News & Notes 24/08/08

Mosquito tips

The New Hampshire Department of Health and Human Services sent out a press release reminding people that we are in the thick of mosquito season.

In New Hampshire, three viruses circulate among mosquitoes: Jamestown Canyon virus, Eastern Equine Encephalitis virus and West Nile virus. So far this summer, one mosquito batch each from Londonderry and Keene have tested positive for Jamestown Canyon virus and one mosquito batch each from Manchester and Nashua have tested positive for West Nile virus, the release said. This year so far, there have been two adults from Belknap County hosptialized with Jamestown Canyon virus but no human infections of West Nile or Eastern Equine Encephalitis viruses, the release said.

“Mosquito-transmitted diseases can have long-term impacts on people’s health,” said State Epidemiologist Dr. Benjamin Chan in the release from the Department’s Divison of Public Health Services. “The risk for diseases like West Nile virus and Eastern Equine Encephalitis will only increase as the summer progresses and we move into the fall, so everyone should take steps to prevent mosquito bites.”

All three viruses have flu-like symptoms, such as fever, muscle aches, headaches and fatigue, the release said. In rare cases, the diseases can infect the nervous system including the brain and spinal cord, the release said.

To prevent bites, the release recommends:

• Wearing protective clothing including long pants and long-sleeved shirts, and insect repellents.

• Taking precautions in mosquito habitats including forests, marshes and tall grasses.

• Eliminating standing water.

• Making sure doors and windows have tight-fitting screens.

Call the division with mosquito-borne disease questions at 603-271-4496 and see dhhs.nh.gov for the map of mosquito-borne illness risk levels and detections in New Hampshire.

New historic places

The New Hampshire Division of Historical Resources has announced in a press release that the State Historical Resources Council has added seven properties to the New Hampshire State Register of Historic Places. These include:

• First Baptist Church of Manchester, built in 1872 in the Italianate style, which played a role in the creation of several other Baptist churches in the city and offered spaces for non-Baptist congregations to meet and grow, according to the release.

• The First Unitarian Congregational Church, dedicated January 10, 1861, and the third Congregational meetinghouse in Wilton, the first to be built solely as a Congregational Church rather than as a meetinghouse for both church and town use. It combines elements of both Greek Revival and Gothic Revival architectural styles with a small addition added in 1924, according to the release.

• The James A. Bryant Memorial Library, built in Northwood in 1941 and named for its benefactor, a Union Army veteran. It was the town’s first permanent and free-standing library, although its library operations ended in 1989 and the building now houses the local historical society’s collections, according to the release.

• The Josiah and Sarah Brown Farm in Stratham, with a main house built in the Federal style in 1816 and what appears to be a seventeenth century two-story ell that may be one of the oldest existing buildings in town.

• Peterborough’s Kyes-Sage House, which was built in 1845 and is an example of Carpenter Gothic architecture, a variant of the Gothic Revival style of architecture that was popular in homes between the 1840s and the 1870s.

• The Acworth Village Store, a relatively unaltered example of a mid-nineteenth century commercial building built in 1865.

• The Aldworth Stone Gateway, erected in 1906-1907, a physical reminder of Harrisville’s history of summer estates built in the early 20th century and was the entryway to wealthy industrialists Arthur and Alice Childs’ home through much of the 1930s.

Learn about the nomination processes for the New Hampshire State Register of Historic Places at nhdhr.dncr.nh.gov.

Food drive

According to a press release, Belletetes, a family-owned and -operated lumber and building supply company based in New Hampshire, started a month-long food drive at all 10 of its locations in support of the New Hampshire Food Bank.

Belletetes will supplement food donations with a monetary contribution to the New Hampshire Food Bank, a program of Catholic Charities New Hampshire, and will place donation bins at the front of each store, including at 80 Northeastern Blvd., Nashua; 129 Sheep Davis Road, Pembroke, and 89 Route 13, Brookline, according to the release. Visit nhfoodbank.org/get-involved/donate/most-needed-items or belletetes.com.

