September 2021 – Page 11

2021 Patriots preview

After the 2019 season I said the Patriots were about to undergo an 18-month renovation. The Brady-Belichick divorce was happening to bring a major change at QB, and with them up against the cap, they couldn’t replace the larger than normal number of guys about to leave in free agency until the winter of 2020, when they had a boatload of cap room.

Well, that turned out to be right on the, er, money. While I’m not sure the house is totally finished, the remodeling is mostly done and on Sunday vs. Miami we’ll begin seeing how good the re-done team is.

The Big Story: With the surprising release of Cam Newton, Mac Jones is now the biggest story and ready or not it’s his job now. Having said that, while he played better than Camin pre-season I think the main reason he got the job is because he does what they want in a QB better than Cam — quick decisions, quick release and accurate. Thus, as I said a couple of weeks ago, this is going to be the dink and dunk Brady 2.0 to play ball control on O with the D being the biggest part of the equation to start. Said another way, if this year were a movie it would be Back to the Future 2001.

Strengths

Offensive line: Ultra-durable Joe Thuney has moved on and while that’s is a big loss, second man Michael Owenu slid over from tackle to his spot with little apparent change. So with guards who can play tackle, and two tackles who can play guard, the line is versatile, good in the passing game, outstanding in the run game and big. All are important, because with a rookie QB the run game and play action passing that comes with it is vital because that controls the clock and buys Jones more time to throw. How this group does is a big key to how the season goes.

Running backs: I’m on record for being against the Sony Michel trade because it drained their depth. Having said that, the situational benefits offered by the combination of short yardage/goal line power of Rhamondre Stevenson and explosiveness of J. J. Taylor made Michel the odd man out. Plus there’s the reliable James White with a clearer head in the third down back role. Now, if lead back Damian Harris can stay healthier than his first two seasons, when he’s missed 16 games, they have something. But if he can’t, you’ll see why I would have kept Sony over special teamer/RB Brandon Bolden.

Linebackers: Keeping nine LB’s shows this is the deepest and more versatile part of the team. Some want to include the line here to say it’s the front seven, but I’m wait and see on them. Kyle Van Noy, Josh Uche, Chase Winovich and newcomer Matthew Judon give them four quality edge rushers, while Van Noy and Judon will help the returning Dont’a Hightower and Ja’Whaun Bentley fortify the run D.

Weaknesses

Wide receivers: Aside from Jakobi Meyers no one, especially speedy newcomer Nelson Agholor, did anything to dispel fears they could again be a weakness. So beyond the evolving Meyer they’re totally wait and see.

Injury concerns: Durability is important and while I like the new tight ends, both Hunter Henry and Jonnu Smith have injury histories, as do Isaiah Wynn, Trent Brown and Damian Harris. There are also the concerns expressed last week about whether the slightly built rookie QB can last amid NFL pounding for 17 games. So there is a hold your breath quality for some key parts of the team.

Backup QB: Given what I just said, with Cam gone they have a big hole behind Jones until either Jarrett Stidham makes it back from the PUP list sooner than later, or they trade for someone like Nick Foles because Brian Hoyer isn’t up to it.

Kicker: Speaking of hold your breath issues, how about keeping the big-legged but inconsistent Quinn Nordin, who made just 72 percent of his FG attempts in college? Especially when Nick Folk made his last 26 kicks a year ago, including two game-winners as time ran out. So his course seems like a risk.

Stephon Gilmore: Seven months seem like an awfully long time for a quad not to heal; his absence feels a lot more like a holdout than injury. Which makes the six weeks he’ll miss a test to see how they play without him during the softest part of their schedule and how JC Jackson stands up as the number corner. Both are up for contracts next year and only one at most will be re-signed. So my guess is if Jackson does well, Gilmore could be traded by the time he’s ready to come off the PUP.

Other stuff

The Division: It’s much tougher now because they’re competing against good coaches in Sean McDermott and Brian Flores as opposed to the band of doofuses Coach B mostly faced for 20 years. With Josh Allen at QB Buffalo is a SB contender and Miami likely takes another step up, thus the division is much tougher now, Meanwhile, the Jets should be better, but they’re not ready yet.

Outlook: It’s harder to predict than in the good old days when you start with 12-4 and subtract, or more likely add, a win or two. They start with the softest part of the schedule with four home games (including vs. you know who) and have the Jets and quarterback-less Houston on the road. So it could be a 5-1 start. Tougher over the next 11, but they do get the Browns and Titans at home, along with the Jets, Falcons and Jags — so there’s five more wins. Then the battle for the AFC East plays out in December when they face Buffalo twice and Miami, where they win one of those three.

Prediction: 11-5 and a wild card berth.

Setting the scene

NH production studio progresses video tech

Studio Lab, a video production studio in Derry, is making a big impact on the film industry, not just in New Hampshire but across the country, as a pioneer of virtual production technology. Owner Tim Messina talked about what goes on at the studio and how the technology works.

What does Studio Lab do?

