News & Notes 23/01/19

New curator

The Currier Museum of Art in Manchester welcomes a new chief curator and curator of contemporary art, Lorenzo Fusi. According to a press release, Fusi has curated more than 100 exhibitions and commissioned nearly 200 works all over the world, including the Yerevan Biennial in Armenia, the Liverpool Biennial and Open Eye Gallery in the U.K., the Fondation Prince Pierre in Monaco, Griffin Art Projects and the Illingworth Kerr Gallery in Canada and the Palazzo delle Papesse Contemporary Art Centre in Italy. “I am honored to join the Currier Museum of Art,” Fusi said in the release. “The museum has strong artist and community programs and I hope that my enduring interest in art in the public sphere will deepen and expand these initiatives.” Fusi’s position will entail leading contemporary commissions and the museum’s residency program; promoting collaboration and innovation in the museum’s presentation and interpretation of art; and developing local and international partnerships.

Help for seniors

United Way of Greater Nashua is collecting donations for its Shoebox Project for Seniors now through the end of the month. According to a press release, the nonprofit plans to assemble 500 kits to distribute to low-income homebound seniors who are served by Gateways Community Services, Meals on Wheels and The Caregivers. Accepted items include exercise bands, puzzle books, healthy recipes books, note and greeting cards, stamps, magnifying

glasses, pocket calendars, small stuffed animals, colored pencils, adult coloring books, combs and brushes, dental floss, facial tissue; hot chocolate, tea and coffee bags; and travel size shampoo, toothpaste, toothbrushes, soap and hand cream. Donations can be dropped off at United Way (20 Broad St., Nashua) on weekdays between 10 a.m. and 3 p.m., no later than Feb. 1. Visit unitedwaynashua.org.

Drug warning

Gov. Chris Sununu, with New Hampshire State Police Colonel Nathan Noyes and stakeholders, announced a new public awareness campaign, “No Safe Experience,” at a press conference on Jan. 12. According to a press release, the campaign, which is being overseen by the New Hampshire Department of Safety, was created to inform people that consuming drugs that have not been prescribed to them by a medical provider is not safe under any circumstance. “There is no safe experience with substances, unless they are prescribed by a provider, and taken only as directed by the person they are prescribed to,” Sununu said in the release. “Our campaign will be laser focused on this critical message to help save lives.” The campaign will launch within the next couple of months and run through the fall. It will include video and public service announcements, an active media campaign with personal stories and data, social media campaigns, an informational website, billboards and highly visible signage and posters and materials that will be distributed across the state and made available to schools.

Help in winter

Granite United Way, in collaboration with other nonprofits and community partners, has launched the Manchester Winter Relief Fund, an effort to provide services and shelter to unhoused individuals in Manchester during the winter months. “Given that shelter beds across the state are near or at capacity, we are tremendously grateful for the collaboration between the City, our nonprofit and faith-based partners, as well as the community, to implement additional emergency shelters in Manchester this winter,” Mayor Joyce Craig said in a press release. “This fund will directly support ongoing short- and long-term efforts to meet critical needs in our community.” To donate to the fund, visit graniteuw.org or text WINTERMHT to 41444.

Outstanding women

Nominations are open now for New Hampshire Business Review’s Outstanding Women in Business Awards. According to a press release, nominees should be women from New Hampshire’s business community in any profession who have a strong sense of self and success-driven work ethic and accomplishments to show for it. Visit nhbr.com/events-awards/outstanding-women-in-business to nominate a colleague, family member, client or friend and share how they are a leader in their field through their commitment, vision and talents. Nominations close on Feb 3.

The Concord School Board has voted unanimously to raise the graduation credit requirement for Concord High School students, the Concord Monitor reported. The new requirement will be implemented over the next two school years, raised from the current state minimum of 20 credits to 22.5 credits for the class of 2027 and to 24 credits starting with the class of 2028. Only about 5 percent of Concord High School students graduate with the minimum of 20 credits; the majority of students graduate with between 24 and 27 credits, according to the article.

The Children’s Scholarship Fund New Hampshire branch will host a school fair at The DoubleTree by Hilton Manchester Downtown (700 Elm St., Manchester) on Saturday, Jan. 21, from 11 a.m to 2 p.m., as part of National School Choice Week. According to a press release, more than 50 K-12 public and private schools and home-school and online school representatives will be there to talk with families about New Hampshire schooling options and scholarship opportunities. Visit scholarshipfund.org or call 289-4999 for more information.

