This past year was a tough one for many of us: isolation due to Covid-19, political turmoil, employment interruptions and more. But in the garden? For me, it was pretty good, overall. It was a very dry summer, but that meant that there were fewer fungal diseases on my tomatoes and phlox. Since a small stream passes through my property the water table is high, and my established plantings did fine with little supplemental watering.
Let’s start in the vegetable garden. What tomatoes did best for me? For sheer production, it was one called “Big Mama.” She is shaped like a plum tomato, but three times the size or more. Flavor-wise it was not spectacular for fresh eating, but it was great for making sauce. I got seeds from Burpee.
My best-flavored tomato? One I bought as a seedling called Hungarian Heart. It is a big, juicy tomato that makes any sandwich memorable. I ate them for breakfast, lunch and dinner when I had them. Seeds for this heirloom tomato are available from The Seed Savers Exchange or Burpee seeds. And since it is an heirloom, you can save seeds from this year’s harvest to use next year.
Equally tasty is a perennial favorite of mine, the Sun Gold cherry tomato — early, relatively disease-free, highly productive. It’s a modern hybrid, so you’ll need to buy seeds or plants every year. But buy them early: They sell out fast. They’re great for snacking or in salads. I also dehydrate them by the hundred and use in soups, stews and salads all winter.
Best-looking early tomato? Blue Beauty. It starts out blue but ripens to be a red tomato with black shoulders. Very productive with six- to eight-ounce tomatoes and a nice flavor. Hybrid. Seeds available from Pine Tree Garden Seeds.
Best annual flowers? My wife Cindy ordered 18 dahlia tubers last winter, and we started them indoors last March in 12-inch pots. We grew them under lights until mid-June, when the soil was warm enough to please this heat-loving flower. They grew purple, pink and white six-inch blossoms on six-foot-tall plants. We had more dahlia plants than any normal people would want, and even after we gave away a few we had a forest of them.
These big plants had to be staked, and the only thing strong enough to support them were one-inch-square hardwood grade stakes, five- or six-footers. We dedicated one eight-foot by three-foot flower bed to them and scattered a few plants elsewhere.
For years I have been trying to find the perfect spot for a nice flowering shrub called Carolina allspice or sweetshrub. I moved it this year for the third time, and finally found a good spot. About 10 years ago I planted it in full sun with moist soil, and the leaves burned. Then I put it in shade, and it didn’t flower much. This year I moved it to a drier location in dappled shade under a pear tree. It grew well and appears to have settled in *well.
Sweetshrub produces nice burgundy flowers in late June. Some varieties are very fragrant. Mine is not. (Note to self: Buy flowering plants when in flower if they are supposed to be fragrant.)
We had a fierce windstorm in 2020 and it partially tipped over a 15-foot catalpa tree that we’d had for three years. I was able to push it back up to vertical position but worried that it was unstable. I tied it to three stakes for a while. Then I had the idea to place a large stone over the root ball on the side that had lifted up. That really stabilized it, and I removed the ropes, which had begun to dig into the bark. So far, so good, despite strong winds this fall.
For years I have been frustrated by weeds that infested a walkway through a terraced area for flowers. Goutweed and creeping grasses were seemingly impossible to eradicate, especially since the roots could hide under the large flat stones I had used as stepping stones. This year my wife, Cindy, decided to make it better.
First we removed all stepping stones and she dug out the weed roots. She hired three teenagers to wheelbarrow away the soil and help with the digging as she excavated the path. They dug out a pathway about eight inches deep, two to three feet wide and 80 feet long. They then put down six inches of one-inch crushed stone and covered it with landscape fabric. Then they edged it with bricks standing on edge and filled it with rounded pea stones about half an inch across.
The project was a huge success: For the first time ever, we had no weeds in the walkway. Not one, all summer. Stone, with no soil mixed in, will not grow weeds and the bricks kept soil in the beds from getting into the pathway. We will be on the lookout for scraps of goutweed that might pop up at the edges of the walkway next year, but the landscape fabric will keep any scraps of root from sending up shoots.
Each year is different. Each year certain flowers or vegetables are supremely happy, and others sulk. That’s part of the fun of gardening: remembering the good, learning from the bad, and looking forward to the next year. My best wishes to you all for 2021.
Featured Photo: Calycanthus or sweetshrub is a shade-loving shrub I love. Photo courtesy of Henry Homeyer.
The latest from NH’s theater, arts and literary communities
Art by Chris Reid, featured in “The View Through My Eyes” exhibition. Courtesy photo.
• Gallery goes digital: Kelley Stelling Contemporary, an art gallery in Manchester that has been closed throughout the pandemic, announced in a newsletter that it will soon roll out a series of new digital programming, including artist talks, studio visits and home tours. Watch the gallery’s social media @kelleystellingcontemporary for updates.
• Drive-in singing: The Nashua Choral Society has found a creative way to continue meeting during the pandemic while observing social distance, according to a press release from the chorus. With a new drive-in choir system, members can gather in person and, while remaining in their cars, sing together using wireless microphones tuned into the same radio station. NCS purchased the wireless microphones with a grant from the New Hampshire Charitable Foundation. The chorus had its first drive-in sing on Dec. 13, which is World Choral Day. “Seeing everyone in person, even through car windows, was a joyful event,” the press release read. “NCS looks forward to hosting more socially distanced sings in the new year.” The choir is also planning to hold in-person public performances this year as soon as it is safe to do so, according to the release. Visit nashuachoralsociety.org
• Nature through the seasons: The New Hampshire Art Association has an exhibition, “The View Through My Eyes,” featuring the work of pastel artist Chris Reid, on view at the gallery in the Concord Chamber of Commerce Visitor Center (49 S. Main St.) now through March 18. Reid’s pastels depict nature scenes from the four seasons, like emerging flowers and plants in the spring; gardens, farms and greenery in the summer; harvest landscapes and the changinging colors of leaves in the fall; and the natural shapes formed by ice and snow in the winter. “My work is a conversation with nature,” Reid said in a press release. “My paintings are more than simple depictions of place. Rather, they invite a choreographed dance of the eyes, where the viewer is invited to look deep into the depths of the work and see the subject’s spirit and life-force.” Gallery hours are Monday through Friday from 8:30 a.m. to 5 p.m. Visit nhartassociation.org or call 431-4230.