We’re going after new ways for films to be shot … [with] the technology that’s changing. … We’re using gaming engine technology … called Unreal Engine, which is what’s used to make video games like Fornite and Rocket League. … You can go scan a tree, or a house, a city … or a film set that you’ve built — and recreate a 3D world of it here. … We have a wall with a bunch of panels … that’s essentially a video screen — it’s not just a projection — and with that, you can actually move inside of that world and film it in real time. When I move the camera, we can move anywhere inside this world — we aren’t just locked down to a [still] view — and everything in the perspective is correct.

How is this different from a green screen?

If you think about green screens from back in the old days, you would have actors [moving] around this wall, but they couldn’t actually see what [the scene] is; all they saw was green, and they were just told what [the scene would be]. Now we can actually put the actors in those worlds, and they can react to them and interact with them in real time.

How creative can you get with it?

Pretty much everything is controllable. … We’re not just moving in this world; we can change everything about it, down to the little details. Let’s say the director wants [the shot] to be morning or afternoon; I can change the time of day and move where the sun is in the sky … and I can even take clouds out or make it cloudier … or make some clouds thin and some clouds thick. … I can change the size of the moon, or how many stars there are. … Then, everything in the scene changes — the shadows, the reflections on the water, everything.

What makes this technology so appealing to filmmakers?

A lot of times you have to get permits to shoot in a high-density area. You have to plan it months in advance so that [the city] can shut down the area … and get cops. Then, once you shoot it, there’s no going back. If anything gets messed up, or you have a different shot in mind later, you can’t [reshoot it]; your time is up. That’s the worst part of it all — fighting for time. … This [technology] gives you the ability to take as much time as you need to shoot in the scene, without being in the way [of the community]. … It also saves a lot of time. There’s a lot of prep time up front — it takes forever to build these worlds — but once they’re built you can recall them instantly, which saves time long-term. … Instead of filming at multiple [physical] locations in the same day, which is very time-consuming and usually not even possible, you can shoot multiple locations in a matter of hours from one location.

Are there other studios doing this?

Sony Pictures, Netflix, Warner Brothers, Universal — all these big studios are building these stages right now. This is where filmmaking is going. … We’ve talked with Verizon, Facebook, Nvidia, MIT. … Sony Pictures reached out to us. … It’s pretty wild. They’re all coming to us to collaborate because we’ve done things here that they’re still trying to figure out.

What’s next for this technology?

What we’re working on now is motion capture streaming a person’s movement in real time in a digital environment. The person wears a mo-cap suit, which allows you to track their position and movement. Then you take those real movements and digitize them. … The person can make a certain gesture and pull a tree up from the ground, or punch into the air and the window behind them will break. Basically, the world is reactive to what they’re doing physically.

Featured photo: Tim Messina. Courtesy photo.

News & Notes 21/09/09

Covid-19 update	As of August 30	As of Sept. 3
Total cases statewide	107,474	108,713
Total current infections statewide	2,927	3,120
Total deaths statewide	1,416	1,426
New cases	2,172 (Aug. 24 to Aug. 30)	1,239 (Aug. 31 to Sept. 3)
Current infections: Hillsborough County	780	847
Current infections: Merrimack County	246	304
Current infections: Rockingham County	680	700

Information from the New Hampshire Department of Health and Human Services

Covid-19 news

State health officials announced 444 new positive cases of Covid-19 in New Hampshire on Sept. 3. The state averaged 344 new cases per day over the most recent seven-day period, an increase of 21 percent over those from the previous week. As of Sept. 3 there were 3,120 active infections statewide and 129 current hospitalizations due to the virus. All 10 counties in the state remain at substantial levels of community transmission.

With a steady rise in cases fueled in part by the delta variant, more people are beginning to seek Covid-19 tests across New Hampshire. Statewide, the weekly average for people seeking tests is more than 6,300, according to a Sept. 3 report from WMUR. Mass testing sites have closed, but there are still more than 100 locations across the state to get a test. Anyone without insurance can go to nheasy.nh.gov to sign up for a free test, as a federal program will cover the cost.

Bleeding ulcer

Following three negative Covid tests, Gov. Chris Sununu was hospitalized on Sept. 3 because of flu-like symptoms. According to a statement from Chief of Staff Jayne Millerick, tests confirmed that his symptoms were caused by a bleeding ulcer, and he underwent a blood transfusion at Portsmouth Regional Hospital. Sununu was discharged on Sept. 4 to recover at home.

Crime reduction

The Manchester Police Department has begun some new crime reduction initiatives, including assigning foot patrols to neighborhoods throughout the city and adding investigative resources for violent crime cases. According to a press release, these new initiatives are supported through the Violent Crime Reduction Program within the American Rescue Plan funding, which includes more funding for proactive investigations targeting repeat offenders, and more resources for detectives to conduct intensive follow-ups. In addition, the Department will be holding community meetings each month; the first was held in August and was a success, according to a press release. The police department has partnered with the Manchester Fire Department for these community meetings, and there will be three more introductory meetings this month: Sept. 13 at the Central Fire House, Sept. 20 at Engine 6 on Amory Street and Sept. 27 at Engine 8 on East Industrial Park Drive. All meetings start at 6 p.m. After these initial meetings, there will be meetings every third Monday of the month, the release said, and anyone from the Manchester community is invited to attend. “We are asking for the support of the citizens and ask that residents come to these meetings,” Police Chief Allen Aldenberg said in a release. “It is a chance to talk about concerns, ask questions and report suspicious activity. Preventing and reducing crime involves everyone and if we work together, we can make a difference.”