In other food news

2024 is “The Year of the Plum’’ according to the New Hampshire Fruit Growers Association. Last year a cold snap wiped out almost the entire crop across New Hampshire, but in a July 29 press release the Association announced that “plums are making a major comeback this year.” The press release went on to say that while plums are typically harvested in August, many growers have already begun harvesting. To see if there is an orchard with plums near you, check out the NHFGA website at nhfruitgrowers.org/find-an-orchard.

Save the date for the 46th annual Alton Bay Boat Show, returning to the Alton Town Docks on Saturday, Aug. 10, from 9 a.m. to noon and featuring a variety of vintage boats on display. Admission is free. See the nhbm.org/alton-bay-boat-show for details

Pianist Asiya Korepanova will perform with cellist Yoni Draiblate of the Florida Orchestra and vocalist Kimberly Oppelt for a “Classical Confection” lawn concert at Crow’s Feat Farm in Kensington (178 Drinkwater Road, 498-6262, crowsfeatfarm.org) on Sunday, Aug. 11, at 3 p.m. Tickets start at $10. A picnic lunch is offered at 1 p.m. for $30.

Head to Cinemark Rockingham Park in Salem (15 Mall Road, 890-7111) for a series of “Big in ’84” films including The Karate Kid on Monday, Aug. 12; The Terminator on Tuesday, Aug. 13, and Gremlins on Wednesday, Aug. 14, at 7:15 p.m. Tickets cost $5 plus fee at cinemark.com. The series continues through Aug. 18.

Chocolatey, fried, spicy zucchini? — 8/01/2024

So. Many. Zucchini. It is a familiar state to anyone who has ever planted zucchini or been the friend, neighbor, coworker or casual acquaintance of anybody who has planted zucchini. In this week’s cover story, John Fladd takes a look at this seemingly never-ending part of the summer harvest and offers eight ideas for what to do with them.

Also on the cover, Zachary Lewis gives you the details of the annual League of NH Craftmen’s Fair, which kicks off Saturday (page 6), as well as the annual Suncook Valley Rotary Hot Air Balloon Rally (page 16). And do some eating at the Southern New Hampshire Food Truck Festival (page 22).

Read the e-edition

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New Boston Calling

Live Free Fest offers music and more

Longtime music fan Dylan Williams is a DIY kind of guy, so when he became frustrated with traveling to Massachusetts, Maine and Vermont for concerts, he decided to launch his own festival.

“I always have to drive an hour and a half to go to any show I want,” he said by phone recently. “It’s really annoying.”

A New Boston native, he was also looking to draw attention to his favorite local music. Williams began last year in his backyard, with four bands performing. There were also games, including a pie eating contest, relay races and something called Beer Olympics. Sixty people, close friends or part of Williams’ extended social circle, came to the party.

The experience gave Williams the confidence to scale up to the local fairgrounds and stage the first annual Live Free Fest. It happens on Saturday, Aug. 3, with a dozen acts performing: Sotah, Just For Kicks, Somewhere In Between, Girlspit, Animatronic The Abolisher, Pointless Culture, The Forest Forgets, The Knightz, Lacquerhead, Cozy Throne, Mugshot Monday and Recession.

Williams is connected to his home state’s music scene through his work as a videographer, and he designed his festival to focus on the creative diversity that he feels is close to home and is sometimes overlooked. Thus, the acts on the bill range across the musical spectrum.

“I want to reflect New Hampshire’s sound the best I can, so everything about this is in-state, and we have something for everybody,” Williams said. “There’s alternative and indie, rappers, metal, punk and a cover band. It’s not a blues festival or a rap festival; it’s literally everything. I chose them because it reflects the state well, and I just think they’re good.”

One of the sets he’s looking forward to is The Forest Forgets, an edgy punk metal band that grew from the breakup of the Manchester group Afterimage. It’s fronted by that band’s former singer, Griffen Romprey. “They’re on the experimental side of things … progressive, longer form,” Williams said. “They only have demos right now, so I’m very excited to hear what they’re going to have at the festival. I think they’ve only played one show so far.”

Rapper Animatronic The Abolisher is another act that Williams expects the crowd will enjoy. He saw him open for The Knightz at a show he was filming in Manchester.

