Meet Mischka — 11/03/22

The Granite State is home to many dogs, cats and other animals with roles that go beyond the traditional house pet. Read on to learn about Eddy the comfort pony, Yuka the Arctic fox, cuddle cows at Granite Oak Farm in Goffstown and more.

Also on the cover Katelyn Sahagian brings you all the details on the Nashua Chamber Orchestra’s return with “Beethoven and Friends,” a concert at Nashua Community College this weekend (page 15). Find local live music this weekend and beyond in our Music This Week section (starts on page 35). Pats Peak Ski Area in Henniker gears up for its 60th season with an Oktoberfest and ski and snowboard sale (page 24).

A graphic the shape of the state of New Hampshire, filled in with the New Hampshire flag made up of the crest of New Hampshire on a blue field.
General election New Hampshire’s general election is on Tuesday, Nov. 8. Offices on the ballot include Governor, U.S. Senator, Representative ...
close up of man in dark t-shirt
New retail store plans to help local nonprofits Adam Daley is the founder and owner of Granite State Discounts, a ...
Photo of assorted sports equipment for football, soccer, tennis, golf, baseball, and basketball
When I come back in my next life I’m going to concentrate on making serious money. The plan would be ...
A graphic the shape of the state of New Hampshire, filled in with the New Hampshire flag made up of the crest of New Hampshire on a blue field.
Energy worries President and chief executive officer of Eversource Energy Joseph R. Nolan Jr. has expressed concern about possible energy ...
singers dressed in sequined costumes, on stage during show, cheering audience
Big Events November 3, 2022 and beyond Thursday, Nov. 3 Join MANIA the ABBA tribute band at the Chubb Theatre ...
young black labrador wearing police vest, sitting on floor
Get to know this Community-friendly Comfort Dog, a very social emu, cuddle cows and other famous local animals Many dogs, ...
man in tuxedo standing , surrounded by seated musicians, conducting
Nashua Chamber Orchestra opens season with full orchestra concerts By Katelyn Sahagian [email protected] It’s been a long time coming, but ...
The latest from NH’s theater, arts and literary communities • Open studio: In addition to the Route 3 Art Trail ...
book cover for BB King biography
Concord native presents new photo biography of B.B. King By Mya Blanchard [email protected] Whether through pictures or narrative, Concord native ...
Family fun for the weekend Art and science • Learn about exoplanets at the event “Exoplanets: They’re Out of This ...
rectangular planter, 5 bulbs sitting in dirt
Forcing bulbs for early spring blossoms indoors I love tulips. Fortunately, our dog Rowan keeps the deer away, so I ...
carved wooden bracelet with shape of dog at the top
Dear Donna, Time to pass this carved Scottie dog bracelet to my daughter. Can you give me any information to ...
middle aged woman posing outside against tree
Physical therapist specializing in dry needling Sally Pendleton is a Physical Therapist certified and specializing in dry needling, a technique ...
Red round icon that reads Weekly Dish
News from the local food scene • Seniors Thanksgiving luncheon: The Salvation Army’s Northern New England Division is inviting seniors ...
animal mascots, a white tiger and a bear, posing with 2 women dressed in Oktoberfest mini dresses in crowded tent
Oktoberfest, ski and snowboard sale return to Pats Peak Just ahead of its season kickoff, Pats Peak Ski Area in ...
bowl of soup with meat, vegetables, and gnocchi seen from above on wooden table
Bouillon Bistro now open in Milford Scratch-made artisan soups, chowders and stews are the stars of the menu at Bouillon ...
man smiling, in front of window
Sergio Metes is the executive chef of Luna Bistro (254 N. Broadway, Salem, 458-2162, luna-bistro.com), a tapas and wine bar ...
2 stacked caramel stuffed chocolate chip cookies on plate sitting in front of glass of milk
It’s the week after Halloween, and you may be wondering why you would need a dessert recipe. Think of it ...
2 bottles of wine
What to drink with each course of a hearty Italian meal The crisp days of autumn call for a reunion ...
cover for Brothertiger album Brothertiger
Brothertiger, Brothertiger (Satanic Panic Records) If you were around in the late ’80s, you probably heard your share of corporate ...
book cover for Shuna’s Journey, by Hayao Miyazaki
Shuna’s Journey, by Hayao Miyazaki (First Second, 160 pages) At a glance, Shuna’s Journey feels like well-mapped territory for author ...
film still from Till
Till (PG-13) Mamie Till-Mobley, mother of the murdered child Emmett Till, is the focus of Till, a close-up portrait of ...
Wendell & Wild (PG-13) Voices of Lyric Ross, Angela Bassett. As well as the voices of Keegan-Michael Key and Jordan ...
Local music news & events Nashville kitten: Country music rising star MaRynn Taylor is joined by local fave Dusty Gray ...
guitar player and drummer playing on stage during concert
Zero hits New Hampshire with new (old) album The hallmark of a good jam band is how well it plays ...