Texting 911

New Hampshire has implemented a new solution to overcome previous limitations for texting 911 in emergencies. According to a press release, “Texty” by INdigital offers improved information and better location data compared to the first “text-to-911” program that New Hampshire started using in 2015, which gave people the ability to text 911 in cases where speaking may not be possible, like in domestic violence emergencies or with intruders. That first iteration, according to the release, didn’t allow the 911 operator to text back if the first session was disconnected, and it did not have an integrated mapping solution. “Texty” became available to 911 telecommunicators on Aug. 31 and allows them the ability to send outbound texts. It also includes Rapid SOS, which provides integrated mapping based on the exact location of the phone and provides the texter’s cell phone carrier and the latitude and longitude of the phone handset.

Learn everywhere

Three new Learn Everywhere programs — at First Robotics, The Boys & Girls Club of Souhegan Valley and the Seacoast United Sports Club — have been approved by the New Hampshire State Board of Education, meaning that students can earn high school credit while doing the things they love. “The magic of Learn Everywhere is that it connects with students, where they are already engaged, and captures the learning that is taking place,” Frank Edelblut, Commissioner of Education, said in a press release. “We recognize that learning happens in lots of different places and contexts, and we can reward students for this learning.” According to the release, Learn Everywhere is unique to New Hampshire in allowing students to earn credit for learning outside the classroom.

The North Manchester Hooksett 11/12 All-Stars advanced to the final eight of this year’s Little League World Series, according to a press release. The team became the first New Hampshire team to reach the Little League World Series in 15 years, clinching a trip to Williamsport, Pennsylvania, with a 5-0 win over Peabody, Mass., and advancing to the final eight after defeating Nolensville, Tennessee, and Lake Oswego, Oregon.

The first of the Manchester Police Community Affairs Division’s 2021 Fall Senior Walks is scheduled for Monday, Sept. 13, at Manchester River Walk – East, meeting at 9 a.m. at the Hilton Garden Inn Hotel parking lot at 101 S. Commercial St. According to a press release, these walks allow seniors to spend time with Manchester Police Officers while exercising, socializing and exploring different parts of the city. The walks are about 2 to 3 miles and take about an hour. Most walks are held Monday mornings starting at 9 a.m.; the second walk will be Monday, Sept. 20, at Rock Rimmon, meeting behind 327 Kimball St. Visit manchesterpd.com for a full list of walk dates and locations.

Second Chance Ranch Rescue in New Boston is hosting its first annual Pitbull Poker Run on Sunday, Sept. 12, a fundraiser to help the nonprofit provide medical care, training, safety and support to dogs who have been lost, forgotten or misunderstood. According to a press release, the event invites cars and motorcycles to visit five checkpoints, draw a playing card at each one and hope to have the best poker hand at the end of the run. Participants can check in at any of the five southern New Hampshire stops after 9:30 a.m. and will need to “show their hand” at Molly Stark Tavern in New Boston by 1 p.m. The cost is $30 per driver and includes lunch at the tavern. Non-riders and passengers can enjoy the lunch for $10. Visit secondchanceranch.com.

Summer bookends

Memorial Day and Labor Day are our unofficial bookends of summer and both offer spaces for reflecting and honoring their roles in U.S. history.

I remember, vividly, the Memorial Day school concerts and parades throughout my childhood but I cannot say the same is true for Labor Day.

On June 28, 1894, Grover Cleveland made Labor Day a federal holiday. At their height in 1954, 34.8 percent of all U.S. wage and salary workers, public and private, belonged to a union; today that number is 10.8 percent.

The private sector is where most of the losses have come, which saw membership slide from 16.8 percent in 1985 to 6.7 percent in 2015. Who is protecting our most vulnerable workers, often low-wage earners, if unionization is not allowed? That’s a reality that has been facing our nation for several decades now. The stagnant wages, lack of access to health care and retirement benefits, and disintegration of the middle class over my lifetime cannot simply be coincidences.

Although some may argue that there is no longer a need for these protections, I would beg to differ. I think of Amazon and Walmart employees who have, for years, worked to try and unionize only to have their efforts thwarted through political tactics. Unions have consistently worked to put the power in the hands of the people and that can be threatening to many in executive-level positions.

Right to Work bills are presented each legislative session in New Hampshire and across the country. Although it hasn’t yet passed in the Granite State, I worry that it’s inevitable that it will eventually become law.

Much like most of our systems, labor unions are not perfect. They have their own dark history of racism, sexism, political manipulation and many other tools of oppression. But, at their essence, the organized labor movement is what helped to create safe and healthy places for people to work. They helped to build the United States and we cannot forget that as we enjoy our annual long weekend.

