Artists and authors talk about their latest comic books and more
New Hampshire comics creators have faced plenty of challenges in the past year, like publishers and distributors shutting down, comic conventions being canceled and collaborative processes taking longer than usual. But more time at home has meant more time for creating, new inspiration for story concepts and themes, and virtual events that reach a wider audience. Nine local comics creators reflect on the past year — the good and the bad — and talk about their latest and upcoming projects.
Shiv
The Manchester comic artist who creates under the pseudonym Shiv has a portfolio full of standalone comic art prints and commissioned fan art, original characters and portraits, but has never released a full comic series. That’s about to change. The pandemic provided Shiv (who uses they/them pronouns) the push they needed to move forward with a sci-fi webcomic series. Shiv is co-creating the series with their partner and it’s been a long time in the making.
“That’s kind of been my big, looming comic project,” said Shiv, who preferred not to reveal their full name so as to keep their work as an artist separate from their day job. “Normally, I’ll find any reason to procrastinate, but … Covid life has changed … my motivation. I’ve found myself really on the ball artistically while being stuck inside.”
The series, which is “basically about a big treasure hunt in space with pirates and all that,” Shiv said, will most likely launch next month, and they will continue to add to the series over time.
“Who knows when the entire project will be done since it’s meant to be a series, but … my main focus right now is getting the webcomic up and running,” they said.
Shiv said the events of 2020 have been “very inspirational” for the absurdist humor that they often incorporate in their art, and that they’re interested in exploring that more in their future work.
“Who knows?” Shiv said. “Maybe I’ll make a comic that harnesses the strange and unfortunate emotions that were produced this past year.”
Check out Shiv’s work at shiv-art.square.site, on Twitter @shivyshivon and on Instagram @ohnoshiv.
Ryan Lessard
Ryan Lessard of Manchester, creator and writer of the sci-fi comic series Sentinel, released the second issue of the series in the fall — but not without some setbacks.
In January 2020 the Kickstarter-funded comic was in the process of being colored and Lessard announced that it was on track to be sent out to backers in April. Then the pandemic hit, and his colorist had to work double time at his day job at his state health department, “squeezing in time to do colors when he could,” Lessard said.
“So it took a few months longer than expected,” he said. “You do your best estimating when people will get their books, but sometimes stuff happens, and a global pandemic happened to everyone.”
Set in a spacefaring future, Sentinel follows an alien reporter through the investigation of a terrorist attack that nearly killed her and set off a chain of events.
Lessard said he’s hoping to launch the Kickstarter campaign for the third issue in March. So far, his goal has been to have one campaign a year, but now, having completed the scripts for at least another eight issues, he’s looking at the possibility of doing more.
“As my audience grows, I may be able to increase the frequency of production,” he said, “like maybe making two books at once, for example.”
Lessard has also been brainstorming and writing scripts for some graphic novels and one-off comics. He has already recruited an artist for a one-off about a hitchhiking robot, which he anticipates starting production on later this year, and is more than halfway done with the script for a space horror graphic novel, which he said was inspired by Covid life. The story, Lessard said, follows a crew of eight people who, having been stuck on the same spaceship together for a couple of years, are “bouncing off the walls with boredom before things take a dark turn.”
“The original idea and its main twist came to me in a dream,” he said, “but the tone and feel and the idea of being cooped up — I’m sure that came from living in lockdown and quarantine for the better part of the past year.”
The first two issues of Sentinel can be purchased locally at Double Midnight Comics in Manchester. For updates on Ryan Lessard’s upcoming projects, visit orionnewsservice.com and follow him on Kickstarter at kickstarter.com/profile/ryanlessard/created.
Stephen Bobbett
At the start of this year, Dover comics creator Stephen Bobbett launched Earth is the Worst, a new webcomic with a full-color four-panel strip added every Tuesday. The series largely follows two aliens living on Earth as they provide commentary on the absurdities of human culture.
“It’s inspired by a lot of the newspaper comics I grew up with in the ’90s, like Calvin & Hobbes and The Far Side,” Bobbett said. “It even has a grainy print style as an homage to that era.”
Bobbett. Courtesy image.
While some of his other comics “delve a little too deeply into world-building,” Bobbett said, he created Earth is the Worst to be more accessible and appeal to a wider audience in the same way that many of the classic “old-school” newspaper comics did.
“Since Covid has put us all in a state of forced isolation, I think it’s become more important to make art that people can instantaneously connect with,” he said. “With Earth is the Worst, I wanted to make a comic where the archetypes were instantly recognizable, where you didn’t have to read multiple pages to get the story, and — most importantly — where you might get a good laugh in the middle of a rough news day.”