Click to read our E-Edition PDF for FREE.
Our advertiser supported e-edition will always be free to view and download.

Well rounded

Zero hits New Hampshire with new (old) album

The hallmark of a good jam band is how well it plays with others, and Zero is a standout example. In fact, it may hold the record in the number of guests brought to the stage over many years and over 1,300 shows. A friend of the band once did a family tree that included hundreds of musicians who’d joined them at one time or another.

Zero was formed in the early 1980s by guitarist Steve Kimock and drummer Greg Anton, after the two played in Keith and Donna Godchaux’s Heart of Gold Band; guitarist John Cipollina was a member until his death in 1989. In a recent phone interview, Anton described the band’s music as created with collaboration in mind.

“We have a lot of dynamics and wide-open space when we play,” he said. “What happens often is … somebody will come and sit in, and they’ll go, ‘Wow, it’s a good thing I showed up tonight or these guys would have big holes in their music — it’s a good thing I showed up to fill them in.’ It’s actually intentional, but some guys just figure it out and just fit right in.”

Zero just released a double album, Naught Again, that was recorded in 1992 during a three-night run at Great American Music Hall in San Francisco. It features many great guests, including late piano legend Nicky Hopkins, Vince Welnick from the Tubes and Grateful Dead, and longtime Jerry Garcia mate John Kahn.

Songs from the shows were on 1994’s Chance In A Million. A few months before the pandemic, recording engineer Brian Reasoner suggested to Anton that they remaster that disc using newer technology. He also asked him to find a bonus track or two for the project.

“I went back and listened to the outtakes, and Naught Again is a whole other record; none of that stuff has been previously released,” Anton said. “I was pleasantly surprised that I went back to look for one song and found a double record of songs that I thought were really up to snuff to put out.”

The group was all instrumental until Grateful Dead lyricist Robert Hunter chatted up Anton at a Bay Area party. “He said, ‘You know, that band Zero is really good, but most of your audience is made up of other musicians — if you want to spread out a little bit, you might want to think about getting some songs,’” Anton recalled him saying. “I said, ‘You got any?’ and he said, ‘Yeah. You got any?’ So, I gave him some of our instrumental stuff, and he put words to it.”

Ultimately, the two wrote 25 songs together. Hunter, who died in 2019, introduces the band on Naught Again with a trippy spoken-word bit and closes out the set with another space age rap. The music is sublime, as is the newfound clarity of the show, recorded by Grateful Dead sound man Dan Healy.

It also includes some of Hopkins’ best piano work.

“I’ve never heard him stretch out like that. His playing is just kind of superhuman,” Anton said of Hopkins, who recorded and toured with the Rolling Stones and Jefferson Airplane and was a member of Quicksilver Messenger Service. “He invented that style of rock ’n’ roll piano-playing; I mean, there was a lot of history before him, but he took it to another level.”

To celebrate the new collection, Zero is out on a short jaunt stopping at Plymouth’s Flying Monkey on Nov. 5. Along with two founders, it now includes Pete Sears on bass, trumpet player Haidi Al-Saadoon and Spencer Burrows on keyboards.

They kicked off the current tour with a vinyl release show for Naught Again at the Fillmore in San Francisco. “We had a great time; it’s special music, I think,” Anton said. Their upcoming Granite State show will feature covers included on the new record, done with a unique twist, such as The Who’s “Baba O’Riley” without Moog synthesizer, and David Bowie’s “Space Oddity,” a song suggested by Welnick.

As always, an improvisational mood will prevail for a band that plays when time and mood allow.

“Every Zero show is different, I don’t think anybody’s going to say, ‘Oh, that band’s just like Zero,’” he said. “It’s rock and jazz, we have horns, keyboards, and the world’s greatest guitar player. We have a lot of stuff going for us, and we’re looking forward to being able to do it.”

Zero
When: Saturday, Nov. 5, 7:30 p.m.
Where: The Flying Monkey, 39 S. Main St., Plymouth
More: $39 and up at flyingmonkeynh.com

Featured photo: Zero. Courtesy photo.

The Music Roundup 22/11/03

Local music news & events

Nashville kitten: Country music rising star MaRynn Taylor is joined by local fave Dusty Gray for the first in a monthly series dubbed Nashville Newcomers. The singer-songwriter, whose first name is pronounced “Muh-rin,” moved to Music City in 2019 and serendipitously found her way at the last minute into a talent contest that led to a record deal. Her song “I Know a Girl” hit the Top 40, and a debut EP, Something I Would Do, is out now. Thursday, Nov. 3, 8 p.m., Bank of NH Stage, 16 S. Main St., Concord, $28 at ccanh.com.