I cannot imagine a world today where a woman with an eighth-grade education and for whom English was a second language would find a job that not only paid a living wage but also helped to save for retirement, reasonable hours and good health insurance benefits. Yet that’s exactly the story of my Nan, who worked for a private manufacturer in Nashua for her entire life. She was able to appreciate class mobility and, in turn, so have I.

I hope we can find the space to move out of the political polarization of unions and appreciate their role in giving our most vulnerable populations a space to survive and thrive.

Hike Happy

Climbing toward a summit can be great for your mind and body. Find out why, and how to do it safely, plus check out a few southern New Hampshire hikes that are just the right amount of challenging.

Also on the cover, the Currier Museum of Art exhibits work from the “ghetto potter,” p. 14. You can’t go wrong with a day of bacon and brews, p. 24, And Andrew North & the Rangers play Stone Church, p. 34.

Ceremony

Our first three kids went off to college pre-pandemic, so my husband and I were pretty well practiced in that ...

News & Notes 21/09/02

Covid-19 update As of August 23 As of August 30Total cases statewide 105,302 107,474Total current infections statewide 2,324 2,927Total deaths ...

Fresh pair of eyes

smiling woman wearing colorful woven top, standing in front of painting on a white wall

Meet NHAA gallery manager Amanda Kidd Schall The New Hampshire Art Association welcomes a new gallery manager, Amanda Kidd Schall, ...

That was the week that was

We have begun one of the most interesting months on the sports calendar. I love September because it’s where the ...

Quality of Life 21/09/02

Free ride, finally Manchester public high school students can now ride a school bus to school free of charge. According ...

This Week 21/09/02

Big Events September 2-8, 2021 and beyond Thursday, Sept. 2 The New Hampshire Fisher Cats continue their run of home ...

Hike Happy

young man sitting on rocky peak, overlooking lake and forest vista on sunny day

Heading into fall is the perfect time to go for a hike, with less heat and humidity, fewer bugs, and ...

Conversation and celebration

young man in art studio, painting large ceramic jar and lid

Currier exhibition features street-inspired ceramics An artist who calls himself the “ghetto potter,” Roberto Lugo has brought a new vibe ...

The Art Roundup 21/09/02

The latest from NH’s theater, arts and literary communities • Last chance for these exhibits: Don’t miss the first group ...

Go wild

small red golden seal fruit surrounded by large leaves

How to start wildflowers from seed I recently visited the Nasami Farm in Whately, Mass. This is the plant production ...

Treasure Hunt 21/09/02

old metal and glass lantern sitting on porch railing

Dear Donna, I have this antique railroad lantern and was wondering if you could give me an idea on what ...

Kiddie Pool 21/09/02

Family fun for the weekend Family fun ideas Looking for some entertainment ideas for the whole gang this weekend? Check ...

On The Job – Angelina McGlashan

Angelina McGlashan Photo manager Angelina McGlashan is a certified photo manager and the owner and founder of Preserving Memories, based ...

The Weekly Dish 21/09/02

News from the local food scene • PoutineFest is back: Save the date for the NH PoutineFest, returning for the ...

Bacon up a storm

hands in foreground pouring beer into small glass

BaNH Bacon & Beer Festival returns As the event’s name suggests, crispy, savory bacon and chilled brews are the stars ...

Eclectic and elevated

SOHO Bistro & Lounge opens in Manchester Chef Steve Shoemaker had already worked for some of the biggest names in ...

In the kitchen with Kristen Mader

woman adding flower decorations to 3 tiered white frosted cake

Inspired by made-to-order tableside guacamole at his favorite Mexican restaurants, Gabriel “Gabe” Alpuerto of LKristen Mader of Pelham is the ...

Caramel apple scones

three baked scones on white plate, apple behind them

September is here, which means two things in New Hampshire. First, it’s back to school time. Second, it’s apple season ...

The other flavors of Italy

a bottle of red wine and a bottle of white win on gray background

A look at two lesser-known Italian wine styles This week we will explore two Italian wines, both from the north ...

Espresso martini

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Editor’s note: Sometimes the essence of a drink can be summed up in short story. ‘Tis thus with this week’s ...

Album Reviews 21/09/02

Kazemde George, I Insist (Greenleaf Music) There’s something of a precedent for this album, at least in an inspirational sense ...

Bring Your Baggage and Don’t Pack Light, Essays by Helen Ellis

Bring Your Baggage and Don’t Pack Light, Essays by Helen Ellis (Doubleday, 176 pages) Resist the temptation to dismiss Helen ...

CODA

CODA (PG-13) High school senior Ruby discovers her talent for singing but she is conflicted about leaving her family to ...

The Music Roundup 21/09/02

Local music news & events • Songbird: With a set list of covers ranging from Lulu to Sara Bareiles, Marlena ...

Wide ranging

Concord band celebrates debut album For Andrew North, the stage and the studio are two distinct places, with the latter ...

