A cup of civility

Honey Cup Cafe & Tearoom offers tea and a moment of calm

By John Fladd

[email protected]

If you ask Mara Witt, the owner of Honey Cup Cafe & Tearoom, what Manchester needs, she’ll tell you it’s a tea room. The tea is important, of course, but Witt said that a tea room fills a need many adults have: It’s a space to relax and spend time with other adults; to inject a little civility into their day-to-day routine.

“I think a lot of other women need something to be able to look forward to,” she said. “It just kind of elevates your daily life a little bit to be able to sit down and feel a little bit fancy with little sandwiches and enjoy a warm drink with someone. It’s nice to have something that’s not so alcohol-focused. There’s a lot to do that is alcohol-focused. It’s nice to have a way to go out with someone that you can do in the morning and not feel guilty about it that’s not coffee- or alcohol-focused.”

Since its formal opening in December, the Honey Cup has had a mixed clientele.

“I have definitely been pleasantly surprised with the amount of men,” Witt said. “It turns out that a lot of men really enjoy drinking tea. But they also like the tea room; they like the aesthetic. They find it a nice relaxing place to be.”

Although the Honey Cup serves coffee and even a few low-octane cocktails, the focus is on tea and tea-adjacent foods.

“We have a focus on vintage comfort foods,” Witt said. “The idea is a bit like a vintage lunch counter.” To that end, there are breakfast items, baked goods like scones, and finger sandwiches. “And then we do a formal tea on Saturdays and Sundays at two o’clock by reservation,” Witt added, “which is a full afternoon tea service.”

The Full Afternoon Tea is an example of curating a grown-up experience for Witt’s customers. “It’s modeled after a Victorian English version of afternoon tea,” Wit said. “We serve three tiers. The bottom tier is always finger sandwiches; we do chicken salad, deviled egg, [and] cucumber sandwiches of course, and then salmon — a lox sandwich. The second tier is always scones, so we usually have two kinds of scones to choose from. We serve that with authentic clotted cream, lemon curd, and jam to put on the scones. And then on the top we always have a [pastry] assortment — things like petit fours or macarons. Each person has a personal pot of tea and it’s a bottomless pot so they can try all the teas on our menu.”

Honey Cup Cafe and Tearoom. Photo by John
Fladd.
Honey Cup Cafe and Tearoom. Photo by John Fladd.

A big part of creating a comfortable space has been building an aesthetic, Witt said.

“I guess I’m what you might describe as a maximalist. I think I identified with that. [Our look] is very vintage, floral, and a little feminine. I wanted it to feel kind of like a parlor, like you’re going to the parlor in someone’s house and enjoying tea time there, like they did in the olden days.” To that end, the wallpaper in both rooms in the cafe has a bold floral design. There are comfortable chairs to sit in, and even a sofa. Witt pointed to a floral spray in one corner of the tea parlor. “In my loan paperwork, I said I need $5,000 for a floral installation,” she said. “And my loan officer said, ‘Absolutely not.’ So I did them myself for not $5,000 and so far everyone likes my floral arrangement.”

While walk-in customers make up a sizable portion of the Honey Cup’s business, Witt’s strategy is to lean into events.
“We can host private events after four,” she said. We’re closed at three, so we can do private room rentals for sure. And we have the catering as well. I think we’ll do well with the room rentals once the word is out about that.”

The space is perfect, she said, for small gatherings like book clubs and showers.

“We’re doing a ‘Blind Book Club’,” she said, “where I wrap all the books and nobody knows what book it is before they buy it. The first time we did it, it sold out in one week and we sold all the books. Readers love it; it’s like a blind date. We set a date, then meet to have a little tea and discuss the book. And the response is just like people love it, like blind date with a book … and then we’re going to meet here on Jan. 25 and have a little tea and discuss the book. I really wanted to have a community place for knitting clubs or book clubs or things like that or a place to just come in the morning and just sit and relax.”

Honey Cup Cafe & Tearoom
150 Bridge St., Manchester, 836-6008, honeycupnh.com
Open 7 a.m. to 3 p.m. seven days a week. Catering and room rentals are available. Special events are listed on the Honey Cup website.

