.m. Check out the handmade offerings from local artisans and then head to the farm’s corn maze, also open from 10 a.m. to 5 p.m. Admission to the fair is free; admission to the corn maze costs $10 for ages 13+, $8 for ages 5 to 12 and for 65+ as well as military and college students (ages 4 and under get in for free).
  • Halloween craft: Twiggs Gallery (254 King St., junction of Routes 3 and 4, Boscawen; twiggsgallery.org, 975-0015) will offer a free Halloween make & take on Saturday, Oct. 14, from 1 to 3 p.m. Mixed media artist Shela Cunningham will lead the activity making spooky bookmarks. The event is free with all of the materials supplied, according to a press release.

Lizzie
Dive In Productions will present the punk rock opera Lizzie, about Lizzie Borden and the murders of her father and stepmother, at the Hatbox Theatre (Steeplegate Mall, 270 Loudon Road in Concord; hatboxnh.com, 715-2315) Friday, Oct. 20, through Sunday, Nov. 5. Showtimes are Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. Tickets cost $28 for adults, $25 for seniors and students.

Music, dancing and kinky boots

The Palace Theatre presents Kinky Boots

Dancing, music and the iconic red boots will take the stage for The Palace Theatre’s production of Kinky Boots from Friday, Oct. 13, through Sunday, Nov. 5.

“Ever since the Kinky Boots musical was on Broadway [in 2013], it has just been one of those big, splashy, exciting musicals that many people would go see,” said Shane Hurst, the assistant director of the production at the Palace. “Time and time again it has proven to be, first of all, very entertaining and just a good musical, but then it also brings in a lot of different types of audience members. … It is a story of friendship, perseverance [and] about celebrating who you are and accepting other people.”

On the brink of bankruptcy, things don’t look great for Charlie Price and his men’s shoe factory. He fears he will have to close his doors, until he meets a drag queen named Lola.

“Through a series of circumstances they begin a friendship, and Lola tells Charlie that there is not a big retailer of drag queen professionally made boots,” Hurst said. “Charlie kind of has a spark in his brain and takes that back to the factory and says, ‘We can save the factory if we just pivot a little bit.’ Instead of making men’s shoes, which isn’t going so well for them, they rebrand and Charlie and Lola come up with the name ‘Kinky Boots’ and start manufacturing professionally made, sturdy, danceable drag queen boots.”

The musical, the book written by Harvey Fierstein and the music and lyrics by Cyndi Lauper, has won six Tony Awards and a Grammy. The Palace Theatre is pulling out all the stops with a video wall on the back wall of the theater, and a bigger-than-ever costume budget allowing for multiple costume changes, sequins, glitter, wigs and makeup, Hurst says.

“No matter who you are, you are going to find yourself on stage and relate to one of the characters in the show. I think it’s a show that very carefully changes an audience’s mind,” he said. “I think a lot of people are going to go in with the word ‘kinky’ and think it’s going to be a sexy, bold, brassy show — which it is — but behind all of that glitter is a lot of heart and a beautiful story about love and loving your neighbor.”

Kinky Boots
Where: Palace Theatre, 80 Hanover St., Manchester
When: Friday, Oct. 13, through Sunday, Nov. 5; showtimes on Fridays are 7:30 p.m., Saturdays at 2 and 7:30 p.m., Sundays at 2 p.m., plus Thursday, Nov. 2, at 7:30 p.m.
Cost: Tickets range from $28 to $49

Featured photo: Kinky Boots dress rehearsal. Courtesy photos.

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