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Hike Happy – 09/02/2021

View entire selection throughout the years here

Wide ranging

Concord band celebrates debut album

For Andrew North, the stage and the studio are two distinct places, with the latter a place for adventure. Phosphorescent Snack, the debut album from North and his band the Rangers, is a multi-tracked gem, with elements of funk, soulful pop and progressive jazz. It’s Steely Dan meets Frank Zappa at a 1969 Chicago Transit Authority listening party.

“Electrostatic Chills” expresses a solid groove intention, while the instrumental “Epiphone” showcases the four band members’ prowess: North on keys, drummer Dale Grant, bass player Chip Spangler and horn wizard Rob O’Brien. That the song is missing the instrument it’s named after is not lost on North.

“Yeah, there’s no guitar on the album, which has kind of become a point of pride for us,” he said in a recent interview.

Other standouts include “Down the Pipes,” with its echoes of Dixieland jazz, the can-do anthem “Dig Deep” and “Aditi,” the latter sounding like an unmistakable nod to a certain Vermont jam band.

“It’s hard to admit, because when we say we’re Phish-influenced, the reaction can go either way,” North agreed. “But there’s no question I‘ve soaked up so much of that over the decades, and it comes across in what I do. … I’ve stopped trying to downplay it.”

The connection is understandable; North moved from Burlington, Vermont, to Concord five years ago, bringing the energy of his first home along with him. Andrew North & the Rangers is a multigenerational ensemble; Grant has played drums for close to five decades, including sessions with members of Yes, Survivor and Cheap Trick, while the younger Spangler’s resume includes work in far-away places like Alaska.

Like many bands, the quartet planned to complete its debut disc in 2020, but when the pandemic ended live shows, time was used to polish it a bit more. O’Brien, who plays an electronic Roland Aerophone he affectionately calls Dustbuster that can emit a multitude of sounds, opened his laptop and created walls of horns that would please Earth, Wind & Fire.

“Covid-19 gave us a good chance to sit down and work the tracks up with some overdubbing,” North said, “and obviously, if you let Rob loose with a chance to take more than one pass at a song, he’ll take full advantage.”

North and his mates marked the record’s release with an August show at Area 23, a Concord haven for original bands like theirs. They’ll appear at Newmarket’s venerable Stone Church on Sept. 2.

“I was in a jam band in like 2006, and we were dying to get a gig at Stone Church,” North said, “and they never gave us the time of day… so I may be irrationally excited about that one.”

On Sept. 4 they’ll play a late set at the Keene Music Festival, a massive outdoor showcase of regional bands on multiple stages. Along with North’s group, Plague & Pestilence, a side project featuring Dead Harrison’s Jason Skulls and Lucretia X. Machina from Lucretia’s Daggers, will play its first public show.

Jake McKelvie & the Countertops, Jonee Earthquake Band, Kennedy Drive, Tyler Allgood and the Humans Being are among the New Hampshire bands represented at the event, which runs from 11 a.m. to 9 p.m.

“This is our first one and I’m really excited about it,” North said. “We’ve been kind of incubating in Concord for a while, and the music scene here has really started to gel in the last few years, which has been fun. Places like Area 23 really help to nurture it.”

Andrew North & the Rangers will appear again in their Concord hometown later this year, at Penuche’s Ale House on Friday, Oct. 22, and Area 23 on Friday, Nov. 5.

Andrew North & the Rangers
When: Thursday, Sept. 2, 8 p.m.
Where: Stone Church, 5 Granite St., Newmarket
Tickets: $5 – more at facebook.com/andrewnorthandtherangers
Also appearing Saturday, Sept. 4, at Keene Music Festival in Downtown Keene – City Tire Stage, 7:15 p.m.

Featured photo: Andrew North and the Rangers. Courtesy photo.

The Music Roundup 21/09/02

Local music news & events

• Songbird: With a set list of covers ranging from Lulu to Sara Bareiles, Marlena Phillips also offers original music and engaging energy. She’s spent close to three decades entertaining audiences of all types, from resorts to restaurants. Last June, she appeared at the Rex Theatre in Manchester, opening for Cars tribute act Panorama. Recently, Phillips released the sunny love song, “Meant to Love You” and the country-flavored “Running Under Water.” Thursday, Sept. 2, 6 p.m., LaBelle Winery, 345 Route 101, Amherst. See marlenaphillips.com.

• Jokemeister: A big finish in Season 2 of Last Comic Standing led Kerri Louise to star in a Women’s Entertainment Network reality show with her husband, comic Tom Cotter; Two Funny focused on raising their twin sons. In 2016 she published the tongue-in-cheek how-to guide Mean Mommy, offering “inspiration, encouragement and non-stop laughter that will last way longer than the warm feeling on your baby’s butt.” Friday, Sept. 3, and Saturday, Sept. 4, at 8:30 p.m., Chunky’s Cinema, 707 Huse Road, Manchester, $20 at chunkys.com.

• Supergroup: A regional showcase includes Marble Eyes, which came together during the pandemic when Pink Talking Fish bassist Eric Gould and Mike Carter, guitarist for The Indobox, made good on a years-long promise to jam together. The two recruited Seacoast mainstay Max Chase to play keyboards, and Kung Fu drummer Adrian Tramontano, and their driveway sessions at Gould’s house were elating. Saturday, Sept. 4, 6 p.m., Prescott Park, 105 Mercy St., Portsmouth, $8 donation suggested, prescottpark.org.