• Literary Zoom: Gibson’s Bookstore of Concord will host a virtual author event with Beverly Stoddart on Monday, Jan. 11, at 7 p.m. Stoddart will present her new book Stories from the Rolodex: Important Figures of Journalism in Their Own Words, which includes a series of essays on local personalities from the golden age of journalism. She will be joined in conversation by local author (and Hippo associate publisher) Dan Szczesny. Then, on Wednesday, Jan. 13, at 7 p.m., Gibson’s will virtually host poet Kyle Potvin, who will read from her new volume of verse Loosen (Volume XIV of the Hobblebush Granite State Poetry Series). Poet and executive director of The Frost Place Maudelle Driskell will join the reading and discussion. The events will be held on Zoom, and registration is required. Visit gibsonsbookstore.com or call 224-0562.
• A look at slavery in New England: The Moffatt-Ladd House and Garden in Portsmouth kicks off its free public winter continuing education series with a virtual lecture and discussion, “Confronting Slavery in Early New England: History, Sources and Interpetation,” led by Dr. Jared Ross Hardesty, on Thursday, Jan. 14, at 6:30 p.m. via Zoom. Hardesty is the author of Black Lives, Native Lands, White Worlds: A History of Slavery in New England (2019), “the first comprehensive look at slavery throughout New England in more than 50 years,” according to a press release from the Moffatt-Ladd House. The book explores the lives of enslaved people in New England, how New England became wealthy from the slave trade and the connection between slavery in New England and the Carribean. Registration is required. Email [email protected] to receive the link to the Zoom event.
Robinson decries white supremacy, pays homage to the ’80s in Exo-Hunter
Science fiction, sociopolitical satire and 1980s nostalgia are the basis for Seacoast author Jeremy Robinson’s newest novel Exo-Hunter,released last month.
Exo-Hunter follows a Black Marine known as Dark Horse in 1989 who, after a mission gone wrong, is launched with his team a millennium into the future. In the year 2989, humans have abandoned Earth and expanded colonization throughout the galaxy under the rule of a white supremacist government called The Union. Separated from his team and now the only Black man in The Union, Dark Horse takes control of a space vessel and sets out to find his teammates, disguised as an Exo-Hunter, a space explorer seeking new planets for the Union to colonize.
Robinson said he had been contemplating a “sarcastic, fun, ’80s sci-fi” while also reflecting on the racial tensions felt throughout the country over the last few years.
“I thought I’d kind of just mash all of that together,” he said. “White supremacy … is a serious topic, but I wanted to address it with a sense of humor, similar to how the movie Jojo Rabbit did with Nazi Germany — funny but also moving and revealing.”
The humor in Exo-Hunter comes mostly in the form of sarcasm, Robinson said, with some sci-fi- and ’80s-related jokes thrown in.
“I think sarcasm can be helpful for us now as we look back at 2020 and all the bad stuff,” he said. “It’s a good way to deal with it all.”
The book also provides a comic look at the absurdity of a society without diversity.
“I wanted to kind of poke fun at how weird and strange it would be and how dull life would be,” Robinson said. “I guess the main moral of the story is, a world with diversity is just a better world.”
Readers who lived through the ’80s will get a healthy dose of nostalgia with references to ’80s pop culture, particularly sci-fi movies and new wave music. Additionally, Robinson created a playlist of the referenced songs as a musical companion to the book (available on his website) with hits like “Video Killed the Radio Star” by The Buggles, “Sweet Dreams (Are Made of This)” by Eurythmics and “Heroes” by David Bowie.
“A lot of the story hinges on these songs because they’re applicable to what is happening and are just perfect for the situation,” Robinson said, adding that pausing to listen to the songs as they are mentioned in the book can create a more immersive experience for the reader.
A New York Times and No. 1 Audible bestselling author, Robinson has written and published more than 70 books in a number of genres, including science fiction, action adventure, fantasy, post-apocalyptic, thriller and horror, as well as several comic books. Prior to writing novels he did primarily screenwriting, and he continues to write with the ultimate goal of getting his stories made into movies and TV series, he said. A couple of his books are currently in the process of being adapted for the screen, and a TV series based on one of his books has been in development for the last five years. (He is not yet at liberty to say which books, he said.) As for Exo-Hunter, Robinson said, he is “absolutely” envisioning it as an action-packed movie for the big screen.
“It was written with that intention, as most of my novels are,” he said. “[The production] would be really big and cost a lot of money, so [the book] will have to sell really well first for Hollywood to take the risk, but we’ll see.”
Exo-Hunter by Jeremy Robinson Exo-Hunter is available now on Amazon and Kindle and locally at Jetpack Comics in Rochester. The audiobook is set for release on Audible and iTunes in February. To learn more about the book, visit bewareofmonsters.com/exo-hunter-dark-horse-rising, and check out the companion playlist at bewareofmonsters.com/playlist.
Art
Call for Art • 35TH ANNUAL OMER T. LASSONDE JURIED EXHIBITION The New Hampshire Art Association seeks submissions of artwork from NHAA members and non-members. The theme is “Beyond the Boundaries.” Submit up to three pieces. Open to all artistic media. Deadline is Fri., Feb. 5, by 5 p.m. Submission form available online. Call 431-4230 and visit nhartassociation.org.
Exhibits • “THE COLORS OF GREY” Theme art show presented by the Seacoast Artist Association. On display now through Jan. 30. Gallery hours are Wednesday through Sunday, 10 a.m. to 5 p.m., and by appointment. Visit seacoastartist.org or call 778-8856. • “A NEW DAY” Exhibit features work by 35 new members of The New Hampshire Art Association. Viewable online, in the front windows at the NHAA’s Robert Lincoln Levy Gallery (136 State St., Portsmouth) and at the gallery in person by appointment. On display now through Jan. 31. A virtual opening reception will be held on Thurs., Jan. 7, at 6 p.m., on Zoom. Call 431-4230 and visit nhartassociation.org. • “BRAVE NEW WORLD: RESILIENCE IN THE TIME OF COVID” Outdoor public art display features paintings by 80 students from the Nashua School District that convey a message of hope and resilience amid the challenges of Covid-19. Amherst Elementary School (71 Amherst St., Nashua). On display now through Feb. 14. An opening reception at the exhibit location to celebrate the student and teacher artists will be held on Friday, Dec. 18, at 2 p.m. Visit sites.google.com/nsd42.net/bravenewworld/home. • “THE VIEW THROUGH MY EYES” The New Hampshire Art Association presents works by pastel artist Chris Reid. Greater Concord Chamber of Commerce Gallery, 49 S. Main St., Concord. On display now through March 18. Visit nhartassociation.org or call 431-4230.