The Addition Recovery Coalition of New Hampshire in Milford (180 Elm St.) will host a human trafficking info session on Friday, Jan. 27, at 6 p.m. According to a press release, presenter Jasmine Grace Marino, a survivor of human trafficking and author of The Diary of Jasmine Grace. Trafficked. Recovered. Redeemed, will share her story and discuss how to best support someone who may be affected by human trafficking. Visit arcnh.org or call 554-8142.

39 ideas for fun new hobbies — 01/12/23

New hobbies Looking to try something new? We’ve got 39 ideas for ways to break out of your routine, from arts and crafts to outdoor activities and more.

Also on the cover Katelyn Sahagian catches up with Mosaic Art Collective about its ongoing January show, “Conversations of home and heART” (page 14). Michael Witthaus chats with rapper Fee The Evolutionist ahead of his show at Millyard Brewery in Manchester this weekend (page 30). Matt Ingersoll brings you all of the details on two new eateries opening soon in Manchester (Cool Beans Cafe, page 22) and Salem (Sevmar Mediterranean Bistro, page 23).

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Moving forward

A new hip-hop vibe from Fee The Evolutionist

Winning the Rising Star New Hampshire plaque at this year’s New England Music Awards was quite gratifying for rapper Fee The Evolutionist, but also bemusing. “I was laughing about that,” he said by phone recently. “I’m a rising star — it only took me 20 years.”

It’s actually a bit longer than that.

Bill Fee was dropping rhymes in the mid-1990s, with DJ Lyrical in the group X-Caliber. The period birthed an incredible story, when they impressed producer Ski Beatz during his visit to the radio station at UMass-Lowell. This led to an invite to Ski’s New York City studio, but their opportunity got bumped so another rapper could finish his first album — Jay-Z.

The rest is hip-hop history.

“Looking back, you know, it was probably the right decision,” Fee said with just a little irony. “We weren’t ready.” Ski Beatz stayed a mentor and produced X-Cal’s “Back in the Dayz” last year. The old-school track recounts that heady time and includes Fee’s life partner Ruby Shabazz on vocals.

Fee’s solo career is a newer development.

“I’ve always been in bands,” he said. “Playing drums, percussion, songwriting, rapping, singing … last November was my first solo release.” That would be the blistering “Go,” a two-minute sprint that evokes punk and metal with the same fervor as hip-hop.

Such cross-pollination is typical for Fee, and it’s one reason he and Shabazz have been called “King and Queen of New Hampshire Hip-Hop” more than a few times. Another is the couple’s consistent civic engagement. “We love it,” he said. “We embrace the community, and the community embraces us.”

The latest example of his genre-hopping ways will be on display Sunday, Jan. 15, in his home town of Nashua, when Fee performs with guitarist Adam Payne at Millyard Brewery. The centerpiece of the show, which will also include brief sets from Shabazz and fellow Nashua rapper Cody Pope, is an acoustic set featuring Fee rhyming and Payne’s looped playing.

It’s hip-hop, time-traveling to a ’60s jazz club. “A folk vibe,” Fee said. “I’m gonna bring my cajon and bongos, and some percussion … it’s going to be a lot of improv. Set songs, some familiar covers, but we’re also going to flip stuff, make it fresh.”

This is Fee’s first gig with Payne, who he initially saw perform at a festival in downtown Nashua a few months back. “I loved it, and I said, ‘Hey, I’ve gotta link up.’ This was the opportunity,” he said. Millyard’s a logical venue choice, he added. “I just feel like a brewery is a good place to have guitar and percussion, and kind of introduce what we do.”

The microbrewery has been a big supporter of the local arts scene, offering regular weekend events. In a Jan. 4 email, Millyard’s Dean Baxter called 2022 “a storming year,” saying “we are fast becoming a leading live music venue [and] continue to support some of the best-known musicians in New England. Fee is one of those.” 

Fee adopted his Evolutionist moniker to underscore his solo career as a step away from band days, along with the way he draws from many eras as an artist. “I’ve seen the evolution of hip-hop; I’m taking you through that,” he said. “I have soul samples from the ’70s, a little R&B, and I’ll get a little bit more aggressive … that’s one aspect; the other is the evolution of myself, and my growth as a person. I’m always evolving, and trying to learn new stuff.”

He views his NEMA win as validation for the genre in the region. “It’s flourishing; we’re in a renaissance period for hip-hop up here,” he said, pointing to the success of Pope and DJ Myth, who he also collaborates with, and other local artists, along with the excitement that surrounded the recent Hellhound for the Holidays showcase at Nashua Garden as examples.