• Rocksteady: Enjoy an extra weekend night at I Love Dancehall, Part Two, an event that dives into the dance music born at the intersection of Jamaican reggae and dub, a genre much discussed recently with the death of legendary producer Lee “Scratch” Perry. Hosted by local luminaries DJ K-Low and DJ Ace, the show includes live performances from C-Scharp, Mic Vee, Illijah, Young Chrigga, Dynamic , Xiomy and Fate-One. Sunday, Sept. 5, 8 p.m., 603 Bar & Grill, 1087 Elm St, Manchester , $10 cover; 21+.

• Crossover: With a lead vocalist, harpist, cellist and piano player, Sons of Serendip isn’t the sort of band one expects to cover Kansas, Keane or Stevie Wonder, but they do, injecting classical elements into pop songs. Formed by a group of graduate student friends at Boston University, they made it to the finals of America’s Got Talent, and later the Billboard charts, with their ethereal reimagining of current hits. Wednesday, Sept. 8, at 8 p.m., Capitol Center for the Arts, 44 S. Main St., Concord, $35 and up at ccanh.com.

CODA

CODA (PG-13)

High school senior Ruby discovers her talent for singing but she is conflicted about leaving her family to go to music school in CODA, a sweet and extremely charming coming of age story.

Unlike her mom Jackie (Marlee Matlin), dad Frank (Troy Kotsur) and older brother Leo (Daniel Durant), Ruby (Emilia Jones) is hearing (the “child of deaf adults” of the movie’s title). Ruby works with her dad and brother on their fishing boat, often serving as the one to negotiate the price for the day’s catch, before heading to school.

On a whim — and as an excuse to hang out around Miles (Ferdia Walsh-Peelo), a fellow senior she’s crushing on — Ruby joins the school’s choir. Though able to belt out Motown classics on the fishing boat, Ruby is shy singing in front of other students, particularly since she was bullied for the way she talked as a child and is still picked on for her family generally. But choir teacher Bernardo Villalobos (Eugenio Derbez) pulls her past this and helps her let loose her love of singing and her natural talent. He also picks Ruby and Miles to sing a duet at an upcoming recital — leading her to break out of her shell with him as well.

As she finds her footing in choir, the family’s fishing business grows more precarious. Their earnings for each catch are decreasing and government oversight is increasing. Leo wants to start a co-op with the other fishermen that will get them better prices but Frank is uncertain about getting involved with the hearing fishermen. Leo also struggles with the family’s reliance on Ruby to interpret, as does Ruby. She wants to pursue singing and the possibility of getting in to Berklee School of Music, which Bernardo says he will help her apply for. But she also feels obligated to help her parents.

Delightfully, the movie builds a relationship between Ruby and her family that features her fierce love of them as well as her thorough (and realistic) teenage “mom!” annoyance — when they play music too loud as they pick her up from school (her dad loves the loud bass of rap), when they have a wonderfully (purposefully) awkward conversation with Miles, when her mother gets on her about how she’s dressed. It’s so perfectly teenage-parent, so much meaning-well and love and delighting at her embarrassment and “gah, back off” all rolled up into the moment. Likewise, Ruby’s loving sibling relationship with Leo is highlighted by a series of excellent insults (not one of which I can repeat in print). Because of the movie’s well-drawn relationships and fully realized characters, CODA feels as much like a family coming of age as much as it is the story of Ruby’s coming of age. Not only is Ruby making decisions about her life and what she wants to do; each member of the family is taking steps in new directions in a way that also feels very real.

There are excellent performances all the way around in this movie — Jones but also Kostur, Durant and Matlin. And it was really a joy to watch Derbez in this kind of role. I mostly know him from big, broad comedies but here he hits the right note as a caring and talented teacher.

CODA is a joy throughout. A

Rated PG-13 for strong sexual content and language and drug use, according to the MPA on filmratings.com. Written and directed by Sian Heder (and based on a French film from 2014 called La Famille Bélier), CODA is an hour and 51 minutes long and is distributed by Apple on Apple TV+. CODA is screening in theaters (in Massachusetts as of Aug. 31) and on Apple TV+.

Candyman (R)

An artist living in a recently gentrified Chicago neighborhood finds himself and his work tied up in local lore in Candyman, a sequel to the 1992 horror movie.

Anthony McCoy (Yahya Abdul-Mateen II), whose name comes with backstory for people who have seen the original movie (I haven’t), has recently moved with his girlfriend, Brianna (Teyonah Parris), to an airy apartment in the gentrifying neighborhood of Cabrini-Green, the onetime home of housing projects (that were the setting of the first movie). He is blocked, artistically, presenting pieces to an art gallery operator that are just riffs on earlier work. After Brianna’s brother, Troy (Nathan Stewart-Jarrett), tells a story about a series of murders involving a woman named Helen Lyle, Anthony decides to dig into the history of the area, hoping he’ll find some inspiration.