Tours • NASHUA PUBLIC ART AUDIO TOUR Self-guided audio tours of the sculptures and murals in downtown Nashua, offered via the Distrx app, which uses Bluetooth iBeacon technology to automatically display photos and text and provides audio descriptions at each stop on the tour as tourists approach the works of art. Each tour has 10 to 15 stops. Free and accessible on Android and iOS on demand. Available in English and Spanish. Visit downtownnashua.org/nashua-art-tour.
Theater
Shows • WHERE DO I BEGIN? New Hampshire Theatre Project’s SoloStage program presents. Fri., Jan. 22, and Sat., Jan. 23, 8 p.m., and Sun., Jan. 24, 2 p.m. Performances held virtually and in-person at 959 Islington St., Portsmouth. In-person show tickets cost $30, and virtual show tickets cost $20. Call 431-6644 or visit nhtheatreproject.org
Two decades of revitalization in Manchester, Concord and Nashua’s downtowns
When the Hippo started in 2001 with the intention of highlighting Manchester’s culture, well, there wasn’t nearly as much going on then as there is now (or was, pre-pandemic, and will be again, soon…). In the first of a month-long series looking back at some of the subjects Hippo has covered over the years, former Mayor Bob Baines, real-estate developer Dick Anagnost and Mint Bistro owner Tim Baines look back at what they call the “renaissance” of downtown Manchester, while Tim Sink of the Concord Chamber of Commerce and Michael Herrmann, owner of Gibson’s Bookstore, talk about how downtown Concord has changed, and Dan O’Donnell of Nashua’s Great American Downtown shares his decades of experience in the Gate City’s downtown.
Bob Baines
Bob Baines was the principal of Manchester West High School for 20 years, then served as mayor of Manchester for six years starting in 2000. He’s worked at Southern New Hampshire University and was president of Chester College for six years, and he continues to do education reform work, most recently with a program called Steam Ahead at West High School and McLaughlin Middle School. He’s been on the board of the Palace Theatre for many years and is on the board of Manchester Public Television, and he recently joined the board of the Community College System of New Hampshire after serving eight years on the board of the University System of New Hampshire.
How would you describe downtown Manchester 20 years ago? What was it like as a destination, as a place to work and as a place to live?
During that time, when I became mayor there wasn’t much going on in Manchester at all. We had suffered through hard times in the ’90s and downtown was practically deserted. … The city was in tough shape, and I was fortunate enough to get the support of the aldermen to do a lot of things with economic development downtown. … When I was mayor there wasn’t even any place to go to lunch in downtown Manchester. … On Elm Street there were a lot of vacant buildings, a lot of rundown buildings, there wasn’t any housing. … Manchester is a totally different city than it was 20 years ago. … The Palace Theatre … had closed and went bankrupt. … Manchester was not a destination — there really was no place to go. There was one restaurant on Lowell Street called Richard’s Bistro, and that was about it.
Bob Baines on the Hippo I go back to when Hippo Press started … Jody [Reese] and Dan [Szczesny] came to see me about this idea of launching this paper and they said it was going to be called the Hippo. I was sort of puzzled about the name; I remember when they left my office I … called Jody and said, ‘Are you sure you want to call it the Hippo?’
What do you think the most significant changes were over the last 20 years?
The three key kingpins of the economic renaissance of the city were the Palace Theatre [reopening], the Verizon Wireless Arena [now the SNHU Arena]… and the [Fisher Cats] baseball stadium. … [Those three things] really put Manchester on the map. … During that time period there was a lot of excitement about the Manchester public schools [too]. The buildings hadn’t been touched in decades. … There were so many issues. When I was high school principal, I was one of the big complainers … saying we’ve got to spend some money to fix our schools. … At that time they were renovating City Hall and committed to building an arena and I said that’s all well and good that you’re doing that, but our students deserve better, and we got the support of the Board of Mayor and Aldermen to get a $1.5 million bond passed to renovate all the schools in the city of Manchester, so that was a really big deal. Unfortunately as the years have gone on, the proper amount of money has not been invested into teaching and learning and technology and professional development. … I’m very involved in an organization now called Manchester Proud … and we’ve raised over a million dollars to develop a strategic plan for the district, and we’re an active group still raising money to advance education in the city.
What do you think the downtown will be like 20 years from now? What will the biggest challenges be over the next 20 years?
I think good times are ahead despite the quagmire we’re in right now. … I hope [downtown is] still a vibrant part of the city. I think you’re going to get more and more people looking for opportunities to live in the downtown or live in the millyard. … They’re still creating housing units in the millyard. I think downtown still has a lot of possibilities for other development … to provide the kind of housing that people are looking for, especially young people. … Young people who work in all these tech companies, a lot of them want to live downtown because they don’t want cars. … I think the future looks bright in the next 20 years. … I think the biggest challenge is to get people to invest in the city, and I’ve always said you can’t have a great city without a great public education system, and I think that has been the challenge for decades in Manchester. … We should have the very best public schools in the state of New Hampshire. … I hope our city fathers recognize that we have to invest in our schools.
What has been the most surprising thing about the way downtown has developed?
The thing that surprised me when I was mayor was the willingness of local developers to get involved, people who grew up in Manchester, people like Dick Anagnost and [Arthur] Sullivan and his partners. A lot of the great things that happened in Manchester were the catalyst of people who grew up in Manchester and went to schools in Manchester. … It was certainly indicative of the Manchester spirit that people who grew up in Manchester and are now doing well helped revitalize our city, and they continue to do it.
What is your favorite spot to (eventually) hang out in downtown?
[Laughing] Mint Bistro! [Ed note: Mint Bistro is owned by Baines’ son, Tim Baines, who was also interviewed for this story.] … We really miss being able to go there. It’s like not being able to see family. … That’s our favorite place, and hopefully in the not so distant future we’ll be able to go back.
Dick Anagnost. Courtesy
Dick Anagnost
Dick Anagnost was born and raised in Manchester and has been involved in real estate development in Manchester for decades; in the past 20 years alone, he estimates that his company has renovated nearly 40 buildings, put up close to 600 units of housing and created approximately 400,000 square feet of new commercial office space.