Featured photo: Mara Witt, owner of Honey Cup Cafe and Tearoom. Photo by John Fladd.

The science of shaking

Cocktail making is an exercise in physics

A cocktail shaker is a surprisingly sophisticated piece of equipment. According to Griffin Star, bartender at 815 Cocktails & Provisions in Manchester, this is especially true of a “Boston shaker,” the type preferred by many bartenders, which is made up of two metal cups, one large, and one small.

“When we’re building a cocktail,” Starr said, “we build it in the small shaker first, with the ice separated in the bigger half.”

To a casual customer sitting at a bar, shaking a cocktail seems fairly straightforward, even simple, but Starr pointed out that making a quality cocktail requires paying attention to several aspects of physics. One of the most important of these is being aware of the air pressure inside and outside the shaker. When a bartender combines the two halves of a Boston shaker, introducing room temperature liquids in the small half of the shaker to the ice in the large half, he or she needs to create a tight seal, to prevent a proto-cocktail from leaking out as it is shaken.

“You want to seal down the tin,” Starr said. “You want to give it a good, hard slap at an angle.” At this point, Starr demonstrated his slapping technique with a drink he was in the process of making. As he slapped the smaller half of the shaker into place, at an angle, there was a small, audible hiss as air was forced out of the shaker, creating a slight vacuum.

Starr said that learning how to slap a cocktail shaker properly took him a while. “It took me until at least four or five months into actually bartending,” he remembered. “To actually get used to the muscle memory and not having my palm hurt when I struck it probably took about five months.”

Once a bartender starts shaking a cocktail, things get complicated pretty quickly, Starr said. If there is an egg white in a drink, when the alkaline egg white meets an acidic citrus juice, for instance, pressure can build up inside a shaker. “When you are shaking with those egg whites, generally you want to keep one palm on the top half, one palm on the bottom half,” he said. “That way you’re just keeping everything sealed in and it doesn’t just blow up in the tin and go right all over your face.” If there isn’t an acid-base reaction, though, the air inside the shaker shrinks as it cools, Starr said, creating a stronger vacuum. “It’s a drop in pressure,” he said, “so there’s a suction.”

Then there’s the matter of how long or hard to shake a cocktail.

“Obviously it all depends on what ingredients you are using,” Starr said. “At home, you’re probably going to want to use all the ice that you possibly can to fill up the tin with, because as we know with thermal dynamics, if you use just a little ice, it’s going to melt quickly and dilute your drink a lot quicker. I usually do a 10- to 15-second shake, but it’s good to keep in mind how long you’re doing it. A good way to [know you should stop shaking is] that feeling of the tin getting cold in your hand. As soon as it chills right at that centerpiece where you’re holding it, that’s a good sign that you’re done shaking.”

The final step of cocktail shaking is also the flashiest: the strong but casual slap a good bartender uses to separate the two halves of the shaker. This is where the angle of the smaller half of the shaker comes in, Starr said. “The slap is with the heel of your hand at the junction where the two glasses meet and because it’s at an angle you’re slapping it on the opposite end of where it’s angled.”

Starr said that in his opinion using good technique is a sign of respect for a drink and for the customer.

“I don’t want to put out anything that’s incomplete,” he said.

The Weekly Dish 25/01/02

By John Fladd

[email protected]

Cooking compeition:Tickets for this year’s Steel Chef competition are on sale. Hosted by restaurateur and celebrity chef Marcus Samuelsson, this competition will take place at Armory Ballroom at the Doubletree by Hilton Manchester Downtown on Monday, March 17. Approximately 680 guests will watch a live, timed cooking competition featuring some of New Hampshire’s best chefs. As the competition between chefs heats up, guests will enjoy a dinner curated by Chef Samuelsson, plus live and silent auctions and more. Proceeds will benefit the New Hampshire Food Bank. Tickets start at $150 and sell out quickly. Visit nhfoodbank.org/steelchef.

Chef’s table: Flag Hill Winery (297 N. River Road, Lee, 659-2949, flaghill.com) is accepting reservations for January’s Chef’s Table Dinners on Saturday, Jan. 11, and Saturday, Jan. 18. Dinner reservations are $75 per person, which includes a four-course dinner and wine/spirit/cocktail pairings with each course. Visit Flag Hill’s website.