Bobbett said he plans to continue adding to Earth is the Worst weekly for now. He’s also currently working on a dark comedy/sci-fi graphic novella series called The Big Crunch, which centers on an interplanetary city revolving around a black hole.
Two to three times a week Bobbett streams his art process on Twitch and answers viewers’ questions about comics and illustration. He’s been doing the streams for around five years now, he said, as a way of “turning visual art into an educational and social event.”
“But this year it took on special significance as a way to stave off people’s loneliness during quarantine,” he added. “It’s been a godsend.”
For more on Stephen Bobbett, visit stephenbobbett.com or catch him on his Twitch channel at twitch.tv/FancySchmancy. See the Earth is the Worst webcomic at earthistheworst.com, with a new strip added every Tuesday.
Ed Smith
Ed Smith of Bedford is currently working on a few comics projects; as of last week he was finishing up a four-issue graphic novel called 2nd Place, co-written with Ben Goldsmith. He’s also working on a monthly sci-fi serial strip and writing a book based on a story idea he had in high school.
“When drawing comics it’s usually a good idea to have as many irons in the fire as possible,” said Smith, who works professionally as a graphic designer but aspires to be a full-time comic book artist.
2nd Place is about an intergalactic bodybuilding competition that takes place between aliens. The two main characters are best friends who wish they were living each other’s lives. Smith said it’s an introspective look at them examining their own lives.
“The whole thing is done in a mockumentary style, like The Office or Best in Show,” Smith said. “So even though the theme seems pretty emotional and dramatic, it’s got a lot of humor to it. … I [also] like to draw stuff in the background as little jokes and Easter eggs, so the readers can have more than just a quick page glance when they read it and get their money’s worth.”
Smith describes his work as very clean, emotive artwork that allows the reader to feel motion and emotion. It also transfers well from print to screen, he said, something he’s focused on since he read The Tick as a kid and then watched the TV show that was created based on the comic.
“It looked horrible to me,” he said. “I made it a mission of mine to create artwork that will go from the page to the screen and still look good.”
The serial strip that Smith is working on is for a sci-fi magazine; it’s written by Alex Collazo, as part of his Manalex novel series.
“It’s sci-fi meets martial arts swords-and-sorcery type of books,” Smith said. “I usually handle funny and cartoony styles and stories, so I’m doing my best to make sure that the … author is content with my perspective of his character. … “It’s given me an opportunity to stretch my artistic muscles and do something outside of funny pages.”
Smith is also drawing for The Life and Times of the Supertopian, a book about stories that take place across the lifetime of a superhero that really existed in this comic book universe, written by Rich Woodall. And he has a personal project in the works that he plans to self-publish, a book about a boy who grew up next to a town full of superheroes but was always too insecure to try to be one himself.
“It shows kids that if you have a dream or a goal for yourself, you should never give up. You should always follow it, because you’re worth it,” he said.
While everyone has had to navigate a Covid-19 world, 2020 was especially life-changing for Smith, who had a heart valve replaced at the beginning of the year. At first, he fell into a post-operative depression and reached out to a friend for support. Smith speaks fluent sarcasm and appreciated his friend’s response — something to the effect of, “Gee, it’s really tough for us artists who can use what we do as a way to emote.”
“I started putting out a lot more work and it started to get better,” Smith said.
The pandemic did affect his work, though. He’s explored artistically as well as emotionally through a lot of different story lines. He’s also become much more adept at connecting with his readers, and other artists, online.
“I was really inexperienced when it came to social media, so a lot of contact with my fans was at conventions or through Facebook or Instagram,” he said. “Now I understand social media more; I can interact with fans and post videos.”
Smith said he misses that face-to-face interaction at conventions, but staying in touch with fellow artists hasn’t been a problem.
“Artists are very emotionally raw, so we tend to support each other as much as possible,” he said.
You can find some of Smith’s work on his Facebook or Instagram pages, or on his website, cartoonistatlarge.com.
— Meghan Siegler
Emily Drouin
As a full-time professional illustrator, children’s book and comic book artist, video editor and animator, Emily Drouin of Raymond is always creating.
Drouin is best known for her kids sci-fi action-adventure comic EPLIS, but with many comic conventions canceled due to Covid, she has turned her attention to commission work, some of which was new territory for her.
“I’ve had more time to work with more clients, which has really opened up some doors for me and [provided opportunities to] improve my art and work on new skill sets,” she said. “That’s one of the things I love most about my job — the variety of projects. I love the challenge of doing so many different things.”
One of her biggest jobs was doing the illustrations for two books in The Pumpkin Wizard series, a children’s anti-bullying fantasy adventure series written by Dover authors Derek Dextraze and Caitlin Crowley. Some of her other recent projects are illustrating a cover for a young adult book by a local author (she’s not at liberty to reveal the title yet, she said) as well as some coloring activity books, including one with notable figures from Black history.