How would you describe downtown Manchester 20 years ago? What was it like as a destination, as a place to work and as a place to live?
It was a raceway. Most of the commercial buildings were boarded up and abandoned, there was nobody living there. … The kids used to race up and down the streets and the police were tasked with trying to catch them. Downtown Manchester was pretty well abandoned. … That was about the time that the City decided that they needed to do something to bring back our downtown and millyard. … I received tons of cooperation from the City and actually joint ventured a number of buildings with the City. The first renovation downtown was a building called the Chase Block, where Margarita’s is. … That was actually a joint venture with Anagnost and the City of Manchester.
What do you think the most significant changes were over the last 20 years?
The City and I began moving down the street, so from [the Chase Block] we went to the next corner south, which is 1015 Elm, we went to 844 Elm, we participated with Paul Smith at the corner of Amherst and Elm. I took on parts of south Manchester, so I had Market Basket [brought in]. Murphy’s Tavern was another one of my deals. We started in the millyard with 33 S. Commercial St. … that whole development down there, Southern New Hampshire University is all me. We began marching through the rest of the city together and at about the same time Brady Sullivan started to see our success, and they started with the old gas company building and then they did a number of buildings downtown. … They have a huge stake in the renovation and renaissance of downtown as well. It all started with the Chase Block, and about parallel with the Chase Block was the Verizon civic center decision. The civic center was a key player, the construction of the ballpark, the southern side of the millyard was a key construction project.
Dick Anagnost on the Hippo Every time I needed help persuading the aldermen to do something, Jody and the guys, you know, Jeff [Rapsis] … and Dan [Szczesny], all jumped in and wrote things to get support and public opinion on my side. I have a long relationship with them; I was there when they went into business. … You could actually attribute the Hippo to a lot of Manchester downtown’s growth. They were the ones writing about the opening of Margarita’s and the opening of this restaurant and the Palace Theatre renovations and all those things. They were pointing out all of the good things that were going on in Manchester. … They were a break from reality. … They thought outside the box. … They brought forth the whole concept of, these are the things that are going on, these are the things you can do, that helped downtown particularly go through its renaissance. … You asked a question, what were the most significant changes? One of them was HippoPress.
What has been the most surprising thing about the way downtown has developed?
The upper stories are still underutilized. When I was growing up the upper stories were filled with offices and residential tenants and all kinds of things, so the buildings were all full. We still have not addressed the issue of trying to make buildings from the 1800s meet the codes of this millennium, and until that happens the upper stories will remain sparsely occupied. I mean, I was able in my buildings to renovate the upper stories by coming up with innovative methods to coordinate and … find different solutions to [meet] the codes. For instance, when we did Paul Smith’s building at Amherst Street, which [probably had] the best, most preserved original historic finishes from the 1800s, we … came up with a way to … [make] what was essentially a sprinkler system that created a safe corridor for people to get out of without having to tear out all of the historical things. At 1015 Elm St., which is where Baked is, we creatively put retail on the first floor, office on the second floor, residential units above it, but there was a fire egress issue … they allowed us to put a double-wide staircase in the rear and keep the smaller historic granite and marble staircase in the front. … It’s cost-prohibitive to renovate the upper floors, but we’re in such dire housing need, the upper floors of downtown would be the perfect opportunity to put in workforce type housing. We’ve now grown into a college town … and they’re always in a deficit for student housing. We could easily turn the upper floors … into student housing and workforce housing. That would be the key in my opinion to bringing back downtown 100 percent to its most vibrant point, because those people wouldn’t need vehicles, but … because downtown is such a walkable area, they would be able to service and support all the businesses located in downtown. Which is how downtown used to be in the ’60s and ’70s when I grew up.
What do you think the downtown will be like 20 years from now? What will the biggest challenges be over the next 20 years?
I think it’ll look a lot like it is now. You still have the traffic generators. When I started working in the millyard, it was 5 million feet with 90 percent vacancy and 10 percent occupancy. Your millyard today is probably 4.8 million feet and it’s 93 percent occupied, so the millyard is a significant generator. The Verizon is a significant traffic generator. The ballpark is a significant traffic generator. All of the new housing that’s coming in downtown, like the ones that are at the ballpark. The one finishing touch would be to [bring] the upper stories … back to their usefulness, to making them mostly residential. … There’s a huge demand. Vacancy in the city is about 1 percent. That would be an easy place to put a whole lot of housing. … [The biggest challenge will be] the codes. … In order to be code compliant, you need to spend too much money, more than [the] economic value of the property.
What is your favorite spot to (eventually) hang out in downtown?
My office, because I have to come here every day and I spend a significant amount of time here, so we’ve made it comfortable enough for us to hang out in for long periods of time. … I’ve always kind of put my money where my mouth is, so I was one of the first people to move my main offices, first into the millyard when we were redoing the millyard, and then into downtown when were redoing downtown, and this [1662 Elm St.] is one of the buildings I renovated.
Tim Baines
Tim Baines. Courtesy photo.
Tim Baines was born and raised in Manchester and is the owner of Mint Bistro on Elm Street, and he announced on Dec. 21 that he and two business partners will be opening Elm House of Pizza in January at 102 Elm St. Baines also served as alderman for Ward 3 for one term.
How would you describe downtown Manchester 20 years ago? What was it like as a destination, as a place to work and as a place to live?
Downtown Manchester 20 years ago was in a tough place (much of it abandoned) but there was hope on the horizon. The civic center, as it was referred to at the time, was a hotly contested issue in 1999 and 2000. It ultimately prevailed and was a part of a renaissance of sorts. There was probably one fine dining establishment and a few bars. There [were] a few solid anchor retail stores that brought people to the downtown on weekends, but it certainly was not a destination for most. Very few people were looking to live … downtown at this time.
What do you think the most significant changes were over the last 20 years?
Over the past 20 years there has been strong leadership that has realized what a thriving downtown can do for a city, the tax base and the quality of life. Whether it was ensuring that the Palace Theatre stayed alive through tough times or [because of] investments [that were supported by] the government but executed by the private sector, Manchester’s downtown grew and became a place that people wanted to be a part of. The condition of a downtown can truly make or break a city and we have had leadership over these 20 years that [has] fostered this and understood this. With good governance comes private citizens and investors believing in it, and we have seen amazing investments in our downtown.
What do you think the downtown will be like 20 years from now? What will the biggest challenges be over the next 20 years?