Wine week: Reserve your seat for the Cakebread Cellars Wine Dinner at the Bedford Village Inn (2 Olde Bedford Way, Bedford, 472-2001, bedfordvillageinn.com) on Wednesday, Jan. 22, from 6 to 9 p.m. This exclusive five-course dinner is paired with the wines of Cakebread Cellars, one of Napa Valley’s most esteemed wineries. Each course has been crafted by the BVI’s Executive Chef to complement the elegance and complexity of these renowned vintages. Tickets are $125 per person through Eventbrite.com and are extremely limited.

Thinking about spring: Farmers, gardeners, food system pros and organic advocates, get your tickets now for NOFA-NH’s (Northeast Organic Farming Association of New Hampshire) 23rd annual winter conference, “Sowing Hope, Cultivating Joy,” to be held on Feb. 8 at Southern New Hampshire University (2500 N. River Road, Manchester). This event includes workshops and networking with others interested in growing food and nurturing community. Tickets are offered on a sliding scale and lunch tickets are sold separately. Workshops on the schedule include such topics as “Growing Blue Fruits,” “Creating a Community Farm” and “The Cows Don’t Milk Themselves.” A keynote address will be given by Chef David Vargas of Portsmouth’s Vida Cantina. See nofanh.org for details and to register.

Closing: The Stonewall Kitchen retail location in downtown Portsmouth (10 Pleasant St.) is closing after 26 years, according to a Dec. 23 story in the Portsmouth Herald. Stonewall products are sold at various New Hampshire shops and supermarkets, and the company has other retail locations around New England.

On The Job – Barry Poitras

Martial Arts Instructor

Sensei Barry Poitras teaches at Granite State Kendo Club (52 E. Derry Road, East Derry). Kendo and Iaido are two traditional Japanese martial arts that focus on swordsmanship. Poitras has achieved the rank of Godan (fifth degree black belt) in Kendo and Rokudan (sixth degree black belt) in Iaido, which are advanced levels requiring years of practice. Practices take place on Sundays at the Club: The first and third Sunday of the month has kendo kata from 1 to 2 p.m. and kendo practice from 2 to 4 p.m.; the second and third Sunday of the month has Iaido practice led by Sensei Barry Poitras and then kendo practice from 2 to 4 p.m. Call 235-6229 or visit granitestatekendoclub.com for more information.

Explain your job and what it entails.

Sensei basically is the title. I teach kendo and iaido, which is basically a Japanese martial art, Japanese swordsmanship. Kendo is fencing with armor. You use a two-handed sword, bamboo, and you wear armor, and you score points. Iaido is a little different. It’s drawing the sword with imaginary opponents, so you do all these sword draws, cuts, re-sheathing kind of movements, but imagining opponents. They’re kind of like sister arts, they work together… .

How long have you had this job?

I’ve been studying and teaching for over 37 years, somewhere around there…

What kind of education or training did you need?

It’s an interesting kind of pursuit. You have to find an instructor, which obviously back then was extremely difficult. It was such a rare sport in, not only the United States, but even just New England. I started basically with the Boston Kendo Group right down in Somerville, Massachusetts, in 1992-ish range. Then I slowly got my training through the folks down in New York who were mostly Japanese sensei. … I started my school, pretty much, in 1994 in Acton, Massachusetts. And when I moved to New Hampshire, I started up here, and now I’m helping out the Granite State Kendo with their program.

What is your typical at-work uniform or attire?

We wear traditional Japanese hakama and keikogi. Basically, kendo players wear a blue, indigo blue hakama, which looks like a long skirt. Basically, it’s pleated pants. a heavy kote,indigo dyed blue top, and then the armor basically is headgear, breastplate around the lower abdomen, hand and wrist protection, and then a sort of a tare; it wraps around the hips and groin. …

What is the most challenging thing about your work and how do you deal with it?