“I didn’t know him at all until he came up; I was shooting him anyway because I was already there,” he said. “And I was just really impressed. He’s got really good lyrics, he’s very quick with the flow and just a very humble guy.”

The Knightz are a favorite, and friends. “They’re a rap group that I’ve worked with probably for about two years now. And they’re just great guys. They flew me out to San Francisco one time; we did a video there. They have such good charisma, and they’re just really good guys.”

Finally, there’s Lacquerhead, “definitely the loudest and heaviest band we have,” Williams continued. “They have really good energy, and I would say if there’s anyone that I feel like is going to really maybe make it, I can see them making it in music in the coming years.”

With help from his partner Justin Kaminsky, Williams is going out on a limb to stage Live Free Fest — “It’s the biggest thing I’ve ever done,” he said — but he has high hopes it will strike a chord and hopefully draw a crowd in the hundreds. After years spent experiencing and documenting area music, he feels it’s the next logical step.

“I don’t go to as many festivals as I’d like to, but I go to a bunch of shows, and a lot of them are in Boston,” he said. “So I [thought], let’s try something here. We don’t have anything like … a Lollapalooza or Boston Calling. Because Manchester doesn’t have a super big scene, we all know each other in a way. It just kind of worked that I was able to grab a lot of these people that I already kind of know. That was cool.”

For his New Boston Calling to be a success, Williams continued, “I would love it if for all the bands this was maybe their biggest show ever, and I want all the crowd to have a really good energy with them. Also, I want all the games to go really well. I want to walk around and feel like this is a big community … I just want everyone to have a good time, honestly.”

Live Free Fest
When: Saturday, Aug. 3, noon
Where: Hillsborough County Youth Center, 17 Hilldale Lane, New Boston
Tickets: $15 at eventbrite.com

Featured photo: Cozy Throne at Bank of NH Stage. The band is slated to play the Live Free Fest. Photo by Jaki Gerulskis.

The Music Roundup 24/08/01

Local music news & events

• Two heads: Led by Jerry Harrison and Adrian Belew, Remain In Light revives the music of Talking Heads, but it’s no tribute act. Harrison is an original member and Belew played extensively with the group. Backed by an all-star band, they revisit classics like “Once In A Lifetime,” “Psycho Killer” and “Take Me To The River ‘’ along with selections from their respective solo careers. Friday, Aug 2, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $65 at tupelomusichall.com.

• Honky tonk: Nashville-based singer-songwriter Eliza Thorn stops by Concord with support from the equally twang-ful Regals and local favorite Will Hatch. For a taste of Thorn’s bona fides, check out her cover of Willie Nelson’s early hit “Night Life” or “Alibi” from her upcoming album, a song that sounds like the love child of Lucinda Williams and Allen Toussaint. Friday, Aug 2, 9 p.m., Penuche’s Ale House, 4 Bicentennial Square, Concord; more at elizathorn.com.

• Acid blues: Making a rare trip to the Granite State, Bees Deluxe are a Boston band described as “what Steely Dan would sound like if they played the blues.” Founder and guitarist Conrad Warre often feels like he’s from a musical Island of Misfit Toys. Informed by everyone from Jimi Hendrix to Tom Petty and Herbie Hancock, it’s a heady mélange of sounds that both confound and delight. Saturday, Aug. 3, 8 p.m., Hawg’s Pen, 1114 Route 11, Farmington. Visit beesdeluxe.com.

• Heavy music: The Ashes of Leviathan tour is a co-headlining run with Lamb of God and Mastodon, two bands that are each marking 20 years since releasing seminal records. Forbes, though not known as a thrash authority, recently said Lamb of God’s Ashes of the Wake and Mastodon’s Leviathan were “two albums that have shaped much of what modern metal sounds like.” Sunday, Aug. 4, 8 p.m., SNHU Arena, 609 Elm St., Manchester, $20 and up at ticketmaster.com.

• Nineties redux: A rocking trifecta of metal, funk and reggae, 311 is celebrating more than three decades together with their Unity Tour. The Nebraska band is joined by AWOLNation and Neon Trees for a stop in the Lakes Region, playing favorites like “Down” and the chart-topping “All Mixed Up.” Tuesday, Aug. 6, 8 p.m., BankNH Pavilion, 72 Meadowbrook Lane, Gilford, $20 and up at livenation.com.