I believe in my heart that leaders in this community will step up and make sure that all of our progress continues. I hope it’s more walkable, I hope that businesses can control their sidewalks and I hope that we have more retail. It truly will come down to leadership and I am hopeful there are enough people out there that know that bringing people together is the way to make many of these things happen. Smart, common-sense and decisive leadership will go a long way. The biggest challenge will be how we handle the issues of the day that are squarely in front of us. No successful or thriving city has all of the resources available for those suffering in the downtown. We have an obligation to help people and we need to, but attracting those suffering to an area with the temptations that our downtown has to offer continues to send us down the wrong path. A facility away from the downtown that offers services, counseling, detox [and] hope, and one that is well-funded, will go a long way. This will take political courage.
What has been the most surprising thing about the way downtown has developed?
It’s a community. With a few glaring exceptions everyone cheers for each other and knows that the others’ success is part of their own success. It’s a beautiful thing. As far as surprising, I would have to say the lack of understanding by government officials as to what it takes to survive in the private sector. It has been discouraging to see leadership not understand the fundamentals of how A affects B and affects C. It has demoralized people.
What is your favorite spot to (eventually) hang out in downtown?
[They don’t exist yet, but I would like to see] a few things: a movie theater, a beer garden and a community event that rivals what Riverfest used to be.
Michael Herrmann
Michael Herrmann. Photo by Ryan Clark.
Michael Herrmann has been the owner of Gibson’s Bookstore in Concord since 1994, and he has served on the boards of Intown Concord and the Chamber of Commerce.
How would you describe downtown Concord 20 years ago? What was it like as a destination, as a place to work and as a place to live?
Concord has always been blessed to have a thriving downtown, and even 20 years ago it was an attractive place to visit, with many interesting shops. It was starting to look tired, but there was a real community of shop owners and regular visitors, and it was fun to be part of it.
What do you think the most significant changes were over the last 20 years?
For the downtown, certainly the Main Street redevelopment of 2016, and also the expansion of the downtown south of Pleasant Street.
What do you think the downtown will be like 20 years from now? What will the biggest challenges be over the next 20 years?
The rise of internet commerce has put all retail at risk, but I believe that people will continue to want to shop local and support institutions that make our city unique. The biggest challenge for downtown is to have businesses that are sufficiently capitalized so they can weather crises like the one we’ve seen this year.
What has been the most surprising thing about the way downtown has developed?
So many banks — some of my best friends are bankers, but these locations are like dead zones. The ground-floor spots on Main Street should be devoted to retail.
What is your favorite spot to (eventually) hang out in downtown?
I can’t wait to spend too much money at all the restaurants downtown. For now, I’ll just be buying gift cards and doing takeout.
Tim Sink. Courtesy photo.
Tim Sink
Tim Sink has been the president and CEO of the Greater Concord Chamber of Commerce since 1992; for the last 10 years he’s worked at its office on Main Street. He’s lived in Concord for about 35 years and raised his family there.
How would you describe downtown Concord 20 years ago? What was it like as a destination, as a place to work and as a place to live?
Twenty years ago downtown Concord was in the beginning of a renaissance. Capitol Center for the Arts had just opened, Capital Commons was going up with a much needed parking garage and downtown festivals like Market Days were growing more vibrant. The downtown was starting to wake up.
What do you think the most significant changes were over the last 20 years?
The redevelopment and redesign of Main Street, Red River Theatres, Capitol Center for the Arts, Bank of New Hampshire Stage, expansion and relocation of the League of New Hampshire Craftsmen and Gibson’s Bookstore, more public art and greater cultural diversity have all contributed to a much more vibrant, destination downtown.
What do you think the downtown will be like 20 years from now? What will the biggest challenges be over the next 20 years?
The boundaries of what we now consider downtown Concord will expand east [and] west and further south. The main gateway at Exit 14 will be vastly improved.
What has been the most surprising thing about the way downtown has developed?
The creativity and resilience of the retail, hospitality and dining sectors.
What is your favorite spot to (eventually) hang out in downtown?
Bicentennial Square
Dan O’Donnell. Courtesy photo.
Dan O’Donnell
Dan O’Donnell is the president of the Executive Board for Nashua’s Great American Downtown. He was born and raised in Nashua, spent 40 years as an educator in the Nashua School District before retiring in 2015, and is now a Realtor with Keller Williams Gateway Realty in Nashua. He has been a member of numerous organizations in Nashua, such as the Jaycees, Masons and Lions Club. Though he now physically resides in Hollis, he continues to tell people he “lives” in Nashua and always will.
How would you describe downtown Nashua 20 years ago? What was it like as a destination, as a place to work and as a place to live?
Nashua’s downtown has always been a great place to dine and shop. Back in the ’80s as more and more box stores and big malls opened on the outskirts of Nashua, people drifted away to experience that newfound convenience shopping, but it always lacked the character, charm and personal service that downtown offered. Since then the City of Nashua, Downtown Merchants Association, Great American Downtown and numerous volunteers have spent enormous amounts of time, energy and capital in revisioning, revitalizing and recreating what I would call the rebirth of downtown Nashua. Today’s downtown Nashua is a much more warm and inviting environment. It is once again the heart of the city and a special gathering place for residents and visitors … [and] has the highest-quality restaurants, unique and specialized shopping venues, art galleries, live music venues and an upcoming Performing Arts Center.
What do you think the most significant changes were over the last 20 years?
I believe that the most significant change is that people realized the most important part of any community is its people. We live in an unbelievably fast paced, instant gratification world. Malls and box stores are sterile environments and have no socially redeeming benefits. Downtowns provide far more social interactions, give us personalized service, which we have been missing, and they provide a connection with our friends and community.
What do you think the downtown will be like 20 years from now? What will the biggest challenges be over the next 20 years?
We are currently in a new phase in Nashua where we are experiencing significant growth in inner city housing starts. As this continues we will see further growth and opportunities in downtown Nashua.
What has been the most surprising thing about the way downtown has developed?
The most surprising thing about the development of downtown Nashua has been the pace of the growth and outstanding support from the community at large.
What is your favorite spot to (eventually) hang out in downtown?
My favorite future spot will be the new Performing Arts Center as it is a long overdue need for our community. I think it will be a huge draw in the further rebirth and revitalization of our Great American Downtown.