I think the most challenging thing is even today, kendo in the United States is probably played with under probably 4,000 people nationally. … If you get to a higher level, you’re going to need to travel. I need to go to New York. Nationally I go to national seminars in basically all the country as well as Canada. …

—Zachary Lewis

Five favorites
Favorite book: Autumn Lightning by Dave Lowery
Favorite movie: The Billy Jack movie — that was it. I was hooked. I said that’s what I want to do, and I walked into a karate dojo, and never changed, never turned, never walked out.
Favorite music: I’m actually a guitar player. Right now I’m actually doing a lot of blues music, so I’d say anything blues.
Favorite food: Sushi
Favorite thing about NH: I love the mountains, being able to access the mountains because I’m an avid hiker. I love the accessibility to the seashore. And I think the life in New Hampshire, the music scene, is one of the favorite things I love.

Kiddie Pool 25/01/02

Family fun for whenever

Skates of all kinds

• Remix Skate Center (725 Huse Road, Manchester, 912-7661) has a Little Kids Scoot & Skate roller skating event on the calendar for Saturday, Jan. 4, at 9 p.m. Remix has three-wheeled scooters available, and skate rental sizes starting at little kids size 10, for this beginners’ event. Non-skaters are welcome on the rink. Bring your own safety gear. See skateremix.com for ticket information.

• The ice arena at JFK Coliseum in Manchester (303 Beech St.) has public skate in January on Tuesdays and Thursdays from 9:30 to 11:30 a.m., and Saturdays and Sundays from 2 to 4 p.m. See manchesternh.recdesk.com for more activities and events at the Coliseum.

• Everett Arena in Concord (15 Loudon Road) has public ice skating Sundays from 5:30 to 7:30 p.m. and Monday through Saturday from 11:30 a.m. to 1 p.m., $6 admission (free for age 3 and younger), $6 skate rentals and $5 helmet rentals. See concordnh.gov for details and info on other activities at the arena.

Movie day

• Chunky’s Cinema Pub (707 Huse Road, Manchester) will host Little Lunch Dates for Children on Tuesday, Jan. 7, at 11:30 a.m. for parents (or grandparents or guardians) and their preschool children. The screening will be of Little Giants (PG, 107 minutes), which stars Rick Moranis and Ed O’Neill. The movie will be shown with the lights slightly dimmed and admission is $5. Chunky’s says “this is a worry-free lunch without the fear of disturbing others. So come, relax, and enjoy a movie with your little one.” No passes are allowed and there is reserved seating. Visit chunkys.com for more information

Save the date!

• The Majestic Academy of Dramatic Arts will presentDisney’s Beauty and the Beast Jr.at the Derry Opera House (29 W. Broadway, Derry) on Friday, Jan. 24, at 7 p.m.; Saturday, Jan. 25, at 2 and 7 p.m.; and Sunday, Jan. 26, at 2 p.m. The classic story tells of Belle, a young woman in a provincial town, and the Beast, who is really a young prince under the spell of an enchantress. Majestic’s production stars children and teens of The Majestic Academy of Dramatic Arts under the direction of Becca Antonakos-Belanger with musical direction by Emily Benjamin. Tickets range from $12 to $16. Call 669-7469 or visit majestictheatre.net.

• The Concord Community Players Children’s Theatre Project’s Winter Vacation Theatre Camp for young actors ages of 8 through 14 of all experience levels is open for registration with half of the slots already filled, according to their website. The day camp runs from Sunday, Feb. 23, through Friday, Feb. 28, and registration is only possible by mail, according to the same website. The play will be The Story of Hansel and Gretel. The performance on Friday, Feb. 28, will be at 6:30 p.m.at the Concord City Auditorium with the day for camp attendees involving tech and dress rehearsals as well as a pizza party for cast and crew. Registration is $215. Visit communityplayersofconcord.org for more information.

Treasure Hunt 25/01/02

Dear Donna,

Any help with what to do with these or where they came from? I picked them up this summer and thought they were interesting.They are the size of silver dollar. What are your thoughts?

Thank you, Donna

Claire

Dear Claire,

I think what you have here are pieces of bullseye glass, most likely fragments from a stained glass window.

They do look older but age is tough to tell sometimes, once they are removed from the original piece, be it a window, door, panel or whatever. Great color, though, Claire!

I think the value would be in the architectural findings market, for anyone who either wants to add to a new stained glass piece or art project. I think a fair market price for the lot of them would be in the $30 range.

Claire, I hope you find use for them or a new home. Sweet pieces of glass.

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