He meets William (Colman Domingo), a longtime resident, who tells Anthony about the legend of Candyman, a presence who appears after saying his name in a mirror five times and who then kills those who summoned him. But the legend isn’t just a local boogeyman tale; the more Anthony digs in to the story the more he learns about the various men who are considered to be the figure’s origin, all the way back to Daniel Robitaille (Tony Todd) in the 19th century — all killed by police or lynch mobs. This investigation of Candyman takes Anthony’s work in strange directions and seems to be messing with his head. He is also having an extremely bad reaction to a bee sting. Anthony’s deteriorating mental and physical states have Brianna concerned. And then acquaintances of the couple start dying.

I think I generally like where this movie starts out, the various issues it sets up: Anthony’s artistic block, Brianna’s career ambitions, Brianna’s current status as the breadwinner of the couple and how that clearly bugs Anthony, the gentrification of the neighborhood they now live in. And I like where the movie seems to be wanting to go with its overall message. But in the middle, the movie seems to wander a bit and lose the threads at times.

The movie is tightly focused on Anthony at first but somewhere around the two-thirds point it just sort of drops him as a person we’re in the mystery with, which makes his story feel unfinished. Not that a movie like this needs to make perfect sense but there are elements that felt like they needed more explanation — or maybe just a more organic explanation. Frequently it feels like plot points connect in that “puzzle pieces smashed together” sense, resulting in information having to be told to us rather than more naturally revealing itself.

I’m a sucker for this particular kind of horror, though, one that puts dread and spookiness ahead of gore (though this movie has gore). And this movie has a great visual style, particularly in the way it uses shadow puppets to illustrate exposition — they are both eerie and very pretty. Candyman may not perfectly click together for me with its plot but it delivers on atmospherics. B-

Rated R for bloody horror violence, and language including some sexual references, according to the MPA on filmratings.com. Directed by Nia DaCosta with a screenplay by Jordan Peele & Win Rosenfeld and Nia DaCosta, Candyman (that’s six; do computer screens count as mirrors?) is an hour and 31 minutes long and is distributed by Universal Pictures in theaters.

FILM

Venues

Cinemark Rockingham Park
15 Mall Road, Salem
cinemark.com/theatres/nh-salem

Red River Theatres
11 S. Main St., Concord
224-4600, redrivertheatres.org

Regal Fox Run Stadium 15
45 Gosling Road, Newington
regmovies.com

Shows

• Stripes (R, 1981) 40th anniversary screening at Cinemark in Salem and Regal Fox Run in Newington on Thursday, Sept. 2, at 7 p.m.

• The Green Knight (R, 2021) screening at the Red River Theatres in Concord Friday, Sept. 3, through Monday, Sept. 6, at 3:15 p.m. and 6:30 p.m.

• Stillwater (R, 2021) screening at the Red River Theatres in Concord Friday, Sept. 3, through Monday, Sept. 6, 12:30, 3:45 and 7 p.m.

• Together (R, 2021) screening at the Red River Theatres in Concord Friday, Sept. 3, through Monday, Sept. 6, at 1 p.m.

• Backdraft (R, 1991) 30th anniversary screening on Sunday, Sept. 5, at Cinemark in Salem at 3 p.m. and Regal Fox Run in Newington at 3 and 7 p.m., and on Wednesday, Sept. 8, at both locations at 7 p.m.

• The Alpinist (PG-13, 2020) screens on Tuesday, Sept. 7, at 7 p.m. at AMC Londonderry and Cinemark in Salem.

Featured photo: CODA. Courtesy photo.

Bring Your Baggage and Don’t Pack Light, Essays by Helen Ellis

Bring Your Baggage and Don’t Pack Light, Essays by Helen Ellis (Doubleday, 176 pages)

Resist the temptation to dismiss Helen Ellis because of her previous titles, Southern Lady Code and American Housewife, which sound like something Paula Deen might have written.

Ellis was, in fact, raised in Alabama, but shrugged that life off early in her 20s to move to New York City in hopes of becoming a writer. Before that dream was realized, however, she made a name for herself as — no joke — a high-stakes poker player. When the writing career came, it was jump-started by an anonymous Twitter account she called “American Housewife” with the handle @WhatIDoAllDay. Her timeline was richly sardonic, the MiracleGro for popularity on that platform, and a brand was born.

Her fourth book is a collection of essays called Bring Your Baggage and Don’t Pack Light, mostly composed of foul-mouthed reflections on aging, periodically interrupted by foul-mouthed reflections on cancer and other indignities of life. It begins benignly enough, with Ellis reporting that she is heading for Panama City, Florida, “aka ‘The Redneck Riviera,’” with four friends for a jaunt she calls the “grown-ass ladies’ trip,” the highlight of which is a night out to see a TV psychic, Theresa Caputo, star of a show called Long Island Medium.