This story was possible with the generous financial support of Hippo readers. Hippo is very grateful to have the support of its readers. If you haven’t contributed yet, please consider a small contribution. Your contributions allow Hippo to write more stories and gets you access to additional stories and columns.
A look at Hippo’s beginnings in 2001 and at Hippo in 2020
December 27, 2001
Once we committed to publishing our first issue on January 4, 2001, we had to figure out the nuts and bolts of publishing: what would we include in that first issue, how to design it, how to organize the ads, how would we make sure there were as few errors as possible. The whole process of publishing, we were learning that first year. (See my Granite Views column on page 2 for more on the Hippo’s pre-print origins.)
DAN SZCZESNY(Hippo editor at the time and co-owner) Oh man, that first issue. What’s easy to forget looking back is that we were all pretty new to Manchester. In January of 2001, I had only been in New Hampshire for two years, in Manchester for less than that. But things were happening. The hockey rink was getting built, anchor businesses like Margaritas were starting to turn the downtown vibrant. It just felt like Manchester was on the move. So, deciding on that first cover and cover story, “Morning in Manchester,” was a pretty easy call.
We didn’t have a whole lot of space in those early days. Maybe 16 pages? So, the story was just a collection of things that made the city special, including some off the beaten path highlights. I remember writing about the Merci Boxcar up on the West Side, a block from where I was living.
January 4, 2001
We rented an office that was really just a closet in a downtown Manchester building. It was so small many of our meetings spilled into the hall. We placed two $500 desktop computers, loaded with a borrowed publishing program, next to each other so we could easily coordinate as we laid out the first issues. I think it’s fair to say we weren’t really ready to publish that first issue. So that second one came up on us fast. Jeff had an idea.
JEFF RAPSIS (Associate Publisher) I had just seen a year-end news story about an etiquette expert who ranked America’s 10 most polite cities. I was all about how good manners meant good business, especially in terms of visitors and conventions. So, with the new arena under construction and Manchester preparing to welcome more visitors, I suggested a light-hearted look at how the Queen City’s manners stacked up. With the clock already ticking for next week’s deadline, no one said no. So the next thing I knew I was at Manchester Airport with a photographer friend named Al Belote, us both pretending to be clueless tourists trying to get a cab to 1000 Elm St. to see how we visitors were treated. The cabbie was very helpful at our inane questions, but the big moment came when he asked for the fare. As a test, I handed him five $100 bills. He immediately handed back four of them and then carefully counted out $85 change, thus passing with flying colors. Also, because etiquette includes helping others in need, we staged a stunt where I filled up a giant satchel with paperback books, and then I repeatedly dumped the whole load in the middle of an Elm Street crosswalk to gauge the reaction.
That got us through week two, but during the first year there were more than a few cases of a planned cover story falling through at the last minute, and I’d be dragooned into writing something. It was a wild time when we were doing anything we could think of to keep the paper compelling.
Being a shoestring operation we couldn’t afford to hire reporters, so a lot of that first year was cajoling people to donate their time to write stories. The challenge with that is that publishing requires planning and deadlines and it’s, understandably, hard to get people who are volunteering their time to do either.
RAPSIS What is startling to me is how much came to be just on a whim. You and Dan were looking for content… so I suggested rather than fill it with traditional news or traditional opinion, you package perky insider commentary under a “Quality of Life” index, where we could quantify whether something was good or bad by adding or subtracting points. I’d seen a similar feature in one of the Philadelphia weeklies. And I remember this big serious discussion about how this would possibly work: who says start it at 50? Who decides how many points?
February 15, 2001
Roles in that first year were more blurred than they are now. In mid February 2001, I wrote a cover story about the dilapidated Valley Cemetery, which I lived across the street from at the time. It was and still is a beautiful example of cemeteries as a place for the living to enjoy. That story prompted a community group to form and raise funds to repair parts of the cemetery. We felt by telling these stories we were advocating for the city.
RAPSIS Another surprising, and gratifying, thing was to see a rich and vibrant city in the process of discovering itself. Few people realize that population-wise Manchester is the largest city in northern New England — much bigger than Burlington, Vermont, or Portland, Maine, or any other city north of Boston. And for years it had been home to a vibrant food and art scene that really hadn’t been covered or pulled together in any way. Even the small scale of what Hippo did at first was enough to really open people’s eyes to Manchester as a place that mattered. A lot of stuff was going on, all just waiting to be showcased in a publication intended to do just that. So for a while we ran extensive restaurant listings, just because that itself seemed newsworthy. And we’d hear about people like attorneys at Devine Millimet going on “Hippo lunches,” visiting places they’d never heard of that were listed in that week’s paper. Eventually, we started hearing from people who moved to Manchester in part because Hippo gave them confidence about the community’s quality of life. To think that the Hippo could have that much impact on people, and the region as a whole, is really rewarding to contemplate and makes it all worthwhile.
Through all that, the Hippo we know today started to take shape.
RAPSIS Even the paper’s name was a work in progress during the first year. It was originally called “HippoPress Manchester” (what a mouthful!) for most of the first year, then shortened to “HippoPress.” But quickly people (including us) began naturally referring to it simply as “The Hippo.” So in the fall of 2001 we changed the name on the front page to call it exactly that: The Hippo. So in a way, the community helped us find the publication’s true name.
We wrote about local rock bands, the city’s diners, neighborhood markets, places to hike, visual arts at the Currier, a new skate park, community singing groups, writer groups and anything else that told the story of Manchester.