Deadpool & Wolverine (R)

Wade Wilson rides again as the meta-quipping mercenary who longs to be something greater in Deadpool & Wolverine.

Wade (Ryan Reynolds) as we meet him has been rejected as a possible Avenger and is now selling cars and trying to suppress his superhero Deadpool self. In the process, he has pushed away Vanessa (Morena Baccarin), his now ex-girlfriend. Thus is Wade only semi-happily celebrating his birthday with all of his various friends when helmeted soldiers from the Time Variance Authority (a thing from the TV show Loki, but don’t worry, they explain it well enough here) show up at his door. Boss Mr. Paradox (Matthew Macfadyen) tells Wade that the TVA wants him to relocate to a new timeline and become a big hero. He gets fully suited up as Deadpool and is ready to take his place next to Cap and Thor — if Paradox could just explain the TVA’s vacation policy so Wade can schedule a visit with his friends. But the death of Logan/Wolverine (Hugh Jackman) in Logan has caused instability in Deadpool’s timeline and it’s starting to fray. Rather than just watch it slowly disintegrate over thousands of years as is TVA policy, Paradox wants to cut to the chase and use a “time ripper” to just end the timeline now, meaning everybody Deadpool knows and loves will be erased from existence.

Deadpool is not cool with this plan and steals Paradox’s travel-through-timelines-enabling iPad-thing and heads off to find a replacement Logan from another timeline. He finds variations such as one who is particularly short, one who is an old man, one who is played by Henry Cavill. Eventually he finds one sporting the iconic yellow suit that the movies have been avoiding since all the way back in 2000’s X-Men.

From this point, the movie jumps off into an odd direction, leading to some fun moments with some fun characters that you are better not knowing about if you possibly can keep yourself spoiler-free.

Early in Deadpool & Wolverine I had a very “hit in the face with a bucket of water” feeling of too much all at once — too much meta Fox Marvel and Disney MCU, too much Ryan Reynolds and Hugh Jackman and their fake rivalry, too much ostentatious swearing and R-rated patter, just too much coming at me all at once. But also, the movie is having too much fun with everything it’s doing not to bring me around. I don’t think you need to entirely understand all the Earth-616 versus Earth-10005 timeline stuff (I had to look up some of those details later) to get the gist of how this movie is playing with all of the stories and tropes of these two Marvel collections. We’re not just seeing IP Easter Eggs but eventually a story about how to tell stories and what the characters in the stories want from their story arcs. We do also get a sort of antagonistic friendship between Deadpool and Wolverine which highlights just how much fun Reynolds and Jackman are having with these characters that they’ve inhabited for so long. B

Rated R for strong bloody violence and language throughout and gore and sexual references, according to the MPA on filmratings.com. Directed by Shawn Levy and written by Ryan Reynolds & Rhett Reese & Paul Wernick & Zeb Wells and Shawn Levy, Deadpool & Wolverine is two hours and seven minutes long and distributed in theaters by Walt Disney Studios. Let’s talk credit scenes: Pretty quickly after the credits start to roll we get behind-the-scenes footage from multiple Fox Marvel movies. It’s surprisingly sweet. There is also a sort-of-in-character post-credits scene that is self-consciously foul-mouthed and rather “the aristocrats!” in its mixing of the wholesome and the profane (which is the point). Sweet, then naughty — how very Deadpool.

Featured photo: Deadpool & Wolverine.

Pets and the City, by Dr. Amy Attas

Pets and the City, by Dr. Amy Attas (G.P. Putnam’s Sons, 311 pages)

The rich are different from you and me, except when their dog gets diarrhea or starts limping, and then they panic just like the rest of us do and call a vet.

Well, since they’re rich, they summon a vet to their brownstones and summer homes, and a lot of the time, when they do that in Manhattan, it’s Dr. Amy Attas who shows up.

Whether you’re wealthy or just-gettin’-by, Attas is the kind of vet you want: a person who was pretending to give injections to her stuffed animals as a child, who started working as an assistant at an animal clinic and age 13 and considers James Herriot’s All Creatures Great and Small as holy writ. She was born for this profession. It turns out, she can write, too.

