Roots & branches

One of my favorite childhood memories is of those family Thanksgiving dinners when, after everyone had finished the meal, the adults sat around the table telling stories and just reminiscing. For some reason, I enjoyed especially hearing about family events that took place before I was born. After hearing such stories, I admit, I looked differently at my aunts and uncles as I now saw them as characters in a larger family drama that extended many years earlier. As I grew older, I often found an opportunity to ask them for further details. Taken together, these stories and their subsequent developments grounded me in a way I didn’t understand at the time.

Now fast forward many years and the young people are my own adult children. The same phenomenon seems to be repeating as they ask their mother and me about details of our childhood, college years, times before we met, and subsequent events before they were born. What has helped greatly in the occasional telling of our family story is the journal I’ve kept for more than 50 years. While not replete with details, it does record events large and small that complement my own memory of the past. And now, as I read back through them, I appreciate even more my record of some of those post-Thanksgiving dinner story sessions of my childhood and can share them. They help me satisfy what seems now to be an apparently inherited curiosity about our family’s past.

Across society these days, curiosity about family history takes many forms, from the popular PBS program Finding Our Roots and the NBC series Who Do You Think You Are? to such widely used genealogical tools as Ancestry.com or 23 and Me. Templates for making a family tree are plentiful and becoming easier to populate thanks to online access to a trove of databases. And if you think journaling is a quaint custom of earlier days, Google “journals” and you will find websites that will sell you a book in which to record your experiences or even how to get started. Storyworth, an online facility, sends the subscriber a prompt each week to write a family story and then collects and prints them in a book at the end of the year.

With the recent death of my last surviving uncle, I have now become the eldest of my family generation. So it is not surprising that now it is my turn to encourage the younger generation to begin adding to our family’s growing storybook.

Might it be your turn to do something similar?

You can contact Steve Reno at stepreno@gmail.com.

Give flowers! — 02/09/23

Let flowers brigten up your day — on Valentine’s Day (Tuesday, Feb. 14) or any day. We look at the bouquet situation from the state of roses to what might be harder to find this season. We also take a look at potted plants, a good solution if you’re looking to get some longer-lasting blooms.

Also on the cover Vote now in Hippo’s Best of 2023 readers’ poll. Go to hippopress.com to vote for your favorite pizza, salon, ski hill, coffee spot, doughnut purveyor and so much more. Voting runs through Tuesday, Feb. 28.

Dozens of local soup, chili and chowder makers will be vying for your palate during Epsom Central School’s annual cook-off on Monday, Feb. 13. Matt Ingersoll has all the details in his story on page 23.

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Gallery grooving

Singer-songwriter kicks off concert series

A three-weekend original music concert series at a Hopkinton art gallery offers buoyant pop, jazz-infused Americana and bluegrass. It kicks off Feb. 11 with Ariel Strasser, a Boston by way of Minnesota singer, pianist and guitar player with influences ranging from Carole King to Rufus Wainwright. The Honey Bees — chanteuse Mary Fagan and guitarist Chris O’Neill — arrive the following Saturday, with the all-acoustic Hydro-Geo Trio closing things out Feb. 18.

With light refreshments and soothing ambience, the two-hour events are presented by Two Villages Art Gallery and NH Music Collective. Strasser is returning, having performed there last year.

“It’s a really warm and inviting space,” Strasser said by phone recently. “Acoustic music is well-suited to it, and they’re really great people. I’m excited to be back.”

Strasser has released two albums. 2013’s Crooked Line featured duets with fellow songwriter and mentor Chris Trapper. Motivation came out in 2018 and led to a pair of New England Music Awards nominations the following year. She’s assembling material for a third long-player. Among the new songs is “Small,” a gentle ballad about putting things in perspective.

“I’m not sure yet when that one’s going to land, but hopefully soon,” she said. “It’s about staying grounded and remembering that the little things you agonize over sometimes don’t have as much power as you believe that they do, and understanding that we’re really just a small piece of this large universe, and remembering that when we get bogged down.”

The singer-songwriter came to New England to study musical theater at the Boston Conservatory, now a part of Berklee College of Music. There she “found a love of songwriting and sort of latched onto that even more, but my theater roots definitely feed into my songwriting, in terms of lyrics and things like that.”

Her songwriting process varies. “Sometimes I’ll be inspired by something I see and the lyric will come from that and I’ll want to set it to music,” she said. “Other times I’ll be sitting with an instrument and the musical idea will come to me and I’ll find the gibberish that goes with it, then figure out what the song means later. It just depends on the inspiration.”

Along with performing, Strasser runs ArtsBridge, an organization that helps aspiring young performers find arts colleges. “I run programs for theater, voice, fashion students,” she said. “It’s a cool opportunity to work with high school kids who are really talented…. It’s definitely inspiring to see people at that stage of their life where they’re on the brink and excited about everything.”

The two-week summer camp has a job fair vibe. “They learn about the different programs and what works for them and also what different schools like to see,” she said. “They’re learning about the process through the eyes of these different college faculties…. It’s definitely a valuable experience for them.”

Performing, however, remains Strasser’s passion, and she’s excited about upcoming shows, both the solo Two Villages set and an in the round show with fellow songwriters Katie Dobbins and Audrey Drake at Hermit Woods Winery on Feb. 22, also organized by NH Music Collective.

“As an artist, I love so many different parts of being in this world, but I really love playing live,” she said. “I don’t know if that comes from theater or just me, but that’s definitely my favorite…. Solo shows that are real listening room type places are really fulfilling for me. I feel like you can see the songs land.”

Audience interaction, she continued, “is the one thing you can’t replace online. There’s so much we can do on the internet, but live shows … those you can only do one way and that’s to show up. So I hope to see some people out there, and I’ll just keep playing as much as I can.”