RAPSIS It may seem unbelievable now, but at the time we started Hippo, Manchester was home base for not one but two full symphony orchestras: the professional New Hampshire Symphony Orchestra, and the New Hampshire Philharmonic, which gave talented amateurs a place to perform. (We also had two opera companies!) These institutions had been maintained for years by many of the city’s leading families: long-established professionals and business owners who would give generously to support outposts of high culture in the old mill town. As a classical music fan, I always thought this was a pretty cool aspect of the Queen City that was underappreciated. So in Hippo’s first month, when we were still scrambling to find and pull together stories worthy of the cover, it turned out one of the orchestras was seeking a new conductor. So I put on my classical music hat and dove into the scene, attending pre-concert receptions in the North End homes of supporters such as David and Barbara Stahl, hobnobbing with the musicians, and generally meeting with disbelief that a publication called “HippoPress” was doing a story on classical music in Manchester. It was the cover of our fourth issue, and it caused enough of a stir to establish Hippo as the source of classical music info in Greater Manchester. (Not that this was too hard.) But it showed us the value of taking the art scene seriously, as this added readership, which added to our credibility with advertisers. It wasn’t long before classical music became a regular beat in the early Hippo, which I covered like a sportswriter would cover the local baseball team — especially the New Hampshire Symphony’s search for a new conductor, which became like a slow-motion reality show. It was enough to push me back into making music myself: first, as a stunt, I joined the chorus of a local production of the opera Carmen, which resulted in a cover story showing an insider’s look at staging an opera at the Palace Theatre. To me, it was extremely gratifying to see Hippo’s classical music coverage find an audience and be appreciated by local musicians. Eventually, the paper’s coverage gradually broadened to include balanced coverage of all arts. We still report on classical music, but alas, the scene has changed: the New Hampshire Symphony and Granite State Opera closed in 2008, while the New Hampshire Philharmonic moved to Salem. Of the big four, only Opera NH continues to give local productions.
January 25, 2001
Though we focused on arts, food, entertainment and events, we also wanted to cover news that had fallen through the cracks of other media coverage. Jeff did this with a story on the Manchester Transit Authority.
RAPSIS This was one of our first actual attempts at “investigative” journalism, which showed clearly that each year Manchester’s city government was leaving hundreds of thousands dollars of federal public transit money on the table — instead of bolstering Manchester’s sorry bus system, it was going to North Country transport services because Manchester’s aldermen were too cheap to kick in the 20 percent seed money for the 80/20 match that covered urban transit subsidies. Funny thing was, this wasn’t intended as investigative journalism, but just as a look at the city’s neglected bus system and how to get the most out of it. Instead, once I started research it was so glaringly obvious that Manchester was turning up its nose every year at big money, we just had to go with that angle. I think the Mike Flint painting used for the cover was pure genius: an MTA bus careening out of control, with dollar signs exploding out of its exhaust pipe—that told the story better than any writer could do.
Back then if you wrote for Hippo you also probably delivered issues. Everyone was out delivering papers Wednesday night and Thursday. This lasted for years until we could finally afford a professional delivery staff. In the early days, John Fladd, an early Hippo writer, and current cocktail columnist, and friend, would help me with the downtown Manchester distribution. To do those deliveries you really needed two people — even in 2001. One would drive the car and count out the papers and the other would run the papers into the delivery location.
FLADD I jump out of the car and jog not-very-enthusiastically to the door of the bar. I go in and look around for a table near the back, without anyone sitting at it. I take three or four steps and drop the pile of papers on the table.”HIPpo Press!” I announce, then turn to leave the bar, which has gone momentarily silent. “We love you guys!” a man shouts from the other side of the room.
As the weeks went on in 2001 it got easier for us to publish. We were developing ways to handle all of the information that went into each paper. We got ahead enough to create a college guide and to plan a photo essay. We still struggled with deadlines and my personal health suffered as the paper took over every bit of my life. I think I gained 30 pounds that year and got very little sleep. But it was really fun.
June 7, 2001
After that first year, the paper grew, changed over the years, added professional staff — but to some extent the focus stayed the same: covering arts, entertainment and quality of life. In our 20th year we suddenly found ourselves back in a situation like 2001 — almost having to start from scratch with what we were covering and how we covered it. By the middle of March the very things that we cover, arts, entertainment, theater, music, restaurants, and events, had ground to a halt. How do you publish an arts and entertainment magazine when there aren’t a lot of arts and entertainment?
ANGIE SYKENY (Hippo’s arts reporter) On March 11 of last year, I emailed my editor to let her know that an event I was covering for the upcoming paper had been canceled out of caution about this “coronavirus thing.” I hope this isn’t going to become a trend. If things keep getting canceled, what am I going to write about? Within a week, all manner of routine had gone out the window, and I, the arts writer, found myself writing less about art and more about community health, emergency relief funds and remote education.
March 19, 2020
MEGHAN SIEGLER (Hippo’s managing editor) I remember going to your office on March 12 to tell you that I was starting to have concerns about events being canceled. How were we going to fill the paper if everything we wrote about was no longer happening? Things quickly went downhill after that conversation. The sheer number of “emergency!/help!/new plan!” emails flying back and forth between myself, Amy and our reporters and freelancers between March 12 and March 17 was insane. I sent one to my reporters that Saturday with the subject “Good news and bad news.” It was a detailed plan of all the changes we needed to make for the March 19 paper. The “good” news was that they could stop working on pretty much anything they had been working on. The bad news was that we needed to, very quickly, create content with the most up-to-date information — but that information was changing constantly.
AMY DIAZ (Hippo’s executive editor) On the morning of Friday, March 13, we were working on an issue with a cover story that involved different out-of-your-comfort-zone activities, all at venues out in the world. By the end of that day, a day full of canceled events, closed venues and notices of school closings, we realized that the entire paper, which by Friday is pretty close to being what you see when it hits stands the next week, would have to be redone. Even stories that could still run had to be reworked to acknowledge that a performance had been postponed or that an event was moving online.
SIEGLER The March 19 paper was essentially created in two work days. We came up with a “Viral NH” cover story that included pieces like “Social distancing and beer” (from Jeff Mucciarone) and “Self-isolation blues — and other local music to listen to at home” (from Michael Witthaus), plus a gigantic list of events that had been postponed or canceled that we had to keep adding to right up until we sent the paper to the printer.
MATT INGERSOLL (Hippo’s food reporter) Our annual coverage of New Hampshire Maple Weekend was the lead story in the Hippo’s food section when, seemingly overnight, the effects of the pandemic began to overspread the state. I received an email from my event contact on a Monday morning, the day before we were to go to print with that week’s issue, that Maple Weekend had been canceled. A complete rewrite of my story became necessary, with the focus switching from going out to enjoy a tour at your local sugarhouse to fun things you can do with local maple syrup in the safety of your own home kitchen.
Our advertising team faced the same challenge. We were past deadline when Gov. Chris Sununu issued a shutdown order that closed nearly 70 percent of the businesses, nonprofits and events that typically advertise. We started calling all of our advertisers asking them what they wanted us to do.
CHARLENE NICHOLS (Hippo’s advertising manager) It was the strangest feeling … one minute I’m selling and building ads and the next I’m killing them. It seemed to happen all at once. As a consultant, I felt desperate to help my businesses, whether to rewrite their messages and plans or to pull their ads completely. I was so worried about how they’d survive and then, later, as a salesperson, um, what’s going to happen to me? The Hippo?