Drouin also spent a lot of time reinventing last year’s Kids Con New England, of which she is the founder and organizer. Typically held in Nashua in June, the just-for-kids comic convention was converted to a free two-day virtual event in May, featuring creative workshops, special guest comic creators, book readings, sing-alongs and musical performances, a puppet show, tabletop gaming, costume contests, a coloring contest and more.
“We wanted to capture as many of the in-person events as possible,” Drouin said. “It was actually a more unique experience, because we were able to connect with comic creators and families from across the country, so we had even more people than we would have had at the in-person event.”
At present, Drouin is back to working on comics, including the fifth issue of EPLIS and a new horror comic.
“Children’s comics and children’s book [illustrations] have always been my thing, and this [horror comic] is about vampires and stuff, so it’s a totally new thing for me,” she said. “I’m excited to expand and do something different.”
Check out Emily Drouin’s comics and other work at emilyatplay.com. Recordings from the virtual Kids Con New England event held last May are free to watch at kidsconne.com.
Marek Bennett
After a successful Kickstarter campaign, Henniker comic artist Marek Bennett is finishing up the final draft of his contribution to The Most Costly Journey, a nonfiction comics anthology scheduled to be released in February that tells the true stories of Latin American migrant workers working on dairy farms in Vermont.
It’s one of several projects that Bennett is currently involved in, though he admits that the future is a little fuzzy right now.
“I have some plans that I was supposed to visit in 2020, and they’re on the calendar now for spring 2021, but honestly, there’s no guarantee,” he said.
The biggest upheaval in Bennett’s work has been his involvement with local schools; most years from January through May or June, he’s working in schools several days a week. He was in the middle of a residency in Epping when schools shut down last spring.
“[Those residencies] are 50 or 60 percent of my annual income, and that was just gone,” he said. “[But] If I focus on the money, it’s really stressful and depressing and it’s not why I got into cartooning.”
Bennett spent the rest of the spring trying to figure out how to reach an audience that he could no longer work with in person.
“I’m doing some regular live draws,” he said. “That’s really the bedrock of what I’ve been doing since the summer … and Zoom sessions.”
The live draws are every Monday and Friday, for anyone who’s interested but also for those school groups that he can’t otherwise connect with right now.
“If a classroom dials in, that’s one view or one share, but it’s 20 kids who get to draw — that’s so much more valuable than selling a mini comic for a dollar,” Bennett said. “I’ve been doing as much as I can through Facebook live and YouTube live, just so it’s a little less prerecorded, [although there are] archived videos [too].”
Along with trying to maintain that connection, Bennett has used some of his newfound time at home to go back to his sketchbooks and do more creative, aimless doodling that leads to new ideas.
“Amidst all the upheaval and the uncertainty, having an excuse to be still … has helped a lot,” he said. “Quarantine and isolation is tough, but to a cartoonist, in some ways it’s kind of an ideal scenario to get things done.”
Other projects that Bennett is working on include a series of drawing activities created with a USDA grant that address toxic lead contamination in lakes and toxic materials in cosmetic and self-care products, and a series around federal sedition laws that explores the implications of current events.
“I’m taking those laws and drawing them out in very simple cartoons [and] making videos,” he said. “I get so stressed about the news, but creating art about it, there’s a sense of relief.”
Bennett is also working on Vol. 3 of The Civil War Diary of Freeman Colby, and he’s going to do more work with the Vermont Folklife Center, which is producing The Most Costly Journey. The next planned project is a book of comics drawn by New Hampshire and Vermont cartoonists based on the life of Vermont storyteller Daisy Turner, who was born in 1883 and lived until 1988 and whose family’s oral history reaches all the way back to early 19th-century Africa.
“There’s just an incredible body of lore there,” Bennett said.
Marek Bennett’s work can be found at marekbennett.com or through patreon.com, a website that allows fans to support their favorite artists in exchange for exclusive insider access to previews, future projects, workshops and more.
— Meghan Siegler
Brian Furtado
As a creative writing and graphic novel storytelling instructor at New England College, Brian Furtado of Manchester found himself with a lot of unexpected free time when many of his classes for 2020 were cut due to Covid.
While the “weeks upon weeks of struggling with unemployment” were difficult, he said, the silver lining was that he had a rare opportunity to focus on his own comic series, Re-Verse, which has been years in the making.
“It wasn’t exactly a stress-free writing retreat, but I did get a lot of work done,” he said. “I got a lot more work done on this comic in 2020 than I think I could have any other year.”