His own brand of hip-hop is distinct from many others, Fee continued. “I consider it more of the jazz style; it’s organic,” he said, noting it attracts an eclectic group of musicians eager to work with him. “You’d be surprised how many people are open to that … they’re like, ‘Oh, I have never done this before.’ It’s new; we’re kind of making our own genre right now.”

Fee The Evolutionist w/ Adam Payne
When: Sunday, Jan. 15, 5 p.m.
Where: Millyard Brewery, 25 E. Otterson St., Nashua
More: feetheevolutionist.com

Featured photo: Fee The Evolutionist. Courtesy photo.

The Music Roundup 23/01/12

Local music news & events

Blues boy: Among the many veteran guitarists praising Quinn Sullivan are Buddy Guy, who said “players like Quinn come along once in a lifetime,” and ZZ Top’s Billy Gibbons, who called him “a true speaker of the language” of the blues. A prodigy who’s had a guitar in his hand for most of his life, Sullivan has shared stages with Carlos Santana and the late B.B. King, and many others. Thursday, Jan. 12, 7:30 p.m., Jimmy’s Jazz & Blues Club, 135 Congress St., Portsmouth, $15 and up at jimmysoncongress.com.

Guitar voice: Renowned as one of the premier purveyors of instrumental rock, Johnny A found his calling by accident, when a case of laryngitis claimed his voice; it’s been him and his guitars ever since. Johnny’s been a Tupelo Music Hall favorite since it was a small venue in Londonderry. His upcoming Blues, Beatles and Beyond show has support from a rhythm section of Dean Cassel on bass and drummer Marty Richards. Friday, Jan. 13, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $35 at tupelohall.com.

Hard hitting: A release show for the debut album from Tino Valpa includes sets from Born Cursed and Heavyweight. The video for the title track, “Live Or Be Lived All Over,” is a metallic knockout. The four-piece band, driven by a rapid, racing beat, jumps and thrashes through the song, a call to rise up from life’s struggles. Valpa’s raging vocals are on point, and other tracks are just as bracing. Saturday, Jan. 14, 6:30 p.m., Riverhill Grange, 32 Horse Hill Road, Concord. $10 at the door for this all-ages show.

Fab faux: While some Beatles tribute bands move through the group’s entire career, 1964: The Tribute sticks to their touring days, recreating live shows that most audiences couldn’t hear above their own screaming. From Ed Sullivan to Candlestick Park, it’s one of the most satisfying doppelgänger performances around, with stunning recreations of classics like “She Loves You,” “Tell Me Why” and “I Wanna Hold Your Hand.” Sunday, Jan. 15, 7 p.m., Palace Theatre, 80 Hanover St., Manchester, tickets at palacetheatre.org.

Songstress: NH Music Collective continues to find opportunities for local performers like Kimayo, who plays for the dinner crowd in Concord. The singer-songwriter calls her music a “confidante, dance partner, comforter [and] mood lifter.” Her 2021 coming out song “Becoming Untamed” chronicled a journey of “re-wilding … shedding expectations and old belief systems to awaken intuition, curiosity, and self-love.” Wednesday, Jan. 18, 6 p.m., Uno Pizzeria, 15 Fort Eddy Road, Concord. See kimayomusic.com.

At the Sofaplex 23/01/12

Strange World (PG)

Jake Gyllenhaal, Dennis Quaid.

This Disney animated feature introduces us to Searcher Clade (voice of Gyllenhaal), who, when he was a kid, was forced, like it or not, to join his famous father, Jaeger Clade (voice of Quaid), on his explorations to find a path beyond the mountains that surround (and keep cut off) their city-state. On one exploration, Searcher discovered pando, the electrified fruit that becomes a source of power to their previously horse-and-buggy world. Jaeger was uninterested and plunged alone through the mountains.

Twenty five years later, Searcher is a successful pando farmer and himself the father of teenage son Ethan (Jaboukie Young-White). Searcher farms, his wife/Ethan’s mom Meridian (voice of Gabrielle Union) flies a crop duster and Ethan dreams of a life doing something else — maybe exploring like the grandfather he never knew.

Searcher wants nothing to do with exploration, but when president (and former expedition member in his dad’s explorations) Callisto (voice of Lucy Liu) shows up on Searcher’s farm, it looks like he might have to hit the trail once again. Across the land pando plants have been dying and Callisto needs to find out why to save everyone’s modern way of life. They discover that pando isn’t separate plants but one big plant and decide to follow a hole deep in the earth to find the source of the plant and see if they can figure out what’s killing it.