DIAZ I am extremely proud of how everybody at the paper, the editorial and production staff but also our colleagues in advertising and distribution, came together and worked so hard through that first anxious weekend to produce that “Viral NH” issue.
On the ad and revenue side it was a pretty big hit — 65 percent of our revenue disappeared instantly. I wondered, can we even keep publishing? Should we shut down? But the more I thought about and sought out counsel, the more I realized that if we could we must publish. We had a job to do and our readers needed us to continue.
DIAZ As a paper whose primary mission is to help you find things to do and places to go, what do we focus on when everything is canceled and nothing is open? I thought that, whatever we did and however we went with the flow of events, our core should continue to be connecting readers to the scenes that have always been the most important to our coverage — the visual and performing arts, classical and popular music, books and the literary scene, nightlife, outdoor activities and the local food scene. And food — restaurants and their survival — was about to become one of the biggest stories, not just locally but nationally, of the economic impacts of the pandemic. I think it’s fitting that after that first Covid issue, our next two issues —“Keep Calm and Carry Out” and “Meanwhile, on the Farm” — focused on the adaptations of different aspects of the local food economy.
INGERSOLL Food-focused events scheduled for April, May and into the summer were being canceled or postponed one by one, having a dramatic effect on our coverage. In place of a weekend food festival or a restaurant grand opening, I’d instead write about a virtual or stay-at-home event, or I’d be covering the fallout of restaurants.
March 26, 2020
SIEGLER It hasn’t been all bad. Having a smaller staff has forced us all to redefine our roles to some degree; for me, that means that for the first time in years I’m doing some writing. Over the summer, for example, Amy asked if I’d be willing to write a cover story about running, and at first I said no. I read words and I fix words, but I had my doubts as to whether I could still write words. But Amy knows I’m kind of obsessed with running, and she probably knew that I’d eventually say yes specifically for that reason, which I did — and I kind of loved the whole experience. As it turns out, I’ve missed writing. So while the past year has taken me out of my comfort zone, I definitely don’t regret experiences like that.
Like many organizations out there the pandemic made things that had been routine much more difficult. On the distribution side, the folks that get out the Hippo each week, many of our drop locations were suddenly closed. My distribution manager kept calling me and saying we have a real problem here. He put a plan in place in a few days that shifted more copies away from the closed restaurants and cafes and into the supermarkets and our street boxes.
I can look back on 2020 and say that was a really horrible year, and it was. We say our revenue declined 65 percent and we had to lay off wonderful people. But I also look at it and say we survived and I’m so very grateful that our staff kept focused on putting out the best Hippo we could. This was also the first time in our 20 years that we asked readers to help financially contribute to Hippo either through a membership or donation. And they did and have continued to do so.
I don’t know if I’ll be here for our 40th anniversary, but someone will be. Southern New Hampshire continues to need professional independent food, news, arts and entertainment coverage. And we at Hippo will continue to provide that with the support of our staff, our community and our readers.
This story was possible with the generous financial support of Hippo readers. Hippo is very grateful to have the support of its readers. If you haven’t contributed yet, please consider a small contribution. Your contributions allow Hippo to write more stories and gets you access to additional stories and columns.
More turkeys, or just more people noticing turkeys?
The New Hampshire Fish & Game Department recently released the results of its 2020 Winter Flock Survey, which showed that there were 2,309 reported flocks totaling 40,476 turkeys statewide. According to a news release on the department’s website, this was a significant increase over the 486 flocks totaling 9,833 turkeys reported in 2019. In 2018 there were 1,372 flock observations totaling 20,224 turkeys. “The increase in observations during the 2020 winter survey may be attributed to the Covid-19 pandemic,” New Hampshire Fish and Game Turkey Biologist Allison Keating said in the news release. “With many people spending more time at home last winter there was an increase in backyard bird feeding as well as bird watching, which may have contributed to the uptick in reports.”
Score: +1 (because yay for being closer to nature!)
Comment:New Hampshire Fish & Game is asking the public to participate in the 2021 Winter Turkey Flock Survey at wildnh.com/surveys/turkey.html. The survey started Jan. 1 and runs through March 31.
Good and not-so-good pre-Covid health stats
The United Health Foundation’s 2020 annual report, which examines 74 measures of health in each state, says that New Hampshire has improved its availability of mental health services, but it has also seen more premature deaths in recent years. According to a press release, America’s Health Rankings, which was created in partnership with the American Public Health Association, highlights some of each state’s health strengths and weaknesses, pre-Covid. In New Hampshire, two of the strengths that were highlighted were an increase in the number of active mental health providers, which went up 21 percent since 2016, and an increase in the percentage of residents who get enough exercise, which went from 21.4 percent of adults to 26.4 percent between 2017 and 2019. Some of the state’s challenges, according to the release, are income inequality (the disparity between the highest and lowest income-earners has increased 10 percent since 2007), and premature death (recorded as deaths before the age of 75), which increased 22 percent between 2012 and 2018.
Score: 0
Comment:Other positive highlights for New Hampshire include a low teen birth rate and a low prevalence of household food insecurity, while other challenges include a high percentage of housing with lead risk and a low percentage of fluoridated water, according to the report.
Saving New Hampshire’s history
The New Hampshire Preservation Alliance, which supports the protection and revitalization of historic buildings and places, recently announced some of its stats from 2020 to highlight the work it has done throughout the year. According to a press release, the Preservation Alliance presented more than 30 public programs via Zoom, worked on more than 120 projects in more than 100 communities in the state and spent hundreds of hours coaching property owners and civic leaders by phone. Its Seven to Save program has “an impressive” 50-percent success rate, and it invested grant funding in more than 50 community landmarks. The barn tax incentive, which the Alliance helped develop to save old barns, is now used in 100 communities, where tax relief is provided to owners of historic agricultural structures.
Score: +1
Comment: It’s hard to look back on 2020 and see the positives, so QOL applauds the New Hampshire Preservation Alliance for recognizing that even during a challenging year lots of good people still made lots of good things happen for the long-term betterment of the Granite State.
QOL score: 50
Net change: +2
QOL this week: 52
With the new year, the QOL Index resets to 50.
What’s affecting your Quality of Life here in New Hampshire? Let us know at [email protected].