Feral rock: In Bloom, the second album from the Faith Ann Band, touches down on a myriad of musical moods, from tuneful grunge to full-throttle rockers and tender ballads, but there’s a clear thread running through it: raw, naked emotion. More precisely, it’s a crackling live wire, shooting furious sparks and sparing no one. The bro target of the two-minute punk rager “Miller Time” is probably still nursing his bruises. Friday, Nov. 4, 5 p.m., Henniker Brewing, 129 Centervale Road, Henniker. See thefaithannband.com.

High lonesome: Sarah Shook and the Disarmers released their album Nightroamer early this year, the third album from Shook with the Disarmers. The album is a tour de force that bounces across genres. Saturday, Nov. 5, 8 p.m., 3S Artspace, 319 Vaughan St., Portsmouth, $15 to $18 at eventbrite.com.

Metal buzz: Nominated yet another time at the upcoming New England Music Awards, Sepsiss hosts its first-ever Swarmiefest, named for the nickname given to their rabid fans. The local rockers have won a pair of NEMA plaques, the most recent last year. If merchandise were a category, they’d be a strong contender. Also on the bill are SixteenTwenty, Trawl, Day to Attend, Dust Prophet and Trading Tombstones. Sunday, Nov. 6, 7 p.m., Jewel Music Venue, 61 Canal St., Manchester, $13 and up at eventbrite.com, 21+.

Doom sound: One of the earliest bands influenced by Black Sabbath, Maryland’s The Obsessed formed as Warhorse in 1976, changing their name four years later. Front man Scott “Wino” Weinrich is credited with being highly influential in the American doom metal scene, though more than a few consider him just plain high when it comes to his opinions on the pandemic — he told one metal ’zine it was a “government depopulation tool.” Monday, Nov. 7, 8 p.m., Shaskeen Pub, 909 Elm St., Manchester, shaskeenirishpub.com.

At the Sofaplex 22/11/03

Wendell & Wild (PG-13)

Voices of Lyric Ross, Angela Bassett.

As well as the voices of Keegan-Michael Key and Jordan Peele as Wendell and Wild, respectively, two demons that find a human Hell Maiden, Kat (Ross), to help them visit the land of the living in this animated feature.

Kat is a girl consumed with anger and guilt about the death of her parents when she was a child. Certain that she was the cause of the car accident that killed them, she carried that with her to profit-focused group homes, unkind schools and juvenile detention. She returns to her home town as a teen to go to a private girls school and finds that the death of her father and the destruction of his brewery ushered in the downfall of the town of Rust Belt — a downfall cheered along by the Klaxon family who own Klax Korp. The snakey Klaxons (voices of David Harewood and Maxine Peak) want to bulldoze the town entirely to make way for a corporate prison. Dogged activist and local council member Marianna (Natalie Martinez) is attempting to stop Klax Korp and to prove that they’re behind the fire at the brewery. Her son, the artistic Raul (voice of Sam Zelaya), a trans boy who also attends the school, refuses to listen when Kat says she’s not a good person to be friends with.

Raul joins Kat on a trip to her parents’ gravesites when Wendell and Wild, demons with whom she is newly acquainted, promise to revive them. But Sister Helley (Bassett), one of the school’s teachers, has tried to warn her about doing business with demons.

A harebrained brother duo with a plan to build a real-world amusement park, Wendell and Wild might have a connection to Kat but they’re willing to do business with the Klaxons to make their Dream Faire a reality. Making deals with the devil (or in this case a devil’s goofy sons) is one of this movie’s themes, along with the greed behind services that should be helping people. It’s a surprisingly complex kind of villainy for a kids’ movie (Common Sense pegs it at age 11 and up; I’d say at least that). And Kat’s redemption arc is only partly about magical powers or demons — it’s mostly about learning to forgive herself.

The movie delivers all of this thoughtfully and with some truly lovely visuals. The animation here is stop-motion (we see Kat in the real world with a filmmaker at the very end of the credits) and everything from the characters themselves to the clothes they wear or their surroundings has texture and heft. The people have a slightly angular quality with almost hinge-like features on their faces that call to mind marionettes but with more fluid movements. The movie is able to give us personality and emotion in the characters’ faces that give them a depth beyond their stylized look. A Available on Netflix.

The Good Nurse (R)

Jessica Chastain, Eddie Redmayne.