Furtado described the series as “an absurdist, satirical sci-fi comedy about a disgraced pop star turned private investigator who also happens to be an anthropomorphic duck.” It’s the first comic that he is creating entirely by himself, doing the writing, penciling, inking and coloring.
“It’s been a long and arduous task,” he said. “My experience and education are in writing. … Until this project, I never really considered myself an artist. I’ve had to teach myself a lot more new things in order to get the artwork of this book up to the same level of quality I’d expect from an artist I [would] commission to draw it.”
Furtado said he expects to have the artwork for the first issue of the seven-issue series fully completed within the next few weeks, “fingers crossed.”
“Now that I’ve developed my own art style and drawing habits, I should be able to crank out [the artwork for the] issues much more quickly,” he said.
Furtado has started the outlining and writing on a few other comics, which he plans to develop more once he releases the first issue of Re-Verse. For those, however, he’ll be commissioning artists to do the artwork; he’s got his hands full doing the art for the next six issues of Re-Verse.
“I think doing all the writing and artwork on multiple projects at once would actually kill me,” he said. “[Commissioning artists] will free me up to write scripts for other artists to work on while I do all the artwork on Re-Verse.”
Check out Brian Furtado’s art on Instagram @SuperBri64.
Joel Christian Gill
Joel Christian Gill of New Boston is best-known for his graphic novels that tell the lesser-known stories of Black history in the U.S., but his latest book, Fights: One Boy’s Triumph Over Violence, released in January 2020, tells a different kind of story.
“It’s a graphic memoir that chronicles my life growing up and is kind of about how kids deal with emotional abuse, sexual abuse and violence,” he said. “It’s definitely a departure from the books I’ve done previously.”
Also in 2020, Gill created a series of humorous comic strips called S— my Students Say, which was published in The New Yorker.
His next book, the third volume in his Tales of the Talented Tenth graphic novel series, will be released later this year, he said. It tells the story of Robert Smalls, an enslaved African American man who stole the U.S. Confederate warship The Planter and sailed it to the Union army.
Currently, Gill is collaborating with Ibram Xolani Kendi, author and the director of the Center for Antiracist Research at Boston University, to create a graphic novel adaptation of Kendi’s 2016 nonfiction book Stamped from the Beginning: The Definitive History of Racist Ideas in America. Gill said the graphic novel is projected for release in 2023.
An associate professor of illustration at Massachusetts College of Art and Design in Boston, Mass., Gill has also been busy teaching remotely and presenting numerous virtual lectures, panels and workshops on comics.
“Not having to travel has given me the opportunity to say yes to things that I normally wouldn’t have been able to say yes to,” he said.
But having to do virtual events in lieu of the in-person book signings for Fights that he had planned has been disappointing, Gill said.
“Not being able to connect with people in the way that I’m used to has been the biggest hit for me,” he said. “Seeing people in real life and being in a room with them is just different, and I want to get back to that.”
Learn more about Joel Christian Gill’s work and upcoming events at joelchristiangill.com.
Rich Woodall
All things pandemic considered, work has been going well for Somersworth comics creator Rich Woodall. He lucked out last March when his comic book Kyrra #1 hit shelves on the last day of new comic book releases before the Covid shutdown brought comic book presses to a halt; and he got to create the first three issues of Teenage Mutant Ninja Turtles: The Last Ronin and is starting work on the fourth and fifth issues now. But his biggest achievement over the last year has been launching his own horror/sci-fi imprint.
Woodall and comic artist Joseph Schmalke, with whom he co-created, co-writes and co-illustrates the popular horror comic series The Electric Black, are the co-publishers of the imprint Black Caravan, which is housed under their series’ publisher Scout.
Starting out as a publisher during the pandemic had its challenges, though, Woodall said, the biggest one being that Black Caravan’s distributor had completely shut down.
“We had to change our distribution system entirely,” he said.
Woodall and Schmalke concluded that their only option was to take the distribution process into their own hands. It’s an unorthodox practice and normally frowned upon by retailers, Woodall said, but under the pandemic circumstances, retailers were more receptive.
“Covid really kind of forced their hand,” he said. “Not many comic [publishers] were putting out comics, and some had shut down for good. [The retailers’] shelves were empty, so they didn’t really have a reason not to work with us.”
Black Caravan has published eight titles so far — six of which Woodall has contributed to creatively through writing, coloring, illustrating, design work, character design or lettering — and there are more on the way.
“I think we have about 12 different titles under our belts now … and roughly 30 individual issues coming up,” Woodall said. “[Schmalke] and I have a lot of plans. We’re going to continue creating new stuff and building up Black Caravan even bigger and better.”
Find Rich Woodall’s comics and Black Caravan publications at theblackcaravan.com.