Ariel Strasser
When: Saturday, Feb. 11, 4 p.m.
Where: Two Villages Art Society, 846 Main St., Hopkinton
Tickets: Donations accepted at the door
More: arielstrasser.com and nhmusiccollective.com

Featured photo: Ariel Strasser. Courtesy photo.

The Music Roundup 23/02/09

Local music news & events

Music & Art: The Currier’s weekly Art After Work series continues with a Songwriter Round in the Winter Garden. Three local talents, Alli Beaudry, Paul Nelson and Kevin Horan, will be swapping songs at the free event, with a full menu including cocktails available; members receive a 10-percent discount on victuals. Take in the gallery or enjoy a half-hour guided tour of the museum, which begins in the lobby. Thursday, Feb. 9, 5 p.m., Currier Museum of Art, 150 Ash St., Manchester, currier.org/art-after-work-5.

Brew duo: A new-ish brewery approaching its first anniversary hosts live music with Chris Peters and Mike Maurice. Peters is a local singer, songwriter and yoga instructor who’s released a few albums, while Maurice hails from Portland, Maine, and offers keyboard-based music ranging from the lively dance pop of “Like You Are” to more studied jazz and classical pieces such as “Belle Aux Chandelles.” Friday, Feb. 10, 6 p.m., Feathered Friend Brewing, 231 S. Main St., Concord, featheredfriendbrewing.com.

Bad romance: Now at a new venue, the Sad AF Collective holds its second annual Broken Hearts Bash in a Concord basement bar. The evening will be packed with emo songs for those who prefer an anti-Valentine’s Day to the actual thing. Cry along with Birds, In Theory (comma intentional), Up Hill Tony and Turner. The latter has quirky songs with titles like ”I’m Not a Cannibal, Today’s Just My Cheat Day.” Saturday, Feb. 11, 9 p.m., Penuche’s Ale House, 16 Bicentennial Square, Concord, $5 at the door, 21+.

Pre-game: Steer clear of big game hype by having an early brunch with music from Marc Apostolides. There’s nothing like mimosas and eggs Benedict to squash awareness that the closest New England is getting the Super Bowl this year is news of Tom Brady’s recent retirement. Apostolides is a 30-year veteran performer who produces the Sacred Songwriter Circle livestream every month, archives available on Facebook and YouTube. Sunday, Feb. 12, 11 a.m., Copper Door, 15 Leavy Dr., Bedford. See theapostolidesproject.com.

Big Easy love: A Valentine’s Day dinner concert stars singer Sharon Jones performing music from New Orleans. The special single seating event, sponsored by the Portsmouth Chamber of Commerce, offers a four-course meal inspired by the Crescent City. A 45-minute cocktail hour kicks things off, followed by soulful singing and food. Dessert and more music follows the break. Tuesday, Feb. 14, 6:30 p.m., Portsmouth Book & Bar, 40 Pleasant St., Portsmouth, $60 each, $120 per couple, $200 for four at portsmouthchamber.org.

At the Sofaplex 23/02/09

Shotgun Wedding (R)

Jennifer Lopez, Josh Duhamel.

Though she’s solidly in a supporting role, this movie gives a lot of the goofiness to Jennifer Coolidge, who plays Carol, mom to groom Tom (Duhamel).

Tom and Darcy (Lopez) have dragged their loved ones to a beach resort in the Philippines for the elaborate Insta-worthy wedding of Tom’s dreams. But standard wedding-movie difficulties — Darcy’s dad’s (Cheech Marin) preference for Darcy’s ex (Lenny Kravitz) over Tom, Carol’s insistence that Darcy wear her lump-of-whipped-cream-like wedding dress — have the couple bickering, leading to a fight right before they walk down the aisle that ends with Darcy throwing her engagement ring at Tom. Darcy stomps off to enjoy some Champagne and chips but Tom soon runs after her to tell her that all of their wedding guests have just been taken hostage by pirates. As the bad guys negotiate with Darcy’s wealthy dad for ransom money, Darcy and Tom work together — while also fighting about their relationship woes — to try to rescue their guests.

Shotgun Wedding is a perfectly OK lightweight, something-on-while-you-pay-bills watch, but with the talent involved it should have been better. There is a general liveliness that’s missing and the comedy all felt like sort of warmed over middling sitcom shtick. C Available on Amazon Prime Video.

You People (R)

Eddie Murphy, Julia Louis-Dreyfus.

Black-ish creator Kenya Barris directed and co-wrote (with Jonah Hill) this movie that is a little bit rom-com and a little bit social comedy with strong middling sitcom vibes.

Ezra (Hill), unhappy finance worker and in-his-element podcaster, does a meet-cute with stylist/movie costume designer Amira (Lauren London). They almost instantly take a shine to each other and are soon being cuddly together despite the difficulties friends (Ezra’s podcast partner Mo, played by comedian Sam Jay) and family (Amira’s brother Omar, played by Travis Bennett) predict that this Jewish man and Black woman will have as a couple. The difficulties start when Ezra meets Amira’s unimpressed parents, Akbar (Murphy) and Fatima (Nia Long), and when Amira meets Ezra’s culturally tone-deaf parents, Shelley (Louis-Dreyfus) and Arnold (David Duchovny).

A sitcom with this premise could have more room to be nuanced and specific in its observations; as a movie, a lot about the stuff happening here — the blending of families and cultures and the parental impulses toward acceptance or judgment — is shorthanded into broad caricature. What saves this movie from complete unlikability are the small moments between characters. Louis-Dreyfus brings something of a real person to her scenes, London and Hill have cute chemistry, Jay and Hill have a low-energy comedy bit “yes and” charm. I don’t know that I’m in a hurry to sit through this movie again, but in small bites, it rises above its basic setup. C Available on Netflix.

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