Nurse Amy Loughren (Chastain) struggles to work while dealing with a heart condition but comes to suspect friend and colleague Charlie Cullen (Redmayne) isn’t just bending the rules by helping her in this movie based on a real-life story of a serial killer. The movie makes it fairly clear early on that Charlie is a killer, even if we don’t know the extent of his crimes going in (though I feel like I’ve read a couple of People magazine stories about it).

Amy doesn’t suspect Charlie right away but she does suspect something is going on when a patient who had been recovering suddenly dies. The hospital later investigates, but does so in such an aggressively unhelpful manner that the police detectives (Noah Emmerich, Nnamdi Asomugha) seem pretty sure from the jump that something has gone wrong.

Chastain does a good job of radiating competence — something she is often very good at doing with her characters. Redmayne is mostly a collection of oddball behaviors and twitches, which is a thing I often believe to be true of his performances. Overall, The Good Nurse has the feel of an extremely well-made TV crime drama. B- Available on Netflix.

Till (PG-13)

Till (PG-13)

Mamie Till-Mobley, mother of the murdered child Emmett Till, is the focus of Till, a close-up portrait of a woman’s rage and grief.

Mamie Bradley (Danielle Deadwyler), as Till-Mobley (who died in 2003) is known for most of the movie, is worried from the moment she sends her only child, Emmett Till (Jalyn Hall), on a train to visit cousins in 1955 Mississippi. He has grown up in Chicago and even though the city is hardly free of racism, he doesn’t have experience with the dystopian apartheid of the South and the deadly consequences of running afoul of its hellish social conventions.

A sunny, friendly, baby-faced 14-year-old, Emmett seems to be generally enjoying himself with his cousins, even when he’s helping them pick cotton. While at a store buying sweets, he tells the clerk, who we later learn is Carolyn Bryant (Haley Bennett), that she looks like a movie star and later whistles at her. He thinks he’s being charming, we see a sweetly goofy kid, she goes for her gun. A few days go by and he and his cousins think the incident will come to nothing and don’t even tell their parents, Mamie’s uncle (John Douglas Thompson) and aunt (Keisha Tillis). But then men, including Carolyn’s husband, show up at the house and kidnap Emmett while holding his cousins at gunpoint.

When Mamie finds out Emmett is missing, she wants to hurry to Mississippi to find him, but family help her connect with the local chapter of the NAACP and Rayfield Mooty (Kevin Carroll), who tries to get political officials and the media involved in Emmett’s disappearance. When Emmett’s body is found, Mamie, nearly shattered already, insists on having him returned to Chicago and on seeing him. Emmett’s face and head are horribly disfigured and he is bloated from being in a river. Mamie decides that Emmett’s funeral will be open casket and she brings newspaper and magazine photographers in to take pictures of Emmett’s body to show the world what happened to him.

An extended trailer for this movie mentions the fact that we don’t actually see Emmett being murdered — an effective and possibly more emotionally devastating choice. While the movie shows us Emmett’s body and what seeing him does to Mamie, other family members and the larger public, it keeps the focus on Mamie, her heartbreak and her relationship with Emmett. The movie never lets us forget that he is a child and he is her child and it doesn’t waste a minute with sensationalizing his lynching or trying to get us to understand his murderers or the society that protects them. That sounds like kind of an obvious thing — that the murdered child and the effect of his murder on his mother would be the center of this story — but it feels so Hollywood-standard for a Civil Rights era movie to filter Black stories through some kind of white character that this “a movie about Mamie that puts Mamie at the center” approach makes Till feel innovative.

And Deadwyler’s performance absolutely holds us in her experience throughout the movie. She puts us in Mamie’s emotions, from the worry and dread that come with sending Emmett to Mississippi through the ocean of grief after his death and the anger that I think would completely consume most people. It’s not always easy (I think especially if you have kids and can call up worry about them with zero effort) to be with her in that headspace, but it is so well done, her feelings are so well examined and shown (not told), that when characters praise her out loud it almost feels unnecessary. Just making it through the day as a woman who has lost so much seems like an exceptional feat — and this movie makes us feel the effort this requires of her. When we see her doing so while being able to serve as an advocate for justice, Mamie displays an almost superhuman strength. A

Rated PG-13 for thematic content involving racism, strong disturbing images and racial slurs, according to the MPA on filmratings.com. Directed by Chinonye Chukwu and written by Michael Reilly & Keith Beauchamp and Chinonye Chukwu, Till is two hours and 10 minutes long and distributed in theaters by Metro-Goldwyn-Mayer Pictures.

Featured photo: Danielle Deadwyler and Jalyn Hall in Till.

Stay in the loop!

Get FREE weekly briefs on local food, music,

arts, and more across southern New Hampshire!