Naturally, Ethan stows away on the subterranean ship making the journey and Meridian shows up to tell Searcher that Ethan is there, putting the whole family on the trip into the mysterious deep and the Strange World they find there.

Where and what is this Strange World? I kind of feel like if you’ve been through middle school biology you’ll know pretty quickly, thus making the wait for the reveal feel extremely draggy (and the very straightforward “here’s what’s been happening” explanation is oddly deflating of the cool concept).

I get now why this movie, which spent like a minute in theaters around Thanksgiving, had such odd, vague marketing. To explain the story feels like you are tangling yourself up in details and characters and themes. Strange World has some beautiful visuals, moments of action and an interesting central quest but it also has a lot of talking about characters’ feelings and motivations and parent-child relationships. Like, a lot of talking. Those text-heavy scenes, often between adult characters, slow down the action and make the movie feel less kid-compelling. By its nature, the setting of the movie doesn’t lend itself to lots of high-personality new creatures and characters (we get one, basically, which, as a character in the movie calls out, feels like it’s primarily there for merchandising purposes), leaving only the humans. Sure, I thought to myself, this is a lovely reminder to me, a grown parent, to listen to my kids and their dreams and ambitions without imposing my ideas about what their dreams should be. But what are my kids going to do during the moments that inspire these thoughts? In my experience, that’s when they go to the bathroom or start searching for another screen to watch until the action starts up again. B- Available on Disney+ and through VOD.

M3gan (PG-13)

A terrifying giant doll becomes even more terrifying thanks to some A.I. programming in M3gan, a lively thriller coming in at a brisk hour and 42 minutes.

Gemma (Allison Williams) is a toy designer who becomes the guardian for her tween-ish-aged niece Cady (Violet McGraw) after Gemma’s sister and brother-in-law die in a car accident. Cady, who was in the car with her parents at the time, is understandably distraught about both the traumatic accident and their deaths. Gemma, who is unsure about this whole parenting thing, decides that she can cross two tasks off her to-do list — cheer up Cady and beta test a new toy — by introducing Cady to M3gan, a 4-foot-tall doll who will bond with its primary user and learn how to relate with that particular child. Previously, Gemma had helped develop toy company Funki’s Purrpetual Petz, a sort of toothy-Sonic-plus-Furby creation that looks nightmarish but has impressive tech (we later learn that Gemma has programmed it to listen to its kid owners and collect data — but of course). It is also sort of chef’s-kiss perfect in how annoying it is portrayed as — it makes realistically parent-aggravating noises and has all of these dumb app-based features.

M3gan (voice by Jenna Davis; Amie Donald does the doll action, according to Wikipedia), which will be a kid’s best friend, surrogate parent and gentle nag about teeth brushing all rolled into one, also seems like a just awful product and one of the great aspects of this movie is that most people’s reaction to seeing the doll for the first time is to be instantly creeped out by it. For some reason, though, it isn’t until a therapist points out that Cady is transferring all of the grief-bonding that should be happening with Gemma to the doll, that Gemma starts to get a little concerned. She tries to get Cady to take some breaks from M3gan, but by then her silicone creation has started to get sassy.

Again, it is really quite delightful that this movie never tries to get us to think maybe M3gan is a good idea. From the first moment we meet the first prototype (whose face melts! It’s great!), the movie makes it clear that this poorly-thought-out toy will be some kind of horror show, even if we don’t know at first what kind. When I first saw the trailer for this movie, I probably thought something like “ugh, what ridiculous nonsense.” After seeing it, though, my reaction is “What ridiculous nonsense! 10 out of 10! Four stars! No notes!” Like the brutal artificial intelligence it portrays, it feels like this movie guessed the potential response to it and absolutely leaned all the way in. Is it all intentional, what a snort-laugh hilarious movie this frequently is? I think probably. Williams has such a great “ha! What?” energy the whole time and everyone is so appropriately, un-horror-movie wigged out by M3gan that I feel like M3gan knows it’s chosen gothicly silly over scary and that that choice was correct. B+

Rated PG-13 for violent content and terror, some strong language and a suggestive reference, according to the MPA on filmratings.com. Directed by Gerard Johnstone with a screenplay by Akela Cooper and a story by Akela Cooper and James Wan, M3gan is a delightful hour and 42 minutes long and is distributed by Universal Studios.

Featured photo: M3ghan

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