After the national anthem, which everyone sang while facing an American flag projected onto the screen, the TV psychic explained that she goes “where the Spirit leads” and that occasionally she gets hot, because perimenopause. This caused Ellis to whoop and clap. “God bless this woman for yelling ‘menopause’ in a crowded theater.” she writes. “I wasn’t sure if I believed in her power, but I believed we could be friends, so she had me now, and I was rooting for her.”

And Ellis is off, with her particular brand of humor, which is a combination of Nora Ephron without the divorce and Erma Bombeck without the kids. Married for 25 years and happily childless, Ellis identified ironically as a housewife until just a few years ago, when she started owning the title “writer” after years of being famous as a pearl-wearing poker player. That distinction is one that makes her a “character,” which she explains is different from a naturally funny person. “A character wants to be the life of the party. Or the life of a seven-hour flight delay. Or the life of a Piggly Wiggly checkout line.”

For the perplexed, Piggly Wiggly is a chain of supermarkets mostly in the South. That, and the pearl-wearing, however, is about Southern as Ellis gets. There’s some of the late Texas humorist Molly Ivins in her, but she would be right at home in the cast of Sex and the City, and her humor is as racy in places as that of Carrie Bradshaw. There is, for example, the chapter in which she admits that she and her husband speculate about the sex lives of their friends. For example, she will say, after long-married friends leave, “There’s no way they’re still having sex,” to which her husband will respond, “Shh, they’re still in our hallway.”

She writes of salivating over a velour housecoat in the Vermont Country Store catalog, and the potential effect it would have on her husband’s libido. She says he would rather come home and catch her in a pyramid scheme than in that robe.

Ellis nails the one-liners in this short string of folksy anecdotes, as when she describes garage-sale regulars as “people who want to profit from your poor life decisions.” She used to wear all black to her poker games because “I myself am a pop of color,” which is shown to be true in stories about accompanying friends to have a baby or to get Botox in possibly illegal circumstances. She and her husband don’t drive (“yes, we will wing it in a zombie apocalypse” but having never owned cars, they “are not confident drivers’’), and as such have collected many comical stories involving public transportation, such as taking long bus rides to casinos. She distrusts technology (“The cloud is tech talk for something Bill Gates or Mark Zuckerberg invented to store your political preferences, porn searches and high school reunion pictures”) and invents descriptions of her friends when storing their contact information in her phone; rather than John or Mary, for example, they are the “the grifter,” “the puzzler,” “the saint” or “the zookeeper.”

In short, she’s your zaniest friend, on steroids and on her third drink, still possessed of the presence of mind to write everything down.

The collection, however, doesn’t rise to Sedarisian heights, however, because it’s too frothy. David Sedaris is one of the greatest humorists working today because there is a point to everything he writes, no matter how hilarious. There’s not much of a point behind these stories than to make us laugh, or to mildly rage. Ellis’s mother used to tell her, “Helen Michelle, you’re not for everyone,” although she’s probably for everyone who spends more than seven hours a week on Twitter. Hers is a particular brand of humor, for the perpetually caustic with short attention spans. The title notwithstanding, the book packs light and wants a bit more baggage. C+

Book Notes

Can a funny title alone sell a book?

Probably not if the content is wretched, but some publishers seem to be lapping up bad puns these days. Witness the success of the Chet and Bernie mystery series by Spencer Quinn, which features narration by a dog and titles like Scents and Sensibility and (reviewed here recently) Tender is the Bite.

The mystery genre seems especially prone to punnage, given that there is also an “undercover dish mystery series” by Julia Buckley that includes the titles The Big Chili, Pudding Up With Murder and Cheddar Off Dead.

Then there’s the Avery Aames mystery series built entirely around cheese that includes the groan-inducing titles To Brie or Not To Brie, As Gouda as Dead, The Long Quiche Goodbye and Days of Wine and Roquefort. (Aames also has a novel entitled Cheddar Off Dead, and Connecticut author Korina Moss has a Cheese Shop mystery coming out with that title in the spring of 2021, indicating that publishers like bad puns so much they’re willing to reuse them.)

Perhaps most impressive is the “Bought the Farm” mystery series by Ellen Riggs, if not for its punnage, just for the sheer volume of words.

Riggs’ titles include the forthcoming How to Get A Neigh With Murder (for now, only available on Kindle pre-order), and the previously published Dogcatcher in the Rye, Dark Side of the Moo, Till the Cat Lady Sings, Twas the Bite Before Christmas and Swine and Punishment.

For a more erudite look at puns and why we love them, check out John Pollack’s The Pun Also Rises (Avery paperback, 240 pages).

Pollack, a journalist and former speechwriter for President Bill Clinton, knows something of which he writes, having won the O’Henry World Pun-Off competition in 1995. Yes, that’s a real thing. This year’s contest is scheduled for Oct. 23. Check it out at punoff.com.

Featured photo: Bring Your Baggage and Don’t Pack Light.

Month: September 2021

2021 Patriots preview

Setting the scene

News & Notes 21/09/09

Summer bookends

Hike Happy

Hike Happy – 09/02/2021

Wide ranging

The Music Roundup 21/09/02

CODA

Bring Your Baggage and Don’t Pack Light, Essays by Helen Ellis

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