Attas’s first book is a memoir that moonlights as a tell-all gabfest, spilling the tea on her most interesting clients and former bosses, albeit in a way that won’t get her sued. She has a lot of stories to choose from, having worked in New York City for more than three decades. The official tally is 7,000 families and more than 14,000 pets, most of which were house calls and which included celebrity clients like Joan Rivers, Billy Joel, Elton John, Paul McCartney and Steve Martin.

Mattas started her business, City Pets, after getting let go by an Upper East Side practice run by a man who promised to make her a partner but then abruptly fired her, apparently because he was jealous that his VIP clients were asking for Attas instead of him. (Every story needs a villain, and this guy, identified only as Dr. B, certainly qualifies.)

The day after Attas was let go, when she was still mulling what to do, two of her former clients tracked her down and asked for house calls. The day after that, she had four more homes to visit, even though this was before house-call practices were common in veterinary medicine. She kept at it, and placed a few ads, and eventually worked up the nerve to call Joan Rivers, who’d been a client at Dr. B’s business, and to tell the comedian she was available for house calls for Spike, the Yorkie who traveled with Rivers everywhere.

“What happened?” Rivers asked, and Attas answered, “Do you want the long story or the short version.” To which Rivers replied, “I want every single detail, and I promise you every single person on the Upper East Side is going to know every single detail, too.”

And with that, City Pets was off and running; no word on what happened to the notorious Dr. B.

For an Ivy League-educated veterinarian who serves a largely privileged clientele, Attas is surprisingly down-to-Earth and willing to dish on humiliating moments, like the time the urine of a male cat soaked her during an exam just before a date, and her genuine, child-like excitement every time a new client turned out to be a celebrity. When she went to a hotel to treat the pug of a yet-unknown VIP — she was told to ask for John Smith at the front desk — Billy Joel answered the door and said, “Hi, I’m Bill.”

While she replied calmly, Attas writes that “Inside, my thoughts were screaming Holy moly! It’s Billy Joel! BILL-Y JOEL! Looking and sounding like … Billy Joel!!!”

She also confesses that, in her scramble to get to the hotel, she forgot her stethoscope and instead of admitting to it, pretended to check the dog’s heartbeat with blood pressure headphones.

It is this kind of vulnerable disclosure that makes Pets and the City quirky and charming; the book’s subtitle is “true tales of a Manhattan house call veterinarian” and we don’t doubt the true part since, in addition to animal stories, Mattas is also telling us how she pretty much badgered her future husband into dating her after they met when his puppy took ill, how she fainted while watching another veterinarian draw blood, and how she once removed dew claws off a litter of 12 two-day-old puppies after letting them suck on Q-tips soaked in sweet wine.

Many of these tales are not so much stories as they are confessions.

The celebrities’ pets are interesting enough, as are the friendships that Mattas forms with some of their famous owners. But the stories I found most interesting were just ordinary cases — the Siamese cat named Itchy undergoing chemotherapy for intestinal lymphoma, the Cavalier King Charles spaniel named Chowder with heart disease — the lengths to which people will go to keep a pet alive for a few more months or a few more years.

And the owners themselves, of course, are a large part of the story, like the woman who, after her terminally ill cat was euthanized, threw herself on the floor and started screaming that she didn’t want to live anymore. (Mattas searched the house until she found prescriptions, and then called the woman’s psychiatrist for help.) A much more touching story of euthanasia comes when Mattas unexpectedly goes to the house of the late Elie Wiesel, the Holocaust survivor and author of Night, among other books, while the family is agonizing over whether to put a beloved cat to sleep.

The Wiesel encounter is poignant, but for the most part, Pets and the City, like its author, doesn’t take itself too seriously. Mattas did not try to build a lofty narrative arc in which she and the people in her life undergo great and meaningful changes. She just tells entertaining stories, as if sitting around the dinner table with her readers, sharing what happened that day at work.

As such, there are no real lessons to learn here, other than that there are people who are even crazier about their pets than we are. And if you ever have a pet emergency while visiting Manhattan, don’t call Dr. B. B

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